Romance is (not) dead
Ghostwriter was one of the most annoying ghosts Danny tended to deal with, ever since their altercation at Christmas their fights only continued to escalate.
However, the halfa swears that he didn't mean to tear up the little book Ghostwriter was writing for Valentine's Day. He may not have a partner for that year but he understood how important books were to the ghost, they were his obsession! Danny didn't mess with obsessions.
But a ghost angry with his obsession attacked won't listen to reason, so Ghostwriter trapped Danny in another of his novels. The halfa was seriously considering destroying the keyboard that was causing all his headaches but that would be quite awkward.
Now, he had faced this scenario many times before. The problem was, this was a fucking romance novel, and what's worse, someone got stuck with him.
The tourist, whose name was apparently Jason, also had free will, which made more sense when the rest of the people in Amity Park started acting like they were a couple.
Contrary to expectations, Jason seemed thrilled about the situation, even after he explained that it was the fault of a ghost. The man was offended when he told him that he would release them! He didn't even seem fazed by the fact that they had been forced to be a cliché couple.
Jason on his side was quite happy to have visited Amity Park, he heard stories about ghosts and since he had nothing to do during Valentine's day he decided to check it out. The ghosts not only turned out to be real but they were also helping him fulfill his childhood dream, it was amazing. The boy he had been matched up with was also cute.
That's how an excited Jason Todd and an incredulous Danny Fenton found themselves stuck acting out all the typical scenes portrayed in books, from love at first sight to a confession in the rain. At least one of them seemed to be having fun.
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i think what enthralls me most about mal/alina/nikolai is that i don't THINK the polyamory was intentional at all. or at least not the specific polyamory i'm reading. like, i think the intent was to subvert the trope of an angry rebellious royal and an angry rebellious chosen one who refuse to form basic political alliances through marriage even though it just makes fucking sense. and then i think the writers' further intent was to distance mal and nikolai from their worst shitheadery in the books by uniting them thru a deep emotional bond and genuine respect and trust and care for each other. like. it's an arranged-marriage throuple that has a lot of potential for toxic misery and the writers wanted to sidestep that by going "okay, but maybe it's more interesting if they're all friends who love each other instead"
then the EXECUTION of that concept is like. not only are nikolai and mal so chill with the other dating their girlfriend that that Alone makes the polyamory pseudo-canon, but nikolai and mal's friendship is also -- apparently intentionally?? -- written with a SHITLOAD of parallels to nikolai and alina's relationship???
i think the intention in THAT is to reinforce how nikolai and alina have a strong non-romantic platonic partnership. because nikolai does the same things that he does with alina with mal, too! who, you know, is a man! and who is not nikolai's betrothed! see! everyone is such good friends!! :D
and so of course the way it reads onscreen to me, spiders georg polyamory kitkat, is just. nikolai has two hands. and is bisexual. and wants to crawl into bed with both alina and mal so bad it's fucking UNREAL,
they're perfect. polyamory rights.
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When I saw him the other night he was just as handsome as ever;—the same look, half wild and half tame, like an animal you cannot catch, but which you think would love you so if you could catch him.
Anthony Trollope, from Can You Forgive Her?
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When Rand called Aviendha shade of my heart… I am going to cry!!!
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current happenings at when we were young festival night 2
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Went to see the Broadway tour of My Fair Lady and you guys
They fixed the bad ending
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I viewed Jesse and Emily as having instant chemistry and crushes on the other that it’ll be genuinely shocking when they’re probably only friends in control 2
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I'm sorry, and I say this as someone who loves a lot of books with an accidental pregnancy in them, but like...
If you're writing a contemporary romance set in the now times, and your heroine gets knocked up in like a one night stand, and she isn't like, specifically crazy and attempting to get pregnant by a random, if she's genuinely not at all trying to get pregnant or planning on a pregnancy...
I'm not saying you have to have her consider an abortion, but the idea of her being like "this is all hunky-dory", even if she wants a baby in the long term, is INSANE
Like... in this economy? In this current world? In a reality wherein even if you don't typically support abortion, you know you can't have one even if it threatens your life depending on where you live? Not second-guessing your accidental pregnancy or having negative feelings at all is INSANE and to me it makes your heroine unrelatable, even if she was knocked up by a random billionaire who later swoops in and takes care of her
I mean, I know someone who recently got pregnant by accident, and she was with a man she was planning on marrying and kids with in the long term, they lived together, they had a dog together, the proposal was discussed and right around the corner... and she wasn't happy and she wasn't immediately sure she was going to have it. She decided to in the long term, but she was like, SOBBING when she found out. Because it's a big deal and even if, after some contemplation, you're super happy about having the kid, it's at min OVERWHELMING.
idk I just... that's bad writing imo.
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I think it would be absolutely hilarious for another character that disrupts the natural balance into Star Thief and have yet another astral date them
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An underrated benefit of love triangles is that they allow you to have a love story where the ending isn't immediately obvious. In your standard romance, the two leads meet, and then it's just a matter of time until they hit the plot beats that lead to the happily ever after. But the love triangle gives you two plotlines! Two different dynamics! Two valid directions for the plot to veer that will still lead to a romantic happy ending without that ending being a foregone conclusion.
The main character can grow and change in multiple different ways because there are two men on equal standing with her, who can have an influence on her in different ways, giving her multiple different lenses to help her understand who she is and who she really wants to be. When it's done right, the story will be satisfying no matter what the endgame is, because the point is going along on the journey and seeing who the characters become. And the great thing is that you don't know who they'll become because there are two valid options, so the entire story can be surprising, which is so refreshing when so many love stories are so predictable.
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Vintage Pulp - Thrilling Love (Nov1937)
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