it's ok if ur processes change btw. it's ok if your coping mechanisms and systems stop working the way they used to. it took me a long time to realize, but...
that doesn't mean you had it wrong. it doesn't mean you failed somehow.
those things carried you as far as they could. maybe one day they'll work again. maybe they won't.
but you'll find something new. don't worry. deep breaths.
and until then, remember to be kind to yourself. you're on a quest to find new things. the path can be rocky enough; you don't need to be throwing more stones into your own way.
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chinese room 2
So there’s this guy, right? He sits in a room by himself, with a computer and a keyboard full of Chinese characters. He doesn’t know Chinese, though, in fact he doesn’t even realise that Chinese is a language. He just thinks it’s a bunch of odd symbols. Anyway, the computer prints out a paragraph of Chinese, and he thinks, whoa, cool shapes. And then a message is displayed on the computer monitor: which character comes next?
This guy has no idea how the hell he’s meant to know that, so he just presses a random character on the keyboard. And then the computer goes BZZZT, wrong! The correct character was THIS one, and it flashes a character on the screen. And the guy thinks, augh, dammit! I hope I get it right next time. And sure enough, computer prints out another paragraph of Chinese, and then it asks the guy, what comes next?
He guesses again, and he gets it wrong again, and he goes augh again, and this carries on for a while. But eventually, he presses the button and it goes DING! You got it right this time! And he is so happy, you have no idea. This is the best day of his life. He is going to do everything in his power to make that machine go DING again. So he starts paying attention. He looks at the paragraph of Chinese printed out by the machine, and cross-compares it against all the other paragraphs he’s gotten. And, recall, this guy doesn’t even know that this is a language, it’s just a sequence of weird symbols to him. But it’s a sequence that forms patterns. He notices that if a particular symbol is displayed, then the next symbol is more likely to be this one. He notices some symbols are more common in general. Bit by bit, he starts to draw statistical inferences about the symbols, he analyses the printouts every way he can, he writes extensive notes to himself on how to recognise the patterns.
Over time, his guesses begin to get more and more accurate. He hears those lovely DING sounds that indicate his prediction was correct more and more often, and he manages to use that to condition his instincts better and better, picking up on cues consciously and subconsciously to get better and better at pressing the right button on the keyboard. Eventually, his accuracy is like 70% or something -- pretty damn good for a guy who doesn’t even know Chinese is a language.
* * *
One day, something odd happens.
He gets a printout, the machine asks what character comes next, and he presses a button on the keyboard and-- silence. No sound at all. Instead, the machine prints out the exact same sequence again, but with one small change. The character he input on the keyboard has been added to the end of the sequence.
Which character comes next?
This weirds the guy out, but he thinks, well. This is clearly a test of my prediction abilities. So I’m not going to treat this printout any differently to any other printout made by the machine -- shit, I’ll pretend that last printout I got? Never even happened. I’m just going to keep acting like this is a normal day on the job, and I’m going to predict the next symbol in this sequence as if it was one of the thousands of printouts I’ve seen before. And that’s what he does! He presses what symbol comes next, and then another printout comes out with that symbol added to the end, and then he presses what he thinks will be the next symbol in that sequence. And then, eventually, he thinks, “hm. I don’t think there’s any symbol after this one. I think this is the end of the sequence.” And so he presses the “END” button on his keyboard, and sits back, satisfied.
Unbeknownst to him, the sequence of characters he input wasn’t just some meaningless string of symbols. See, the printouts he was getting, they were all always grammatically correct Chinese. And that first printout he’d gotten that day in particular? It was a question: “How do I open a door.” The string of characters he had just input, what he had determined to be the most likely string of symbols to come next, formed a comprehensible response that read, “You turn the handle and push”.
* * *
One day you decide to visit this guy’s office. You’ve heard he’s learning Chinese, and for whatever reason you decide to test his progress. So you ask him, “Hey, which character means dog?”
He looks at you like you’ve got two heads. You may as well have asked him which of his shoes means “dog”, or which of the hairs on the back of his arm. There’s no connection in his mind at all between language and his little symbol prediction game, indeed, he thinks of it as an advanced form of mathematics rather than anything to do with linguistics. He hadn’t even conceived of the idea that what he was doing could be considered a kind of communication any more than algebra is. He says to you, “Buddy, they’re just funny symbols. No need to get all philosophical about it.”
Suddenly, another printout comes out of the machine. He stares at it, puzzles over it, but you can tell he doesn’t know what it says. You do, though. You’re fluent in the language. You can see that it says the words, “Do you actually speak Chinese, or are you just a guy in a room doing statistics and shit?”
The guy leans over to you, and says confidently, “I know it looks like a jumble of completely random characters. But it’s actually a very sophisticated mathematical sequence,” and then he presses a button on the keyboard. And another, and another, and another, and slowly but surely he composes a sequence of characters that, unbeknownst to him, reads “Yes, I know Chinese fluently! If I didn’t I would not be able to speak with you.”
That is how ChatGPT works.
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you know what boils my blood.
over the last 2 weeks, i've seen countless patients walk into my urgent care center, symptomatic for so many things, refusing to get tested for covid and flu, citing that they don't want to knowingly bring it to their holiday tables. i had a patient tell me, verbatim, "i don't want to test for covid, because i don't want to be the asshole who brings it on a plane."
i understand that - i understand that holidays are times where people look forward to meeting loved ones that they might only see once a year, or where they get a break from the hectic back and forth of their lives.
but here's the thing - whether they get tested or not, they will bring whatever they have to their holiday tables. it's pure recklessness to know that you're sick, and walk into someone else's house spreading the disease.
today, january 2, i saw 91 patients, many of them who have tested positive for covid and flu. many of these patients are the same ones who didn't want testing 3 days ago, until their events were over, and now, they will have to reach out to everyone they know to let them know that they were positive because they were showing symptoms well before their event.
the next week or two? we're going to see many, many more, all people with symptoms that started around christmas. these are the only two viruses we test for rapidly in our office, but they are potent and can be fatal in many people.
so here's why i wrote this post, and maybe it's a little late, but - if you care about your loved ones, please get tested if you know you're sick. it doesn't have to be at a clinic if you don't want it to, because the over-the-counter tests work just fine too (if you test within 5-7 days of symptom onset). just...please don't try to run from the knowledge that you might have covid, because immunocompromised people, elderly people, people with co-morbidities like asthma, pregnancy, diabetes, etc...many of them may not recover. and they may not be sitting at your holiday table in the future because of it.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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