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#the buster keaton story
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This Day in Buster…April 20, 1957 
"The Buster Keaton Story,” a biopic with a passing resemblance to Buster Keaton’s life, is released.  The cheque Buster took home for the rights to his story & as advisor on set, paid for a ranch in Woodland Hills, where he lived out the rest of his days with wife, Eleanor.
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justbusterkeaton · 1 year
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Donald O’Connor talks about recreating the stunt from Sherlock Jr. For the 1957 Biopic “The Buster Keaton Story”
From the documentary “Buster Keaton: A Hard Act to Follow
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sonny-whorezik · 5 months
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its nice to finally be understood
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Are you a Buster Keaton fan? Have you seen my documentary Oh Buster, Where Art Thou? Good news, you can watch it for FREE on YouTube!! Check it out while you wait for my follow-up book, Another New World, dropping November 25th!!
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Buster Keaton & Clyde Bruckman’s “The General” February 5, 1927.
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It’s midnight and I just spent a fair bit of time / energy on writing a maximum length Reddit comment vouching for Donald O’Connor portraying Buster Keaton in the egregiously inaccurate 1957 film “The Buster Keaton Story,” because he was the only relevant person actually heeding (and soliciting) Keaton’s input—
—and listen, listen, he was the absolute right person to portray Keaton (if one has to portray him), it’s just that Keaton was written by the wrong hands. I pulled out a 1960 WaPo article and linked to that bit in the 1987 Keaton documentary where O’Connor is interviewed None of the writers paid Keaton’s opinions any mind, and Keaton never held the movie against O’Connor, whose efforts he praised, I believe—
—damn good effort, thank you. Listen, O’Connor had the athletic and personable sensibilities to do Keaton justice, and he was undergoing the same personal troubles that Keaton had: didn’t get child custody post-fraught divorce, was imbibing alcohol a fair bit… (they both were born into Vaudeville, by the way), he was just so talented and he remains one of my absolute favorite performers of that crowd.
They had one of the few people who really honestly could have done Keaton justice…and they did an injustice to Buster, Donald, and frankly Buster’s wife Eleanor with that film.
Well, at least it paid for the Keatons’ ‘ranch’ (final home).
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cosmik-homo · 1 year
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I’m sorry... your boyfriend fell in the film reels and. Yeah. and we wiped his footage
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rhinexstone · 1 month
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I know there’s already been some hcs about Bruce Wayne going on a DC universe version of SNL but I just need to play it out for y’all
The whole bit is that this is the first time Brucie has ever taken anything so serious in his life, like the promo clip where he’s awkwardly standing with the music guest and a cast mate is basically like “I went to this thing called a meeting yesterday, have you guys ever heard of those before?? Wild!!” And Alfred makes a cameo in his opening monologue where he hands him his script on a silver platter.
But the thing that drives his family crazy is that he actually does a skit where he IS Batman. And they’re all freaking out because like holy shit Bruce there’s walking the line and using it as a jump rope. And he won’t elaborate on any of the specifics just that he actually pitched the idea himself.
The skit is basically just “what if Bruce Wayne was Batman” and it’s him trying to stop a mugging, but he immediately takes a tumble (his Instagram story hinted at stunt training and everyone had their theories, but it all being so that he could do a Buster Keaton-esque stunt is so much better). He freaks out at the sound of some warning fire and immediately surrenders despite the mugger really being equally afraid of him, and then a Villain of the Week captures him with ease, and he flirts the entire time he’s being dragged away.
He fucking kills it for someone without an acting background (to most people’s knowledge) and from that point on it’s a running joke/meme for gothamites to post or talk about what Bruce Wayne Batman would do in place of regular Batman
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This Day in Buster…April 28, 1957
The Cincinnati Enquirer prints a review of upcoming biopic “The Buster Keaton Story” mentioning that preview audiences would decide if Donald O’Connor would smile at the end of the picture or not.  Buster himself said, “I did smile just once in a picture.  The late Irving Thalberg insisted on it, so I did.  But the public didn’t ‘buy’ it, and we had to re-shoot the scene.”  Donald smiled.
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nowisthewinter · 10 months
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And to think the animated movie version of Nimona was almost this close to being shelved if Netflix had not picked it up.
Yes, it’s good. It’s very good. I’ll let other people talk about the plot points, the characters and the pretty nifty soundtrack. (Santogold? Yes, please.) 
I am here to talk about the animation.
Watching this movie made me realize what I don’t like about Pixar movies lately. Yes, Pixar’s the king of realism. And, yes, Nimona is way more design simple compared to Pixar. But the one thing Nimona has over Pixar is how the characters move. 
Pixar characters don’t really move. Yes, they walk. Yes, they gesture. Yes, they will do things.
But they don’t “act.”
For example, there are many parts of Nimona where you could turn off the sound and still follow the story like it was a silent movie of old. The characters’ body language and facial language tell a story on their own. They fill up a whole screen with their mannerisms. This is Buster Keaton. This is Charlie Chaplin. This is Harold Llyod. 
You don’t really get that with Pixar. And while that was fine years ago because everyone was striving for realism and Pixar was showing everyone how to animate hair, now, it’s.....boring. 
Realism isn’t the end goal anymore. It’s a one trick pony that really should be out to pasture. Now people want to see what else you can do with animation. Spider-man: Across the Spider-verse showed that there are a wide range of styles you can pull from. Even taking ideas from Impressionism, Modern pop art (Check out Jean-Michel Bisquiat) and commercial art (See Bollywood film posters for example). Nimona is now showing how much acting range you can get from their animation. I’ve already watched it twice. Once for the story. The other just to watch the characters “act.” I’ll probably watch it a few more times because that animation, THAT ANIMATION!
I want more of that. Take notes, Pixar. 
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hotvintagepoll · 3 months
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Propaganda
Harry Belafonte (Carmen Jones, Island in the Sun)—one of my favorite things in the world when I'm sad is kicking back and listening to him and Danny Kaye singing "Hava Nagila" together. Or who can forget this man singing the Banana Boat song with the Muppets?? immensely talented, a powerful fighter for civil rights and humanitarian causes his whole life, if you have any remaining doubts PLEASE look at the following pics [clips and pics attached below]
Buster Keaton (The General, The Navigator, Sherlock Jr.)—For me Buster’s hotness comes not just from his physical beauty but in the constant surprise and contradictions of the man, he’s simultaneously delicate/rough, feminine/masculine, confident/vulnerable, 5foot5 pretty face with an unexpectedly deep voice, at first glance you think oh he’s a cute little thing and then he takes his top off and it’s Superman abs underneath. He was intensely shy in social situations but had no hesitation in jumping off the top of a building. He famously never smiled on screen* but he exudes warmth and joy and laughter. He created some of the most beautiful, intelligent movies ever made but refused to acknowledge his own genius and talent as an artist, instead maintaining that all he wanted to do was make people laugh. If he was here in reality competing in this poll he would give it 100% but he would not be at all bothered if he didn’t win. And that’s why he’s the hottest vintage man. A vote for Buster is a vote for all that is good and decent in the world 💕 (*he did smile on camera occasionally despite his own assertions to the contrary 😄)
This is round 4 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.
[additional propaganda submitted under the cut.]
Buster Keaton propaganda:
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"Just look at his freaking face...."
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This entire Tumblr page was submitted
This post
This video
"And for those who have never heard it, here’s his lovely voice in action: link"
Submitted: Link to Buster Keaton car stunts
Submitted: BK fancam
Submitted: quotes about BK video compilation
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"Ripped body, gorgeous unique face, beautiful personality too"
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Harry Belafonte propaganda:
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"Now let me say this about the songs of the Caribbean - almost all black music is deeply rooted in metaphor. The only way that we could speak to the pain and anguish of our experiences was often through how we codified our stories in the songs that we sang. And when I sing the 'Banana Boat Song,' the song is a work song. It's about men who sweat all day long, and they are underpaid, and they're begging the tallyman to come and give them an honest count - counting the bananas that I've picked, so I can be paid. And sometimes, when they couldn't get money, they'll give them a drink of rum. There's a lyric in the song that says, 'Work all night on a drink of rum.' People sing and delight and dance and love it, but they don't really understand unless they study the song that they're singing a work song, a song of rebellion." -Harry Belafonte
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brokehorrorfan · 20 days
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6 Things I Learned from the Lisa Frankenstein Commentary
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We don’t get movies like Lisa Franeknstein often, which is a shame because it’s endlessly charming yet delightfully twisted. While it disappointed at the box office, it has "cult classic" written all over it.
The coming-of-age horror-comedy is out today on Blu-ray and DVD. Among the special features is an audio commentary by Zelda Williams. Here are 6 things I learned…
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1. Catch Me If You Can inspired the opening credit sequence.
The opening credit sequence, which briefly depicts the Creature's love story from his previous life in the style of Victorian shadow box art, was inspired by Catch Me If You Can.
"We wanted to do something interesting with the credits in this bit. I was really inspired by Catch Me If You Can, which I thought the opening credits were particularly interesting and helped establish the story before we ever got to it. And because Creature doesn't speak this whole movie, I wanted an opportunity to show what his life would have been like."
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2. The film was originally intended to be rated R.
Although Lisa Frankenstein pushes the PG-13 rating as far as it can go, it was originally intended to be a hard R. Williams cites the party scene, in which Lisa originally smoked a laced joint rather than drinking a PCP cocktail, as a difficult revision.
"This is where stuff got a little complicated when we were going from R-rated to PG-13. Originally there was a coated joint they were passing around. This is one of the only scenes that I'm not sure I'm as fond of in comparison to the joint stuff. Most of the rest of the changes were fine, but this one I find very strange. It's just a very different reaction and interaction than what used to be there. However, these are the things that happen when making a movie."
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3. Creature is an homage to Day of the Dead's Bub.
Not only Lisa is seen watching George A. Romero's Day of the Dead in the film, but the Creature is an homage to its iconic zombie, Bub.
"Creature for me is definitely an homage to Buster Keaton, but he's also an homage to the zombie you just saw on screen, Bub, who was in Day of the Dead, a Romero movie that I'm very fond of. It was an incredibly emotive and a very intelligent zombie and ended up getting revenge against the asshole in the movie. It was one of my favorite monsters ever made, so when I could put that on screen during the movie, it made me very happy."
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4. Zelda hid a tribute to her father, Robin Williams.
Williams is the daughter of Robin Williams, and she included his 1983 comedy album, Throbbing Python of Love, among the records scattered on the floor in Lisa's living room.
"Oh, there's Dad! We used one of Dad's vinyl albums because we had to scatter some across the floor." She refers to it as "a little, mini Easter Egg for me."
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5. The police officers are named after John Waters.
The police officers in the film are Officer John (played by Walker Babington) and Officer Waters (Sylvia Grace Crim) — named on a whim in honor of cult filmmaker, John Waters.
"They asked me to name the cops, because obviously they needed to have name tags, so I named them Officer John and Officer Waters." She thought no one would notice since they're so small, but a viewer pointed it out at a test screening.
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6. The film is sprinkled with movie references.
Williams wore her influences on her sleeve with her directorial debut, and she pointed out several references on the commentary:
A Trip to the Moon (clip featured in Lisa's surreal dream sequence)
The Cabinet of Dr. Caligari (stylistic inspiration on the dream sequence)
Weird Science (the party scene)
Suspiria (red lighting during drug sequence)
My Boyfriend's Back (camera shot from inside a grave looking up at characters)
Kill Bill (weapon point-of-view shot)
E.T. (a boy on a bike — played by Diablo Cody's son — at the end)
Notting Hill (reading together on a bench at the end)
Lisa Frankenstein is available now on Blu-ray, DVD, and Digital via Universal.
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New Sunny podcast is out and, as teased, it's about the guys' upcoming films, Fool's Paradise and Blackberry, out on 12 May!
Meg showed up at 9:00 which some people might say is late.
Shopify ad is full of Succession references, "Glendall Roy!!!!" and Logan Roy-isms: "FUCK OFF!"
There are a few new clips for the creeps.
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Fool's Paradise
Hollywood satire with a focus on persona, ego and stage names, hence why the main character is accidentally named "Latte Pronto" and a passive observer reflecting the surrounding characters' projections.
Explores different sides of the industry with the big cast and spirals into chaos by the end as the ppl behind the stars are revealed
Charlie started on the script during Sunny S10 (~2014) bc he felt certain '70s and '30s style comedies weren't being made anymore.
Felt he'd never be cast in them even if they were
Directed because he didn't want to give up control of his script especially if he was going to play the passive lead without a voice
Influences: Being There (1979) starring Peter Sellers and directed by Hal Ashby; also films by Woody Allen, Albert Brooks, Robert Altman, Coen Brothers, Paul Thomas Anderson, Buster Keaton, and Charlie Chaplin
Charlie plays the MC but Ken Jeong's character is the protagonist
Movie follows their journey together looking for real relationships in Hollywood.
Reshoots focused on making Ken the heart of the movie
Charlie worried that he was pushing Ken too much, but Ken was willing to do many takes to get to a non-sarcastic heartfelt place
Jon Brion's score is very classic old-fashioned Hollywood and used a lot of old recording techniques to add to the timeless fairytale feel of the movie
Glenn loved Charlie's script from the first draft and every revision
Charlie and Rob, the Original Glenn Girlies, found Glenn and his glacting choice to do a "vaguely European" accent (like Jan?) for his Business Manager character to be the funniest part of the film
Film contains Sunny easter eggs and actors like Peter McKenzie
Blackberry
Glenn was nervous about playing a character based on a real person, especially since he only had 3.5 weeks to prepare and couldn't do as much research as he would have liked.
IRL Jim met Glenn at the Toronto premiere and seemed to approve his onscreen portrayal.
Glenn felt like he lacked film experience where characters have arcs, so it was a challenge to keep track of Jim's anxiety levels through the story while shooting out of order.
Read the script many times and talked to director Matt Johnson about every scene because he didn't have the benefit of being a writer here like he does on Sunny
Worried about being too unlikeable but committed fully to the character because of his experience with Dennis
Glenn played Jim very earnest and sincere, and not at all for laughs — that's where the comedy comes from
Rob and Charlie found Jim to be nothing like Dennis or Glenn because even though they both experience rage, Jim is competent and has a cold killer look in his eyes -> DENNIS IS NOT A COLD CALCULATING KILLER.
Matt Johnson shot with long lenses on gimbals so that the cameras were far away enough for the actors not to know if they were being filmed and what was on screen — this adds to the handheld thriller but kinda comedic aesthetic of the whole film
Charlie was excited that a director finally let Glenn go full Glenn all over this movie and wished he was in every frame
Also wished he was the one directing the movie showing off Glenn
Rob, Charlie and Meg are annoyed that people are so surprised how good Glenn is in this role (we know and agree!) and predict that he will get more roles off this performance
Glenn has a theory on why he thinks things are shifting for the Sunny cast BUT HE DOESN'T GET INTO IT BECAUSE THERE'S NO TIME LEFT NOOOOOOOOOOOOOO
The girlies were all too happy and nice-looking today for me not to screenshot away.
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I'm so excited to watch these movies... can't find any showings for Fool's Paradise yet, but Blackberry is playing at my local cinema later this week, and I will be there!
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friendlessghoul · 5 months
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Hey there!
So not having read many biographies of Buster, how did he feel about being teamed up with Jimmy Durante? I know Buster got along with Roscoe Arbuckle and was good friends with him, but I'm curious to know if he and Durante got along.
Hey! Sorry for the delayed response, but here is what I was able to find. There isn't a whole lot in the books, but we do get an idea of how he felt, with additional context and all that.
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James Curtis - A Filmmaker's Life -
(Pg 416) - Keaton heard that Mayer was out to build up Broadway acclaimed Schnozzola at his expense.
(Pg 418) - From the outset, it was clear to Keaton that he and Jimmy Durante lacked chemistry. “He tried hard, and I tried hard, but our styles, our timing, didn’t jibe.” Each extended the utmost courtesy to the other, Durante making no attempts at upstaging and Keaton giving him all the room he needed, even to the point of suggesting retakes on scenes where the Schnoz appeared to be overshadowed. 
(Pg 419) “Durante just can’t keep quiet,” Buster complained. “He’s going to talk no matter what in the thunder happens. You can’t direct him any other way.”
Tom Dardis - Keaton the Man Who Wouldn’t Lie Down -
(Pg 202) - Some people felt that Durante was brought in to fill out Busters pictures, to give them an extra dimension, but this was firmly denied by Weingarten.
No. Keaton was doing a certain amount of business. And we thought that Durante… in this particular role, would be fine, that’s all. We weren’t thinking of bolstering him. There were a number of pictures made, we tried our best. If it wasn’t good enough, that’s another thing. But we didn’t set out to destroy Buster….  
(PG 204 - 205) - Buster was unhappy working with Durante for two reasons. He was aware that Mayer had high hopes for “Schnozzola,” and that he was being given parts in Busters films as a showcase for his talent. Buster was quite sure that he and Durante didn’t belong in the same picture: 
Then of course, when you give me a Jimmy Durante— they brought him in there to play a part in a picture with me. Well, Durante just can't keep quiet. He’s going to talk no matter what happens. You can’t direct him any other way. Louis B. Mayer liked him very much; it could have been that he was brought out to replace me, I don’t know….
(Pg 205) - Buster disliked working with Durante for personal as well as professional reasons. Durante invariably punctuated all of his conversations with Buster by punching him on the upper arm and chest. Since Durante was, in Buster’s words, “strong as a bull,” this constant rain of punches really hurt, but Buster was simply too polite to tell him to stop. The punching continued unabated for the next year.
(Pg 221) - What did bother him was that MGM was no longer under obligation to star him in his films; the new contract made a point of the fact that he could be starred or co-starred as the studio saw fit. This contract made it possible for MGM to have Jimmy Durante as the official co-star of their films together.
MGM considered Durante fully Keaton’s equal and wanted to be able to indicate it on the film credits.
Buster Keaton & Charles Samuels - My Wonderful World of Slapstick -
(Pg 236) - The experiment I know most about was the one made by Louis B. Mayer when he teamed up Jimmy Durante and myself in a series of features. There is no one in the world like Durante, bless him, but in my opinion, we just did not belong in the same movies.
(Pg 237) - At any rate, as I see it, there was no way to mesh, match, or blend Durante's talents with mine. Yet Jimmy would have been great in the pictures that we did together if he would have been merely to do spots of comedy instead of playing a character all of the way through.
However, he was very good in the one picture we made together that had quality. I think this was because the character he played was very much like the real Jimmy Durante. The picture was Speak Easily, which was based on a Clarance Budington Kelland story and had a sound plot.
From the time Jimmy and I were teamed up I heard rumors that Mr. Mayer was planning to build him up at my expense. This didn't worry me much, although I can't say I liked it. With my record of successful pictures, I felt I was a fixture at M-G-M. I couldn't imagine anyone there wanting to get rid of me. If Jimmy Durante could replace me, it would be on his superior ability. Like a lot of men, the world considers modest and humble I had unshakable confidence in my talent and ability to hold the place that I had staked out for myself. Dana Stevens - Camera Man (Pg ) Though the two were friendly offscreen, Keaton admitted years later that Durante’s constant rain of chummy punches in the arm actually hurt. 
It doesn't seem as though there was any animosity towards Durante. Buster appeared to make the best of the situation as MGM was forcing them together and there wasn't much else he could do. He acknowledged that their style just wasn't meant to mix and that was all there was to it. They took plenty of photos together for publicity but not much else? There's probably more information out there but this is the extent in the books that I have. Their personalities didn't mix on or off the screen but it didn't cause any issues between them. I'd imagine partially due to Jimmy's boisterous friendly attitude and Buster being passive and never speaking up. Though I don't think there was much for Buster to have complaints about, other than being hit constantly.
Hope this helps and thank you for the ask! And now photos -
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tinydooms · 4 months
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2024 Old Hollywood Movies Project
After taking everyone's Old Hollywood movies recommendations into consideration, I've come up with a list of fity or so films to watch this year. I haven't yet decided whether or not I'm going to schedule specific films to specific months (though I will watch the Christmas movies at Christmas) or if I'm going to go by decade or just by list order. We'll see!
I also want to put in a couple of Anna Mae Wong's and Buster Keaton's films, but here is the list as it stands today, January 11th, 2024:
Design for Living, 1933
Morocco, 1930
The Prisoner of Zenda, 1939
My Man Godfrey, 1936
Bringing Up Baby, 1938
Stand-in, 1937
The Thin Man, 1934
The Big Sleep, 1946
The Maltese Falcon, 1941
It Happened One Night, 1934
Ball of Fire, 1941
The Gay Divorcee, 1934
Random Harvest, 1942
Now, Voyager, 1942
Brief Encounter, 1945
Meet John Doe, 1941
The Lady Eve, 1941
The Scarlet Pimpernel, 1934
Berkeley Square, 1933
I’ll Never Forget You, 1951
The Adventures of Robin Hood, 1938
The Mark of Zorro, 1940
The Sea Hawk, 1941
Rebecca, 1940
The Bishop’s Wife, 1947
The Shop Around the Corner, 1940
Scrooge, 1951
The Philadelphia Story, 1940
Holiday, 1938
Without Love, 1945
I Know Where I’m Going, 1945
Dodsworth, 1936
The Furies, 1950
Ninotchka, 1939
Christmas in Connecticut, 1945
Gaslight, 1944
The Crimson Kimono, 1955
Sweet Smell of Success, 1957
The Little Minister, 1943
The Uninvited, 1944
His Gal Friday, 1940
Trouble in Paradise, 1932
The Scarlet Empress, 1934
The Old Dark House, 1932
The Ghost and Mrs. Muir, 1947
The Night of the Hunter, 1955
Queen Christina, 1933
Mr. Blandings Builds His Dream House, 1946
Shanghai Express, 1932
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judy1926 · 2 months
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Hi Jud, how are you? You have been disappearing these days. I responded to your messages for a while, but you did not answer me. There was a problem with my account. You know that I love your page, especially the stories of actors, and you have not posted about it for a while. I hope you publish more.. You just reblogging another photo this while 🥲 and I'm a little curious about you and I have some questions, and if my questions bother you, just ignore me!
1. I noticed that you love Dean Martin and Jerry Lewis in particular, but you have not published a story about them...like Marlon.
2. Are you a pharmacist or a pharmacy student?
3. You like books. What is your favorite genre? Recommend me a book
4. Do you prefer Buster Keaton or Jerry Lewis in terms of comedy?
5. I fell in love with Connie Francis when I heard the list of songs she wrote. Is there another singer you like?
6. Do you have other blogs, TikTok or Insta pages?
7. Why you don't Post anything about Valentine’s Day. Are you single?🙈
8. Are you straight, gay, or bi?
Hello Emily! I'm sorry. I switched the account to the computer so I didn't see the messages... I was wondering where you disappeared to 😂 I understand now... and the reason I don't post is because I'm exhausted from life 🥹 I go out at eight in the morning and come back at nine at night so I don't wake up until the next day. This is a situation Temporarily, I have a lot to post, maybe tomorrow, I don't know...
You're really curious 😂 and I don't mind 👀
1.Yes, I am, and the reason I don't publish about them is because they are complicated. Usually, stories have a beginning, a middle, and an end. We don't even know when the beginning was, I mean their first meeting, but nevertheless, I am working on that. I want to write about them...
2.I am a pharmacist but I am studying for postgraduate studies
3.Yes, I love books a lot. I waste most of my money on books, and my favorite type is autobiographies and a book I recommend to you. You can't hurt me by David Goggins
4.I love them both, and each one of them touches a part of me. Buster looks like me and his comedy looks like me. As for Jerry, he touches something childish inside me. He made me discover that I have another personality. That Jerry is like a Dean Martin comic book, the love that he is ashamed of just because he doesn't look like the picture he is known for.
5.You don't know how happy I am now. Regarding your question, I adore Laufey. She won her first Grammy a while ago. She's reviving the genre of 1950s songs. She's amazing.
6.No, I don't have it. Only Tumblr and the rest of the sites waste my time very much, so I only download them on Wednesdays
7.Yes I am single 🙈 and I was just busy
8.Is this important? I mean labels..I don’t care if it is a man or a woman. What matters are feelings, thoughts and values
Thank you, this was fun
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