#usually the reason why i like to draw a character is because i like their original design as it is to begin with

[snailchimera]

A while back I saw an otherwise perfectly fine post about Murderbot and ART and the general progression of their relationship that, for no goddamn reason, decided to mention the "autistic people lack theory of mind" idea. It wasn't about autism. It wasn't refuting the idea that a character was autistic. Autism was not mentioned elsewhere in the post. It was just there, a brief, random, vaguely dehumanizing aside that I tried very hard to let go but apparently I can't.

First off, as used in that post, it implied that an adult autistic person is incapable of considering a situation from another person's perspective. That's straight up false. That's not going to be my main point but I just need to get it out of the way. Difficulty reading someone is not remotely the same thing as being unaware that they have their own experiences and thoughts, or unable to consider their perspective provided you've been given the necessary information to know/guess what that perspective is. I'm not saying Murderbot is autistic, but I am saying that it would not need subtle spaceship body language, whatever that would entail, to determine that actually yeah having a rogue SecUnit running around where all your delicate machinery including your brain is might be kind of worrying and it's not unreasonable to draw some clear boundaries. That actually is clear just from thinking it through.

Second, the idea that autistics lack a theory of mind comes from one particular study done with autistic children. The children watched a short puppet show. In it, one puppet placed an object in a box, then left the room. Another puppet came into the room, moved the object, and left. The first puppet came back into the room, and the children were asked where the puppet would look for the object. Allistic children usually said the puppet would look in the place where the puppet had originally put the object. Autistic children usually said the place where the object currently was.

So here's my question: did the autistic children know they were allowed to give a "wrong" answer?

Because here's the thing. Being autistic means that, from a very young age, you are painfully aware that your perception of the world around you is not the same as other peoples'. Normally I'd emphasize the difference in sensory perception here, but actually it's not uncommon for autistic kids to think everyone experiences certain sensory input as horribly painful and other people are just better at not reacting badly to it (this is also true of allistic people with pain conditions, as an example). But knowing you're missing social cues? That's near unavoidable. People are constantly assuming you know things about how they feel and why they're taking a specific action, because it's "obvious". You know you're supposed to know. You know it's supposed to be easy, so easy in fact that when you say you don't know these things you're accused of lying. Allistic people constantly assume you have context that you don't have, context that they're presumably getting from things like tone of voice, body language, etc. It's like being presumed fluent in a language that you only have a limited grasp of, and accused of not listening, not caring, or even not understanding the idea of language as a means of communication when you can't understand everything other people say.

A common complaint autistic people have about allistic people is in fact that allistic people expect us to be mind readers. Of course that's not true- allistic people expect us to pick up on forms of communication that we easily miss or misunderstand, but they are in fact communicating- but given the nature of our puppet show, that feeling might be relevant, right?

Let's imagine a different puppet scenario. Puppet A puts their ball in a chest. They leave the room. Puppet B moves the ball from the chest to a cabinet, but leaves a note saying where they moved the ball to. Puppet A comes back into the room, reads the note, and correctly locates the ball.

Now another one. Puppet A puts their ball in a chest. They leave the room. Puppet B moves the ball from the chest to a cabinet, but leaves a note saying where they moved the ball to. Puppet A comes back into the room. They don't see the note, and can't find their ball. When they ask Puppet B where their ball is, Puppet B is furious. B left a note! What is wrong with A that they can't read a simple note? A must have read the note but ignored it just to have an excuse to bother B.

Autistic children are surrounded at all times by invisible notes, and people who react extremely negatively, sometimes even violently, when they find out you're not reading their notes (because you can't, because you don't even see them).

So. Puppet A puts their ball in a chest. They leave the room. Puppet B moves the ball from the chest to a cabinet. Puppet A comes back into the room. The allistic child has never had to consider whether they themselves are missing information that everyone else who watched the puppet show has. They know there's no way for Puppet A to know the ball was moved. They correctly state that Puppet A will look in the chest.

Puppet A puts their ball in a chest. They leave the room. Puppet B moves the ball from the chest to a cabinet. Puppet A comes back into the room. The autistic child has been in many situations where they're expected to know something they had no way of knowing, like the new location of a ball they weren't told was moved. They've been in many situations where another person knew what they didn't know, even though they both received the same information. They've gotten in trouble for not knowing things. Maybe they've made people they care about angry or sad by not knowing things. Now there's an adult, an authority figure, the kind of person who might punish you or get you in trouble with your parents for giving them the wrong answer, asking you where the puppet is going to look for the ball. Well, you can't just assume you know what the puppet knows. Maybe the puppet read an invisible note. Or maybe (remember these are very young kids), the puppet is like you, someone who can't read the invisible notes, and they're going to get in trouble for looking in the wrong place unless you help them.

So you don't give the answer that makes sense to you, that Puppet A looks in the chest because that's where they left the ball. You give the "right" answer, the actual location of the ball, the answer Puppet A was probably supposed to be able to figure out in some way you know you can't see.

I'm not a psych expert. My only claim to expertise here is as an actual autistic person (diagnosed, twice actually due to a mixup with the transfer of medical records across state lines). But I have read enough to notice a trend in autism studies of taking the least charitable possible interpretation of any difference between autistic and allistic people (see the "rigid morality" study, in which sticking to one's moral stance when presented with rewards for abandoning it was pathologized in the conclusion because autistic people did so more than allistic people). There's a very long history (a part of the larger very long history of eugenics) of deliberately looking for ways to scientifically support the decision to treat autistic people as subhuman, or nonhuman.

That is probably why so many of us like stories about sad robots.

Anyway that's my rant, it's over, thank you for reading to the end. If you actually wanna take something from this whole mess, just... try to be kind to people. Do your best to understand where they're coming from, and help them understand where you're coming from.

#Snail babble #actuallyautistic #murderbot but only tangentially

[arcadekitten]

Not the same anon, but uh... Could you give us 5 reasons on why YOU like Reginald? I got curious

He's very sentimental to me! He was one of the first characters I created for this world (second only to Mary) and I have owned him for a very long time! I made him at 15 years old (fun fact he was actually made in February of 2015) and I am 25 now and by next year I will have owned him for 10 years!! He has been with me through a lot and helped me out of some rough patches in my life so he means a lot to me. ---

I was very self-indulgent when making him!! I based him off all my favorite tropes and features of male characters that are still my favorites today! I'm often a fan of the boy characters with long hair or glasses or who are bit more studious/academic and he gets to be all that and more! And I think being indulgent with your art is the best way to be! ---

I love drawing him! It's probably because he's one of my favorites already but I always have fun when drawing him! I like playing around and doing fun things with his hair or playing with his facial proportions or putting him in various styles when I branch out a bit from his usual tie+collar! It makes me happy to draw him! ---

I like writing him! Sometimes it's a bit of a challenge but that makes it fun! I love exploring the ways in which he interacts with other characters as well as his speech patterns, and how he often likes to speak more "proper" and "polite" than others around him and I find it endearing, and fun to try and work into his conversations. ---

I like that he's a pufferfish! (Or maybe even porcupinefish if we're specific? I do draw him based more off those even though 'puffer' is like a broad term technically...I'm getting into semantics.) The idea that he has poison running through him always gives me a lot of fun concepts to explore and work with whether it be metaphorically or literally. Sometimes I think I should have created my own original species for everything but animals are pre-built with meaning and metaphors to them and are also easier to collect merch of and be reminded of! So I don't want to beat myself up over it when now I am happily reminded of him whenever I see a fish like him! ♡

#reginald #reginald tetra #reggie #ask #reply

[b4kuch1n]

one string is all that I need

#Hatsune Miku #VOCALOID #or rather #piapro characters #Hatsune Miku Single String Ver. #<- yep that's the fan module I made for fun last year #the thing is. only half a month to go until it's mid autumn. and every year I try to draw something for the occasion #I just. started early this year... for some reason...... #well I mostly just wanna draw Her lmao. because the pokemon/miku voltage stuff is still being released and Im feelin the effect #and this year's magical miral design is so fuckign good.... thank u to miku artists. especially LAM and rella #as is always the case with this module the instrument/weapon (lol) she uses is a heavily stylized đàn bầu! #and I just realized while drawing this and looking at the ref sheets that I never detailed the pluck lmao #to be fair. usually its just like a piece of. anything #commonly bamboo or bone or plastic. shaped into a longish fingernail shape. its really the way u hold it that matters iirc #but yeah I spruced up the OG design for the instrument in this one lol. this is actually like my original vision I think #I really wanted to make that thing beast shaped. but I Just figured out how to properly stylize it when I designed the module #and! I did say this on stream but I am genuinely very proud of that design! that was genuinely big brain of me! so #future instrument variants will still probably base heavily on that general shape and principles lol. I'm playin in this space its MY muck #also I switched the number on her coat from 39 to 01 bc it's more on theme thats really it. nothin else to remark on there lol #and! once again based the dragon head on the lý dynasty dragon rather than later iterations. thats why the nose fin and no whiskers #and the metal nozzle is kinda supposed to call to mind a temple bell. not super sure i got that across well #but the rim design IS historical! I thiiiink early lê dynasty. just on ceramics instead of on bronze lmao #anyways thats it. I had fun colorin this one! kicked my ass a bit but I think I hashed it out mostly okay #have a good night lads! thank u mid autumn moon cakes for being bad to eat and sponsoring my late night drawin. and remember: #u only need one. but never say having more doesn't make it easier

[itspileofgoodthings]

Porfiry telling Raskolnikov that at least he was honest and in one bound took the furthest leap to put his theory to the test of actual action——

#Taylor believing a man who is obviously lying to her #like. it’s fascinating to me how they’ll say anything to her and she’ll be like ‘okay let’s go’ #she’s never read Jane Austen and it shows. but that’s okay because she’s the character in an Austen novel #she has no sense of self-preservation she has no common sense when it comes to love #and the reason I have endless patience for that is because she IS different. she is extraordinary. she is WEIRD. she’s so needy #so angry so fragile so stupid so brilliant so completely helpless #like the bolter———I can’t even LOOK at it right now #because you know she was like this since she was 5 and SHE knows it #just so. Different. so strange. I mean she ruled her family with an iron fist from the age of 11 #and her packaging is so basic and she she had so much access to everything anyone could want #so there are none of the usual marks of someone being so Different #but like. people HATED her from day one. you know her own strength of personality was drawing out many people’s hatred or envy #and she’s so helpless in her own personality because she can never change #like thank you aimee? or whatever? heck yeah there was some girl who bullied her and brutalized her on the playground #and you know it devastated Taylor from day one and still does #and it’s just. I don’t know how people can’t see that someone with that extraordinary set of gifts #wouldn’t also suffer in such an extraordinary way #and ways that elicit so much scorn and non-sympathy because people are unsettled and jealous and annoyed by her #because she WILL find a way to win #but isn’t that proof enough that she is the very OPPOSITE OF NORMAL #it’s why people have to be like ‘oh she sold her soul to the devil for this success.’ or whatever the psy-op spy thing is #because there’s no human way to explain her success if she really were as basic/talentless as people say #ugh this is all so incoherent and irritating and I’m so sorry but I just. I cannot explain how protective my heart is of her #and all the many many mistakes she’s made and the prisons she’s made for herself because she’s LIVING the tragedy #of never having denied herself one time/getting everything she wants #and discovering the poison at the bottom of everything she reached for with desperate hands #like. I love her so much and I am so protective of her because she is so helpless and she is getting shot in the face every time #and she feels every blow! #whew I need to turn off reblogs and will probably delete but I just #this album is all of her spilled out and people DO hate to see it because a lot of people hate her!!!!

[imreaallyasorry]

Late night doodle….

#art #digital art #character design #if you guys were wondering why I don’t yap as much or get on tumblr as much anymore it’s because I only get on super late at night #I’m busy with school and my naps #mutual’s if I reblog your posts with no tags it’s not because I don’t have anything to say it’s because I’m too sleepy to type it out #I’m gonna get back into posting my Loki and Thor art #I don’t wanna post any because it’s just all incomprehensible Thor doodles #I’ll probably render a few and then add Loki there too #or just do a bunch of solo Loki drawings because I love drawing her #my favorite character is Thor!!! proceeds to never draw him #I’ll probably hunt down some of my mutuals ocs and draw them when I have time #I actually don’t have a lot of mutuals with like public ocs #they draw their favorite character #soooooo I’ll have to draw their design of that character #sighhh #it’s so late guys #(it’s like 9 pm) #I usually go to bed at 8 #though I’ve been staying up later for some reason??? #don’t know why but I don’t mind the extra time #still not waking up any earlier though #I should stop waking up 20 minutes before I have to go places… #my bed is so comfy!!! #sighhhhhhhh sometimes self care is doing the hard things #(is kicking and screaming clawing at my mattress) #((I have to go walk my dog)) #unemployed activities #I’m gonna get a job in summer because I am not working on TOP of school #I’m sorry my art commissions I do once every 2 months drain me enough

[oswaldddavis]

(They think the other is a idiot)

#asktotag #sonic exe #xhouse #((No idea how to explain we have like way too many interpretations and spoofs of the guy)) #((Like I could ramble about the ''Master File & Distributions'' or ''Spoof'' variants but honestly talk so much I end up saying nonsense?)) #((Main reason why my art seems to have no context is because I literally voice chat and ramble for 4-6 hours)) #((Essentially about the newest hyperfixated multiverse we've created-)) #((-for our far to energetic ideas for us to narrow down & ''choose'' one because there's no singular correct interpretation of art)) #((There's far too many variables to consider one universe as the most canon so obviously we have to branch from every possible angle-)) #((-and end up with at least 30 of the same character but in different flavours)) #((NOT ACCOUNTING FOR THE FACT THAT IT'S ADDICTING TO MAKE SPOOFS FROM JUST ONE INTERACTION TO SEE WHERE THEY GO)) #((Like. There's so much potential in the morality and development of a character based off of one or more events-)) #((-that derail from their original situations! ENVIRONMENTS & SITUATIONS SHAPE SO MUCH FOR A PERSON & I HAVE TO SEE EVERY POSSIBLE ANGLE.)) #((Sorry for the rant/ramble here-)) #((-I never usually have the confidence to express how much I love making things.)) #((I tend to bury my thoughts and say so little cause I usually think no one would be interested or would think I'm annoying for it)) #((Sometimes you hear voices say the most stupid take & feel so enraged by its obsurdity that you temporarily lose your social anxiety)) #((It'll probably return eventually because the moment I post this I can guarantee it will cause it's happened before. I am not immune.)) #((Unrelated but I like having a variety of papers to draw on again. I can't share much yet due to conceptuals but Soon!!))

[teaandinanity]

I’m really enjoying Emberfate so far, so I drew my character (Sunita) and her Emberfate avatar.

The in-game avatar is an homage to Many Things From My MMO Past;

The ponytail is a callback to the high elf on the box art for the original EverQuest, some of her aesthetic is because I tried VERY hard to make a dark elf character work in EQ (I was young and stupid so I lost my corpse somewhere with impossibly high-level enemies and had to abandon her), the lich elf thing is because I spent A While very sad we didn’t have playable Dark Rangers in WoW (and yes that’s why her ears are Like That). She’s a Lich Enchanter spec’d into support for entirely sentimental reasons, because I’m still emotionally invested in my Forsaken Disc Priest even though I have not enjoyed Disc mechanically since Cataclysm was current content.

#emberfate #as per usual I have gone 'oh this is fun' and immediately drawn my character #why am I like this? no one knows. #I guess I should make a character tag for housekeeping reasons #OC: Sunita (Emberfate) #sometimes I draw things #also that's 100% not the face she is usually making while talking to people rn #because while drama keeps happening it's usually more like 'who made you unhappy I'm gonna kick their butt' #or 'oh dear' #she is a tired mama duck but she loves her guildies very much #so that's the face she makes when her people are happy #we'll get there (maybe) lol #also because of who I am as a person she's probably been carrying a torch for Chris for Literal Years #so she's definitely super-extra 'who made you unhappy I'm gonna kick their butt' about like #his entire guild rn lol

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

#hanamusa #hanamusashipping

[creatingblackcharacters]

Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #black characters #black artists #black writers #black art #character design

[blujayonthewing]

the addition of post insights to patreon is so weird and fascinating, I feel like there is truly no rhyme or reason to which posts people actually come look at

#with the exception of 'linking directly to a patreon post from somewhere else does actually work apparently' #(very much to my surprise tbh??) #but like-- day of the week I post? no obvious pattern of effect on views #time of day I post? no obvious pattern #post title? characters featured? exclusive vs public posts? sketches vs finished art?? #on the one hand it's like-- well I have a pretty small sample size so there's probably just not enough people to form Group Patterns #but on the other hand all my patrons are friends of mine so in theory there could be extra data there I could intuit #like 'oh posts with X's characters/ campaigns consistently get more views I bet That Person checks their email' lmao #anyway it's-- kind of interesting but also a little annoying because it's not really actionable aahah #like this has nothing to do with tastes re: what I'm drawing it's literally just 'which posts have been looked at at all by somebody' #if they were all usually about the same that'd make sense but?? sometimes it varies WILDLY and I'm curious why #again if there even is any reason aside from 'coincidentally no one opened the email for that one' or whatever #is there any way I can increase my odds of people seeing the things I'm only sharing with a really restricted audience to begin with... #hmmm #about me #my art

[cy-cyborg]

Writing and drawing amputee characters: Not every amputee wears prosthetics (and that's ok)

Not every amputee wears prosthetics, and not doing so is not a sign that they've "given up".

It's a bit of a trope that I've noticed that when an amputee, leg amputees in particular, don't wear prosthetics in media its often used as a sign that they've given up hope/stopped trying/ are depressed etc. If/when they start feeling better, they'll start wearing their prosthetics again, usually accompanied by triumphant or inspiring music (if it's a movie). The most famous example of this is in Forest Gump, Where Dan spends most of the movie after loosing his legs wishing he'd died instead. He does eventually come around, and him finally moving from his wheelchair to prosthetics is meant to highlight this.

The thing is, it's not that it's unrealistic - in fact my last major mental health spiral was started because one of my prosthetics was being a shit and wouldn't go on properly, despite fitting perfectly at the prosthetist's the day before. I'm not going to use my legs when I'm not in a good headspace, but the problem is, this is the only time non-prosthetic using amputees ever get representation: to show how sad they are. Even if that's not what the creator/writer necessarily intended, audiences will often make that assumption on their own unless you're very careful and intentional about how you frame it, because it's what existing media has taught them to expect.

But there are lots of reasons why someone might not use prosthetics:

they might not need them: this is more common in arm amputees because of how difficult it can be to use arm prosthetic, especially above-elbow prosthetics. Most folks learn how to get on without them pretty well. In fact, most of the arm amputees I know don't have prosthetics, or only have them for specific tasks (e.g. I knew a girl who had a prosthetic hand made specifically for rowing, but that's all she used it for).

Other mobility aids just work better for them: for me, I'm faster, more manoeuvrable and can be out for longer when I'm in my wheelchair than I ever could on my prosthetics. Youtube/tik tok creator Josh Sundquist has said the same thing about his crutches, he just feels better using them than his prosthetic. This isn't the case for everyone of course, but it is for some of us. Especially people with above-knee prosthetics, in my experience.

Other disabilities make them harder to use: Some people are unable to use prosthetics due to other disabilities, or even other amputations. Yeah, as it turns out, a lot of prosthetics are only really designed for single-limb amputees. While they're usable for multi-limb amps, they're much harder to use or they might not be able to access every feature. For example, the prosthetic knee I have has the ability to monitor the walk cycle of the other leg and match it as close as possible - but that only works if you have a full leg on the other side. Likewise, my nan didn't like using her prosthetic, as she had limited movement in her shoulders that meant she physically couldn't move her arms in the right way to get her leg on without help.

Prosthetics are expensive in some parts of the world: not everyone can afford a prosthetic. My left prosthetic costs around $5,000 Australian dollars, but my right one (the above knee) cost $125,000AUD. It's the most expensive thing I own that I only got because my country pays for medical equipment for disabled folks. Some places subsidise the cost, but paying 10% of $125,000 is still $12,500. Then in some places, if you don't have insurance, you have to pay for that all by yourself. Even with insurance you still have to pay some of it depending on your cover. Arm prosthetics are even more expensive. Sure, both arms and legs do have cheaper options available, but they're often extremely difficult to use. You get what you pay for.

they aren't suitable for every type of environment: Prosthetics can be finicky and modern ones can be kind of sensitive to the elements. My home town was in a coastal lowland - this means lots of beaches and lots of swamp filled with salty/brackish water. The metals used in prosthetics don't hold up well in those conditions, and so they would rust quicker, I needed to clean them more, I needed to empty sand out of my foot ALL THE TIME (there always seemed to be more. It was like a bag of holding but it was just sand). Some prosthetics can't get wet at all. There were a few amputees who moved to the area when I was older who just didn't bother lol. It wasn't worth the extra effort needed for the maintenance.

People have allergies to the prosthetic material: This is less of a problem in the modern day, but some people are allergic to the materials their prosthetics are made from. You can usually find an alternative but depending on the type of allergy, some people are allergic to the replacements too.

Some people just don't like them.

There's nothing wrong with choosing to go without a prosthetic. There's nothing wrong with deciding they aren't for you. It doesn't make you a failure or sad or anything else. Using or not using prosthetics is a completely morally neutral thing.

Please, if you're writing amputees, consider if a prosthetic really is the best mobility aid for your character and consider having your characters go without, or at least mix it up a bit.

For example, Xari, one of the main characters in my comic, uses prosthetics unsupported and with crutches, and uses a wheelchair. They alternate between them throughout the story.

#disability #disabled #id in alt text #writing #writing disability #disability representation #authors of tumblr #write #writeblr #writers on tumblr #writerscommunity #writer #creative writing #writing tips #writing resources #writing help #writing advice #writing disability with cy cyborg

[meanbossart]

I LOVE DU drow and I love your art style! I also really like how you draw Astarion's hair, it looks flowy but still with his trademark curls.

Can you give any advice on drawing Astarion's hair? I find it a nightmare to draw. Whenever I free hand it, it just doesn't have the amount of curliness I want, and when I try to use a reference it ends up looking rather stiff.

Take care and thanks for the art 😊

THANK YOU though to be honest I'm shocked to find this ask in my inbox because every time I draw Astarion a war is waged between me and his hairdo. But sure, lets give this a shot!

First of all I feel like its a good idea not to be too attached to his in-game model hair when drawing unless your style is very realistic. The only reason why that dry-noodle helmet looks so regal and bouncy is because of the high-detailed graphics. Like you mentioned yourself and many of us have experienced, if you try and stick to it too closely in most art-styles it just ends up looking terribly stiff.

Instead, I suggest just keeping growth-direction and shape in mind and applying as much movement as you want to it when you draw it. Here's some things to remember that might help you with that:

-I employ the liquify tool a lot when sketching his hair because I never get it big enough on the first try, lol. This can also aid you with "distorting" more curliness into your lines if you aren't used to doing that right off the bat, just try not to become too reliant on it!

-I usually leave the areas around the ears and back alone but imply a lot of movement with the top and front of the hair, taking as many liberties as I want even if it's not entirely faithful to the model. I feel like the impression of curliness comes entirely from the silhouette of the hair and little fly-ways that I add, and everything else I just try to do without overthinking it too much for a more natural look.

In truth, I feel like a lot of times we get stuck on things like parting-placement, right amount of curl, which brush we're using yada-yada when in reality we are neglecting what actually makes a character's hair recognizable: Hairline, growth pattern, and shape. If you get these three things right I feel like everything else is entirely just stylistic choice. It's worth pulling away for a moment and checking on these things if you feel like you're continually unhappy with your outcome!

-Astarion has a hairline capable making most men over 30 cry. It's very low on the forehead and tight on the temples with the slightest hint of a widow's peak. As someone who drew a lot of big-foreheaded characters with receding hairlines prior, this was a STRUGGLE for me to get used to and a big reason why I felt like I couldn't get his hair to look "right" for the longest time.

-His hair swoops to the right side of his face in a fanning kind of shape and is the longest at the front and top. You can imply a strong part if you want, you can split it into sections, you can have it falling over his forehead or not at all - as long as it's going in the right direction you will probably be fine.

-A mistake I would catch myself making often was getting the shape totally wrong - making it too slick at the top and putting all the volume in the back when that's pretty much the exact opposite of what his hair does. IT'S ALL AT THE FRONT AND TOP, REPEAT IT TO YOURSELF LIKE IT'S A MANTRA: IT'S ALL AT THE FRONT AND TOP.

And lastly, if you absolutely hate how his hair looks or hate to draw it, you can forego all of this and just do whatever you want. These tips are only worth something if you like how I draw his hair specifically.

Hopefully this was helpful at all!

#ask #astarion #tutorial #resource #art advice #bg3

[lune-redd]

Hello, it's Lelly.

As you may know, I have recently deactivated my Twitter account. A lot of people are speculating I left because I was being harassed for drawing my older depiction of Bubbles from The Powerpuff Girls as chubby. However... that's not the direct reason I left. In fact, I didn't really see much of the comments of folks on there getting riled up about it as I muted the tweet the morning I saw that it blew up. I was only merely aware of it all by being told about it from friends, with there being some other users on the site making other really fuckin' stupid comments about my art.

This does however lead into why I actually left Twitter, and it's because of Twitter's overall toxic nature. Overtime, I've really gotten sick of how absolutely revolting Twitter has become to experience. The site is basically built around dunk culture and doom scrolling. You know that one tweet of someone making an example of Twitter's utter stupidity by using pancakes and waffles as an example?

I bring this up because I think this fits my point about how Twitter has this thing of assuming the absolute worst about the most insignificant things, even the most innocuous. The "Bubbles obesity" comments weren't the only stupid comments that came out of that post. I also got a quote retweet that I was "forcefully feminizing Buttercup", even though the whole fucking point of that drawing was to depict a usually tough character in an unusual situation for her. I have also gotten stupid comments on other drawings though, like the one where Mitch pushes Buttercup down for trying to look taller than she is and I got called a misogynist for it, though I'm pretty sure that one was bait (Twitter users have a tough time figuring out what is and isn't bait, it's dunk culture that I'm about to talk about really doesn't help this).

The site's dunk culture is also really fuckin' bad. Quote retweets are a disease, as unlike Tumblr's reblog comments, quote retweets count as a different post. Someone disagrees with you? Show your audience how stupid they are on your page! Hey, are you trying not to see the most abhorrent racist statement imaginable? Well TOO BAD FUCK YOU here's a le epic own giving them all the attention in the world even though one of the most common internet rules are DON'T FEED THE FUCKIN' TROLLS YOU IDIOT. Oh hey, are you trying to explain how you prefer a certain artistic choice over another in something you like? Well you're a deranged ungrateful whiny nitpicker, get owned!

I've seen so many of my friends be belittled for simply discussing their artistic preferences of things they're passionate about. I'll never forgive y'all for beating down my friend for saying he prefers the original Crash Bandicoot design over his redesigned look in Crash 4, even when he had legitimate reasons for why he felt that way. I'm sick and tired of it all. The reaction to my art is only a mere example of the shit I despise about that site.

I had been planning on leaving Twitter for quite some time, as my follower count was growing nearer and nearer to 10K. I had planned on leaving after 10K followers because that amount was wayyyy too fuckin big for me to handle. I'm a young and growing lad, and I felt it wouldn't be good for my mental sanity to handle all that, so I dipped. The amount of attention I've been getting is simultaneously both wonderful and extremely overwhelming. Even the explosion of new followers and asks on here is quite the load! (Seriously, calm the fuck down y'all) I am very grateful for all the supportive asks I've gotten even though I won't be able to answer them all, thank you all so very much.

tl;dr I didn't leave Twitter because I was being harassed or anything, but rather because of the site's overall toxic and belittling environment.

Adios.

-Lelly

#if youre confused by my wording im so sorry i dont often write long paragraphs like this in my spare time

[raven-at-the-writing-desk]

why them??

Whenever we visit a new location, there's an in-game reason given for why it's these specific four characters chosen to go! I was eager to see why Vil had Jamil, Azul, and Ace come along with him to an acclaimed film festival... and I was not disappointed 😂

***Tapis Rouge in the Shaftlands spoilers under the cut!!***

So as it turns out, Vil has been invited to the International Film Festival in Fairest City (a significant location for the entertainment and beauty industries). He’s going to promote a movie he’s in that’s releasing next year.

The original plan was for the Film Research Club to accompany Vil and take the chance to learn more about movie productions. However, the club is in the middle of filming for their own project and a change in weather has led to their shoot next week being cancelled. The filming they would have done next week now has to be done this week, so Vil’s club members cannot go on the trip. (Vil himself still has to attend because he is contractually obligated to.)

The other NRC students start to argue over who Vil should take in his club members’ places. The people vying for spots include:

Cater (because the Fairest City is so trendy and always popular on Magicam)

Azul (many famous brands are sold in Fairest City; he has a financial interest in this research)

Lilia (has visited the city before, but never the film festival)

Jade (the city is close to old mines, which he is interested in)

Ace (he loves the idea of going to a fashionable city and “tasting” the celebrity world)

Rook (a lover of movies and dramas; he is curious about the movie studios)

Floyd, Epel, Deuce, Grim (lol it sounds fun to them; Epel also says he has not traveled a lot so he wants to go this time)

Ruggie (FANCY FOOD)

Jamil (wants to take advantage of Vil’s presence to see behind-the-scenes things they don’t normally show; he usually prepares snacks for when Kalim watches movies at one of three at-home theaters but hasn’t had the time to really appreciate the films for what they are himself)

DKJLBHASILYFAYFVQEFIFQEPI; I love the added detail of Jamil telling the others they're inconveniencing their senpai but then Azul cuts in and implies the behavior is a manipulation tactic to show off to Vil how reliable Jamil can be (thus increasing his odds of going while he still maintains his "humility")... Those two just cannot stop getting at each other's throats, I swear 💀 (In part 2, they continue the pettiness when Ace comments that they’re both quick to tease him together, so do they actually get along? Jamil says no but Azul says yes… and the two of them are STILL bullying each other about their personalities once they get their new outfits. Truly not a dull moment with them…)

BUT THIS IS THE REAL STINGER

So since Vil can only pick 5 people to take with him, he says they'll have to prove that they somehow excel over the others. It's then that Azul cooks up a scheme on the spot and recruits Jamil and Ace for it: a lottery! Azul proposes it, has Jamil pitch in, and has Ace prepare the drawings. THIS WORKS ON MULTIPLE LEVELS BECAUSE:

Azul can present the idea as "random" and "fair". This makes him appear like a kind problem solver not wanting to give anyone, not even himself, a leg up.

It would come off as shady if he gets one of the twins (known to be his henchman) to agree with him... so who does Azul get to back him up? Jamil, someone from another dorm, and someone who was passive aggressive with him earlier. This creates a false illusion that others beyond Azul and his dorm believe in the "fairness" of the lottery.

Ace has deft fingers; he a cut a deck of cards--and he can easily rig a lottery since he's in cahoots with Azul, the guy who suggested it to begin with.

This creates a situation where Azul, Jamil, AND Ace get to go to the event. These bitches are mutually benefitting from being collectively sneaky (According to Ace, Yuu and Grim pulled the remaining two slots by coincidence, so they just happen to be "lucky") 🤡 AND THE FUNNIEST PART OF IT ALL IS THAT VIL SUSPECTED THEY WOULD PULL THIS SHIT, BUT HE LET IT HAPPEN ANYWAY SINCE IT'S TECHNICALLY STILL THEM DEMONSTRATING THEIR TALENTS TO HIM...

Truly, bravo... That deserved a standing ovation, gentlemen 👏

#twst #twisted wonderland #Vil Schoenheit #Jamil Viper #Azul Ashengrotto #Ace Trappola #tapis rouge in the shaftlands spoilers #Grim #Yuu #disney twisted wonderland #disney twst #notes from the writing raven #Cater Diamond #Floyd Leech #Jade Leech #Tweels #Octavinelle #Rook Hunt #Epel Felmier #Pomefiore #Deuce Spade #Lilia Vanrouge #Ruggie Bucchi #Kalim Al-Asim #Scarabia

[thankskenpenders]

Help me out here: Why is there so much Ian Flynn hate going around lately? I thought everyone loved that he was contributing to the games. Now suddenly they aren't. I guess that's par for the course for this series but I don't get it. He isn't perfect but I like what he's done. Am I a weirdo?

Ian Flynn has always had a lot of fans, but any creator putting their work out there is going to have detractors as well. That's just the nature of being an artist. To some extent, it's no big deal. He's not a perfect writer. Nobody is! I consider myself a fan of his work, but I've criticized plenty of individual writing decisions from him on here.

But Ian doesn't just have critics. He has his own obsessive hatedom. And the specific nature of Ian's hatedom is... interesting.

A decade ago, Ian was only the guy writing for Archie Sonic, meaning any debates over his work were quarantined within that tiny niche of the larger Sonic fandom. Only people who kept up with the comics month to month had any real reason to have an opinion on the guy, which means we're talking about merely thousands of fans as opposed to millions.

Within that group, he had some haters. You had the people who were mad about story changes made during his run, particularly things like ancillary characters getting killed off (although over the years we've learned that most of those were editorial mandates from Mike Pellerito). You had the people mad that Ian didn't push their favorite ship, with feuding SonAmy and Sonally fans claiming that he was CLEARLY biased towards one or the other. You had the people who just really, really liked one of the previous writers way more - usually Penders, as hard as that may be to believe today. That sort of thing. Pretty normal comic fandom type stuff. Again, it comes with the territory.

Unfortunately, many of those haters only got worse over time, morphing into reactionaries who constantly try to incite Comicsgate type culture war bullshit.

There are people still mad at Ian for making Sally bi and pairing her with Nicole instead of Sonic in the later Archie comics. There have been elaborate MS Paint red string conspiracy boards explaining how people like Ian and Jon Gray have apparently been destroying the franchise from the inside for years by Making Sonic Woke. (Jon gets dragged into this because people are still mad about him drawing The Slap 20 years later. Yes, really!!) There was an unhinged change.org petition trying to get Ian fired, specifically from people who were mad that the Freedom Fighters aren't in the IDW comics. There was even a very sad little fan campaign from these people trying to get Sega to move the Sonic comic license away from IDW and over to Udon, because they thought Udon would bring Sally and Bunnie back and also make them sexy again. There's a lot of this.

(Unfortunately, Penders has also exacerbated this by gossiping about Ian on Twitter and giving these fans ammo, but that's a whole 'nother discussion.)

The thing is, for years, people who only played the games or watched the cartoons had no reason to pay attention to any of this. Now, though, Ian isn't just writing for some weird spinoff comics that only the super nerds read. Now he's writing comics that are canon to the games, and ALSO some of the games themselves, and ALSO consulting on other tie-in media like Sonic Prime, and ALSO writing the official Sonic encyclopedia, and ALSO serving as part of the new Sonic Lore Team at Sega. And on top of all this, he's got an increasingly popular podcast where he fields questions about his work on all of these things, which serves as one of the fandom's main windows into creative decisions being made behind the scenes.

As a fan of Ian's work, it's been really cool to see him rise in prominence. But the dark side of this is that his obsessive haters from the Archie days now have WAY more of a potential audience of their own. Now, every Sonic fan has to have an opinion on Ian. What this frequently means is that you'll have the Comicsgate types taking things Ian writes or says out of context, attempting to get more of the general fandom to yell at the guy.

Unfortunately, there are a wide variety of Sonic fans who take the bait:

You've got hardcore fans who disliked basically any recent piece of Sonic media and are looking for someone to blame.

You've got the people who are concerned about the sanctity of Sonic's canon, who shoot the messenger any time Ian mentions a new retcon from Sonic Team on the podcast - or any time he even mentions the THOUGHT of changing anything about the canon, as we saw recently with the Sol Dimension nonsense.

You've got people who romanticize some sort of mythical artistic vision that Sega of Japan supposedly has (or had) for the franchise. To many of these fans, American contributors like Ian just don't "get" the heart of the series and are trying to turn Sonic into something different. (This "heart of the series" tends to be some mix of Japanese instruction manual lore, the cinematics from Sonic CD, the OVA, and/or the games written by Shiro Maekawa, depending on what Sonic media the fan in question grew up with.)

You've got fans of specific characters or ships who pin the blame for how their faves are depicted entirely on Ian - most vocally fans of Shadow, even though the root problem is that Sonic Team hasn't known what to do with Shadow since 2006. At best this stops at regular old criticism, but at its worst this devolves into claims that Ian has an agenda against certain characters.

You've got fans annoyed by a perceived over-emphasis on comic-original characters in the IDW comics, ignoring the obvious facts that these characters exist because the game cast is so tightly controlled by Sega, and also, you know, that people just like the IDW characters and want more stories about them.

You've got a LOT of discourse over IDW's Sonic being a hero who tries to give his enemies second chances, as if half of Sonic's closest friends aren't already former villains and rivals. Honestly this is very transparently just reheated Steven Universe discourse lmao

You'll also see people who just think they could do Ian's job better. They can't believe that THIS GUY is the American fan working on all these Sonic projects, when clearly THEY understand the characters and lore and themes SO much better than this charlatan.

All it takes is for someone in one of these categories to be unhappy about some recent piece of Sonic media, and for them to come across an out of context quote or comic panel that rubs them the wrong way, and suddenly the leftist Zoomer Sonic fans will join the latest dogpile on Ian alongside the reactionary Comicsgate types who are mad at him for Making Sonic Woke.

In general, when fandoms get upset, they tend to want a scapegoat. A person or two to point a finger at and go "THAT's who ruined the thing I love!" This tends to be based less on reality and more on which contributors are the most visible online. You'll sometimes see teenage and adult fans of children's cartoons single out a storyboarder who's particularly vocal on Twitter, blame them for every story decision they don't like, and harass them off the platform out of a sense of retribution for their favorite ship or whatever. Failing that, fans might choose to blame every nitpick, down to individual lines of dialogue and frames of animation, on a showrunner, just because that's the name they associate with the show. And unfortunately, when it comes to Sonic, Ian is now arguably the most prolific and outspoken contributor on the English speaking internet, and therefore a common scapegoat.

Some of the things I've seen Ian blamed for are truly wild. A lot of people have claimed for YEARS that he's just lying about the existence of creative guidelines and restrictions from Sega - or, as fans call them, The Mandates - even though they're just an inherent aspect of working on a licensed property. Others claim that The Mandates are real, but somehow Ian's fault. A vocal minority of fans have convinced themselves that Ian is the sole reason the Freedom Fighters don't exist in the IDW comics, even though Ian says he's been pushing to bring them back since day one.

Sometimes you'll see people say he ruined shit he didn't even work on. A few weeks ago on Twitter I saw someone claim that Ian had written a rejected script for Sonic Forces in which Tails died. I could not find a source for this for the life of me. As far as I can tell, the rumor seems to have been born from an alleged leaked script for Forces with margin notes from Aaron Webber that criticized the way Tails was written, and also an old tweet where Aaron joked that Tails would die in an upcoming episode of Sonic Mania Adventures. These merged into "Aaron Webber criticized a draft of the Forces script in which Tails died." How'd Ian get dragged into this? Who fucking knows!

It's all just a big game of telephone. All it takes is some asshole to make something up about Ian on Twitter or YouTube or a DeviantArt journal or some forum, and at least a couple people will believe it, and then it gets repeated as fact. Again, this used to be contained by the niche nature of the Archie Sonic fandom, but now there are WAY more people who are receptive to this shit.

It's just sad to me that Ian tries to be so open and honest about his work, to try to explain the rationale for certain things, to keep fans looped in on the direction the franchise is headed, and this just gives the Flynnspiracy types more quotes to take out of context and try to paint him as the devil. If it sounds like I'm being overly defensive and dismissing his critics, man... some of the things I've seen people say directly to him are just unbelievable. People will send paragraphs-long angry screeds in to his podcast that completely tear him apart, and he has to sit there and be like "Well, that's your opinion, and you're entitled to it." People literally pay for special guest interview episodes where they just rapid fire complaints about his writing at him directly to his face. I don't know how he does it. I would snap.

All of this over Sonic the fucking Hedgehog of all things.

I don't know how to wrap this up. Engaging with fandoms online is very tiring, which is why I tend not to do it. Things like this are too common. I guess, just... remember that making art collaboratively is a complicated thing. The people involved are generally trying their best given the circumstances, but they're only human. They make mistakes. But please treat them like humans. Criticism and dogpiling are not the same thing.

#anon #ask #tkp asks #tkp post

[celtic-crossbow]

Blood Ties Chapter 23

Series Masterlist

Warnings: Typical TWD violence and gore; a tad bit of angst; smidge of illness; all the pregnancy woes in the world; some suggestive dialogue A/N: There's some serious fluff in this. I tried so hard to keep Daryl in character while having him offer all he could to a person doing something precious for him. I hope I succeeded. The explanation of midnight blue is a little bit of self indulgence. It's my own favorite color and the reason why. I know I skipped the nursing home scene but I took the liberty of adding into the timeline somewhere as a mention.

The events of the day before had ended in the most amusing way, with you nearly inviting Carol in before getting dressed.

“She knows what tits and a vagina look like, Daryl.”

“She don’t know what my dick looks like, Y/N!”

“Touche, sir.”

All ended well and Carol saw no genitalia that fine day.

You had officially worn one another out. After the Tylenol and Carol’s snickers and knowing smiles, you and Daryl fell onto the pillows and slept until the next morning. The fever remained, albeit burning less and less hot each time the old man would look him over. His lungs were sounding better. Hershel removed the IV when the archer proved he could keep up with hydrating and promised to take it easy. Of course, he would. He had you as his warden. 

The next evening, after a bowl of hearty stew with the venison you had brought back,—two bowls for Daryl—you laid in bed. He wasn’t complaining, for once, and actually seemed to be close to falling asleep. It had been a relief to watch him eat well, even if he did try to share the second bowl. You were feeling a little nauseated, sharing that knowledge honestly when you turned down his offering. Your condition had definitely improved, the severity of the occurrences much less concerning. Things were actually okay. 

“Daryl?” You licked your suddenly dry lips but continued drawing patterns on his bare chest from your spot against his side with his arm wrapped around you. He hummed, his usual reply, eyes remaining closed while his thumb swept back and forth over your ribs. When you didn’t answer right away, he pulled you a little closer. It was unclear if it was intentional or not.

“What?” He cleared his throat, his voice still gravelly. 

“Can we—I’d like to know more about you.” Your timid request must have snagged his attention because he was shifting your bodies to lie face to face, one hand below his cheek and the other rubbing small circles just over where the baby had finally stopped tap dancing. He was giving you that look, the squinted eyes that scrutinized someone for any indication of dishonesty or hidden agenda. He should know you better than that by now, but you remained quiet.

“Whaddaya wanna know?” He finally queried, his hand going still but remaining where it was.

“Anything. Everything.” You shrugged your available shoulder. “If we’re gonna do this—be an us—then we need to know one another, don’t you think?” He started tapping a finger against your abdomen.

“S’your favorite color?”

You huffed a laugh through your nose, scrunching it with a smile. “Midnight blue. What’s yours?” He pulled a face, curiosity shining through.

“Why midnight?” He asked with a sniff, shuffling around a bit on the pillow.

“Because even though I know it isn’t, I like to think that’s the color of the night sky. Not black, but dark blue and full stars. Black is nothing, it’s lonely, but to think of it as blue. It’s a little more comforting.” The archer gave you a thoughtful look, the corner of his mouth ticking upward so minutely that anyone else would have missed it. Not you. “Now, what’s yours?”

He mimicked your earlier shrug. “Dunno. Don’t really got one, I guess.” Your silence beckoned him to explain. After moving his hand from below his cheek to chew on the side of his thumb, he eventually elaborated. “Grew up learnin’ to ‘preciate all’a ‘em. House was—it was always dark, ‘specially after mama died. When my old man—I spent a lot’a time outside. Noticed things. Blue sky’d turn a bit purple before it’d snow, even if it was just a lil’. Grass—it’d be green but have those brown pieces where I’d walk all’a the time. Creek looked muddy unless ya stood in it. Then ya’d see the bottom an’ how the water’d catch the light. Sometimes it’d be blue, sometimes kinda green. Just depended on the day.” His gaze had dropped away from you at some point, focused on the miniscule area of bed sheets between your bodies.

You were glad for it because your eyes had started to fill and shine. You were granted the opportunity to blink back the tears before he looked up. Daryl was so much more than anyone had given him credit for, than anyone had been willing to learn. Carol had told you a story about an exchange with Andrea, when she had taken a jab at what she thought was his limited vocabulary.

“Get a dictionary. Look it up. Observant.”

“D’ya like dogs or cats?” He asked so suddenly that you nearly flinched, realizing that you had just been staring at some point past his head for an undetermined amount of time. There was no way he hadn’t noticed.

“I like both, but I’m a dog person.” You frowned. Having a dog would probably be something your child would never get to experience. “You?”

“Dogs. Cats ain’t trustworthy.” It was such an amusing thing to say with such a straight face. You couldn’t help but laugh.

“Wait, I need to hear this.” You caught him staring at your lips, maybe watching you laugh or maybe he wanted to kiss you. Both? You pretended not to notice. 

“Dogs’re smart but cats’re calculated. Make ya think they’re all innocent when they ain’t. Always up to somethin’.”

“What I’m hearing is that you’re afraid of cats.” You smirked, absently reaching to run your fingers through his hair. Daryl made a disgruntled sound and shook his head to stave off your attempts.

“Ain’t afraid’a ‘em. Just don’t trust ‘em.”

“Right.” You nodded, face falling into feigned seriousness before it became real, your next question burning inside your chest, just below the fear you’d need to surpass to ask. He was likely to shut down the session, maybe even close off completely. You could always hope he’d begun to trust you enough to open up, even if only a little, but the prospect suddenly seemed so far away. “Daryl.”

“Ask.” He was looking right into your eyes with a hint of determination you’d seen before when the circumstances were different, dire even. Was that how he saw this? A dire situation that could result in you being gone in some way?

“Who—what happened?” You let a single fingertip press gently against the deepest scar on his chest, your eyes lingering on it for but a moment before you contradicted his intensity with tenderness. Not pity, but a gentle curiosity. A request to allow you to understand.

“My dad—he was never a good man.” He swallowed hard. “Got worse after mama died. She drank. Fell asleep with a smoke, burned up in our house.” His fingers were plucking at the small space between you, a fine tremor in his hand. He pulled it out of your reach when you reached for it. “Didn’t know what to do with us, I guess. Me an’ Merle—my brother.” The brother that Rick had left behind in Atlanta, the brother who was likely dead. Yet another relative your baby would never know. “Merle tried to—he’d take the beatin’ when he could, did his best. Booked it outta there when he couldn't take it no more. Joined the army.” His eyes were wet, but he sniffed and cleared his throat. “Wasn't nothin’ standin’ between me an’ the old man then—between me an’ the belt. The cigarettes.” He fell silent, clearly finished with talking about his parents.

“Tell me about Merle?” You ventured, shot down with a shake of his head against the pillow.

“Ain’t your turn.” He sniffed again. “Your mama—tell me ‘bout your mama.” It wasn’t exactly a question, more of a soft demand; an it’s only fair. You didn’t mind. You’d accepted her abandonment long ago. You had been content with the amazing father with whom you were gifted.

“She booked it. We didn’t have a lot of money, and she never really wanted me in the first place. Tucked tail and ran the first chance she got.” You shrugged, unbothered beyond the twinge of guilt you felt for being so okay with the hand you had been dealt while Daryl struggled to even think about his past. “I didn’t even miss her. I mean, it sucked at first. I always felt bad, watching daddy struggle. So, I learned to help and that was that.”

He was so obviously jealous, yet another emotion that he didn't know how to process. You saw the anger flare before he doused it, returning to a solemn state of silence. He was awaiting your question, wherein you found a dilemma. Did you push through the conversation about his family? Or did you switch to something else, give him a break? 

“Thank you for trusting me.” When you reached for him then, he didn’t pull away. His mask cracked and a few pieces fell away, but he held the rest steady. “That’s enough for now, okay? If you have more questions, I’ll answer them. Gladly. But you’ve shared enough, okay?” When he studied you, you didn’t let him proceed with his usual scrutiny. “It’s fine, Daryl. We can talk more when—if—you ever want to again. You don’t need to tell me anything else.”

He accepted the out with a long exhale and a nod, his gaze falling away. You embraced the silence and its discomfort, just touching him while he was in a place to allow it. You stroked his cheek, the stubble thicker than usual with his confinement to the bed. You smoothed his hair, scratched gently over his scalp. Finally, you scooted closer and pulled him toward you to meet in the middle. Tangling your legs around his, you guided his head to rest under your chin. He let you without complaint or denial, a testament to how he had silently endured when he needed comforting.

The two of you laid there, his breaths evening out to the point where you thought he had fallen asleep. Then, breaking the silence, he cleared his throat. “Why me?” You pulled back just enough to angle your head and look at him.

“Why you what?”

“Why ya settlin’ with me? We can raise a kid together without you givin’ up a chance with someone better.” He took a deep breath, keeping his head down. “I won’t hold ya to it if ya change your mind later—if someone shows—”

“There’s no one better.” You nearly snapped at him, your tone harsher than you’d ever meant for it to be. He flinched and you instantly hated yourself for it. You’d seen someone’s quick movements earn that reaction before, but words hardly affected Daryl physically, not like that. “Daryl.” You silently pleaded with him to look at you, but were left disappointed. “There’s no one better.” You repeated, so softly that it was almost a whisper, your breath disturbing his hair. “I want to raise this baby with you. I want to be with you. I love you. That’s not gonna change.”

He simply hummed, the sound reverberating against your throat. You wanted to throttle him, but none of his self-deprecation was his fault. You hated people you didn’t even know for it. “Don’t deserve all this.” Your brow furrowed deeply at his words. “Feel like m’gettin’ somethin’ meant for someone else. Like m’takin’—” The words died on the tip of his tongue. What could you even say to that? You could tell him he deserved the world—the fucking universe—but he’d never believe it. You’d just have to show him. It would take time and patience that would likely be tested over and over, but he was worth it.

“You’ll see.” You settled back against him, let silence fall between you again. After a while, he actually did fall asleep, the tension you had noticed in him finally melting away into a restful state he so desperately needed in order to continue getting well. A kiss was pressed into his hair. You never fell asleep yourself, simply lying there with him. Your heart ached yet it was full. With your fingers traveling up and down his back in gentle motions you hoped were comforting even within his dreams, you told him again. “You’ll see.”

Daryl was coughing strenuously by the time you reached the truck, his hand pressed hard against his chest. The cold air, the rush of grabbing up all the bags, the running from the herd—it was taking its toll on his still healing body.

“Keys.” You demanded. “I’m driving.”  You could see it on his face that he was going to argue, but he doubled over in another fit of coughs and deep, wheezing gasps. Digging in his pocket through the ordeal, he tossed you the keyring. The bags you two were responsible for were tossed into the back next to the bike. It took the archer two attempts to pull himself onto the bench seat, which required the effort of both your bodies to move back in order to accommodate your 30 week bump. Just as your door closed, a discolored hand slapped against the window, startling you into a shout.

The van was already moving when you pressed the gas to peel out behind it, mowing down at least three walkers. Dark blood splattered onto the windshield, smearing but mostly washing away when you used the partially frozen fluid and wipers. Daryl’s forehead was against the dashboard as he fought to catch his breath in the chilled air. You were fumbling for the temperature controls when he smacked your hand away.

“Just—just drive. I got it.” He rasped, the warming air filling the cab a moment later. His back thudded against the seat, shaking it slightly, his head falling back against the headrest with his eyes closed. He was finally sucking in gulps of air into irritated, partially healed lungs. When you reached a point that was safe enough to pull off, you would make sure the group remembered his state of health and didn’t travel for too long before finding anything suitable and safe enough for a stay of at least a few days. “Quit your worryin’, woman. M’good.”

“Just don’t, Daryl.” You argued quietly, desperate to keep the peace between the pair of you that you’d managed to create. “Let me worry. If you don’t fight me on it, I’ll be less likely to do something stupid.” You glanced over, finding his head rolled toward you, his jaw set but he relented with a jerk of his head.

“Fine. Just have ‘em find whatever. S’long as it keeps your ass right here beside me.” 

You smiled and silently celebrated your victory, even as he noticed and grumbled beside you. When you placed your hand, palm up, on the seat between you, only a heartbeat passed before you felt him squeezing your fingers.

Roughly eight weeks left, though Hershel said you could safely deliver if you made it at least four more weeks. You were actually becoming slightly miserable. The nausea would come and go, though you actually vomited less and less. Your ankles were missing completely under the puffy skin. Your belly felt so heavy that even just standing was becoming a chore. Lori was sympathetic, constantly giving you advice. Not only you but Daryl as well. You had seen her whispering to him, watched the way he would go completely still, not looking at her but listening intently. Rick could give him all the advice in the world but Lori’s input was crucial. She knew exactly what you needed.

The archer argued with you less and less, though you could see the restraint it took for him to bite his tongue, sometimes literally. He let you hunt with him because you were restless. Lori had said it was because of the urge to start nesting, which you had found amusing, but Daryl already knew about it because of the damn books he continued to snatch up on runs. Why it frustrated you that he was willing to go that extra mile was beyond your comprehension. Maybe because he knew more about what was going on with your body than you did? You should have been grateful, but all you wanted to do was kick him in the shins.

“Can ya just—nevermind.” He grunted from behind you while the two of you tracked some turkeys. You knew they’d be in the trees for the cold weather so you kept your eyes upward, irritating the hunter when you would nearly trip or run into something. Still, he kept his cool, which was admirable for your hot-headed partner. Daryl didn’t like the term boyfriend, you’d discovered during a brief conversation where you’d found your tongue looser than normal and spilling out questions you’d otherwise never ask. The two of you had settled on being partners, though you didn’t feel it was enough to describe your relationship. He had simply shrugged.

You couldn’t hunt with a gun. He’d all but forbade it. Too loud, would draw walkers. So he found you a bow. Not a crossbow but a traditional one. It didn’t take much practice. You only needed to become familiar with the tension of the string, how far to pull for the trajectory and speed needed. Aiming came naturally.

“Shut up, Daryl. I’m fine.” You snapped, instantly muttering an apology. It was but wasn’t his fault you felt so crappy. It took two to make the baby whose little foot or hand or whatever was always pressing into your ribs. You were just as responsible and tried to remember that even when it was you and not him that felt like absolute shit most of the time. As if the world was hellbent on fucking with you, the toe of your boot found its way beneath an exposed root and you nearly faceplanted. If not for Daryl’s constant observance, you surely would have.

He snagged your bicep, dropping his crossbow to reach across your chest and grip your other shoulder. All you needed was a dislocated shoulder when you were already so beyond miserable. He made sure you stayed on your feet, nearly stumbling himself, but saying nothing when you found his irritated but concerned gaze. The weight of it instantly brought on the sniffling you knew was about to lead to a breakdown.

Over the course of only three weeks, the archer had memorized the signs and adapted, learning how to soothe you even at the expense of his own comfort. He immediately pulled you into his arms as close as he could with your ever-growing belly between you, shushing you and rubbing your back. 

“S’alright. I won’t letcha fall.”

Noble as his intentions were, that only seemed to stir up even more guilt. “I don’t know why I can’t just listen when you tell me I should stay behind! Why do you let me just do whatever I want even when you know it’s the wrong choice?!” You rubbed your wet face against his button up, leaving a dark spot and not for the first time.

“Cause you’re hard-headed an’ feelin’ like crap. Only make ya feel worse for me to argue with ya.”

And just like that, the switch flipped. “I’m not hard-headed, Daryl! I’m fucking capable and everyone wants to treat me like I’m gonna break!” You pushed him away roughly and stomped forward, sniffling harder than necessary. You heard a sigh from behind you, the sound of him picking up his crossbow and before following at a distance.

When you shot down the turkey, even beyond the pride you felt carrying it back, something told you that he saw it first but didn’t even raise his weapon.

Carol had heated some water for you so you could wipe down, feeling like your skin was crawling after being in the woods all day. It was a foreign feeling for the leaves and cool, fresh air to feel like it stuck to your flesh and needed to be scrubbed away. You were a mess. Your body hurt and you constantly needed to pee. You were irritable. You’d want Daryl to fuck you one minute and then shove him away the moment he touched the slick apex of your thighs. You were torturing the poor man who didn’t have a clue how to provide the type of comfort you needed when he couldn’t even process how to overcome his own lack of it growing up.

You didn’t hear him enter the room as you bowed over the small sink in the dusty bathroom, your skin still damp beneath your long sleeved shirt and flannel sleep pants. You had washed your hair to the best of your ability, the wet strands forming a curtain around your face that blocked your view of the door. You didn’t startle when you felt the heat of his body behind you. It was familiar at that point in a way you couldn’t explain.

“I’m so sorry, Daryl.” You whispered, the syllables of his name coming out as a soft whimper. His hands settled on your hips, fingers flexing nervously.

“S’okay.” He stepped closer and you fully expected to feel his erection press against your ass, but that wasn’t the case. There was only the firm safety of his body, your human security blanket. “Wanna—can I try somethin’?” His voice shook beside your ear but his hands remained steady, digits still squeezing and releasing. Not trusting your voice, you nodded, his exhale warm against your neck.

You weren’t entirely sure what you were expecting but it certainly wasn’t his warm palms sliding beneath your belly and lifting with more gentleness than you were aware a human being could possess. The absence of the weight pulling down was an instant relief, your muscles turning to jello. You leaned back against him and he kept you upright, silently offering you comfort and succor that your body didn’t even know it needed.

“Fuck.” You breathed, eyes fluttering closed and head laying back against his shoulder. The tears came when his lips pressed against your temple, wordlessly expressing his gratitude for what you were enduring. “Thank you.” Your own appreciation trembled over your lips, whether toward the man at your back or a god you weren’t sure you believed in for putting him there.

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