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#there now it’s stored in a tag
amimuu · 1 month
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Vows.
[‼️TRIGGER WARNING: Implied decapitation, blood. Discretion is advised ‼️]
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It’s done! Yay! 3 days of work later, but super worth it!
Now- what is going on?? Well. Like the previous post, this comic takes place in a timeline in which the Lamb decides to willingly return the crown, resulting in their demise, yet find themselves brought back to life shortly after by the god of death himself. Why did he do it? What is he planning? What could he possibly need the lamb for? Why won’t he let them rest?
Hopefully all these questions will be answered in further updates (definitely simpler than this comic) but I’ll gladly take asks if anyone’s curious =v=
Sadly I still don’t have a name for the au—but hopefully I’ll settle for something soon! In the meantime I’ll just tag it as “vows to ash au” or smt like that. Until then!
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Christ.
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frenzyarts · 7 months
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When my fiancée writes an Etsy description:
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When I write an Etsy description:
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dear-ao3 · 6 months
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as holiday season begins in the retail world here is your yearly reminder that if you order something with expedited or overnight shipping ESPECIALLY during black friday weekend 1. i personally hate you and you are making my life difficult and 2. there is a good chance you will not get it in time for the love of god just pick standard
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velvetcloak · 5 days
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camoooni
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themultifanshipper · 24 days
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Made these for the sole purpose of including the williams boys who i have cruelly ignored, i hope they make sense
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ssspringroll · 2 months
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DL (mediafire)
Today I bring you not cc, but a small collection of .blend files for making cc a little easier. If you've ever wanted to quickly put a braid into a custom hair without completely obliterating your poly count*, then these might be able to help.
*braids will still add a LOT of polygons to your hair, but since every single polygon is visible** on these tiling braids, at least you know they're all being put to use, whereas if you were to physically braid 3 strands of geometry, lots of those polygons would wind up inside the braid, just adding to your count without contributing anything to the look
**if some polygons end up inside of other meshes, you may want to delete them to reduce the poly count further. The boolean modifier may be able to help you, but I haven't tried
These are completely hollow, tiling braid "facades". They just look like a braid, without being anything more than a stylized tube. Available in 9 shapes (which are all pretty similar, more or less, but have different 'vibes', and one of them technically doesn't resemble a braid, but if you squint it looks close enough) and 3 polygon counts to hopefully fit in with your project.
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TOU: Same as my cc. Read it here. I obviously don't own this concept, so feel free to reverse engineer, make your own braid tiles, etc. Just don't use mine for anything commercial (using them in commissions is fine, just not paywalled final products!)
You will need to be using one of the newer versions of blender, I believe 2.8 and up. These were made in blender 3.6, so the files will not be compatible with old versions like 2.7x.
Quick start guide:
Open your hair wip's .blend
In object mode, 'Append' the 'BraidTile' object of your choice
Select 'BraidPath' and, in Edit mode, position it however you like
Additional info under the cut, because I tend to ramble, and these require a little bit of a primer before use, probably. Unless you for sure know what you're doing, in which case, feel free to just take these and run with them.
THIS IS NOT A TUTORIAL ON MAKING HAIR, OR HOW TO USE BLENDER. Seek that information elsewhere.
Before appending braids, you may want to open up the blender file and look at all the shapes, to decide which one you want to use.
When you first append your braid, or open the blend files, you may notice it does not look like the preview images above, and instead looks like a shiny pink slug. This is intentional! For previews and development work, I use @/simandy's base textures, but your hair will probably be using a different texture, so I have not included a texture at all.
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Simply switch the material of the 'BraidTile' to the same material your hair is using, and adjust the uv map accordingly. I'm going to assume if you are making hairs that you know how to do that, so it will not be explained here.
Once you have your braid appended, and have edited the UV Map of the 'BraidTile' piece to your liking, you can also try scaling the tile in the X, Y, and Z axes to change up the look a little. Make sure you select all of the vertices before scaling, to make sure it still tiles. This should be safe to do, and not mess up the tiling at all, but make sure you do it in Edit mode, not Object mode. (If you mistakenly do it in Object mode, you just have to press ctrl+A and select 'scale', and that should fix it)
When you have your braid adjusted, switch over to the 'BraidPath' object, and use edit mode to move the points around however you want. This is just like any other hair strand, if you're used to making hairs with paths and curves then this should already be familiar to you. All the same controls should work.
And, if you already have a curve in your hair that you'd like the braid to snap to instead, you can select the 'BraidTile' object, locate the curve modifier, and switch the curve object to any other curve in your .blend. You'll want to change the curve in the array modifier to the same one, most likely.
If you haven't used curves to make a hair before, here's a couple quick controls you might like to know:
ctrl+T will let you Twist the object around the selected point(s) alt+S will let you Scale the object around the selected point(s) selecting the first or last point of the 'BraidPath' and pressing E will Extrude a new point, making your braid longer
Remember to do all of your positioning on the 'BraidPath' object! You do not need to edit the 'BraidTile' at all once you've set up the UV map and adjusted the scale!
It should tile, twist, etc. with little issue, and should get longer or shorter according to the length of your curve with no issue. If it doesn't, make sure both the array and curve modifiers of your 'BraidTile' object are using the same curve. They should be using the 'BraidPath' object by default, but if you changed this manually, ensure that both modifiers match for best results.
Unless you know what you are doing, I do not recommend messing with any other settings in the modifiers, or adjusting the 'BraidTile' mesh in any way besides scaling the entire object at once. Otherwise you could end up with gaps and holes in your braid.
When you are done posing your braid, you can apply the modifiers to turn the whole thing into a regular mesh. I like to make a copy of my 'BraidTile' and 'BraidPath' first, just in case I want to go back and change the shape later. After converting it to a regular mesh, I'd recommend going in with proportional editing turned on and randomly scale and move a few of the pleats just a little, to make the braid look a little more organic. You can even add a couple strands to make it look messier, if you dont mind adding to your poly count even more. But this comes down to your preference and style. The braid below has had some half-assed editing done to demonstrate the concept. (Note: This is actually the low-poly version of this particular braid shape)
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Ultimately, it is up to you to decide how you want to blend the braid in with the rest of your hairstyle. I can't tell you how to do that, as it is ultimately going to come down to your own personal preference, workflow, and the hairstyle you are making.
How do I know if I should use Hi, Mid, or Lo poly?
This is largely due to personal preference, and how you're using the braids in your project. I have included the three different poly versions to try and be mindful of the overall poly count of your poor poor meshes, but even a lo-poly braid is going to add an easy couple thousand polygons to your project. Keep that in mind! If you plan on having a LOT of braids, something like this EA hairstyle, for example:
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You will probably want to follow their example and use a very simple mesh and just apply a braid texture instead of using these. EA's braids here appear to be a simple box shape painted to look like braids.
If you only plan on having one, maybe two braids in your entire project, especially if they are very large braids, then you might want to go with the hi-poly option. They're the smoothest, roundest choice.
If your braid has a very small diameter, you can probably get away with just using the lo-poly option, and save some polygons you won't need anyway.
The mid-poly version exists as a sort of happy medium. They aren't quite as pointy as some of the lo-poly shapes, and they won't inflate your poly count as much as the hi-poly models, so you may find you prefer them for your applications.
It's all very subjective.
I think that's pretty much everything I wanted to say. If you have specific questions, my inbox is open.
Keep in mind I am not very skilled in blender! There's probably some optimization that can be done if you know what you're doing, and I welcome you to tweak these meshes to your heart's content, if that's you! I made these for me, but I figure they could make someone else's life a little easier too, so here you go.
If you make anything using them you are welcome to tag me! If you don't end up making anything with these then I hope you at least have some fun playing with them!
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jtl-fics · 1 year
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Fluent Freshman - Part 13
PREVIOUS
“I can’t believe you would go out on Black Friday to grocery shop but I guess thanks for going out on Black Friday to grocery shop.” Aaron greets him with as FF moves over to the table.
Andrew and Captain Neil had apparently went out shopping.
Andrew and Captain Neil had apparently come back and have been in Andrew’s room for the past couple hours.
“Josten probably wanted to go to Excites for some gear. I don’t know what my brother sees in that Exy-obsessed jerk.” Aaron says as he eats his own smiley eggs and bacon. FF hears the sound of a hammer and a drill from Andrew’s room.
Heart in his throat he forces himself not to think about what Andrew and Captain Neil COULD be building.
(A guillotine, an iron maiden, that weird wedge thing that splits people in half at the groin, He should NOT have taken that Spanish history class. Oh god it’s probably a fence so he can’t escape whatever hunting ground Andrew is going to drag him to if he can’t buy his continued existence via baked good.)
“Shut up, they’re actually really sweet to one another.” Nicky chastises before turning to FF, “Because of that your final serving goes to Smithy. He deserves it more than you.” Nicky says and slides the final plate of eggs and bacon.
“He’s just as bothered by it as I am!” Aaron scowls.
“By what?” FF asks because there are a lot of things that bother him so Aaron is going to have to be more specific.
“By those two being all close. I’ve seen the way you turn and walk away.” Aaron reaches across the table for his bacon but FF just pushes the plate closer to him. The two plates he had already eaten were more than enough, especially after the full dinner that they’d had the night before. “You’re grossed out by it too right?” He asks as he goes to stab the bacon.
FF slides the plate away and Aaron stabs the table.
FF is NOT HOMOPHOBIC.
His gran raised him better than that.
“I don’t agree with you.” He says because he doesn’t but can’t bring himself to say anymore. He’s in Aaron’s house, he stole Aaron’s keys that morning to lock up the house.
(it was so rude but what if someone broke in because he left the house unlocked? What if someone got hurt just because he wanted to ensure his own survival? Isn’t it better that he just borrowed Aaron’s keys to make sure that no one in the house got hurt? Does FF still believe with every fiber of his being that Andrew Minyard is trying to murder him in this exact house? Yes. Can these concerns coexist peacefully? Also yes.)
If anything he finds Captain Neil and Andrew to be an incredibly nice couple. They talk about things together, they make plans about their future, their PDA was actually pretty minimal (especially in comparison to Aaron), and he had figured out the weird code Andrew talked in so he was pretty sure that Andrew and Neil loved one another.
The only issue he has with the couple is that they are out at a store probably buying supplies to torture and then kill FF.
Otherwise they were perfectly fine.
Aaron scowls, “You can’t be serious. You walk away faster than you run on the court when you see the two of them getting all gross.” He points with his fork and tries to grab the bacon again.
FF frowns deeper.
“I walk away even faster from you and your girlfriend.” He returns because Aaron and Katelyn are the couple who have been the MOST guilty of initiating something in front of him when he was in ‘Visible only when the sunlight strikes him at the exact right angle on the summer solstice’ mode.
 He had tried to clear his throat to get them to quit quite a few times but…well…he has heard Katelyn mention that one of her and Aaron’s favorite ‘hang out’ spots might be haunted….so he hadn’t been overly successful.
“PDA makes me uncomfortable in general. Captain Neil and Andrew are a very nice couple who you shouldn’t talk bad about.” He defends as one of the only people who would know exactly how thoughtful the two were to one another.
He hopes his Gran is proud of him for saying something.
Aaron looks at him with a twisted mouth for a while before relenting, “Fine they’re not that bad. It’s just a big brother thing.” Aaron rolls his eyes.
FF swallows down some acid in his throat and pushes the smiling eggs and bacon over to Aaron who smiles back at the breakfast and proceeds to eat it.
A big brother thing.
FF gets up and heads over to the final bag that Andrew had left out on the counter. FF had bought some additional offerings for his mortal soul to tide Andrew over while he made the brownies. It’s also where the incense and his latest two five hour energies should still be.
He finds the incense, wonders if he hallucinated the five hour energies (very possible), and hands Nicky a box of sour patch kids to distract him when he comes over.
“Smithy, why the hell are you lighting incense?” Nicky asks because the sour patch kids were NEVER going to be enough to distract Nicky. That would take something on the level of Swedish Fish but he’d been more focused on avoiding the candy thrown by an irate woman towards a member of Target staff because the grocery department couldn’t get her the redemption coupon for one of the flat screens in the Electronic department so he had FAILED to procure them. He’d even seen a box sail through the air is bullet time because his brain was too hopped up on Five Hour Energy but he’d let it go believing he could just grab a box at check out. THEN HE ZONED OUT IN THE CHECK OUT LINE AS HE STARED AT BOTH THE FUTURE AND THE PAST AND FORGOT HE WAS IN THE PRESENT WHERE HE HADN’T GOTTEN THE DAMN SWEDISH FISH.
“I’m going to make my Great Grandma’s brownies.” He says in response, “I’m hoping to channel her so I don’t mess up.” He says.
“Oh! More grandma baking goodies?! I can be your assistant baker! What do you need?” Nicky says visibly vibrating with excitement at the prospect. “We can listen to Mariah and I can lick the spoon!”
There is a noise of revulsion from the kitchen table.
“Don’t let him lick the spoon Smiths! He gets WEIRD about it.”
“That sounds like what someone who wants to lick the spoon would say.”
“Oh shut up!”
“That’s not a NO!”
The cousins continue to argue about spoon licking rights as FF gets started checking to make sure that the kitchen has all the necessary equipment to even make his brownies. He’d been so tired (last night? This morning?) that he hadn’t thought about even checking that the cousins would have things like a glass bowl, an baking dish, pie tin, etc.
Thankfully FOR ONCE luck is on his side and FF does not have to walk back to the Target.
So he finishes pulling out everything he’ll need, getting the oven pre-heated, and pulling out the ingredients for the brownies from the fridge.
He lights some incense with the stove top burners sends a quick prayer up and wonders if maybe a ouija board would have been better but if the Home Goods section had been a dangerous spot then the toy section would have been like walking into an active war zone. There are no laws as far as parents are concerned when it comes to getting the ‘it’ toy for their kids. FF has watched the highs and lows of humanity in the Barbie aisle more than once.
So he melts chocolate, he sifts flour and sugar, he separates eggs, and he uses every muscle that Kevin’s insane work out regiment had given his arms to whip those egg whites into stiff peaks. He knows his great gran is with him when Nicky and Aaron continue to argue (they are now talking about the ethics of licking the spoon vs. licking the bowl? He doesn’t quite get how they got there but alright) so Nicky doesn’t hear him say “Stiff Peaks Acquired” to himself because he knows Nicky well enough to know that he would have NEVER heard the end of it.
He uses all of the delicacy his gran had ever tried to teach him to fold those egg whites into the chocolate and then to fold in the flour and sugar. There are more steps, more ingredients, but unless you are family then those are CLASSIFIED.
Great Gran had always been the suspicious sort.
The oven beeps to let him know it’s done pre-heating as he’s carefully transferring his great gran’s life’s work into the baking dish.
He was so focused that he hadn’t even realized that Andrew was back until he turned to do the dishes and found Andrew holding the bowl and running his fingers through the scant remaining mix and shoving it into his mouth.
He is surprise that the scream remains in his head. He’s even more surprised that he stays upright. Maybe the nap did him some good even if it let Andrew and Captain Neil build whatever torture device they were intending to use on him.
He really needs to drink some pepto. He doesn’t think that Andrew will pause their ‘The Most Dangerous Game’ recreation to let FF manage his ulcers. Andrew is staring straight at him.
Andrew offers him the spoon.
FF declines. Raw eggs, sugar, and chocolate? With THIS stomach? He’d almost prefer to be chased through whatever enclosure Andrew is going to drag him to.
“When did you wake up?” Andrew asks.
“Hour ago.” He answers.
“Hm.”
“I’ll make the pie tomorrow.” he ventures trying to extend his life by another day.
Andrew shoves the spoon into his own mouth after that and walks out into the dining room. FF hears both Aaron and Nicky’s cries of anguish.
FF looks at the brownies in the oven at the incense burning on the counter and wonders if that was Andrew’s way of confirming his stay of execution.
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MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
Per your requests:
@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524​ @blue-jos10​ @stabbyfoxandrew​ @splishsplashyouropinionistrash​ @sammichly​ @the-broken-pen​ @bitchesdoweknowu​ @very-small-flower​ @ghostlyboiii​ @its-a-paxycab​ @bisexual-genderfluid-fan​ @cheesecookie​ @theoneandonlylostsock​ @foxsoulcourt​ @blueleys @adverbialstarlight​ @elia-nna​ @can-i-just-stay-in-the-corner​ @nikodiangel​ @foxandcrow-inatrenchcoat​ @hallucinatedjosten​ @satanic-foxhole-court​ @vexingcosmos​ @chalilodimun​ @insectsgetcooked​ @angry-kid-with-no-money​ @queer-crows​ @lilyndra @themugglemudperson​ @readertodeath​ @apileofpillows​ @mortalsbowbeforeme​ @hellomynameismoo​ @next-level-mess @youreonlylow​ @interstellarfig​
As stated before if you’re up here and I spelled it right but you didn’t  get a notification there might be something switched around in your  settings that won’t let me tag you properly?
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b4kuch1n · 1 year
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hahaha wheee haha
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emily-mooon · 6 months
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Me when the moots don’t see my flop posts I made at 3 am:
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cordycepsbian · 8 months
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oh the wonder of that wild wet world
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ladykeyleth · 1 year
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One wayward hit slams [Imogen]. You go flying up into the air in a high arc before slamming onto the table.
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shattered-earth · 9 months
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Some of my favorite in tape designs!!!!!! (That I designed.. lol)
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They are all "stamp" type tape, i even paid the factory extra to get custom molds for these because I love the differing lengths and shapes of real stamps as well as amore delicate line of circles vs the default molds with huge circles.
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There was a little drama at some point because the factory was letting people use my mold that I paid for but I cleared it up @_@;;
Anyway I don't go to cons anymore so I will probably have to stop selling washi tape cause they don't do so hot online especially for the price we have to sell them at to make it worth it for these complex designs + foil etc. No regretti tho, to see them in person is worth it.
All my washi tape (there's more than this too lol) are buy 4 get 1 free~
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bonefall · 3 months
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is there any death in the rewrite that you consider to be really graphic? where do you draw the line in the violence of a character's death?
Hmmm... Probably Tigerstar honestly! The cats wrote a song about his organs falling out.
I think when it comes to the "line" of a character's death, it's very subjective. Me and every other kid who read WC pogged out when Tigerstar had a really drawn out, horrific death on-screen, but I'm still haunted by Sootfur with his broken leg, falling down towards a badger while Squilf couldn't save him and seeing the aftermath of his "sightless eyes" when the animal moved off him.
One of those was objectively less graphic, but imo a LOT more harrowing. I think emotions are a lot more important in how deaths are received by an audience than the actual blood and guts, which I think gives you a decent idea of what you're gonna get here.
I think Leopardstar's rock concert is the "ceiling" of how intensely I describe deaths. I think that one's pretty graphic, but it's for a reason. The point is that it's a brutal killing that haunts Mistystar, you get me? And I try to write "around" the gore, describing sounds, the rest of the body, etc.
There is also cosmic/body horror with the Ancestor Rats, and more importantly, BB!Cats do food processing. They skin dead animals and separate the organs and such. When I get around to doing an entry on animal fat, I would also like to show WHERE in the body the fat is stored on certain animals. It's a lot more important to nutrition than you think it is.
BUT whenever I feel like I'm "around" Leopardstar's Boulder Appointment or an Ancestor Rat, I always always tag that. Less "violent" things like the song about the organs (Tiger's In A Heap) and more gentle food processing (like an offhanded mention of removing entrails or skinning) isn't tagged.
If I ever end up including a "diagram" of where fat is stored in the body or "how to properly skin a small rodent" It will be tagged as gore and I'd try to stay tasteful to begin with, I would ABSOLUTELY never drop something like that on anyone untagged and unwarned.
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mothscotch · 21 days
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som sketchbook doodles
i got an eraser today after not having one for a month yippie (if u can see where i tried to erase and failed uh no you cant<3
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+ me having to use my computer as a light to see my sketchbook
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himahimac · 4 months
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siffrin with those clip on pockets for kids
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pm0 · 9 months
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@hajimedics revealing my #anonymous self to show how ur post inspired me 🫡
ok I guess I will explain what the symbolism in this drawing means under this cut now :)
BASICALLY Rave’s tags on his art got me thinking about mutual sentience theory & the idea that who these puppets actually are does not align with what playfellow workshop created them to be — specifically, the actual desires of the puppets in whps are not the same as what playfellow thinks they should desire — and it made me think about how it might apply to Frank & Julie.
We know that neither of them fall into (strictly) binary gender labels, we know that Frank is gay, we know that Julie was confirmed sapphic in a stream — and yet we see playfellow putting them into the roles of cisgender heterosexual man & woman respectively, that they cast them to be in the roles of each others romantic love interests (see julie-rella animation cels). So I wanted to draw something based on that concept, the contrast of who they are vs who they’re “supposed” to be.
This is why I included 2 Franks and 2 Julies here, one set in my usual style for drawing them and the other being more ‘on-model’ — the former are a representation of who the puppets actually are, with their agency, while the latter are who playfellow themselves outline the puppets to be. The playfellow puppets are a ‘perfect’ version of sorts, their canonical accuracy + their sparkling appearance being extensions of how true to the script they are.
The framing of these two sets, how they interact with each other within the image, is meant to show the situational helplessness Julie and Frank share. They are stuck together in a ring of lavender flowers (do you get it. wedding rings. lavender marriage. I’m a master of artistic metaphor /j), looking to one another in worry as they’re surrounded by playfellow’s expectations. Neither of them want this, for themselves nor for each other, but what are they meant to do? They aren’t trapped by something they can just escape from, they’re trapped by their own identities; the will of their creators and the will of themselves are intrinsically linked, each at their core are answers to the question of who “Julie Joyful” and “Frank Frankly” are, to try and sever that connection is an impossible task.
The circles above each of the on-model puppets’ heads are primarily meant to be halos bc well. you know how queer religious trauma goes (there’s a ‘playfellow workshop is a stand-in for american christianity and possibly god’ metaphor in there somewhere) BUT they are also supposed to represent wedding rings too, to show yet again how playfellow likely wants them to be a couple — and not in the “a couple of bestiesss(๑>◡0)~☆” way they’d like to be
I think that’s all????? not really much else I can say here. background is black + slightly red for that whrp undersite feel and the on-model puppets are drawn in white to contrast with the primarily black background but also because they’re technically Julie & Frank’s straightsonas & black+white=straight pride flag. ok bye
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