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#there was a death in the family (I didn't know the person well but it affected my parents/grandparents/uncles a lot)
jinuaei · 19 hours
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I can offer you an idea of ​​yandere alastor.. What would it be like if alastor as a child knew the reader... Like I imagine alastor as a child not knowing how to act properly like a human, and the reader as a good best friend helping him seems more human (and not because the child reader is scared of him) ... Actually, what would happen?
Wrote this instead of working on my finals hope you enjoyed it!
Yandere! Alastor x Childhood friend! Reader
Warning: Animal death, blood, its YANDERE
WC: ~1.5k
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Charlie dragged the whole hotel for another ‘trust’ session, this time, she had the great idea for the sinners to share stories from when they were alive. Granted, some of them were eager to share, namely Nifty and Angel Dust, Husk would share some here or there, although it's mostly due to Charlie and Angel pushing him to. Alastor on the other hand kept quiet during the whole ordeal, until the topic of childhood friends came up.
“I had a childhood friend once, such a sweetheart. Wouldn't leave me alone to play with others!,” Alastor let the statement linger in the air, casually sipping on his coffee. 
The other members of the Hotel look aat him with mouths agape, shocked and surprised at the fact that THE Alastor, Radio Demon, Dealmaker, HAD FRIENDS? Moreover, a childhood friend?? Someone stayed friends with him since they were children???
“Don't look at me like I am incapable of having proper friendships, and no, you cannot ask them about me as a child because they're simply not a sinner! Oh imagine my disappointment when I didn't find them down here,” his eyes glazed over in slight rage as he thought about how you weren't here.
Very disappointing that I will never be able to hold my beloved again. What I would do to be able to chain them to my side once more…
“Well don't leave us hangin’, whose this sweetheart of you’s?,” the white spider interjected.
He tells them your name, sighing dreamily as he starts to reminisce about the times you were together when you were children.
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You were the child of one of his momma's clients, a bubbly little thing, always eager to play with him regardless of how cold he is to you. 
His momma was your family's personal tailor, and by God were you a spoiled little thing. Every week you would ask for 2-3 outfits to be created for you, although it looked more like costumes than everyday wear but he doesn't complain, as long as your family treated him and his momma with respect.
Nonetheless, he refuses to be close to you, considering you as a bother, but of course, he would never admit that to you, lest he wants his momma to get in trouble. 
He hasn't always looked forward to when his momma brings him to your house, namely due to you clinging to him every time you meet. There's one thing in your mansion that he’s quite fond of though, once he manages to escape from your grasp, he sneaks into the woods behind your house, gazing at all the wildlife roaming around your property.
One time, he found an injured bird crying close to him, it tried to get away from him but he eventually caught it in a tight grip, it chirped and cried but Alastor just gripped tighter and tighter until, pop! 
Blood trailed down his hands and onto the forest floor below, unbeknownst to him, he had a huge grin on his face, too pleased with the mutilation of the poor bird. A gasp resonates behind him and he quickly drops the bird, face stilling at the fact that he got caught.
When he turned his body to you, your eyes were full of tears staring at his hands that he didn't bother to hide. He prepared himself to hunt you down to make sure you wouldn't tattle on his momma but your next words made him stop in place.
“Are you okay???” you rushed to his side, pulling out a handkerchief and started to wipe off the blood coating his stained hand.
In response, the child looked at you aghast, stupefied at the concern you were showing, marking yourself vulnerable to the predator towering over your much shorter build. He could kill you if he could, he can lie and tell your parents that a bear found both of you and killed you, that he tried to save you but was unable to. But then again… as you fret over him, a thought passes through his mind. 
You are too kind for your own good, just like momma. Don't worry I’ll protect you.
Alastor raises the now somewhat clean hand, and he notes how you didn't even flinch at it, and just looked at him with your wide, innocent eyes. The hand lowers to pat you on the head, ruffling your hair a little bit.
“I am fine, I tried to save a bird but it was too hurt to be saved,” he shows off the bird, face devoid of any emotions.
You frowned at it and suddenly went on your knees and started digging a grave with your hands.
Alastor furrowed his eyebrows and questioned what you were doing, you responded with, “I’m digging a grave for the birdie, I don't want them to die without a proper burial.”
The boy helped you after a few moments of silence. Once you were done, you clasped your hands together, covered in dirt and blood,  silently looking at him to do the same. Look at you, as a child of a rich man you shouldn't be on your knees covering yourself in filth, but perhaps he should indulge his angel for a little bit. 
As you started praying he couldn't help but let the bitterness consume his mind. God wouldn't care about frivolous things like this, prayers do nothing, if it did, how come he and his momma are still at the mercy of that monster of a man he calls his father?
“Amen.”
You offer your filthy hand to him, gazing at him with a smile that could rival the sun. Perhaps the only good thing that God has done, is sending down an angel for him to play with.
“You should smile more, you look very pretty,” he raises an eyebrow at that, startled by your bluntness. Admittedly, he can feel himself flush at your compliment.
“Do you like it when I smile?” he hums, taking your hand. Both of you started to walk back to your manor.
“I do! Mommy always said ‘you’re never fully dressed without a smile’ and that's why I always smile!”
“Then I'll smile a lot for you,” he tried to smile, but it looked more like a grimace.
“You're doing it wrong! It's like this,” you show off your smile, toothy and wide.
He tries again and ultimately fails, you pout at him cutely when he failed, and he couldn't help but smile, genuinely smile at that. In response you shout out ‘like that!’, and start vibrating in excitement that you managed to make him smile.
It was almost nightfall when you eventually managed to get home safely, albeit covered in dirt and grime. What greeted you both were your father, stressed beyond belief, and his mother, on the verge of tears. They both rushed to you guys and hugged the both of you, fretting and scolding at how worried they are, they asked you and Alastor what happened and you, being the loudmouth you are, told them the story that you know.
Both adults are relieved to hear that you both are safe, they rushed you to clean yourselves up. Ever since then, Alastor has been looking forward to every visit they had to your house. And every single visit has been a learning moment for him, day by day he learns what you like and what you don't like. 
You like gentlemen? The next time you meet, he offers you his arm to hold. Do you like poetry? He memorizes your favourite poems to recite whenever you're bored. Do you like food and cooking? He begs his momma to teach him her infamous Jambalaya and other comfort foods to cook for you.
Alastor molded himself to become your ideal man, the most perfect gentleman that ever existed in your life. But then…
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“Then what...? But then what??” Angel exclaimed when Alastor trailed off with a cliffhanger. Everyone leaned towards him, captivated by the story he shared. He smiles cryptically, but still doesn't respond.
“Oh well, it seems like it's almost supper time, I should work on it, wouldn't want to be late for dinner hmm?”
Everyone collectively groaned at the cliffhanger, they wanted to know what happened after, but they couldn't complain much lest they want to be part of Alastor's radio broadcast.
Alastor turns away from them, humming to himself as he walks towards where the kitchen is.
But then you had to die as a saint. You had to marry that disgusting excuse of a man you called your husband, and now he killed you. My beloved, was I not enough? Was I not perfect for you? You would have been safe if you were with me… Don't worry, I made sure that ‘husband’ of yours regretted ever hurting you. May this be an offering to my angel.
A haunting scream pierces through hell, amplified by the speakers scattered around the pride ring.
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buckttommy · 2 days
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I have an idea for a full-season Eddie arc that I want to put into the universe. tim, feel free to plagiarize me yet again (but this time. i want a dm. i know you're around here somewhere come say hi). So. Anyways. Season 8
8x1: Eddie has broken up with Marisol. By the time this episode rolls around, they've already been broken up for a couple weeks/months. As mentioned in 7x5, he's struggling with the idea of Catholic guilt, struggling with the idea of faith in general. He mentions, in casual conversation, to Buck, Chim or Tommy (who is still with Buck on screen *coughs loudly*) that he's thinking about going down to Texas for a while. His grandmother is the most religious person he knows and he's always found comfort being in her space and soaking in her presence, so he wants to talk to her about his feelings. Whoever he's talking to agrees that's a good idea.
8x2 - 8x7: A couple episodes pass with the idea of Eddie taking some time off in the background of the audience's mind. Nothing major, just little throw away lines about getting the truck tuned up before he makes a big road trip, paying bills before he leaves, things like that.
8x8: The 118 responds to a call of a fire in a church. Two people are getting married and their families are in attendance. Eddie doesn't go inside the church but he fights the fire from outside and helps treat the injured. Almost everyone is pulled out safely but the mother of the bride. Her daughter is crying because she and her mother aren't on good terms and she doesn't want it to be too late for them to patch things up. Eddie and the bride get to talking, and the bride mentions she always felt like she wasn't enough for mom, that she found it impossible to live up to her standards. They had an argument before the fire broke out because the bride realized, on-screen, that she didn't actually want to marry the man she was going to marry because she was in love with someone else (that's what started the fire, her making that announcement caused someone to pass out, and blah blah blah). But she was only marrying this man because her mom thought he would be good for her, and the brides makes a comment about always feeling like she was living her life for someone else, in service of a standard she could never reach. Eddie, of course, can relate. The bride's mother passes away and, it's a tragedy and is treated as such, but at the end of the episode during the voiceover (*coughs louder*), we see the bride reuniting with the person she's actually in love with because her mother's death means she's free from having to try to, like, be perfect.
8x10: Eddie's been getting a call from his dad all throughout the episode but he's been ignoring it because [shenanigans]. This is a light-hearted episode and the tone will be important because when he finally answers the phone during the last five minutes of the episode, he's like "Dad, come on, jesus, what is it" and his dad tells him that his grandmother has passed away.
8x11: Midseason premiere, the episode begins with Isabel's funeral, mainly because I want to see Eddie/Ryan in a nice tailored black suit (timothy, i'm sure you can relate). Anyway, the funeral is outside because it's important Eddie doesn't go inside a church yet. When it's finished, he goes back to the reception at Isabel's house. His sisters are there, everyone is there. He offers to help his mother in the kitchen and she tries to make conversation, but Helena Diaz has never actually learned how to relate to her son, so she says the wrong thing. It doesn't go well (but that's something to be circled back to in another season). Eddie looks at the pictures on his grandma's wall / mantle / whatever and sees himself and his sisters and his cousins when they were kids, smiling big at church christenings or whatever, and he's like... "I don't recognize this kid who was so happy to be inside of religion. I didn't know who I was then, and I definitely don't know who I am now because of it". He doesn't say it, but that's the vibe ofc, and Ryan's face is expressive enough that he can pull that off.
8x12: He's back in LA. Everyone is treating him with the utmost care because they are good people and they love him, and one evening, Eddie gets a visitor. He opens the door and it's his sister. (one of them lives in LA, remember?). In my head, that's always been Sophia, so he asks what she's doing here, and she holds up a bottle of wine. They sit on the sofa, they talk and reminisce about their grandmother, make apologies for the fact that they haven't been around for each other much despite living in the same city (but this isn't Eddie's family issues storyline, this is the Catholic guilt storyline. We will circle back to this in S9). So Eddie pitches the idea of faith to her, and asks what it means to her. It's the same question he wanted to ask his grandmother. Sophia says she has faith in the universe, faith that things always happen the way they're meant to, and it's a good answer but it doesn't speak to the core of Eddie's problem, which is that he always feels beholden to something he can't name/place.
8x14: Eddie continues to ask the people around him (Buck, Athena, Tommy, Chim) about faith and what it means to them. They all give him different answers. Athena has faith in purpose. Chim has faith in his family. Buck has faith in the inherent good of humanity. Tommy has faith in himself. It's not very helpful in the sense that no one gives him his answer, but it does reveal to him that faith can, does, and should exist absent of guilt, that maybe he's been doing it (or was taught) all wrong.
8x15: Insert an embarrassingly on the nose call about a kind, nerdy, reserved man who's lived by an unspoken rulebook all his life. He came out to Los Angeles on a whim and suffers from a hiking mishap where he's physically blinded by [something] and subsequently needs to trust that the 118, these people he literally cannot see, will save him. When they pull him to safety, he berates himself for even coming out to Los Angeles in the first place because he's not the kind of guy who does this, he just wanted to do something for him and now he feels stupid. And Eddie (because of course it's Eddie) is just like "no, you didn't do anything wrong. Look, you took a leap of faith (episode title btw). That's more than what most people can say. Maybe it didn't work out in this instance, but who knows how it'll work out tomorrow, or the next day. You don't know the future. None of us do, so maybe stop trying to live according to some giant colossal plan and just... live, and try your best. Isn't that all we can do?" And he watches the guy get airlifted away (thanks Tommy! *coughs even louder*) and it's like his lightbulb moment, like, oh. Yeah. He finally gets it.
8x16: Eddie walks into a church for the first time in years, and for the first time all season. It looks exactly how he remembers; wooden pews, high ceilings, the works. He takes a seat on one of the benches and prays / talks aloud to God and is just like, "I don't really know who you are and I don't know how to be what you want me to be. All my life I've been trying to be what everyone wants me to be to the point where I just don't even know who I am anymore, if I ever knew. So I don't know who you are, but I know I am who you made me to be, and I don't know who that is, but I know that person is enough for me right now. And maybe I'll figure you out along the way, maybe I won't. But, right now, what I know is that i can't be your perfect son because I can't be perfect at all, and I need to let go of the idea that I can and start living my life for me." So he walks out of the church and not much changes, but everything changes. You know?
And, like, obviously the story would need to be flushed out a little more. Obviously, this story centers more of the idea of faith than the idea of explicit guilt, but they're one in the same anyway because you can't have guilt without failed/presumably "failed" expectations. In this case, religious or spiritual expectation. So. I don't know. But there's just something so sexy about the idea of Eddie systematically and intentionally dismantling and releasing himself from all the things that have kept him from growing over the years. Starting with his survivors guilt in S5 and working his way through Catholic guilt in S8, I just love the idea of Eddie being purposeful in his own healing, especially in this post-breakdown era. Plus it'll give him a chance to have a storyline that's not romance-focused cos we've been leaning a bit too heavily into those. 🙃 But anyways. (Next up is his issues with Helena. btw. because we have yet to circle back to his family issues in canon but we certainly need to).
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raisedbythetv89 · 1 day
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joss's sick obsession with not just causing pain and suffering - but punishment and humiliation to his "pretty popular girl" archetype characters aka Buffy and Cordelia and his favoritism of the most horrible mediocre white men aka riley, xander, and angel is never more apparent than in Into the Woods
The writers opted not for the FANTASTIC call back to season 1 with owen and Never Kill a Boy on the First Date when Buffy says "two days in my world and owen really would get himself killed…. or I'd get him killed… or someone else...."
which set them up perfectly for the road map of Buffy's attempt at a "normal" relationship that angel, her mother, and the scoobies keep trying to push her to have (when she's not normal herself so of course it's gonna be a disaster which is soooooo trying to force a queer person to be straight coded which is why spuffy is inherently queer on top of them both being canonically bisexual because Buffy embracing her love of Spike is embracing her inherent queerness)
But could you IMAGINE how amazing it would have been for season 1 to have foreshadowed riley being turned at the suck house (because literally all that evil in Sunnydale and NO ONE takes the opportunity to turn the slayer's boyfriend into the perfect secret weapon to take her and her whole family out??? PLEASE)
Then vamp riley almost killing Dawn and her mother (because Dawn would be the one tricked into inviting him in as a call back to Dawn accidentally inviting Harmony in and Buffy saying she's gonna get us all killed plus angel tricking his little sister into inviting him in once he was turned)
Buffy is forced to kill him after pleading with him to remember he loves her or any part of who he was (which would further show how exceptional Spike's ability to form a truce with Buffy, keep it, and fall in love with her all without a soul is)
Making riley her second (third if we count ford being left for dead and then having to dust him) turned evil boyfriend she's forced to kill.
Buffy would still be DEVASTATED and it's Buffy so she'd still punish and blame herself even though it'd be all riley's fault (demonstrating how this storyline would still cause immense pain for Buffy and be very high stakes drama for the plot but again joss elected for humiliation having Buffy literally chase after the man who was cheating on her with vampires while she was dealing with a sick mother and a hell god after her sister. Favoring a white man's character over the best plot line)
All while also further setting up her and Spike's relationship because of the "if that's what I wanted I'd be dating Spike" of it all which was her basically saying if I didn't want normal, Spike would be who I'd choose and now she's tried to be normal and he got killed, almost killed her family and then she had to kill him just like season 1 Buffy knew would happen when she broke things off with owen!!
AND the poetic irony of her trying to be “normal” and it ends with the exact same result?? The lesson being that rejecting who you are is not the answer and the only true answer is self acceptance because pain will happen no matter what so might as well love and embrace yourself ???
BUT NOOOOOOO the writers aka joss opted for riley's narrative to be that he's a hero and a good guy always, no matter what because joss has a big fat crush on marc and guys like him, angel and oz all get written off by treating women like shit without being villainized for it at all and then leaving. Getting to go on to live rich and fulfilling lives while Kendra, Tara, Cordy, and Anya are all violently killed off with barely any time spent grieving their deaths by more than one character..... (I haven't ever been able to finish ats so I don't know how much this applies to cordy's but my guess is the pattern didn't change much)
THEY EVEN LOOK THE SAME FOR CHRIST’S SAKE IT WRITES ITSELF
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cenorii · 2 days
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Chris Redfield: personality
This is my psychological analysis of the character, which includes important details of the story, an analysis of the decisions they made and the concept of the phenomenon of «Guiding Fear». Contains spoilers!
Even if you know lore 100%, you will be able to learn something new from my thoughts
I did this to practice analyzing personalities and reliably prescribe my own characters.
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[These are all my personal reflections that I have been accumulating and analyzing for six months. You can see the same analysis with Wesker here. In Chris' case, I want to dispel the myths that he is unstable and stupid. Thanks to everyone who reads this, I really appreciate it and it's nice to know that my thoughts are of interest to someone!]
Chris devoted his life entirely to the fight against bioterrorism, renouncing normal life so that others could have it. We don't know much about his thoughts and feelings, as it's in Chris' character to hide such things deep within himself so they don't interfere with his work, but his kind and honest nature shines through. His probable motto is «If not me, then who?»
The main theme of Resident Evil is the struggle with fear. We can speculate endlessly about which characters struggle with which fear, but I'm pretty sure Chris embodies the «fear of loss».
In his 48 years of life, he has lost many partners and squad members, as well as family and friends. Death follows Chris, and he is unbearably afraid of his curse. But who is Chris? In the eyes of many he is a hero, famous for his impulsive character and unbending sense of justice, because of which he is ready to argue with his superiors to prove his point. But behind the legend is a sensitive, respectful and careful man, able to recognize the best qualities in people and guide them.
«I'm not a hero» © Chris
Because of his fear of losing his loved ones, Chris needs control and order in his life, he avoids and minimizes any risks. For this reason, in re8 organized his own squad, separated from the organization, to have full control over the situation. This obsession to control his environment and outcomes to avoid the pain or disappointment that he has experienced in the past is a defense mechanism.
Chris is not an overly sociable person or someone who is eager to make new friends. Although he is easy to communicate, Chris still refrains from frequent socializing with people to avoid forming attachments that could potentially lead to losses in the future. He is used to formal communication between subordinates and colleagues, and informal communication only with those close to Chris who have been with him for a long time.
But let's go his way.
Chris and his younger sister Claire lost their parents when they were children, they died in a car accident. Since then, Chris has taken responsibility for his sister and they have become very close. The first major loss in his life.
At the age of 17, Chris joined the United States Air Force, where he stayed for 6 years. From there he has flying skills, and he is also good with various weapons and is known for his hand-to-hand combat skills, which will not once help him in life. A capable man who was fired for disobeying senior officers, because he didn't agree with them. Barry Burton, a friend he met in the Air Force, recommended Chris to S.T.A.R.S. (elite special forces division under the jurisdiction of the Raccoon Police Department), and that's how his fateful meeting with the Alpha and Bravo teams happened. On the team, Chris was valued for his versatility and was assigned as a point man.
There Chris won at least one award as the best shooter and also met Jill Valentine, who later became his good friend and partner.
His desk in S.T.A.R.S.'s office stands out with its perpetual clutter, scattered folders and disks. He tends to bring things from home, decorating his place with them. For example, next to his desk, Chris put a guitar and also hung a jacket with "Made in Heaven" written on it, which is a reference to a song by the band Queen. Did he risk using the guitar in the presence of the Captain?
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On holidays, he would often go to the suburbs with his teammates to drink, which sometimes caused riots. At that point, Chris was chaotic, but because of a difficult fate in the future, he had to tame his inner chaos.
All good things came to an end when contact was lost with Bravo's team in the mountains near Raccoon City. Alpha, meaning the team Chris was on, went to investigate and stumbled upon the Spencer's Mansion. But it wasn't an accident, it was just part of the plan of Wesker, their Captain. The mansion was only a cover for the Umbrella lab beneath it. All the inhabitants of the place had become mere shadows of their former selves, turning into zombies. In order for Chris to explore the building more safely, Wesker left supplies for him in some places, which may not be canon, but only a game convention. But this is quite normal for Wesker, he maintained the image of the captain until the very end.
When Chris caught Wesker off guard in the lab, he was finally convinced that his fears were correct... the captain was a traitor. But even knowing that, realizing how many squad members he ruined, when Wesker was mortally wounded Chris didn't hide his excitement for him. In the re1 remake Chris twitches in his direction, but then recoils. Chris has compassion even for those who betrayed him.
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Chris lost many friends, including Wesker, during this assignment. And that day left a strong imprint in his mind. It was later dubbed «Mansion Incident». Something that divided the lives of many into «before» and «after» and began an endless nightmare.
Chris, Jill, Barry, Brad and Rebecca survived and took it upon themselves to figure things out. Upon their return, Chris reported the horrific incident to anyone who was willing to listen, but Police Chief Irons hushed up all the gossip, being under the thumb of Umbrella, not to mention that even the government refused to listen to what Chris had to say. Umbrella had too much influence for it to be that simple, but that only fueled the fire of Chris's fighting spirit. He went on «vacation» to Europe to do his own investigation without saying anything to Claire. Chris wanted to keep his sister out of danger, but there were consequences. Concerned about her brother's disappearance, Claire found herself drawn into the chaos of the fall of Raccoon City, where she met Leon Kennedy (events re2).
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During his time at S.T.A.R.S., Chris saw his sister often and taught her shooting and combat skills. Thanks to her brother's attention, Claire learned the skills she needed to survive.
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When Claire learned enough information about her brother and left the infected city, she traveled to Europe to continue her search for Chris, but found herself caught by Umbrella. She was sent to Rockfort Island prison, which was more like a concentration camp. (Code: Veronica). Thanks to information from Leon, who Claire managed to contact, Chris set out to help his sister. On the island, he encountered a few revelations - Wesker was alive for some reason, and he was also after some Alexia.
The former captain who got Chris's friends killed. The one who was presumed dead has once again cast a shadow over Redfield's life. Their fates intertwined.
Since Wesker's presence has been causing disasters as of late, Chris decided not only to find his sister, but also to investigate the situation on the island to prevent his new enemy from giving him what he was looking for. Upon meeting him, he discovered that the former captain was no longer human. Chris was only able to defeat him by stealth, suffering greatly in the process.
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He eventually saved Claire, and they left the place together. Deep in his heart, Chris realized that Umbrella must cease to exist so that people like Wesker would disappear. So that unfortunate people would not repeat the fate of Steve (Claire's dead friend) and the people of Raccoon City.
In 2003, he traveled with Jill to Russia because of reports of infected people in that region. Their visit to a biological weapons factory ended with a victory over a new enemy, T-A.L.O.S., as well as the collapse of Umbrella, because now Chris and Jill had all the evidence against them. It was not without the help of Wesker, who had contributed to this collapse, because he wanted the same thing. Since then, Chris had become very attached to Jill, as if he was responsible for her life.
However, bioweapons and viruses have affected civilians many more times. That's why Chris and his partner joined the young BSAA organization to prevent the disaster in Raccoon City from repeating itself. In 2005 they were drawn into a conflict with the terrorist organization Veltro, in the investigation of which revealed unpleasant information about traitors in their (BSAA) ranks. There, by the way, Chris becomes the partner of a certain Jessica Sherawat, who is clearly partial to him, but he pretends that he does not notice the hints, softly rejecting the feelings of the future traitor. Inside BSAA, the leadership had to be changed, and that was the first seed of doubt that settled in Chris's mind. The first feeling of distrust for the place he was involved with.
Life continues to put Chris on the spot, forcing him to go on various missions with little or no time to rest. Thanks to the huge number of things, he has dedicated himself to, Chris is at the top of the organization. His endless hard work is summed up in his own phrase: «I'm Not Going To Stop Until I'm Dead».
Let's travel back to 2006. DLC for re5 «Lost in Nightmares». Chris and Jill go in search of Spencer, the last remaining bit of Umbrella, its founder. This man is responsible for many things and deserves to be punished, and could help them find Wesker. But when the partners arrive on a tip-off at his mansion, they find only a bloody corpse with their former captain standing over it. The latter in turn was displeased with the intrusion and immediately attacked them, during the fight Chris was caught off guard. A couple of seconds separated him from probable death. But Jill intervened and pushed Wesker through the window, she falling with him into the cliff. Chris could only watch helplessly as they fell, realizing that once again he had lost someone dear to him. Here Chris wonders for the first time if his struggle is worth it.
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Jill's body was never found, and neither was Wesker's, so the former was pronounced dead. The empty grave with the headstone that had been erected in her honor was not deprived of Chris's attention. He probably went there often and grieved. What he swore over Jill's grave was unknown to anyone, but it made Chris investigate even more and put himself through even more training.
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Since 1998, his body has changed a lot. Knowing that one day he would meet Wesker again, Chris diligently grew stronger, pushing his body to the limits of human capability so that he would be ready for anything.
What follows are the events of re5. In 2009, he travels to Africa to stop a bioweapons deal, where he meets his new partner, Sheva Alomar. Although they don't have the reliving of the past that they had with Jill, they hit it off well, thanks to which they accomplish a lot together. At the very beginning they encounter a new enemy, Majini, the same Ganados that Leon once encountered in re4, only from an improved version of the Plaga parasite. They also meet a virtually immortal mutant created thanks to the new Uroboros virus. After defeating him, Chris gets the data and learns that the deal was rigged to test this virus. In doing so, he lost several more of his men and painfully realized that if he had arrived on the scene a little earlier, his corpse lay with them. The data also contained a picture of a woman who looked strangely like the dead Jill, but with blonde hair. Chris secretly believed that maybe his old partner was alive.
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Sheva was disappointed by the deaths of her comrades and frightened. Not wanting to put anyone else in danger, Chris asks her to leave him, but Sheva refuses. She assures Chris that they are partners until the end. Somewhere out there, her people are dying, so she can't drop everything and turn back and leave Chris alone. Then Chris tells her that he's on this mission for personal reasons. His former partner Jill may be alive and she needs his help, so they need to hurry before it's too late. To which Sheva agrees, not doubting her new partner's theory.
Eventually, after going through many trials, they came face to face with Wesker. He revealed that Jill had been with him the whole time, but was under a mind-altering drug. Jill, being zombified, fought on the same team as Wesker against Chris and Sheva. One of the dearest people to Chris had been enslaved for two whole years, which was beyond his mind with horror and sadness. He had almost buried her, almost given up looking for her, but Jill was literally under his nose, in a terrible situation. Struggling with his best friend and partner, Chris never stopped trying to get the truth into her head so she would recognize it, and he's succeeding.
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Running away on urgent business, Wesker leaves Jill alone, forcing Chris and Sheva to fight her. During the fight, they remove the injector from her chest that was controlling her mind.
A disoriented Jill repents that she realized everything but couldn't control herself, to which her partners reply that they understand. Jill is back in action and off to the «Desperate Escape» DLC, while Chris and Sheva continue the main plot and head off on Wesker's trail. For Chris, this was already a personal vendetta. Having suffered so much loss through this man's fault, he would no longer be able to look Jill in the eye if he didn't stop him.
While searching for Wesker, the team encounters an Uroboros mutated Excella, Wesker's his ally, on whom Wesker decides to test the virus, to see if Excella will prove to be the «chosen one».
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After an exhausting battle, the partners find the man they came for and decide to use the serum stolen from Excella. It is an injection that, under the right conditions, stabilizes Wesker's powers, but when overdosed makes him weaker. A weakened Wesker tries to flee to his plane, refusing to be confronted any further. His partners, who managed to climb with him, cause the plane to crash into an active volcano, where their final battle takes place.
Wesker, having lost most of his powers, finds himself in a difficult situation and decides to resort to overdosing on Uroboros. Against him, Chris and Sheva are once again at odds, but the fragile rock in the volcano plays into their hands, and Wesker falls ridiculously into the lava as the ground beneath him collapses.
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This allowed partners to take advantage of his helplessness and fire the rocket launcher twice at the target. Although not shown, it is assumed that Wesker was killed.
After that, Chris finally realized what he was fighting for, realizing that his fight was worth the lives saved. Jill was sent to rehab after everything Wesker had done to her and didn't get back to normal until closer to 2015, causing Chris to change partners again. Chris wrote in his notes, «Defeating Wesker's undoubtedly a turning point for me. Due to this battle, I found the meaning behind what I'm fighting for».
In 2012, during the events of re6, Chris and his new partner, Piers Nivans, were sent to Edonia to prevent the spread of another bioweapon, but things didn't go quite as they expected. Another mission, another loss for Redfield.
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At some point, he learns about Jake Muller and the fact that his life is in danger. After learning that he was Wesker's own son, Chris thought deep down, probably about the fate that has been intertwined with this man since the days of S.T.A.R.S.
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At the very beginning of the mission, Chris loses almost his entire squad, once again convinced of the curse he carries behind him. And amnesia during the trauma incapacitates him for six months and Chris becomes an alcoholic.
In 2013, Pierce brings his captain back into the service, forcefully reclaiming unpleasant memories in order to continue the mission. The losses that Chris has suffered have affected him greatly, and he worries for the lives of every member of the squad, making foolish and rash actions that put him in danger. It is only after talking with Piers that Chris comes to his senses and becomes his old self again, because being gripped by fear you can't save anyone. And he really couldn't save anyone again, only the two of them survived.
After meeting Jake again, Chris confesses that he killed Wesker, his father, which leads to an argument in which Jake pulls a gun on him. Chris at this point says, "Go ahead, shoot. You have every right to. Just promise me you'll survive. The world depends on it." Jake shoots past and declares that there are more important things at stake than their problems. Chris probably feels guilty about him.
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On a mission to protect Jake and many others, Chris and Piers have to face a new bioweapon, HAOS. Piers, sacrificing himself, becomes infected with the C-virus and forces Chris to save himself by being alone with HAOS. In doing so, he became another wound on Redfield's heart. Another loss on the account. Chris had planned to retire, lay down his weapons and turn everything over to Piers, but now he is forced to continue his service, thus honoring Piers's memory. Chris once said he would fight to the end, and he doesn't throw words to the wind.
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2017, re7 events. Bakers and Mold incident, which Chris was unlucky enough to be involved in. He once again tragically lost all of his people. Once again, fate has struck a sore spot. And that seed of doubt that had settled in his mind back in 2005 finally blossomed. After this incident, Chris became even more distrustful of the BSAA, because they had hidden the incident from the public, which had never happened before. He formed his own Hound Wolf Squad, gathering people he could trust, and spent the next three years tracking down a certain mother Miranda, with absolutely no authorization from headquarters. He became an outcast in BSAA for this cause and for justice.
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As Chris got older, he stopped acting impulsively and began to act more uncompromisingly, clearly following the plan regardless of any interference. He saw no obvious reason why he was obligated to inform Ethan of his next course of action before shooting his «wife» during dinner in 2021. He believed that Miranda would realize that Ethan knew something, so such sacrifices had to be made.
Ethan thought until the last minute that his wife was gone and the baby had been taken away. What loss and stress Ethan went through Chris didn't even take it upon himself to imagine. In the end, it turned out that it wasn't his wife at all, but Miranda, who had pretended to be her, changing her appearance at the expense of Mold's abilities. Chris's plan had gone awry from the start, but it could hardly have been worse if he had prematurely informed Ethan. From now on, Chris tried to keep random people out of his plans to minimize any potential casualties.
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On this mission, for the first time, Chris didn't lose anyone from his squad, but he did lose a friend. Ethan died to protect loved ones, and it hit Redfield and his fear once again. He experienced grief and anger at the realization that he would never be able to save those whose lives he held dear. Perhaps he chastised himself for the mistakes he had made during this assignment. Blamed himself for not telling Ethan the whole plan beforehand. He had plenty of reasons to hate himself.
But this small victory over Miranda doesn't mean victory in the never-ending war against bioterrorism. On the way back, one of his squad discovers that the body of the BSAA soldier on their plane was a bioweapon. This is the last straw for Chris, and he decides to look into everything, which will most likely lead to a coup in the organization.
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To summarize, Chris is sometimes hard to understand, as he hides his emotions and feelings under a meaningful silence. The kindly man who was the soul of the company, by 2021 looks as if he has lost all hope, but it still burns in him. Every dead person he failed to keep safe feels like they destroyed his heart. Christopher is a huge wound in the fandom that is not easy to heal. His storyline is likely coming to an end, which makes me sad to see Chris meet his old age in sadness and loneliness. At the time of re8 (2021), he's already 48 years old, which is a lot considering he's been fighting bioterrorism since he was 25. Has Chris ever thought of his own wants and needs since then? He has such dedication and concern for others that it seems as if he is completely oblivious to himself. With his endless responsibilities, it would be impossible to take a vacation, but there are indeed moments of calm, does Chris never rest?
On a more personal note, he has always treated his squads like family, "I know it is not any of my business, but I want you to think of us as a family... no matter how this all ends" (Philosophy University Incident 2010). Nothing is known about Chris' relationships, except for one non-canonical instance of dating a girl in «Viral Campaign». Apart from his living friends, he has no one else. It wasn't until Ethan's death that he found something resembling a normal life. Chris helped Ethan's wife raise and educate their daughter Rose, becoming an uncle and father figure to her. It is unknown if Chris ever returned to alcoholism after his amnesia, but I can assume it is unlikely. A lot of things happened to him during that period of his life that affected his view of the world. Surely he no longer allows himself to behave so recklessly, even in the most stalemate situation.
Interesting detail, Chris is constantly contrasted with Wesker, as if he's a better version of him. Both were Alpha squad captains, both have blood type 0, and were once the same weight class and same height. Probably the same eye color, as well as great weapons proficiency. Their encounters in re5 don't look like a fight, it's more like a dance between two people with equally good fighting skills. Sure, Wesker is much stronger than Chris due to his situation with the virus, but he never let himself use more strength than necessary to keep Chris fighting him, prolonging any fight with him. It's possible that Wesker's attempt to kill Chris in «Lost in Nightmares» is just a ruse, and he was going to toss him aside somewhere, as he never seriously intended to hurt him enough. Chris' age at the time of his last official appearance in re8 is 48, which matches Wesker's age at the time of his supposed death. Their conflict isn't over yet, so it's fully expected that Wesker survived and will once again surprise Christopher with his presence. They need to finish what they started, as adults and having already been through a lot. Without the pointless fights that the current Chris is unlikely to get into. There's no telling what the modern Wesker might be like, but if he's stayed in the shadows for so many years, it's not like he's planning to be too reckless either.
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Due to a misunderstanding, I would like to supplement my text. This analysis is only my personal interpretation and my personal view of the character and his story. I do not claim that it is 100% canon, because canon is so vague and disjointed that it is impossible to fully assemble it objectively. Everyone is entitled to have an interpretation different from mine. Best wishes to all!
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seaside-stories · 3 days
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HaKodesh Kadosh (Take me to Shul)
nsfw, religious imagery, ~1500 words
It was his brother’s bar mitzvah. His mother was absolutely livid when we walked in a half hour after shacharit had already started. She couldn’t chew us out since she was sitting at the front of the room, closest to the bimah, so she settled on giving us death stares. We both grabbed siddurs and he grabbed a kippah before we both went our separate ways, on opposite sides of the mechitza.
It didn't really matter to me which side of the mechitza I sat on, but I chose the women’s side that day to try to allay his mother’s fears of us disrupting the service after the transgression of coming in late.
I picked a seat all the way in the back. It wasn’t that I didn’t want to show support for the bar mitzvah boy and his family, it’s just that sometimes the rabbi can go on for a long time, and I want to be able to pull out my book without judgment.
Today, though, I was feeling rather spiritual. I abandoned my book in the siddur holder attached to the back of the seats in front of me and stood with the congregation. I said kaddish with them and sang along as they took the torah out of the aron and paraded it around the sanctuary. They even brought it all the way to where I was sitting so I could plant a little kiss on it.
I kept my eye on the person carrying the torah as they took it up to the bimah. They started to undress it, removing the cloth cover, velcro band, and adornments that kept it safe while it sat in the aron, waiting to be used.
“I wish that could be us,” said a voice from the other side of the mechitza. I didn’t have to pull the curtain aside to know that it was him.
“Are you serious? Right now?” I hissed. If it was any other situation I’d be inclined to humor him. But this felt a little sacrilegious. 
“Oh come on, I know you’re thinking it too. Plus, he’ll become a man whether I’m here or not, we may as well have a little fun while we’re here.”
I said a silent prayer for forgiveness and reminded myself that sex is technically a mitzvah.
I closed my siddur, put it in the holder attached to the seat in front of me, and slipped my hand behind the mechitza. His hand met mine and he interlocked our fingers. He brushed his thumb over the back of my hand for a minute, testing the waters.
I heard the sound of fabric against drywall in addition to the feeling of his weight shifting. I realized he’d moved from his seat to the floor and I followed suit. As soon as I got comfortable he got bolder. He moved our hands from his side to my side, and he rested them on my thigh.
He unclasped our hands and placed his palm on my leg. He didn’t stop the rubbing of his thumb, moving it from the back of my hand to my inner thigh. They had finished undressing the torah by now and had already called up some family member for the first aliyah.
As the bracha was read, his hand climbed higher and higher until it rested just before my most sensitive spot. I let out a shaky breath before placing my hand over his, guiding it onward.
“Amein,” the crowd sang out, and he sang it with them as he expertly slipped his hand under my clothes. I stifled a gasp as he ran his fingers through my pubic hair. I peered behind the mechitza and saw him looking dead ahead. He was playing the part of the perfect older brother, the good Jewish boy. But for a moment, he glanced over at me and flashed a sultry grin. I prayed the sound of crinkling candy wrappers would mask whatever noises I made.
After a few minutes he got bolder, moving his fingers so that they brushed against my sex. He worked them back and forth, with varying pressure, knowing just how to push my buttons and make me groan. He kept going, through the second and third aliyah, at a lazy pace, ignoring my hushed requests for him to speed up.
Then, all of a sudden, he stopped. I looked over and he got up almost mechanically, taking out a travel pack of kleenex and wiping his hands on it. I watched as he walked up to the bimah and put on a tallit. I mentally smacked myself. Of course he was reading from the torah. He’s the bar mitzvah boy’s brother. I saw him adjust his kippah and take the yad in his hand. Some people I didn’t recognize stood beside him and said the bracha, and then he began to read.
I tried to follow along in a chumash, but I couldn’t. I was still so distracted by his touch. I could feel the pulsing arousal in my core and I couldn’t ignore it. Eventually I worked up the courage to bring myself to the front of the sanctuary; to sit next to the bimah. I brought my chumash with me and I sat myself down right near where he was standing. He couldn’t see me yet, he was too focused on reading, but when he was done, he looked around and caught my eye. He came around to the right side of the table where the torah was being held, holding my gaze the entire time. I wondered if he was going to bend down and say something to me, when I noticed his hands were moving. He gestured to me, then to him, and then to the aron. I cocked my head at him. He wasn’t seriously suggesting…?
Before I could clarify his attention was taken by the chazzan, who was asking him to recite a bracha. Only two more aliyot before he would be able to sit down with me again.
Or so I thought. I had forgotten that the rabbi enjoyed speaking at length to the celebrating family. He was stuck up there for what felt like a million years. The rabbi droned on and on about community and adulthood and whatnot before finally giving the family a little baggie full of assorted judaica. I caught his eye one last time before he sat down next to his brother. He mouthed something to me, which looked a lot like “meet me behind the aron” before turning to face the front of the room, acting as if nothing had happened.
I sat on my hands all throughout musaf, trying to keep my mind on the prayers instead of where it wanted to go. I forced myself to say the words of the kaddish in earnest and I tried my best to follow along through the recitation of the amidah. But the end of the service couldn’t come fast enough. When the rabbi finally said the bracha over the wine, it took everything in my power to not race up to the bimah.
As calmly as I could, I ascended the small steps and looked around for him. I didn’t see him at first, but then I heard a hiss from behind me.
“Over here!”
I turned around to see a hand poking out from behind the aron. Inconspicuously, I went around the side to find that there was a small crawl space behind the aron that I had never known about, and that he had discovered. He beckoned me inside and I gladly took his invitation.
Neither of us wasted any time on pleasantries. We were both too worked up. He quickly slipped his fingers under my clothes once more and I took this opportunity to finally kiss him. I kissed him long and hard, moaning into his mouth as he worked his magic, flooding my senses with pure arousal.  I bucked my hips, grinding into his hand, and he laughed softly.
“You’re so worked up,” he whispered. “Maybe we should come here every week.”
I didn’t know if the pun had been intended, but even if it wasn’t he sped up his handiwork. I knew I wasn’t going to last much longer, and I tried to warn him. He simply shushed me and enveloped my mouth in another kiss. I continued to muffle breathy moans into his mouth as he pushed me over the edge and helped me through the aftermath.
Afterward I wanted to fall limp, like a puppet whose strings had been cut. I hadn’t realized how much energy I had devoted to this, but now that I had lost it I just wanted to fall asleep. He beckoned me closer and pulled my head onto his lap.
“Don’t worry about falling asleep,” he reassured me. “Everyone’ll be back for seudat shlishit. They won’t even know we’re gone. His words calmed my nerves, and I was able to fall into an easy doze.
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coffeeandcalligraphy · 8 months
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Adorned by stars | Changing States
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When he hits the I-70, Jeremiah slots George Michael’s Faith into his ’98 Accord and drives with the windows down. His mother would chide him for two reasons: a) he’s wasting fuel and b) it’s begun to storm. But he likes the way the wind shears through his hair like a nail breaking drywall and he likes the way spats of rain settle on his skin like constellations because on the road, he isn’t just a hand for someone else to hold, a body to handle, a man who looks at another man and fears how much of himself he’s lost in his reflection. No. On the road he is the sky, adorned by stars of his own making, relentless in his abundance, blinking in the absence of any other light.
A little Changing States aesthetic & excerpt!
i'm so normal about him i'm so normal i'm so normal i'm so-
#i can't wait to explain more about this project when I actually get into it#like there's no plot rn but the vibes are impeccable#BUT I DO HAVE A LOGLINE: after a whirlwind romance devastatingly ends#jeremiah moves back to his hometown in maryland for support#only to receive word there’s been a death in the family the day he's set to arrive.#“WHIRLWIND ROMANCE DEVASTATINGLY ENDS” YEAHHH BYEEE#harrison fucked this man up i'm MADDDDDD#you know that scene in BB where harrison's pissed off at the congregation and turns and goes DO ANY OF YOU WANT PITCHFORKS???#the answer rn should be yes BECAUSE WE'RE HUNTING HIM FOR SPORT (quoting That Post) anyway let me be serious#CW: death/grief talk#like i said this is a little autofiction-y in the sense that last yr my family had a maryland trip planned and right before we left#there was a death in the family (I didn't know the person well but it affected my parents/grandparents/uncles a lot)#so what was a trip to just see family was a trip to go to a funeral#anyway I was thinking about those circumstances and what that's like (like packing funeral clothes when they weren't originally in the plan#and what that funeral was like/how interesting it is that times of grief are also times where family reuintes#as I saw people who wouldn't have ever met me or last met me when I was very little#it was also joyous in ways etc while also being incredibly sad to witness the grief anyway so I was drawn to write about that#because I think about that trip a LOT (I was getting back into SV at the time)#and that was the first time I'd been in MD in a long time (just like this is the first time Jeremiah's been in MD in a long time)#for me it was 4 years so maybe I'll make it a similar timeline for him!#anyway Jeremiah means so much to me ughhhh I’m so grateful I created him#changing states
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running-in-the-dark · 2 months
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a super fun thing that my brain is really good at is hearing a random fact and remembering it forever. but only if it's bad :)
#the reason I'm thinking about that right now: I wish I had never read that having a crease on your earlobe means you're more likely to have#heart disease.#scared me so much that I read a whole paper about it#but it's been years now so I don't remember the details#just that that's a thing apparently#and guess what my brain does with that information? oh yeah of course I have to obsessively look at the ears of everyone now! does that#do anything helpful? nope! just makes me very very anxious :)#it's just like when I was a kid and I got nightmares about scurvy every time I didn't eat a potato for a week.#like. wow I could be so smart and everything if my brain wasn't constantly focused on random bullshit that is completely irrelevant 😭#also this thing specifically: I've always been weirdly fascinated by ears and this made that a million times worse and also very scary.#like ooh that's a nice ear :) oh no death exists and this person is going to die and#yeah it sucks.#specifically choosing not to mention any names in this context because my god this shit is on my mind all the time already I really don't#need to say it where anyone can see#it's embarrassing enough#though anyone who has looked at my blog in the past month already knows who I'm talking about.#like. I really shouldn't allow myself to like anyone over the age of like. idk 45.#it's so unbelievably exhausting.#but annnyway I'm totally normal and fine :)#oh yeah I also have creases on my earlobes lol so that definitely added to the scariness (and THEN my mother randomly mentioned recently#that EVERYONE on her side of the family had/has heart disease. bitch WHAT the fuck. anyway so yeah guess we know what's gonna kill me#haha isn't that fun :) )#ALSO the fact that my memory is very very bad means that I remember absolutely none of the details about shit like this. so it could very#well be completely irrelevant and harmless but i wouldn't remember that part.#and I think even if I found out more it wouldn't help. it's been an obsession for so long. I've never had one go away that I've had for#this long. so. guess I'm just fucked.#personal
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unhonestlymirror · 2 years
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Maybe it's for the better that I don't remember what I had at home
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autismserenity · 3 months
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know someone who enjoys horror stories? share this one! it's true!
hahahahahahahahahaha aarrggghhhhhhhhhh 3,000,000 deaths due to COVID-19 last year. Globally. Three million. Case rates higher than 90% of the rest of the pandemic. The reason people are still worried about COVID is because it has a way of quietly fucking up your body. And the risk is cumulative.
I'm going to say that again: the risk is cumulative.
It's not just that a lot of people get bad long-term effects from it. One in seven or so? Enough that it's kind of the Russian Roulette of diseases. It's also that the more times you get it, the higher that risk becomes. Like if each time you survived Russian Roulette, the empty chamber was removed from the gun entirely. The worst part is that, psychologically, we have the absolute opposite reaction. If we survive something with no ill effects, we assume it's pretty safe. It is really, really hard to override that sense of, "Ok, well, I got it and now I probably have a lot of immunity and also it wasn't that bad." It is not a respiratory disease. Airborne, yes. Respiratory disease, no: not a cold, not a flu, not RSV.
Like measles (or maybe chickenpox?), it starts with respiratory symptoms. And then it moves to other parts of your body. It seems to target the lungs, the digestive system, the heart, and the brain the most.
It also hits the immune system really hard - a lot of people are suddenly more susceptible to completely unrelated viruses. People get brain fog, migraines, forget things they used to know.
(I really, really hate that it can cross the blood-brain barrier. NOTHING SHOULD EVER CROSS THE BLOOD-BRAIN BARRIER IT IS THERE FOR A REASON.) Anecdotal examples of this shit are horrifying. I've seen people talk about coworkers who've had COVID five or more times, and now their work... just often doesn't make sense? They send emails that say things like, "Sorry, I didn't mean Los Angeles, I meant Los Angeles."
Or they insist they've never heard of some project that they were actually in charge of a year or two before.
Or their work is just kind of falling apart, and they don't seem to be aware of it.
People talk about how they don't want to get the person in trouble, so their team just works around it. Or they describe neighbors and relatives who had COVID repeatedly, were nearly hospitalized, talked about how incredibly sick they felt at the time... and now swear they've only had it once and it wasn't bad, they barely even noticed it.
(As someone who lived with severe dissociation for most of my life, this is a genuinely terrifying idea to me. I've already spent my whole life being like, "but what if I told them that already? but what if I did do that? what if that did happen to me and I just don't remember?") One of its known effects in the brain is to increase impulsivity and risk-taking, which is real fucking convenient honestly. What a fantastic fucking mutation. So happy for it on that one. Yes, please make it seem less important to wear a mask and get vaccinated. I'm not screaming internally at all now.
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I saw a tweet from someone last year whose family hadn't had COVID yet, who were still masking in public, including school.
She said that her son was no kind of an athlete. Solidly bottom middle of the pack in gym.
And suddenly, this year, he was absolutely blowing past all the other kids who had to run the mile. He wasn't running any faster. His times weren't fantastic or anything. It's just that the rest of the kids were worse than him now. For some reason. I think about that a lot. (Like my incredibly active six-year-old getting a cold, and suddenly developing post-viral asthma that looked like pneumonia.
He went back to school the day before yesterday, after being home for a month and using preventative inhalers for almost week.
He told me that it was GREAT - except that he couldn't run as much at recess, because he immediately got really tired. Like how I went outside with him to do some yard work and felt like my body couldn't figure out how to increase breathing and heart rate.
I wasn't physically out of breath, but I felt like I was out of breath. That COVID feeling people describe, of "I'm not getting enough air." Except that I didn't have that problem when I had COVID.) Some people don't observe any long (or medium) term side effects after they have it.
But researchers have found viral reservoirs of COVID-19 in everyone they've studied who had it.
It just seems to hang out, dormant, for... well, longer than we've had an opportunity to observe it, so far.
(I definitely watched that literal horror movie. I think that's an entire genre. The alien dormant under ice in the Arctic.)
(oh hey I don't like that either!!!!!!!!!) All of which is to explain why we should still care about avoiding it, and how it manages to still cause excess deaths. Measuring excess deaths has been a standard tool in public health for a long time.
We know how many people usually die from all different causes, every year. So we can tell if, for example, deaths from heart disease have gone way up in the past three years, and look for reasons. Those are excess deaths: deaths that, four years ago, would not have happened. During the pandemic, excess death rates have been a really important tool. For all sorts of reasons. Like, sometimes people die from COVID without ever getting tested, and the official cause is listed as something else because nobody knows they had COVID. But also, people are dying from cardiovascular illness much younger now.
People are having strokes and heart attacks younger, and more often, than they did before the pandemic started. COVID causes a lot of problems. And some of those problems kill people. And some of them make it easier for other things to kill us. Lung damage from COVID leading to lungs collapsing, or to pneumonia, or to a pulmonary embolism, for example. The Economist built a machine-learning model with a 95% confidence interval that gauges excess death statistics around the world, to tell them what the true toll of the ongoing COVID pandemic has been so far.
Total excess deaths globally in 2023: Three million.
3,000,000.
Official COVID-19 deaths globally so far: Seven million. 7,000,000. Total excess deaths during COVID so far: Thirty-five point two million. 35,200,000.
Five times as many.
That's bad. I don't like that at all. I'm glad last year was less than a tenth of that. I'm not particularly confident about that continuing, though, because last year we started a period of really high COVID transmission. Case rates higher than 90% of the rest of the pandemic. Here's their data, and charts you can play with, and links to detailed information on how they did all of this:
Here's a non-paywalled link to it:
https://archive.vn/2024.01.26-012536/https://www.economist.com/graphic-detail/coronavirus-excess-deaths-estimates
Oh: here's a link to where you can buy comfy, effective N95 masks in all sizes:
Those ones are about a buck each after shipping - about $30 for a box of 30. They also have sample packs for a dollar, so you can try a couple of different sizes and styles.
You can wear an N95 mask for about 40 total hours before the effectiveness really drops, so that's like a dollar for a week of wear.
They're also family-owned and have cat-shaped masks and I really love them. These ones are cuter and in a much wider range of colors, prints, and styles, but they're also more expensive; they range from $1.80 to $3 for a mask. ($18-$30 for a box of ten.)
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kasagia · 4 months
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Losing your memory
Pairing: Young! Coriolanus Snow x fem!Capitol! reader Summary: He used to be your Coryo. Now he has become the man you don't know. The Plinth heir. The future president of Panem. You pray every day to forget about the sweet boy you fell in love with, on whom you could always count. To forget who he was and lose the memory of the past. Just like he did. Well... not exactly. Unfortunately for you, he still wants to remember you. Inspired by: "Losing your memory" by Ryan Star Word count: 7,2 k ~•♤♤♤•~ Coriolanus Snow's Masterlist ~•♤♤♤•~ Main Masterlist ~•♤♤♤•~
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You've been avoiding him ever since you found out he was back in the Capitol.
A month ago, this news would have aroused great joy and ecstasy in you. Your Coryo is back home. He managed to shorten his exile and gain Dr. Gaul's favour again.
But the man who returned from District 12 was not your dear friend or lover. This wasn't your sweet Coryo, with whom you walked hand in hand to school. This wasn't the boy you shared your lunch with. This wasn't a boy who cared about your well-being above his own. This wasn't a boy who joked about snobbish children spoiled by the richest people in Panem with you and Sejanus at the end of the day. (Although he talked with them, trying to keep up good appearances—he used to call that one of the responsibilities of being Snow.)
The man who came back was Coriolanus. The new Plinth heir. The shell of someone you knew. The ruthless, cold pet of the mad creator of the Hunger Games you despised.
Sejanus' death didn't hurt you as much as the transformation of Coriolanus from the person closest to you into someone you barely even recognized. And from the tearful, sad, resentful, and disappointed stories you heard from Tigris, you had an accurate picture of the man who took your Coryo's place.
And you hated him with all your heart.
Especially after what he promised you when you stayed at his apartment for one snowy winter night.
You lay wrapped in the various blankets and quilts Coryo and Tigris could find. It was winter, and they didn't have much money for additional heating, so they mostly walked around the house in several layers and slept under piles of clothes.
You didn't know about that that night.
Tigris lent him her quilt so that he wouldn't have to be ashamed of the poverty his family had fallen into since you were supposed to come to sleepover with him after the argument with your parents.
Cuddling up to your blonde boy, you tried to fall asleep, listening to his heartbeat. You frowned at the sound of it being a little faster than usual.
You lift your head and look at him carefully. His gaze is distant and thoughtful as he lazily draws patterns on your back as he presses you against his chest.
"Coryo?" you whisper, cupping his cheek in your hand tenderly and forcing those blue irises you have loved so much to look at you. "What's wrong, sweetheart?"
He sighs long and presses a kiss on your forehead, the tip of his nose stroking your hair, as he is inhaling your scent. "I just... I just think about the fact that you deserve so much more. My grandma and Tigirs deserve much more than... this." he says with disgusting pointing at the room you were in.
"This..." you say, clasping your hands together and pressing a tender kiss to the back of his hand. "Is more than enough. You are all I need. And one day, when you are President of Panem or any other important figure in the Capitol, none of you will lack anything. This is a temporary state. You are too smart to be anything less than great, Coryo. You know it."
You see him hold back tears. He pushed your head onto his chest to rest his chin on your head. He is not crying. He almost never cries. But you know how close he is to it by the slight quiver in his breathing.
"I know I don't show it often enough... but you mean... everything to me. I can't imagine how I would go through these all without you by my side."
"I love you, Corio. Just promise me you won't forget this. What you went through, what you experienced. Don't forget your struggle. That's something you should never be ashamed of." he tenses at your words but leans in to kiss you passionately and hungrily. Putting all his unexpressed emotions into action and into that kiss that warmed you more than any blanket or radiator could ever.
"I promise. I will never forget how you kept me sane. When you were the only shelter I could go to and the only support that could bear the boundlessness of my troubles and doubts. How you were my only moonlight in the worst of my darknesses." you laugh softly, recognising part of his words.
"Quoting poets will get you nowhere, Coriolanus Snow." you say teasingly, rubbing your nose against him, at which he chuckles, licking his lips.
"Well... I've learned that in some situations, it gets me somewhere. And it's a very cold night tonight, don't you think? I can't let you freeze to death." he says as his hands go under your shirt—actually, his shirt that you stole from his closet.
"Well… I guess there's nothing left for me… but to place myself under your solicitous care." you sigh softly as he pins you underneath him, making sure the cocoon of blankets is still tightly wrapped around the two of you.
"I couldn't have said it better." he whispers and presses his lips against yours, stealing your breath countless times. He pulls away just a little to say against your lips, "You're mine. We belong together. No matter what."
He makes you shiver as you eagerly agree to everything he says. You don't realise how, in the future, you will curse every single intimate, sweet moment you shared with him.
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Ironically, you realise how deep he has gotten under your skin the moment he returns to the Capitol, and you have to avoid him, not when he is sent into exile.
It was probably because when he was gone, you were too distraught to bother leaving your room, opening the blinds, or wiping the tears that somehow kept leaking from your eyes to notice how almost every place reminded you of him. If you could, you'd go back in time and tell yourself there's no point in crying over the asshole he's become.
Although maybe you already felt that your Corio was leaving, and it was a way of mourning him?
Anyway, you saw him everywhere. Not Coriolanus. Coryo. He stalked you in the library, the park, the cafe near the academy that you two and Sejanus liked to go to, and of course the Academy itself. Kudos to your parents for not letting him into your house. At least he didn't pollute your room with memories of him.
Involuntarily, you wonder if he also sees you, for example, in every corner of his apartment. Or maybe he renovated it beyond recognition to erase all traces of his past?
You didn't know.
And you didn't want to know.
The information about him that Tigris gave you when you met her at your house when Coriolanus was at the university for classes was sufficient.
Just because it didn't work out with her cousin didn't mean you would abandon your only real friend. And just because things didn't work out with her cousin didn't mean she would stop (more or less subtly) encouraging you to go back to him.
"We talked about you." she says, making adjustments to your dress that she made for your birthday party thrown by your parents. Another one of the unpleasant responsibilities.
"You and your grandma?" you ask, trying to avoid HIM as a topic as much as possible.
"No. Me and Coriolanus." she says, pinning something to your waist—some decorative strip of fabric or something—you're not sure; you're too focused on the window and the bustling city as you are trying to ignore her words. "You know… I think… I think I saw in his eyes… the old Coryo. For a brief moment, but… maybe if you came back to him, he would come back to himself too."
"I'm sorry, Tigris, but I think he went too far on his path to simply go back to who he was. Surely not because of me."
"I understand… I just really miss him." she says it in a soft, broken tone, and your heart breaks at it. You hug her with all your strength, uniting with her pain that you also felt so deeply.
"Me too." you whisper in her ear as she cries into your shoulder.
Tigris was a very strong woman. She always impressed you. You wanted to be as strong as her. But even the toughest had to cry sometimes.
After all, there comes a time when even the snow melts... even if only for a little while.
You held him tightly in your arms as Corio cried into your chest.
His grandmother fell ill. Hard. Without a doctor, she definitely wouldn't be able to get out of this on her own, and they didn't have the money to pay for one, let alone the medicines.
Your boyfriend spent the whole day planning, thinking, and getting any money, but it was not enough even to buy the cheapest antibiotic.
However, you didn't expect that after you found out it all from Tigris and ran to him as fast as you could with the chicken soup prepared by your servants and all your pocket money, he would start crying.
Coriolanus Snow cried like a little baby.
You handed the money and soup to Tigris, who, after feeding up their grandma, quickly ran out with her to the doctor. At that time, you were holding your boyfriend in your arms in the other room, who simply fell apart from his helplessness.
"Shh… it's going to be okay, Coryo. She will live, falsify that stupid hymn and hate me for not being enough for you just as she used to." your attempt to comfort him didn't help. If anything, he only cried more, holding onto you tighter and tighter.
"I should be able to take care of them... I should be the one taking care of you, not the other way around. I'm pathetic and weak. I'm not worthy of being called Snow."
"Hey, my sweet boy, look at me. You are strong. You are the strongest man I know. You are looking after me all the time; you literally give me everything you have, the last piece of your food, to keep me happy, safe, and full when I forget to bring a damn second breakfast from home or don't have time to eat something. You love me, and I love you, and that's how it works. We care about each other. And I have never, ever regretted being with you. Because what we have… is more valuable than anything else in this world. I trust you implicitly, and I will always be by your side. You are not alone with your problems and suffering. Not as long as I am here."
"But for how long will you stay? For how long will you endure with me?" he asks, and after one look at those a little red from crying, beautiful blue iris, you answer without a shadow of hesitation.
"As long as you love me and I can trust you. As long as I breathe. As long as I am in your mind and heart. I am not going anywhere, Coryo. Money can be earned, but what we have... you can't buy it. What I feel for you is more dear to me than any treasure in this world and I will never exchange it for anything else." you promise, stroking his hair tenderly to help him calm down.
You should've then wondered why he doesn't agree with you then. Why doesn't he say that he also feels this way and that he also values you more than money, glory, and honours?
But he blinds you by telling you for the first time that he loves you.
And you cling to him, wiping the tears from his face with your lips and foolishly believing that your love is pure and eternal.
Like a driven snow.
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You knew this day would come someday. The day you let your guard down. But you hoped it would take a little longer before you came face-to-face with Coriolanus.
You are completely unprepared for this. You just freeze like a deer in headlights when you see his face at the end of one of the university's corridors as he walks forward, looking for something in his bag. Before you can even think about running away, he looks up, probably feeling watched, and his blue, icy eyes meet yours.
You both stand there transfixed, looking at each other, taking in the changes in your appearance since the last time you saw each other, which was after you broke up with him, when you saw how tenderly he treated Lucy Gray and how comfortable he was around her. And after someone politely informed you that he had kissed her.
"Y/N!" Coriolanus calls out to you and takes a step towards you, but you quickly step back and run through the crowd of people to get away from him. Unfortunately for you, he doesn't give up that easily. He never does. "Y/N! Wait!"
You have no intention of doing so. You run as fast as you can, bumping into several students along the way. You don't even bother apologising; you just run, hoping that Snow will stop being hot on your heels. Which, by the way, was a miserable dream after how fit he was after his training and the time he spent as a peacekeeper.
On the way, you notice a woman's bathroom and immediately run into it. You lock yourself in a cabin, thanking God or whoever is up that you managed to get an empty cabin and hide in it. You hear his quick footsteps and the door opening, followed by the screams of other women in the bathroom. You sigh in relief as you hear him obediently leave the room.
You're not leaving, though. You are not stupid. You know he's waiting at the door for you to come out. You decide to wait here until the end of the break between classes and hope that he will drop the idea of continuing to chase you and talk to you, and he will attend the lecture instead.
As the bathroom begins to empty, you realise that the next lectures must be soon. You stand silently on the toilet seat, listening carefully, waiting for the right moment to emerge from your miserable hiding place.
Just as you are about to reach for the doorknob, the bathroom door opens. You shiver as you hear heavy footsteps echoing off the tiles of the empty bathroom. And you think that you can smell the subtle scent of roses in the air.
"Come on, Y/N. I know you're here. I just want to talk."
Said the snake moments before eating the bird alive.—you think, mentally mocking how gentle he was trying to present himself. As if he could still be your Coryo.
"I have time. I can play hide-and-seek with you, if you want to. After all, you always liked to play this when we were kids. And you always lost."
You roll your eyes, listening carefully to his footsteps. He was opening the first cabin. You were in the middle one—the one a little closer to the door (and him).
"We'll have to talk eventually. You can't avoid me and ignore me, no matter how good you are at it lately. Let's stop this ridiculous, childish behaviour and go talk over coffee and some of your favourite cookies at the cafe near the academy. Just like the good old days. Well, this time all your orders are on me. What do you say?"
You would have snorted if it hadn't immediately revealed your hiding place to him. How dare he invite you to the place where you, he, and Sejanus spent the most time? To the place where your first unofficial date was.
He wanted to manipulate you, to make you believe that your Corio is still there and lives behind the façade of the rich, arrogant asshole he has become. But you knew better. His eyes told you everything you needed to know.
Even without Tigris' help, you realised that he... was a completely different person. He turned into somebody you only used to know in the past.
"Seriously? Still nothing? So you prefer the hard way, then..." he says, opening another cabin. You wait patiently for him to come to yours.
You breathe as quietly as you can, trying not to let him know which cabin you're in. You listen to his slow, measured steps as, with the incredible confidence and calm that is typical of him, he opens each cabin door, moving inexorably towards you.
Your heart quickens, beating madly, when you see his shoes in the whole, under the cabin's door. He reaches for the door handle, and before he can open it, you push the door against him with all your strength.
You hear him curse, taking a few steps back in a daze and holding his nose. You take the opportunity and run to the exit of the bathroom as fast as you can, not looking back.
"Fuck! Y/N! Are you insane?!" he shouts, running after you.
You reach the door just in time and slam it behind you, sprinting out of the university. You get in your car and drive away with your tyres screeching. In the rearview mirror, you see him leaving the building and following your car with a furious glare.
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"I can't believe you invited Snow." you huff, fixing your makeup in the mirror. Your father is buttoning his cuffs, and your mother stands next to you, also putting the finishing touches on her appearance. "You hated him when we were together."
"He is an ambitious and clever boy. Plinth did well to make him his heir. You should reconsider whether he really is that bad. This match would have opened many doors for us. Not only among Plinth's allies but also among Dr. Gaul. God knows how she favours this boy. Who knows? Maybe one day he will be president of Panem."
"If so, I will run away abroad." you say it bitterly, putting your lipstick back in your purse and adjusting the necklace around your neck to make yourself look perfect.
"Don't be stupid. Snow wouldn't be so bad for you. Since you are our only child, we must marry you well. Make sure your husband doesn't blow our fortune in a week. And Snow is a thoughtful boy. He wouldn't let you live below the poverty line."
"And he's quite handsome." your mother adds, straightening your father's tie. "Still, he's not a womaniser. I heard he turned down the... special attention of Crane's daughter and a few other Capitol's girls. I guess he's been alone since your breakup."
"Hmm. Great. He wouldn't cheat on me with other snobs in the capital, but he would fuck with whores in the district. The perfect candidate for a husband." you scoff, walking with them to the next room, where the photographers were waiting to take a photo of you together.
“Language, Y/N. You are a lady. Besides, it is not certain whether he and this Lucy Gray actually had something between them. After all, she's a woman from the district.” your mom says this, smiling for the cameras.
The flashes blind you a little, but with your father's and mother's hands on your shoulders, you somehow manage to keep your pose, fake, pretty smile, and opened eyes.
Your father thanks them and leads you out of the room and into the corridor leading to the great hall where the ball was to be held.
"And even if he did, it's good that he had some fun. It will make him appreciate the treasure that you are and see that you are irreplaceable." he says, taking the box out of his pocket. He hands it to you with a warm smile. "Happy birthday, my treasure."
"We've already given her..." your father shushes your mother. You send them a confused look as you open the medium-sized box.
You find a tiara there. A small diamond tiara.
"It will match your dress perfectly." your father says proudly. You nod and walk to the mirror to put it on, despising the object in your hands with all your heart. You may look like a princess, but you've never felt so... disgusted with yourself before.
This feeling intensified even more when, after a toast and receiving wishes from several of your friends and more powerful families, you managed to sneak out to the balcony. Not long after you, all the single, young men of the richest family on the Capitol entered, with Coriolanus among them. They each took a cigarette and started smoking, gossiping about the events of the week…
And their topic of conversation was exactly what you were afraid of when you got that fucking tiara.
"Have you seen this? I bet they're pure diamonds. Old Y/L/N wants to marry her off so much that he's using every trick possible."
"He doesn't need to do much. She is beautiful in her own right. But this character… it's easier to train a dog than such a stubborn cow."
"What Snow? Are you now regretting that the Capitol's Diamond slipped from your hands? I heard she wants nothing to do with you. How unfortunate that it happened at the moment when you started to count in the eyes of the elite, and now you really have any chance of grabbing this precious gem for yourself."
The Capitol's Diamond. You shudder, thinking about the nickname you've been given.
That's what they called you. The sole heiress to your parents' fortune. Diamond of the Capitol, the best match in the city, with a dowry greater than any other woman. Anyone who won your hand was guaranteed to reach the top and success with your family's connections, your charm, beauty, and brain. And these vultures knew it perfectly well.
You were curious how the new Coriolanus would react.
Your Coryo only took advantage of your position in society when he had to. He didn't ask you for money or for you to convince your father to whisper a good word about him here and there. Maybe it was because of his pride; maybe he really didn't care. You have no idea. But Coryo despised that term as much as you did. You wondered if that had changed as well.
"I'm still in the game." he replies evasively, sipping his drink. The others laugh and he frowns in displeasure.
"Sure. Because the way she ran away from you today when you approached her with a gift says exactly that." they mock him. You see him clench his jaw, glaring at them coldly as he considers his next move.
"Enjoy it while you can. Your good mood will end when our cat-and-mouse game is over and the Capitol's Diamond hangs proudly on my shoulder." you huff, shaking your head in disbelief. You come out of hiding, and all the men on the balcony tense up and look at you in surprise.
Especially Coriolanus. Suddenly everyone is staring intently at the garden of your estate, too shy to look at you. Except Snow. He drills a hole into you with his gaze as he thinks of a way to undo what he said.
"Gentlemen." you scoff, walking past them and ignoring Coriolanus' glare. "For your information, I would rather live in one of the districts than marry any of you. Enjoy the party." you add sweetly, walking back to the ballroom.
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The party is in full swing. You are talking to Thomas, using a sweet boy in a shameful way—to scare other men away from you. Just as you expected, they started flocking to you like flies to a fire.
So you chose the least spoiled of them. Thomas was nice and funny; you had a good time talking to him, and dancing with him was even better.
He wasn't rich; he wasn't part of the cream of society. You were really starting to enjoy spending time with him. And most importantly... he looked nothing like Coriolanus. He was nice for the eyes, but his dark hair, eyes, and sweet, shy personality made him drastically different from your ex. So he was the perfect break from your dramatic love life. Boring, nice change.
You danced to a waltz with him. He held you gently, close but respectful, not invading your personal space. He was a perfect gentleman. The man of your dreams.
If only Coriolanus' icy eyes weren't focused on both of you like a predator waiting for its prey to stumble, you would be able to enjoy Thomas' company to the fullest.
You are with him at the buffet, sipping drinks, when suddenly the last person you expected to meet here approaches you.
"Mrs. Plinth." you whisper in shock as he stands in front of you.
She looks—probably the way she feels. Nice on the outside and devastated on the inside. The dark circles under her eyes cannot be fully covered by makeup, and the deep black of her dress is a clear reminder of what she is still going through.
You can't imagine the pain he's going through right now. And you wonder why the woman decided to join her husband for your birthday party. Since Sejanus' death, she has rarely left their apartment.
"Y/N. Can I steal you from this young man for a moment?"
"Of course." you say, not even looking in Thomas' direction as you and Mrs. Plinth walk to one of the empty living rooms in your mansion. You close the door behind her and point to the couch. "Can I get you something to drink? Or to eat?"
"No. There is no need, darling. I just… I just came here to give you something." she says, pulling a thick letter out of her purse. "I… the letters from Sejanus are still reaching us. The flow of information between the districts and the Capitol is… very heavy and long. Especially when the peacekeepers are now checking every one of his correspondence. He sent it to you. Or rather, he wanted you to send it to him. Or rather, he wanted you to have it, just in case he couldn't… I'm sorry."
Your heart aches with sadness, seeing her on the verge of tears. She probably has no one to talk to about her son except her husband. After all, Sejanus was a traitor of Panem…
"He was a wonderful friend. The best one somebody could have. I could always count on him. Thank you for... taking the trouble to give me a letter from him. That... means a lot." you say, fighting the urge to hug the woman. The Capitol is not famous for acts of tenderness, mercy, or compassion. You had to keep up a facade. Always.
You take the letter from her and walk her to the exit. You give her one sympathetic look—everything you could afford in your position—and close the door behind her.
You sit on the couch and open the letter with trembling hands, trying not to look too closely at the way he wrote your name on the envelope. You know that will remind you of how you taught him how to decorate letters in his first days at the Capitol. Because everything here had to be perfectly beautiful. Even the fucking handwriting.
A bracelet falls out of the envelope and onto your lap. It is not particularly beautiful or sumptuous. It is a simple strap holding a peg-shaped pendant with some black, crushed stone placed behind a piece of glass.
You place it on the coffee table and open the letter with trembling hands. You already feel that after all this you will have to fix your makeup, which you will probably ruin with tears, but Sej's letter cannot wait until the end of the party.
Y/N, If you are somehow reading this letter, it means that I am not at your 20th birthday party, which makes me very sad. (You know how I love celebrating in your garden away from these Capitol's snobs.) Coming back, you know that I wish you all the best (along with Coryo. He's too big of a stick up his ass to write to you, even though he misses you and can't stop thinking about you. Take pity on me and write to this stubborn idiot, because I don't think I can stand another tirade about you and your perfection. Seriously. Our boy is getting mad because of this despair. I don't recognise him at all.) So, my dear friend, I wish you the best. I don't have any trinkets, interesting books, sweets, or anything suitable as a gift here, so I hope you'll be satisfied with what I came up with. I am not a poet, so don't laugh at me. I shall hear... or not. I made the bracelet, which you've probably already seen, myself. And that stone that is inside (and I hope it survived) is coal. I wanted to give this to you as a symbol of who you are to me. Everyone sees you as a diamond, something precious and beautiful. But for me and probably other people close to you, you are something more. This shiny diamond facade hides carbon. A simple coal, an ordinary soul like many others. But you made something more out of that ordinary coal. You are a diamond. Indestructible, the most durable of all. The purest form, preserved among the other gems and stones of the Capitol, because that's what all these power-hungry assholes are—coals that have decided not to change, to choose what is easy for them. I hope now you can see why I liked that nickname for you, diamond. So I hope you always stay true to yourself. No matter what. That's what I learned here, and I want to pass it on to you. Although I hope that by then the three of us will meet again in the Capitol. Do not wait for us both, Sejanus P.S. I miss you too.
You fold the letter and put it back in the envelope. You wipe away the tears that remain on your cheeks with your hands and take a few ragged breaths, trying to calm down.
You freeze when suddenly someone's arms wrap around you. The scent of roses hits your nostrils.
You get up from the couch like you've been burned and push Coriolanus' arms away from you. The feeling of sadness quickly turns to anger and pure fury as you stare at Snow.
"What the hell are you doing here?" you growl through a clenched jaw, extremely glad that there's a couch between you, or you'd hit him. And it was easier for you to explain your tears and smeared makeup than your red knuckles.
"Sweet, kind Plinth, giving you thoughtful gifts from beyond the grave. You love the dead Sejanus so much and ignore the living me. It must be hypocrisy on your part, don't you think? You accuse me of forgetting about Sejanus when you treat me so shamefully, worse than a dog. Should I die so that you can finally stop giving me the silent treatment and running away from me?"
"Believe me, you don't want to hear what I have to say to you." you huff, taking the bracelet and the letter. You hide them in the bodice of your dress and go to the mirror to fix your smudged makeup.
"You do not have to do that. Your boy isn't at the party anymore anyway." he says, standing so that you can see his reflection in the mirror.
"What?" you ask in surprise, turning to face him. You both stare at each other. In fact, you're only now getting a chance to take a good look at him. And you notice with dissatisfaction that the bastard found out from Tigris what your dress would look like, and he chose a suite so that both of you would match. "Where is Thomas?"
"Your little boy toy? Do you think he's enough of a distraction? That he can replace me? That he'll make you feel what I feel? Maby, that he can even protect you from me? Only I know you. I'm the only one worthy of your fucking attention and affection." you push past him, but he grabs your elbow.
"Touch me again and I'll cut off your hand and shove it down your throat." you growl, breaking away from his grip.
"Such aggression… I don't remember you from this side." he mocks you and tucks a strand of hair behind your ear. You step away from him and cross your arms, staring at him defiantly.
"I will ask you one last time. Where is Thomas?"
"Let's just say that your mother and I caught him stealing your jewelry. We were merciful enough to solve the matter quietly. You will never see that garbage on the ball or any gala again. Certainly not on yours."
"Were you the one who framed him for this?" his silence and the calculating, self-proud look of the cat that caught the canary (or, in this case, the snake that choked the mouse) tell you everything. "What the fuck is wrong with you?!" you ask furiously.
You want to move past him, but he pushes you back, making you bump into the wall. He closes the gap between you in one step, pressing his chest against yours.
"You're mine. You've always been. You shouldn't lead this loser on or give him false hopes. We both know we will end up together."
"I broke up with you." you remind him, not caring about his intimidating attitude.
"A mistake I intend to fix." he says, leaning towards you.
His nose brushes against yours, and you shiver. You lift your leg, trying to kick him in the groyne, but out of the corner of his eye, he sees your sudden movement and grabs your thigh in a tight grip. If it weren't for the thick layers of material, he would probably leave bruises.
"You... you have nothing to fix. There is no longer us. I don't even know you anymore, Coriolanus."
"Don't." he growls at you angrily. You can see the desperation and madness in his eyes at the fact that you're using his name and that you wrote off your relationship. "It was always you. You were always mine, Y/N, and I was always your Coryo."
"Things are changing quickly. We are not the same, and now we have nothing in common, nothing to talk about."
"We have EVRYTHING to talk about. I still love.."
"DON'T!" you interrupt him. He freezes. You rarely shout, especially at him. That's why he takes a step back before putting on his impassive mask again. "Don't even say that. You have no idea what love is. Sure, you may feel attached and even desire me at some point, but you have no idea of unconditional, true love. So for old time's sake, leave me alone."
"What about you? Do you think you are so holy and blameless? That I'm the only bad guy? You lied to me. You promised you would stay with me, no matter what."
"I promised it to my Coryo. Not to you, Coriolanus. My Coryo died in District 12 with Sejanus—maybe even in the Hunger Games—when you let Dr. Gaul brainwash you in the name of fame, money, and position. You think that old hag didn't tell me why Sejanus is dead? That I don't know that your songbird has disappeared? That I would believe that Highbottom just got high or drank himself to death?" he clenches his jaw and fists at your words. You can see how furious he is, but he holds back, still controlling himself.
"Everything I did, I did for us. For you. For Tigris and Grandma." you laugh, wondering who he's trying to fool—himself, you, or both of you at the same time.
"No. You're doing it for yourself. Only for yourself, Coriolanus." he gets even more angry and pins you to the wall again. His cool blue eyes are raging with rage, and you try hard to push away the feeling of fear he has stirred in you.
"Do you want a reason to hate me? So you and Tigris can still gossip about my madness? Then maybe I should let this old man pursue her and sell her as a wife to one of them for good money."
"KEEP HER OUT OF IT! It's Tigris, Coriolanus! Tigris! The woman whose sacrifice you owe your entire fucking life to! A woman who went out of her way to give your ungrateful, selfish ass something to wear. Who sacrificed the love of her life in the name of maintaining the façade of Snow's wealth?! You can give a damn about me, Sejan, and even that little songbird of yours, but if you fucking ruin the life of your cousin—the only goddamn person who still cares about you—I promise you, in memory of OUR dead friend, that there won't be a fucking hole where you could hide from me."
You stare daggers at each other, both openly expressing your resentment towards the other. You have no idea why he still cares about you—is it because of your money, position, or some sick fantasy he has in his head, or maybe he actually still cares about you?
You don't think about it when a more important issue arises.
Suddenly, he grabs your face in both hands and pulls you towards him, greedily kissing you as he connects your lips after a very long time of separation. He caresses your lips with his and kisses you with such fervour as if he craves you like a hermit starving for water.
And for a moment, you feel like you were with Coryo, when all that mattered to you was the other one, when you could get lost in each other, forgetting about the rest of the world and the worries that were waiting for you.
And that's exactly what he's doing now. He makes you forget about anything but him.
You can't help but moan into his mouth as he presses his body against yours. When he releases his strong grip on your cheeks to grab you around your waist and press you against his body, his leg is between yours.
He kisses you more hungrily, groaning too at the familiar warmth of your body against him and the feeling of your soft, silky skin pressing against him. The scent of your perfume mixes, creating a perfect combination of roses and your favourite flowers. Your hands automatically go to his hair as you hold on to him and press him to you. You don't like the gel on your hands from his hair, but you ignore this new, irritating feeling by biting his lip.
You don't think at all. As well as Coriolanus. You both just kiss each other, your tongues joining, as you both let your desire for one another take control of the situation.
You only come to your senses when your lips break apart. You gasp, trying to breathe again, as he fucks your exposed collarbones with kisses. Your brain comes back to you as he leaves a hickey on your neck. He bites you, making you moan so needily that a wave of shame washes over you with his tongue, soothing the bite. You push him away from you and place your hand on your chest, trying to regain control over yourself.
"See? We belong together. There is no other way, Y/N. We are all we need."
"Bullshit." you gasp, trying to ignore the possessive, smug feeling blooming in your chest when you see his messy hair and your lipstick smeared on his lips. "Since you are that good in losing your memory, then forget about me too."
"I can't. I just can't. You think I haven't tried? That you don't haunt me every damn step I take? Everything I have and everything I know is saturated with you. With the memory of both of us. I forgot about what I had with that songbird and my friendship with Sejanus, but I simply CAN'T forget about you. I haven't spent a single damn day without thinking about you. NOT EVEN ONE. And I know you felt the same way. Do you know why I didn't kill that stupid boy who was clinging to you? Because I knew it would make you hate me even more. I was alone without you at 12, and you know how it ended. You are my conscience. Without you... there's nothing holding me back. Without you, there is nothing to distinguish me from the Hunger Games tributes. I have no borders, mercy, compassion, or anything that makes people human beings. And Gaul knows it. That's why she told you all of my crimes; that's why you're paranoid now that I'm someone completely different. But it's still me. I. Am. Still. Your. Coryo." he says it firmly, taking a step closer to you with each word.
"Don't turn me into a fucking cricket for your Pinocchio. I am not, and I do not want to be your conscience. I will not take part in your lies, games, and manipulations." you say as you both stare at each other, neither of you wanting to concede to the other in any way.
"I will have you. One way or another, but I will. Even if it is the last thing I do, I will have you by my side. Just where you always belonged. I promised you to be my First Lady. And I intend to keep that promise."
"You must become president first. And believe me, I will do everything in my power to prevent that from happening. Maybe you can't forget about me. But I can. I do not need you. I never needed you. How ironic to be able to lose the memories of everyone except the girl who will be the end of you, isn't it, CORIOLANUS?" you mock him, a smirk on your lips, making him a promise.
You walk past him, and this time he lets you go, knowing full well that he won't do anything more with you today. At least he got his kiss and a little taste of you, a reminder of the reward that awaits him when everything finally falls into place. When he finally has you in his arms and is at the top of Panem—his rightful place.
"The game has just begun!" he shouts after you, staring at you as you head towards the bathroom to touch up your ruined makeup. It gives you satisfaction to think that this bastard will probably have to clean himself up after your little make-out session, too.
You think that maybe Gaul was right about the Hunger Games being the whole world. But the reality was that there could only be ONE winner.
And among the people of the Capitol, only you and Coriolanus had a real chance of winning. It has always been like that. And even lost memories that do not want to go away so easily are proof of this.
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Part 2
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kaijutegu · 10 days
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Yesterday, I went to Baltimore with the intention of visiting a friend in hospice. Her health had taken a sharp nosedive over the weekend, and on Monday evening, the doctors said she maybe had a week left.
What actually happened was I went to Baltimore to help clean out her stuff, because she died at 8:44 on Tuesday morning and my plane didn't land until 8:50. So me and another friend helped another friend/her roommate (before hospice) find important documents, as well as save sentimental items for her actual loved ones because her family, well.
Her friends were her family. But because she died intestate, the people in her family of choice were entitled to nothing under the law. Instead of her beloved, disabled partner, her estranged family has legal rights to her savings bonds and the rest of her estate. (Sometimes common-law partners can inherit but they weren't together long enough to meet that criterion.)
I knew this was coming for a long time. You don't recover from the brain cancer she had. But it still really hurts. And knowing that people she hadn't spoken to in years are getting that money instead of the person she loved most... well, that hurts too.
Please, if you don't have one already, make a will. It's not hard. We don't like to think about it, because nobody likes thinking about post-death legal matters, but you need to make a will. If you're in the US, you can use websites like Free Will. You don't need an estate attorney or anything like that. In many states, a notarized letter is fine. I don't know enough about international estate law to say anything in that regard, but take half an hour to google estate laws in your jurisdiction and put together a will.
If something happened to you tomorrow, who do you want taking care of your pets? Do you have a collection of anything that you want looked after? Do you want your money to go to a person, a charity, or something else specific? If you don't have kids, everything reverts to a spouse. If you don't have a spouse, it goes to your parents. I know I don't want to burden my parents with figuring out what to do with my tegu, my skeletal collection, or my library. But if I died tomorrow, my will would take care of all of that. Thinking about mortality isn't fun, but dying intestate is worse. Make a will.
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feirceangel · 1 month
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How about a feyd x reader where feyd has reader watch him in the arena to gain her favor. She is impressed with him and respects his prowess. Just before a huge match what if she goes to him and leaves a hand print in paint over his heart as her token rather than a sash like the others. This fires him up/ looks super cool on his skin.
Ooh I love this!! I did my own spin on it but I hope you still enjoy! :)
Imagine | Stained (Feyd-Rautha Harkonnen)
Word Count: 1,377
Warnings: biting
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Cheers rise into the polluted air on Giedi Prime, a torrent of frenzied noise which alerts you to the occurrence of yet another gladiatorial event.
You hadn't realized there would be one today. Normally, you notice the announcements and the crowds gathering to go see the festivities. You don't often join them.
Watching people fight to death. . . it's not a habit of yours.
Lately though, you've noticed how often Feyd has been mentioning his fights, never outright asking you to watch them but leaving plenty of hints.
Being from a wealthy family has its benefits, especially on a harsh place such as this. Ever since you've been here, you've tried to make the best of it and befriend as many native Harkonnens as you can.
This first, and dare you say only, friend-adjacent connection you've made has been with Feyd-Rautha.
His brother is too animalistic and angry for your liking, and the Baron is a ghastly man you do not like to interact with. Servants won't speak to you and the Mentat Piter is sickening in his sadistic tendencies.
So, to your surprise, you got to know Feyd the best out of them all.
He's brutal, yes. Menacing and violent as well.
And so alone.
Sure, he has his concubines: his pets that he plays with but soon grows bored of. And yes, he has his mockery of a family: a predatory uncle and a nasty brother.
Yet you can see past his façade of aloofness, see into his inner self. And what you see is a man forged by others into what he is now.
You see a hurting man who doesn't know anything close to true kindness.
So yes, he is wild and vicious. But there is an intelligence and cunning within those dark eyes that you have seen countless times. 
He's constantly observing, waiting for his moment to strike. He knows how to play his hand to benefit himself.
Despite his more undesirable traits, you'd dare call him a friend.
The cheering dies down as colourless fireworks burst in the air like ink stains. You watch them, casually leaning against the balcony railing.
Feyd finds you immediately, half undressed and still painted for fighting in the triangular colosseum.
"My lady," he rasps, approaching from behind slowly. "You did not watch the fights."
"It slipped my mind," you reply honestly. "Though I have no doubts you remain the champion, my lord."
His lips quirk upwards, "Naturally."
Your eyes roam over his blood splattered body, taking in the well-defined muscles which are decorated with paint. He's shirtless, how could you not stare?
He basks in your attention, cocky smirk never leaving his face. But it strains once you turn your attention away.
Feyd comes to lean against the rail beside you. You feel his eyes on you.
"You're coming to the next fight," he finally says once he realizes you're content to dwell in the silence.
You turn to face him with a smile, "Am I?"
His eyes narrow, voice quick and sharp, "Yes."
"You didn't ask."
Feyd tilts his head, "It's not a request."
"A command, my lord?"
"Yes," he repeats, leaning closer into your space. Your teasing tone is getting under his skin, you can tell. He's almost touching you now but you don't retreat.
This is the game you play.
"I suppose I can attend the next fight," you hum thoughtfully.  "Especially since you've requested it personally."
He backs away slowly and you force yourself into staying still even as you desire to chase after him. His close proximity is intoxicating.
As if he senses your inner battle, he grins and nods to you before sauntering away.
"I will put on a good show for you, my lady."
You find yourself alone, wishing he had stayed longer.
~~~
It was not mentioned again, and now you find yourself in your room preparing for the event. You dress modestly, still unaccustomed to the fashions on Giedi Prime. A black dress does nicely, with your hair loose. 
You still have plenty of time before your attendance is necessary, but you traverse to the arena despite this. The hallways are as colorless as everywhere else, a maze of black and white. 
Feyd is being dressed as you enter the room. His sharp eyes betray a smidge of surprise which he masks underneath an air of haughtiness. 
The servants attending him walk on eggshells, knowing that any wrong move could cause their demise. 
"You may be dismissed," you say, addressing the servants. 
Their eyes flicker to you with uncertainty. The servants do not move until Feyd snarls, "Do as she says!"
Instantly, they are gone. 
And it's just you and the warrior. 
You approach him slowly, picking up the paint pot that the servant abandoned. Circling him, you note how his eyes never leave you, even when he has to twist his head to keep you in his sights. 
"My lord, I hope you can forgive my impertinence, showing up here unannounced."
"Don't be coy," he narrows his eyes, "You're not sorry."
"You're right," you chuckle, swirling the paintbrush through the inky paint. "I'm not sorry to see you, especially like this." 
You rake your eyes over his flesh, barely concealed by a cloth wrapped around his waist. He is truly a fine specimen of a man. 
"May I?" You ask, stopping in front of him. 
He inclines his head. He hadn't been expecting this, since you seemed intent on avoiding the fights entirely. 
You begin by painting the smaller rectangles across his chest and then move to his back. Your brushstrokes are slow, methodic.
He anticipates each cool touch as you meticulously paint his flawless skin. He wishes it was your touch he was feeling, your hands against his skin. He craves it.
Next, you adorn his abdomen, barely concealing the excitement you feel being this close to him. As you finish, he reaches for his clothes but you stop him with a hand on his arm. 
"I'm not finished, my lord."
Intrigued, he returns his arm to his side, staring you down. 
You coat the palm of your right hand with the inky black liquid, never breaking eye contact with Feyd. He doesn't stop you as you press your hand against his warm chest, right where his heart would be. 
You start to pull away, but he is quick to grip your wrist, keeping you in place. For a second, you are concerned that you went too far. Maybe this is the day he kills you for your insolence?
Instead, he lunges forward, catching you in a hungry kiss. He bites and takes, and you surrender with ease. A sense of relief and excitement floods your senses as you kiss back just as passionately.  
"It is fitting," he says once he parts from you. 
He watches as you slowly peel your hand from his skin, leaving a perfect handprint over his heart. 
"What is?"
"That you should mark me like this," he grins to reveal blackened teeth. "You are a stain on my heart."
"How so?" You're still breathless, allured by his gravelly voice. 
"All it longs for is your touch, you vixen."
You caress his cheek, "I'm just marking what I own. And once you're declared the victor, you can come claim what's yours." 
Your words ignite a fire in him and he starts forward but you step back. 
His glare is venomous, as if you just deprived him of oxygen. 
"You have a fight to win, Feyd. Shouldn't you be preparing?"
Turning, you begin to walk away. 
A rough hand snatches your shoulder, and a hot mouth is on your neck before you can blink. He bites down harshly, drawing spots of blood. The pain is expected when dealing with a man like Feyd, but it is still surprising. 
You really have gotten under his skin. 
He releases the pressure of his teeth and drags his tongue over the wound. 
"You needed a mark too, my sweet."
You turn and press a chaste kiss to the top of his head, "Go make me proud, Feyd. I shall see you in your chambers after the fight."
He lets you leave, watching with blood stained lips. 
"As you command, so it shall be."
[please like, comment, and reblog if you enjoyed!]
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letsplayballet · 1 year
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me: (being a little dramatic) haha yeah i wasn't expecting to need food for 10+ days last time i went grocery shopping mom: (was also sick, knows i'm covid positive) you just need to wear a mask you can still go out
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radiance1 · 6 months
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Over the course of a month, Bruce Wayne has been followed by these little green creatures relentlessly.
The man himself didn't even know why these little... blobs, started following him, according to him, one just showed up one day, left a few days later, and came back with more.
The batkids have obviously made multiple jokes about how his adoption powers extend to even non-human entities.
(Jarro the Starro is a hard example.
Unluckily for Bruce , they seem to follow him while he's out on the prowl as Batman, luckily for Bruce however, no one seems to figure connect the dots of Bruce Wayne and Batman being the same person.
(Unknownst to him, the batkids edited the theory of Batman being Bruce's sugar baby to include the Blobs and calling them their unadopted kids and calling Batman the mother)
More and more just seem to... pop up, really. It wasn't a problem, the manor had more than enough space for them, and they were completely and utterly harmless really.
It wasn't a problem.
Until, at the end of the month, with the entire Wayne family in attendance at a gala plus their new unofficial yet official siblings.
Something happened.
A bunch of blob ghosts popped up through the room's floor, and that wouldn't be a problem.
If it weren't for a voice following after.
"Yes, yes. I'm still following, don't worry."
Which was immediately followed by a large, and they mean large, tendrils of green goo (that looks similar to the Blobs) raising from the floor.
The entire Batfam was instantly on alert. The rest of the Gala attendees watching on in both curiosity and some fear.
It kept raising, and raising, and raising. Until the tendrils fused into a mass of goo that morphed into a god damn dragon.
A dragon who was holding its face on top of its claw, while Bruce Wayne was pushed forwards by the multitude of Blob towards it.
It looked down at him, seemingly bemused and eyes holding a hint of recognition, as if he was vaguely familiar.
"So, you are the one so favored by my subjects, it seems?" The dragon leaned down, still staring down at Bruce. "Well, you do seem to hold some features of my own father, so I suppose they could be a reason why."
The dragon sniffed, before blinking in reply.
"Oh, you stink of death."
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hero-the-meep · 4 months
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Why is the Doctor making Donna a cup of coffee so significant?
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Well, he is trying to impress her, to get her to travel with him again – like he tried to do by using the TARDIS to make it snow at Christmas the first time he asked her to travel with him.
But he got that attempt wrong. Donna doesn't like Christmas, and the Doctor having the power to make it snow "scared her to death."
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A cup of coffee, just how she likes it, is (on the surface of it) a smaller gesture to show that he remembered the little details about her. A cup of coffee is what brought them together all those years ago.
But it's what Donna told the Doctor about what Lance making her that cup of coffee meant to her that the Doctor really listened to and remembered.
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"I was temping. I mean, it was all a bit posh, really. I'd spent the last two years at a double glazing firm. Well, I thought, I'm never going to fit in here. And then he made me a cup of coffee. I mean, that just doesn't happen. Nobody gets the secretaries a coffee. "And Lance, he's the Head of HR, he didn't need to bother with me. But he was nice, he was funny. And it turns out he thought everyone else was really snotty too. So, that's how it started, me and him. One cup of coffee, and that was it."
Donna fell in love with Lance because he made her a cup of coffee. So used to being unnoticed and uncared for, something as simple as an 'important' man taking the time to make her a cup of coffee meant everything to Donna.
She thought it was a sign that he was kind, that he was nice. She thought it was a sign he noticed and cared for her.
And the Doctor sees how it devastates her to learn the real reason why he was making her coffee was to drug her for his own ends. Despite their differences, he's gentle when he breaks it to her. And it connects her to him in a shared grief.
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So when the Doctor makes her a cup of coffee after she regains her memories, he's not just telling her that he remembers the little details about her like how she likes her coffee, but the big things too.
He's showing that he sees her, that he cares about her thoughts and feelings, that he wants to care for her after all these years when he couldn't. That he knows how important this is to her.
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But that's not all.
In the alternative timeline, Donna never meets Lance. And yet, when she is upset, and afraid, she asks Rose Tyler for a cup of coffee. Steam rises from her mug as they stand around the console inside the dying TARDIS, and have the most honest conversation they've had yet about the Doctor and their feelings towards him.
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In the proper timeline, the person we see Donna drinking coffee with is Wilf. In moments of joy and moments of upset they bond over coffee. Before she finds the Doctor again, Donna brings Wilf a thermos to escape Sylvia's criticisms.
Wilf is the only person in Donna's life who she can be herself around, who has unconditionally cared for her, and who she takes joy in caring for back.
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Even in the alternative timeline, Wilf has held onto not only the telescope but the exact same thermos Donna brings him coffee in when he's up on the hill.
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For the Doctor to remember how she takes her coffee, we know they must have had moments together like this off-screen too.
So when the Doctor makes her a cup of coffee, just how she likes it, he is communicating he remembers not just the small details of her but that he remembers all these things that she associates with making someone a cup of coffee – kindness, acceptance, being noticed, caring for someone and being cared for, home, and family.
It's possible, for the Doctor, there's an apology in that cup of coffee too.
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But wait, there's still more.
Did Donna spill the cup of coffee on the console on purpose?
The slight of hand was rather obvious. And it came at a time when Donna was trying to convince him not to leave her, to come back home to her, if only just for a visit.
He'd not said no, but she'd easily seen through him the first time he lied about coming inside to have dinner with her family that first Christmas, and likely saw through him again – the avoidance of eye contact, fiddling with the TARDIS, the wane "yeah, maybe."
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She also rather clearly wanted to go on another trip with him (she never wanted to stop in the first place), and was only saying no because of her obligations to her family. It's possible she was buying time by spilling the cup of coffee – just one more than one last trip, without it being her "fault."
She had, after all, just dropped a cup of coffee on a computer and lost a job she'd probably hated, knowing Donna. And before things had gone really wrong, she'd definitely been enjoying herself.
It's also possible she's still quite angry with the Doctor, but unable to fully verbalise this yet.
He connects the cup of coffee to remembering every detail of her. She has not been able to remember any detail of her life with him. The last time they were standing around the console together, he took her memories against her will. He says it killed him; but she – or that version of herself, the one she actually liked – was arguably the one who was killed.
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And she might be remembering Lance, another man she truly loved and trusted, and how a cup of coffee seemed like a kindness but was in fact a lie, a violation.
The Doctor quite possibly also suspects something like this is what might have happened, given his level of anger at her.
Despite the fact that this Doctor is more able to admit his feelings, we don't see what happened between them when he took her memories ever properly resolved in words.
Instead, there are a series of proxy arguments that stand in for it – Donna's anger that she gave away all her money because of him, that he sees taking the slow path, living a life day after day as such agony when he made her do it, his anger at her faith that he will know how to defeat the Toy Maker.
And their most emotional proxy argument of all – who is at fault for stranding them at the edge of the universe? Is it Donna, who spilt the cup of coffee, or the Doctor, who she couldn't stop from wandering off?
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Thematically, however, there is some resolution. The Doctor lets Donna decide to regain her memories, even if it means she'll die. The Doctor knows Donna enough to save her from being left to die alone, even if it is at the very last moment. The Doctor admits he used to think he knew everything, but now he knows he doesn't.
Donna gets to tell him it's not all about him saving her, gets him to stop, finally gets him to come home with her.
And in their last scene, it's the Doctor who is having the cup of coffee.
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