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#this is what i choose to come back with
vashtijoy · 9 months
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"why not join me instead?" akechi's "invitation" in conf 7
People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".
Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.
Quick summary:
Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;
Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;
"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;
Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;
Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?
Let's take a look.
what is akechi really asking?
[long post is long]
Look at this line. Look at the question he's posing:
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Akechi いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。 isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa Why not join me instead...? All you'd have to do is abandon the teammates you have now.
It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"
The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:
"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)
Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.
Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.
Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.
Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.
This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.
This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.
so why does he ask
Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.
Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.
Remember Joker's statement that leads into Akechi's question:
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Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.
And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.
It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:
Joker それは無理だ sore wa muri da I'm not doing that. No way in hell. Akechi だろうね。 darou ne I thought as much. Akechi 分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.
See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".
Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)
the phone call
This parallel returns in the phone call afterwards, if you again tell him that you're rivals:
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It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:
Akechi 僕らにはお互い譲れないものがあって、そのためにも負けられない。 bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai [lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.] Neither of us can afford to lose, because we fight in service of our principles. It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede. Akechi ⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。 ... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo [lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.] And that is precisely why... I cannot allow you to change. ... And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi だって、僕が負けたくないのは『君』なんだから。 datte, boku ga maketakunai no wa "kimi" nan da kara [lit. it's you as you are now who I do not want to lose to.] As you are now, as you think now... I cannot allow you to win over me. The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.
Here's my attempt at a translation again, so you can see it all together:
Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede. Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.
It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."
This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:
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It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.
The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"
Akechi それでも君は、このゲームを降りる気はないの? sore demo kimi wa, kono geemu o oriru ki wa nai no? Even then... do you still intend to play this game? But despite all of that, you still won't fold, will you?
The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"
How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.
Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.
but what happens if you say yes?
Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.
I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.
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See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!
The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.
What happens if you take this option?
Joker 考えておく kangaete oku I'll think about it. Akechi へえ、考えてはくれるんだ? hee, kangaete wa kureru n da? Oh? So you'll think about it, at least? What? You mean you'll consider it? Akechi ⋯でも、そういうその場限りの情はやめた方がいい。 ...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii ...But I'd advise you don't say these things without their due consideration. ... Still, it would be better if you didn't trust such fleeting sentiments. Akechi 出来もしない約束はするものじゃないよ。 deki mo shinai yakusoku wa suru mono ja nai yo You shouldn't make promises that you can't keep, anyway. Don't be the sort who promises the earth and walks away.
A few grammar points:
んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"
そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.
yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.
Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.
The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?
Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.
what about "you're my rival"?
I've discussed this line before, but let's go into it for completeness.
Joker 明智は好敵手だ akechi wa koutekishu da You're my rival. Nah, you're my worthy opponent.
Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.
No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".
And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.
And how does Akechi respond?
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He's astonished. He did not expect this at all, look:
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On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.
smiles that aren't smiles
I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.
Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:
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But when you pick "You're my rival"? Suddenly the model's face springs to life:
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It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.
and what does he say?
It doesn't take long for him to pull himself together:
Akechi 同意だね、僕らにはなれ合いより対等な関係こそふさわしい。 doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...
This is another one that I find unclear in the localisation, so let's have at it.
nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.
In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".
taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.
That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.
It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.
and what does joker think?
Akechi ⋯たとえこの先、何があろうともだ。 ...tatoe kono saki, nani ga arou tomo da ...No matter what else may change. ...No matter what might come next. Akechi それだけの事を言ったんだから、逃げないでよ? sore dake no koto o itta n da kara, nigenaide yo? In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right? [lit. don't run away just because of what [I/you] said, all right?]
I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.
But it doesn't matter. Because the significance of what Joker does next doesn't change:
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He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.
I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.
Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.
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To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.
#persona 5#p5 meta#japanese language#shuake#goro akechi#ren amamiya#almost the worst part of this is that akechi respecting joker for his loyalty tells you how little he respects himself#also! 'i'll think about it' CANNOT POSSIBLY unlock the third awakening#because the third awakening is *all about trust* and saying yes to akechi proves that you're a traitor#and that 'i won't forgive you if you betray your principles' on the phone? also 2/2. this is exactly what he does if you take the deal#also!! joker makes a third option to akechi's question with 'you're my rival' and this is what astonishes him besides the thing itself#also! (per leonawriter) the maruki deal ending is essentially the nareai relationship#where akira has all the power and akechi..? well#nobody is themself or choosing for themself#also as regards whether akechi is lying he proves himself through action#'i won't let you betray yourself' - he did that already if you tried to take the deal#ALSO? that 'megeru' for 'i won't let you depart from your principles comes back on 2/2#as joker's 'i won't fold'#and ofc it's ALSO akechi's 'you'd fold over...' that precedes that. it was set up in conf 7 if you took the rival route#so tldr it's plausible that 2/2 is as much akechi fighting for his vision of joker as for his right to die. help???#ALSO. did you wonder why it's *awakening* akechi who comes to leblanc? the one closer to you who believes in you more?#this is exactly why. awakening akechi has faith left in you to lose. non-awakening akechi already lost that faith. BYE
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poemsonmars · 2 months
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grief is fucking terrifying.
it covers everything in
such a massive layer of pain.
of confusion. of rage.
i can't breathe through it.
one minute i'm sitting in
my childhood bedroom
and the next, i can't see.
i wave my hand in front of my face
and no one greets me in return.
i don't know who i am without her.
-mars
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starflungwaddledee · 3 months
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I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)
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hear me out: peter pan (2003) window scene
been staunchly avoiding typing too much on most of these but i have some thoughts about this one!
you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?
i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.
i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.
he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground.
you know i could see it.
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takadasaiko · 8 months
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You lack conviction.
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manygreetingsfriend · 1 month
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i’m sooooooo normal about the god of war series. so incredibly normal i liked it a normal amount and would be so chill talking about it. don’t worry about the sign
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#god of war#i’m so so so so so normal about it it’s so whatever it’s so haha you know#something something when it comes to yourself you’ll let yourself drown before you change. you’ll die before you change who you’ve become#to survive this long#up to and until it affects the ones you’ve come to love in this life you’ve made for yourself and you suddenly have no choice but to change#it’s fine it’s ok it’s chill. everyone does this.#it’s becoming a parent and loving your child so much you HAVE to change. you HAVE to be better#we MUST be better. than they were.#who’s they. our parents. the gods that come before us. yes.#i’m screaming i’m crying i’m wasting away im disintegrating. there’s no coming back there no return#you are on your knees. you are gripping your son’s shoulders like they’re the only thing keeping you tethered to the earth.#you are struggling with who you are and who you want to become. you are promising to be better.#i’m so normal about parent(al figures) taking responsibility for their actions and choosing to do better#i’m not high enough to really express what’s going on here. can you feel it? can you fucking feel it?#this series has destroyed me.#dad of boy. dad(s) of boy. i will never be the same (affectionate)#can’t remember the last time i finished a series and went ‘oh well i’ve GOT to play it again Now That I Know’#AND I HAVENT EVEN TALKED ABOUT THE BROTHER HULDRA!!!!!!!!!#sindri’s face. has not left my memory#i’m dying scoob#gow#gowr
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doodlebloo · 10 months
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I’m sure I’ve said this but Penelope Scott “Feel Better” is so c!Tubbo it’s actually insane.
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andthebeanstalk · 7 months
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I saw a post complaining about people acting like Betty is some kind of poor little girl taken advantage of by her situation. And while I haven't seen this happening myself, it does make me laugh to think about because like,
Ma'am, that woman nearly killed everyone in the world *TWICE* trying to save her husband, INCLUDING TRYING TO MURDER ICE KING.
That woman has a body count that nobody asked her to make! She is just! So good! At crimes!! And we love that for her!!!
#girlboss #golbboss #God-Forbid-Women-Do-Anything
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ronon-dex · 5 months
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'fury' is easily the most fucked voyager episode like sorry. sorry,
you're trying to tell me kes. sweet, selfless kes, who was best friends with tom and tuvok and the doctor and who adored janeway and who was adored in return by janeway, kes who forgave neelix anything because she was just that kind - kes - returned after VOLUNTARILY leaving voyager (AGAINST janeway's wishes mind you!!!!!!!!) solely to send the entire crew to organ harvesters????? as revenge?????
putting aside the fact that she would never ever in one million years hurt these people - wouldn't she be better served times a thousand by going back further in time and TELLING young kes to stay on ocampa? what sort of bloodthirst requires anyone to sacrifice a ship full of their friends in order to rectify a mistake YOU made?????
and then they had janeway kill her. they made janeway, who cradled kes's face and who cried when she left KILL HER.
oh and janeway and tuvok have been hiding the secret that kes is going to go psycho in a few years from the rest of the crew, even from chakotay. and you're telling me they knew all about seven and the borg kids and naomi since s1 but secretly.
perish.
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rhymaes · 5 months
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Mysterious Lotus Casebook, Ep. 40 // The Acts of King Arthur and His Noble Knights, John Steinbeck
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ineed-to-sleep · 5 months
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ENDING SPOILERS FOR BG3 AHEAD
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Hate that I found this scene kinda hot
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tibli · 5 months
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people really act like johndirk murdered their entire family or smth
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hbdttg · 1 year
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Eddie, or something that used to be Eddie, wanders the Upside Down in the aftermath of it all.
He may not know where or who he is, but he knows he belongs. His heartbeat syncs with those of the screeching creatures that soar up above. The thrumming in his veins mirrors the pulsing of the vines that cover the ground at his feet. The hunger at his core is shared by the flower-faced beasts that roam the earth on all fours. He belongs, so he must be home.
Weeks after waking—or months, or years; time is unpredictable in this place, moving at whatever speed it so chooses, sometimes not moving at all—Eddie happens upon a gate. It's located on Morehead Street and small enough that he might have walked right past it if not for its peculiar orange glow.
Curious, Eddie digs his clawed fingers into its center, tearing through the viscous membrane until there's enough space for him to crawl through. He drags his scarred body through the tiny opening, dropping onto the other side with practiced grace. He finds himself atop what appears to be a crumbling staircase, overlooking a decrepit landscape that stretches on for miles.
Gone are the blue-gray skies, replaced with hazy red, roiling fog, and flashes of vibrant lightning. Gone is the air damp with rot, replaced with a sticky blanket of humidity and the scent of acrid smoke so thick he can taste it on his tongue.
Eddie descends the staircase, heedless of the wet squelch his shoe makes when he steps through a puddle of black, oily liquid at the bottom. Intrigued, he runs a pale hand lightly over a nearby tower of stalagmite. The place is littered with them, pointed spires made of knotted, dormant vines.
Eddie steps toward one of the larger spires, taking in the figure encased in its vines. It's a human girl, fair-haired and slight in stature, held upright against her tower by large, twisted tendrils. There's no life in her, just the stench of death and decay.
For a fleeting moment, Eddie thinks he might know her. But that's impossible. He knows only his brethren, knows only their chitters in the dark and their shrieks overhead.
He turns away from the girl, staunchly ignoring the deja vu that grips him as he walks away from her. It unsettles him, that niggling feeling he's missing something important here.
Without warning, a bell begins to toll, its ominous knell crashing through the air like thunder. The distant sound of footsteps reaches his ears next, accompanied by heavy, panting breaths and the occasional hissed curse.
Eddie conceals himself behind a partially standing wall, peering through its broken glass windows in search of his interloper. He spies a figure approaching, running through the fog in a zig zag pattern, as though trying to evade something. As the figure gets closer and Eddie can make out more of its features, he realizes it's a boy, carrying a bat embedded with nails and dressed in a brown leather jacket underneath a battered denim vest.
Denim vest?
Eddie doesn't have time to dwell on the vague sense of familiarity that flashes through him at the sight of this boy—of the vest—because the fog and miasma behind him slowly start to clear, revealing a large, gnarled creature walking calmly after him.
"Why do you run from me, Steven?" the creature says, its voice sinister and seductive, a long-stemmed rose laden with thorns. "You asked me to find you. You begged to be mine. Because you know, Steve, that only I can end your suffering."
The boy skids to a halt beside the body of the girl. He whirls around to face the creature, throwing an arm up to point at her remains. "End my suffering like you ended Chrissy's?"
Steve? Chrissy?
The creature laughs, an ugly, croaking sound that sends shivers up Eddie's spine. "She is beautiful now," it croons. "And you will be, too, once you join us."
And that confuses Eddie. Because despite his dirtied appearance, windswept hair, sweat-slicked face, and scarred neck, the boy before him is already beautiful.
"You want me?" the boy—Steve—spits as he brings both hands together, knuckles going white as he tightens them around the handle of his bat. He raises it between him and the creature, widening his stance and shifting his weight between his feet in anticipation of a fight. "Come and get me!"
As soon as the words leave his lips, the vines at his feet spring to life, shooting up and thrusting him back against a nearby spire. The force of it visibly knocks the breath out of Steve, but he was apparently expecting something like this, because he managed to bring one hand up to the level of his eye before he was fully immobilized, trapping his wrist in the hold one of the vines has against his neck.
"Poor, foolish Steve," the creature says, slowly approaching him. It huffs out a derisive laugh as it steps over the fallen nail bat, then reaches out a thrawn, leathery hand, hovering it over Steve's face, clawed fingers curling as if to grasp him, puncture him. "You cannot run from me."
Steve gasps and struggles against his binds, but goes still when something new resounds through the air—the sudden blare of an electric guitar, followed by a series of deep and distorted notes that Eddie can feel in his very bones.
Drums come crashing in, loud and unapologetic, and he revels in the sheer power of it all, letting the music wash over him and set his nerves alight.
"Try and stay very still," the creature murmurs, giving the noise no mind. "It will all be over soon."
Slowly, Steve's brows unfurrow and he actually smiles. "Yes, it will," he manages to choke out, the challenge in his voice apparent despite its compromised state, "but not in the way you think."
As if on cue, a voice rings out, rough and raspy and angry and perfect above the thunderous melody that fills the air. The words are familiar, seared in Eddie's mind like a memory. Without a doubt, he knows this song. If only he could remember how he knows it.
With the voice comes a gate, though it's unlike the one Eddie came in through. Its edges are wispy, like the fog itself cleared to make an opening, and he can see clearly through it to the other side.
The scene features three unconscious bodies. The first is Steve's, wearing a set of headphones and levitating several feet off the ground. The second is a young girl's, floating in a bathtub with a blindfold tied around her head. The third is a boy's, slumped over the side of the tub with his fingers intertwined with the girl's.
A gaggle of children are split between them, some kneeling by the tub and others standing below Steve, jumping and screaming up at him. Their faces are so familiar. Eddie wishes he could place them. But all he has to go on are the frantic pounding of his heart and the bone-deep feeling that these people, these strangers, are important.
There are older kids scattered about, too, one of which has her hands wrapped around Steve's ankle, yelling as she tries to keep him tethered. Her voice is muffled, but Eddie can make out her panicked, "That's enough, dingus, it's time to come back! They've got it from here!"
The song swells, powerful and ferocious, and Eddie feels the chords right in his very heartstrings. He looks down at his hands, watches some muscle memory react viscerally to the song's fury, watches his fingers start to curl as if itching to rest on a fretboard.
"This is for Eddie, you ugly son of a bitch!" Steve yells up at the creature. He manages to leverage a bit of space with his trapped hand, then—at the crest of an absolutely face-melting guitar solo—drops his head to take a huge, violent bite out of the vine wrapped around his neck.
Several things happen at once:
1) The creature—Vecna—rears back, affected enough by Steve's display of unhinged ferality that the vines loosen their grip on him. Steve bursts out of Vecna's hold and starts sprinting toward the gate.
2) Two figures materialize behind Vecna: the girl and the boy from the other side. He must be Will the Wise, in all his bowl-cut glory. And she must be Supergirl, if the way she blasts Vecna straight through a nearby wall is any indication.
3) Eddie fucking remembers.
He remembers Hawkins and the Upside Down. He remembers Vecna, and Chrissy, and nearly every single face on the other side of the gate.
He remembers Dustin sobbing over his dying body; he remembers Max offering up herself up as bait; he remembers Lucas turning on the basketball team to help his true friends; he remembers Erica thrusting a belt made of literal bullets into his hands; he remembers Nancy wielding a felonious shotgun into battle; he remembers Robin's knowing expression at hunt the freak. He remembers Mike Wheeler, and Jonathan Byers, and—well, not the long-haired guy next to Jonathan, but that's probably fine.
And of course, he remembers the boy who'd stripped off his yellow sweater and thrown it in Eddie's slack-jawed face, who'd worn Eddie's battle vest over his still-bleeding battle wounds, who'd walked side-by-side with Eddie in a forest full of danger and decay, who'd blushed so prettily when Eddie called him big boy, who'd held Eddie's gaze and warned him not to play hero.
Eddie remembers Steve.
Later, once they both tumble through the gate and end up on the ground in a pile of limbs, Eddie will groan low in his throat and try to untangle himself from Steve's heavy body. Steve, terrified that he might have brought something dangerous back with him, will twist on top of Eddie and nearly slam his head down into the tiled floor, stopping himself only once he realizes exactly who he has pinned under him.
Later, once the party finally stops screaming in response to Eddie's sudden appearance—to his literal resurrection—Steve will drag him into his chest and clutch desperately at his back, rocking their bodies back and forth in near-catatonic shock. Eddie will clutch him back just as tightly, drenching his shirt with hot, wet tears.
Later, after Vecna is reduced to mere dust and Eddie struggles to heal from his months of being trapped alone in an alternate dimension, he'll dial Steve's phone number in the dead of night just to hear another person's voice. Steve will talk about nothing and everything, hanging up only when he can hear Eddie's breaths slow and finally even out through the line.
Later, Steve will admit he purchased Metallica's record shortly after Eddie's supposed death, wanting to hear the song he played in the Upside Down, the legendary song he used to brand himself as bait before running off to protect Dustin and buy the rest of the party more time. Eddie will hide the pleased little thrill that rushes through him at Steve's admission by throwing an arm around him and insisting they'll make a metalhead of him yet.
Later, Eddie will bring the subject up again, curious to know how the song became Steve's Vecna song. Surely he had other options that he'd cherished for far longer than the several months he'd known Master of Puppets. Steve will quietly confess that the song made him think of Eddie, of a fiery, vibrant life snuffed out too soon. And though Steve made the mistake of not turning from the Creel house and running back to Eddie that night in the Upside Down, he knew if he'd ever have to fight for his life trapped in a Vecna mind prison, he'd do it right. He wouldn't for one second hesitate to run toward the song—to run toward Eddie.
Later, Steve will gently cup Eddie's cheek and press in, close enough that they both have to go slightly cross-eyed to keep eye contact, that they feel each other's nervous, shallow breaths in the space between them. Eddie will grapple with the slew of feelings swirling messily in his ribcage before his stubborn resolve wins out and he presses his lips against Steve's in a long overdue kiss.
Later, Steve and Eddie will fall in love. But now?
Now, Steve runs.
And Eddie, or the something that never truly stopped being Eddie, follows.
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daily-hanamura · 8 months
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Jon becoming KiTN in Winds (specifically) would actually be bad as far as themes go
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camgoloud · 1 year
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one small detail that stood out to me about this latest episode that i haven’t seen anyone else talking about yet is that when the commentators are calling colin “inspiring” and the “man of the match,” they are celebrating him not for actually scoring the goals himself, but for providing the crucial assists to make both of them happen. and i really love that because for me it’s the absolute perfect wrap to his character arc across all three seasons!
like, we know that colin’s job on this team has never been to score goals. in fact i’m pretty sure we’ve never heard about a single goal that he has scored. colin is and always has been a team player, not a star—and we’ve seen that crop up over and over. notably, we’ve seen the fact that he’s not entirely at peace with that crop up over and over: see the way he was affected by nate’s entire holidy-inn-painting monologue, being benched to make room for zava, etc.—like, this is the thing he’s sensitive about! this is where all of his insecurities come from!
but at the SAME TIME it’s also tied very intimately with all his struggles re: hiding his sexuality— “colin’s a chameleon,” etc. it’s fascinating because there’s SO much tension there between colin 1. feeling bad about the fact that he never stands out on the pitch the way some of his teammates do, because of who he is on the team, and 2. feeling like he CAN’T stand out, ever, because of Who He Is As A Person. etc. it’s like. he’s filling this role in the background. he’s afraid he’s not doing it well enough. he’s afraid that what and who he is isn’t good enough and isn’t worthy of recognition. he wishes he were someone different. trying to be someone different in the locker room is clearly making him so unhappy and stressed out. it is All Connected and my thoughts have been doing laps around it at an ever-increasing rate since i watched episode 2.07 ‘headspace’ if not before!
and all of this is why it’s so incredible to me that in the end, colin’s big moment comes from making assists and not goals! because on the one hand i understand the fandom desire for the colin post-coming out glowup that we all knew was coming—to see him, like, ~prove everybody wrong about him~ and inspire people by suddenly becoming a standout player and scoring goals left and right, even though that never used to be his role on the team before. and don’t get me wrong, i was 100% on board that train, and would have loved it for him if that was how it went down in the end, also. i think he should get to score here and there! as a treat! especially now that richmond are playing total football and there’s been so much emphasis placed on how it’s not just jamie/dani/occasionally sam who are making all the goals anymore!
but i don’t know! especially after the events of the last few episodes, there’s something very special to me about getting to see a colin who, rather than becoming someone entirely new in the moments right after coming out, just feels free to become, and be at peace with, the best version of the same self he’s always been. he’s still a team player first and foremost, but now that he’s not as weighed down by the need to chameleon/hide/pretend to be someone he’s not, he’s so much better at it. and everyone sees this! he gets to be celebrated for his contributions within the role he’s always played! he (and everybody else!) finally recognizes the value that he adds to the team just by being himself—fully himself! it resolves all the tension and insecurity that we’ve seen him struggling with this whole time, on every level. and so this moment was genuinely the perfect ending for his journey in my opinion—i’m so so happy that we were tall enough to join him on the ride here, and so excited to see what he does going forward these last few episodes now that some of that pressure is off him <3
#it's like. he doesn't want to be a spokesperson! he shouldn't have to End Homophobia by becoming zava 2.0! in fact it would not be possible#for him to do this even if he DID come out publicly and then became the best goal-scorer the league has ever seen because the people who are#the problem will ALWAYS manage to find something to attack him for no matter what he does#what's important to me and i think to him as well is that he has the confidence in himself that he needs to perform at his own personal best#and that his teammates recognize this and support him the same way he has always supported them both on and off the pitch#and while a part of me would have liked to see a public coming-out arc i completely get why they're not going there. it would be a lot to#tackle and this season is already getting justified criticism for spreading itself too thin#i think it would have been POSSIBLE to do and do well but. it would place a LOT of constraints on the entire rest of the plot#and i do recognize somewhere in the back of my brain that colin is not ACTUALLY the protagonist of this show for most people#so them choosing to take the character in the ‘i don’t want to be a spokesperson’ direction instead makes sense and was handled very well#anyway. one other reason i’m pleased about all of this is that while most of my recent tl fic is no longer canon-compliant as of this week.#i sure did NAIL the happy ending being an assist and not a scored goal. have been thinking these thoughts for WEEKS and i feel so vindicated#ted lasso#ted lasso spoilers#colin hughes
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beanghostprincess · 3 months
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My current favourite crackship that I just created myself is Hiyori×Alive!Kuina. Just because if she can't get Zoro she'll just go for his cousin instead.
You're a genius. Your brain is huge. Please, let me kiss your brain. This is just amazing. I love lesbians. You're SO real-
Hiyori is easily one of my favorite characters and I love her SO much and people won't stop reducing her to her ship with Zoro. I think she doesn't need anybody and if she did want somebody it should be a girl. Because I say so. And Kuina is just,,, She would've been such a great character. Can't stop thinking about this fanart I found because it has changed my life for the better. She's in Wano to train to become the world's greatest swordsman and I'm just thinking about what if Kuina had been there to help them out too and she had been the one to save Hiyori all those times instead of Zoro.... Thinking thoughts. Like, of course, Hiyori and Zoro also have their moments because I do actually like their dynamic and I think she admires him a lot!! But you know. Kuina saves Hiyori a couple of times (when Zoro was going to do it, actually, she just appears like a second before him and ruins his moment) and Hiyori just melts. Because who wouldn't? Kuina would be so tall and strong and a sizeable woman, and I would personally die if she helped me save my country. Besides, I think they'd understand each other because both are women that have been reduced to that role specifically instead of their ambitions and their power and they're so much more. Hiyori was helpless when she had to see her country turn into this mess and she couldn't so anything else but to pretend,, Like-- If somebody knows how being a woman in the world works is Hiyori, and Kuina would understand. She'd admire Kuina so much for her abilities and her personality and ambitions!!!!!! And Kuina would absolutely love Hiyori's kindness and strength for being able to put up with so much!!!
Not to mention that Kuina would be taller than her,,, And bigger,,, And Hiyori would have to look up,, And this is now just the aesthetic part but God they'd look so different. That's Hiyori's guard dog. Wouldn't it be funny if Kuina were all serious and teasing with Zoro and like "*raises eyebrow* seriously?" type of masc girl, and the second Hiyori is around she turns into the happiest person in the world and extremely protective of her? Zoro judges her but he can't say shit because he's literally the same with Luffy (and Kuina teases him even more because she always has the upper hand and it makes him so angry). They're both down bad. Hiyori is just so nice to her and keeps saying she trusts her to become the world's greatest swordsman but even if she doesn't, she'll always have her heart and a place to stay in Wano. And I am weak, guys, I am so weak for lesbians.
Aghhh this is SO good. Somebody make them kiss. I- This is great. Oda could just say "ah yes Kuina actually escaped her hometown on her own and faked her death and traveled to Wano" and I'd believe him wholeheartedly because I want her back. I also want Hiyori back. I miss Wano sometimes a lot.
Also, Kuina sees Zoro with Enma and she goes:
Kuina: Oh cool, you got Hiyori's sword. Good luck with that one. Zoro: Do you want it or what? I am not giving it to you. You'll have to fight for it. Kuina: Nah, when I win our fight I want to win against the king of hell. Nothing less. Zoro: Where's the 'I can't win I'm a girl' bullshit now? Kuina: Stayed with the girl. Now I am a woman and I am going to beat your ass.
And Hiyori looking at them having the biggest lesbian moment in the world kicking her feet and blushing and Momo is next to her like "hehe you have a crush-" and he doesn't get to finish what he was saying because Hiyori hits him so fucking hard he faints. Don't tease her. Poor girl. She's in love, leave her alone.
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