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#the movie just didn't make any of those points imo
I want to echo all the nice things people have said about your work, and add one more: I appreciate that your blog offers space to mourn the Holocaust. Not the Holocaust as a metaphor, not the Holocaust as a rhetorical invocation, but the Holocaust in and of itself. It provides a sobering kind of relief. When I was a kid learning about the Holocaust, my classes always showed me Life is Beautiful and The Boy in the Striped Pyjamas (UGH) and one teacher insisted that she wanted me to understand "how the Jews kicked Hitler's ass!" Which... no. On so many levels. So I admire how your work holds the dialectical truths of mass tragedy and brave resistance. Your scholarship matters, your mental health matters, and I can't wait to read your book next year!
This message is so lovely I was too verklempt to even answer it last night. Thank you, so much, for taking the time to write and send this.
And yes I totally get what you mean. It's not some, as you put it, rhetorical invocation populated by faceless martyrs, but the very real murders of millions of real, flawed, living, breathing humans. I think the rhetorical version, with its ideologies and hagiographies, is easier to swallow.
I hate most Holocaust movies. At least, American ones. They just want so badly for there to be a happy ending and...the Holocaust doesn't have one. [Unnamed legendary Jewish director] optioned the rights to [book similar in scope to mine which came out in the last 4 years] and I'm not even upset, because I don't enjoy that director's gentile-focused quasi-uplifting attempts to depict said events. Hitler said he was going to destroy the majority of European Jewry, and he did. In the space of 12 years he destroyed civilizations, cultures, and languages spanning 1000+ years; more, if you hold him responsible for the ethnic cleansing of MENA Jewish communities post-1948. Nothing uplifting there.
That's why I think I like weird, post-modern, magical realist approaches to Holocaust fiction [see: my boyfriend recently convinced me to watch Jojo Rabbit and Inglorious Basterds]. Telling any of these stories doesn't fit into Western narrative conventions. So make it weird; have the characters dance to David Bowie; make it a Western with subtitles; make the audience wonder if magic or just mundane in the specific context of the story. That's, imo, the only way to capture the sheer unreality of these very real events in fiction. I would LOVE a work of magical realist Holocaust fiction that involves the golem of Prague (if it exists omg tell me!) or something similar. Keeping in mind, of course, that I'm neither a film not a literary scholar. Just, as a historian who took one cultural criticism course in undergrad, those feels the most...right.
And oy your teacher. I feel for her; this is a difficult subject to teach. But...the Jews didn't kick Hitler's ass. That's the opposite of what happened. The Warsaw Ghetto Uprising is the most famous instance of organized Jewish resistance to the Holocaust, and those fighters only kicked ass until the Nazis (quickly) realized that they needed reinforcements and flamethrowers because oops these Jews came prepared. And even the fighters themselves knew that they weren't going to "win" anything. They were making a symbolic historical gesture/statement and fully expected to die. To the point that survivors almost uniformly express in their memoirs and testimonies that the ones who died fighting were the only real heroes and they rest of them are nbd, and this isn't something that should be talked about (which, is something that I'm trying to respect in my book! Like the fact that Zivia Lubetkin utterly rejected any attempt to describe her as a hero matters, even though that's how I personally view her).
Anyway I've rambled enough. Thank you again for the message!
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artemistalkstoomuch · 3 months
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All of My Opinions on the Mean Girls Musical Movie
Firstly, loved all the original film references. Of course the obvious ones like having the same lines, the thing about fetch being slang from an old movie, but also!!
. Janis' suit being purple for spring fling!! and omg let's not even talk about how pretty Aul'il Cravalho was throughout the entire film. Her eye make-up was so impressive
. that part in Sexy where they're cycling through potential outfits and one of them is the white shirt with the purple bra holes cut out !!
Slightly upset about the fact they cut out Meet the Plastics and it ended up being more like, Meet Regina, but I get that. On the topic of songs, I understand a lot of them were cut out because they were "too theatrical" but I can still miss em!! Truthfully when I heard the new Stupid With Love I was devastated because it's one of my favourite songs and they fucking tiktokified it, but I actually think it works really well in the film- it gets the "cringy first proper love" aspect across, which is its purpose, so I'm happy.
THEY GOT RID OF "WHO HERE HAS EVER FELT PERSONALLY VICTIMISED BY REGINA GEORGE" which was absolutely criminal
AND THE PRINCIPAL AND MS NORBURY ARE TOGETHER which was actually adorable, and I didn't think about the fact that could be something that happened, but I'm very happy it did.
The bus at the end of Rather Be Me was such a jumpscare but also so funny. THEY MISSED OUT THE DIALOGUE TO DO IT THOUGH SADD. Plus she was so goofy that entire song?? Why was she running in and out of all of those random rooms.
The rumours spreading via phones looked half cool, but it's dated the film imo, which is what Tina Fey originally set out to avoid! Like "fetch" was made up slang so in years to come the film wouldn't seem cringy for having slang teens actually used to use at the time.
Big drum-roll: We did not see enough of Regina's meanness to actually justify her being a mean girl. A lot of it got filtered out through songs, and the majority of stuff was just her, like, responding badly to sexism?? Also tell me how I'm gonna villanise Renee Rapp she fucking SLAYED what a queen.
Also WHERE IS COACH CARR'S SEXUAL ASSAULT. THAT'S THE WHOLE REASON MS NORBURY GETS ARRESTED!!?? That, to me, is one of the biggest indicators in the original film of just how powerful the "Mean Girls" are, they know about this, and the other teachers don't. Not only that, but it highlights just how immature they are, because they don't do anything about it. They're girls who run the school, without having any sympathy or context to do something about bad stuff they know happens. It's just "a funny thing to write". Not having that made me sad tbh.
Changing the line to "you wrote this" in World Burn was clever but I wish we got to see more of the girls turning on each other, rather than direct fighting.
KEVIN G BEST SONG IN THE MUSICAL
Where was the 4 way phone call, DEVASTATING. We literally did not see the plastics actually interact with each other. There was no meanness, no impact, all we got were the "events" when OTHER THINGS HAPPEN. You could say it lost a lot of filler, but the filler was actually context! And part of what makes the film so good!
Devastated she doesn't say "damn you're mine" in Someone Gets Hurt. I do think it's hilarious they just didn't make the actor guy for Aaron sing at all lol
"That filter you use looks just like me" WHY. I appreciate the change from the line about weight but like, this DOES NOT MAKE SENSE. at least say "that filter you use has nothing on me" THE WHOLE POINT IS SHE'S ABOVE IT
I didn't like the extended version of Revenge Party, sorry, too used to the old version
And I did not like the girlbossification of Sexy. I get it's supposed to be powerful like "watch me as I run the world in shoes I cannot walk in" but I feel like the whole point of "I expect to run the world in shoes I cannot walk in" is supposed to point out the irony, like, being slightly critical of "modern feminism". I will say though that the wobble from avantika as she says that is superb.
Overall I thought the film was enjoyable and a nice blend of the original film and the musical, but I think both ended up losing individual meaning because of how much they intersect. You don't have time to appreciate the lyrics and power of the musical because you don't hear them all, and some of them get cut, and you can't follow the plot in a meaningful way because the songs are happening, and they skip a lot of context to fit them in.
Would totally watch it again though, if only to see Renee Rapp say "get in loser" cos she actually nailed that
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thepetesimp · 28 days
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as a writing prompt: maybe something with pete and sleep? i mean, as a bodyguard he probably had a weird sleep schedule, especially looking over tankhun—would be interesting to see how that might affect him post-canon :3
(i hope this isn't too unspecific)
Hey there! Thank you so much for sending me this incredible prompt. I have so, so many thoughts about Pete and sleep that I could write a whole damn essay about it. I tried my best here. I didn't want to overthink it - because that's not the point with this imo - so what I've written below is my effort into putting all of those thoughts in order. Hope you like it, nonetheless ❤️ -------------------------------------------------------------------------- Pete had always had a strange relationship with sleep. He never seemed to be getting enough of it, but it still managed to somehow sustain him. Just enough to endure hours upon hours of grueling boxing practice, no matter his father's harsh punishments at any minor mistake. Just enough to last in the ring, no matter the number of opponents he faced or the amount of times he lost. Just enough to make it through Chan's training regimen, no matter how his body screamed at him to stop moving, as if unaware of the consequences of such an decision. Just enough for the movie marathons Khun Nu would host on a whim, suspiciously on days Pete accompanied Khun Kinn on missions of high importance to the family. For some reason, they were never nearly as tiring for Pete as whatever Khun Nu planned.
More sleep wasn't what Pete needed. More sleep meant less chances of hearing his parents arguing at night. More sleep meant less practice, less matches, less earnings from fights. More sleep meant less awareness of the moments his father turned more vicious than usual. More sleep meant less opportunities to earn the position of Head Bodyguard, to prove his worth to the main family.
Pete didn't need more sleep. He was fine.
Porsche was the first person to disrupt that reality. Pete could honestly not be blamed for it; how could he know a couple of drinks would have such an effect on him? Heavy sleep was a peculiar thing, he realized. Pete was used to unsettling dreams accompanying his slumbers, but that night there was nothing. No other sensations either; he simply closed his eyes and suddenly, he was elsewhere, with no way of knowing how he ended up there. A fleeting thought had him wonder if death was a similar experience. He pushed it aside. There was a danger to this much lack of consciousness. Pete thought so when he woke up, only to find Porsche's face mere inches away from his own, his lips almost brushing over his. It scared him, how exposed he had let himself be. He vowed to never let it happen again. But then Vegas entered the picture, making him break every self-imposed rule of his, ruining him in the process. It started at the basement and continued at the safehouse; Pete slept and slept and slept, more so than he had had his entire life. It didn't happen willingly. Pete fought it at first, fought the urge to close his eyes and succumb to Vegas' will, let him break his spirit like he so desperately wanted since the moment he had captured him. But Pete was stubborn until he couldn't be anymore, until his injuries got the better of him, and sleep was the only way to heal, besides the pill he tenderly got shoved into his mouth. That's what Vegas told him, anyway, and even though Pete didn't know if he should believe him, he didn't have much of a choice. After he escaped the prison that fleetingly felt like a home, sleep became a constant state of existing. It was as if he was sleepwalking through his new life, the life Vegas threw at him with bloody hands and demanded of him to accept. He never wanted this, he kept telling himself. Sleep wasn't made for someone like him. He wanted to wake up. In a twisted sense, Pete got his wish when Vegas got shot and spent weeks in the main family hospital wing fighting for his life. Pete couldn't sleep. No matter how much his body begged him to, he couldn't do it. He had to watch over Vegas, over the man who owed him fully, completely, and make sure he survived. Pete's responsibility was to stay awake. Vegas' responsibility was to wake up. When he finally did, and later when he told him he was the most important person in his life, Pete finally felt like he was allowed to rest. He would not get punished for it. He would not lose something precious to him again. He could just close his eyes and all would be well. Sleep didn't feel like punishment anymore. It felt like nourishment, like a gift. Now, there were days when Pete slept heavily, days when he woke up and needed a moment for his sight to clear, before finding Vegas next to him, his gaze piercing through every single wall he'd built to protect himself throughout the years. And every single time, Pete got reminded of the safehouse, of a kiss in the form of a pill, and it scared him, before a sense of calmness washed over him. It was fine. Five more minutes wouldn't hurt.
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sheisalivingchild · 4 months
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no but like the scenes with Dr. Gaul in the book are soooo key and her influence over Coriolanus is stomach-turning in a way that the movie just doesn't achieve...
like I know why they didn't include classroom scenes that are just direct philosophy discussions, or the part where she literally makes him write a paper on the social contract; they tried to condense the key points into the scene where she's stitching up his shoulder. but those ideas are so important...the whole notion of an unwinnable war is what justifies maintenance of control by any means necessary. and furthermore, there's something about the academic setting that really hits because it emphasizes the methodical way she is indoctrinating these kids.
and what the movie doesn't get across, IMO, is the tragedy of how he's won over by her thinking. in the scene where she's stitching up his shoulder, he pushes back against her statement about "mankind in its natural state"
Coriolanus felt nauseous at her words but even more enraged that she had forced him to kill for the sake of her lesson. Something that significant should have been his decision, not hers. No one's but his. So if I'm a vicious animal, then who are you? You're the teacher who sent her student to beat another boy to death!
Coryo HATES Dr. Gaul, he's terrified of her! and over the course of the story he's estranged one by one from all the people in his life who are positive influences until he becomes her apprentice. it's crazy.
He buried his head in his hands, confused, angry, and most of all afraid. Afraid of Dr. Gaul. Afraid of the Capitol. Afraid of everything. If the people who were supposed to protect you played so fast and loose with your life…then how did you survive? Not by trusting them, that’s for sure. And if you couldn’t trust them, who could you trust? All bets were off.
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grishaverse-chaos · 29 days
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The Darkling
why I like them: could have been SO GOOD in theory okay? I will never shut up about this because "character who everyone thinks is evil is actually just the victim of a smear campaign and some really bigoted propaganda" is SUCH a good character concept and I wish darkling fans were right about him because it would be so fucking cool and aesthetic
why I don't: he uh. he isn't that. he could have been so fucking iconic and instead he was just a vicious murderer. who grooms teenage girls.
favourite episode/scene: LOVE the bit where alina stabs his hand in s1e8. tbf that's more of a fav alina moment than anything else lmao, let me think... okay fr I love the "fine. make me your villain" scene bc it just really showcases who he is as a character and how he sees himself (hint: those two things are not the same)
favourite season/movie: imo he's better written in s1 of the show than in s2, idk though. and I do love his story in the kos duology lmao
favourite line: that one bit in rule of wolves where he says "everything I have done has been for ravka" because it's so clearly Not True and yet.... he clearly thinks it is.... so where does intent stop and impact begin...... it's deep okay
favourite outfit: purely for shits and giggles I'm going to say his black kefta in s2 where there's bits of gold bc I loveeee people being haunted by those they've wronged and I think alina haunting him really fits into that theme
otp: no thank you! in all honesty he prob could have been Fixed™ if he'd had a genuine relationship at an earlier age but he didn't so I refuse to inflict him on any other character. darkolai is interesting to consider though bc I feel like the ways they see themselves clash so heavily.... it's about self image and it's about villainy and law and justice and power and and and. they would Not be a good relationship but I think they should interact more for the Narrative
brotp: his sister ulla! they'd have such a fun sibling dynamic lmao I think it'd be sweet
headcanon: tbh I don't tend to think about him much beyond the big narrative stuff so I'm struggling to think of something that fits the genre of "headcanon".... but let's humanise him a little! I bet he reads really literary fiction and gets ever-so-slightly pretentious about it lmao
unpopular opinion: is it unpopular to say that despite his original good intentions he's a bit of a dickhead and not as smart as he thinks he is? in some corners of the fandom it totally is but idk
a wish: at this point there's not much more that could be done with his character beyond what's already been set up (him being mercy killed so he's not suffering in the thorn wood for all eternity) so I'm going to say that I hope his stans get better reading comprehension bc dear GOD some of the takes I see (posted in the alina tag btw I'm not deliberately seeking them out) are absolutely horrendous. is that too salty? perhaps. idc though it's my blog and darkling stans are free to block me if they don't like my takes
an oh-god-please-don't-ever-happen: I swear if he goes NEAR alina genya or zoya again I will reach through the fourth wall to kill him myself. only half joking btw I'd be so pissed. imo they've all had the closure they need narratively and for him to seek them out again would be a dick move of the highest degree
5 words to best describe them: used to have good intentions. that might be cheating but idk if I can pick 5 random adjectives lmao
my nickname for them: I call him darkles sometimes (bc it's funny and also I think it'd piss him off if people called him that in-universe) also a lot of less positive nicknames ("that prick", "shithead" etc) but idk if that counts
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ilovescarletwitch · 1 year
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I don't understand why people call Anakin insensitive and casually hurtful when Obi-Wan Kenobi is right there.
It genuinely doesn't make sense to me. Anakin was a literal child slave, a small kid in a very abusive situation. While some abused children do turn out emotionally cold as a defence mechanism, it's way more common for abused children to become hyper aware of other people's emotions and turn into people pleasers as a way to keep themselves safe. Anakin spent the first nine years of his life knowing he was a piece of property, he could be sold at any moment or simply killed at a whim. Anyone could do anything they wanted to him and the only thing stopping them was that it would cost them money. Anakin learned as a child to be very perceptive of people 's emotions especially if they had power over him and how to make those people happy so they would be less likely to hurt him.
Obi-Wan during the course of the prequels showed himself to be way more insensitive and casually cruel with his words. At TPM Obi-Wan is twenty five years old, older than Anakin had been during the prequels. He called the child slave who had risked his life to help them a pathetic lifeform. No compassion and no gratitude, just complaining about the inconvenience of having to help the traumatized child who had already selflessly helped them. During the same movie he again calls Anakin dangerous and urges Qui-Gon to abandon him as the Council wants, not even bothering to make sure Anakin is out of earshot. At that point Anakin is a former child slave turned unaccompanied child refugee, separated from his only parent and thrust into an unfamiliar world.
Then let's move to the AOTC. At the very beginning of the movie Anakin clearly communicates to Obi-Wan his distress over his mother's wellbeing. He hasn't seen or had news of Shmi Skywalker for ten years, since he left her behind in a dangerous planet as somebody else's literal property. He has every cause for concern and now is getting nightmares that may be force visions of her suffering. He clearly tells Obi-Wan about it and Obi-Wan responds by telling him that the dreams will pass and to stop caring about his mother/pestering Obi-Wan about her wellbeing. Pretty darn insensitive in my opinion.
Then during the actual bodyguard part of the movie. Anakin and Padme together make a plan to lure out the assassin trying to kill her. That plan involves using Padme as bait while Anakin is on the other room using the force to sense potential threats. Obi-Wan arrives on screen, learns about it and immediately casts doubts on Anakin's ability to carry out the plan. To me that feels more like Obi-Wan doing this as a way to force Anakin back in his place because he is angry they made a plan without him. The whole point of Anakin is how incredibly powerful he is. He should absolutely be able to sense a threat literally in the other room. Moreover Obi-Wan was Anakin's primary teacher and they have already been together in a number of missions, so he should also have a very good idea about Anakin's abilities. He is just being dismissive because he feels Anakin is challenging his authority. A moment later Anakin does sense the threat in Padme's room.
Then Obi-Wan jumps out of the window to chase the droid. Anakin then acts as a model partner imo. He doesn't panic or anything. He checks Padme is safe and in no more immediate danger and then immediately finds an appropriate vehicle and runs after Obi-Wan. He catches him on time and then engages in a high speed chase with the assassin. During the entire time of the chase Obi-Wan keeps yelling at Anakin instead of just trusting him, the person who has the most experience among them in piloting and high speed chases. I am honestly surprised Anakin didn't tell him to shut up even once.
Then Anakin jumps of the speeder to catch the assassin. He does the exact same thing Obi-Wan did. I would even argue he is more successful because he does manage to disable her speeder. When Obi-Wan catches up to him he immediately scolds Anakin for doing the same thing Obi-Wan had done only five minutes ago. He specifically says:
"I swear you will be the death of me"
I know people usually take it as a light hearted joke. But in context it really is not. Obi-Wan and Anakin are Jedi and are often expected to go on dangerous missions together where they will have to depend on each other's skills to survive. It would be pretty hurtful to Anakin to be told by his teacher that raised him for ten years that Anakin's actions during a mission will cause his death. And he is pretty hurt by it, which he again tells Obi-Wan clearly:
"Don't say that Master. You are the closest thing I have to a father. I love you and I don't want to cause you pain. "
And Obi-Wan's response: "Then why won't you listen to me?"
Anakin clearly tells Obi-Wan that his words hurt him. He also tells Obi-Wan how much he means to him and that he doesn't want Obi-Wan to come to harm. Obi-Wan responds with a dismissive joke, doesn't even consider that his careless remark hurt Anakin and he should perhaps apologize. He never even addresses Anakin's confession of loving Obi-Wan as a father figure.
I don't say that Obi-Wan was a bad teacher. Anakin managed to catch up to and even surpass his peers while under Obi-Wan's tutelage, so he must have been pretty good. And they definitely had their good moments otherwise Anakin wouldn't care about him so much. And Obi-Wan is capable of compassion and kindness as evidenced when he tells Padme of her husband's fall.
But I am so angry at the fandom portraying Obi-Wan as this sensitive flower who always considers other people's feelings and is always hurt by Anakin's reckless and cruel words but never tells him and suffers in silence because he doesn't want to hurt Anakin/is afraid of Anakin's temper. Anakin was a child, a student under Obi-Wan's care for the majority of their relationship. And in the movies it's Obi-Wan who is repeatedly shown to make insensitive and hurtful remarks and then completely ignore and dismiss Anakin when he calls him out and/or expresses his hurt.
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aquaristintern · 29 days
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Hey! I meant to send you an ask for the ask meme way earlier but the trailer dropped and i got completely derailed..
But here it is!
What is your favourite book genre and is there anything you would recommend? What is your favourite movie from your childhood? Do you have any unpopular IWTV opinions? Do you have any Season 2 theories you haven't seen anyone talk about? Do you have any Claudia headcanons specific to Paris? Do you think Claudia might be haunting Dubai? Are there any songs you think are very Claudia coded?
Here I am answering this ask 4-5 days later!
-What is your favourite book genre and is there anything you would recommend?
I tend to gravitate towards gothic horror and absurdist comedy (the two can often intertwine) For what I would recommend, it would depend on the person! Like, do you like something that involves romance? History? Leans more into the comedy aspect? Leans more into the horror aspect?
-What is your favourite movie from your childhood?
At 11 I got addicted to Titanic and became a huge Titanic nerd lol. It's funny because I actually thought it was a horror movie initially because I watched the second half first with a friend who just wanted to skip to the boat sinking (I had never watched a horror movie prior to this so watching the claustrophobic sinking room scenes and the multiple people dying in front of me traumatized me okay!!). I guess I'll go with Titanic since that's the one movie I still love today I'm not ashamed to admit :)
-Do you have any unpopular IWTV opinions?
Oh plenty. I've spoken about a lot of them but I guess I'll mention that the writers including what happened to Claudia in Episode 5 was not bad writing, but more just poorly set-up imo. I know a lot of people hated it when the episode came out, and threw accusations of exploitation and the writers adding it just for shock value, but I politely disagree with those takes even if I get where they're coming from.
(trigger warning for mentions of SA below)
Claudia in both the books and the show constantly suffers from a lack of autonomy. It is a huge aspect of her character. She is constantly touched and handled too freely, as if she were still a child, without her consent. Louis and Claudia's relationship gets very unhealthy as well, as a result of her creators designing an environment where she literally has no one else. Now that they have aged her up, this aspect is still present, but now the threats are different. Claudia in Season 1 is driven by freedom and romantic love, but has now reached a stage where any human she gets into a romantic relationship would either be a creepy relationship with teenage boys, or a creepy relationship with a pervert. So she then looks to finding love with other vampires. Then she finds out, like in the books, other vampires won't necessarily understand or respect her either. It's a depressing realization that makes her character even more tragic. I know people would have preferred her seeing her struggle on her own to the point of being driven home rather than having the assault take place, but because of Claudia's character development this season, and because the season was so tightly condensed, the plot they went with actually makes sense :( And in fact, Claudia was actually never driven home because of the assault. She was driven home when she realized what her purpose finally was, as she was feeling lost and like she didn't belong anywhere as a black teenage vampire for years ("I realized why they made me- to be Louis's sister). If she couldn't survive on her own, albeit with more struggles than other vampires would, she wouldn't have tried to leave in Episode 6 by herself with Louis's assurance she could get by alright.
The thing that also makes this non-exploitative and randomly placed to me is that they never show it, and explicitly emphasize that they will not be showing or revealing the details despite Daniel's pressing.
The thing I didn't like was how it was set up. Bruce, like Claudia, wants to find other vampires and form a gang, but when he has found Claudia, after a minute, without any warning, just instantly throws an etiquette book at her (?), gets angry, assaults her, then leaves? So was that just his goal his entire time? I get why people think it's a badly written plotline. It would have made much more sense if Bruce had been a creepy "Stanley from Silent Hill 3" type, who through stalking her across universities, leaves letters and weird gifts for her or something. Claudia would be initially intrigued, because, hello, other vampires exist after all! but soon becomes wigged out and starts ignoring his letters/mind messages to her. She would end up escaping him (or killing him), because he wouldn't leave her alone, and that experience might add to her desire to leave the country and face Lestat.
Do you have any Season 2 theories you haven't seen anyone talk about?
I actually don't see many people talking about Madeleine. I do have a theory that Madeleine parallels Claudia's human mother in a couple of ways. I have this headcanon that Claudia had a black father and a white mother (just going off on the fact that Bailey Bass is biracial, but you don't have to agree), and they were teenagers when they had her, so that's why her dad gave her to his family to take care of (I'm assuming Claudia's mother might have been disowned or ran off, or her family refused to raise her themselves). So Madeleine represents to Claudia her mother if she had lived, just like Madeleine sees Claudia as a daughter if she had lived. And because this is supposed to be a complicated relationship, as Claudia is the actual older one, probably still longing for romantic connection, and doesn't want to get stuck in another daughter role, the show might venture further than mother/daughter/friendship territory, because this is the AR universe so things will naturally get complicated. I totally get if others don't want them to go into that area though.
Do you have any Claudia headcanons specific to Paris?
I do feel like Paris is where Claudia has her own awakening, same as Louis. It's where she realizes she likes girls, as we see her in a vampire orgy scene with another woman. I also think Claudia is a bit of a stalker. She likes trailing Madeleine or other women, seeing the life she could have had if she had stayed human. She actually ironically shares that in common with Armand. I feel like Armand and Claudia will actually like each other at first, and see a lot of themselves in each other. But because Claudia can see trouble coming a million miles away, his act doesn't fool her for long like it does with Louis, so gradually tension starts to build. I feel like Armand in the show, unlike in the book, actually harbors some regret when it comes to killing Claudia.
Also Claudia sketching Madeleine when?
Another headcanon I have is that Claudia has to fight for scenes where she plays someone who isn't a child/doll (hence the red dress in that promotional poster/painting). She also wants to get involved in some of the playwrighting, which she does with Armand. She does this until she starts getting suspicious about him, and after she quits writing, she not coincidentally at all starts getting cast in babydoll roles again. Armand sucks!
Do you think Claudia might be haunting Dubai?
God I hope so I want her to be haunting Louis but especially Armand's ass. The reason Armand supposedly can be awake at any time is because he just can't sleep, what with Claudia constantly taunting and tormenting him!
Are there any songs you think are very Claudia coded?
-"Can't Catch Me Now" by Olivia Rodrigo- perfect for Claudia haunting Louis and Armand!
-"Daughter" by Beyonce
-"Brutal" by Olivia Rodrigo
-"Girls Just Want To Have Fun" by Cyndi Lauper
-"I've Got To Be Me" by Sammy Davis Jr.
-"Teen Idle" by Marina
-"Antagonist" by Nova Twins
-"Beating Like A Hammer" by Metric
-"Mama, I'm A Big Girl Now" (Hairspray)
-"Eat Your Young" by Hozier- I hesitate to add this one because the song is supposedly based around the Irish "A Modest Proposal", now a similar concept taking place in modern times, but the music video just strikes me as very Claudia coded. In it, the child in the nuclear family is created to fulfill the parent's needs, and is subsequently put into a box and told to be a certain way. The parents are hungry in a demanding society that metaphorically starves them to the point that they'll take drastic measures to fulfill that hunger, even if it means exploiting and metaphorically consuming their own children. And who is that if not Claudia with regards to Louis and Lestat?
Thanks for the ask friend! And sorry it took so long to answer <3
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jewishbarbies · 2 months
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I didn't know about the antisemitism in hp because while I wasn't explicitly taught "this is antisemitic" I still learned those tropes. I just didn't know they they were tropes. The only thing I knew was nazi propaganda, because that was in textbooks. We didn't learn about everyday antisemitism. We didn't learn about the history of jews in any other country. And that doesn't excuse me or the school I went to. But I know better now, and I can look around and recognise certain tropes. But I can also recognise that jkr was hateful to so many different groups of people. Jews, the Irish, asian people, gay people, trans people, ironically women in general (Ginny Weasley in particular who only existed as a character for Harry to save and get married and have babies with) and women who like "girly" things (Lavender Brown deserved better.)
at this point, so much of pop culture is steeped in these antisemitic things (tropes, imagery, caricatures, etc.) and a lot of fantasy lore in some areas is just antisemitic to its core so while I’m angry I have to sift through the distressing nonsense, I try not to get angry at people who genuinely don’t understand. because you can spread antisemitism while not being an antisemite. the entirety of the witch aesthetic is stolen and twisted from jewish caricatures, antisemitic history, and practices appropriated from indigenous cultures - but that’s just The Witch now. same with goblins. that’s just what That Thing is to people now, so if you want to stop it, you have to throw the whole thing away and barely anyone is actually willing to do that. on top of that, they believe they don’t have to.
with HP specifically, I don’t blame anyone for not picking up on the bigotry from the books they read as children. now, if you reread it as an adult and still don’t get it, that’s another issue. but at least with the antisemitism, it’s much more obvious with the movies and a lot of people try to excuse JKR from it bc of that, when she had such a heavy hand in making those films. she had/has enough sway to change literally anything. and I think a lot of people understood the antisemitism more when they could see just what these goblins were supposed to look like, and that brought it all together. however, there are people obsessed with goblins (I think there’s a lot of neurodivergent people who have a special interest in goblins for one reason or another and that makes it more difficult to let go, in my experience) who absolutely refuse to come to terms with the antisemitic nature of the creature to begin with, when it’s antisemitic originally AND in JKR’s interpretation. I never got into HP so I didn’t know about the goblins, having not seen the movies, and it was really easy to not interact with it once I did. I can genuinely understand how heartbreaking it is to find out something you love goes against what you believe in, bc for jews it’s just part of our lives. we find out creators of and the things we like are nazis or antisemitic every single day. moreso than usual as of late.
imo the racism and general bigotry of JKR should be more than enough for HP fans who claim to care about other people, but it’s hella odd that antisemitism is the sticking point for so many people. they’ll say they’re streaming the movies and playing the games and reading the books but but but they’re not giving money to JKR and therefore not supporting her transphobia and racism, but you mention her antisemitism and the fact that the HP game was just antisemitism the simulator and they immediately dismiss it. her bigotry is embedded in the work. it’s in the imagery of the franchise. hell, there’s a storyline where a villain is a villain bc he wanted to stop the holocaust. that speaks for itself, and should be enough for literal adults.
(on the It’s The Thing Now point, it’s happening with lizard people as well. everyone is calling themselves a goblin and making lizard people jokes and it’s just apart of the young people dialogue now. I could go on for hours but I think I made my point.)
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itookyoudown · 4 months
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for the ask game: top 5 justified episodes?
oh lordy this is so hard to choose. i'm not answering this with any thoughtfulness just going with gut instinct.
5: Full Commitment, season 2. this is my guilty pleasure and comfort episode because of how western it feels and how much tim gutterson we get :)
we even get raylan talking to dan!! i just love how all the pieces of the plot and characters come together in this episode. this also sets up and kicks off the finale of Bloody Harlan. really the last three episodes of this season feel like a mini movie to me, they all flow together brilliantly.
4: The Promise, season 6. this isn't my favorite season or even my favorite season finale, but it's one of my favorite episodes because of how bittersweet it is. it was the perfect wrap-up for a perfect show and the final scene is my favorite final scene in any show i've ever watched.
some characters survive, but nobody really wins and i love that. it feels like such a real true to life ending.
3: The Hunt, season 6. the episode that cinched boyd's characterization and showed us two flavors of domesticity horror (raylan and winona with willa's heart murmur reveal and trying to navigate co-parenting along with raylan's lackluster fathering VS boyd's abduction, terrorization, and assault of ava).
this is the most thriller-esque episode of justified to me and truly does verge into lowkey horror at some points. it shocked and numbed me the first time i watched it and the reality didn't really click until the second rewatch and by the third time it truly sunk in.
the fact boyd became the type of man his father and his brother were...utterly devastating and really changed my perspective on his character. and he chose it, he plotted it and organized it in a cold fashion. it's heartbreaking and at first you can't believe it but upon rewatches of the show it revealed to me that yeah...yeah. boyd was always capable of this and it's no surprise this is where he and ava ended up.
outlaw king and queen they never were and never would have been.
this episode is also fascinating because you can see critic response to it as a disturbing time capsule. look at reviews of this episode back when the show was airing...be prepared to be sickened by how often boyd assaulting ava is framed as "making love" or a reunification/rekindling of their relationship 🙃
this episode is always difficult for me to rewatch, but i still love it.
on a lighter note, i also delight in raylan being a fail dad and with city primeval fresh in my mind i love how it really does confirm his work over family priority from the get-go lol.
2: Outlaw, season 4. in general this is a solid af episode of justified in the best season of the show, but it ranks so high in my mind because it's the culmination of Arlo and Rayan's relationship. look, the truth is abuse is so rarely accurately portrayed in media. usually, it's revenge fantasy or feel-good simplification that reduces things down to evil monsters and pure perfect victims. and i get why that happens, i get it, most people find it healing and those stories do need to exist i'm not knocking them.
but justified has a complex and multilayered way of dealing with abusive relationships (they did it with boyd and ava too) that actually digs into how complicated and messy and painful they truly are.
the fact we get to see Raylan grieve Arlo in such an understated but devasting way...holy shit. one of the best moments in the show imo. because it doesn't matter if you hate your parent and they were shitty and abusive. you still loved them. you still love who they were in-between the abuse and maybe you don't grieve the person they were but you grieve what could have been and what you never had with them.
1: Decoy, season 4: all-time best episode of justified and top-tier episode of television everywhere. the episode is really the pinnacle of justified's genre (neo western). e v e r y t h i n g about this episode honors justified's storylines and honors characterization. heart and soul and brain all in one go.
it respects the lawmen and the outlaws in portrayal. the writing is tight, the dialogue is outstanding, and it comes with one of justified's most iconic and thematic shots (the stairwell scene).
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nereidprinc3ss · 2 months
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If ur gonna continue only writing for CM I wouldn't mind. I mostly like to see BAU!Spencer x nonBAU!reader, but I also like Professor!Spence. I may be the outlier here but prof!Spencer x TA/Student!reader is pretty boring for me lol. Now don't get me wrong I can DEVOUR an age gap fic from time to time, but those seem a bit over-written imo. Are you apart of any other fandoms and would you write for those on this blog? (totally not asking bc I'm in love with Peter Parker and have been craving stark!reader fics for months 👀)
ok unpopular opinion i'm not super into professor!spence x student reader either... i just think that man is way too ethical to even consider getting involved w one of his own students so its just not super believable for me
but omfg random uni student x spencer i could read/write FOREVER.... it just makes so much sense to me. he was a late bloomer and when ur as smart as he is age becomes so arbitrary, but i don't think he'd ever pursue someone BECAUSE they were younger than him yk? like he's not one of those 'get em while theyre young and easily manipulated' weirdos. in my vision for my fics he doesn't really think about the fact that he's older than his s/o, its just not that important to him and its not why he's attracted to them--so i don't really consider my uni!reader fics as "age gap" fics because even tho they technically are, bc its not really the focal point for me. but its my go-to bc im in university lol
as for other potential fandoms i'd write for, i tend to hyperfixate on one character at a time and get complete tunnel vision. for a while it was javier from narcos lmaoo and yes peter parker but spencer reid is by FAR my longest running fictional crush. maybe one day i'll diversify but for now this will likely remain a strictly criminal minds blog (but iron man is my fav superhero movie in case anyone wanted to know) (you didn't)
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gaychocolatehomicide · 3 months
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People You Want to Get to Know Tag Game
I was tagged by @inquisimer !
Hello new friend!! Sorry for the delay, this is the second time I'm typing this out because Tumblr ate the first one! Thank you so much for tagging me! (Also, I have no idea how much enthusiasm is appropriate here, so I'm just gonna go for "a bunch" and you can let me know if I need to back off lol)
So! Into the thing!
Last Song: Top of My School by Katherine Lynn-Rose -- This one has had a grip on my spine since I first heard it. Gotta love that kid burnout 👉👉
Favorite Color: Purple! I also love seafoam/mint and like 85% of my stuff is one of those colors. My brother says it makes it easier to buy stuff for me!
Last Movie/Show: I've been watching Dimension 20's Fantasy High and I'm 4-ish episodes into The Seven, which is also in that universe. Cannot recommend it enough! (Also, Persephone Valentine is in it so there's another reason for any girl likers to check it out)
Sweet/Savory/Spicy: oh boy so I've got a ton of sensory stuff that makes food Complicated for me, but if we except all the stuff I can't eat, sweet > savory > spicy. Salty should go between sweet and savory tho imo
Relationship Status: happily coming up on 3 years with my wonderful partners! They both have tumblrs but I'm not gonna tag them for privacy reasons (their preferences). I just refer to them as my boyfriend and my noodle associate, respectively.
Last Thing I Googled: Thorn (letter) -- I needed it for a thing I was writing lmao. Fun fact, I have the long s (this guy: ſ ) saved as a text shortcut in my phone so I can use it to harass my friends
Current Obsession: I've been playing BG3 and Pathfinder: WOTR, but I can feel the Fire Emblem obsession creeping up on me again. I've been working on a couple old fics from 3 houses and some more recent stuff from engage and I can just... Feel it.
Last Book: I'm reading and annotating a memoir for my boyfriend, and I'm reading the Alana the Lioness books by Tamora Pierce for my noodle associate (very important part of their childhood). On my own I'm reading the Federalist Papers because I'm that kind of nerd (and I teach history but thats beside the point)
Looking Forward To: it's about to be AP season at my tutoring job and I'm so freaking jazzed to get to teach my favorite subjects instead of just SAT Reading/Writing all day every day. Like dgmw I love teaching grammar as much as the next language nerd, but I miss talking about the absolutely out of pocket things historical figures got up to.
Tagging Forward To: @fuitgummybat | @offbrandcrisis | @thiefbird | @satanic-fruitcake | @thevanillahorizon | @transfenris-truther | @bimyheel | @eye-of-yelough | @mirthcrowned
If we're mutuals and I didn't tag you, I still love you, but the template said pick nine so I grabbed folks off the top of my notifs
No pressure to anybody, but I'd love to learn stuff about you! 💜💜
Blank template under the cut
Last Song:
Favorite Color:
Last Movie/Show:
Sweet/Savory/Spicy:
Relationship Status:
Last Thing I Googled:
Current Obsession:
Last Book:
Looking Forward To:
Tag nine people whose answers you're interested in!
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stupidsexpotflanders · 7 months
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Veronica mars (series) or the good place (series)?
*Stretches fingers* This anon probably wants to see me get beat up,lol.
Both of them started really strong,but somewhat betrayed their core messages and shat on their own feast.
The winner is Veronica Mars,tho. The feast wasn't wholy ruined,I can salvage by doing my own thing,and there are plenty of people whose homes I can dine at(namely,ao3 and ffn).
Controversial opinions under the cut.
The Good Place started to go downhill on season 3,but the whole "modernity is why everyone goes to the Bad Place" was the cause of death,thinking back. And I have three reasons:
It's anti-historical. Colonization,exploitation and warfare had always existed. Yes,modern Doug got dinged because his cellphone was made on a sweatshop,the roses were planted by exploited workers and the CEO was a creep. However,there was a risk for negative points to ancient Doug as well. He used tools to plant those roses. How were those metals mined? Also,the land. Maybe it was conquered on a brutal war,or anything like that;
It ignores the positives of modernity. I'm not denying the world is still horrible in many ways,but the quality of life of the average human vastly improved throughout history. The medicine,for example. People were being maimed and killed by diseases we have eradicated by now,not to mention how what we know by basic hygiene(washing one's hands,covering own mouth when sneezing) nowadays are literal life savers. Not to mention how the world wide web itself - people can help other people with what's basically pocket money,local tragedies get international support sometimes,groups fighting regional injustices get to influence other people to do the same. Also,all kinds of information,knowing people from all over the world with ease. And that leads to my thrid point. Also,human rights. Things are far from perfect,but pretending we didn't make any advancement is just as counterproductive as pretending everything is perfect;
Despite telling it's pro-human,The Good Place doesn't show it,IMO. They mentioned all the pitfalls of (modern) Earth and decided the sollution was having 4 humans on an aferlife controlled by supernatural beings,and if they earned "paradise" if the got "good enough". The Earth was basically ignored by the narrative when dealing with the whole "everyone goes to the Bad Place". There was little to no appreciation for humanity and it's flawed,messy beauty. Bonus point - it's thesis about death was stupid,IMO. "Life is meaningful because it ends" is an okay message,but having a door one can go whenever they want kinda ruins the point. For humans,life is short(8-12 decades at most) and random(diseases,accidents). Therefore,each moment is precious.
Tahani's and Michael's ending were perfect,tho. They were experimenting new things. Jason should've been chilling and meditating in The Real Good Place for eternity,like a real monk,speaking wisdom to other residents and eventually turned into stardust by spontaneously transcending(maybe his sparkles would influence people on Jacksonville to do good). Eleanor and/or Chidi should've gone to Earth in order to help people out(two writing problems solved). It would respect Eleanor's own words "I know we're doomed,but why not try? Better than not trying!". As for Chidi,he had an innate desire to do good things and (supposedly) learned anything he could've. So why not putting said knowledge to good use in a complicated environment?
Now,onto Veronica Mars. Many people said it better than me,but her character was more or less ruined in Season 4. Basically it was:character regression,glorification of trauma,narratively undermining her relationships... However,Veronica was a glorious character from S1 to Mr. Kiss and Tell. Besides,seeing her finding herself at the movie was amazing. Weevil is also consistently a marvelous character,even being shafted in S4.
Now,onto my massively unpopular opinion: I'm not fond of adult!Logan. He has amazing chemistry with Veronica and is a generally healthier,gentler person but often feels underwritten. And said problem is with him as a Navy officer and a supposed good guy.
My issue it's not that he joined the Navy nor about him benefitting the structure,but how the armed forces are treated not only as perfect but as an automatic sign of a healthy moral compass. It goes against one of the main themes of the franchise. There's police corruption,political corruption,classism,racism,sexism,corporate corruption(Veronica's lawyering job in the firm comes to mind). But somehow,the military is immune to crooked people in power misusing it or being in cahoots with bad people for their own gain. I believe there should be some sort of betrayed idealism from Logan when facing the harsh reality,if he was to be a guy who truly cares about the world and wants to make a positive difference. At the same time,Lt. Echolls could be fighting the good fight from the inside - like someone who knows the ugly truth but keeps being unwaveringly optmistic and truly believes the institution. To top it all,there's no mention of him doing charity or activism(yes,there's the "cycling to save the planet",but I didn't get a hardcore environmental discipline at uni to believe 1(one) guy riding a bicycle is going to do anything about air pollution. Really,Hollywood writers are allergic to Social Studies,lol). It becomes even worse when remebering this is a franchise with delightful good guys like Keith and Wallace 🤡 Thank god for fanfics,tho. They can make Logan an actual hero.
However,Logan's surface-level goodness can be quite interesting if not taken at face value,IMO. He never comments on Neptune's corruption nor makes any complaints about moral complications at his service(someone as outspoken and perceptive as Logan would've noticed and done someting about it - even in the shape of small everyday actions). On the other hand,Logan made a quip about "missing money and power" to Veronica in MKAT. Maybe he wasted it all in his downward spiral- spending on parties/drugs/fair-weather friends,paying off threats(he beat up a guy that belonged to the Russian Mob),probably bailing himself out of jail. And I think that's the one that happened. The Navy gave him structure,discipline and a steady income. So,he didn't give a fuck about actually doing good for anyone outside of his circle. I've seen anayses about how teen!Logan was the femme fatale(no,I won't switch genders) and turned into the solid love interest. To me,the guy manages spectacularly to be both. He's a helpful,caring boyfriend to Carrie and Veronica,but also the perfect Navy Officer. Veronica Mars(and most noir works) questions things that look too flawless and pristine and invites a second look onto it. Therefore,it's logical to imagine Logan being ambitious,ruthless and willing to do anything to get any mission accomplished. Kind of a state-sanctioned mercenary. In fact,that's more or less the angle I'm going for in my fanfic about him(shameless self-promotion).
The winner is Veronica Mars. Besides being more or less consistent with it's themes(they fail,but it's still enjoyable when rewatching scenes,whereas The Good Place is retroactively ruined and only good through gifs and memes). Also,many bad parts of VM can be fixed by making my own headcanons,whereas the bad of The Good Place irrevocably taints the whole thing. To top it all,there aren't many tgp fans unsatisfied with their own show. Glad for them,but many of the fix-it fics in the vm fandom are amazing
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dr-jem-nutcase · 1 year
Text
MvA: The M Files, take-a-peek, pt. 5
Chapter 6:
Dr C's origin story video was a 20-second one-take recording of his accident, so there's little to no room for any deviation from the movie. Still, may this NOT disappoint
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Gotta love alliterations but carnage means "widespread murder". And I don't think this sort of kids' book would be willing to show a bloodbath
I just realized, where are the stairs leading to those massive doors?
A pin-up in the audience, wth? Even the guy to her left is saying the same thing
Genetic teleportation device. Makes sense cuz teleportation was the topic of scientific research & experimentation in both Fly movies but this time the bug mutation is intentional. The video game only talks about the genetic part: recombinant DNA (fact: this term wasn't coined until the 70s, so Dr C was ahead of his time). Thanks, M Files, for a better elaboration beyond just a scientific machine
Is it just me or have the illustrators eventually said, "heck with it! let's just get this done & over with!" and got lazy? Taking a look at the last two chapters/the last post, I'm beginning to wonder
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Ok, we get a better visual of Dr C's hairstyle. I put this pic in a grayscale filter and his hair in the movie was definitely darker than this ash brown-blond color (I like to think it's dark brown)
That shirt & tie. So much for that turtleneck. But from what I've gathered, the illustrators for a number of kids' books about the movie were given art references (besides the concept art) from DW months before the movie came out. Dr C's swap from the tie to the turtleneck didn't happen until later in the making of the movie; pretty much all the concept art of him show a shirt & tie. I don't know about you but I wanna see that reference art, every piece of it! As a fan of this glorious franchise, may my prayers be answered!
Whozits. Lol
Srsly? Portable phones, or phones that didn't require a cord, were a thing of dreams in the 60s. And what kind of haircut are you guaranteed? A trim? A buzz cut? And chocolate tastes AWFUL after you brush your teeth, and the average adult doesn't drink hot chocolate on a regular basis. It's coffee, if anything. Or even more realistic in the early 60s: a phone that lights a cigarette. You ever watch mid-century period dramas like Mad Men or Call The Midwife? Every other person smoked back then--anytime, anywhere! But this is a kids' book, again. Smoking/tobacco use is nowadays a reason for something not to be rated G. Istg, my inner historian has been doubled over & screaming in pain since this chapter began! Ok, enough whining
The fat guy's constant *ahem* cracks me up tho
Was this presentations of scientific discoveries or a glorified science fair? Dr C had discovery in mind while the fat guy had fair in mind. Imo, that genetic teleportation device was way more practical than a phone with hygiene & hot chocolate powers, not just super scientific
Unsurprisingly, Doc had his own fanbase on a university campus
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Say "they called me crazy but I'll show them" without saying "they called me crazy but I'll show them"
Ok, is it just me or did the color pallet change on this page?
Didn't think that the machine was red. Also, the shirt is now black
"Whoops! I made a mistake!" "Just keep going, Jim. We've got a deadline."
So, he's just going with it without actually testing it on something else? That IS mad
I wish we saw more of his face in this instead of the back of his head
Dr C foretold Neil Armstrong's famous landing-on-the-moon quote
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O...m...g. You can tell the illustrators had the hardest (or laziest) time with this chapter. I can barely look
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A PhD in dance, mind you. A PhD in anything doesn't make you a faultless god
Oh! And go back inside if you want peace & quiet. And if you must, lock the door
Now both the tie and shirt is a different color
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Reclining in the trash can, lol
I'm honestly the university campus hasn't been entirely vacated at this point
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Welp, if climate change doesn't work, we know where to go...wait this was the 60s. Never mind
So, you've got a washing machine, an oil barrel, two tires, a traffic cone, maybe a bike chain and...what else?
That day, the middle of September 1962, a distinguishable sound that would haunt a secret prison facility for generations to come was born. This lines up with my h/c that being partially human mentally on top of the trauma of the accident brought on some amount of insanity
That tie must be magic. It changed colors again
Omg! Just call that slipper out for what it is!
"Hey, Jim? What's that shoe thing people wear in the morning?" "I forget. In this panel, it's in a junkyard, so just call it an 'ugh'."
In the movie... "Ooh! An old ugh...I mean, slipper!"
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That is one heck of a net for that tiny fishing pole
The antennae sticking out of the net
Ooh, Monger's a major now, but how'd he know about Dr C?
But srsly. Is this chapter perfect? No. But I like it for giving "human" Dr C a bit more time than just a 10-second camera footage of a hottie in a lab coat getting into a giant cylinder. I don't know about anyone else, but it gives me more of a comprehension that Dr C's a human being with a cockroach head and tendencies, not just a strange anthropomorphic bug person
Epilogue
The End! Oh, wait!
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So the jetpack has a flamethrower? Hot dang...literally
Link lifting a weight with his tail, lol
Blue-eyed Dr C with a gold tie pulling out...what is that? A bra? The illustrators must hate his guts
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Poor private Grime. And what are the monsters supposed to do with potatoes? I think B.O.B. & maybe Insecto are the only ones who would eat potatoes, and Dr C might try potato battery experiments. But why so many? Did Monger stop by local gleaners or a food bank/pantry? Was this a donation of charity? Did he accidentally go over the top with potato crops at his farm? I don't get it! But quoting Samwise Gamgee, "Po-Tay-Toes! Boil em, mash em, stick em in a stew!" There's probably a thousand and one things you could make with potatoes. Like vodka--oh, wait! Kids' book
Grime must've been like one soldier online who said he could cook minute-rice in 58 seconds. Still, I feel bad for the guy. Do you know how hard peeling potatoes can be on your hands after a while? Ow, ow, owie...
Overall, not a bad book. Disappointing every now and then, but hey! Kids' book. It was kinda expected. The watered-down, non-violent breakaways from the movie had its ups and downs. Like providing some explanation of details of the origin stories in the movie, like why the tomato and dessert topping. Or the idea that luring a monster into a trap is the ultimate way to capture one, MUCH more scaled out and less violent than fighting them until you get the upper hand and force them into submission and/or tranquilizing them, like tranquilizing Susan and then tying her down when she became too drowsy to fight and eventually consciousness in the movie instead of luring her into a trap (like, how would you lure a confused, scared 50-foot bride into a trap when all she can think of was her fiance's safety and why people were wrapping a rope around her arm?). If you thought this book was a disappointment through and through, I read the graphic novelization, and it is a bigger disappointment than anything in this book. More watered down, the illustration was terrible, and some of the rewritten scenes didn't add up with the events of the movie, like wth. I think I threw it out
I hope you enjoyed this take-a-peek series as much as I did. And maybe I can share the second half of the entire book, a story called Brain Pain, a silly entertaining story about the four monsters (BOB, Dr C, Link, & Insecto) in the facility some time before Susan showed up. Maybe :)
Again, none of this belongs to me, as much as I wish it did
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daisys-reality · 10 months
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https://www.tumblr.com/daisys-reality/722000725787492352/your-pick-a-piles-are-just-chefs-kiss-as?source=share
Thank you so much for taking your time and answering my questions. I'm going to share my opinions, hope you don't mind <3
These are just opinions, nothing is set in stone, the "absolute truth" is not concrete. I'm still learning too.
— you said you see yourself as consciousness but you're not full aware of it but only a part of it. You see life we live as movie, which I agree, life is a continuous series of experiences. You also said that this "movie" is real which I agree with too, it's real because you're aware of it, you being aware of it gives it a physical form. My desired reality is real because I am aware of it. Our human self/our ego is complicated, we love chaos, we outlined the "consciousness" so much that all these patterns got so strict.
— you believe you "co-create" and Gods and deities are existing "outside of you". Well, I do believe in the astral plane, but I see it as something "which is inside of me" I see it as a part of my consciousness, my "higher self" or my "spirit guides" are a part of my consciousness, they're extensions of my consciousness, they're just me.
— you also said that we're a collective consciousness and we're interconnected, our consciousness overlaps and collide with one another, which I used to resonate but after finding non-dualism; I detached myself from this human self I realised that everything exists because I exist. I myself is existence. Your awareness created all of it and everything exists to verify that information.
— I am still finding the "origin" of me, the origin of "I AM" but is it there any? As the consciousness is infinite.
[here the link to the former post]
Hey anon, of course I don't mind you sharing your opinion! Thank you as well for reading my whole answer and for taking time to comment on it!!😭🤍🌿 Oh, and sorry once again that it took a bit more time for me to answer.
( the same disclaimers as in my other answer apply here as well ofc! )
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"— you believe you "co-create" and Gods and deities are existing "outside of you". Well, I do believe in the astral plane, but I see it as something "which is inside of me" I see it as a part of my consciousness, my "higher self" or my "spirit guides" are a part of my consciousness, they're extensions of my consciousness, they're just me."
Instead of 'co-create' I would say I believe we 'co-exist'... I find the word 'create'/creation' a little tricky because it implies that there was a moment of 'time' where something didn't exist beforehand, and that would lead to the question whether really in that level/dimension of existence something exists like 'growth', 'expansion' and even 'development'? And I'm not so really sure about that. You yourself agreed to the point that we are big consciousness and that (mostly) everything exists within us. So, everything that we create THERE (in the space of our consciousness) is us anyways and it always will be - just in a different constellation so to say. Therefore, we don't really 'create' something new in that sense, you know? And I really don't think that we 'create' anything outside of us as well. So, I just prefer the expression 'co-exist'... but thinking about all these things in detail always ends up getting more complicated IMO. Perhaps, it's not made to make sense lmao.
In addition, I wasn't really thinking of the astral plane or even the dream plane while writing my other answer but I would agree with you on that point too. Those spaces are most likely within us. Because I suppose that our consciousness 'spreads over' many dimensions there are just in 'one' specific dimension I guess. And I agree also to what you said with the 'higher self' and 'spirit guides' that there are also just a part of our own consciousness, just us in a different form!
"— you also said that we're a collective consciousness and we're interconnected, our consciousness overlaps and collide with one another, which I used to resonate but after finding non-dualism; I detached myself from this human self I realised that everything exists because I exist. I myself is existence. Your awareness created all of it and everything exists to verify that information."
I also wouldn't use the expression 'collide with one another' - I don't think there is anything like 'colliding' in that level of existence because in my opinion everything there is fluid and in motion. A collision can only happen if there is anything 'hard' coming in contact with something else 'hard' but all these things don't have a 'form' like we imagine, right? That is just our human perception of things. We humans always need or want to perceive something with our senses to acknowledge something as real but this is only limited to our movie-like human life experience, right? That's why I said it is not really imaginable or describable in a '3d model' like way. I think particles/dust come the closest to it but even that is very physical!! So, yeah. It just is/exists.
And I know that even words like 'overlaps', interconnected', 'intertwined' are not fitting because they imply a relationship of things that have physical froms which those 'things' don't. The problem is that those expressions are human words. That's why I believe we can't describe the relationship of anything there because we are limited to our human way of thinking and our human language. Though, I personally believe there is no need to define anything there completely because that is also a very human-like-trait to feel the need to define things and to research to completely understand things etc. We need to let this need/desire go. I like how Neville Goddard mentioned how we shouldn't know or think about HOW things manifest in our life because it is not necessary. The 'how' doesn't matter. Be comfortable with not knowing, be comfortable with the unknown. Let go of the need for control etc. Those are also things being taught in other fields like spirituality, mysticism, and in high occultism.
Regarding the 'non-dualism' part, I can see where they are coming from with this mindset but I personally don't see it that way completely. But that's ok, right? That's why it is so interesting to talk about it because everyone can develop their own beliefs. I mean yes we are existence itself. 'Your' awareness created all of it around and everything exists to verify that information because 'you' 'live' in your consciousness, right? The movie-like human experience. That's what I think so too. However, as I explained in my other ask, I personally believe something 'else' co-exists with me/us which seems to be in contrast to the concept of non-dualism (- again, "it seems" because I don't know that much about non-dualism).
"— I am still finding the "origin" of me, the origin of "I AM" but is it there any? As the consciousness is infinite."
I think the word 'origin' doesn't really belong in that context if we went along with your 'non-dualism' point of view. With the word 'origin' you usually refer to the beginning, cause, or source of something. But isn't in non-dualism your consciousness everything, and your consciousness just exists, right? There is nothing else there to cause your existence or to be the source of it. And your consciousness having a 'beginning' also does not make much sense. Also, I'm sorry that I'm so 'word-focused' (I just love analyzing languages) but I also find the word infinite a little tricky because with expressions like finite and infinity we focus again too much on its physicality (like its vastness or volume) but that is an unnecessary thought. There is nothing to compare your consciousness with if your consciousness is everything, right?
Last but not least, I would like to refer here back to the part where I talked about 'We don't need to understand, we need to learn to be comfortable with not knowing.' - that's what I think is important. Just appreciate existence and everything around it. Experience this life, learn about yourself slowly AND enjoy yourself ! That's what I sort of believe we are 'here' for if we had to define it. :)
To be honest, it's really nice talking about those things with others! I don't have many irl people around me who are that much into those things. So, I really enjoyed it. I hope I didn't come off too critical or something like that. I just like to look at things as objectively as possible. Regardless of what I said, I hope you follow your intuition and believe what resonates with you. Because beliefs will always be something personal in my opinion. Again, thank you so much, anon, for sharing your perspective and your beliefs with me!! 🦭💛
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autisticempathydaemon · 9 months
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Hi! Could I get a redacted matchup if they're still available?
-my current favorite song is optimism (as a radical life choice) by Spanish love songs. I love the lyrics "don't take me out back and shoot me, I know my wires are faulty, I've only ever been a kids, pointing out dead dogs in the road". IDK, the whole song is pretty relatable but those lyrics really stand out visually and emotionally. I'm also tired but still want a chance to be, ya know?
-my ennagram type is 6(w5 I think) my Myers Briggs is INFP(-t?) if it matters
- I LOVE YouTube video essays. I'll watch any, mostly on videogames stuff since I don't really like playing them but I love, like, lore and stuff. I really enjoyed the defunctland fast pass one too. The longer the video the better imo though
- I don't remember my childhood imaginary friend. I used to be super extroverted and had a lot of friends so I didn't really need one? I was also so chill playing by myself so I was okay without friends too. I miss that lol
- best way to fall asleep is fan on full blast, 1 giant comfy blanket, TONS of pillows and a stuffed animal
- I did change my name, picked it off a baby name list since that's what my parents did for the first name, not super special, does come with several easy nicknames though which is cool, but no one uses them :/
- I love any of guys videos, but I really like the failed sleep aid. He may not be super relaxing but at least he's trying!!! He's so funny and chill and I like that
- I don't really like David, Aaron, Damien's(just the x listener ones, I love him w/Huxley) audios. Not super into the Tsundere kinda stuff, I'm a little too insecure for that, I like open feelings and stuff
- I don't really have a book or movie I know all the words to, I don't like rewatching/reading things I already know for whatever reason, I will but it's less enjoyable
- I'm platonically attracted to Gavin and Huxley, they'd both be soo kind and supportive in their own ways, a little hype squad
- I ramble about people when I'm tired. Human interaction stresses me out so bad,, people are hard to understand and there's a whole lot of societal pressure to be a certain way and I just don't get it and I'm so tireddd
- I don't really stop at gas stations, but it'd probably be lemonade and chips of some kind
- my current favorite playlist is my 'cringe' playlist, all the edgy alt/emo/rock songs I was into in middle school, they're not great but they're so fun, they're also my guilty pleasure media. I know people hate them but they make me happy
- other stuff - I do have anxiety so social interactions stress me out but I'm trying to get better, I'm a lot more outgoing when I'm comfy with someone, I'm also super artistic and stuff, I enjoy painting and drawing and do that stuff regularly. I believe sharing your music taste with someone is v. Intimate and I hate putting on my music for others for fear of judgement lol
I'm sorry it's so long,, thanks!
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Easy-peasy, perfect- I know just the guy. Let me work my magical, match-making powers and tell you why everything about you, especially temperaments and your music taste, make you and Asher Talbot a fantastic match.
There’s so many little, charming things that would make your everyday lives together so cute and fun. Asher’s favorite band is canonically Fall Out Boy, so we know y’all are bopping to the same playlist in the car. He’d be your biggest hype man, hanging your painting all over your apartment. Not to mention, dude could be a walking Halo video essay, you know? Come home after a long day doing adult things, and listen to him ramble about campaigns or whatever happens in those games I have no idea.
On a deeper level, you two work even better still. Not only is Asher wonderfully emotionally intelligent and available behind his goofy, silly demeanor, he is the social butterfly. That’s why he’s the Beta, the soft diplomacy to all David’s alpha-ness. Asher would be the perfect, like, emotional support golden retriever boyfriend for all social occasions: handsome, huggable, attentive to your needs, and a mood-making goofball.
Song:
The more I think/ The more I wish/ That we could lie here for hours/ And just reminisce/ On the good the bad the ugly/ The smiles the laughs the funny/ Or all the things/ We put each other through/ It's for you
This was a fun excuse for me to go through Lexi Moon and I’s emo playlists for a cute, throwback love song, so thank you for that~ I decided on NeverShoutNever because emo has always had random men with ukuleles, it seems, but goshdarnit, they sing fun songs, and I can see Asher knowing all the words to this one. He’s a big sap, and I can see him singing this when you’re feeling down or anxious, doing it silly and over the top just to make you smile.
Runner-Ups:
Lasko is a runner-up for you because two introverts together can be really cute, you know? Let’s be alone together, just the two of us, vibes. However, I like Guy better as a runner up because of how bubbly and social he is. I think he’d help bring you out of your shell and manage social situations, just not quite as tactfully as Asher.
note: you don’t have to apologize for it being long the more information you send the better 💕
Read this post and send me an ask if you’d like a match-up of your own! 💌
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doctorofmagic · 1 year
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I know this wasn't the point of the Wanda post but I feel like this should be said: Introducing things from the movies into the comics is not always a bad thing like how Blade wasn't half vampire until after the film trilogy and everything that happened with comic 616 Nick Fury. But I could be wrong and those are actually terrible examples.
I agree with you! I don't think adaptations and new concepts are bad, but it really depends on every circumstance.
Cloud!Galactus will forever haunt the second FF movie. Let alone that *points at Victor von Doom as a whole*
On the other hand, some concepts are super welcome, like what they did with the Eternals, making most of their personalities waaaay more interesting (I suppose my only exception is Sersi. Comics!Sersi is/was so full of sass and I missed that. But Ikaris? Makkari? Druig? *chef's kiss*)
Nick Fury, imo, is a very unique concept because he only exists thanks to the Ultimates artist who used Samuel L. Jackson for his design. The actor saw that and wanted to be part of the MCU, which turned him into a very popular character, leading Ult!Fury to the 616, while 616!Fury is currently *whatever happened to him in Slott's FF run idrc* (correct me if I'm wrong on this, I read that info a long time ago)
Oh, and I can't say much about Blade because I'm just starting to read his chronology. But I think it's cool that he's a daywalker, as far as I know.
In short, it's okay if the movies introduce something cool to the character.
But back to Wanda... (and I know you didn't mention her, this is just me ranting, so please feel free to ignore that part, I'm just seizing this opportunity)
Nothing about her MCU characterization added good things to her comic book version. She was whitewashed, worked for Hydra, had a terrible storyline about grief and mental health (tipically stereotyped and twice as problematic since she's a woman) and finally had the "woman goes crazy with power" trope. She was never able to control her powers (as seen in Civil War) and let her emotions warp reality to fit her fantasies while being manipulated by both people and her own emotions (again, women are often called overly emotional, and I'm not excusing Bendis here because he did the same in comics). She became a villain during HoM and the times she was possessed by Chthon, but she was never meant to be *THAT* scary and evil. There's altruism in her essence (this is why the narrative of killing a teenager is just so off to me).
Wanda is a brown romani woman who was often persecuted due to her ethnicity, religion and skin color, as well as her mutant genes. And yes, the many reboots that tried to erase her identity. Even in modern day, she still has to deal with ill-intended writers who ignored the implications of her character as a hero of color and the double effort she has to perform in order to be accepted as an Avenger, (former) mutant and overall hero. Not only that, the fans have to BEG to artists to make sure she isn't whitewashed, while 0ls3n stans will mock and diminish those who ask for representation.
This is why it's so problematic for Wanda to be like that. Her entire characterization is made to please a toxic fanbase and use her as a symbol to promote their racism (as seen on my previous post).
In short, they don't like Wanda. They just idolize 0ls3n because she's white and plays a derranged woman filled with power. And that's kinda enough for them.
Don't get me wrong, I do love my fair share of female villains (I'm literally in 300 different fandoms). But Wanda was not meant to be that, especially knowing that there are so few female heroes of color on screen (it gets even worse when we only count phase 1, 2 and 3).
In any case, my point is, fans cannot accept the influence of MCU!Wanda to be translated to comics because it's erasure of her identity and plain racism. The new team is working very hard to portray a woman of color as she was supposed to be ever since her roma heritage was established in comics, and it's infuriating that people will turn a blind eye to all that.
Like, this kind of shit keeps happening over and over.
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Even when Wanda is a brown woman like she's supposed to be, they still find a way to erase her through 0ls3n's whiteness. This is not different from those derranged people who pick white actors and photoshop them over Black Panther's characters (I've seen one just yesterday).
Sure many minorities were poorly portrayed back then, often depicting problematic characterizations, but here's an excellent case of how comic books allow room for growth (I was talking about HP and JK but it also fits this post)
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Agatha was just the last bit of bad influence from that accursed TV show. She was deaged, which is absurdly ageist. There are so many few elderly and middle-aged women in the Marvel universe. There's less now because women can't be old (ask me about the anons that stated Charlize was too old to play Clea and watch me burn in rage).
Anyways, I wanted to make this about Wanda again because it's not just a case of bad adaptation. It's a political statement -- and a bad one. And I don't want ANY OF THAT in a media that is so political and means so much to minorities. I feel like it's important for us to talk about this ALWAYS. So yeah. I don't know how to end this post. Representation matters. Thank you for coming to my ted talk.
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