what are some series / movies / comics / creators / directors / art pieces / etc. that you connect as what an adaptation would look or feel like for ai the somnium files or the sequel? or any reference scenes , gifs , moments , art works , music for characters or scenes?
for some reason i feel like the aesthetic / cinematography / direction of occultic;nine (like seriously!!!) , blood blockade battlefront, rie matsumoto , sakurako’s investigation / Sakurako san no Ashimoto ni wa Shitai ga Umatteiru, satoshi kon (paranoia agent , paprika , millennum actress, etc.) , the visuals of revue starlight , the direction of naoko yamada and mitsuo iso (orbital children), the cowboy bebop movie for some reason (maybe its the lighting or the choreography (that entire train fight though) or narrative idk ) , would make for a neat adaptation
(please share your thoughts with me , cant stop thinking about this idea)
5 notes
·
View notes
i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.
i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it
1K notes
·
View notes
Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*
But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.
They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.
My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.
As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.
Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.
*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)
Anyway.
344 notes
·
View notes
Unspoken tension ahead of Charlie Work, a wound left open in Family Fight
The Production Order (the order in which the episodes are written) always seems of some value to me in Sunny, but 10 I find especially substantial. With half of the scripts of the season written by RCG, 4 are back-to-back (with their 5th one, Psycho Pete, being 2nd in order).
The run begins after The Gang Spies like U.S. Going off that into Charlie Work, as opposed to into that off Charlie Work, paints a very different narrative for the timeline.
We leave the reveal that Mac and Dennis are jerking off together into an episode that starts with high tension between Mac and Dennis. Dennis is frustrated that Mac isn't being direct, won't look him in the eyes, he's avoidant, timid. That's interesting, because Mac isn't usually any of those things, he's direct and abrupt and loud. Off 9, fully establishing Mac is gay, juxtaposing his closeted behaviour to Country Mac's openness, 10 focuses hard on the fact that Mac's confidence is continually battered as he refuses to step out of the closet. The Gang is tired of it, but Dennis is frustrated. His words maybe cut even deeper than the scratch, "Come to me like a man. Talk about being tough all the time, can't even look me in the eyes."
We leave CW and go into Family Fight, written right after, also by RCG. This episode has big focus on Dennis' obsession with public perception of himself, and the Gang. Though he can initially handle masking his demeanor, his tone of voice, what he can't mask are his words. He's smiling, he's 'joking', but there's deep truth in what he’s saying. He's frustrated, though his frustration in the moment is intended for Frank, Mac feels it directed at him. There's a fresh wound between them, because Mac fully understands what his feelings for Dennis are now, and that’s irreparably shifted their dynamic.
Misses the Boat is the last RCG-written episode of the season. From Charlie Work, where we’re kinda first faced with the fact that Mac is now overly-concerned with how Dennis perceives him, to Family Fight, where Dennis' masks slip completely and he has a public breakdown, they both veer hard to straighten themselves. Mac, very quite literally, goes straight, and Dennis resolves that he needs to cut ties to get back to being ‘cool’, he’s going to be a cool guy who has a cool car and hangs out with a babe and is cool.
But what we learn in Misses the Boat is that how they think the world views them, or should view them based on how they believe they present, isn’t who they are. They can’t actually function well in these situations. Dennis, untethered, somehow can’t control his rage as well as he can when he *is tethered* to the Gang. Mac, well, he isn’t straight, and he realises pretending to be into women is miserable.
Dennis gives him the offer: Do you want to go back? (To not addressing it, to a standstill.) And Mac quickly, excitedly takes it. Looping back to where they are in Charlie Work, back to where they settle for too long: Mac, absorbed in himself, clawing for approval from Dennis, and Dennis lashing out, tired of telling Mac what to do.
And I think this is why I love 10 more than anything, it finally addresses the issue the audience knows. With Charlie, Dee, and Frank, too. They’re going nowhere, spiraling in circles because they refuse to address the roots of their issues, and Misses the Boat makes them, themselves, fully aware of that fact. They’re miserable together, but they’re worse off alone. And they go into 11 and beyond knowing this, and all kind of resenting each other for it, until 14. Where they acknowledge it again, and decide they’re going to keep playing the game even though it’s set.
238 notes
·
View notes
Reworking my neurodivergent Fuuta post because I had more to add and wanted it in one place 👍It started out just silly thoughts and projection but I have a lot of evidence now??? It feels pretty solid!
🔴 He holds to an overwhelming sense of right, wrong, rules, justice, etc. It’s a system that makes sense to him (you learn to apologize before anything else, right?) and he’s obsessed with it. He's an extreme rule follower. He's obviously careful so he's not called out online, but even inside Milgram. He follows Es' orders naturally. Even though they’re silly, in the minigrams he’s repeatedly reminding people of the rules about requesting items. Even though he'd been shown to voice thoughts about escaping, he refuses, and is too much of a stickler that he won’t even let other people request things considered dangerous.
🔴 He takes things very literally, most notably some of the interrogation questions. In both his vds he’s pretty particular about describing his involvement, taking a long time to admit he could be a killer because his situation falls pretty far out of its normal definition.
🔴 He’s shown to be intensely lonely: sitting alone, walking alone, watching others from the outskirts, but thriving online where the social rules are different. He has trouble identifying/defining friendships, choosing to focus on the sharing of interests and excitement.
🔴 However, he does find a group that accepts him and listens to him -- and that feeling of belonging becomes intoxicating. The typical “gets a taste of doing something correctly but then gets carried away and crosses a line in excitement”
🔴 He doesn’t think hard work can get him anywhere in society, he doesn’t have any goals, he struggles at school, he wants to just go with the flow -- aka, burnout from trying so hard in a society that isn’t made to accommodate you. Instead of focusing on that, he loses himself in fictional worlds of heroes and villains. He sees connections in everyday life, occasionally getting so lost in them that thoughts of them bleed into reality.
🔴 He's bad at lying. Or, he has to deal with people pointing out nonsensical body language cues to make assumptions about his emotions (which is just as much a neurodivergent experience, unfortunately).
🔴 I know all the prisoners have some kind of act they put up to cover up their true emotions, but it’s still so obvious how he lashes out in anger instead of properly processing/expressing his legitimate fear of the entire situation.
🔴 Extreme restlessness when waiting in an empty room all alone
🔴 This may be more personal interpretation than evidence (because I don’t know how it holds up in the original Japanese), but his line in Muu’s bday timeline just struck me as someone who isn't usually accepted or accommodated for when they're feeling down.
🔴 Also. Transed Gender. 🏳️⚧️
180 notes
·
View notes
a cute detail in haruka's room
This turned into a half-ramble half-headcanon post so I apologize for how messy it is lol
While watching undercover for the first time I noticed that there seems to be a sketchbook in Haruka's room, in which a colorful tree is drawn
Haruka seems to be hyperempathetic, and usually hyperempathetic people are quite artistic in their worldview and their hobbies, so I have a headcanon that Haruka likes to draw and/or paint, as a hobby and coping mechanism, a little escapism (especially since Haruka's no.1 coping mechanism with traumatic/stressful events seems to be denial—I'm going to elaborate on that in a different post because I've thought about that very, VERY often, and it partially explains why he acted the way he did in T2, to me) (I'm projecting a little bit because I kin Haruka and I'm a (hobbyist) artist myself but teehee)
When he was asked about his hobbies in his T1 interrogation, he just said he liked to talk to the other prisoners, but I think that's because he's insecure about his art being bad or unconventional (it looks like he used crayons or simple markers for the tree drawing. And also, the leaves are all different colors... perhaps I'm overanalyzing a simple scene, but it seemed to me that it's kinda symbolizing how he views & interacts with the world differently because of his neurodivergence. Still, the drawing is quite pretty imo, and he used the colors very well, so even though it's a tree with unusual colors, it still looks beautiful; even though he's different, it doesn't mean he's inferior, and there's still beauty despite how much he struggles to fit in. You know?)
Also also the way a lot of frames in weakness have hyper-realistic, vibrant backgrounds, as well as the blood being colorful (though that appears elsewhere too, like in Muu's MV) it really convinced me that Haruka sees the world through the lens of an artist, a passionate person who feels things very intensely.
Since the prisoners can request anything, I like to think Haruka secretly requested a sketchbook and some crayons to continue his hobby (I'm not sure if he can do that since it's unclear how the prisoners request & receive stuff (I'm a relatively new Milgram fan so I might've forgotten/not have seen an explanation if there's any ueueu))
I like to think he keeps his sketchbook to himself at first, but slowly opens up to the other prisoners about his hobby. First Fuuta and Mu, then maybe Mikoto, then the others (and they're all very nice to him & praise his art!!! Especially Mikoto I think. he would be very excited to see all of Haruka's art!!! Supportive big brother figure) :3c
76 notes
·
View notes