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#tom muller
smashpages · 7 months
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Viking bankers go to war in ‘Kill All Immortals’
Zack Kaplan, Fico Ossio + team present a new tale starring Erik the Red in the modern day.
(cover by Oliver Barrett)
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emperornorton47 · 5 months
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graphicpolicy · 5 months
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X-Men Blue: Origins #1 clears up that whole Nightcrawler/Mystique connection
X-Men Blue: Origins #1 clears up that whole Nightcrawler/Mystique connection #comics #comicbooks #xmen #ncbd
You think you know how the beloved blue devil came into this troubled world? You think you know the tale of his mendacious mamma Mystique? You don’t! Mother and son reunite in a mold-shattering tale that exposes secrets held for decades and redefines both characters forever. X-Men Blue: Origins #1 dives into the history of Nightcrawler and Mystique, delivering the definitive “origin” and…
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X-Force #39 (2023)
The new blood
Marvel
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agrimmind · 9 months
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Rogue and Gambit #5 Writer: Stephanie Phillips Artist: Carlos Gomez Color Artist: David Curiel & Fer Sifuentes-Sujp Letterer: VC's Ariana Maher Design: Tom Muller & Jay Bowen Cover Artist: Steve Morris
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coverpanelarchive · 2 years
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Devil’s Reign: X-Men #1 (2022)
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zeddfrost · 2 years
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#whiteQueenwednesday
A Frost’s first showing in the Dawn of X…admittedly we’re not sure which Frost makes up North’s genetic base.
By Jonathan Hickman, design by Tom Muller.
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hellomuller · 2 years
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👀🚨 The trailer for my brand new Domestika course goes live this Friday! This one's been in the making for a while — and you'll finally see what we've made for you! More info soon, including the Q&A session we'll be streaming LIVE!
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longerbox · 2 years
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Giving Madelyne the last word in every argument doesn’t make her right.
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firagasoap · 1 year
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Inferno paperback design by Tom Muller
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smashpages · 2 months
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Out this week: The Six Fingers #1 (Image, $3.99): 
Dan Watters, Sumit Kumar, Tom Muller and Lee Loughridge tell the story of Johannes Vale, a student who commits a murder that mirrors a notorious serial killer — only he doesn’t remember doing it. If the cover looks familiar, maybe it reminds you of the first issue of The One Hand, which came out earlier this month and just might have a connection to this title ...
See what else is arriving at your local comic shop this week!
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coinbds · 7 months
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Blue in green de Ram V et Anand RK
Blue in green est un morceau de Miles Davis. C'est aussi un roman graphique de Ram V  et Anand RK. Un saxophoniste qui vivote à New York retourne là où il a grandi à l'occasion de la mort de sa mère. Les souvenirs et une photo en particulier vont le plonger dans une recherche du passé… et de lui-même.  
Le livre a remporté le prix Eisner Best Painter / Multimedia Artist 2021 qui salue une performance visuelle sortant des champs battus. Le style est effectivement unique, bien adapté aux réflexions du héros tourmente. Les deux artistes ont été aidé par John pearson (couleurs), Aditya Bidikar (lettrage) et Tom Muller (montage). Découvrir
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graphicpolicy · 1 year
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X-Force #39 ushers in a bright new age for the team
X-Force #39 ushers in a bright new age for the team #comics #comicbooks #ncbd #xforce
The fallout of the Beast’s crimes! A new X-force! And a new Wolverine? All this and more in X-Force #39! Benjamin Percy and Robert Gill bring their A-game in X-Force #39, the latest issue in Percy’s epic ushers in a new chapter for the titular X-Force. X-Force #39 comes off the heels of the “Beast Agenda” arc of Wolverine. When Beast’s crimes finally catch up to him, he goes on the run,…
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X-Men Red #11 (2023)
A Storm in a horizon
Marvel
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agrimmind · 1 year
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Rogue and Gambit #1 Writer: Stephanie Phillips Artist: Carlos Gomez Color Artist: David Curiel & Federico Blee Letterer: VC's Ariana Maher Design: Tom Muller & Jay Bowen Cover Artist: Steve Morris
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re-readingcomics · 8 months
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Comics Read 08/13- 20/2023
Over this period I of time I read Rockstars written by Joe Harris, art by Megan Hutchison-Cates, colors by Kelly Fitzpatrick, designer Tom Muller, letters by Michael David Thomas, and edited by Shawna Gor. The edition I read this time was Rockstars The Complete Series as published by Vault. Years ago I read the first arc, “Nativity in Black Light”, in the trade paperback as published by Image Comics. I intended to get the second arc’s trade paperback, “Children of the Beast” as published by Image, but somehow missed it. Anyway, I am glad I got this edition as it encouraged by to reread the first arc which I otherwise remember next to nothing about. The page I scanned to illustrate this post, with its myriad references to our world’s rock ’n’ roll icons and legends may be the part I most clearly remember. 
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A quick search on my tags reveals I have never written about Joe Harris on this blog. This really emphasizes how long it has been since I have read any of his work. I have been writing about all the comic books I read for the better part of four years, and even though I was reading most of what he wrote for a while, none of it was during this time! I first became aware of Harris around 2013, when I was preparing to attend my first New York Comic Con. I went to a signing at Forbidden Planet the same week to get some comic books signed. There were four comic makers there. For some reason I now only remember the two that I was not there to see. One of them was Joe Harris, who at the time was primarily promoting his The X-Files season 10 comics (before the revival meant there was a tenth season of the television show). I have a complicated relationship to TXF. It was the first show I really obsessed over, it’s the first I feel angrily disillusioned over. I’m writing something about it in my other Tumblr for the anniversary.  That night, I bought the trade paperback Great Pacific, one of Harris’s other creator owned comics. I liked it a lot and started following his creator owned output. I bring this up because the lead characters of Rockstars, Jackie and Dorothy, have a Mulder and Scully-esque dynamic. Jackie is driven by his family history and seeks answers through mystical uses of cards. Dorothy is a journalist, and seeks answers that she can safely publish. These two character arcs were not really developed enough either of them, but Jackie gets to a more interesting crossroads. 
More directly relevant to this book, between reading the first arc the first time and reading this all now, I have steeped myself more in rock ’n’ roll legends than I was doing the first time around. Among other things I watched Brian De Palma’s The Phantom of the Paradise which reminded me about how often Faustian bargains and early death have been staples of rock legends since nearly the beginning. The plane crash that killed Buddy Holly, Ritchie Valens and “The Big Bopper” J. P. Richardson pretty much solidified this. This event is included in Rockstars, though the way is in questionable taste. (Coincidentally, that plane crash was also important to the plot of a famous episode of TXF.)
The plot of Rockstars, starts with investigating the mysterious deaths of a couple of groupies decades apart. There are ghost gangs of the groupies interfering with the investigation and they tend to be herald by the wrong lyrics of famous songs. The deaths of the murdered ones are related to demonic champions of the bands. Each arc covers a different demon in relation to a different band. The first band is an arch-typical second wave British invasion bad from the 1970s, and the second is arch-typical early hair metal band from the 1980s. I am more familiar with the former than the latter, despite actually living through parts of the 1980s. The plot didn’t really add up for me. But I love a lot of the details in the drawings, nods to famous theories and art. I also am touched by the concept of how generations are bonded because we each go through the same cycles of cultural events. I just wish that Dorothy’s character design wasn’t so close to some of the groupies in flashbacks or ghost form. It was needlessly confusing.
I feel like, of what I have read, the best comic books about loving music are Kieron Gillan and Jamie McKelvie’s Phonogram and The Wicked + The Divine. This isn’t like either of those, and that is a good thing. For all it’s flaws, I wish there was more of it. 
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