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#ted rooney
lajoiedefrancoise · 5 months
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Seinfeld (1989 - 1998)  
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lecameleontv · 2 years
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Captures de l’Ep. 1.15 - Indice d’Ecoute / V.O. : Jaroldo! (1997) de la série Le Caméléon (V.O. : The Pretender).  
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Distribution : - Gregory Itzin, qui apparaît dans la série Mentalist et 24 heures chrono ; - Michael B. Silver, qui apparaît dans la série Urgences,  Les Experts : Miami et Skin; - Lisa Howard, qui avait déjà rencontré Michael T Weiss dans la série Des jours et des Vies. - Ted Rooney, qui apparaît dans la série Urgences et le film Pretty Broken (2018) et qui apparaît dans l’Ep. 9.17 de la série Seinfeld et 2.01 de la série La Caravane de l’Etrange (2005) avec Jon Gries ; - Mark Chadwick, qui apparaît dans le film Un éléphant sur les bras (1996) et fait partie de l’équipe technique de la série Charmed et des films Soldier (1998), Mr Deeds (2002), Daredevil (2003), The Comebacks (2007), Faults (2014) et Le Mans 66 (2019) ...
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- Acuponcteur : “Je suis très doué pour réduire toutes les tensions du corps” - Mlle Parker : “ C’est drôle... moi je suis douée pour les créer” (sourire)
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Autres captures : 1 - 2 - 3 - 
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- Annie, monteuse audiovisuelle : “Je croyais que seul Dieu réécrivait l’Histoire.” - Chris Rockwell, directeur de l’information : “Dieu n’a jamais fait de télévision.”
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- Mlle Parker (moqueuse) : “Vous avez peur du noir ?” - Sydney  : “ Seulement quand il cache un danger”.
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- Mlle Parker : “Je vais compter jusqu’à 3, ensuite je vous tire dessus, qui que vous soyez... Un... Deux ! Attention ... Trois.”
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- Mlle Parker : “Qu’est-ce que vous voulez ?” - un homme, tenant un couteau : “Hin qu’est-ce que t’as ?” - Mlle Parker : “ J’ai un 9 mm pointé sur vous.”
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- Annie , monteuse audiovisuelle : “Les prix [récompenses professionnelles] ne signifient plus rien de nos jours. Pulitzer se retourne dans sa tombe, c’est le mensonge qui est Roi ”.
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- Phil Campbell, journaliste présentateur TV : “Tout baigne quand ça saigne. Voilà la nouvelle mode des infos, que ça vous plaise ou non. Soit nous surfons sur la vague, soit on est emporté par la marée.”
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- Jarod : “Oui, il se passe des choses étranges à la télévision.”
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- Jarod : “Très beau travail tout ça.” - Phil Campbell, journaliste présentateur TV :  ”ah c’est le résultat de 20 ans de télévision.” - Jarod : “Je me demandais ... est-ce que vous auriez rangé les rushs quelque part.. j’adorerai voir comment ça était monté.”
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- Mlle Parker : “ Je ne vous ai pas tiré dessus ! Il s’agit d’un accident.” - Sydney : “ Je n’ai jamais aimé les armes. J’espère que vous n’en porteriez plus !”
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- Ken Watanabe, cameraman : “C’est curieux vous savez, dans la vie on prend une route, on se fixe au début, et quand enfin on y arrive... y’a un pan qui s’écroule.” - Jarod : “... Mais qui peut savoir... la vie... est toujours très surprenante.”
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- Sydney : “ Les regrets sont souvent induits par une absence de choix vous savez...” - Mlle Parker : “ Contrairement à vous Sydney, je ne crois pas que tout échappe à mon contrôle.”
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- Sydney à Mlle Parker : “Vous pouvez toujours aller lui dire ‘Papa, je m’en vais !’“
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- Sydney : “Je suis stupide d’essayer de vous réconforter.” - Mlle Parker, méprisante : “ Comme si vous pouviez.. faire quoi que ce soit qui puisse me réconforter.”
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- Chris Rockwell, directeur de l’information : “C’est bon pour la Chaîne d’avoir des prix, mais ça rend les journalistes paresseux. Il faut avoir de l’appétit dans ce métier, il n’y a que ça de vrai.” - Phil Campbell, journaliste présentateur TV : “Vous allez boire de l’eau toute la soirée ou vous venez faire la fête ?”
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- Broots :”Attendez, vous me demander quel est mon niveau de compétences ?! Non mais je rêve !!”
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- Broots : “Oh si vous saviez comme on est au calme ici sans elle [Mlle Parker]” - Jarod : “Vous croyez que ce serait plus calme si vous travailleriez pour Raines ?” - Broots : “... Mr Raines ? ...” (chuchotant)
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- Mlle Parker : “Pourquoi n’êtes-vous pas parti quand ... quand le vent à tourné ?” - Sydney : “ Il y avait des gens... dont le sort était plus important à mes yeux... que le mien.”
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- Sydney : “ Il n’est pas tellement différent de nous vous savez. Nous aurions tous ...emprunté des chemins différents ... si nous avions eu le choix.”
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- D-Mac : “T’aurais pas des tendances suicidaires par hasard ?” (hargneux) - Jarod : “ Pas que je sache, non.” - D-Mac : “ Dis-moi, ta mère t’a pas dit que les Blancs n’avaient pas le droit de se promener dans les quartiers des Bronzés !” - Jarod : “ Et bien en fait moi je n’ai jamais connu ma mère, donc je crois que la réponse est non.’
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- Sydney : “ Quand quelqu’un est déjà mort,, on ne peut pas le tuer à nouveau.”
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- Jarod : “ Vous le connaissez bien. Vous avez vu la somme d’énergie qu’il déploie pour retrouver sa place au sommet ?” - Annie , monteuse audiovisuelle : “ oui mais de là à risquer la vie d’un homme ?!” - Jarod : “ Mais c’est parce qu’il est aux abois, c’est tout. C’était une vraie star et il est presque fini maintenant.”
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- Jarod : “son informateur a parlé de feux d’artifice. Et les feux d’artifice riment avec indices d’écoutes. Au boulot !”
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- Phil Campbell, journaliste présentateur TV : “ Jarod, ils vont s’entre-tuer si ça continue.” - Jarod : “ Ca fera de l’audience au moins.”
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- Phil Campbell, journaliste présentateur TV : “ Non non !! Vous ne pouvez pas me tuer , vous ne pouvez pas me tuer ! Y’a une caméra de télévision pointée sur vous !” - Jarod : “ Ah oui ! Les caméras ! Ca peut faire des choses merveilleuses !”
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Saison 1 : Épisodes 01 - 03 - 08 - 09 - 11 - 13 - 15 - 17 - 19 - 22.
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source : imdb
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air--so--sweet · 5 months
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I have an unfinished thread on my twitter of every Gilmore Girls cast member to ever appear in ER (there's a lot!). It's unfinished because later seasons of ER are...not good. But I'm still deluded that I'll someday manage to get through it, and I dont use twitter anymore, so I'm moving it here instead. Also, I missed Keiko Agena's appearance in season 5, so my plan to rectify it was to mention it when she appears in season 12...I'm not sure why I'm explaining myself literally no one but me cares about this.
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tobebbanburg · 10 months
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Researching for a S2 starting Ted Lasso fic has made me realise two things about the teams they'd be playing:
Richmond would have played against Cardiff, so Colin would've not only had to contend with facing off his old-relegated team with his new one, but given what we know about his grandma may not even have had the full support of his family in doing so (Colin&Jamie bonding when I ask you).
Richmond would have played Derby; Isaac would have shaken hands with Wayne goddamn Rooney one match as captains, as equals. Yes, it's at the end of Rooney's career and he's playing for Derby of all teams, but given Rooney's prominance in English football whilst Isaac was growing up that would have been A Moment for him.
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coochiequeens · 7 months
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Personally, I don't want to live in a world where little boys playing with dolls and little girls who don't like wearing pink are subjected to lifelong medical intervention because lunatics think these kids are in the wrong body. If that's the right side of history, then history can go f**k itself." - Graham Linehan
Stretched out on a hospital trolley after a surgeon had removed my cancer-riddled testicle, waiting for a doctor to give me the all-clear to go home, I lazily opened Twitter.
This was five years ago and, at this point, I had not quite nailed my colours to the gender-critical mast. I had defended women being smeared with the slur 'Terf' (for 'trans-exclusionary radical feminist') and was being monitored by trans activists as a result. This made me nervous, though I wasn't quite sure why.
I'd had an inkling of what I was up against when my wife Helen and I played a small part in repealing Ireland's draconian abortion laws. Working with Amnesty International, we appeared in a video in which Helen spoke of terminating a pregnancy because the foetus she was carrying had an abnormality which would have resulted in death moments after birth.
We tried to attend every protest and, at one event, I remember some strange person with a bullhorn bellowing out this nonsense: 'We want the state to pay for abortions!' [general cheering] '...and surgeries for trans people' [puzzled mumbling].
I felt uneasy. Sure, let's talk about trans rights, but first things first. We hadn't yet won the fight on abortion.
In retrospect, this was the first sign I had of the sleight of hand that would allow a sinister movement to attach itself to progressive causes and wrap itself in their stolen banners.
Then, when Ireland voted to overturn the abortion ban, Amnesty Ireland tweeted that this was a victory for 'pregnant people'. I was enraged.
My wife wasn't a 'pregnant person'. She was a woman, and a mother.
But these were only the first ripples of a gathering tsunami of madness. Online, people had started to go dangerously insane. It was such a slow process that I didn't notice it at first, but now, as I lay in hospital, I was collecting my thoughts on the subject.
I knew my positions were thought-through and sound, and I was sure that once people saw I was arguing in good faith, they'd see the problems with gender ideology and we could have a sensible, grown-up conversation about it.
I also told myself that, as co-writer of well-loved television sitcoms Father Ted and The IT Crowd, I had an audience out there who would listen to me. So I sent a few tweets carefully outlining my argument.
Meanwhile, I was in intense pain from the wound under my bandage and, when I was finally told I could go home, I couldn't stand up. A bed was found for me and I lay there, enjoying a bit of peace until the morphine wore off.
The visitors had gone and all was quiet. I decided to have a look at Twitter (now X).
My careful explanation of my position had certainly had an impact.
A trans activist and journalist called Parker Molloy, who identifies as a woman and is enraged if anyone disagrees, had sent me a number of increasingly frenzied direct messages.
After the third or fourth time telling Molloy I was in hospital, I ended the conversation. Meanwhile, another tweeter hopped into my replies to say, 'I wish the cancer had won'.
My ordeal had begun. Cast adrift, I was about to lose everything — my career, my marriage, my reputation.
A little bit after my brush with cancer, I brushed with something almost worse. A biological male, now going by the name Stephanie Hayden, was determined to wreck the life of anyone who flouted trans dogma.
A woman was arrested at home in front of her two young children and put in a prison cell for seven hours after she referred to Hayden on Twitter as a man.
When I made a public accusation about Hayden on X, Hayden didn't challenge it.
Instead, I was accused of breaking confidentiality by publicising Hayden's former male identities.
Hayden reported me to the police. The Guardian, whose editors seemed to have given up any pretence of being even-handed on this issue, published an article headlined 'Graham Linehan given police warning after complaint by transgender activist'.
It claimed I had been given a 'verbal harassment warning' by police acting on Hayden's complaint. This was untrue. I'd been phoned by a policeman who seemed confused when I told him that I'd blocked Hayden on Twitter months ago, so could hardly be accused of harassment.
The policeman then said something like 'stay away from her, awright?' and rang off.
For a national newspaper to headline this as a 'harassment warning' — a formal document that needs to be delivered in writing — was disgraceful, but typical of how many journalists liked to frame things that involved feminists and their allies.
After seven months of wrangling, the paper eventually removed the word 'harassment', which was too little, too late.
By then, the 'police warning' had morphed on social media into 'police caution' — which is issued where a crime has been committed and requires an admission of guilt, neither of which had happened. The false claim that I received a police caution for transphobia is constantly repeated to friends and colleagues to justify my cancellation. It was even presented to my publisher as a reason not to publish this book from which you are reading an extract. I found it grimly funny that the police and media were acting as reputation managers for a character like Hayden, but my wife Helen was terrified at being targeted in this way.
Hayden and Adrian Harrop, a Liverpool-based GP who was temporarily suspended from practising medicine as punishment for his aggression towards women on Twitter, trolled a Catholic journalist called Caroline Farrow, live-tweeting a visit to her home in a way that seemed designed to frighten and intimidate her.
She was about to travel to the U.S., but her visa was withdrawn. Harrop tweeted that he'd just visited the U.S. embassy in London: 'Consular staff very efficient at dealing with my important diplomatic business,' he wrote, with a wink emoji.
In a tweet, I called Harrop 'Doctor Do-Much-Harm'. The next morning, the police turned up at my door. I told them I wouldn't be changing my online behaviour one iota, and that Harrop bullied women online.
The policeman nodded, said something about free speech, and left. However, that visit wore heavily on my wife.
But the likes of Hayden and Harrop could not have had such success without accomplices in the police and the Press. It was surreal how swiftly they gained such power over society.
As for my career as a successful television scriptwriter, that proved to be over before the stitches from my cancer operation had healed.
Around this time, I received a letter from Sonia Friedman, one of the biggest theatre producers in London's West End, about me writing a new companion piece for the late Peter Shaffer's classic one-act farce Black Comedy.
I was apparently 'top of our dream list' to pen it.
Black Comedy is possibly the most ingenious farce ever written. I'd seen it years before with David Tennant in the lead and it left me giddy and envious. Now, going from lowly sitcom writer to being considered worthy of pairing with Shaffer had me floating.
Not for long, though. Only a few days later, Shaffer's estate decided on the late playwright's behalf that they 'didn't want to get involved' by 'taking one side or the other'.
More jobs began to fall away. A tour to Australia to teach comedy was cancelled because the company claimed it 'wouldn't be able to afford the security'. I discovered later this was a standard excuse given to those of us declared unclean by the new sacred class.
I'm also the person who worked with comedians Steve Martin and Martin Short for the shortest period of time. Five minutes, I think it was. A producer invited me to develop a comedy-drama TV series in which both would star. I had a flat-out offer and then, within minutes, an email from the same producer rescinding it, I suspect after a Twitter user in his office told him I was a bigot.
Even what I thought would be my pension was taken away from me. There were plans to make a musical of Father Ted, written and directed by me, which I was certain would be a huge hit, perhaps even make my fortune if I could get it right.
I hadn't reckoned how resolute the forces against me actually were, and how quiet my colleagues would be in the face of their onslaught. Sonia Friedman, the producer, told me I was 'on the wrong side of history' and advised me to 'stop talking'.
I suddenly found myself in a raging argument with this powerful woman who held my musical in her hands. But hearing one of these copy-and-pasted, thought-terminating clichés from the mouth of a colleague was more than I could bear.
Personally, I don't want to live in a world where little boys playing with dolls and little girls who don't like wearing pink are subjected to lifelong medical intervention because lunatics think these kids are in the wrong body. If that's the right side of history, then history can go f**k itself.
The meeting ended with each of us trying not to catch the other's eye in case it kicked off again.
I thought at least that Jimmy Mulville, the head of Hat Trick Productions, was on my side.
As the original producer of Father Ted, the company had a big stake in this new venture. But now the Hat Trick people began to go the other way.
I had another meeting around the supposed problem of my defending women and girls, in which, as always, no one could locate the flaw in my analysis as I explained over and over again: 'Children are being hurt. Women are losing their sports, their language, their privacy.'
Finally, I referred to the violent, terroristic nature of trans rights activism. Casually, off-handedly, Jimmy said: 'Well, there's bad behaviour on both sides.'
'Both sides' is a poisonous smear. No one on my side of the argument insists that people should be shunned by polite society. No one on our side wears T-shirts with slogans such as 'Kill all Terfs' and 'Die Terf Scum'.
I was told by one acquaintance: 'Some of the things you've done have been questionable.' 'Give me an example,' I replied. Long pause. 'All right, well maybe not.'
The final act was a meeting in the Hat Trick offices in which Jimmy told me I was to remove my name from Father Ted The Musical or he would not make the show — my show, which I had been tending, rewriting and refining for the best part of half a decade.
Once again, I asked what I was being accused of.
Jimmy rolled his eyes, as if it was self- evident. Desperately, I tried to explain what was happening to women's rights, and to the young girls mutilating themselves because of — 'I DON'T CARE!' Jimmy shouted. I left.
Later, I heard from my agent that in return for declaring me an unperson, Hat Trick was suggesting an up-front payment of £200,000 as an advance on my royalties. Initially, I agreed to go along with it, because I needed the money. But then I changed my mind.
I saw an interview with the mother of one of the women competitors who found themselves up against the trans swimmer Lia Thomas.
Lia was still physically intact and all the girls worked out how many towels to take into the locker room to cover themselves up completely as they changed.
'I asked my daughter what she would do if Lia was changing in there,' said the mother. 'And she said resignedly, 'I'm not sure I'd have a choice.' I still can't believe I had to tell my adult-age daughter that you always have a choice about whether you undress in front of a man.'
What messages have these girls been receiving?
My heart was ripped apart. I closed the door for ever on making any kind of deal with Hat Trick. I was prepared to betray myself for £200,000, but I couldn't abandon my daughter.
BEFORE the gender hoopla, I only knew people in the media. Now I had been so effectively cancelled that virtually no one in the media would return my calls. But I began to count as friends social workers, police officers, solicitors, barristers, doctors, nurses and academics who sided with me or shared my experience.
One of the few people I still know in the creative arts is the choreographer Rosie Kay.
At a party at her home in Birmingham for her company of young dancers — some of whom went by 'preferred' pronouns — the conversation turned to her plan for an adaptation of Virginia Woolf's gender-bending Orlando.
The discussion turned heated as she explained that she strongly believed in the reality of sex because she and her son had both almost died while she was in labour.
During that ordeal, her womanhood was literally a matter of life and death for her.
Her husband would never know that experience, and that difference between them meant something.
To the little sparrows of the Church of Gender, this was all high heresy, and could not be tolerated. The dancers harangued Rosie to such an extent that she hid in her own bathroom, then they formally complained about her to the company chiefs.
'They cancelled Orlando and then were making efforts to re-educate me, to stop me from centring women's rights in my future work,' Rosie told me. 'I had to resign from the company I founded.'
Then there's the children's author Rachel Rooney, who wrote a picture book called My Body Is Me. Its message was that children should be happy with their body.
But trans rights activists dislike any mention of being happy with your body as it undermines their message that being trans is a thrilling and transformative lifestyle choice.
Tweets called the book terrorist propaganda and likened Rachel to a white supremacist.
The author's 'trade union', the Society of Authors, declined to offer support. So devastating was the experience that Rachel stopped writing books for children and has now taken on a part-time care job.
But what did Rachel do to deserve cancellation? She wrote a beautiful, kind, responsible book for children, and she got the same treatment I received: they tried to destroy her life. Trans activists mostly target women for disagreeing with them, but I'm not the only man to have suffered. Some 30 years after we'd first worked together, I crossed paths once more with the comic actor James Dreyfus (Constable Kevin in The Thin Blue Line).
I persuaded him to sign a letter asking Stonewall, the former lesbian and gay rights charity which has altered its remit and done more than any other institution in the UK to promote extreme gender ideology, to reconsider its stance.
James agreed without hesitation. The letter argued that Stonewall was 'seeking to prevent public debate of these issues by branding as transphobic anyone who questions [its] current trans policies'. It asked the charity to 'commit to fostering an atmosphere of respectful debate'.
Stonewall refused. Even asking the question was painted as a moral failing. Five years later, James is still being hounded by trans rights activists and he has had difficulty finding work.
In 2021, the company Big Finish released Masterful, a celebration of 50 years of Doctor Who's arch-enemy, The Master, who James had played on its audio productions.
The credits featured every living actor who had taken the iconic role… except James. When the history of these years is written, it's not only the extremist activists who will be recalled with revulsion, but also the spineless corporate figures who never made an attempt to resist them. Their inaction contributed to the ruin of James's livelihood.
A brilliant comic actor, a gay man, was abandoned by the very people who should have had his back, because the celebrity class is more interested in looking like they're doing the right thing than actually doing it.
Meanwhile, a chasm was opening up between me and my wife as she watched me lose jobs and opportunities.
Helen was looking for normality, and I was perpetually dismayed and angry. She asked me to cease operations, which she was perfectly within her rights to do to protect our family.
But I couldn't do it. I knew what everyone who's in this fight knows — the Gender Stasi never forgive.
I could never be confident of a having a job again until the entire gender ideology movement, which has caused so much misery, was burnt to ashes.
Even if I had been prepared to recant or keep my mouth shut, it wouldn't do any good because my heresy was out there and would never be forgiven.
I could never be confident of a having a job again until the entire gender ideology movement, which has caused so much misery, was burnt to ashes.
Even if I had been prepared to recant or keep my mouth shut, it wouldn't do any good because my heresy was out there and would never be forgiven.
I was fighting for women and children, sure, but also for my reputation and my ability to make a living.
With my marriage now over, I left the family home and moved into a modest flat. It had a nursing home for old people to one side and an overgrown, neglected graveyard behind it — which is a little too symbolic of my situation for comfort.
Adapted from Tough Crowd by Graham Linehan (Eye Books, £19.99) to be published October 12. © Graham Linehan 2023. To order a copy for £17.99 (offer valid to 15/10/2023; UK P&P free on orders over £25) go to mailshop.co.uk/books or call 020 3176 2937.
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90smovies · 1 year
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ilyrhyme · 10 months
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mini chicken girls college years rant!! THESE ARE MY OPINIONS!!!
let’s bffr. brat tvs always been woke with their lgbtq characters. theirs always been lgbtq diversity in their media and i appreciate that (being an lgbtq+ member). but when it comes to brat giving fans something they’ve wanted is a big…weird? im not talking about emerson (non binary, chicken girls season 9) or even haven (transgender, chicken girls college years season 2). i think both characters are a great addition to brat and the chicken girls franchise! but the rooney and birdie ship (korrester), no. they were always set up to be friends. im really happy for the korrester girlies. congrats, truly! i just dont like it PERSONALLY. it was so random in the plot and like ive said, it’s simply fan service to brat. we all know since the leblanc girls left brat, the views, likes and comments have gone down. it’s to be said. but doing unecessary ships that were never meant to happen in the first place just for fans? nope. im a BIG headcanon person. it’s so fun to pick and place characters how you want! AND that’s the fun of it!! as you all know, im such a harmony and simone shipper. but what if they ended up together? idk if i would be pleased with it. i love headcanoning ships and characters for a reason!!!! it’s in MY head. maybe i would be nicer if they had more build up but the kiss was out of nowhere💀 anyways that’s my rant! again, feel free to disagree. these are simply my opinions
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lndenmeres · 1 year
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@shadysidcrs​
it’s always nice to see liv. you feel as though you have grown distant from her — grown distant from all your friends, in fact. why risk spreading your sadness to the people you love the most? 
— that is, until you hear that a similar fate has befallen liv. unceremoniously DUMPED by the girl she really really liked ... loved, even. it must hurt, the lack of closure, the loss of someone to hold and be comforted by. you imagine that liv doesn’t even want to get out of bed some days. she needs a friend. you are happy to provide.
and so here you are in liv’s pink and sparkly room, with so many fascinating posters on the walls and her exciting outfits hanging off her closet door, sequins throwing dizzying reflections of liv’s disco ball light across the bed. you are more than a little tipsy, courtesy of the fizzy pink wine you bought (though in actual fact a very nice older man with an ID purchased it for you, and seemed mildly disappointed when you declined to go home with him to drink it) and you are very close to liv on the bed. her cheeks are as pink as the wine and she’s giggling at something you said. pride swells in your chest at the thought that she finds you funny, that you have managed to cheer her.
‘liv.’ you touch her hand as the giggles subside. you lick your lips, knowing very well that you would not say this if you were not drunk, and finding that you don’t care. ‘do you recall ... when i asked you to kiss me? and you turned me down — quite rightfully, given that we were both taken at the time ...’ you pause, realising that every ounce of her tipsy attention is focussed on you, and you feel your own cheeks reddening. ‘what i mean to say is that i thought i had someone to share all my future kisses with — and perhaps further than kisses.’ you lower your gaze, too flustered to elaborate the details. ‘but! we are both single now and ... perhaps this is our chance ... to explore such things.’
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papermoonloveslucy · 1 year
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KIDZ!
The Young People of the Lucyverse ~ Part 2
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W.C. Fields famously warned performers never to work with children or animals. Luckily for us, Lucille Ball consistently disregarded his advice. Here’s a look at some of the young performers and characters of the Lucyverse.
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Jerry Carmichael (Jimmy Garrett) and Sherman Bagley (Ralph Hart) ~ Jerry was the son of Lucy and Ralph was Viv’s boy on “The Lucy Show”. Hart appeared in 44 episodes from 1962 to 1965. Garrett appeared in 55 episodes from 1962 to 1965. Jerry had a teenage sister named Chris and their father was deceased. Sherman was an only child whose dad Ralph was divorced his mother Vivian. 
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Chris’s young friend Susie (Lucie Arnaz) appeared in “Lucy is a Chaperone” (1962). 
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Susie turned up again as a waitress at Wilbur’s Ice Cream Parlor in “Lucy is a Soda Jerk” (1962). Desi Arnaz Jr. plays a customer, meaning that both of Lucille Ball’s real-life children appeared in the same episode. 
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In other episodes, Desi Arnaz Jr. played Billy Simmons, son of Audrey (Mary Jane Croft), a baseball player, football player, and cub scout. Billy was seen in “Lucy is a Referee” (1962), “Lucy and the Little League” (1963), “Lucy Visits the White House” (1963), and “Lucy and the Scout Trip” (1964, above), which also included Barry Livingston (as Arnold Mooney) and nine other uncredited scouts. 
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When the show shifted locations to Los Angeles leaving Susie and Billy behind, Lucie and Desi Jr. appeared as spectators in the grandstands in “Lucy At Marineland” (1965). 
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“Lucy Misplaces $2,000″ (1962) ~ Katie Sweet (Katie, Granddaughter of Woman on Bench) was just five years old when she filmed this episode, but had been acting since the age of two!  Earlier that year, Sweet played the title role in the Desilu pilot “Sukuzi Beane”, which co-starred Jimmy Garrett and helped him land his role of Jerry Carmichael. Sweet left show business when she was 13.  
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“Together for Christmas” (1962) ~ Ends with Jerry and Sherman joining a group of carolers from the YMCA. The carolers were played by the real-life Mitchell Boys Choir. 
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“Lucy is a Referee” (1962) ~ In addition to Jerry, Sherman, and Billy, the cast featured Dennis Rush (left) as Tony Lawrence. The other football players are played by the Mighty Mites of the Venice Athletic Club, a pee-wee football team from Venice Beach, California.
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“Lucy Goes to the White House” (1963) ~ Lucy and Viv take their cub scout troop to Washington DC to bring their sugar cube White House to President Kennedy. In addition to Jerry, Sherman, and Billy - the cast also includes 9  uncredited young boys as Cub Scout Pack 57.
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Critic’s Choice (1963) ~ Ricky Kelman played John Ballentine, son of Parker (Bob Hope) and stepson of Angie (Lucille Ball), husband and wife theatre critics. 
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“Lucy Gets Locked in the Vault” (1963) ~ Barry Livingston plays Mr. Mooney’s son Arnold. Livingston is probably best remembered as Ernie, the adopted son on “My Three Sons.”  His first appearance on that series was just one week after he played Arnold Mooney, a role he would return to in “Lucy and the Scout Trip” (1964).  
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When Livingston started on “My Three Sons” (also filmed at Desilu), the role of Arnold Mooney was taken over by Teddy Eccles in “Lucy’s Contact Lenses” (1964). Eccles began his show business career at the age of 4 and was 9 years old when he first appeared on “The Lucy Show.” 
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He will make two more appearances on the series as other characters, including as Harold, a young cadet in “Lucy At Marineland” (1965). Coincidentally, Eccles also appeared in two episodes of “My Three Sons” alongside Barry Livingston. 
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“Kiddie Parties, Inc.” (1963) ~ Lucy and Viv go into business hosting children’s birthday parties. Ronnie Dapo (David, above right) was a ten year-old actor whose first screen credit was in 1959 and his last in 1966. He made several appearances on “The Andy Griffith Show,” the second airing the very same night as this episode of “The Lucy Show.”  There are 8 other young boys in the party scene.  
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“Lucy Becomes a Father” (1964) ~ Lucy accompanies Jerry on a father / son camping trip where Mr. Mooney is intent on making it so difficult that Lucy will pack up and go home. Five uncredited boys play the other sons on the trip. If Mr. Mooney’s son Arnold is among the boys, he is not singled out, nor are Barry Livingston or Ted Eccles in the cast. 
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“Lucy and the Stamp Collector” (1965) ~ Stamp collector Junior White is played by Flip Mark, who celebrated his 16th birthday the day after this episode first aired. He was born Philip Mark Goldberg in New York City. In 1965, he played a young Steve Olson on “Days of Our Lives.” 
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Flip Mark returned to “The Lucy Show” in “Lucy Goes to a Hollywood Premiere” (1966) as a kid selling maps to the stars homes. Curiously, this episode also mentions stamp collecting! 
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“Lucy the Choirmaster” (1965) ~ Lucy organizes a boys choir to entertain at the bank holiday show.  The choir features her son Jimmy Garret as Jerry (his final appeareance), Ted Eccles as Barry,  Robert Roter as Newton, Micahel Blake as Malcolm, and Theodore Miller as Stanley. 
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The other members of the choir (except for Mr. Mooney) were played by the St. Charles Boys Choir. Later that year, they formed the Disneyland Boys Choir and recorded the It’s a Small World album of folk songs still sold at Disney theme parks.
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“Lucy the Robot” (1966) ~ Jay North, best known as the title character of “Dennis the Menace”, plays Mr. Mooney’s rambunctious nephew Wendell. Interestingly, Gale Gordon (Mr. Mooney) played Mr. Wilson on “Dennis the Menace” during its final season. 
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“Main Street U.S.A.” (1967) ~ Jackie Minty plays a Bancroft newspaper boy. Minty was a child actor who had done two episodes of “The Munsters.”  A week after this episode of “The Lucy Show,” he appeared on “My Three Sons,” his final screen credit before leaving Hollywood.  
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Yours, Mine and Ours (1968) ~ Lucille Ball and Henry Fonda play parents of a blended family of 19 children. Among them are Tim Matheson, Gil Rogers, Nancy Howard, Morgan Brittany, Eric Shea, and Tracy Nelson. 
BONUS KIDZ!
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“Lucy Meets Mickey Rooney” (1966) ~ In an acting school show, Lucy plays Charlie Chaplin and Mickey Rooney plays 'The Kid’, a character based on Chaplin’s 1921 silent classic The Kid starring Jackie Coogan in the title role. 
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“Lucy the Stockholder” (1965) ~ Lucy, Viv and Mr. Mooney participate in an age regression experiement conducted by an eccentric doctor. 
STAY TUNED FOR PART 3
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waitinqroom · 1 year
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my 2023 reads 💌
(this year i’ve decided to include individual poems, articles, short stories, and more!)
mad girl’s love song by sylvia plath (1/02)
red by ted hughes (1/02)
the lion, the witch, and the wardrobe by cs lewis (1/01-1/03)
someday i’ll love ocean vuong by ocean vuong (1/04)
you think it, i’ll say it by curtis sittenfeld (1/01-1/04)
no exit by taylor adams (1/04-1/08)
the drinking water crisis on tribal lands and how the federal government is finally stepping up by marianne goodland (1/09)
the unfinished business of flint’s water crisis by anna clark (1/09)
do not go gentle into that good night by dylan thomas (1/09)
susan sontag on writing by maria popova (1/15)
dark they were, and golden eyed by ray bradbury (1/16)
we were dreamers by simu liu (1/08-1/19)
on photography by susan sontag (1/15-2/03)
diversity vs. fairness by david leonhardt (2/15)
an act of love by tommye blount (2/15)
the horse and his boy by cs lewis (2/11-2/15)
dept. of speculation by jenny offill (2/13-2/18)
sonnets to orpheus by rainer maria rilke (2/20-2/22)
prince caspian by cs lewis (2/18-2/22)
the summer i turned pretty by jenny han (2/26-3/02)
it’s not summer without you by jenny han (3/02-3/04)
we’ll always have summer by jenny han (3/04)
a history of performance (edition: hamlet) by david bevington (3/04)
hamlet by william shakespeare (1/31-3/23)
1984 by george orwell (1/29-3/28)
gone girl by gillian flynn (4/03-4/07)
the joy luck club by amy tan (5/06-6/04)
alexander hamilton by ron chernow (5/14-6/14)
letters to a young poet by rainer maria rilke (6/30)
animal farm by george orwell (6/30-7/02)
the bell jar by sylvia plath (7/02-7/15)
twelfth night by william shakespeare (7/16-7/30)
sappho: a new translation by sappho, translated by mary barnard (8/21)
the scarlet ibis by james hurst (8/22)
marigolds by eugenia collier (8/23)
the monkey’s paw by w.w. jacobs (8/23)
the open boat by stephen crane (8/24)
korean through english by sang-oak lee (2/20-8/24)
the lady or the tiger? by frank r. stockton (8/26)
the minister's black veil by nathaniel hawthorne (8/29)
an occurrence at owl creek bridge by ambrose bierce (8/29)
korean social emotions: han (한 恨), heung (흥 興), and jeong (정 情) by iljoon park (8/30)
the cask of amontillado by edgar allan poe (8/30)
the yellow wallpaper by charlotte perkins gilman (8/30)
beautiful world, where are you by sally rooney (7/02-8/30)
daisy jones & the six by taylor jenkins reid (8/30-9/3)
the chalice of the gods by rick riordan (10/08-10/12)
the beatrice letters by lemony snicket (10/14) - reread
yellowface by rf kuang (11/03)
diper overlode by jeff kinney (11/03-11/05)
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imcutebutimdepressed · 8 months
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Nancy’s Twin (Stranger things fanfic)
Description: Mickey Wheeler. The youngest twin of Nancy for 20 minutes. Just because they're twins, doesn't mean anything to Mickey. Nancy is pretty and popular. Mickey is decent and the "Do not **** with me" gal plus a total geek like her baby brother Mike who cannot beat her in arcades. Of course she loves her little brother Mike, which is why she's involve in this situation.
Warning: Rated 18+ fanfiction and spoilers for season 1-4 when I start on that part of the story. Enjoy!!!!
Author: To all readers, enjoy this I hope.
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Prologue
Mickey Wheeler. Born 1967. 20 minutes after Nancy Wheeler. 4 years it wasn't so bad. Mickey was named that because her Mom refused to name her anything like Bethany, Tracy, Tiffany, or Sandy cause she knows other moms would want to name their little girl a beautiful name.
With some thinking, they both agreed with Mickey, which took a lot of convincing from the Mom.
Mickey after Mickey Rooney starring Breakfast at Tiffany's, a classic film in 1961.
Nancy was spoiled with dresses, dolls, Princess toys, all that sh*t.
Mickey would want those things, but not for long.
Later on, Mike was born, and Mickey didn't hesitate to ask to hold him at the hospital. She was happy to have a little brother, of course Nancy too.
But she was hoping for another girl.
4 years with Mike was wonderful for Mickey, in addition the mental problems. Yeah, an 8 year old girl who now doesn't like to match with her twin.
"Mom!! I don't want to wear the same dress as Nancy!! I wanna wear the dinosaur shirt!!"
"Mickey if you wear the pink dress like your sister, you'll both be matching twins!!"
"Come one Mickey, at least for your mom. We're gonna be late for the movies if we don't hurry."
With some convincing, Mickey was force into the dress.
"Look at you!! You look so cute, just like Nancy!!" Karen said with glee.
"You look so cute, just like Nancy!!"
"Hurry honey, we're gonna be late!!"
"Right, ok girls let's go while Mike stays here at home with Beth. We'll be back!!"
Mike was only 4, but Mickey wish she stayed with her brother instead.
Mickey gave Mike a kiss on the forehead.
"Love you Mike, be nice to Beth." She gave him a smile.
He smile back.
"Okay"
Nancy grabbed Mickey's hand.
"Let's go we're gonna be late!!"
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"Ted, we have a problem." Karen came back with only two tickets. Ted waiting by the entrance with the girls who Nancy was trying to get Mickey to wear a ponytail just like her because Mickey decided to take hers off.
"They only have two tickets for The Great Race. That would mean one of us takes a kid and the other can just watch something else."
"Then I'll take Nancy and you can take Mickey."
Before grabbing Nancy, she runs to hug her mom. She starts to cry.
"But I wanna see that movie!! Please mommy!!"
"Oh alright. Ted you can take Mickey and see another movie. No horror movies. Come one Nancy." After kissing Ted, she said she'll see them after the movie.
When they're out of sight, Ted goes to see what else is there to watch. There he finds Jaws is available. He goes up to the ticket booth.
"Two tickets for Jaws?"
The man looks down at Mickey, then looks back up at Ted. He shrugs and just gives him the tickets
"Enjoy."
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"Now sweetie, let's keep this a secret from your mom about watching this movie ok? She'll kill me."
Mickey nodded, eating her large popcorn and drinking her large soda, because they made a deal that she gets large snacks for this.
The seats were almost close to the front, maybe Mickey should've said to also buy a music player.
When they got seated and prepared. The movie started.
Everything was fine, until the shark made its appearance. You can hear other people frightened or screaming.
Mickey wasn't. She was watching the movie with astonishment. She loved this movie. The gore was so cool to her cause it felt real. This is the kind of movies she'll love.
She is so gonna make sure she watches other movies like Jaws.
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Hope y'all like this story!!!
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U.S. Sen. Ted Cruz reintroduced a bill last week to limit senators from serving more than two six-year terms, even as he stands by plans to run for his third.
The bill is a constitutional amendment that would prevent U.S. Senators from serving more than 12 years. It would also prevent those in the U.S. House from serving more than three two-year terms. Terms served by members prior to the bill’s enactment would not count toward the proposed term limitations, which means that if the bill were to be passed by this Congress, Cruz would not be term limited until 2036.
“Term limits are critical to fixing what’s wrong with Washington, D.C.,” the Texas Republican said in a statement after introducing the bill last week. “The Founding Fathers envisioned a government of citizen legislators who would serve for a few years and return home, not a government run by a small group of special interests and lifelong, permanently entrenched politicians who prey upon the brokenness of Washington to govern in a manner that is totally unaccountable to the American people.”
He declined to answer questions about why he would seek a third term in office, given his view about the need to limit how long members should serve.
It is highly unlikely that the bill will have any traction in Congress. This is the fourth time Cruz has introduced the legislation, but it has never gotten a vote in either the House or the Senate.
Cruz announced in November that he is seeking a third term in the Senate in 2024.
“I’m running for reelection in the Senate; I’m focused on the battles in the United States Senate,” Cruz told reporters after addressing the Republican Jewish Coalition’s annual leadership meeting in Las Vegas.
At the same time, Cruz hasn’t ruled out plans to pivot and run for President instead. He previously ran for President in 2016.
Cruz originally announced the bill alongside then-U.S. Rep. Ron DeSantis, now Florida Governor, in 2017 and alongside former U.S. Rep. Francis Rooney, R-Florida, in 2019. U.S. Rep. Ralph Norman, R-South Carolina, is now leading the charge to pass the bill in the U.S. House.
This year his co-sponsors in the U.S. Senate included Republican Sens. J.D. Vance of Ohio, Bill Hagerty of Tennessee, Cynthia Lummis of Wyoming, Roger Marshall of Kansas, Mike Lee of Utah, Steve Daines of Montana, Todd Young of Indiana, Mike Braun of Indiana, Rick Scott of Florida, Josh Hawley of Missouri and Tommy Tuberville of Alabama.
There’s an incredibly high threshold to pass a constitutional amendment. They must receive two-thirds of the votes in each chamber before having to be ratified by three-fourths of the state legislatures in the country.
Cruz was elected to his first term in 2012 and was reelected to a second term after a hard-fought race against Beto O’Rourke in 2018.
The average amount of time that those elected to the 118th Congress have served was 8.5 years for those in the House and 11.2 years for those in the Senate, according to the Congressional Research Service.
In the Texas Legislature, state Sen. Roland Gutierrez, D-San Antonio, piled on with his own bill that would allow Texas to cap its U.S. Senators to serving at most two terms in office. Gutierrez told The Texas Tribune that the “bill seeks to oblige” Cruz.
“This is the same story he does every two years,” Gutierrez said. “It is beyond hypocrisy, if he wants term limits so badly to save us from entrenched politicians, then he needs to go retire now. He’s done his 12 years.”
It’s unclear whether Gutierrez’s proposal has any teeth behind it if passed by the Legislature.
Gutierrez said it may depend on the outcome of a U.S. Supreme Court case that centers around whether a state judicial branch has the authority to discard federal election regulations implemented by a state legislature. If the Supreme Court sides with North Carolina legislators, it could open a path for state legislators to institute term limits on their congressional leaders.
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lecameleontv · 1 year
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La série TV La Caravane de l’Etrange (2003) avec les acteurs Patrick Bauchau et Jon Gries ! Titre V.O. : Carnivàle
Statut : arrêtée Nb Saisons : 2
1ère diffusion U.S. : ... sur HBO
L’acteur Patrick Bauchau y incarne le Professeur Ernst Lodz, rejoint par Jon Gries dans les Ep. 1.12 et 2.01 interprétant un Texas ranger.
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Episode 1.06 : ... > avec Leonard Kelly-Young, qu’il recroisera dans le film Perverse Karla (2006) ...
Episode 1.09 : ... > avec Susan Savage, vu dans l’Ep. 2.04 de la série Le Caméléon ,...
Episode 1.12 : ...
En 2023, l’acteur Jon Gries retrouve Bill Moseley sur le piquet de grève WGA-SAG-AFTRA.
Episode 2.01 : ... > avec Ted Rooney, que l’acteur Jon Gries avait déjà rencontré dans l’Episode 9.17 de la série Seinfeld;
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L’acteur Patrick Bauchau avait déjà joué un aveugle dans l’Ep. de la série Le Caméléon
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Les acteurs ont apprécié collaborer sur leurs projets respectifs après l’arrêt de la série Le Caméléon : - Le parfum du succès (2009) - Les frères Falls (1999) 
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source : imdb
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Alias Dr Sydney et Broots dans la série Le Caméléon. Alias André Valeur dans Mont-Royal
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literateish · 2 years
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books i’ve read in 2022.
the complete list of the 68 books i read this year.
i set my goal as 52 books to read in 2022 (one book per month) and i’m very happy that i achieved that! in 2021 i read 26 books, which was very impressive for me, so the fact that i’ve read more than twice that this year is incredible.
a quiet kind of thunder by sara barnard
the wife of bath by geoffrey chaucer
the diary of a young girl by anne frank
always by morris gleitzman
crooked kingdom by leigh bardugo
the spanish love deception by elena armas
the ballad of songbirds and snakes by suzanne collins
mary barton by elizabeth gaskell
do androids dream of electric sheep by philip k dick
the lonely londoners by sam selvon
the love hypothesis by ali hazelwood
it ends with us by colleen hoover
one last stop by casey mcquiston
fun home by alison bechdel
the mad women’s ball by victoria mas
ugly love by colleen hoover
twelfth night by william shakespeare
aristotle and dante discover the secrets of the universe by benjamin alire saenz
aristotle and dante dive into the waters of the world by benjamin alone saenz
they both die at the end by adam silvera
heartstopper by alice oseman
normal people by sally rooney
one day in the life of ivan denisovich by aleksandr solzhenitsyn
my policeman by bethan roberts
delilah green doesn’t care by ashley herring blake
all your perfects by colleen hoover
confess by colleen hoover
the perks of being a wallflower by stephen chbosky
one true loves by taylor jenkins reid
beach read by emiky henry
red, white, and royal blue by casey mcquiston
call me by your name by andre aciman
humans by matt haig
how to stop time by matt haig
a man called ove by fredrik backman
you and me on vacation by emily henry
find me by andre aciman
still life by sarah winman
a court of thorns and roses by sarah j maas
a court of mist and fury by sarah j maas
a court of wings and ruin by sarah j maas
a court of frost and starlight by sarah j maas
a court of silver flames by sarah j maas
book lovers by emily henry
sorcery of thorns by margaret rogerson
malibu rising by taylor jenkins reid
the poppy war by r. f. kuang
forget me twice by carina taylor
love on the brain by ali hazelwood
finding audrey by sophie kinsella
pride and prejudice by jane austen
felix ever after by kacen callender
ariadne by jennifer saint
cemetery boys by aiden thomas
the hunger games by suzanne collins
mary and the wrongs of woman by mary wollstonecraft
it happened one summer by tessa bailey
oh whistle and i’ll come to you my lad by m. r. james
a room of one’s own by virginia woolf
the strange case of dr jekyll and mr hyde by robert louis stevenson
the picture of dorian gray by oscar wilde
dracula by bram stoker
silence of the lambs by thomas harris
northanger abbey by jane austen
frankenstein by mary shelley
story of your life by ted chiang
before i do by sophie cousens
heart of darkness by joseph conrad
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chainofclovers · 2 years
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tagged by: @talldecafcappuccino (thanks! <3)
last song: I was driving home from Target earlier listening to my 2022 mix and the last song that played start to finish was song of the moment/song of my entire life “Least Expected” by My Morning Jacket (let’s put it this way, I epigraphed with it as soon as I had the right thing for it).
last show/series: I am watching a lot right now. Just finished season 2 of What We Do in the Shadows a few nights ago. And I’m currently watching THREE things on a weekly basis: Abbott Elementary (!!!) and GBBO and series 14 of Taskmaster.
currently watching: I accidentally answered that in the previous question.
favorite color: Grey. Also very bright dark pink with a lot of red in it. Also most deep blues and purples.
sweet, spicy, or savory: Savory if I had to choose, but ideally let’s get all of that going at once. Especially spicy.
currently reading: Normal People by Sally Rooney. I’m liking it, but I haven’t picked it up in a few days, and that’s making me sad because I inhaled Beautiful World, Where Are You? (which I’d actually count among an all-time fave both for the sheer pleasure of having read it and also because I think the writing has a lot to teach me), and then I inhaled Conversations With Friends even though it felt like the work of a much newer/younger writer (which is true) because it was similarly catnip-like for my brain. I may actually need to start Normal People over and force myself to read it at a similar pace as the others?
what i'm working on: Apparently I’m watching all the shows and reading all the books and eating all the flavors and also working on all the stories? I’ve written very little this week due to time constraints and stress, but that will hopefully change as soon as later in this quiet night curled up on the couch while my wife watches football. :) I’m working on an original story that is my first attempt at any kind of dystopian setting (dystopian lite for sure). I’m also working on Other People’s Words # 8 (Ted Lasso love square series), and I just got my Femslash Exchange assignment, and I’ve got a couple other things on the list too.
currently obsessed with: Ted Lasso, always, as a kinda constant thing (even the ebbs and flows never dip below or transcend past obsession, it’s just a thing that is true at this point). My Morning Jacket. This itchy make-tangible-things feeling I have and the progress I’m making (pun not intended) on that. Taskmaster and its ~~dynamics. Buttered bread and coffee. Beautiful World, Where Are You? and specifically a couple of scenes. Returning to my outdoor volleyball team and getting stronger. Those (and the other constant obsessions like wife obsession, cat obsession, friend obsession) are the fun ones.
Less fun is me obsessing over my sleep patterns and the factors that currently impact my sleep. Also the way having Covid back in February is still effecting my relationship to food, in that my appetite is really sluggish and the quantity of food I can eat is super inconsistent and some of the stuff I used to love doesn’t feel quite right, in that it doesn’t feel as VIVID to eat good food as it used to. I was never a huge meat eater and I’ve been eating about 90% vegetarian and 98% pescatarian since early summer, but tonight I bought and ate beef jerky because NOTHING else sounded good and I needed protein so badly. It was savory, spicy, and a little sweet, and I’m so glad I ate it, even though I wish I had not been in a position to want to eat it! It’s so weird! I’m reasonably healthy at the moment and to my knowledge haven’t suffered any ill effects from these changes, but I dislike how my food situation has shifted a few degrees in a way I still haven’t put my finger on. It does make me really appreciate it when I find something I want to eat, enjoy it as much as I think I will, and don’t regret it after.
tagging: @telanu, @ellydash, @dollsome-does-tumblr, @theodore-lasso, @lizmitches, @ylizam, @thesumdancekid, @chilly-flame, and also anyone who wants to do this because I’ve lost track of who’s been tagged and I’m terrible at remembering usernames in times like these but I never get sick of reading personal quiz answers
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90smovies · 2 years
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