Dick Grayson & Tim Drake: Reading Guide
Once upon a time, two kids met at a circus... and the rest is history.
table of contents:
who are these losers?
what's fun about them?
why a reading guide?
how does the reading guide work? (tl;dr: there are quick recs, a selected chronological list, and a complete chronological list)
where is the spreadsheet? (x)
who are they?
Dick Grayson and Tim Drake: the first Robin and the third Robin.
Also known as the circus boy and the earnest computer geek, the hotshot and the pretender, the slighted prince and the new apprentice, the acolyte and the hanger-on, Nightwing and Robin, Batman and Robin, Batman and Red Robin, and Marcia and Cindy (BftC 3, N 110 & 119, B 617, DC 677, Detention Comics 1, R 168, RR 14).
Or as Jason calls them, "You idiots" (TT 47).
More seriously, Dick Grayson is one of the most enduring comic characters ever - he's been around since Detective Comics 38 in 1940! He's Batman's first ward, first partner, and eldest son. When Dick's parents are murdered, Bruce identifies with him, comforts him, and takes him into his home, where Dick ultimately volunteers to join his crimefighting mission. By candlelight, the Dynamic Duo swear an oath: That we two will fight together against crime and corruption and never swerve from the path of righteousness!
Tim Drake was created in Batman 436 and formally introduced in Lonely Place of Dying. He's a lonely kid who imprints on Dick when they meet as children, and Dick hugs him and promises to do a quadruple somersault for him; he's horrified and worried about Dick in the aftermath of the Graysons' murder, which he witnesses. He watches Batman comfort Dick, deduces Robin's secret identity, and becomes a secret devotee of the Dynamic Duo. Though he admires them both, it's ultimately Dick who he idolizes and tries to emulate when Bruce is spiraling: Batman needs a Robin. No matter what he thinks he wants.
Their slow-burn strangers-to-friends-to-brothers-to-antagonists-to-brothers-again arc develops from 1989 to 2011, and it's one of the standout examples of the DC Post-Crisis era's commitment to gradual character development and careful continuity.
what's fun about them?
SO MUCH!!! But one of my favorite things is their friendship has RANGE!! They go from sweet kids to tense strangers to loyal friends to brothers over the course of real-life years and tons of comics. They fight, they tease each other, they get protective, they worry, they chase each other down, they walk away... there's just so much story here.
They meet at the circus as children, when both their parents are still alive. They meet again, years later, when Bruce is reeling from Jason's death and they team up to stop him from hurting anyone. In the early days, they're brothers-in-arms and never quite family - instead, Dick is Bruce's loyal-but-estranged eldest son, and Tim is Bruce's new loyal-but-wary apprentice, with his own family and his own semi-estranged dad. The slow process of evolving toward found-family is a delight to watch.
They work together as Nightwing and Robin over four years of in-universe time and for over twenty years of real-time, gradually forging a fierce bond of friendship and, ultimately, brotherhood.
Then Bruce dies, and they have some huge fights.
But even when they're estranged, even when they're not speaking... they never stop loving and trying to protect each other. No matter what.
why a reading guide?
Quotes from New Titans 60 and Batman 441 (1989), Nightwing 25 (1998), Nightwing 69 (2002), Red Robin 1 (2009), Red Robin 12 (2010), Gates of Gotham 3 and Detective Comics 874 (2011)
I think reading guides are cool!! And somebody asked me about one!
More generally, I think reading guides are always helpful, but especially with Dick & Tim... you know, when I first started out trying to read their comics, I got kinda overwhelmed. Because on the one hand there's SO MUCH CONTENT - they're one of the classic enduring friendships in all of post-Crisis! their relationship is a HUGE BIG DEAL! they're constantly calling each other and hanging out and supporting each other and arguing!
But at the same time, all of that content is scattered across lots of different books, in Robin and Nightwing and Detective Comics and Batman and New Titans and Titans and Young Justice and Teen Titans and Shadow of the Bat and Gotham Knights and Birds of Prey and Showcase and DC Holiday Specials and so on and so forth. There's not One Definitive Place where you can read The Dick-and-Tim Story.
So: a reading guide!
how does the reading guide work?
Dick and Tim are in over 400 comics together and over 800 comics each separately. That's a whole lot of comics! So I've made a spreadsheet with three different reading guides, depending on how interested you are in these two:
1-5 Quick Recs: If you just want to check out a couple comics, check out these quick recs for "if you like fluff," "if you like angst," etc.
200 Starter Comics: If you want to do a comprehensive, chronological Dick-and-Tim read without committing to all the comics, this list has some of their major team-ups plus some solo comics so you know what the heck is going on. Most of them have a "sneak peek" you can use to decide if you want to read it.
Big List: A complete list of all the comics Dick and Tim are in, in chronological order, with links to dc.fandom and to DC Universe Infinite. It has filter views.
This spreadsheet was a labor of love, obsession, and SO MUCH PROCRASTINATING doing other things. I update it sometimes.
where is the spreadsheet?
it's here. have fun <3
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Bastian and Volo - The Antichrist and his Hound
There once was a boy who served in a castle. The noble family who lived there paid him no mind.
One day, like a blow through the heart, that boy saw God.
Something bright. Something terrible. Something holy, greater than every blazing star: Bastian, second issue of the Duke of Burgundy, seething and ambitious and wrathful.
Souls depart the body through the eyes; the boy never looked away.
.
Bastian was eighteen when he noticed Volo: the young son of a stablehand who had taught himself to read, to carry, to serve. Desperately ready to file himself into a cold and razored sword for Bastian's hand, if only that hand would close like a collar around his neck.
And so, in time, Bastian seized him.
.
It is your turn to see them now, years on, as the storm gathers.
Ecce homo: A Conqueror on a pale horse, his banners flying behind him, with a hunger for heaven on his lips and a burning crown on his head. But that which truly bears his glory runs at his heel.
Ecce canis: A chaste and brutal Galahad, rimed with frost, leading the legions of his Lord to any end, any dictate, as long as he is granted the final honor of slitting his own throat on Bastian's altar.
They are linked by a silver chain. God to slave, king to knight, love to worship. Even death cannot break it.
.
There once was a dog who served his master. The dragon who holds his leash will never let it go.
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I will be real posts that are like "Laios has a pure heart and everyone who hates him is ableist against an autistic guy innocently pursuing his special interest" are annoying as hell. I don't disagree that Laios is most likely intended to be read as autistic/neurodivergent, and is incredibly endearing & compelling for it, but acting as though he has no flaws and is a Sweet UwU Baby that everyone is mean to for no reason ): feels deeply infantalizing to me, as well as unnecessarily hostile towards the rest of the cast. Like did everyone forget that one chapter where it's revealed that he used to wish monsters would kill his old village. Which isn't evil or anything, it's a fascinating insight into Laios's deep-seated anger with his father & his envy of monsters, but it is an interesting character choice that doesn't quite fit the mold of "perfect and innocent." Additionally, 1. How many characters actually do hate Laios and 2. If you're counting Kabru among them (which him "hating" Laios is an over exaggeration of the exact nature of their antagonism) what makes you think Kabru isn't intended to be read as autistic or neurodivergent? He's presented as a foil to Laios in that he has his own intense interests and fixations, but they skew in the exact opposite direction, towards people, emotions, and social situations. They are two sides of the same coin.
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I think Mulder’s maturation in the revival is perfectly encapsulated when juxtaposing the endings of Babylon (10x05) and Nothing Lasts Forever (11x09).
They poignantly show the progression of Mulder realizing the answers he needed were never in the sky but right in front of him.
In Babylon, when Scully is being vulnerable with Mulder, he gets distracted and withdraws from the moment, from her.
Contrastingly, in NLF, Mulder stands vulnerably in front of the eyes of her God and professes that, above all else, he is present for her. He listens.
Babylon (10x05)
Scully: Well... maybe it's beyond words. Maybe we should do like the prophets and open our hearts and truly listen.
(Mulder becomes distracted).
Scully: What?
(He begins looking away from her).
Scully: What?
Mulder: Did you hear that?
Nothing Lasts Forever (11x09)
Mulder: Well, what are you talking about, Scully? Because I don't know if any god is listening, but I am standing right here. And I am listening. Right beside you. I'm all ears. That's my choice.
Scully: (looks around church to see that they are alone, whispers something inaudible in his ear, then continues talking in normal voice) That's not my four-year-old self looking for a miracle. That's my leap of faith forward. And I'd like to do it together.
Fox Mulder : (he nods) I've always wondered how this was gonna end.
(He reaches for a taper and lights another prayer candle)
Even the final shots demonstrate the shift in Mulder’s perspective.
The end of Babylon depicts two people who become insignificant when lost in the details of a bigger picture.
NLF shows the power and beauty of two soulmates wholly committed to being each other’s worlds.
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(wait for the season to come back to me tag)
It gets less strange, as time goes by. Eddie doesn’t make any kind of noise about him moving out at some point, and neither do Steve and Robin. Turns out they don't need to store any bodily fluids in the fridge, and in fact if Steve didn't know better, he wouldn't be able to tell that Eddie's drinking blood at all. Steve assumes he's getting animal blood from somewhere on a regular basis, but as far as either Steve or Robin can tell, he never takes it inside the apartment.
Anyway, it turns out Eddie can still technically eat human food, but about half of it tends to come back up afterwards. They’re still figuring out what works and what doesn’t. Robin made a little chart with smiley-face and frowny-face stickers, which Eddie has been gleefully filling out. He’s drawn little fangs onto the stickers with a Sharpie.
That’s another thing: to Steve’s mild surprise, Eddie and Robin have been getting along like a house on fire.
“I really wish I’d known him in high school,” says Robin, slicing bell peppers for dinner. “I think it would’ve made Hawkins a lot more bearable.”
Steve doesn’t really remember Eddie at all from school, which is probably a really good thing.
He can’t imagine the guy he was back then being this obsessed with Eddie. Well, no, that’s not true. He can imagine it, but he’d have been such a jackass about it. Probably would’ve fucked a few girls about it. Maybe would’ve even bullied Eddie about it.
“Did you come out to him yet?” Steve asks Robin.
Robin leans all the way out the kitchen door, practically horizontal. Steve grabs the back of her belt so she doesn’t overbalance. “Hey! Hey, Eddie!” she yells.
“What, Buckley!” he yells back.
“I’m gay!”
“Cool, me too!”
She lets Steve’s grip swing her back in, grinning. “Your turn, dingus.”
Steve’s going to. He is. The longer he waits, the more awkward it gets. He’s got nothing to lose. He—
Robin takes him by the shoulders, spins him around, and pushes him out into the living room.
“Uh,” he says. “I’m—bisexual.”
Eddie actually does, like, a full-body twitch; his eyebrows climb practically to his hairline for a second, and he sets down his book.
“I’m…very proud of you? Thank you for telling me?”
“Why are you being weirder about me than Robin,” says Steve, annoyed.
“Because you’re being weirder about it than Robin was! I don’t know, I don’t have a lot of practice with, uh, this. Also, Robin was a band geek who dressed like Annie Hall, and you were—popular.” He draws out popular like it’s got three key changes in it, waving his hands in the air.
“Yeah, okay,” Steve huffs. “Sorry I wasn’t, like, alternative enough to be a real queer.”
“No, c’mon, Steve, I didn’t mean it like that. I accept you! Buckley, get in here and accept Steve with me.”
“Ste-eve Harrington,” Robin sings out, wandering out of the kitchen to wrap her arms around Steve’s waist. “We accept you and your beautiful bisexual soul.”
“Thanks,” says Steve dryly.
Eddie points at him. “Feel accepted.”
“I feel accepted,” Steve says; daring, he holds out an arm, and Eddie hops up to let Steve pull him into the hug too.
“Good,” says Eddie into Steve’s shoulder. “You should be.”
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