As a natural redhead myself, I would love it if more people dyed their hair a natural looking red. People are so fucking weird and creepy about red hair and I think if more people had red hair they wouldn't be so weird about it. I dye my hair fun colors partially because I got sick of creepy people hitting on me for being a ginger and partially because my family is like crazy possessive about red hair.
OKAY INCH RESTING!!! this tracks completely, bc ever since I started dyeing my hair the more Believable version of red I get many, many, MANY comments about it
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just a reminder to book fans, that Moghedien is supposed to be scary at first
like we all think of her as the failgirl she is and love that for her, and I obviously love making fun of her. but we also need to remember that the show isn't going against character here with her. in the Shadow Rising and a lot of the Fires of Heaven, she was absolutely scary the first time around
she was literally popping up undercover all over the place, even amongst the already undercover groups. she immediately had Nynaeve and Elayne ready to eat out of the palm of her hand and giggling like school girls, telling her everything they were up to on their secret mission and then made them forget it ever happened. Nynaeve couldn't beat her in a channeling fight (even being fully able to channel) and had to resort to physical projectiles just to get away from her. she had the Black Ajah scared shitless of her and revealed she'd managed to fool even them and get close enough to them to learn who knows what without them even knowing she was there. she expelled a Hero of the fucking Horn out of Tel'aran'rhiod and almost threw her out of the reincarnation cycle.
the girl is supposed to be scary and unsettling, but she also doesn't act unless she's provoked or unless she's planned it out enough that she's sure she can maintain the upper hand the entire time. the problem comes from the fact that she's pretty easy to provoke so long as you're a mean girl with a braid.
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i think one of the things i find compelling about rhaegar is that he’s a very good example of how selfish and destructive a martyr complex is. from what we know, it doesn’t feel like his obsession with the prophecy was overtly egotistical — less ‘i’m great ergo i’m the prince that is promised’, more ‘oh fuck, if this is true then unless i do these very specific things everyone and everything i know is doomed’.
and yet. there’s still something selfish about that. about assuming you have to be the one to solve the world’s problems. even when it eats you up, even when it isn’t some glorious purpose but a terrible shadow hanging over you. to assume you’re the only person who can do something — and, ironically, in trying to fulfil the prophecy and prevent the destruction of everyone he lover, he doomed pretty much all of them.
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Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --
CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan.
JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.
Have you seen The Dying Swan? It is dramatic.
Here, take a minute:
First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.
This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT
Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.
There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.
Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.
Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.
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"Twelve people have died presenting this effect. Years ago, I sold one to a lovely Chinese fella and he ended up six foot under. I'd hate to see the same thing happen to you."
I'm currently obsessed with Goldstone's. There's so much going on in that creepy little shop.
There are twelve puppets on display here. One of them looks really sad. Six of them have red hair. Does it mean anything? I don't know.
And then we have these two puppets at the front.
"Fake ears are two shillings!"
What do their personal tags say?
I'm going to dissect every single aspect of this show before season 3 comes out. Send help.
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I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.
Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.
(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)
Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."
He remembers Jirou and thinks, The braying howls of the weak...
He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.
AFO saw Yoichi in Mineta.
These scenes are near-identical to each other.
Mineta and Yoichi (at that time) are both much smaller than the normal person at their age
They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice
Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)
The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.
Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.
AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.
Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks
AFO even stole Hawks' Quirk during this time.
He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.
He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.
And this let Mineta play his part, and remind AFO of Yoichi.
"A putrid, festering Quirk Factor."
That sounds like Yoichi, AFO.
".. such garbage."
Hey hey hey, what did Yoichi throw at him when they were kids?
A discarded can. Garbage.
This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].
Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.
Even though this time, Mineta [Yoichi] offered to take that place of suffering.
Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.
Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.
Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.
Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.
Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.
Reiterating something from OP's post that I reblogged this from;
"The reminder of his brother made him uncomfortable, so he hurried away."
AFO didn't want to hurt Yoichi again.
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