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#the two aren't connected in anyway
recitedemise · 5 months
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𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗯𝘂𝘁 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is very much advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.
First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own foul blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.
Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her, and knows they'll never want to. Gale's sheer servitude and complete devotion; to the very quick of his bones, she lapped them up.
Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.
Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.
Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?
Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.
Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.
Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.
Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.
Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.
Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.
Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.
After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.
Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.
At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.
Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.
As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.
And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.
Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.
Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.
Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.
And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.
Scenario: (And if properly romanced, it changes his world.)
Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.
He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?
Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.
The answer is: entirely.
For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.
Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)
Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.
They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.
Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.
Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.
He thinks: Let me be a god. Let no one hurt like me anymore.)
Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.
Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.
Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.
Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.
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statementlou · 7 months
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In the article that came out this morning about Andrew Cushin's album, Pete Doherty was quoted being defensive about his decision to collaborate with Louis, saying, “Look at some of the great labels, look at The Sex Pistols with Malcolm McLaren getting together with Richard Branson. Over the years, labels’ main aim was to be a springboard for their artists to get as many people to hear the music they believe in. Whatever that takes – if that means having a major label take you up the alley for five minutes I will do that for my artists any day of the week.” Initially this just pissed me off (and it still does) but the more I thought about the more fascinating it is actually. There's never been any question that 78 Productions' role in co-releasing Andrew Cushin's album is primarily financial, and I'd say this confirms that, but he's saying more than that; he's saying that Louis and his label, that has never had a single release before now, offer more than just cash, that it is on par with Virgin Records in its infancy because of the position and reach Louis has in the industry... and he can be as sour as he wants about it, that's a hell of an admission and not a position you just automatically hold by being a former boyband member. We already know this but that doesn't mean I don't love it when people say it out loud!
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random-autie-fangirl · 8 months
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"People who consider Chara, Frisk and Asriel siblings just want to discredit ships between those three"
Have you ever considered, for once in your life, that people might care (or want to write) about non-romantic relationships?
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I think Batman by the front bottoms is specifically about starkid's Holy Musical Batman. The dark sad lonely knight.
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klywrites · 3 months
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friendly reminder to change your passwords regularly
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tarmac-rat · 9 months
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#I like to implement themes and imagery a lot in my work and this is me putting the back wheels before the cart before the horse#But in those tag games I do sometimes I've always compared Riley to a coyote-- which I think fits#Coyotes are pack animals living in the desert w/ their social systems-- similar to nomad clans living in the desert w/ their social systems#And a coyote's perceived aggressiveness translates well to symbolize a character like my V who has a reputation for being aggressive#The idea of a pack animal separated from it's pack is what I was gunning for#But I never noticed that the dichotomy of coyotes and their stereotypical prey-- jackrabbits-- translates REALLY well to Johnny and V#Especially considering Johnny as a jackrabbit rather than a coyote (backwards I know but work with me for a sec)#Jackrabbits being a solitary animal that CAN live in a group but usually chooses not to#The idea of a hare looking similar to a rabbit but still being prey all the same#(idk why but my brain sticks with idea of Johnny standing out from the NC Vox Poppili but he's still just that at the end of the day-- prey#And running. Running at danger running for safety. The thought of Johnny always always always running#A jackrabbit can't move slowly they're often symbols of moving fast-- Johnny never slows down; he's always on the run from something#With the Coyote chasing after it for survival#In Dine mythology the coyote and the jackrabbit are both trickster figures and idk that sticks in my mind#Coyote wants to smoke Rabbit out of it's hole but when it lights the fires Rabbit kicks the embers back into his face#Cunning beaten with cunning in a sense like two sides of the same coin. Idk it just tickles me#The idea of two people both being so opposed but still having that emotional connection between them#Anyway thought blurb over#Honestly I'd've made this into an actual post but my thoughts aren't necessarily in the best order for it
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arrowsplayground · 1 year
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👀 blood from the mouth + horror?
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ID in alt text
Read it on AO3
Fandom: Undertale
Prompt: Blood from the Mouth
WARNINGS: Cannibalism, Blood, Gore, Murder, Minor Character Death, Survival Horror, Starvation, Dead Dove: Do Not Eat
When you’re with me, food will always be plentiful.
His mouth tasted of blood, of pain and suffering. He didn’t appreciate the reminder; he didn’t appreciate it at all.
He tore open the human’s limp body, in search of something he could consume. He knew he didn’t have the time to put care into a fire, he didn’t have the time to make a meal, something he’d grown used to at the castle. Something he had suffered in hopes of for years, only to get just a taste before falling back into the fray.
Supplies were scarce: food was first come, first serve.
When you’re with me, I’ll take care of you.
His wounded leg hadn’t been cared for in weeks.
He needed to seek medical attention, get a healer, or find something that boosted HP. But he couldn’t he was stuck in a reiteration of his own AU, only, he had landed before measures became drastic.
When you’re with me, you won’t starve.
His stomach hurt.
He knew he was running on pure adraenaline. Survival instincts, the need for water, shelter, and above all, food.
Ever since his separation from Nightmare, he had gone hungry.
It wasn’t their fault: they hadn’t known the mission would take weeks, hadn’t known the supplies packed wouldn’t be enough, hadn’t known that Dust would go missing, that Horror would have to fend for himself.
He missed his team. He longed for that company shared over a warm meal and good conversation.
He had to get back to them.
He heard a noise behind his head, and he turned in search of the sound, scrambling to conceal himself, draw his weapons ready, prepare to fight.
If you ever become separated from me, I will find you again.
He hoped above all else that were true.
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boydevision · 2 years
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so im watching some videos to catch up on the concerts i missed and to see if there's anything i want to gif and this angle is very funny to me because everytime gerard gets on their knees
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mikey just happens to walk to the front of the stage
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so that it looks like he's trying to protect his brothers virtue or something but like..................... its alright fam i think we've already seen everything at this point
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our-reality · 1 year
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ok achievement got i'm brainrotting about c+ so hard
#SEE CUZ CALLING HIM C+ IS WEIRD TO ME NOW but anyways#i think he's so so silly but he's also profoundly sad but like. in a new way#his story is like. weirdly the inverse of python's???? like they left their families and began to indulge in new identities#so as to not be found#but. ohhhh my god okay buckle in#python did so because he didn't want his old family to find him. c+ did so because he'd be jailed for working age restrictied jobs#python hates its old family. everything c+ does is for his family#in taking on a 'fake' identity python discovered his real self separate from from its identity as a god and as a part of his old family#meanwhile c+ so frequently loses himself in the fake identity he has to wear in order to help who he loves#that he genuinely forgets his real name sometimes#and it crushes him so much when it happens. it crushes him that java's friends with a stranger instead of him#because he connects with java so much. they're just two kids who lost their way and now they're here when they don't even want to be#and it crushes him that he can't embrace who he is because if he gets too comfortable if he tells the wrong people the wrong things#the fragile web he's built under himself will collapse#and yet. he's more himself than he knows. and he finds new things that he works into both his c+ persona and the person underneath#and by opening up to his best friend about all of this he finds out that c+ and him aren't really that different after all#and while he's ready to start embracing the real him with more people... he doesn't regret his time as c+.#after all. he wouldn't be the real valentino without him.#(valentino is his real name)#AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA#I LOVE YOU PARALLELS I LOVE YOU ACCIDENTAL FOILS ILY ILY ILY#anyways#<- i wanna experiment with calling him c+ but until i make a final decision i'm keeping his tag as c4#c+
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arolesbianism · 1 month
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Sigh. Why must you have died Aris, now I have to actually think abt what your abilities are instead of just sweeping it under the rug and calling it good enough
#rat rambles#eternal gales#like I do have stuff in mind but Ive been needing to flesh it out a bit more even if it doesnt rly come up much#basically shed the other side of the information translation coin that is tali#tali translates information into smth readable to people and aris translates information into smth usuable for a universe's purposes#im theory anyways aris doesnt actually get that much use out of that stuff since she only died once or twice#tali also only died once or twice but she had her connection to her role amplified by the whole scar debacle#if youve seen the blue string stuff in my eg art before then thats the stuff put in her face and eye#its basically just smth the narrator uses to gather and transfer information from different universes#so tali got tapped into that a lot more forcefully than most tali's in ither universes are#aris on the other hand mostly has her abilities expressed in a lot less immediately noticable ways#mostly just in her far too late newfound immunity to The Goop™#most of the others never rly directly get to use their theoretical abilities due to the fact they never die lol#bloom did die tho so congrats girlie you get to finish off the information triangle#she acts as the data storage itself 👍#great ability for a nine year old who just bled out and died#the others abilities get to be seen in their au counterparts at least#au snek being the most in your face one in that regard due to having died the most by a longshot#most of the others died only a handful of times with mostly no physical alterations from their abilities#au snek can still appear mostly normal but she always has splits between different sections of skin from when she is in meat snake mode#most of the others physical alterations are either just general universe chanres or aren't directly from their abilities#such as owl being all goopy from eating her original universe and au aris being all goopy because thats how she died#the goop™ is basically just a defense mechanism of the universe core btw#anyways au mase looks all edgy and shit because hes storing a shit ton of ppl in him#and then au fydd tali and bloom all just look different from being different agaes and going through different shit#au fydd is abt 15 au tali is abt 18 and au bloom is somewhere in her mid 30s#au sier is also around 18 and au aris is 14#au mase and snek get to be the odd ones out as the only two who are the same ages as their main universe counterparts#I should rly get around to actually drawing all the au antags sometime soon its been like 5 or so years they desperately need drawn#I technically did draw them way Way back but that was all the crusty dusty original versions of them
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vroomvroomwee · 9 months
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Crowley is Lucifer
(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)
- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.
- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.
- An obvious one perhaps, but the red hair is also a giveaway
- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show
- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant
Now on to season 2 because there's a LOT to unpack here
- He litterally started the engine of the universe which was one of Lucifers roles
- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line
- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank
- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"
- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"
Crowley: "How do you know I didn't do it"
And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind
- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"
- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky
- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)
- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.
- He's worked with Saraqael, another very high ranking angel
- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental
- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs
- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago
- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away
- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.
(Also he can fucking stop time, like dafuq)
Edit:
- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK
- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)
- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.
Edit 2:
- Back to him being the most beautiful angel, I don't think it was ever quite explained how every single demon when they're in hell looks... awful, but Crowley doesn't. Beelzebub has the spores all over their face, Hastur the maggots and the sh-, Dagon the scales etc. But Crowley doesn't, not even when he's in hell, he's always just so, well, pretty.
- I saw a few people asking about how Lucifer started the rebellion and Crowley wouldn't do that. I think it's the same Crowley who wouldn't get stuck in traffic after creating the M25, or the same Crowley that wanted to call Aziraphale after bringing down the entire London network, "you told them you invented the spanish inquisition, and started the second world war""so the humans beat me to it that's not my fault", "so all this is your demonic work?""no, the humans thought it up themselves nothing to do with me"
- Also I think Satan's in charge of hell not Crowley the same way the Metatron's in charge of heaven and not Gabriel (and who can very easily demote angels if he so wishes)
Edit 3:
- like some of you pointed out Lucifer is also known/means Light-bringer. And Crowley was the first to say "let there be light."
- The file he opens with Muriel is Gabriels file, a class A archangel, so if he knows the password to that it means that either he's on the same level as Gabriel, or above him.
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Pity Party.
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Synopsis - Carmy just wants to see you treated the way he thinks you deserve. He decides to take matters into his own hands.
Pairing - Carmen Berzatto x Female Roommate Reader
Word Count - 3k
Warnings - smut. cursing. alcohol mention. carmys filthy mouth.
Age Rating - 18+
Author's Note - hello hello hello!! i am back!! i had a wonderful vacation soaking up the sun, and i am feeling refreshed and ready to go. i have had so many ideas over the past few weeks, so i'm excited to get some of them written asap!! this was a fic that came to me randomly, as i was thinking about roommate!carmen and how much of a menace he'd be if you ever talked about other guys. this was written as a part of my carmen roommates collection. it doesn't follow on from Finders, Keepers or Sweet Dreams, but it does exist in the same universe - so you can decide if this takes place before or after!! as always, feel free to send me any ideas or thoughts or burning desires you have. so much love <3
as always, reblogs, comments and feedback (even anonymous feedback) are immensely appreciated!! your reblogs are the only way to circulate my fics, which keeps me going <3
Series Masterlist. Masterlist. Inbox.
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"You're back early."
Carmy had swung the door open, expecting to come home to an empty apartment. Instead, he's met with the sight of you, sitting on the couch, undoing the straps of your shoes.
"Fuckin' disaster," you mutter, loud enough for him to hear.
He breathes out a chuckle at the stormy look on your face. Carmy thinks you're cutest when you're angry. He aches to smooth the crease between your brows with his thumb.
"That bad?" he asks, taking a seat next you and kicking off his sneakers.
"You wouldn't even believe."
He rises and makes his way to the kitchen, filling the tea kettle and placing it on the stove top. Grabbing two mugs, he casts a glance over his shoulder at you, frowning at your body language. You look defeated.
Carmy steeps two cups of tea, placing one of them carefully into your waiting hands. He resumes his seat on the sofa, pressing his thigh against yours and turning to face you.
"You wanna talk about it?"
You think for a moment before replying.
"You're gonna laugh at me."
His face instantly crumples, confusion written all over it.
"I'll never laugh at you. I'll laugh with you, sure. But never at you."
He nudges your shoulder with his, urging you to go on.
"Okay, fine. The actual date was pretty good. He took me to that Italian place downtown-"
"Dolce Vita? Did you get the truffle pasta I told you about?" Carmy interrupts you before you can continue.
"Yes, oh my God. It was incredible. Do you think you can recreate it sometime?"
"Fuck yeah. They're pretty secretive with their recipes, but I think I can figure it out. You can help me if you want - I'm gonna need a sous chef."
He pulls a reluctant laugh from you, the sound echoing off the ceramic of your mugs. You both know that being the sous chef involves you sitting on the counter drinking wine while Carmy does all the work.
"Of course. I'll always be your sous chef."
"I'll hold you to that."
You smile at him gently, a little taken aback by the sincerity in his voice.
"Anyway. The dinner went great. He seemed super interested in me, asked me questions, told me about his job, his hobbies, his dog. He was hot, and good to talk to. I thought I'd hit the jackpot."
"And then?"
"And then we went back to his apartment. And it all went to shit."
He chuckles, blue eyes glinting in the moonlight.
"Tell me more."
"You really want to hear about all of this?"
It's not like you and Carmy aren't close. You absolutely are. It's just that there's always been this unspoken connection between the two of you. A bubbling, fiery attraction that you both shut down repeatedly, screwing the lid on tight whenever it rears its head. So, you tend to avoid talking to Carmy about dating. You're scared you'll accidentally blurt out the truth - you compare every single date to him.
"Of course I do."
His answer is so genuine it makes you ache. You continue, hesitantly.
"Well... things got a little... heavy. He wasn't a bad kisser, I guess... he just wasn't... a good one? He kept biting my lip super hard and it kinda hurt. Then he pulled my clothes off like a high schooler, and he's on top of me, and I'm waiting for him to sort of... do... anything? And then he's finished. Like, completely done. And then he has the nerve to ask me if I finished."
Carmy's mouth has fallen open, shock etched across his face. After a long, heavy pause, he speaks.
"What the fuck?"
You look at him for moment, before bursting into contagious laughter. He joins you, both of you with your heads thrown back, giggles reverberating around the lowlit room.
"I mean, seriously," he pants, still laughing. "What the fuck?"
"I didn't even answer him. I just put my clothes on, grabbed my bag and left without saying a word."
Every time you try to stifle your laughter, a giggle escapes. The situation wasn't funny at the time, but looking back, it's hilarious.
All of a sudden, you both go silent. You're deep in thought, reflecting on the seemingly never ending stream of bad dates that you've endured. Carmy is watching you intently, ocean blue eyes glued to your face.
"Fuck," you breathe. "This is kinda pathetic."
Carmy inhales deeply, and turns his body so it's facing yours on the couch.
"The way I see it," he begins, "you have two options."
You quirk a brow in confusion and stay quiet, waiting for him to explain.
"You can sit here feeling sorry for yourself, or, you can let me fuck you the way you deserve."
Your mouth falls open in shock at the exact same moment your brain seems to shut down. You can't think. You can't process his words. All you can focus on is the way he's staring at you. You suddenly feel hot under his gaze, the hairs on the back of your neck standing up. A shiver runs down your spine, and you have to remind yourself to breathe.
"Wh-... what?" you choke out.
"You heard me, honey. You can wallow in your little pity party, or you can let me show you what it's like to be with someone who can actually make you come. Your choice."
His voice has dropped an octave lower than usual, the tone warm and honeyed. He's still staring at you, blue gaze unrelenting.
"Is this gonna fuck everything up between us?" you whisper hesitantly.
Carmy reaches out and places a gentle hand on your cheek, thumb stroking careful circles into your skin.
"I don't think anything can fuck up what we have," he murmurs. "You're the only thing in my life that makes sense."
His confession seems to sober you up, the honesty in his words snapping you back to your senses.
"Okay."
He almost does a double take at the sureness in your voice.
"Yeah?"
"Yeah. Put your money where your mouth is, Carmen."
"There she is," he chuckles. "You scared me when you went quiet for a second there."
"Well, if what you say is true, you're not gonna be able to shut me up for the night."
He laughs darkly, and slides closer to you slightly.
"Oh, honey. You're gonna wish you hadn't said that."
He tucks a strand of hair behind your ear, tracing the journey of your neck with his fingertips. He rests his hand lightly at the base of your throat, the heavy weight of it making you pant.
"If there's any point where you don't like something, or you want me to slow down, just say so. Okay?"
You nod your head, entranced by the sudden dominance he's displaying. You've never seen this side of him before. You can't believe he's been hiding it this whole time.
"Words, pretty. Need to hear you say it."
"Yes. I understand. I'll tell you, I promise."
He doesn't say anything in reply, just smirks. He lets you sit in the silence for a moment too long, the anticipation slowly killing you.
"Please, Carmen," you breathe. "Please."
"Fuck," he groans, shuffling closer to you. "You sound so pretty when you beg."
Carmy leans in and kisses your cheek gently, testing the waters. He presses a kiss to your other cheek, and pulls back to watch for your reaction. When he's happy, he tilts forward and leaves a careful kiss on your chin, then your forehead, then both of your closed eyes, before kissing you on the side of your mouth. His closeness makes you whine, desperate for him to give you what you want.
Finally, he connects his lips to yours, starting off slow and tender. When you tangle your fingers in the hair at the nape of his neck and try to pull him even closer, his resolve snaps. His tongue sweeps into your mouth, exploring eagerly. You clamber over him and climb into his lap, straddling his hips and pressing yourself into his body.
Carmy can't decide where to put his hands. He's grabbing at your waist, running his fingers up your back, pulling you into him by your ass. You're both groaning into each others mouths, enraptured by the other person and the all consuming way they kiss.
"Can I take this off?" he asks lowly, pulling at the hem of your dress.
Instead of answering, you pull it over your head, throwing it onto the floor in front of you.
"Fuck," he murmurs. "Most beautiful girl I've ever seen."
His hands are roaming all of your exposed skin, as if he can't get enough. He's terrified he won't ever get to see you like this again, so he's not going to waste a second.
You grind your hips down into his, eliciting a groan from the both of you. His hands tighten their grip on your waist, as he leans up to press open mouthed kisses to your jaw. Your fingers fly to the hem of his t shirt, pulling it off swiftly. You manage to shove his jeans down and off, before attempting to pull off his underwear. Carmy stops you in your tracks.
"Nuh uh," he tuts. "This is about you. Not me."
He pulls you off his lap gently and shuffles so his back is resting against the couch cushions. He spreads his legs wide, and gestures for you to sit between them. When you don't move, he looks at you carefully.
"Give me a color, pretty girl."
You take a deep breath, and smile at him softly.
"Green, Carmen. Promise."
You manoeuvre sideways, so you can place yourself with your back to his chest. He wraps his arms around you for a moment and holds you tightly, as if he's scared you'll disappear any second. You relax into his embrace, all the tension leaving your body. You have nothing to worry about. It's just you and Carmen, in the place you call home.
You drop your head back into Carmy's shoulder, and allow yourself to get lost in the feeling of his hands on your skin. He's begun tracing patterns down your arms, your sides, your stomach, until he reaches your underwear. He plays with the band, dipping his finger underneath in a feather light touch. Goose bumps rise across your body and you shiver, practically vibrating with need.
"Carmen," you whisper. "Don't tease."
"But that's half the fun," he murmurs into your ear, and you can hear the smile in his voice.
You can picture it perfectly, too. The way his eyes crinkle, the way his mouth curves, the way he bites his lip to stifle it. The image in your mind makes you melt into him further. You want to be as close to him as you physically can be. You'd completely disappear into him if you could.
He brings you back to reality by cupping you over your underwear, groaning when he feels the saturated material.
"Oh, pretty girl. Is this all for me? Fuck."
Suddenly, his game of teasing has lost all its fun. Carmy twists his fingers into your underwear and pulls them off in one swift movement, throwing them in the general direction of your dress on the floor. He places a hand on each of your thighs and spreads them apart, hooking them over his legs.
Carmy starts off slow, careful. He caresses over your skin, gentle and almost apprehensive. When he gets to your core, he swipes a finger through, testing the waters. When you buck your hips into his hand, he knows you're both on the same page.
"Just relax, okay? Gonna make you feel good."
His deep, smooth, whiskey like voice is doing nothing to help the heat bubbling in your stomach. You only whine in response, wiggling your hips to urge him to keep going.
Carmy throws one arm around your stomach, keeping you plastered to his body. You can feel him hot and hard against your back, and you so desperately want to feel him that your mouth is watering. You grind back into him, and he reads your mind.
"Not yet," he whispers. "This is about you, remember? Need to show you what you've been missing."
With that, he circles your clit with two fingers, slowly but surely. He revels in the noises you elicit. They're making him dizzy, disorientated. He never thought he'd be the one to pull a sound like that from you. He's quite convinced he's dreaming.
"Let me hear you. Don't hold back on me, okay?"
You nod your head frantically, willing to give him whatever he asks if you get what you want.
Carmy slips a finger into you slowly, moaning under his breath at your warmth. When he thinks you're ready, he adds a second finger, and sets a steady rhythm, trying to figure out what you like.
After he's set his pace, he starts to curl his fingers on the up stroke, grinning to himself when he finds the spot.
"Yeah? Right there? That's it, isn't it?"
You're nodding and shaking and pawing at his forearms, trying to tether yourself to reality in any way you can. You think you might be floating, on cloud 9, in some sort of euphoric trance. You can't believe no one's ever made you feel like this before. You're convinced no one ever will again.
Carmy quickens his pace and basks in the glory of your moans. He thinks this might be the most beautiful you've ever looked, spread out completely for him. Every inch of your skin is touching his, and it makes his heart skip a beat for a second.
He presses a kiss into your hair and keeps his mouth there, murmuring honeyed praises into your ear.
"Doin' so good for me."
"You got it, honey, that's it."
"Atta girl. Keep going. Almost there."
"You look so fuckin' pretty like this. Fuck. Gonna be thinking about this forever."
"I'll ruin you, baby. Nothing's ever gonna compare to this, to what we have."
All you can do is moan in response, his filthy words pushing you closer and closer to the edge. You're almost there, but something is stopping you. You whine in frustration, tears welling in your eyes. Carmy feels the tension suddenly grasp your muscles, and leans down to mutter to you softly.
"What is it, sweet girl? What do you need? Just tell me. Anything, and I'll give it to you."
You're not sure how much you trust your voice right now, so you decide to show him instead. You take the hand that he's using to hold you to him and move it up your body until it's resting against your throat. You tighten your fingers around his, and moan in response to the pressure.
"Oh, baby," he coos. "Filthy fuckin' girl. Here I thought you were so innocent, and this whole time you wanted to be choked like a whore?"
The way he degrades you so lovingly makes you mewl. You'd never ever trust anyone else to speak to you this way in such an intimate moment - but with Carmen, there's no hesitation. You know he's just telling you what you need to hear in the heat of the moment. And you love him for it.
"Fuck, Carmen," you manage to choke out. "Keep going. Don't stop, please."
"I'll do anything you want if you keep saying my name like that," he whispers.
"Carmen," you moan in response. "Carmy Carmy Carmy Carmy Carmy."
You're chanting his name like a prayer. He's rutting into your back, hips grinding and circling in time with his fingers that are maintaining their steady rhythm. His fingers tighten around your throat as he crooks his digits just right, and the result is a devastating moan from you that Carmy wishes to have on repeat for the rest of his life.
"So close," you whisper hoarsely. "Harder."
Carmy uses his thumb to circle your clit with one hand, other hand pulling you by your neck back into him tightly. He grinds his hips dirtily into you, and the feeling of him so silky and warm against you is what sends you over the edge. The corners of your vision go white as you arch into him, head thrown backwards into his chest. The sounds you're making are so melodic, so borderline angelic that Carmy almost cries. Heaven, he thinks. This is salvation.
Carmy finishes with you, climaxing onto the soft skin of your back. You both relax simultaneously, chests heaving and panting. He removes his fingers gently and wraps both arms around you, pulling you into him tightly despite the mess. He reaches to brush the hair out of your face, and the gesture is so tender it makes your lip quiver.
"Thank you," you whisper after what feels like hours of comfortable silence.
"Sorry I called you a whore," he murmurs back.
You let out a surprised laugh, vibrating with amusement in his arms.
"I know you didn't mean it."
"I mean I did give you the best orgasm of your life, so... call it even?"
"You're forgiven," you chuckle. "Completely forgiven."
You trace gentle patterns over his forearms with your fingertips, following the black ink of his tattoos. He sighs in contentment and places a kiss into your hair, relaxing further into the couch.
You sit together like that for a while, neither of you too concerned with the time. It's not often you see Carmy so relaxed, so serene. You're enjoying it for as long as you can.
"We should clean up," he says quietly, eventually. "Sorry about the mess."
"It's okay. Worth it," you tease, pinching his thigh. He pinches your side in retaliation, which makes you jump.
"Come on, trouble."
He stands from the couch, never letting go of the grip he has on you. You have no choice but to stand with him, yelping as he half carries you through the apartment towards the shower.
The sounds of both of your laughter bounce off of the abandoned mugs of tea still sat on the coffee table, melodic and joyous. The moonlight seeps through the windows, illuminating the beginning of something special in the living room of your shared apartment.
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sxcret-garden · 5 months
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Yunho ღ Tight [M]
ღ Ateez Yunho x fem-bodied!reader ღ words: ~700 ღ genre: smut (soft dom!Yunho, size training (kinda) but it's just his fingers, squirting) ღ warnings: none
Desc.: You just really want to be full of your boyfriend’s pretty fingers… (inspired by one of the asks I got a few days ago that wouldn't leave my mind 🫣)
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You whimper at the way your boyfriend is slowly pumping two of his long digits in and out of you, his fingers effortlessly gliding back into your pussy with each thrust. You're dripping wet to say the least, and as you're unable to take your eyes off his hand between your legs, he presses a light kiss to the corner of your mouth, making your eyes flutter shut for a second.
"You like that?" he asks, his voice kept low. "Watching my fingers going in and out of your cute little pussy?"
"Yeah..." you admit abashedly. You gulp before looking up at his darkened eyes, not missing the way the sight of you enjoying such a simple act so much takes his breath away. "Want another one..." you mutter.
"You think you can take it?" Yunho asks and you nod with determination. Carefully he adds a third finger, and though you can feel a bit of a stretch, with the way he keeps slowly moving in and out of you, you adjust to the feeling quickly. Curling his fingers inside you, you moan at the sensation that courses through your body when he hits your g-spot, and you throw your head back.
"Yunho..." you mutter his name, finding greed behind his gaze as you feel your high slowly building up in the pit of your stomach. "It's not enough..."
"What is?" He leans in to place another kiss on your temple, before letting you answer.
"Want... another finger..." Your boyfriend looks at you with concern for a moment, and you shoot him a pleading look in response.
"I don't want to hurt you..."
"It's fine... I just have to get used to it," you try to convince him. "Please, Yuyu..." His expression changes ever so slightly, telling you that the nickname is affecting him. "Wanna be full of your pretty fingers..." He gasps, barely noticeable, and then he nods okay.
"Lie down, baby," he says, crawling on top of you. "I'll help you relax." And then, as soon as your shoulders hit the mattress, he connects his lips to yours in a slow but deep kiss as he keeps working his fingers inside you at a steady pace. You moan into the kiss, bucking your hips up into his hand, and you throw your arms around his shoulders.
"Please... I won't last much longer..." you mutter, and you earn yourself an amused smile from your boyfriend.
"You're gonna cum just on my fingers, hm? Then let me give you what you want." He pulls all the way out, and the next time he enters you, you can undeniably feel an uncomfortable stretch. Yet the thought of having four of his fingers filling you up is enough to want him to keep going anyway. And so you throw your head back, moaning from the pleasure.
"K-keep going... don't stop..."
"So desperate... and so tight," he whispers, the look in his eyes changing as he watches you, and the bulge in his pants undeniably growing. "Fuck, you're really gonna take all of that, aren't you?" He slips inside fully, but doesn't stop moving as he lets you adjust, and you keep begging him not to stop.
"Y-yeah... gonna take your fingers... wanna cum on all of them..." you stammer, starting to see stars from how full your pussy feels, and soon the uncomfortable feeling fades and leaves you with nothing but pure bliss.
"Shit, Yuyu... I'm gonna cum..." Your boyfriend curls his fingers against that perfect spot deep inside you again, pumping in and out of your cunt at a steady speed now. And just when you can see yourself almost reaching the edge, he presses his thumb against your clit, making you cry out. Next thing you know you're coming undone, clenching around all four of his digits and squirting all over his hand. And with each time your orgasm shakes you, you can't but moan his name, until nothing but slurred moans escape you throughout the last aftershocks.
"You took them so well, babe..." he mumbles as he scatters a few kisses all over your chest, slowly pulling his fingers out of you. "You okay?"
"Yeah," you answer, smiling as your boyfriend takes you into his arms. "More than okay, actually."
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galedekarios · 7 months
Text
thinking about how gale's love language is acts of service.
people have talked at length about how he cooks for everyone at camp.
"the hand that feeds is the hand that's loved. it'll never leave your side now."
but that's not all of it, and it's a red thread that weaves itself through almost all his interactions throughout the game.
"magic is... my life. i've been in touch with the weave for as long as I can remember. would you like to experience this?"
gale shows the protag his world, his life, trying to connect them to the weave as he had once been, when he was still a chosen, still an archmage. it's not quite the same, it doesn't come quite as easy. still.
"i'm so very glad you came. to share this with me. i know this is all unreal, but i created it for you. you must know that you're... that you're very special to me. if things were different, if we were home, i'd have taken time to do things properly. to say it all better. but time is short. i'm in love with you."
gale knew he was living on borrowed, he knew it would run out eventually, even well before elminster came to deliver mystra's instructions.
he can't give the protag something different and they aren't home and they're not going to go home at the end of this. he knows this. time that once seemed so infinite when he was young is now whittled down to a single last night.
a last night that he uses to turn a dark and cursed land into a beautiful forest, northern lights dancing across a starry sky. he can't go home, he can't take the protag home, but he can give them an illusion of the centre of his universe, with all the well-loved things in it. there's no pretention here. books strewn across the floor, across the desk. sculptures, paintings, music. a view of home. the smell of the sea breeze.
baring his heart as well his soul in the little time he still has left to use how he sees fit.
"let me show you more. when you wake, it will be back in our small, dirty, bloody patch of existence. but stay with me now. there are endless worlds out there. countless ways to declare love. infinite ways to express it. too much for one night... but we shall try."
let me show you waterdeep, let me show you my home, my universe. let me show you how it would have been, could have been, if i did have time. let me show you more. let me show you how much i love you in the one night we may have left together.
let me give my soul to you, in confidence.
"i'd actually been thinking of introducing the two of you anyway. over a sumptuous home-cooked meal, if that sounds at all to your taste? i make it to my mother's recipe."
he wants to give the protag a chance to get to know tara, the one constant in his life, the one who became his only friend, his safe haven in the storm, the one that bore witness to his greatest triumphs and most abject failures. he wants to cook for them. he wants to take them home so very badly—
and yet he knows he won't make the date.
"then have me, but have the best possible version of me. [...] think of what i offer: the vastness of eternity to explore, the weave at our fingertips... you would really prefer me as i am?"
he could be more for the protag, if they wish him to be. could be more, could be better.
without all the flaws, without all the things that make gale only who he is. the things that sometimes simply aren't enough. he could be everything that plain old gale dekarios, that even the wizarding prodigy gale of waterdeep, could never be.
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zmbiesuga · 7 months
Text
TWENTY TWENTY VISION — m. atsumu x gn!reader
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sypnosis: atsumu needs glasses, but why on earth would he make his & your life easier by wearing them?
warnings: i'm gonna beat the shit out of atsumu oh my GOD he irks me so bad, post-timeskip atsumu, eensy bit of angst if you squint super super hard, osamu mention, i can't write the miya accent™ for the life of me but i tried so sorry, petnames such as baby used, he calls the reader pretty
notes: inspired by the fact that i just recently got my new glass and haven't had a pair since i was 14 so seeing the world focused fucks with me a lil bit, ALSO, atsumu with glasses has been flooding my brain, osamu is farsighted cause i said so
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"I'm not wearin' 'em."
"Atsumu, please, you need to wear them, you have astigmatism in both of your eyes! And you're nearsighted!"
Atsumu lets out a soft huff as he crosses his arms, as if he isn't the reason you've been having this argument essentially since you brought up him even getting his eyes checked.
It all started when Osamu had gotten new glasses, that's what Atsumu thinks anyways, that this is all stupid Samu's fault.
Osamu came over one afternoon for a harmless visit, with new glasses on. You had asked Osamu about them, and commented that you never knew he needed glasses to which he responded:
"Oh yeah, me and Tsumu both do, he just hasn't worn his since junior high."
You swear you've never seen Atsumu react so quickly, his head snapping to Osamu and immediately telling him to shut up through gritted teeth. The subject gets dropped instantly, but now you're giving Atsumu side-glances throughout the night until Osamu leaves.
After you two are settled into bed and Atsumu is almost asleep, until your voice rings out in the dark.
"Is that why you squint so much?" you ask in a voice barely above a whisper.
"...What are ya on about?" Atsumu asks, turning to face you with a soft expression.
"Is that why you squint so much?" you ask again, "Because you don't wear glasses like you're supposed to, so the world's all unfocused for you all the time, is that why?"
Atsumu's silence and stunned expression is all the answer you need.
"That's what I thought," you mumble before turning away from him, "your eye appointment is Saturday at four."
And that puts Atsumu where he is now, sitting at the island connected to the kitchen in your small apartment, staring down the thick black lenses as if he was trying to explode them with his mind.
"I said, I ain't wearin' 'em," he huffs again vehemently, looking at you with an unwilling expression, "and that's final. I don't need no stupid glasses, I can see just fine."
"Oh yeah?" you challenge, palms resting against the island as you stand on the opposite side of it, "If you don't need your glasses, read the paper on our fridge. Without squinting."
Atsumu's face goes a little pale, his eyes widening slightly. He looks over your shoulder at the paper held onto the fridge with a stupid magnet in the shape of a volleyball.
"It, uh..." he trails off, trying to not squint as much as possible, "...it...it doesn't matter what it says! I'm still not wearin' those glasses! I don't need 'em!"
"Atsumu that paper is no more than four feet away from you, and you can't even tell me what the bolded title says," you responded in an almost pleading tone, "baby, you need your glasses, so I am begging you, please put them on."
Atsumu's face softens slightly at your pleading voice, before it turns unwilling again as he looks down at his arms and mumbles something you can't quite make out.
"What was that?" you ask.
"...They make me look dumb," he repeats a little louder, looking back up at you, "they make me look like an idiot, and since my eyes aren't used to being focused, I feel like a baby deer learnin' how to walk."
"Tsumu," you reply gently, your own expression softening, "if you didn't like the way glasses look, why didn't you ask for contacts?"
"Because they scare me," he rebuttals, "which I know is stupid because they're an easy solution to my problem, but they rip and get stuck and...I don't know, that just scares me."
You stare at him blankly before taking a deep breath, "Atsumu," you start, "I'm not...trying to make you look stupid, okay? I just know that you need them, and you know that too. It might be awkward at first, but won't it be worth it to see the world a little more clearer? So you won't have to squint to read traffic signs or drive through menus? And, glasses aren't a permanent solution, we can work our way up to contacts, but you need to wear these for now."
Atsumu looks down at the glasses again, letting out another unsure sigh as he picks the thick rims up, and places them on his face.
It's weird at first, everything is clearer. The titanium fridge, that stupid volleyball magnet and the paper it holds, and more importantly...
You.
The way your entire face shifts into focus leaves Atsumu speechless. He knows how pretty you are, he doesn't need glasses to see it, but god do they make it better.
You give Atsumu a weird look, "What?" you ask puzzled, "Can you see better?"
"Yeah," he responds with a small smile, "I can see real good, pretty."
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gotham-daydreams · 7 months
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How would it have gone differently if Reader didn't try to be an "overachiever" and instead just stayed quiet and didn't interact with anyone besides Alfred until they left? Their room they left being mostly blank, with only the music journals? Giving up on trying to get their attention.
I think what's so funny about this ask, to me, is that I already have a concept like this written down (along with 3 others since the current reader I'm writing for the "Not [ ]" series is one of them but with a few missing details), so this'll be fun!
I guess it generally goes how you'd expect? Which is different for the most part, but the reader's perspective on what's happening is also different.
Granted, I would like to point out that, at least for this particular concept and the idea I have for it of how this would go, does have more stuff going on pre-Batfam that do affect how they perceive what's happening, and that's what makes things interesting in my opinion. Because someone can be naturally shy or just overall more reserved either out of nature or because they feel a certain way, but still feel bad about being neglected and, despite their lack of effort, feel that pain just as much as someone who's tried. Which is valid! Besides, someone's definition of 'trying' can vary as well.
Everyone should have a chance to have a family, and form some kind of connection with people. Just because you aren't going above and beyond for one person, doesn't mean you're undeserving of certain things. Especially not a chance to have a family, or feel like you have one. That's what I think anyway.
Nevertheless, back to the reader!
From the original concept, I will be tweaking a few things to fit the ask, but the same general outcome remains! Though again, the reader's perspective on things is a tad different. But how about this- I'll show two versions of the reader.
One that's quiet and more reserved because they gave up much earlier, or just generally hopeless really early on because maybe they felt as if anything they'd do just wouldn't be enough, who'll be accurately named Quiet!Reader. With the other being more closely related to the concept I wrote for such an idea, that we'll refer to as Waiting!Reader.
Quiet!Reader would change up things quite a bit! I won't lie!
They might already have bad self-esteem that's quick to develop at the start of things, which is something to note as that doesn't get better with time. They grow more cold and distant from the family at a quicker pace both from personal and external reasons.
Put simply, they don't feel good enough, and even if they did- anything they could do to get the Batfam's attention would never be enough in their eyes. To which, they see very early on when they try to engage and do some things with the family, only to be turned down. What doesn't help is when Quiet!Reader sees Damian get adopted and almost immediately showered with love, (compared to them) and that really cements some ideas that were already developing in their head about the family.
When Damian comes into the picture, they feel replaced. Seeing him as someone to fill in the 'youngest Wayne' role instead of them, so that Bruce and the others actually have someone to acknowledge for such a title. Just someone else to further take away the little they had.
So, they further step out of the way, glaring at the Batfam with tired eyes before that eventually stops too. Envy clawing at their heart, hatred being sent through waves of pain all throughout their body. Hurt unmatched. Yet they still remain invisible. Quiet as ever. Unnoticed. Everything they ever felt dies down, and forms a cold numbness that they begin to associate with the family.
Maybe through that, they feel closer to the family in some twisted way. Now just as cold as them. Just as talkative, and just as engaging. Almost mirroring them, but they're honest about how they feel. Honest about what they think, and therefore better. At least when compared to the Batfam- and to them, even if it wasn't a high bar to reach anyway, at least it counts for something.
It was never Damian's fault, or really about Damian at all. It could've been anyone else and Quiet!Reader would've still reacted the same way, they know that. Though just seeing the Batfam show love and care to him and not them just makes them feel... worse.
Clearly they're capable of love, and can notice new additions to the family (to which they may have mostly believed that the Batfam's neglect was just something the family did for whatever reason, and thought that them being the youngest had something to do with it for a while) and that breaks the reader. It doesn't hurt, not as much as it would've, maybe, but whatever hurt is there dies down quickly as Quiet!Reader, well, quietly accepts their fate.
The Batfam clearly wants nothing to do with them, so why should they try to do all of these things for them? It's simple, they shouldn't. So they don't. Quiet!Reader gives up, and continues to live their life without them.
The Manor just becomes a place they sleep in, and nothing else. It isn't anything close to a home, and not even Alfred can help with that.
It's because of that little fact, however, that Quiet!Reader leaves much sooner than the reader in the "Not [ ]" series. Maybe once they get a friend they can trust, they essentially end up living with said friend, hence why their room remains so empty. The notebooks they even keep in the room they have in the Manor is from when they were way younger, instead of just being from a few months ago or so. We're talking years since Quiet!Reader has touched those things now.
Maybe they do 'officially' leave a month or so before they usually would as an overachiever in the "Not [ ]" series, having only bothered to return so often before because of Alfred. Though even then, they'd forget to return most nights- only being reminded to even try and go back once Alfred would personally call them, and ask them where they were.
However now, after a while of just the time between them basically living with their friend and sleeping at the manor, they stop returning altogether. Though this time around they instead personally go to Alfred to say they're goodbyes. Not explaining much, but just saying that while they might still try to come and visit him sometimes, they don't live in the Manor anymore. Alfred already knows this, and the embrace they share fully hammers in that fact.
Yet when Quiet!Reader turns away, and leaves the Manor for good- even through the front door at that. Alfred can't help but just... miss them already.
You see, while Quiet!Reader is indeed quieter and more reserved, especially towards the Batfam, with Alfred really being the only exception, they still made music.
Maybe they didn't have as many concerts or physical, grand, live performances compared to the reader in the "Not [ ]" series, they not only started earlier, but may have actually started out on a social platform such a youtube. They really started out small, but were able to find and start their passion much earlier!
Most of what they played was when they were in the Manor, but slowly they started to get involved with things music related outside of the Manor and in Gotham- and from there were able to build themselves up even more. Hell, I'd even say that Quiet!Reader is a little more well-known and popular than the reader in the "Not [ ]" series because of the amount of extra time they dedicated to their passion.
So basically, Alfred this time around has more recordings and such of Quiet!Reader actually doing something they love than with the one in the series. However! Funnily enough, they're gone for a shorter amount of time despite having left earlier than normal.
Alfred is just, extra fed up with this nonsense, and so pulls his tricks more early on, but also make them hit harder.
He doesn't clean Quiet!Reader's room to show how long they've been gone, adding onto the emptiness and almost abandoned feeling the room itself gives off because of how bare and empty it is. They're music haunts the halls, subtle, sure, but still noticeable- especially to those who are hyper aware all the time. Pictures of Quiet!Reader and Alfred begin to be hung up, and if he can manage- some with Quiet!Reader and their friends during important parts of their life.
No one is safe from the guilt and anguish Alfred seeks to cause to not only have the Batfam look for you, but most importantly, to finally notice you.
Let's just say, things work out a little too well.
---
As for Waiting!Reader? Oh man, I've been wanting to rant about them for a while!
Unlike the reader in the "Not [ ]" series and Quiet!Reader, Waiting!Reader had some semblance of a life before getting adopted into the Batfam. Though the idea and character themself isn't musically inclined/involved in music, or even all that interested in music for that matter- for the sake of this ask, lets say they are!
I won't dabble too much into the life Waiting!Reader had before the Batfam, as if I do end up writing them I'd also like to keep some details vague (for the sake of leaving it up to interpretation and everything), but just know that during the time they were still with their original family, they were essentially taught that they should 'wait their turn', and eventually their parents would spend time with them and care for them. Hence the little name I've given them.
So! When they get to the Manor and are officially adopted, only to be neglected and ignored during their first few attempts- because of their young age, they immediately think "oh! they're just like mom and dad!" So they 'wait' for 'their turn', believing that eventually, should they wait long enough, they'll be rewarded with bonding and such from the Batfam just as they were with their previous parents.
This mindset changes what they do as well, as Waiting!Reader even goes out of their way to not bother anyone, or "get in the way" of whatever they could be doing. Waiting!Reader treats the situation so much like their previous home life, that sometimes they might even forget that the Batfam are completely different people from their parents. The only real difference that they can think of is that they're not acknowledged at all and it seems like their 'turn' never comes. Though for a while that doesn't get them down. The Batfam is busy like they're parents were! Waiting!Reader is sure that when things die down then they'll have their time.
... Hopefully.
I can imagine that part of the reason why Waiting!Reader holds on to hope for so long is because, again, their own parents constantly reassured them that they would have their time eventually. That if they behaved, and stayed out of the way, then they would go somewhere fun with their parents and essentially be rewarded for their efforts. They were conditioned to wait, to be patient, and just comply until those around them decided to actually take care of them, and spend time with them.
Of course, as they grow up the reality of the situation does hit them eventually, but during that time they do try.
Waiting!Reader helps Alfred around the house, and so they mostly bond over doing chores, among other things. They are also more mindful, and try to keep the amount of noise they back down— so they actually don't play at the Manor all that often, and instead play literally anywhere else. If and when they do play outside, around the area of the Manor like in the gardens or something, they make sure no one is around before even thinking of playing.
Alfred does help them break a few of their habits that they got while living with their parents, but the one thing he can't seem to 'fix' is how absolutely quiet Waiting!Reader is when they walk around. Which, as on can imagine, doesn't exactly help in a situation where the whole family, except for the butler, is neglecting you.
The amount of times Waiting!Reader has caught Alfred off guard is more then you'd think for someone that works with the Dark Knight, and his various sidekicks and such, over the years. Which does say something, sure, but it's also funny!
Regardless, similar to Quiet!Reader, Waiting!Reader is able to start their musical career earlier than normal, and thuse becomes a little more popular than they would originally. However, they're more known for their live performances and giving back to the community. Seemingly just like Bruce as they attend charity event after charity event, and try to do good by the people.
Waiting!Reader also does genuinely try to become a vigilante as well, but they do so in a way where they only take care of the smaller/medium guys, and leave the bigger ones to the rest of the Batfam. This is because they want to remove possible distractions for their family, and while they would try to take on "bigger guys", they don't think they're skilled enough or experienced enough to even think about it. So they don't even try. (They also don't have the same theme as the Batfam- since they don't want to 'ruin' their reputation with what they're doing or something. Which does hell them further detach themself from the family later on.)
I'd say that with Waiting!Reader, the difference between them and the Batfam is more clear to them? Like, to them, the Batfam are just so good at what they do that they have no hope of reaching them. So instead of trying to reach for them, they just do their own thing and try to help in their own way.
Because Waiting!Reader takes care of smaller guys, they are kind of closer to Waiting!Reader as a vigilante.
The best way I can put it is that while the community trusts Batman and the members of the Batfam to save their city, they trust Waiting!Reader to save their homes.
So basically- Batfam is the bigger picture while Waiting!Reader focuses on the smaller picture.
Nevertheless! Also like Quiet!Reader, Waiting!Reader actually leaves earlier. Except when they leave, they leave.
Waiting!Reader straight up leaves Gotham City to attend the college that they want to go to, in an area that has more opportunity for them, that isn't close to where the Batfam lives or patrols.
So they not only leave earlier, but it also takes the Batfam longer to find them. Especially because Waiting!Reader does still do some things in Gotham, they just don't live there anymore.
I feel like out of all three readers, Waiting!Reader definitely feels like the kind of person that someone would assume is some kind of "Phantom of the Wayne Manor," y'know?
So Alfred definitely tries to make the Batfam feel bad like he does with Quiet!Reader. Except how anyone in the Batfam is reminded that Waiting!Reader even exists, and that they've been gone for a while now is through a letter that is accidentally sent to the Wayne Manor from one of Waiting!Reader's fans. From there, some research does start and the more the Batfam learns, the more they want to go and find the reader- you know the deal.
I hope this answered your question even if I really did ramble on this time- if you'd like me to clarify anything or go into more detail on a specific part, feel free to send in an ask!
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