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sophiamcdougall · 9 months

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I am never going to complain about Greek Duolingo again

I mean, I am. But still.

So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.

So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.

At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.

Specifically, it pulls its head sharply inside its shell

So, meanwhile I've been trying to learn some Greek with the help of Duolingo.

I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.

This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.

Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.

I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.

Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.

We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.

"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."

"A what," he asks.

"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"

"Oh! A turtle!" he says.

"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.

The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.

"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.

"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.

"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.

"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??

The children fucking love looking at the χελώνα and showing it to them is kind of magical?

I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.

"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."

"Yes! I know that!" I exclaim, thrilled.

"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!

So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.

(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)

#story time

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phantomrose96 · 1 year

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I'm thinking about Tumblr Live again and ruminating on WHY it's such a huge flop and I think I've figured it out: They've completely refused to make it a tumblr feature...

By which I mean (begrudgingly goes to unsnooze Tumblr live) this:

^This is meant with zero insult or derision to the people above, but these are absolutely not Tumblr users.

Every single thumbnail I've ever seen for Tumblr live seems to say "This is for clout!" "This is for a thirst trap!" "This is for influencers!" "This is for Tiktok wannabe stars!" "This is for showing your pretty filtered face and reaping what people on Instagram and Tiktok are desperately chasing!"

I'm remembering that Reddit has (or had) livestreams you could tune into like this. I've tapped into some. Ones I remember offhand include:

a guy just wandering around downtown in his city silently showing people the streets and stuff

a guy streaming his attempt to beat the last level of Celeste

a guy streaming his dog he was petting

And that, that was Reddit. That was undoubtedly just regular Reddit users going "oh stream feature? yeah okay. here's my dog." "here's my video game." "here's my street corner in Prague."

And when I think of all the recent successful Tumblr features, they're all things that correctly tapped into actual Tumblr user interests. Blaze had people go "haha yeah here's my dog." "here's my advertisement for a horse lawyer (lawyer who is a horse)." They let us buy crabs because, fuck it, crabs. The blue checkmarks were funny. Polls turned into the fandom brackets people have desperately wanted to make for a decade+. I'd wager the merch that calls on old Tumblr memes is at least decently successful.

If Tumblr Live wanted the chance to be successful, it should have been angled toward Tumblr users. "Here, you can livestream your cat if you want." "You can livestream yourself working on some fanart and chatting." "You can livestream yourself going bird watching because birds are your hyperfixation and you can identify them all by their song to all your followers who want to tune in for bird facts."

But Tumblr Live has never tried to be that. It ONLY seems like it wants to be a Tiktok-clone, Instagram-clone, clout-chaser baited-hook trying to pull converts over from Tiktok/Insta/etc who are trying to grow their influencer brand, which Tumblr is lethally hostile to.

(And ALL of this is only touching on the concept behind what's happening here. I haven't even touched on the third-party streaming service and questionable data protection.)

Like fine, I guess I get it from a business model of trying to grow your userbase--since catering to your existing userbase doesn't pull in new meat. But this will not work. Because anyone, tumblr-native or not, trying to grow themselves as an influencer will NOT find success here. This place is not a place of honor. No highly esteemed deed is commemorated here. Nothing valued is here. What is here was dangerous and repulsive to us. We will not watch your Shein haul stream.

#chrissy speaks #tumblr live

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sapphicautistic · 10 months

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In the 1980s in France, musicologists and archaeologists Iégor Reznikoff and Michel Dauvois used their voices to explore caves with notable Paleolithic wall paintings. By singing simple notes and whistling, they mapped their perceptions of the caves’ acoustics. They found that paintings were often located in places that were particularly resonant. Animal paintings were common in resonant chambers and in places along the walls that produced strong reverberation. As they crawled through narrow tunnels, they discovered painted red dots exactly located in the most resonant places. The entrances to these tunnels were also marked with paintings. Resonant recesses in walls were especially heavily ornamented.

In a 2017 study, a dozen acousticians, archaeologists, and musicians measured the sonic qualities of cave interiors in northern Spain. The team, led by acoustic scientist Bruno Fazenda, used speakers, computers, and microphone arrays to measure the behavior of precisely calibrated tones within the cave. The caves they studied contain wall art spanning much of the Paleolithic, dating from about forty thousand years to fifteen thousand years ago. The art includes handprints, abstract points and lines, and a bestiary of Paleolithic animals including birds, fish, horses, bovids, reindeer, bear, ibex, cetaceans, and humanlike figures. From hundreds of standardized measurements, the team found that painted red dots and lines, the oldest wall markings, are associated with parts of the cave where low frequencies resonate and sonic clarity is high due to modest reverberation. These would have been excellent places for speech and more complex forms of music, not muddied by excessive reverberation. Animal paintings and handprints were also likely to be in places where clarity is high and overall reverberation is low but with a good low-frequency response. These are the qualities that we seek now in modern performance spaces.

Sounds Wild and Broken, David George Haskell

#books #quotes #sounds wild and broken #david george haskell #music #history #paleolithic #prehistory

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maplewozapi · 5 months

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I should have known if I brought up wc I’d have to talk about. But it includes of a lot of issues with feral/furry designs that use feathers in hair. I don’t necessarily know why the conversation only started and stayed in the wc fandom when horse/wolf/lion feral fandoms are still doing the same thing.

Now having feathers in the design isn’t a racial attack first thing off because there’s a lot of context around what feather’s are used, the shape, and where they are placed. If the look is anything like "rave Coachella looking tribal fantasy feathers and beads" it’s probably insensitive. I’m not to sure why it has to be feathers, I honestly think the wc fandom are holding themselves back when it comes to forwarding designs in a unique way. Tail feathers are also left out in this conversation as well, one or two feathers or feathers in the shape of a birds tail are fine but bunched together feathers are leaning to close to how we have our horses wear feathers. This is in the context of the design already looking like a "medicine cat" already its bad. it’s like those yt girls wear feather head bands but animal addition.

I’ve talked about this before but silhouettes are so important, like Native American stereotypes are on the global scale you cannot escape this silhouette you just have to avoid it. There’s no "but it’s in so many other cultures" no it’s not it’s totally unique to our people that’s why people flock to it because it’s so "mysterious, sacred" whatever their weird twisted up reason is. There’s so many unique ways to break this silhouette you just gotta be more creative. And I feel like instead of being more creative and coming up with totally different ideas it’s just easier to lean on these visual native stereotypes to get across "wild mythical nature fantasy"

I could get into the horse fandom and the weird situations they’re doing over there but that’s another crazy thing. I should say because someone will ask, ostrich feathers on like show horses or knights or puss in boots style is fine not the same thing (breaking the silhouette) they’re not related.

And it comes down to understanding what you are drawing and where this imagery comes from, I’m not gonna get my feelings hurt because of your design but I’ll question why are you drawing stuff like that. You cant remove that cultural/stereotypical imagery, and if you don’t care about it then you don’t care about the history or how it looks on your character and art.

I made it this far on the internet but if you want to be conscious about these things good on yea it doesn’t take much☺️👍

Edit: can’t believe I gotta say this but yes other cultures utilize feathers, if people are using feathers that are used in their culture then don’t harass them. That’s weird have some common sense. Ostrich feathers, peacock feathers it’s actually so interesting how native birds to an area affect the culture there.

#native artist #ndn tumblr #native american #indigenous #warrior cats #warriors oc #warriors #warrior cats oc #spirit stallion of the cimarron #furry #feral

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pankenlewd · 3 months

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i'll post some rancid horny nonsense and someone asks "for what purpose" and because we are on This website i have to answer with some bullshit like "Ask thee of birds why they sing?" idk bro my high horse isn't the only thing i gotta get off

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rebeccathenaturalist · 21 days

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Frogs eat insects, right? And sometimes other invertebrates, and maybe little vertebrates like tiny fish or tadpoles or smaller frogs. But this is one of those neat cases where you have a total departure from what's expected.

While Xenohyla truncata (aka "Izecksohn's Brazilian tree frog") does eat some invertebrate prey, it also deliberately seeks out fruit. Given that it lives high in the canopy of the rain forest amid bromeliads, it's not out of the realm of possibility that this started out as supplementing a normal frog diet with high-calorie fruit in tough times, and evolution favored those that were able to make better nutritional use of this opportunity.

It reminds me of the (mostly) vegetarian spider Bagheera kiplingi, and how primarily herbivorous ungulates like horses and deer will opportunistically eat baby birds or gnaw on carrion and bones. While we can make generalizations about the dietary habits of certain groups of animals, there are exceptions to every rule. And I personally find the existence of these unique outliers to be part of what makes the natural world so utterly fascinating--no matter how much we learn, there are always more surprises to discover.

#frogs #amphibians #nature #wildlife #animals #ecology #environment #conservation #science #scicomm #naturecore

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ceilidho · 2 months

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take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (part 8)

part 1, part 2, part 3, part 4, part 5, part 6, part 7

Now a nocturnal animal emerges into the daylight hours.

A week becomes two and your shoulders untense. It’s not something you notice at first because you’re used to an ever present strain between your shoulder blades and an ache in your jaw from grinding your teeth at night. Then a fortnight goes by without so much as a missive with your name on it floating across John’s desk or a stranger appearing in town after tracking you down, and you wonder if maybe the world really is big enough to hide in.

It sure feels that way at times. The woods beyond the bounds of John’s property stretch out farther than the eye can see and even walking it feels like you could disappear into another realm. Old spruces shoot up high into the clouds, and deeper into the woods, huge rock formations grow more and more prominent as you near the mountains. John takes you through the woods on horseback, following the rough trails carved into the dirt by a century of wagons and carts using the same path. The footprints of a different time.

Up in the trees, birds warble and chirp, talking to one another in songs that you’ve never heard before. A woodpecker drills into the side of a tree. Pinecones snap out of the upper branches and drop to the forest floor.

There is only a single trail and it’s easy to lose. You grow a bit nervous when John takes you off the trail and deeper into the woods, but he does so with the confidence of a man that knows these woods like the back of his hand. You go quiet when he stops Buttercup to let a herd of deer wander by, the stragglers hurrying to catch up with the group, throwing the two of you nervous glances before they disappear into the thicket.

“Should we be out this far?” you ask in a whisper, reluctant to disturb the silence. Though the woods are full of animals that bleat, chirp, chatter, and hoot, the sound of your own voice feels preternaturally loud and shrill.

“We won’t get lost, darlin’. I know my way around,” John reassures you, curling an arm around your waist to hold you to him. These days, you hardly worry about tumbling off the horse. Not with him at your back anyway.

“That wasn’t really my worry,” you mumble, trailing off.

“Then what’re you getting all worked up about?”

“Aren’t there wolves out here? Or bears?”

He snorts, the sound making you jolt. You don’t topple over because he has such a firm hold around your waist. “They don’t usually come this close to town. They’re more scared of you than you are of them.”

“That sounds like something mothers tell their children to stop them crying,” you say flatly. You draw your legs up automatically when John directs Buttercup through a shallow basin, a shortcut back home. It makes you anxious for a moment, but the water barely goes up to her ankles, so you relax when you realize that you’re in no danger of being swept away by the current.

“That doesn’t mean a bear or wolf can’t wander by, but it’s rare.”

“And there it is.”

You can feel the heat of his glower on the back of your head. “We could spend the night out here if you want to see for yourself.”

At that, you shut your mouth. Even if he were to prove his point, you have no interest in camping out in the woods now that you’ve become accustomed to the luxury of a soft bed. Granted that you’re forced to share that same bed, still you’ve never slept half as well as you do these days. You wake up rested after nine hours of blissful shut eye, a sleep so deep that your dreams only come in half-remembered flashes. Often they involve the man you wake up wrapped around, and for that you’re grateful that they remain submerged.

A new desire has started to burrow its way into the back of your mind in recent days. It starts out as a thought so brief that you hardly notice it before it skitters away.

And then it lingers.

You wake up in the middle of the night hot, sweat dripping down the nape of your neck and a fire burning in your loins, a red-hot coil wound around itself, fit to burst. Pulsating. At some point throughout the night, you must have thrown a leg around John’s waist because it rests there now, your hand planted in the middle of his chest and your sex all but rubbing up against his thigh. Under your hand, you can feel his heart pump strong and steady.

You hold very, very still, waiting for him to wake. But John sleeps on, his palm loose where it rests along the curve of your hip, fingers curling into the flesh of your backside.

You can hardly look at him these days without shaking. You’ve come to fixate on the sway of his hips when he walks and the flecks of silver in his beard. The grooves in his weathered hands. The way your head fits in the palm of his hand when he cradles it to his chest. The fond glimmer in his eyes that shines the brightest when he puts his hat on your head and it slips past your eyes, too big for your head.

When you tip it up in order to see, the folds around his eyes become more pronounced with the force of his smile.

“There you are, bug,” he says, taking the hat off your head to set it back on his and reeling you in for a kiss.

Bug, love, honey, darling. The constant flux of endearments makes your head spin. John never calls you by the name on your marriage license. It’s like that name means nothing to him, cast away at the first opportunity and replaced by an endless stream of pet names.

He hasn’t touched your sex since making you come on the porch swing the week before. He pulls you into a chaste embrace at night, the only evidence of his own desire being the stiff shaft nestled against the small of your back in the early morning hours, which he takes care of on his own in the bathroom downstairs after pressing a kiss to your cheek. You feel robbed of something, though you don’t know quite what.

You’re tempted to offer your help, but you don’t know exactly what that would entail. Inexperience and fear of rejection hold you back, stay your tongue. In the two weeks you’ve been married, he hasn’t once tried to pin you down and rut between your thighs like you expected and dreaded that very first night.

Now that that time has passed, you don’t know how to initiate that moment again.

John promises to teach you how to ride a horse. You can’t see a reason to protest, much to your chagrin. Despite your apprehensions, even you can’t deny that it would be a helpful skill. A train only goes one way after all, confined to a single track. A horse has no such laws to obey.

The thought stays nestled at the back of your mind as the days continue on.

You flounder around in the kitchen on the day that John invites his deputies over for supper. You’ve met the big one—Simon—now a small handful of times, each encounter marked by a silence that sucks the air out of the room when he turns his gaze on you and holds it. Perhaps you’ve simply ascribed too much importance to his person, given that every time you’ve seen him, your life has changed irrevocably. His presence is always followed by revelation it seems. The archangel of vicissitude. A harbinger of uncertain times.

The other two are new. John introduces you to them when you bring out the cutlery and crockery to set the table, and you nearly go cross-eyed when they reach across the table at the same time to offer their hands. You go to meet them halfway, but flinch when John brings his hand down on the table with enough force to make the silverware jump.

“Sorry, darlin’,” he apologizes to you first before turning his glare on the other two. “That ain’t proper, boys. You wait for the lady to offer her hand first—you don’t treat a woman like she’s a mutt you’re teaching to shake.”

“Ah, sorry, hen,” the one on the left says, his voice a thick Scottish brogue like a purr. He’s possibly the handsomest man you’ve ever met, but there’s something dangerous and wild in his eyes. When he smiles, it curls up in a roguish sort of way that makes you falter, like he’s in on a joke that you aren’t. “Dinnae mean to offend. No’ often we get ta meet such a pretty lady.”

“Sorry—” the one on the right apologizes in a voice far more earnest than his counterpart’s. “And sorry for him. We think he was raised by wolves.”

“What’s yer excuse then?” the Scot sneers, knocking his knee into the other man’s under the table. “Dinnae see ye waitin’ for her fuckin’ hand like a gentleman—apologies, hen.”

“Christ,” John sighs, leaning back in his chair and staring up at the ceiling.

Simon stays silent at the other end of the table, but the whole table jumps when he aims a kick at the Scott’s leg. He hisses and blurts out a word in a language you’ve never heard before, the word unmistakably vitriolic. He clutches at his shin and shoots a nasty look at Simon, though he doesn’t make a move to retaliate.

“Name’s Kyle. Kyle Garrick,” the other introduces himself, and you finally reach across the table to offer your hand. His hand is warm against yours when he takes it, dark skin burnished in the candlelight. There’s something inviting about him; something about his eyes, so dark that you almost fall into them. Thick lips curl up into a smile. “And this here is Soap.”

You frown. “Soap?”

The man in question runs a hand down his front, emphasizing the cut of his shirt and the way it clings to the muscle of his chest. “‘Cause of how well I clean up.”

Simon barks out a laugh at that. The sound comes so sudden and sharp that it startles you. “You got it ‘cause your mum had to wash out your mouth with soap.”

It’s the most you’ve ever heard out of him and you can only stare wide-eyed at the lot of them as they dissolve into bickering and squabbling after that. It’s almost a relief to head back into the kitchen to finish cooking.

Dinner is a similar messy affair, punctuated by the sound of Soap practically gnawing the meat off the bone. He only apologizes when John barks at him for making a mess, more food on the floor around him than on his plate, but his table manners don’t last very long. John doesn’t seem so much embarrassed on their behalf as annoyed, but it’s an annoyance that comes with an aftertaste of warmth. You can tell without asking that they’ve known each other for years.

There’s room enough in you for food and envy. Back home you had friends. Never close friends, but acquaintances at least. Maids you could recognize by face. Small talk while ascending single-file up the servants’ staircase. Perhaps little more than that. You’d never been particularly close to any of them, but how could you? You worked from morning ‘till night, up and down the stairs, moving in the shadows. Never making too much noise lest your employers take notice of you.

Like he did.

You shake it off. That’s no matter now. You’re hundreds of miles away and living under a new name. A married woman, to the county sheriff no less. It only sometimes hurts your heart to think of how lonely you’d been.

When they leave, you stand at the window and watch as they disappear into the black of the night, Simon at the front of the pack, his torchlight leading the way. The sound of horse hooves beating against the dirt recedes the farther they get.

His hands warm your shoulders. You don’t know how long he’s been there, standing behind you while you stared out the window after the boys. All you know is that his hands are warm, and the kiss he presses to the back of your head makes you arch back into him, unconsciously gravitating closer to him. Needing to be near.

In bed, you curl your fingers against his chest. On a rough exhale, you wake. You dream still of something terrible that happens somewhere else, in another city, in an old life. His heartbeat lulls you back to sleep.

John takes you to the local seamstress to have you fitted for a pair of pants and suddenly you’re out of excuses. They fit you comfortably, like a second skin, and you find yourself pulling at the legs at your final fitting as if to stretch out the material. The seamstress nearly jabs you with a pin and glares up at you until you stop fidgeting.

You come to terms with it when he brings you into the stables and makes you fetch the saddle from where it rests on its stand. It’s heavier than you expected. You stumble back over to where John now has Buttercup standing in the middle of the stable, holding her by the lead fixed to her bridle.

“I don’t know if—” you start, trepidation climbing up your chest until it grips you by the throat. For as many times as you’ve ridden her, you’ve never done it alone.

John fixes her lead to a post and walks over to you, taking the saddle from your hands and letting it drop to the ground. He cups your face in both hands to tilt your head up. “Hey, honey. We’re not doing much of anything today, alright? Just a walk around the paddock so you get used to sitting on Buttercup on your own. I’m not gonna smack her ass and send you down the trail at full tilt..”

That gets a laugh out of you. “You promise?”

He smiles. “Promise, darlin’.”

And he keeps it. The only thing you do that day is learn how to tack a horse and how to properly mount and dismount her. The latter part of the lesson is devoted to you trying to find your balance while John leads the two of you around the pen at a leisurely pace. He calms you down when he sees you grow too stiff, stopping to coo and rub your thigh until you gradually relax. It’s heartwarming until Buttercup begins to tense up too for a reason unbeknownst to you and you watch in righteous fury as John calms her down the same way.

John gets you a hat to keep the sun from beating down on you, but there’s little he can do about the soreness between your thighs and the stiffness in your legs the next day. All you can do is hiss and moan in pain, hobbling around the house until he forces you down into a chair and hikes up your dress in order to apply an arnica salve to your inner thighs.

It’s a relief and an affront at the same time. The duality of man. The salve soothes much of the ache, but you twitch nervously around John for the rest of the day, the memory of him pinning you to the chair and forcibly spreading your thighs haunting you. The lingering ache in your core is just the salt in the wound.

It rains another day. A light drizzle while the sun is still out.

Every day you sit and you think, will it be today? And then the wash basins are emptied out in the field, the horses are taken out to the paddock, you pin the laundry up on the line to dry, and John presses a farewell kiss to your forehead when he leaves you with Kate and nothing happens. Every inch of you waits for more, anticipates more. Throbs when he leaves you wanting, only a chaste kiss and a squeeze around your waist before he’s off.

You can feel it coming to a head. An itch you can’t shake.

That day comes with another ache you can’t shake.

“Please,” you beg, clasping your hands in front of you. “One day of rest. That’s all I’m asking. I can’t do this anymore, John.”

John snaps the lead in his hands. “Let’s get a move on. We’re burning daylight.”

You hang your head low on the march over to the stables, John taking up the rear like he expects you to bolt. An executioner’s walk. The thought of escape has never seemed further away—not even because of its feasibility, but because all you want to do is lie down and rest.

“You can quit your moping,” he says as you tack up Buttercup, a pout on your lips. “Got something special for you today.”

That makes you perk up, regardless of the fact that he doesn’t specify what that is. Anticipation mounts in you when he helps you up onto Buttercup and then climbs up behind you himself. He steers her away from the paddock and towards the trail leading into the woods, the sun at its zenith now, illuminating everything as far as the eye can see.

You’ve ridden this trail before. A week ago, with John at your back as he is now. Through the fields and over the hills until the trees start to number in the tens and then the hundreds, no clear delineation between plain and forest. Simply there and then everywhere.

By now, after hours of sun beating down on the path, the trail is mostly dry, yesterday’s rain long since having sunk into the earth. You think it’d still be a tough hike on foot, but on horseback you cover acres of land at a brisk pace, Buttercup hardly breaking a sweat. You cross paths with a small group traveling by horse and wagon, but John breaks off from the path not too long after that, steering Buttercup deeper into the wilderness, where the only gullies are the ones carved out by years and years of rainfall.

You only see it when the land begins to dip and you’re forced to hold onto the horn and tighten your thighs around the fenders to keep steady. At the bottom of a hill, a small stream opens up into a larger river, narrowing out at the other end where the land rises again and the water can only trickle over the pebbly riverbed. On the other side, a rocky outcropping cuts the stream off from view.

“Is this where you used to come to bathe?” you ask, recalling an earlier conversation.

John sighs. “Thought I’d take you for a swim as a treat, but if you’d rather just tease me—”

“Well now, let’s not be hasty,” you say, already trying to dismount on your own, eyes glued on the stream glimmering in the sunlight. John chuckles, keeping you pressed to him until he guides Buttercup under a tree for shade and dismounts first, helping you down after him.

All you want to do is wade in the stream up to your ankles, so that’s what you do. Boots kicked off, Buttercup relaxing in the shade of a tree, John standing by the water’s edge with his hands on his hips and watching you tiptoe over the smooth rocks below. You roll up your pant legs, but eventually you feel the ends grow damp as you venture farther out. At its deepest, you would probably sink up to your waist.

“Don’t you want to swim?” John asks from somewhere behind you.

You splash around a bit, kicking your feet through the water. “Hard to do that with clothes—”

When you turn back around to face him, your eyes dart down momentarily at the sight of skin before you squeak and whirl back around, sending up an arc of water. Twice now you’ve seen him naked.

“You’ve no clothes on,” you state, bluntly enough that it almost sounds stupid.

You hear the water splash and ripple when he takes his first step in. “Right—you better think about doing the same if you don’t want to ride home soaking wet.”

“I was perfectly fine just getting my feet wet,” you say indignantly.

“We came out here to swim, not get your feet wet,” John laughs. You stiffen when his hand comes down on your shoulder, conscious of the fact that your husband is standing right behind you, entirely divested of his clothes. “So best get to steppin’.”

“You can’t make me.”

“Oh, honey,” he says pityingly. “Yes, I can.”

You squeeze your eyes shut as you make your way back to shore, careful not to allow yourself a glimpse of him. Your boots are stacked beneath the shade of another tree, John’s clothes folded neatly beside them. You strip slowly, attentive to the world around you; though unlikely, it’s not impossible that someone might wander by. Your only consolation is that John is still within sight, though you keep your back to him because in recent days, you’ve developed a hunger for him that even now makes your stomach hurt.

Though the air is warm, you shiver. When you turn around with your arms crossed over your breasts to hide them from sight, you find John wading in the river up to his waist. You’ve seen him like this once before, the hearty body of a man in his prime. Sturdy and strong. The hair on his chest is darker than that on his head, wet too from the dip he must have taken when your back was turned. His hair is slicked back too, a wet hand combing it back.

“Come on, darlin’,” he calls, beckoning you forward with his hand.

The water is a cold shock when you step in past your ankles. Ice cold tendrils wrap up your legs, sucking the warmth from you.

You suck in a soft breath when he pulls you into his arms and heaves you up, big hands gripping under your thighs. Your breasts press against the wet skin of his chest, nipples already pebbled. The river is deeper than you assumed; John pulls you deeper in until it pools around your waist and then your chest. Cold enough that you shiver until John dips his head down and the kiss he presses to your lips melts you from the inside out.

You can’t escape the intimacy of water-slick skin. When John drags you up his chest, your nipples brush over his and the shudder that passes through you is violent, toe-curling. You know that he can feel the heat of your core even underwater. With your legs wound around his waist, every inch of you is plastered to his front. Even your fingers play with the ends of his hair, arms draped over his shoulders. You can’t look away.

“C’mon,” he murmurs, breath hot on your face. “Eyes on me.”

As if you could look anywhere else.

He reaches down under the water to readjust himself and you gasp when his shaft is suddenly right there, trapped between his belly and your heat. It’s the closest you’ve ever gotten to coitus, his glans nestled between your folds. You’d only have to shift slightly for him to slip right in. The thought makes your breath quicken.

He doesn’t make a move to take you though, even knowing that he could. How easy it would be. How it’s due to him. Your husband that’s waited a fortnight to take you as his own. John kisses you until each slick pass of his lips grows sloppier, clumsier—his lips barely parting from yours before they’re on you again, rendering you a creature of base needs.

But his hands don’t shift from your backside where he holds you in place. His fingers dig into the flesh hard enough to bruise, but they don’t move to part your folds to make room for his manhood. You expect him to—practically yearn for it and squeeze him around the neck all the harder when he subverts your expectations, doing no more than letting you grind your heat against the base of his shaft.

“John—John, please,” you beg, mindless for what. You don’t know what you’re asking for.

“What d’ya need, darlin’?” he asks into your mouth, stealing your answer with another kiss.

You fall under the swell of another wave. When the root of his cock glides over your clit, your core clenches on nothing, a sob half-bitten off in your mouth, ripped from your chest.

It doesn’t matter how close to him you get—he gives you nothing. The heat could very well burn you from the inside out. Cold water caresses your skin as it flows past, but the center of you runs so hot that you hardly notice it.

When he hikes you higher up against his chest, you clench your fingers in his hair, whining when he takes your nipple into his mouth. Your gasp comes out sharp and hurt when the coarse bristles of his beard rub rough against your breast. He sucks at your breast tender at first, gentle, eyes half-lidded like his mind has gone somewhere else, but there’s a glint in his eye that grows wild and dark, that turns him rough. You don’t know what to do except shake and let him use you how he wants.

Desperation nips at your heels, urging you up the length of him. If you had more nerve, you’d reach down and grasp him under the water, notch the head of his member against your sex and sink right down on him. You need him like you've never needed anything before. Every part of you aflame, searing hot under the sun at its highest point; right overhead, right on top of you.

His teeth sink delicately into your areola, tongue lapping over your nipple to soothe the hurt, and suddenly, you break.

“Please—” you gasp, wrenching his mouth away from your breast and whimpering when he resists at first, glaring up at you like he might bite. “Please, John—I can’t take it. I need you.”

His eyes darken, the pupil swallowing everything up. “Need me where, wife? Here?”

A hand dips between your thighs, pointer finger gliding over your sex, plump with blood. So tender that your mouth hangs open on a whine when he touches you.

“Y-yes,” you whimper, gaze swimming.

John’s breath comes out in a harsh, ragged pant. Completely undone in a way you’ve never seen before. “Get out, darlin’. I’m taking you home. Gonna give you what you need.”

#ceil writing #cod mw2 #cod x reader #price/reader #john price/reader #price x reader #price x you #john price x reader #john price

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hedgehog-moss · 11 months

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Here are 7 little facts about my donkey and how his summer is going :)

1. I received an anon the other day asking if Pirou was still a working donkey who carries my firewood for me, and the answer is yes. I've been cutting some branches from the big cherry tree that fell down the other day, and Pirlouit has been valiantly carrying them to the woodshed—fun fact, for this activity he likes to wear his ears like this:

Probably because this T position is reminiscent of Jesus' sacrifice on the cross, which is how Pirlouit perceives himself as he carries heavy logs for me. He's willing, but his martyrdom should be acknowledged.

Here's Poldine acknowledging it with a nose kiss, because Poldine.

I stopped so they could have their little chat.

2. Pirou has been chatting with a lot of new friends lately—we met these horses on a walk and he was so happy to stop and touch noses with them while making equid noises. Llamas are good with the nose-touching but their llama noises are just less interesting to Pirlouit. He had such interested ears here! "Finally a serious grown-up conversation"

We also met this goose during the same walk and Pirlouit was a lot less eager to go say hi to her. The goose was yelling threats at us and we prudently stayed away, and Pirou was clearly thinking "this bird is doing a better job at protecting her home from intruders than Pandolf ever could" (it's true, Pan assumes intruders are friends until proven otherwise)

3. You'll notice that there are houses in this pic! Our walks got longer and longer until one day we went all the way to the village (it took 1 hour 20min at Pirlouit's leisurely pace). I was so proud of him. I've been trying to convince my friends to go to the village on donkeyback (this requires two people, because you can ride Pirlouit but you can't tell him where to go unless there's someone holding his rope and leading the way)—my friends were reluctant because they still sort of perceive Pirou as the feral animal terrified of everything that he was when I got him. They know he's made a lot of progress but going to town on donkeyback still seemed foolhardy.

So we've been riding Pirlouit in the woods, in familiar environments, and we also went to town with him but without riding him. He was amazingly calm and brave! There's a river that cuts the village in two and the first time we went, we stopped before the bridge, since it's pretty narrow and cars would have to drive very close to Pirlouit, we didn't want to risk it. We just went to say hi to the librarian who lives on the right side of the river, but since Pirlouit was very serene, we did cross the bridge the second time.

He did not care at all about cars driving very close to him (he had one familiar human on either side of him and the drivers were very considerate and went slowly), which emboldened us to stop for a drink on the terrace of the coffeeshop on main street (< also a narrow street with cars driving by quite close to Pirlouit). There was just no problem at all, Pirou let total strangers rub his forehead and was more interested in iced tea than main street traffic.

It was a hot day and we gave him all the ice cubes from our drinks and he chewed them enthusiastically.

4. We made a stop at the pharmacy on our way home because we had another 1 hour 20min walk ahead and I had a blister, and the pharmacist noticed my donkey parked outside his shop and in a determined tone he said, "I want to try something." He took one of the donkey milk soaps from the overpriced-Provence-soaps-for-tourists display and opened the door and offered it for Pirlouit to sniff.

... I'm not sure what he was expecting—for my donkey to go "ohhh this smells like Mother's milk and aloe vera 🥺"—but unfortunately nothing happened.

(4. bis—Sorry, this 4th fact was anticlimactic.)

5. Pirlouit is now the proud owner of a surcingle. Not for equestrian vaulting and not for his log-carrying job because I don't know if it would be solid enough for the weight of a bag full of logs, but I'd like to tie bags or baskets to it to take Pirlouit grocery shopping, now that I know he's okay with going to town :) He even seems to enjoy the adventure, and the attention he gets from children.

And actually I shouldn't write off equestrian vaulting because Pirou is also remarkably chill with weird things happening on his back. I used to be very careful to climb on his back in a quick & fluid way so he wouldn't spook (because he used to! a butterfly flapping its wings in Brazil used to spook him!) but now that my friends are riding him I can confirm we've reached a point where you can climb on Pirlouit's back in any way you want and he'll just be like "...... sure"

6. I almost forgot to mention that Pirou turned 15 last month, according to his ID papers :) Donkeys have a longer life expectancy than horses, they can live 30-40 years on average so he's still a young lad really. Happy 15th birthday Pirlouit :)

7. I wanted to conclude with a nice aesthetic pic of Pirou's shadow on the road during all those walks, like I did with Poldine, but unfortunately donkey shadows do not have the chic je-ne-sais-quoi of llama shadows. Pirlouit looks like a hammerhead shark wearing a tiny fez and that's not his fault.

#crawling along #i am so proud of him!#4 years ago i couldn't even touch him let alone halter him let alone... any of this #he's a great donkey. very curious and interested in the world around him especially iced tea bottles

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