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ben-the-hyena · 10 months

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Quick little rant y'all can ignore (I just love ranting too much)

Unpopular opinion : it is NOT to be a hipster or to be like "I'M NOT LIKE OTHER GIRLS~" but very often either I will hate or just not be interested to watch at all the newest Tumblr fandom. I really feel like a Tumblrite but sometimes it feels like I just can't enjoy or be hyped by whatever the others are hyped with without doing it on purpose, as if we have nearly no common taste. I mean sure we all are unique and loving everything others we do is boring and impossible and would prove the person is shallow and can't be true, but just, absolutely nearly every big Tumblr fanfavorites annoys me

Superwholock ? Sherlock was nice but not THAT nice and the others never interested me. HH/HB ? Loathe the characters and story. Lackadaisy ? Don't understand the hype. Nimona ? Don't care. She-Ra ? Hated it. The Owl House ? Can't stand the posts on my dashboard nor the charadesigns. Centaurworld ? I know it is one of those things that look lame in the trailer but from what I got gets deeper, but I saw it being so much overhyped I can't. Green Eggs and Ham ? Ugh couldn't it have just been the old cartoon ? Arcane ? The more people said it was revolutionary the less I wanted to check it out. SU ? I used to love it but then it betrayed me with how badly written it endes up to be. SVSFOE ? Except one or 2 arcs it was not my type and the ending infuriated me. Ducktales ? Only season 1 was good to me. Miraculous Ladybug ? It broke my heart so fuck you show. Encanto ? "Narcissic families are ok and misunderstood if they are pretty". Wendell and Wild ? The demons did look interesting and I was curious for them but sadly the main character is insufferable and Idgaf she is sad she is still an asshole but gets away with it. Wednesday ? Tim Burton understood NOTHING avout the Addams Family and flanderized Wesnesday. HtTyD ? Should have been a standalone. LOK and to be fair ANYTHING coming after ATLA books comics and upcoming series included ? Burn em to the ground. Rise of the Guardians ? Seriously the animation is gorgeous but you have the blandest plot and characters ever but everybody calls it original and groundbreaking wtf ?! Arlo the gator boy/I Love Arlo ? Ew it looks ugly as fuck and I am VERY wary of titles that self congratulate (coincidently the Lou! franchise became very shitty when it was renamed into I Love Lou Very Much so it ticks me off) makes me wanna do the contrary and hate Arlo. Carmen San Diego ? Didn't care. The Cuphead Show ? Only season 1a is good 1b and 1c are shit but because "gae devil" everybody loves it holy shit the game is better. Frozen 2 ? Admit it, you liked it ONLY because you see Elsa like a lesbian and wanted to go "HAHA GET FUCKED" to Let It Go. AND DON'T GET ME STARTED ON LIVE ACTION REMAKES

Some I even actually just didn't dislike it or care at first but it was seeing all the excessive posting and love for it despite 1) not wanting to watch (I love Arlo, never I wanted to kill a gator child so much force of seeing him on my dash) and/or 2) seeing legetimate problems and flaws and yet everybody ignoring it (Encanto, I hated the end but I did like the movie itself but seeing everybody justifying the end made me loathe it) it turns into hate. But some I hate from the start but seeing everybody love it anyway makes me wonder if at that rate the problem is me and I nitpick too much or of course like everyone I just have my own tastes and what pops up on my dash is not a reflect of universal taste ?

But I often call it a curse because everybody seems to have fun and it's as if I am doomed not to like and it looks like what the audience usually loves is just not my type, which sucks because I don't have many people to vent about it, not many people to gush about the obscure things I love because I am cursed to really invest myself in old fandoms I only find about now or stuff that don't even interest much people but fit my specific niche tastes, dashboards flooded with "OMG GUYS WATCH IT IT IS *SO* IMPORTANT AND THE BEST EVER" making me want not to whereas only 3 likes on posts of franchises I love that are barely known or loved... Probably why I have so many obscure fandoms actually. I am SURE it is subconsciously why I wanted to give a chance to Elemental and Avatar 2 since nobody talked about it in good or at all here !

I am not even sure and just like me those who love these franchises and are part of these fandoms must just have their own specific intersts peaked of course and if so it is absolutely alright ! But often I see they all have a pattern and I feel like, like when I ranted in my posg that defends Elemental, that they will love it and adore it just for ONE element not matter the rest hence why they only talk about that one element that irritates me when I am flooded in posts praising it but really it is just that element. "Omg so much representation" ok cool what is the plot "it is a trans allegory" yes but more precise ? "it is so GAY (affectionate) and girl power !!!" yes but ? The characters ? "Oh the characters are minorities some are LGBT half are POC and some even have a disability and they fight heteronormativity and traditional beauty standards" ok ok I GOT it but what are they like as people !?! "there is a canon gay ship in it I love them little blorbos" I DON'T GIVE A SHIT DAMMIT WHAT IS THE PLOT AND HOW ARE THE CHARACTERS "also it has a varied cast and is made by minorities and women !" Ok bye now I won't be able to help but see it being loved only because of those and not for its story and it will make me bitter about it as if there is nothing else but that to defend because it implies the scenario itself isn't that special for people to only talk about the Christmas present package rather than the content

It is very occasional I will actually get curious because it IS my type thanks to Tumblr : WOY, Pinky and the Brain Undertale, Good Omens, TDC : AOR. It needs to strike a sort of special chord in me to go "uh !?! A modern cartoon that feels like an old cartoon with funny designs and animation and funny characters !??! Uh !?! 2 gay mice that were probably not meant to be gay but they accidentally cracked many eggs in their portrayal and to think I was not interestee when I thought Brain was bidimensional and didn't give a shit about Pinky like I thought ??! Uh !?! Fun skeletons and a macho fish woman with cute pixel style !? Uh !?! Angel and demon are friends and were on Earth for years looking for a kid !?! Uh !?! In that prequel it shows one reformed Skeksis being actually good helping Gelfling and in a relationship with his Mystic ??!" And other Tumblr favorites I loved like idk FNAF, MLP FIM, Spiderverse, Puss in Boots 2, The Bad Guys and usually in general most popular big studios block buster animated movies I loved and others did were stuff I found by myself which Tumblr just coincidently did too so it doesn't count. Some I even discover them years later when the hype died down and nobody speaks about it anymore (reinforcing my idea that IS probably wrong that they don't even really love it but just go "OO SHINY" when something is new and pretty) that I can notice and love years later or at least late a franchise, like I don't wait on purpose I just really discover it at this moment or something peaking my interest only happened recently or peaked my attention now

Those aside most of the time I will really not be interested, a third of the time because "I am told to so I don't wanna" and it has to be myself or it will feel like a chore like when I am recommended stuff IRL I will actually postpone even if if I had not been recommended I would have started watching it earlier (I heard from a friend this looks like a symptom in a type of neurodivergence but I AM NOT SURE), a third of the time it really doesn't look or sound like my type of story at all and I keep wondering why there is nothing new for me and why everybody is so hyped by it, and a third I actually give a try and I end up straight up hating it or just finding it meh and overrated. I just need to find my own fandoms myself, even if they are obscure, that spark my interest, hoping they don't become bad in the end (SU, Ducktales, the Cuphead Show, Miraculous Ladybug etc. Sigh) which happened too many times already and makes me even more wary force of experience about what is popular since even when I myself find it becomes shit people still love it. And of course they totally HAVE the right to never would I harrass and police what people have to like and dislike, but it kind of feels lonely at times and sometimes it makes me think if something is wrong with me not to enjoy what seems to be enjoyed by everyone else and if it is my fault ; and thinking that even makes me anxious and guilty feeling like I am ranting for nothing and people will think I am an attention seeker making me even more gjulty and so on which becomes a vicious circle with my anxiety

#reaction gif #fandom #tv show #movie #video games #comics #books #WHY #moi #fans don't look #tumblr

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toournextadventure · 1 year

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I'm finally finished and thinking back to the pics you used as hints yesterday have me cackling djdjdhdkdkk i shall now dove into my fave bits!!

dance scene!!

not to self: do NOT get h word for your partner around your entire family!

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i feel like this can be used in one of those wesnesday character x y/n out of context posts like the comedic timing in "show a LITTLE vulnerability" is golden

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starting a gofundme to get birb some damn vaseline

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so painfully romantic and very VERY lovesick addams of her. to think her biggest fear was turning into her parents and THIS is your inner monologue??? mission failed babe.

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this was just precious. i feel like birb was getting weary of getting their ass handed to them and went to wednesday all frustrated and asked for help with anticipating the attacks and pretty little viper got fed up of having to tend to their wounds (not really) so she gave in, only bc they begged and not at all bc she couldn't take the way worry gripped her ice cold heart when birb got hurt. ALSO love how birb went from hiding out with Pugs (older sibling birb will never not hit btw) to be ready to fend off Gomez. the GROWTH!

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YES SHE IS AN ADDAMS. BY MARRI [call disconnects]

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if i had to choose 1 piece out of the entire story that perfectly represents the dynamic between them this would be a tough contender. like 9/10 birb is putty in her hands and would do quite literally anything for her BUT birb's also a little shit and know that this is something only she can get away with ugh i just love them smmmmm

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Finally decided to stop lurking because I just had to tell you how much I enjoy this story. Your characterization of Wednesday is so good, especially how you write her inner turmoils! Your ability to map out a setting so we can visualize exactly what's written puts us right in the atmosphere. I can't wait to see how you go about having Wednesday ask more about birb's family and the tearful goodbye as they go back to campus :(((((((( ANDDDD it may be a few chapters away but when enid gets wind of the trip and the development of the relationship??? I can hear her scream rn dkdjdjskkssks

brb building a time machine so i can skip to next Thursday!!!!

Bestie no STOP you hit me with the SCREENSHOTS it's official, we've now got to get married because this is my WEAKNESS

I LOVE seeing what parts y'all like because, of course I've got my own, but it's so exciting to see YOUR favourite parts. If they're different than mine, the same, WHY you like it. Like Wednesday lowkey getting all h word? It's such a small part but, like, it's THERE and you NOTICED IT. Or Wednesday's inability to EXPRESS HER FEELINGS IN A NICE WAY "I feel you're a little annoying" bitch PLEASE

But yes, there at the end with Birb just??? Being an asshole??? Like listen, Birb can be the sweetest thing ever, but deep down she's an INSUFFERABLE DICK and she's gotta make sure everyone remembers it

I'm so glad you're here, bestie! Don't worry, the next chapter will get y'all in the feels (I hope). Might even post it on Wednesday just because I love y'all 👀

#answered #wednesday addams x reader #everyone but her au

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meysteredenn · 1 year

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Happy new year everyone! Here is the first drawing of the year, a fanart of Wesnesday Addams. I looove this show so much!

#wednesday #wednesday addams #wednesday fanart #jenna ortega #procreate #wednesday netflix #portrait

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dyns33 · 2 years

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Maybe I’m dressed as Wesnesday Addams to go to work. With goth make up and a fake knife in the head.

Maybe.

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barb-l · 2 years

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Ohh! You might be right about Wednesday wearing dark blue in Fam Values but I swear I can only recall her bathing suit, one Morticia dress and Debbie's fits at the moment haha. I'm gonna probably rewatch both movies before Halloween though. Wbu? Are u planning any spooky movie marathon maybe? Also oof I'm so sorry abt your experience with the school for g00d and and evil. I haven't seen it.. yet(?).. but I read the book ages ago and um yeah. 😐😑😒

GOSH THANK U SO MUCH for posting your draft, you made my night!! Like I'm sitting here with a huge, dumb smile on my face cause it's so sweet and wholesome! Enid knew she was gonna miss Wednesday even before parting for the summer so she gave her her number but didn't have much hope she would even keep it. But Wednesday did keep it and bought a phone so just she could text her because she missed her too! OH BE STILL MY HEART 😳 That's also what Enid must have told herself after receiving that msg and realizing that ''Wednesday Addams actually missed me'' 😳

That bit about Enid thinking of Wesnesday and her smile? I SWOONED

And how Wednesday keeps making HER smile effortlessly with just being her weird as shit gothic ass self? The one Enid grew to LO- LIKE so much? OH MY HEART

This is such a fantastic draft you have here and I'm so grateful and honored you shared it with us. 💛 I'm no way asking or bugging you to finish it before the show drops cause I understand you prefer to post canon compliant content. All I'm gonna say is if inspiration strikes and you find your head full of ideas for this fic don't let anything stop you from writing it. You're genuinely amazing in expressing yourself in both writing and drawing so sometimes you can have a little non-canon stuff too as a treat 😄 I for one am gonna love love love it either way among many others. Of course it's up to you and only you, like I said I understood your reasoning perfectly. It's just.. this is waaaay to good to be scrapped. Really. Alright I will shut up now. Thanks again 💛

Ah not really. Whatever time i have when im not working, id rather spend drawing either for fun or my commissions. Although i do love creepy and macabre stuff, im not a big fan of horror movies. A lot of them are more about either shocking viewers and being as gorey and torture porn-y as possible, which isn't really my thing. Tho there are some horror movies out there i quite liked, I prefer to watch compilation videos of ghosts caught on camera and stuff if im in the mood for something spooky.

The SGE movie's pretty good for someone like me who hasn't read the books. My brother and I actually had tons of fun until all the confusing qb(and the whole thing with Rafal and Sophie. Barf). Like, if the filmmakers knew Agatha and Sophie were sisters then why have them kiss on the lips?? Unless they plan on retconning that since i hear that was only revealed at a later book...

Omg thank you! Ive mentioned it before but I'm not as confident with my writing as i am with my art, so compliments regarding my fics are always super appreciated. I'll consider continuing to write it, if there's still more i can squeeze out of me.

#asks

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medusaindumentaria · 5 years

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Donde?

Estamos en Calle 12 #1143 (e/55 y 56)

#LaPlata, #BuenosAires, #Argentina

Sos del interior?

Enviamos a todo el pais por medio de nuestra #TiendaOnline,

ingresa en www.goo.gl/DpfztY

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drooliasnott · 5 years

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Return To Dust, My Love

Very recently, the last few evenings of my relaxation time have been spent languorously re-digesting my views as an adult on the Barry Sonnenfeld feature films, The Addams Family (1991) and The Addams Family Values (1993), based on the original characters by artist Charles Addams. Although there have been many adaptations over the years of the distinctly macabre and darkly wonderful family life of the Addams clan, no other cinematic versions grasp the mythology quite like these movies do. And in light of the brand spanking new trailer for the 2019 animated feature, which I admit had caught me completely off guard and a little alarmed, I thought no better time exists than now to delve back into exactly what kind of black magic it is that makes this source material just so enjoyable and unique.

Though the Sonnenfeld films are nearly undeniably the jewel of the franchise, one cannot examine the Addams Family appropriately without appreciation for its origin. The energy and attitude generated at its inception by Charles (Chas) Addams for The New Yorker in the late 30′s feels unique even for the time. At 150 single panels, the original comic was a divisive satire on the modern 20th century family that was not only cheeky and clever, but also at times very beautifully rendered. Chas himself was an enthusiastic if not sometimes obsessive artist, often described as drawing with “a happy vengeance.” The through line of the story continues to this day to be positive relationships found within a family. All this plus a heavy splash of aristocratic dignity thrown into the mix, and The Addams Family has proven from the beginning to be a very distinct and sometimes even delightfully surprising blend of flavors.

Despite the fact that Chas Addams had already well established his characters by the time he came in contact with writer Ray Bradbury, their connection is felt in every further adaptation of the title. While Addams continued to serialize his strip in The New Yorker, Bradbury separately had begun his own endeavor in creating a monster family of sorts, The Elliotts, beginning their narrative with the short story “Homecoming” in 1946. All tales concerning the Elliotts involve the clan slowly gathering together in a mysterious house at the top of a hill, while each short focuses more intimately on the powers of a different, particular family relative. All Elliot stories were later collected in a book, From The Dust Returned, published in 2001, but portions of it have existed in different publications long before then, most notably Bradbury’s famous The October Country. Finding a kinship between them, Addams and Bradbury discussed a potential long-format collaboration, though unfortunately this never came to fruition. However, Addams did supply an original illustration for Bradbury’s “Homecoming”, which is still in use as a dust cover today. The striking resemblance the Elliott House shares with the Addams house is but one of many aesthetic touch points which will last for the rest of the series.

The groundwork for the series was strong enough to launch several adaptations over the subsequent several decades, finding more palatable viewing content in the mostly forgettable and very safe 60′s television show, which was plain enough to get the Addams Family strip banned from The New Yorker for banal taste, until editor William Shawn’s retirement in 1987. Meanwhile, the 70′s offered an explosion of further efforts to market the title to children and average american joes, producing TV specials and animated crossovers to mixed results.

It wasn’t until the 90′s when Orion, who by then had inherited the production rights, decided to begin work on a feature film. With a simple return to the story’s roots, the company assigned first timer Barry Sonnenfeld to direct 1991′s The Addams Family. The process was fraught with setbacks and pitfalls, and when the budget rose too high for the struggling company to justify continuing further, the decision was made to sell the film to Paramount, who finished the production and handled distribution. Though it was also met with mixed reviews, it was commercially successful enough to merit the stranger, longer, and bizarrely even brighter sequel, The Addams Family Values.

Returning to the core of what made the original content special, both 90′s films focused heavily, if not borderline exclusively on matters of familial struggle. However, unlike many of the earlier adaptations, the 90′s films also took great care to place special emphasis on elements of the family which do function well, something which is delightfully counter-intuitive overall. A particular portion of that credit goes to the fantastic casting of the films, the warm and vivacious Raul Julia as the erratic, sensual, and often charmingly innocent Gomez, Anjelica Houston as the ageless, witchy, white-marbled Morticia, Christina Ricci as the irreverent, sharp-witted outlier Wednesday, and Christopher Loyd as the bug-eyed, emotionally un-tethered uncle Fester all make for a very difficult call on whose performance is best above all. Dana Ivey is a delight to hate as Margaret, and Judith Malina is a joy to laugh at as Grandma, but it is really the core cast that shines beyond any previous actors, and it is because of this chemistry that the family relationships can really resonate. Two dynamics in particular stand out as specifically exceptional;

GOMEZ AND MORTICIA ADDAMS

Opposite most long term monogamous relationships portrayed in media, Gomez and Morticia have a sustained romance which continues to burn more and more fiercely as time goes on. However, what makes their marriage unique as a film element is not necessarily their passion (and subsequently very active sex life,) but the equality found present within the marriage. They not only share common interests, (and possibly distant relatives?) but also take into consideration the same moral and social obligations. They value each other’s opinions, and both seek to create situations where the other can live as their best possible self. They are uninhibited in their public declarations of affection, and are adamantly devoted to their children, the family as a whole, and preserving the generations-long Addams way of doing things. They strongly adhere to old traditions, but as a couple they also are surprisingly malleable, attempting to navigate difficulties as a unit, though admittedly Gomez is occasionally a bit less good at doing this.

Gomez and Morticia consistently present a unified front to the Addams clan, and serve as the centerpiece in any scene they inhabit together, even in the very Ray Bradbury-esque gathering of Addamses for Uncle Fester’s surprise party during the finale of The Addams Family. The party is in celebration of Fester, but it is really Gomez and Morticia who serve as the jewels of the scene. It is the strength of their affection on which the emotional crux of the finale swings. What further enhances the succor of this particular relationship again falls to the actors, as time and time again Raul Julia shows a rending vulnerability in the way he portrays Gomez. It seems Gomez is still half-stuck in childhood, or maybe he lives in some tumultuous place inbetween as his innocent heart tet-a-tets with the passionate desires of a man. Morticia in turn seems ageless and timeless, a solid rock on which Gomez can throw his emotions again and again, and it is their intense and unique personality peculiarities that in the end fit them together in perfect harmony. For a family as bizarre as the Addamses, their relationship is healthier than any other relationship found in canon, or in general just in film at large.

WEDNESDAY ADDAMS

An interesting blend of sociopathy, pragmatism, nihilism, isolationism, and just plain attitude exists in tandem inside Wednesday Addams. It would be too basic to call her an outsider, because though she is aware of her differences, she makes no effort to enhance, emphasize, or change them in any way. She differs even from the Addamses in her nuclear family, citing specifically in The Addams Family Values to her dorky crush Joel that if a man were to ever love her unconditionally, to devote his life completely to her, that she would pity him. This seems a direct call-out of her father Gomez, the coldness of which is both cutting and fitting. She follows up by rebuffing Joel’s clumsy advances with saying she would murder that same, loving man. A literal death threat is as true to her character as much as it is a dime-turn from her behavior towards Joel in the film leading up to that moment. As a young woman, she has already begun to clearly define herself as free and independent, even within the context of the family.

Wednesday’s views on the relationship her parents share is one of cautious distance, while she also still has her own loving, healthy relationships with both parents individually. Though they love one another, in almost every case Wednesday tends to slant slightly darker, taking the more macabre path of her own accord in a family already well-suited to that kind of thinking. She is both sharper and wittier than her father, and crueler than her mother, and often interacts with Pugsley as if he were a sort of accessory at worst, or sidekick at best. She shows him solidarity as an Addams, but also constantly tries to expunge him so she can be the only child, which is a vendetta she furthers at the birth of Pubert in The Addams Family Values. Many comparisons have been drawn to similar characters of the time, of Lydia from Beetlejuice and Nancy from The Craft, but I would argue Wesnesday’s alignment falls closer to the Daria camp, as she is already firmly established in her thoughts about the neutral impact of family, the trouble with idiot boys, and the negative experience of outside society. Wednesday is purely independent, and resonates a sense of deep internal knowledge and self-worth that extends beyond the parameters of her identity as merely an Addams, and in that way she makes a strangely excellent role model.

Following the success of both The Addams Family and The Addams Family Values, the series moved on to a saturday morning cartoon of parallel quality with the animated Beetlejuice cartoon. A following additional live TV series, The New Addams Family, also made it to broadcast, but the opinion of most viewers is that the entirety of it should be thrown in a river and destroyed forever. A cancelled Tim Burton adaptation also briefly existed, counteracting the 90′s film aesthetic which seemed pretty much already to be a restrained version of his personal flavor of set design. This leads to today, and the beginning of this meta, when this afternoon I saw the trailer for the 2019 CG animated reboot of the franchise, inexplicably also titled The Addams Family.

Though I respect the nature of some reboots, stylistic updates for one thing seeming somewhat necessary to keep old content fresh, the new trailer immediately had me skeptical. Though the new designs very closely resemble Chas Addam’s orginal designs from The New Yorker strip, something vital seems to be missing, and there is a strange liberty taken with some of the new character models which feels disharmonious, and even borderline disrespectful. And though The Addams Family has a rich and storied history of zany one-liners and satirical cheekiness, the lines delivered in the trailer seem to fall flat. Though many series in this franchise in past have been saltine cracker level boring, one would expect a reboot this late in the game in the popular Pixar-launched CG style would be an opportunity to inject new life back into the old series. But something seems off, and this in turn brings me at last finally back around to the 90′s films.

The reason the Sonnenfeld 90′s films were good is easy; they have a subterranean classiness. Pulling Bradbury back into it, the earliest and best iteration of the series is infused with a rich, sensual, and genuine darkness. Bradbury's stink is all over the films, from the set design to the Addams Family reunion ball, to the serious performances given to obscene, ludicrous roles and a questionably weak script, by very talented actors. The suburbs seem more ridiculous when the pastel, unfeeling beastliness of uniformity is stood up next to dark, dank, meaty, loving weirdness of oddballs. To make satire work, one has to play a game of balance. Without salty, sweet will never taste quite right, but balance in storytelling has many levels. Visual balance is one thing, but one must also have careful emotional balance. The 90′s films maintain an underlying level of sincerity and integrity, which is what is required to counter the punchy, often goofy scripts and scenarios. The films were good because they had just as much heart as the Addamses themselves, and without heart, a movie will never have any true substance.

The track record this franchise has with creatively successful projects is pretty poor, but one can hope the example of cult excellence set by the 90′s movies will infuse into some part of the future film, and maybe into further projects later down the line. Voicing your opinion on pop culture subject material is something I believe in as a means to guide new content created in the future, so if you have thoughts on the new movie after it airs, let the world know! Help create the kind of content you want to see in the world by building a healthy, respectful discourse. Only time will tell if the 2019 Addams Family will be any good, but I’ll keep watching till then.

If you enjoyed reading this, drop me a line and let me know! I’m considering writing more meta for other films, and have dabbled up until this point with TV meta, so if you’d like more content in this vein I’d be glad to hear it. Suggestions welcome, though no timetable is attached. Thanks for reading!

#the addams family #the addams family values #the addams family 2019 #wednesday addams #gomez addams #morticia addams #chas addams #ray bradbury #from the dust returned #the october country #the new yorker #meta #movie meta

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