#which i always thought was one of the best written persona plots

[quil12]

Honestly, this game feels like drugs sometimes

#persona 2 #persona 2 eternal punishment #just the fact that absolutely no one is phased about this #this is the additional scenario btw #the last part of it #katsuya is very much a catboy though #'catsuya' if you will #hes also like really smart though too #like man was talking so much to do with like philosophy and psychology and i had no idea what was even coming out of his mouth #i do feel like there are so many similar themes and ideas particularly between p2 and p5 though #like not even just the talking cat #but like how in is there was the moral question about if its right for people to not have to work toward their dreams #thats literally just third semester in p5r #which i always thought was one of the best written persona plots #but to find out that p2 did it first #and more as a subplot than anything else #p2 just has good writing #im gonna be one of those people now that ive actually played it #but like i think its my favorite story in the whole series #havent played 1 yet #so i cant say for sure #but like...

[somethingpersonarelated]

Another No More What Ifs Analysis

Okay, so... between wanting to analyze this and Our Light, and the kpop posts that I'll be doing that overlap with this. This blog will turn into Persona Music Analysis hour. Long post. Heavy spoilers for P5R, Proof of Justice, and Mementos Mission. BEGIN!

Let's begin with some context for the song. I think this is crucial to understanding why it is associated with Akechi's character. If you're familiar with this, you can skip to the lyrical analysis! The best analogy is that Beneath the Mask is to Akira as NMWI is to Akechi, in my opinion. Proof of Justice was an OVA released with the P5 anime (in May 2019) a couple months before the release of Persona 5 Royal in Japan (October of the same year). This OVA is centered around the relationship between Akira and Akechi. Specifically, Akira's grieving process as he goes through the places where they used to meet to find clues about the phrase "Proof of Justice" which was written in the Leblanc crossword. The Jazz Jin, as noted by Muhen here, is a place where Akechi would typically go alone. He also notes in confidant rank 4 that it wasn't necessarily a place that he was keeping secret, but that he never brought people around there since it was his personal space to reflect. As we'll examine, the content of the lyrics is too specific to not be related to the story, and there aren't any other characters or themes I could think are as associated with the song as Goro Akechi. Just wanted to clear this up first, as for some it's not entirely clear why the song is specifically Akechi's (since it's not explicitly stated, and the lyrics are hard to catch while you're playing through normally).

Lyrical Analysis

people come and they go some people may stay with you though I am all alone tonight and I kept on asking myself questions

The very first line is one of the easiest to dissect. Goro, since the death of his mother, has had few stable figures in his life, whether it is his parents, family, or friends. This also extends to his line of work as a celebrity detective, as he is kept so busy that there are very few people he sees on a regular basis, at all. He notes in the second confidant rank (if you choose to ask if he has no friends) that he doesn't have people that he chooses to spend time with. [I chose this option on my last play through and remember it but I can't find the dialogue anywhere].

The doubt that grows in this verse comes from the second line. He is taken by surprise that there is someone he is giving thought to for more than a couple seconds at time. Someone he is... to some degree choosing to spend time with even though he is doing it for the mission. At first, to investigate the Phantom Thieves identity to prevent them from interfering in his revenge plot, and then to lure Akira into a death trap. Tying it back to the first line analysis with the third and fourth line, this dissonance has put the first example of his doubt in this song.

Conceited I was at time I never really doubted myself But tonight got me thinking about it all if I am the fool or what not

There is a self-awareness that Goro always has about his personas (in the metaphorical sense). Goro kind of knows that he's arrogant and it was not ever something that bothered him. Even his character flaws will not get in the way of his plan, even if those flaws are just his humanity peeking through. There's a longing in Lyn's delivery of the last two lines here. He's stumped as to why he feels this way and the inner conflict makes him pause more than he is comfortable with.

"If I am the fool or what not." This line, is literally perfect, the double meaning is just ugh! We'll see this idea again near the end of the song, but I want to take an opportunity to talk about it now. For two years, Goro was the only Persona-user he knew, so he had no reason to believe anyone would ever stand a chance against him. Not only is he angered at himself for allowing Akira to get close to him and cause these doubts but he's also questioning what his role was.

I do not regret with my choices I'm rather proud ooh I know I won't change anything because I can only be me so

I had already written parts of this analysis like two months ago but I saw a post written by @vashtijoy here on how Mementos mission has a sneaky reference to this song. So check that out! It's something I never noticed.

Before Shido's palace, there's an acceptance of the circumstances in this line, that he has to do it regardless of what he may think because he has a goal. Throughout the third semester, we see an Akechi that is alive and tried to deal with the consequences of his actions before Maruki took that opportunity away from him. But he does not show remorse for what he did, that it was the only path he could have chosen with the information he knew.

How can I be so sure? at a crossroads I'm afraid too But I can't let fear get the best of me Someone once said burn my dread babe

This verse... this verse makes me wanna cry. I cannot even lie to you. The direct statement that there is fear behind the fact that he doesn't want to kill Akira and the acknowledgement in the last two lines that one of them has to end up dead. That he is also acknowledging that Akira must also be fearful, by playing with fire through continuing to lead the Phantom Thieves. The doubt is consuming him in this verse. The crossroad offers two choices, one where he sacrifices himself for Akira and one where Akira no longer is with him. The reference to Persona 3 really carries the weight here with this theory. I would explain more but I only spoiler tagged for P5R so we move.

Who knows what tomorrow holds? just wanna live my life the way I want what fills up my soul is passionate music that makes me want to sing

The first line, to me, reads that he's given up on allowing himself to think if there's another way to resolve his doubts. That there's another path where neither of them die and that it can't exist. He wants to live freely, which is what he thinks is assured once his revenge plan is complete. In another world, maybe it was one where both of them could be together without this chasing them. The last two lines I don't have a particular opinion about, but I think they add to the fact that Goro has given up entertaining other possibilities.

my story will be starring me just like yours ooh ooh who knows when will it end what matters most is how you bring joy to life so

I think about confidant rank 8. It feels written all over this line, and we come back to an idea that was present with "If I am the fool or what not." I think there's a bit of that 'hatred' that he talks about, that he's resentful that Akira story will end differently than his own. He's waiting for the day to come and resolves by centering himself, that once his goal is achieved, that he will achieve joy for the first time in his life. Refusing to acknowledge that Akira was showing him companionship that brought him happiness for one last time.

The Theme of Doubt

One of the things I have had trouble defining is what the doubt Goro is referring to is, or why the doubt is there. It's one of the things that is left in the air. Speculating here a little more than I usually will try to: the doubt stems from the fact that Goro is enjoying his time with the protagonist and is unsure what that means. In terms of what he is doubting, I'm not sure, I don't think he is referring to his plan, but rather the fact that Akira is caught up in it at all. His resolve to complete his plan never changes, but he wishes he could choose to leave him out of this. This tracks with a line stated by the SIU director which implies that some of the cruel actions carried out by the conspiracy/antisocial force by Akechi are not entirely his idea. He still carries them out without hesitation, but he never thinks of them himself. One of the reasons I wrote out this analysis was to see if there were any opinions on what this part of the song meant since I have trouble wrapping my head around it myself.

Goro, in base game and third semester, never shows any form of doubt or regret to the protagonist directly, only brief flickers and implications from dialogue. But this song is layered with it and bashes you in by telling you that it is what he is struggling with most when it comes to executing his plan. It's what nags at me even though I've tried to analyze this song a couple of times on my own.

IN CONCLUSION: I obviously hate goro akechi. (lying is fun)

#shuake #akeshu #akechi goro #akira kurusu #persona 5 spoilers #persona 5 royal #no more what ifs #persona music #persona analysis #i spent way too long writing this #can you tell this is my favorite persona song #p5 meta #thinking emoji

[inkblackorchid]

Can I ask you something? Have you considered doing a fanfic of Aki facing odd against her hold black rose witch persona which I'm surprised wasn't a episode to begin with I mean the idea is too good to waste

The ask box is always open for a reason, my friend!

But to answer your question: Yes, I absolutely have considered the idea of Aki coming face to face with the Black Rose Witch and being forced to confront her own past in a very literal way. The problem with this scenario is mainly one: Logistics. Seeing as Aki can hardly physically split herself in two, making this possible would require supernatural shenanigans of some kind, if you ask me. And sure, 5Ds has plenty of those, but what to use? Time travel? (High potential to shoot yourself in the foot.) A sort of supernatural test of willpower? (Okay, sure, but where, why, and how?) Try to keep it simple, say it's just a nightmare and all in Aki's head? (Possible, but pretty basic.) Say Iliaster creates another signer double, and Aki has to take it down same as Jack took down his? (Runs the risk of being a rehash of the fake Jack episodes, unfortunately.)

Depending on how they're written, I don't necessarily think any of these options are better or worse than the other, and I agree, the opportunity to have Aki literally confront herself would have been great. As far as my own writing is concerned, my main issue, personally, would be where the hell to slot this into canon. Because writing it just as-is, with zero context and no place on the canon timeline, isn't my style. Therefore, I'd have to find a spot for this, and ideally give it some kind of nice payoff, too. And the way my Aki stuff is going right now, especially with the next, big fic I'm currently working on, I'm not sure I could fit this in anywhere. (At least not without making things seem really, really bloated in terms of plot threads and tension.)

That said, I have thought about it before, and may yet think more about it in the future. So I'm not categorically denying I'll ever write this. I'd just love to place it somewhere where it makes sense and haven't found that spot (nor the best way to execute this scenario) just yet.

#yugioh 5ds #aki izayoi #akiza izinski #ask the orchid #I realise this answer might not be entirely satisfying #but this is one of those scenarios that bounces around my head occasionally without ever forming into a coherent outline #bc I'm such a logistics person when it comes to writing and haven't managed to make this one work out so far #but yeah I hope this at least somewhat satisfies your curiosity! #perhaps I should find some peeps to bounce ideas around with about this some time #orchid rambles

[ragecndybars]

Fic in Review 2022

tagged by @bi-demon-ium :D thanks!!

Total Number of Completed Stories: Nine this year if you count my little Fuuka birthday drabble! :D I'm pretty proud of myself tbh

Total Word Count: 61,000 posted on AO3 this year, which makes 400,000 on AO3 in total! I... don't even wanna guess how many words are in WIPs in my google drive 😅

Fandoms Written In: Persona 3, Fire Emblem Shadow Dragon, and Fire Emblem Awakening :D Mostly Persona 3, lmao.

Looking back did you expect to write more fic than you thought you would this year, less, or about what you’d expect:

I wrote probably about as many words as I usually write in a year, but I definitely posted more fics this year than I would have expected! Especially since I've... kinda been going thru it this year lmao, so I'm pretty happy. :) Definitely still have wayyy more unfinished WIPs than published works tho, which may not ever change given how many silly little ideas I always get lmao

What’s your own favorite story of the year?:

Probably Always Wanna Play (But You Never Wanna Lose), given how much effort I poured into it, lmao. I was pretty proud of some of my Whumptober works too though!

Did you take any writing risks this year?:

Not really, to be honest, lmao. I guess I experimented a bit with my writing style in System Error, but I'll talk more about that in a minute lmao.

Do you have any fanfic goals for the New Year?:

I have a couple of specific WIPs that I would like to finish and post next year, but, more generally, I kind of want to diversify and post more character studies and plot-focused works rather than just angst, lmao

Best story of the year:

I think the one that turned out the strongest, other than my fave (which I've already talked about lmao), was System Error :D Like I said, the style here was a little experimental, since I was playing around with a more clinical POV from Aigis, mixed with some memory loss and gaslighting from Ikutsuki that jumbles her ability to properly categorize her own feelings on what's happening, and I really like how it turned out.

Most popular story of the year:

Always Wanna Play (But You Never Wanna Lose) was my most-viewed, most-bookmarked, most-kudosed, and most-commented-on fic of the year, which makes me really happy tbh 😊 That one definitely had the most work put into it so I feel like that paid off, if that makes sense?

Story of mine most under-appreciated by the universe, in my opinion:

I was pretty blown away by how nice everyone's been about my fics this year, though the glitter dancing on the skin didn't get a lot of attention, which was predictable, lmao. Pannelivia isn't exactly a popular ship and it was a pretty quick and relatively underdeveloped fic tbh.

Most fun story to write:

Fair Trade fought me a little since I was rushing to get it out before Oct 4th ended, but I found it very fun and intuitive to write!

Story with the sexiest moment:

None of them this year, lmao.

Sweetest story:

I don't... write a ton of sweet stuff, lmao... but my Fuuka birthday drabble was short and sweet! :)

“Holy crap that’s wrong even for you!” story:

Hm, I guess that would mean the darkest story of this year for me? Which kind of depends on your perspective. Always Wanna Play But You Never Wanna Lose had some mild gore and a LOT of blood, with Minato coming very, very close to death, which could be seen as the darkest this year. But System Error I think takes the cake for being much more bleak without a happy ending, what with the mind control and memory removal 😅

Hardest story to write:

Tantrum has been fighting me for the past several YEARS, so I feel like I have to say that one, lmao

Biggest disappointment:

Hm, I don't know. I guess I'm pretty disappointed that I wasn't able to post a couple more whumptober fics -- two in particular that I wrote 5-10K for but just couldn't wrap up to my satisfaction -- but that's not really a disappointment given that I still wrote was more than I'd expected.

Biggest surprise:

How many comments I got on my fics 😭 thank you everyone who commented, it really kept me going this year <3

I Tag:

uhhhh @wizard-finix @misty-wisp if y'all wanna, and anybody else who sees this and wants to, go ahead!!! every time i get to one of these points in a tag challenge I forget about every person I have ever met hsjkhfls

#tag game #Rage OG Posts

[triviareads]

Releases on February 27th

Summary:

Jules Southby has lived as a man her entire life because of her mother's decision to hide the fact that she couldn't birth an heir from her husband. Now Jules is a burgeoning psychologist tasked with helping James, the Duke of Wulverton transition back into society three weeks. James was lost in the wilderness of the Yukon and lived among wolves for a decade, and has now returned a changed man. A bond grows between Jules and James even as the time they have together grows shorter... and it goes from there.

Some Background:

The Wolf and the Wildflower was actually my first Stacy Reid book! I went in with 0 expectations and I ended up quite enjoying it. Also, before we jump into the review, talk about this cover?? Look at this shirtless long-haired man! Look at him tenderly cupping her cheek! Look at her hair! It's great.

Review:

Something I particularly enjoyed was how early on James not only saw through Jules's disguise (BY SNIFFING HER. Can there be anything more HR, I ask??), but also how they marked one another as almost equals, if that makes sense? Like, they're in similar circumstances in that they need to present a facade to the rest of the world for their security and well-being (in James's case it's that he's a changed man because ten years of solitude in extremely harsh conditions would obviously have a psychological impact). I also love how they work through these facades together, helping each other along the way. That's when we get the best of the romance between them- when they're together in the woods in his little treehouse, and just talking, flirting, confiding... and more.

On a sillier note, I used to think the best HR men were inevitably compared to big cats. I have now revised that standard to include wolves. And Stacy really went all in on the wolf thing. James bonded with a wolf pack in the Yukon, he howls, has wolf-y eyes, a wolf-y sense of hearing, he sniffs her A Lot, wants to lick her (he does), there is the inevitable doggy-style... now that I think about it, for a man trapped in the wild for ten years, he really gives good sex. Maybe not as "primal" as I thought it would be, but it works for them and their characters.

Regarding Jules's gender identity, @mermaidsirennikita summed up a lot of my thoughts in a far more articulate manner than I ever could. My one point of historical romance (erotica) comparison is His Valet by S.M LaViolette aka Minerva Spencer. The main character Jo is assigned female at birth but is made to hide their gender early on by their father out of concerns for their safety. But as time goes on, they grows more comfortable with their masculine persona and live for the most part as a man, but they're still genderfluid. So there is some question as to how much their father making him to live as a boy made them the way they are, versus the question of biology. The difference between His Valet and here is that Jules identifies as a cis woman and by the beginning of the book, she's at the stage where she wants to reveal her gender to her family, but she does not want to give up the privileges afforded to her as a male in this society like a career in psychology. That is more her conflict than any question of gender identity.

Overall, I really did love the emotions in this book, especially the depth of understanding between Jules and James. And there was a lot more humor than I would have expected based the seriousness of the plot. I'm always glad to read HR written later in the 1800s because you can delve deeper into topics like psychology within the context of your romance, which worked really well here.

I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own. Thank you to Entangled Publishing for this ARC.

#stacy reid #netgalley #arc review #historical romance #Entangled Publishing #arc #romance novel #romance novels

[sulietsexual]

what did you think of stranger things season 4 (volumes 1 and 2)?

I really enjoyed Vol. 1, which was a huge surprise to me, as Season 3 of the show had pretty much quashed my interest in it. But Vol. 1 had so many highlights and was so well put-together.

I loved the horror vibes of Vol. 1, especially since the show has always been more sci-fi oriented, so I loved seeing them up the horror, especially since they're so good at it. Seeing Vecna's victims die in that horrifying manner was so intense but also so entertaining. I loved the Victor Creel/Vecna storyline and the teens/kids investigation in Hawkins.

Obviously Max is MVP of the season and her storyline/arc in Vol. 1 is fantastic. I love that we're seeing the aftermath of Season 3 being dealt with and how it's left trauma with Max. And, of course, there's that epic scene with that awesome song, which is easily one of the best - if not the best - sequence in the show.

I loved the expansion of Robin's characterisation and her relationship with Steve growing in strength. They have such a great friendship and are so good for and to each other! Also love the dynamic of Robin/Nancy and their scenes in the mental hospital with Robert Englund are brilliant and so creepy and effective.

I had pretty much given up on Stancy as a ship, so I was so surprised when it resurfaced this season and I enjoyed every single minute of it! I absolutely loved seeing them slowly grow close and see how the other has changed, how they’ve grown and matured and are now in a position where they could have a fair go at a relationship.

I have to admit, in retrospect, the California storyline does grind my gears, especially the whole El-Being-Bullied storyline. I really thought that was going to lead into an arc for El learning that, even though she has legitimate and scary trauma, violence isn’t the answer and she needs to learn to control that violent side of her that has been taught by fear. I was very disappointed when the bullying storyline went nowhere, especially since they could have used time that storyline sucked up better establishing the California crew. Both Byers Brothers suffer from little to no characterisation in Vol. 1 and once Mike arrives in California, he doesn’t fare much better either.

I also feel like the writers haven’t written the El/Mike relationship well since Season 2, which is such a shame, because I still really love their dynamic and Finn and Milly’s chemistry still sells the ship well, but the way the show keeps separating them is annoying, plus the whole “Mike can’t say I love you” plot bugged me, because since when has Mike ever had any issue expressing to El how he feels? It felt like contrived drama, much like their break up in Season 3.

That being said, I really loved Eleven going with Owens to face her past and regain her powers and I loved seeing all the flashbacks to her time at Hawkins and the slow reveal of Vecna and how she’s linked to both him and the Upside Down. Millie was great in those scenes and really showed Eleven’s strength and resilience.

I also found the Russia storyline quite slow-going, although it did have some nice moments of characterisation for Hopper and I liked that his Pre-Season 3 persona was restored. I also never knew I needed a Murray/Joyce dynamic, but their friendship is everything and gave me so many laughs! Also made me like Murray a lot more, as I was never fond of him before this.

So, while I do think there were a few issues with Vol. 1, overall I really enjoyed it and I thought it breathed new life into the show. Vol. 2 however ...

I have a lot of issues with the way the final fight went down. I did like some aspects of Vol. 2, like El standing up to Brenner and refusing to alleviate his guilt, Eddie’s guitar solo and the Upside Down finally breaking into/bleeding into Hawkins. I also liked the callbacks to Season 1, with the makeshift bathtub and El going into the Upside Down to find one of the party members. And El and Hopper’s reunion was everything and just so beautiful to see.

However, I had a big issues with Max’s “death” which mostly stemmed from the amount of hype the Duffers created prior, going on and on about how one of the main character would die and creating all this tension - for absolutely no payoff. One of the biggest issues with Stranger Things is the writers refusal to kill off any main characters, which lowers the stakes for every battle, because we know they’re going to make it through.

So, that fact that they guaranteed someone was going to die and then flaked out on it through a technicality was beyond frustrating. Not to mention the sudden revelation that El can apparently raise the dead???? Not only did that reveal come completely out of left field, it lowers the stakes even more, because now it’s like “Oh, someone died? El can bring them back.”

I also found the Russia stuff really slow going in Vol. 2, because it felt like the writers didn’t quite know what to do with the gang once they reunited Joyce and Hopper. The whole “break out of prison just to break back in” was tedious and annoying.

So, I guess all up, I enjoyed Vol. 1 but found that it was dragged down a bit by Vol. 2. I do think overall this season is vastly better than Season 3 and Season 3 as well, but I am glad the it will be ending in Season 5, as I think it’s run its course.

#answered #anonymous #stranger things #stranger things 4

[anthonysstupiddailyblog]

Anthony’s Stupid Daily Blog (242): Sun 13th Nov 2022

In the motorbike ride to work today I yawned and my jaw locked up. To passers by I must have looked like the little girl from The Ring had killed me while I was riding the bike. This hasn’t happened in quite a while and I thought I was passed it so I was a bit pissed off that it had happened again. I had to pull over and click my jaw back into place. After I sorted myself out I resumed the journey to work and cursed the fact that this hadn’t happened while o was working for TSB. If I showed up to work at a call centre with lockjaw then they would have had to send me home for the rest of the day. However lockjaw is fuck all use to someone who works in a warehouse. Hell, they probably would have told me to get the fuck to work and to use my open mouth to store my scanning device.

I was pleased to learn that Jerry Sadowitz apparently almost sold out his Hammersmith Apollo gig the other night. I was gutted that I couldn’t go (but in hindsight happy that in didn’t book the trip because it turns out I was contracted to do compulsory overtime in the run up to Christmas). It was absolute bullshit that Jerry had his Edinburgh show cancelled so I’m glad that after all that he will have gotten a decent payday for this show and apparently the other dates on the tour sold out as now people were more aware of the man who brands himself “the world’s most offensive comedian”. As much as Jerry complains about his lack of success I think even he realizes that he can’t be successful or else his act wouldn’t work. You can’t make derogatory jokes about minorities if you are a multimillionaire living in a mansion (unless you’re Dave Chappell but he’s the exception that proves the rule). Sadowitz gets away with the hideous things he says in his act because he (or at least his stage persona) is at the bottom rung of the societal ladder and so any time he insults someone it’s always punching up.

I messaged the organisers of The Sitcommission if the competition was coming back and they told me that it was opening for entrants in January. I’m going to spend the next month rewriting the script I wrote last year but got sidetracked and didn’t finish it. In order to get the script into the first draft stage I followed Graham Linehan’s advice of writing lots of funny ideas on cards then trying to find patterns in all the different ideas and eventually form a plot. Since then I read a piece of advice from legendary (and possibly fictional) Simpsons writer Jon Swartzwelder who says that the best way to write a script is to write the first draft in one day. This draft will be shit but then the next day you go back and fix it, trying to make each line just a little bit funnier. I was really fucking proud of myself for actually managing to finish the first and then second draft of my script and just by comparing it to the shitty scripts I wrote for the competition before I can tell that this advice has really helped. The unfortunate thing is that for this competition you’re encouraged to submit “Episode One” or your show rather than a “pilot episode”. The reason for this (which is apparently common practice in the comedy industry) is that a pilot episode is spent introducing characters and detailing what the the show about and will contain the most exposition of any episode. Commissioners don’t want these scripts because all the other scripts aren’t going to be like this and they want examples of what a typical episode of your show will look like.  The script I’ve written is very much a pilot episode because when I started I didn’t know what it was going to be and I discovered the premise as I wrote it. This means I’m going to have to write an entire episode from scratch but hopefully Linehan and Swartzwelder’s advice will prove invaluable. I’m not expecting to win the competition because the standard is usually quite high and I’m not a professional comedy writer. However with this competition which is judged by actual comedy writers you can request feedback on your script even if it isn’t selected for the final stage. All I’m really hoping for is that the judges think that my sitcom “has potential” or “isn’t shit”.

[yannowhatigiveup]

T.W.A.A: The Eccedentesiast

This is a one shot I started last night and I finished it at around 2 am because I’m an insomniac. Sadly this isn’t the 10k+ word one shot I was talking about (I’m still writing it aaa) but this one is around 4-5k words long so I hope you enjoy. This is rushed, badly written, badly plotted and badly named.

TW: Dark topics such as sexual assault and suicide is mentioned in this piece of writing.

Paris, the City of Love, what a big misconception that was. If anything, Paris should've been labeled as the City of Misery considering the fact it was haunted by a villain who preyed on negative emotions. No one outside of Paris knew though, they were oblivious to the fact hundreds, thousands even millions had died in the city home to the Eiffel Tower, only to be resurrected and tormented with the memories of their death. It was worse for Marinette though, she had watched all the citizens, her beloved citizens, die before her eyes and she was powerless to help them. Their screams of anguish and cries of pain forever ghosted her nightmares. It wasn't just their blood that she drowned in, she was bullied, abused and betrayed in her civilian form by those she trusted the most.

Her classmates. She thought she could trust them but they left her for someone shinier and newer. They all hurt her, destroyed her hard work, verbally and physically bullied her. Nino and Kim, her childhood friends had turned their backs on her too, even joining the others in causing her physical and emotional pain. Alya, her best friend, had become her main abuser. The reporter stabbed the poor bluenette in the back, figuratively. Lila was the one who did it literally. Lila, the sound of the name itself made Marinette sick, after all, the brunette was the one who did this to her. She made her friends turn their backs on her, she made them abuse her and she only watched with fake crocodile tears and a smug smile when no one was looking. And Adrien, he was the worst of all. When Marinette was younger, Adrien was the embodiment of perfection. But now? All she could see was a spineless coward and a predator.

As Chat Noir, he wouldn't participate in the battles, only flirting with her hero persona. He would whine like a toddler when she rejected his advancements. Even when he did join in the battles, he was useless, ignoring anything that Ladybug would tell him and go straight for the kill which never worked. Chat Noir was incompetent and a sexual harasser. As Adrien, however, he was much more. Just two days ago, he had tried to sexually assault the young bluenette. The blonde had underestimated the girl and she managed to get away but nothing could erase her memory of the event.

The ultimatum Lila had delivered to Marinette when she thirteen seemed over-dramatic and seemingly impossible at the time. Yet three years later, she was at the point of no return. Her classmates, her friends, her teachers, the boy she once loved, her partner, her parents. They all left her. Mayor Bourgeois, fearing for his daughter's safety, had sent Chloe to New York with her mother. Luka was on tour with his father so they could build a better relationship. Kagami had a family affair back in Japan that would last for at least a month. She was truly alone. Her parents had fallen victim to Lila's lies and Marinette overheard them discussing about kicking her out. The only one by her side throughout the whole ordeal was Tikki, her beloved kwami. Even Master Fu had to leave her.

Marinette felt shut out by the rest of the world. Sure, Paris adored Ladybug but it felt different. She was fighting battles alone, she stood as the last survivor, the last protector of Paris. She took that title in stride, or that's what the Parisians thought. In reality, she was hiding behind a mask.

The bluenette had suffered endlessly for years, she was ready to break that cycle of torture. Yesterday, she came to the solid conclusion of who Hawkmoth was, who is accomplices were and what his motive was. Gabriel Agreste was the man behind Paris' torment, Nathalie Sancœr was one of his accomplices and so was Lila Rossi. For his motive, he wanted to bring his wife back. Marinette understood the pain he was in but she wouldn't go to such extreme lengths as he did. Many years ago, Marinette made a friend, one of her very best friends who she fell for. But she never told anyone who he was, where he came from or even the fact that she met someone. The reason behind this was the fact she witnessed his murder. That death, of all she witnessed, was the most heartbreaking. Even when all these years have passed, she never truly got over his death. His green eyes always lingered her mind.

The bluenette let out an anguished sigh, she was on the Eiffel Tower, admiring the city's skyline despite all its obvious flaws under close inspection. Though Marinette had drastically mentally changed, she would always put on the same mask, she would always portray herself as a regular school girl. This was the one time she felt a little peace in her chaotic excuse for a life. Her blue eyes stared off into the distance, focusing on nothing in particular when she heard footsteps coming from behind. In her peripheral vision, Marinette could see the figure of Gabriel Agreste slowly approaching. Not wanting anything to happen, she made her knowledge of her appearance known.

"I never expected to see you somewhere so public, Monsieur Agreste" Her voice remained neutral. Gabriel didn't flinch meaning that he had expected her to sense his arrival, it made the young girl slightly unnerved but she refused to show it.

"The Eiffel Tower holds the greatest inspiration, as a designer yourself I'm sure you are aware" Marinette was used to his cold voice by now, she kept her guard up reminding herself that this was Hawkmoth was standing a few feet away.

She hummed, putting the two miraculous users in a deathly silence, until she decided to break it. "You know, you could've just asked" The older man raised an eyebrow in confusion but Marinette never looked in his direction, "It would've saved a lot of bloodshed"

Gabriel managed to catch up with what she was saying. "Are you implying that I am Hawkmoth?" He didn't sound offended or defensive, merely curious.

"I'm not implying anything" She replied curtly, then turning to face him. "I am merely stating a fact"

The miraculous user turned away from her, focusing his gaze on the city's skyline once more. "What are you going to do with this knowledge?"

The question confused Marinette, surely he would've attacked her or try to get her to remain silent?

He must've noticed her confusion. "Even if you wanted to, you wouldn't say anything"

Marinette turned her full body towards the taller man, she was going to end Hawkmoth's reign as quickly as she could. "I can heal her"

"What?"

"I can heal her" The bluenette repeated. "Emilie"

Gabriel also turned to face her, his usual cold scowl was replaced with a staggered expression. "Y-you can? Even after all I've done as Hawkmoth?"

Her head twisted back to portrait that was Paris. "To end it all, yes I will"

"Then please, follow me and I promise I will give you my miraculous as well as Mayura's. Just, heal my wife please" His tone changed from intrigued to pleading, Marinette could see that he meant every word.

"Oh don't worry... I will"

~~~

"I did it!" Tim's voice echoed in the Batcave.

"Did what replacement?"

"I found Hawkmoth's identity!"

Around three months ago, Wonder Woman had noticed Green Lantern trying to delete a video. She stopped him before he successfully did the task and watched the video herself, calling a meeting to express her anger about the situation. Most were shaken since they had never seen the Amazonian this livid before. She briefly explained how her mother was once a miraculous user and how powerful these magical jewelry could be. Aqua Man also shared his concerns, revealing that the fall of Atlantis was due to the miraculous. They knew the logical decision was to work on this from outside of Paris, the villain preyed on negative emotions and they had been ignoring the Parisians' calls for help for four years. Their sudden appearance would definitely trigger the heroes. So in the last month, they had gathered files of nearly every person in Paris as well as all the necessary information about every akuma attack. It was tiring for the Bats but they trudged through it anyway.

Damian had taken a special interest in the spotted-heroine specifically, without the knowledge of any of his family members. She appeared similar to a female friend he had made quite some time ago, the one who had witnessed an assassination attempt on him. He saddened him to no end knowing that the friend he loved thought he was dead. The green-eyed boy became one hundred percent convinced that this hero was his friend.

One day, Dick had caught him in the Batcave observing a recently taken image of the Ladybug heroine. His older brother thought that Damian was crushing on the lady and began to tease him as others entered the cave.

"Tt, that's not true" the green-eyed boy retaliated.

"If you don't have a crush on Ladybug then why are you staring at an image of her?" Dick added more information necessary so that his younger brothers could join in on teasing his youngest brother.

The Robin vigilante sighed and brought everyone's attention to the screen. "See that?"

"All I see is this little lady Demon Spawn" Jason's smirk was quickly gone when he noticed Damian's serious expression.

"She's alone" he stated simply and before anyone could get a word in, her explained further. "There is usually a team with her"

Everyone seemed to lean closer to the screen.

"She's fighting alone. Her 'partner' doesn't participate in the battles anymore, he stays on the sidelines, observing" He let the others catch up to what he was saying. "The attacks have been lasting a lot longer than usual, Ladybug leads a super hero team correct? Then why is she fighting alone this time."

"They could have all been killed... We have to go to Paris to help the poor girl" Dick turned to Bruce. "Who knows how much longer she'll last alone fighting a psycho butterfly man!"

Bruce's fatherly instincts were screaming at him from merely looking at the photo. "I'll announce to the League that we'll be joining the fight in Paris"

~~~

Gabriel lead Marinette to his office, Nathalie wearily watching. Just as he was about to open the double doors, his assistant collapsed in uncontrollable coughing. Marinette was much faster than the older man so she got to the woman first. The bluenette carefully put Nathalie down on one of the chairs available while putting her hand on where she thought the assistant would where the peacock brooch. The blue-eyed girl could sense the broken miraculous' energy trapped in the woman so she did the only reasonable thing she could at that moment, she extracted the corrupted magic, healing Nathalie almost instantly. Marinette ignored Gabriel's relieved expression and gestured for him to lead her to Emilie.

"When this is over, I wish to have a restraining order against your son"

"May I ask why?"

"..."

"...I understand, I'll make sure to tell Nathalie"

The older man stopped before a painting of his wife, his fingers reached for the painted shapes and pressed on them, revealing an elevator to which he went down in. Following his motion, Marinette placed her hand on the painting and allowed herself to descend down the mansion. It lead her to a repository with a catwalk which lead to a circular platform covered in luscious greenery. In the middle on the platform was a class-covered cryogenic pod which the sleeping body of Emilie Agreste lay. The bluenette carefully made her way to the glass casket, placing her hand on the transparent material when she finally reached her destination. Focusing all her energy, a red light erupted from her finger tips and it soaked into Emilie's skin. Gabriel opened the pod, carefully watching his wife as Marinette took a step back. Suddenly her eyes fluttered open.

"G-Gabriel, what happened?"

The man didn't reply, he simply hugged the woman of his dreams before turning the the young girl.

"I... Thank you Mademoiselle Dupain-Cheng, I can give you the miraculous now if-"

"Ladybug will be at the Eiffel Tower soon, I suggest you give the miraculous to her then"

Gabriel nodded and thanked the girl once more as she left. Before she reached the lift that would lead her back up to Gabriel's office, Marinette turned to face the newly reunited couple.

"Enjoy the happiness in your life, Monsieur Agreste, you never know when it may end"

She then turned to leave, not wanting to here what her former idol had to say. When she reached the main floor of the Agreste Mansion, Marinette was greeted by Nathalie. The bluenette acknowledged the assistant with a nod, meaning that Emilie was awake. The assistant let out a sigh of relief and rushed to Adrien's room, not wanting to be around the blonde boy, Marinette promptly left. Once out of the premises of the mansion, she transformed and waited for Gabriel to return the miraculous. What she didn't realise was that the Justice League would also be coming to pay her a visit.

It felt like an eternity, waiting for the miraculous to be handed back to her but the bluenette was patient. She waited four years for this moment, but she had to share the moment alone. It was bittersweet. Soon enough Gabriel arivied, hastily giving Ladybug both the brooches with apologetic eyes and leaving without a word. The spotted heroine presumed that he wanted to get back to his wife and son, she couldn't blame him. Ladybug reached for her yo-yo teary-eyed, she was going to put both miraculous in her weapon before returning them in the miracle box but she stopped when she heard multiple figures approaching where she was standing.

~~~

Batman and his sons were the ones to go to Paris and alert Ladybug of their findings. The five men found themselves in front of the Eiffel Tower, Tim found out that was were the heroes would return to after their patrol.

"We must tell Ladybug right away" Batman pulled out his grappling hook and flung himself to one of the higher levels, all but Robin followed suit.

The vigilante had a feeling to remain on a lower level. He wanted to be reunited with his long lost friend but he couldn't find the words. Simply, he used his grappling hook to bring him onto one of the beams, low enough so he couldn't be seen but high enough to hear any conversation.

"Greetings, Ladybug" His father's voice echoed through the quiet building.

"Monsieur Batman? Wh-what are you doing here?" Her voice sounded almost exactly as he remembered, of course it sounded deeper and more matured but it had a more desolated edge to it.

~~~

"We apologize for not intervening earlier but we didn't know how well we needed to control our emotions" Red Hood watched as Nightwing brushed a hand through his hair nervously.

"But we can help now!" Red Robin's excited voice came out of nowhere, Ladybug looked at the vigilante in surprise. "We found out Hawkmoth's identity so we can finish this once and-"

Ladybug put a single hand up, a small smile on her face, silencing Red Robin's rambling. "That's very considerate of you, all of you" Her gaze landed on each vigilante one at a time. "But I... have things sorted" She pulled out two brooches from behind her back to show the men before putting the miraculous in her yo-yo. "I appreciate all you've done, truly I do. But can I ask one for one more favor?"

"Of course, what is it?" Nightwing asked, clearly wanting the spotted heroine to be gleeful once more.

"Could you... help the other heroes to help the Parisians to heal?"

"It's the least we can do" Batman replied. "Will you be there too?"

"I'm afraid not" Ladybug turned around and leaned forward on the banister. "You know how Hawkmoth prays on negative emotions, so I've had to deal with my emotions in an unhealthy manor but now... Hawkmoth is no more. I can be free"

"Wh-"

"Thank you, truly" Ladybug jumped up on to railing, facing the group of vigilantes. Her sad smile faded as she stared at the floor.

They didn't even get a chance to process what was happening before it did. A bright light surrounded the young hero and they were forced to close their eyes. As the light died down, Red Hood saw a small bluenette. She looked so weak, so pretty, so... fragile. It hurt the vigilante's heart seeing someone like this being the sole protector of Paris with no one by her side.

"Hey little lady-"

"I'm sorry Tikki"

The girl looked at all the vigilantes slowly, mouthing a 'thank you' before letting herself lean backwards.

Gravity took the Parisian heroine and she fell.

A small creature holding something shiny stared in horror as its owner fell."MARINETTE!" The small creature's anguished scream seemed to bring the vigilantes back to reality.

~~~

"MARINETTE!"

Robin's head shot up, that name was all too familiar. Suddenly, he took note of a figure falling fast from above, her raven hair flowing in the wind. Without giving a second thought, he bounded down the ledge he was on, landing on one of the platforms and had his arms out ready to catch the fallen angel. The bluenette was close enough for Robin to grab her and he pulled her in so that her feet landed on the platform, her body still looming over the edge of the building. His brother and father landed not far from him, bounding over to help the bluenette but Robin took no notice of their presence.

"Why didn't you just let me f...all" The girl's voice trailed off as her eyes widened in recognition, the air in her lungs escaped from her lips. "...d-Damian?"

The two friends took no notice at how the vigilantes behind Robin stiffened. Her eyes developed a watery sheen as the situation began to really hit her. Tears threatened to spill as her lip quivered. Robin pulled her away from the ledge and she jumped into his arms, she was heavily touch-starved. Much to his family's surprise, he didn't push her away. In fact, he hugged her back. They heard what she said next.

"I... I thought you were dead, Dami"

"...why? What made you do this, Malaki?"

They didn't hear what she said next as her mumbling was muffled in Robin's chest. Nightwing walked up to the two first, kneeling down to be eye level with the girl.

"Hey Sunshine... we don't know what you've been through but we're willing to help you though it okay?" The girl looked at his sincere gaze, her eyes were so round with innocence, Nightwing thought he would melt.

"I... thank you, I'm sorry for worrying you when I... jumped" No one failed to notice when Robin ran his fingers through the bluenette's hair.

"Don't apologize Little Lady" Red Hood walked over to where Nightwing was kneeling, sitting next to his older brother. "Hawkbitch forced you to bottle up your emotions, you were just strong for too long."

Marinette looked between the two men, a grateful smile on her face while she wiped the tears of pure happiness running down her cheeks. "Thank you, I- this... this is the nicest I've been treated recently"

"If you don't mind me asking," Batman walked over and Marinette felt slightly intimidated you his presence as well as his tone. The dark knight must have noticed this since he cleared his throat and began talking in a softer manner. "What happened to cause you to go to such extremes? You're obligated to not having to talk about it right away if the subject makes you uncomfortable"

"Well I guess I do have to talk about it eventually..."

Recognising the bluenette's discomfort, Red Robin stepped in. In his palm was the shaken kwami who flew straight for Marinette once the vigilante got close enough. "Since you know Robin's identity, and we already sorta know yours, it's only fair if we tell you who we are, right?" He looked at his two older brothers and then at his adoptive father. "My name's Tim Drake nice to meet you"

Marinette was about to take his offered hand when the vigilante she presumed was Red Hood took it instead, "Jason Todd, Robin's most charming and handsome brother" She giggled at Damian's obvious annoyance.

"Well I'm Richard Grayson, Robin's favourite brother, but you can call me Dick" The vigilante in the suit who comforted her first, introduced himself.

"It's nice to meet all of you"

Batman soon came over as well to aquatint with the young heroine, offering out his hand for a handshake. "Bruce Wayne"

She returned the hand shake and brightly smiled, it blinded nearly all those near. "Thank you, Mr Wayne. Wait..." she turned to face Damian, one of her eyebrows raised. "Wayne?"

"I may have failed to mention that part" To Robin's surprise, Marinette started giggling so he huffed in taken offense.

"Sorry it's just- a girl in my class as been boasting about dating you and about the Wayne Family seeing her as their 'honorary member'. I knew she was lying I just didn't know that I would bump into the people she was lying about"

Bruce hummed. "We'll have to do something about this girl you're talking about. In the meantime, why don't you come back to the hotel with us? You and Damian can catch up" The older man saw the hesitation in her eyes but he also saw the willingness that shine through the most. "If you're living in a bad environment then you do have to escape" His sons nodded along.

"I'll come, can I bring some overnight clothes? It's been a long day..."

"Of course, you go get your belongings and you can meet us at the Grand Paris Hotel"

"I... thank you again" She transformed and headed in the direction of her house, leaving Robin at the mercy of his brothers.

"You like her, Brat" Red Robin spoke up first.

Nightwing pretended to wipe his tears. "Baby Bird's all grown up now"

"That means you can't adopt the little Pixie, don't think I haven't seen the adoption papers"

~~~

When Marinette destransformed on her balcony rooftop, she quickly went inside, packed some clothes as well as some essentials. When she was satisfied with her belongings, she gave a macaron to Tikki before heading downstairs where she was met with two disappointed looking parents.

"Is something wrong?"

"We've decided," Tom began. "We're kicking you out for what you've done to your lovely classmate, Lila"

"We don't recognise the person you've become, Marinette. You are not the daughter we raised" Sabine added

"May I pack my things in the morning?" Marinette inquired, her eyes void of emotion. When her parents nodded, she left the bakery and down to the hotel where Damian was waiting in the lobby. As she approached, he took her bag and intertwined their hands together. She blushed at the contact but leaned into his embrace.

When she entered the hotel room she was greeted by the vigilantes who were now changed and unmasked. The bluenette was welcomed with open arms, she felt the warmth in her heart for the first time since Lila's Tyranny. She briefly explained Lila's lies, what she had done to Marinette and how the bluenette was able to protect Paris. She would've carried on longer if it weren't for the hotel phone ringing. It was the receptionist, saying that someone had asked to see Marinette. Confused, she went down with Damian, Jason followed closely behind since he had grown quite attached to the little fairy. Waiting at the front desk as a woman, Damian and Jason recognised her instantly as Mayura. Damian tried to step in front of his friend but she completely ignored their futile attempts to keep her in reach.

"Ah, Hello Mademoiselle Dupain-Cheng"

"Hello Nathalie, we're you the one who asked for me?"

"Yes, I just need to clarify a few things"

"Go ahead"

"You're request for the restraining order has been fulfilled" the bluenette nodded, waiting for Gabriel's assistant to continue. "May I ask what did he do to make you request for it?"

The two notices how Marinette stiffened. She contemplated before sighing. "Attempted sexual assault. If you look at the camera footage outside of the Louvre from two days ago, seven pm onwards, you'll see your evidence." Marinette turned away from Nathalie and walked back to Damian who, once in range, pulled her in for a hug.

"I'll never let him near you again, Angel"

~~~

The next day, Bruce had shown up with Marinette at her parents' bakery. Upon hearing about the young bluenette being kicked out, he had asked for her permission for him to be her Guardian until she was old enough to live in her own. Marinette accepted his offer. When they had entered the building, her parents had greeted their customers kindly before recognising Marinette. Bruce turned to the young girl next to him and smiled.

"You go pack your things I'll deal with this" She smiled and bounded upstairs, leaving Bruce to talk with the bakery's owners.

"Hello Sir, how may we help you?" Sabine began, wanting to know who this man was.

"I've come to gain guardianship of your daughter, Marinette Dupain-Cheng"

"Why should we give you guardianship?" Tom asked.

"I'm sure you know the liability for child neglect, Mr Dupain" With his words, both adults seemed to turn white. "I will file the necessary and submit it with the court, I'm sure you'll be willing to give your approval"

Both Marinette and the mystery man left, true they were glad that their mistake of a daughter had gone but they wondered who she had gone with.

~~~

Later that afternoon was a charity event which the Waynes were supposed to attend as they were invited by the mayor himself, the plus side was that the Akuma class would also be attending and they had no clue the Wayne Family would be there.

"...And finally I'd like to thank the Wayne Family for joining us this evening" Mayor Bourgeois finished his speech and all heads turned to the table the Waynes and Marinette were sitting on. As his speech was over, a teenage girl with glass and a very pale brunette came over to the table.

"Hello Mr Wayne, My name's Alya and I'm your honorary daughter's best friend and I was hoping-"

"Marinette" Bruce began, cutting off the aspiring reporter. The Alya girl only then seemed to notice that the bluenette was sitting at the table. "Is this girl you're friend?"

The bluenette took one hard look at Alya before shaking her head, "No"

"Marislut what th-"

"It would be appreciated if you did not talk about my honorary daughter and future daughter-in-law on that manner" Both Damian and Marinette turned red, one much more than the other. "In fact we should be leaving" Bruce and the rest of the family got up. "Miss Rossi, I will not tolerate your lies. You will receive a lawsuit for defamation and slander. Have a good evening" They left, leaving a reporter, a liar and a class speechless.

When they reached the hotel room they finished packing up, they would be leaving that night. Marinette made a few phone calls, telling her friends that she would be moving to Gotham. They had their belongs taken to the limo downstairs and had a few snacks before making their way down. In the lobby were many different people around the bluenette's age, she recognised them as her classmates and continued walking beside Damian until Alex came over.

"Marinette... we're sorry. We understand that you probably won't forgive apps but we wrote you letters anyway" the skater girl gave Marinette a pile of enveloped letters, ones she put in her bag straight away.

"Thank you for your apologies but I don't think I can forgive you just yet, goodbye Alix" the bluenette got in the limo and let out a breath she knew she was holding.

Her eyes glanced out the tinted window, she smiled knowing that she was leaving Paris for a better life. A better life with a friends, a better life with a new family. A better life with Damian.

~Bonus~

The harsh blizzard outside was definitely being felt from inside the manor, leaving a cold and tired Marinette on the couch. Damian, noticing his girlfriend's state, went to grab a blanket to cover both Marinette and himself. She snuggled into the green-eyed boy, taking all the warmth she could get, and slowly she drifted off to sleep. Damian too felt drowsy so soon followed his girlfriend into dreamland.

Jason came in a few moments later to find the sleeping couple, he was then reminded by how tired he was so he went on the couch and leaned his back against his youngest brother, himself too falling victim to slumber.

The next person to walk in was Dick, he had just finished training so he was exhausted. But he couldn't help to coo when he came across the scene in front of him. The eldest son then got on the sofa and carefully leaned against Marinette, similar to what Jason had done with Damian. It didn't take long for him to join them in dozing off.

Tim arrived with a big cup of freshly made coffee, one which he was about to drink until he noticed his siblings all curled up on the couch sleeping. The co-CEO went back to the kitchen, left his cup of coffee then went to grab a blanket to join his family. Wrapping himself in a blanket burrito, Tim placed himself on the floor pressed up against sofa.

When Bruce returned home safely, he went to the main living room to see his children, and his future in-law who was basically his own by now, sleeping soundly with the TV still running. Reaching for the remote, he turned the television off and grabbed his phone to take a picture. He planned on printing it out and having it framed in his study. Bruce sat on one of the armchairs, taking a book to read. If there was peace in the house, he might as well enjoy it while it lasts.

#daminette #maribat #maridami #marinette x damian #damian x marinette #damianette #mlb x dc #ml x dc #This is so bad I hate it and it started out good as well aaaaaaaa

[monstersandmaw]

This isn't a criticism of yours or any other writers work but I don't get reader inserts at all. Like " He runs his fingers through your long blonde hair " [looks in mirror and sees shaved head]... ya know? It's never as immersive of a story for me as writers think it is? Or am I just missing something here? Genuinely asking for your thoughts and again not trying to insult anyones preferences.

I think you make a lot of valid points, Anon, and there are certainly lots of folks out there who really don’t enjoy second person stories at all. It might surprise you to learn that I’m actually part of that group as a general rule, even though I have written a heck of a lot of them for this blog!

A lot of the issues with second person being jarring to read come from exactly what you’ve said; they’re too specific. It can also be because second person by its very nature is limiting for an author.

When writing a second person story, the author’s own experiences and (often unknown) biases are undoubtedly going to seep through, almost without exception. This happens through dialogue, plot, choice of setting, characters, and descriptions. It’s something I’m not sure you can ever really completely avoid as a writer, and I certainly don’t manage it in mine, even though I aim for neutrality and/or variety. If any one of those elements is ‘off’ then it can put a reader of a second person story right off because it’s fundamentally unrelatable.

Second person stories also require the reader’s imagination to be a little more active than third or first person ones do. Unless you commissioned that story from an author, specifically about you, with lots of extensive discussion about circumstances and details, then it’s not a story about you at all. It is a story which asks you to step into someone else’s shoes, and imagine that the action is taking place around you, to you, as one of the dramatis personae if you like, but not as yourself as you exist in the world, reading that story. You have to pretend; you have to take part actively in the storytelling. This is one of the reasons people enjoy it as a voice. They can be someone else for a while, but still experience the events of the story on a personal level.

For some people, that imaginative leap is an ask too far though, and they find themselves disconnected from the story, and do not want to engage with it. Their preferences lie in reading the stories of other people and living through it more as an observer than a participant. Both preferences are valid, and people may want to read stories in different voices depending on their mood at the time. None of them is ‘better’ than the other. They just require a different state of mind, I think.

Things I’ve learned from writing almost exclusively second person for this blog over the last few years include:

don’t talk about the reader’s hair colour, length or texture in any real detail

same for the colour, shape, and size of eyes, and details about the skin

if you want your 'reader’ to be embarrassed, avoid saying that their cheeks turned red or that they blushed. You could say flushed, I suppose, because that (to me anyway) implies temperature, rather than colour

talk about their height relative to the other characters’ stature but not in isolation - for me it’s easier I realise since I write about monsters who often have distinctive ‘categories’ when it comes to height and size. A minotaur or orc, for example, will pretty much always tower over most humans, even the really tall ones, while a faun, goblin, or other smaller being might well be shorter. It’s not a hard and fast rule that works all the time, but you can definitely be vaguer about heights if you want to be more inclusive with second person

be vague on background details like family. Not everyone is best friends with their mother, or has siblings, but sometimes it might be necessary to the plot to include references to family, so keep it pretty vague and the reader can gloss over those details if they don’t relate personally. I’m an only child, for instance, but I don’t object to a ‘reader’ with a sibling. I can just pretend, but for other people, that might break their immersion.

I hope that helps explain a bit about why some folks enjoy second person stories. Part of it depends on the way it’s written, and part of it depends on the reader themselves.

If you want to add anything to this, folks, feel free! It’s getting late in the day here and my brain is running out of thoughts!

#second person pov #writing advice #writing #writers on tumblr #writing stories #anon ask #writing second person #writing reader inserts #reader insert #reader inserts

[sitp-recs]

Drarry for Beginners: Bond fics

Timeshare by astolat (2016, M, 14k)

“It’s not for long,” Hermione said. “By the time we get back to Hogwarts, the Unfettering Brew will be ready.”

“Listen to you!” Ron said. “He’s got to get through a month with the Dursleys and a month at Malfoy Manor. With Draco Malfoy.”

I’ll probably rec everything by astolat at some point because they’re just that good. This is the first Drarry fic of theirs I’ve ever read and it’s such a surprising little tale! I love the pain-sharing concept and Draco’s voice is amazing, insufferable and posh and he’s a little shit to the Dursleys, which is enough to enjoy this fic. Now add impressive back story and slow burn. There’s a lot packed in 14k and things go from funny to serious in a heartbeat without feeling rushed or floppy. I especially love the quiet and heartfelt moments where they start to connect by figuring each other out. Clever and unique!

That Old Black Magic by @bixgirl1 (2019, E, 77k)

Centuries ago, marriage contracts were the norm — ready-made alliances between families, expected and complied with, without complaint. But norms have a way of changing, and when a long-dormant contract flares to life, Harry has to navigate an unexpected splintering of the path he'd thought would be easy after the war... with Draco Malfoy.

Listen, arranged marriage won’t get any better than this. This fic is a masterpiece - creative, powerful and breathtaking. The bonding rituals linked to the house are fascinating and deliver the most beautiful enemies to lovers journey, combining fast sexual burn and slow emotional development. There are so many complicated feels playing here, so much resistance and resentment as Harry and Draco are forced to get intimate and vulnerable with each other. The build up is hot but devastating and almost too much to handle until it’s not, until they fall in love and everything becomes hopeful and tender as they learn each other again for the first time, and that’s when you realize you want to live inside this story forever. This is one of those rides that hits you just right in the feels and leaves your heart aching in its wake.

Bond series by AnnaFugazzi (2005, NC-17, 204k)

Yet another one of those Harry And Draco Are Forced To Be Together By Something Beyond Their Control And Then Stuff Happens Leading To Twoo Wuv stories. Because every HD writer has to write at least one.

A timeless fandom classic that set the bar for all the bonding fics that came after. I’m always awed by the fact that this was written back in 2005 and remains one of the best and most creative takes on this trope. One thing I love about this impressive novel is that it doesn’t beat around the bush; it goes straight for the bond incident and explores how Harry and Draco deal with it while standing on opposite sides of the war. This epic aged well thanks to an engaging plot and consistent character development that follows Harry and Draco growing both individually and together. Peak enemies to lovers with a little magical help 👌🏼

Drarry for Beginners: Soulmates

you've got the antidote for me by Kandakicksass (2018, M, 20k)

When Harry Potter unintentionally severs their soulbond before it can fully form, Draco Malfoy resigns himself to a slow death and decides not to burden Harry with a soulmate he's made it very clear he doesn't want. He's never been selfless before, but for Harry, he can try.

A brutal yet brilliant read, with hardcore angst and a devastating ratio of 90% hurt - 10% happiness but it’s so wonderfully written. I find the concept of severed soulbonds absolutely genius and Draco’s redemption path is moving and bittersweet despite the heartbreak. His fierce and stubborn self-sacrificing persona is fascinating and convincing. I’m also utterly in love with this Ron Weasley. It’s refreshing to see him so caring and generous - in fact, his genuine friendship with Draco is a saving grace through so much hurt. If you enjoy catharsis with a happy ending, this is a must read!

Vortex by @xanthippe74 (2020, T, 20k)

“Don’t worry, my dearest one,” Draco’s mother told him when he confided his worries to her. When he was old enough to feel the pangs of adolescent longing, but still too young to sense the storm gathering around them. “Magic will overcome any distance or obstacles to bring two soulmates together when the time is right. Circumstances will arise that steer them in the right direction; strange coincidences will make their paths cross again and again. Then the most wondrous moment arrives, when you both realize that your soulmate, your perfect match, stands before you, and from that day forward your hearts will be one.”

Hands down my favorite soulmate story. It is also focused on Draco’s individual struggle of coming to terms with his fate (can you tell I’ve got a weak spot for his POV?). It’s bittersweet but also inspiring in a gentle and healing way. I love how @xanthippe74 builds these layered, resilient characters, all while sewing amazing social commentary within the plot. The slow burn is almost poetic - beautiful dialogue, a tentative partnership to help the outcasts and only then Harry and Draco come together, so naturally it feels almost like an afterthought. It’s amazing to see Draco coming a long way, from self-sabotaging to believing he deserves true happiness. Treat yourself and experience this powerful, thought-provoking redemption tale.

Written on the Heart by who_la_hoop (2016, E, 113k)

When he’s hit by an illegal love-spell though, Harry finds he has more to worry about than whether or not Blaise Zabini actually wants to be his friend. For if everyone affected has been blessed – or cursed, by the look on Malfoy’s face – with a magical tattoo revealing the name of their soulmate, what does it mean that Harry’s skin remains completely bare?

This fic is unparalleled when it comes to world building. The magical tattoos are a visually stunning concept, and the author establishes a rich, fun and engaging 8th year universe. I love how the plot explores Harry’s issues but also gives other characters room to shine. Blaise is a triumph, snarky, insufferable and as much a protagonist as Harry and Draco. He holds all characters together through amazing inter-house dynamics. The warm and captivating Hogwarts atmosphere is familiar and full of mundane bonding moments, the perfect setting for this sweet slow burn between a pining Draco and a gentle yet oblivious Harry. You’ll read 100k in one sitting without even noticing, so why not start right now :)

#Drarry for beginners #bonding #soulmates

[idanit]

possibly underappreciated Good Omens fics I enjoyed once upon a time

Indirectly inspired by a video series about fanfiction I watched, I decided to pull together a list of Good Omens fics I have bookmarked as stories I enjoyed, but which have less than 250-300 kudos at the time I’m writing this. No particular order. They’re accompanied by short excerpts from my private fic reading notes (not originally intended to be read by anyone but me, mind), sometimes slightly edited for clarity—and, sometimes, the comments I left on the fics.

This list sat in my drafts for a long time and the recent S2 announcement reminded me of it. I’d love it if it inspired you to do something similar! Spread the love.

And mind the tags, please.

△ = general and teen ▲ = mature and explicit 

thermodynamic equilibrium ▲ 7K the author has such an ear for dialogue and is unapologetic about what they want to write the characters like. They think of the characters as a mix of TV and book canon, but they feel like a homemade blend to me. (...) It’s very funny.

such dear follies ▲ 6K I can really picture this Aziraphale—Crowley as well, but her especially. She’s rather distinct. (...) Nice writing.

The Words Were With - △ 1.2K post-Blitz vignette, Aziraphale realizes what he feels and wonders if they're human enough for this. I liked it, and I liked the tag "transhumanism, but in reverse?", too—what an interesting idea. I'd say it's a vignette in a dire need of a follow-up, but, well, there's the show. The show is the follow-up. It fits very nicely within the canon and I totally believe it could have happened, like a deleted scene.

Gossip and Good Counsel △ 19K/? I love their companionship and how they're set up to be opposites by the management even though they get on pretty well. It feels very in keeping with the canon, but I feel like the fact that it's an F/F set in this particular time period adds a meaningful layer to the situation. It's women supporting each other in the world of men, working with the personas that are created for them, but, privately, being normal, well-rounded people. (...) and of course your writing is always a pleasure to read. (...) SDHDGDHDHDG Maisie is truly an Aziraphale.

Crowley Went Down to Georgia (he was looking for a soul to steal) △ 6K This was nice. Based on a song I didn’t know. Crowley goes to a funeral in the USA, one of a fiddler he knew and lost a bet to once. (...) The fic has not one but two songs composed for it and embedded inside it and that makes it even better. I really enjoyed the experience.

The Thing With Feathers △ 18K WARLOCK you'rE HORRIBLE AND I LOVE IT I would read an entire novel-length fic just of Crowley fighting his battles with Warlock. Written like this? It would be a blast. (...) The OCs are believably characterized and well-loved by the story. (...) Everyone seems to need a friend in this house. (...) This was so fun, and at the same time, their mission has weight here (...) We wonder about what the future holds even though we know it.

Here Quiet Find △ 11K This fic aimed for my head and the aim was sure precise. It was a story of Crowley sensing Aziraphale's distress and finding him in a self-quarantined English village in the seventeenth century, tired and anxious. It's hurt/comfort, so there was washing and bedsharing and I had to love it, so I did.

outside of time △ 2K Post-Almostgeddon, (...) nicely-written, short, but strung with a soft kind of tension and unspoken words. There's no drama, just "can we really", and "do you really" of sudden freedom. They fall into being inseparable. Book canon, which I like for this story (sitting on a tarmac). I liked the footnotes. There's a mention of Eliot. All in all, very much yes.

She'asani Yisrael △ 2K It’s Crowley going through a two-hour service and drinking blessed wine. He also keeps an eye on a boy he was asked to. It’s 1946. It was pretty good, so far the best Jewish GO fic, I think, from the ones I’ve read.

To Guard The Eastern Gate △ 11K  I loved it. You really made Sodom feel lived-in; the description of Keret, Hurriya and Yassib's house and relationship were great. I got attached to both them and the city (...) Aziraphale and Crawley’s interactions were generally very entertaining. I laughed (...) Your rendering of their voices just lands so well (...) But then oh, the entire ending (...) hurt, hurt a lot, and your descriptions are so vivid.

If you’ve been waiting (for falling in love) △ 14K AAAAA a good ending line. The whole paragraph, in fact. I love a good smattering of philosophy in my fics, and this was really nice. I can get behind Thomas Aequinus's and Crowley's view on eternity. It's (...) a pretty simple fic (...) - the courage to express yourself and take a risk is awarded with winning what was at stake by the virtue of reciprocity - but the way it was intertwined with a study of how they would experience a forever was done well. 

Holy unnecessary ▲ 2.2K It's well-written. (...) this is my type of sexual humour if I have any. So subtle. Blink and you'll miss it. Lovely.

The Parting Glass △ 17K Through the ages, they're dancing around their relationship until after the Armageddoff. (...) Wow, this was really, really nice. Very simple in its concept and nothing I haven't read before, but very well-executed. (...) AAAAH I LOVED the first chapter. I always like abbeys as settings, that's a given, but the banter, the good writing, the moral ambiguity!

Name The Sky △ 33K This Crowley is different, but very intriguing. Without his sarcastic talk, and much more animalistic. (...) I love how expressive Crowley is. (...) This fic has a very nice balance of drama and levity. I don't love Crowley-before-the-Fall stories very much, but with this execution I can read about it. (...) Okay I've read Crowley offering fruits, and even Aziraphale biting fruits, but the two of them sharing the apple? Outstanding. Ingenious. What a take.

A Flame in Your Heart △ 5K post-Blitz (why are so many dance fics post-Blitz?), they go to the bookshop and have an actually believable conversation. Then they dance the gavotte. It was really nice! Believable writing, emotions, the dancing! (...) Of course it's too early for them, (...) but the author's note? yeah.

Put down the apple, Adam, and come away with me ▲ 32K At this point it's just reading original stories with characters with names and some personality traits that I recognize. (...) I really enjoy this, the careful dance, the opposition between their views. (...) This is well-written, wow. (...) it's not an easy read (...) this story feels very believably 50s, but also reaches out to the present time. 

Liebestraum ▲ 10K/? It really is like music. I'm enjoying the writing a lot. (...) oh my actual god. This, this? Wow, uh. This came for my throat. (...) THE MUSICAL COMPOSITION, THE MOTIF RETURNING, THE AUTHOR KNOWS WHERE IT'S AT (...) Excellent. This hits the right beats so precisely, (...) and with feeling, too.

Down Comforter △ 2.4K and they lay down in angeldown, a soft rug ‘neath their heads– alright. Well, Crowley lies under Aziraphale's wing on a Persian rug after the Apocalypse, and they talk (...). It was sweet.

The Corsair of Carcosa △ 5K Crowley wakes up from a nap, visits Aziraphale for some drinking, and they read The King in Yellow that he happens to own. Good writing, so I'm bought. Aziraphale mentions Beardsley, so I'm bought twice over. My god, a discussion of etheral/occult madness? Caused by some wrong/true reading? Yes.

Very Good, Omens! △ 6K It's rather well-written, well-pastiched. People don't do that too often, nowadays - try to write in the style of a particular writer. (...) I love wordplay like this.

Reviving Robin Hood: The Complicated Process of Crème Brûlée △ 30K it's well-written (...), has a rhythm to it, and quiet humour. (...) Finally some nice, good, light writing. The attention to detail! (...) I'm still reading most of it aloud, the rhythm of it compels me to. (...) okay this does sound like Pratchett&Gaiman, the Good Omens itself (...) The fic is meandering, hilarious, sensitive in all the right places, and overall lovely.

my dear acquaintance △ 1K Oh. Oh. Yes, yes! Aziraphale in Russia, Russia I've never been in, but I can feel the snow and the evening of. Very real, and the bar, too. Attention to detail - vodka flavoured with dill, what on earth? Yes. He would totally have a distinct taste in operas and he would totally complain about a subpar one. I'm glad Tchaikovsky's there.

there is a crack in everything △ 1.8K This was good! Ah. Inspired by a comment (...), I went looking for Mr. Harrison and Mr. Cortese fics—really, what a big brain moment someone had and why have I never thought to look for them? This is Crowley getting suddenly anxious and Aziraphale going out of his way, through all his layers of not-thinking and denial, to console him. I also really liked how the Arrangement is a carefully unacknowledged partnership-marriage.

Scales And Gold And Wings And Scars △ 6K  No conflict, no plot, one tiny arc like a ripple on the surface of water on a calm sunny day - of Aziraphale discovering Crowley’s scars. It's the South Downs and it's early summer. They bask and swim in a spring. Non-sexual nudity, love in the air like a scent. Nice.

Nineteen Footnotes In Search Of A Story △ 0.4K This is a Good Omens story told only through footnotes. Your mind can fill in the gaps. Fascinating (...). Also, it’s an experiment so apt for this particular fandom.

Hell on Earth △ 6.5K Oh, I loved it! How could I not love it: it's Beelzebub-centric, it's historical, it has classical painting, and even a hilarious scene with a cuneiform phrase, as if I didn't enjoy this story enough already. There are so few Beelzebub fics out there and I find searching for them very difficult (I accept recs if anyone has any), and it's such a shame, so this was really like a gift to the fandom. I absolutely adore the way you portrayed them, small, frightening, powerful, and confident. Also, it was super fun to see how different Crowley seems when we're not in his POV or in a story about him and Aziraphale. (...)

Go Up to Ramoth-Gilead and Triumph △ 24K Daegaer is... pure class. (...) hdhdhdh what pfttt why you so funny (...) I love this Crowley. (...) This got unexpectedly intense. (...) I love the little nods to the fact that Israelites, especially the poorer ones, still believe in other gods. I also really like that they sleep on roofs. It's just the kind of detail that grounds the story and shows that the author is, in fact, a historian. 

#good omens #good omens fic rec #fanfiction #fic rec #idanit reads #i also have a multifannish F/F rec list in the works #all my bookmarks are private but i feel the need to share the love

[ellenripleysbelieveitornot]

What about an Akechi/Joker role swap AU where Akechi is still the detective prince and Joker is still the Shujin delinquent, but the major difference is that Morgana never lost his memories and found Akechi before he approached Shido with his metaverse assassination plot?

Like, imagine Akechi, bitter and jaded, who has just awakened Loki and felt the terrifying and thrilling rush of the berserk power. He's formed a plan to get back at his piece of shit father, even managed to set up a meeting, which he had to set up months in advance, and on the day he's going to present Shido with info on the metaverse, he winds up arriving a few minutes late, because even though he intended to be early, he was accosted by a talking cat (he's been in the metaverse, so he can hear him) on the way over, and in the whole wtf-ery of the moment, lost track of time. Shido, being Shido, refuses to see him and will not reschedule because he doesn't like having his time wasted.

Pissed off, Akechi leaves to find Morgana still waiting for him outside. So he doesn't look like an idiot yelling at a cat on the street, he brings Morgana back to his shitty apartment, where Morgana explains why he had found Akechi and whats up. He doesn't know about Yaldobaoth taking Igor's place, he just knows there's two champions, and Akechi was the one he found first, so he must be Igor's chosen champion. (It is my theory that it doesn't actually matter who was Igor's and Yaldobaoth's champions, it was more about the choices they each made and where they ended up.) 

Akechi has no interest in saving the world, but he knows that if he wants to get back at Shido, he needs to become someone of consequence, so he agrees to undergo Morgana's training, since Morgana clearly knows more about the metaverse than he does, and he can use it to solve cold cases, earning him a place as the Detective Prince. He changes a few hearts, to pacify Morgana, too. It takes a couple years, but during his senior year in high school, he makes it, earning himself the cooperation of the police and the spotlight of the public eye. He's getting so close to making Shido notice him that he can practically taste it. Also, what’s this ‘velvet room’ he keeps dreaming about?

Then Morgana finds Kamoshida’s palace and is like ‘heyo, you thought changing hearts in the metaverse was cool, check this shit out’ and Akechi is admittedly intrigued , so he takes a look. He sees the inside of Kamoshida’s heart and is appropriately disgusted and says to Morgana, ‘hey we should totally kill this guy’s shadow.’ Morgana’s like ‘why is your first suggestion always murder, we don’t know what would happen if we killed his shadow, Igor wasn’t very clear about that bit, we should try stealing the treasure instead’ and Morgana has been useful (and it’s been really nice to have the company these past two years, though he won’t admit that) so Akechi agrees ‘fine, we’ll steal the treasure, but if that doesn’t work, then I’m killing his shadow.’

And that’s when Ryuji and Ann make an appearance (’ohmigawd, goro, be more careful with that damn app, i s2g.’) Ryuji’s mom apparently thinks Akechi is pretty neat and watches all his interviews, so Ryuji knows who he is and is delighted to find out that the lame-ass detective his mom has talked about is actually a grumpy badass in the metaverse, with this shadow that has some kind of insane power, and hey, he helped them bring down Kamoshida (alive,) so maybe he is actually pretty cool, even though sometimes he spaces out and talks about evil twins and some longed-nose dude. He decides then and there that he’s going to be Akechi’s best friend, since he apparently has none, and Ann is all too happy to join in for the ride, and all of Goro’s protests have fallen on deaf ears, and they know about the whole detective prince thing being a facade, so he might as well indulge them for now. 

The ‘Phantom Thieves’ (a name that makes Goro want to roll his eyes whenever he hears it, and why is everyone calling him ‘leader?’) gain fame and change hearts, gaining new members such as this weird-ass artist dude who fights with ice, and oh, god, one Nijima is bad enough, don’t tell me there’s two! and she uses nukes, wtf?!

Around this time, he also meets Shujin’s delinquent, enigmatic transfer student whose talk of hope and justice never quite seem to reflect in his stormy grey eyes, and he and Goro are clearly birds of a feather in a way, he can tell, there’s just something about him, and he thinks this guy might actually be his best friend, but don’t tell Ryuji that, he’d never hear the end of it.

Akechi learns the truth behind Akira’s arrest and Shido’s involvement and he is disgusted to find that he genuinely wants to help this guy, and he can’t do that if Shido’s dead, maybe he doesn’t want his revenge as badly as he thought??? Oh, ew, I have feelings that aren’t anger and it’s all my friends’ fault, I can’t just leave them and go off to get revenge, they’d literally die without me, those lovable idiots. Also, when Ryuji saw his home, he pretty much insisted he stay with him instead, and Ryuji’s mom reminds him of the good times he had with his own mother, and he honestly doesn’t think he has the strength to disappoint her like that. So, he decides to change Shido’s heart, but he knows that there’s no way that this little group of miscreants is strong enough to take on the fucked up bullshit that he’s seen in Shido’s heart, so let’s hit pause on that for now.

Shido had Wakaba killed via completely non-supernatural ways and stole her research, same as before, so Futaba still has a palace. He found out Akira worked at Leblanc a while ago and started dropping by, and then somehow Ryuji found out about it, and now all the Phantom Thieves know, so much for a peaceful place to get away, but he actually doesn’t mind that much, and Akira lets Akechi keep an eye on the shop when there are no customers so he can go out and do errands and Boss doesn’t mind, so they’ve ended up hanging out there as a group from time to time and talking Phantom Thief business, so Futaba knows who they are, and asks for their help.

Okumura’s palace pretty much goes the same, Okumura dies somehow, are we responsible, why does murder actually make me feel kinda bad, stupid friends and their stupid good influence. 

Goro attends the Shujin student fair as guest speaker, whoa, the class president being friends with Akechi does have its perks, doesn’t it? Akira finds them all there together and approaches them, tells them he saw them go into the metaverse, awakened his own persona, and saw a guy in a black mask kill Okumura’s shadow, hey why don’t I join you, you probably need all the help you can get, who’s heart are we stealing next, how about Sae, she knows my probabtion officer and has been giving me hell, plus I already checked, she definitely has a palace.

They agree, and oh, hey, Akira can hear Morgana talk now, but WAIT A MINUTE?! Didn’t he hear Morgana talk before when he told Goro that Leblanc didn’t sell sushi, even though Goro hadn’t asked for any?

They hack Akira’s phone, learn that Shido (Akechi recognizes that voice) will have thugs waiting to capture them when they leave the palace. They plan around it, pull the metaverse switch and manage to sneak a heavily drugged Akechi out of the warehouse Shido stashed him in by traveling through the metaverse. Shido’s lackey’s have written a fake suicide letter from the leader of the Phantom thieves, and the chief of police, under Shido’s orders, delivers a statement confirming its authenticity, and look the plan succeeded. All they need to do know is take down Shido.

Things are going great, until they get to the engine room, where Joker, having realized what happened, is waiting for them. Joker, who lost everything after he transferred, who discovered the metaverse completely alone, who didn’t mean to kill that guy’s shadow, but he attacked him first, and Shido had somehow known, had been keeping an eye on him, had him convicted for a crime that he didn’t commit in the hopes that he would break because he needed an agent in the metaverse, and so far he’s had no luck. Joker, who had nothing left to lose and had accepted the only hand that had reached out for him.

They fight, and when it looks like things are going badly for Joker, he pulls out... a second persona?!?! At least, it looks like a persona, but something about it is off. it looks familiar somehow. And then Akira asks if they knew it was possible to fuse personas and Akechi realizes what he’s looking at. These aren’t the clean executions that Caroline and Justine perform, these are personas that have been ripped apart and haphazardly thrown back together with no thought to form or elegance, look, there’s a Yaksini’s arm, and that bit right there clearly used to belong to a Rangda, and I think that piece might have belonged to a Seiryu, and Akechi should stop listing personas now because Ann thinks she’s going to be sick.

They keep fighting. Joker can’t understand the difference in power between them. After all, aren’t they the same? Unloved, unwanted, soldiers pitted against each other by some bullshit higher power?

When Joker shoots the bulkhead door closed and Futaba reports that she’s lost Joker’s reading, Akechi vows then and there that he’s going to kill Shido after all. And he almost does. He stands there, with his gun pressed to the head of the shadow of his father, his friends can’t blame him, and even Morgana knows better than to try and stop him. But he doesn’t. He remembers Akira’s madness there at the end, and wonders what he would have become of him if it weren’t for Ryuji, who somewhere along the way, he’d realized he’d stopped tolerating and started actually liking. Ann, who shared his woes about being in the public eye and swapped tips with him about how to handle the press. Yusuke, who, although he was still completely bizarre to him, appreciated the beauty in life and didn’t tease Goro for his taste in Grandpa clothes. Makoto, who knew the importance of hard work and who, between herself and her sister, had caused Goro to pick up some healthier coping mechanisms. Futaba, who made fun of him for his food blog, but liked the same nerd bullshit that he did and would bombard him with memes until his day somehow became a little less shittier. Haru, who dreamed of starting her own business and actually cared about Goro’s opinions, and could threaten someone with a smile in a way that even Goro was jealous of. And Morganna, who had reminded him what it was like to not be lonely, and demanded more sushi than he could afford, but always made sure Goro ate his fill, instead of getting so focused on his work that he forgot.

Akechi guesses that he must have turned soft somewhere during the past several months, but after seeing what happened to Akira, he can’t help but be grateful, knowing with certainty that if things had turned out differently, that would have been him. Hey, Morgana, you know that world-saving bs you talked about two years ago? Let’s leave this piece of shit here to rot and focus our attention on that instead.

And you guys know the rest.

Or, at least, that’s how I thought it would go. Feel free to share your thoughts. :)

#shuake #akeshu #akechi goro #akira kurusu #ren amamiya #Shuake roleswap #roleswap #persona 5

[ragecndybars]

💥🚀💕🦋🦈👑💌 for the fic writer asks!!! <3

thank you dante my beloved for the ask!!! this was so fun to answer <3

💥 What is one canon thing that you wish you could change?

Y'know, I usually talk about Persona 3, and I was sorely tempted to say that I would give the male protag social links with the male party members and Ryoji, but... I think if I could change one thing about the canon of any franchise, I would be much more likely to change the way Kanji and Naoto were both handled in Persona 4. If not making them canonically queer, then at least removing some of the more objectionable things from their portrayal (such as the way you have to force femininity on Naoto in both the main plot and especially the Social Link, and how the game chickened out from portraying Kanji as unambiguously MLM and yet still felt emboldened to make him the butt of a ton of homophobic jokes).

🚀 Do you like to outline your fic first or create as you go?

For long fics, I tend to create an extremely vague outline first, just so I get all my ideas out onto the page and don't forget where I was going with it. But, other than that, I pretty much write by the seat of my pants, lmao. This does mean that my fics have a tendency to really get away from me and morph into something completely different (my current WIP, for example, grew a mind of its own and is somehow already 14K words long, ahaha...) but that's half the fun.

💕 What is your favorite fic that you’ve written?

aaaa, this is a tough one! I tend to be my own harshest critic, aha, so often scrolling through my fics just makes me cringe, buuuut... I think Miso Soup, a P3 sickfic which I posted recently but which has been in development for waaaay too long, is a very strong contender. Other than that, I'm honestly still proud of Oil, an EliHec Fire Emblem fic which... was also in development for waaaay too long, lmao.

🦋 Which character is your favorite to write?

Currently, I'm really obsessed with writing Shinjiro, because his voice is so distinctive and fun to play around with. He has such an informal, devil-may-care kind of attitude, and is the kind of guy who actually has a fair amount of emotional intelligence but just refuses to admit his feelings to himself anyway, so he's simultaneously easy to write for because he's observant and can pick up on a lot, and also difficult to write for because he can be a bit of an unreliable narrator. Other than that, I really like writing Aigis! I just love playing around with overly-formal and technical POVs for characters who pick up on lots of tiny details but might also miss significant elements of conversation and body language due to lacking cultural context <3

🦈 Which character is the toughest to write?

Yukari and Ken are both very difficult for me, although I still have a lot of fun writing them when I can manage to get their voices down. They're hard for me for very similar reasons -- I feel like both of them are putting up facades throughout much of the narrative, not because they're trying to trick the rest of the cast or anything, but just because they don't feel fully at ease with everyone. Ken, for example, is definitely mature and intelligent, but we obviously know that he's always trying to appear mature and intelligent, and sometimes lies to do so (see: pretending not to care about Featherman). Meanwhile, Yukari isn't trying to appear mature so much as she's often distrustful of the other members of SEES (usually rightfully so lmao), so it can often feel like she's warily hiding her true thoughts. I love these aspects of their characters, don't get me wrong -- particularly in Yukari's case; I think the contrast between her hesitance around Mitsuru and her boldness in speaking her mind when she feels strongly is one of the best parts of many story cutscenes -- but it can make both of their perspectives a bit slippery to pin down.

👑 Do you like writing short fics or long fics?

Well, I tend to prefer oneshots or twoshots over chapter fics, but, when it comes to word count... 😅 my fics... really tend to get away from me. Every once in a while, I'll manage to keep it around 3-5K, but generally, most fics I post are more in the 6-9K range, which is almost always much longer than I expected them to be when I started them. (And sometimes they somehow turn into like 14K even though I SWEAR it was only gonna be 5K wtf--)

💌 Is there a favorite trope you like to write?

Angst, whump, and hurt/comfort are the obvious ones, but I guess those are more genres than tropes? When it comes to more specific tropes, I absolutely love writing severe injuries/illnesses/other afflictions which then dredge up emotional problems. Eg. a character gets injured, which makes the other characters realize how much they care about them, or a character gets sick and the other characters take care of them, which makes the sick character get overwhelmed because they realize that they're not used to being helped... stuff like that 😅

#this was such a delight to answer thanks again <3 #ask

[stagandsteer]

Complete transcript of the Wonderland interview, by Catherine Santino, below the cut :)

In 1993, the year in which Freeform’s new thriller series Cruel Summer opens, actor Froy Gutierrez was yet to be born. Chat rooms and beepers, just two of the symbols of 90’s culture featured in the show, were absent in Gutierrez's own childhood. Instead, the 22 year old grew up among the endless, glowing feeds of social media — and the inevitable pressures that they create.

“There’s a kind of self-awareness that comes from growing up with the internet, which everyone in our cast did,” Gutierrez, who stars in the upcoming series, tells me over Zoom — his boyish charm tangible across the screen. “We’re all technically Gen Z or like, older Gen Z. And so you have to unburden yourself from curating a persona online.”

Due to the dizzying evolution of technology in the past two decades, Gutierrez and I had drastically different experiences with the internet growing up — even though he’s only seven years my junior. I fondly remember a time without the prevalence of social media, while Gutierrez was born into an era where internet presence was not only common, but expected.

Like most of Gutierrez’s peers, the actor was active on social media from a young age, but his presence has quietened over the years — even with 1.7 million instagram followers. “If there’s a general consensus on the internet of a certain readership or viewership, you know about it, because people tweet about it directly to you,'' he says. “There’s a kind of lumping in of the character you’re playing with who you are, that people do. I don’t know if it’s intentional. It’s probably just a human thing, but that happens. And it can be hard not to internalize what you read about yourself, you know? Words have power.”

In 2017, Gutierrez appeared on supernatural MTV drama Teen Wolf, a show with a massive internet fandom. Suddenly, fan theories and commentaries about his character, Nolan Holloway, came in droves, something that the young actor wasn’t necessarily prepared for. “I was still a teenager,” he says. “Around that time, you're an adult, but you’re still figuring things out. So I learned where to set my boundaries because I didn’t know where they were beforehand.”

When Cruel Summer came around, Gutierrez assumed he would be portraying the “desirable young male” he was used to auditioning for. “The first time I read the character, it definitely felt like an archetype. When I auditioned for it, I walked in and was very much myself, and Michelle Purple and Jessica Biel responded very well to it.” However, after he got the role and production ramped up, he was pleasantly surprised. “It didn’t really hit me that they were wanting to take him in such a unique direction until I showed up for wardrobe one day to do my first fitting for the pilot,” Gutierrez recalls. “I looked at the mood board for Jamie and it was like, young Heath Ledger, Keanu Reeves and Kurt Cobain. And I was like ‘Oh shit, I need to step my game up,’” he laughs. “I couldn’t get by doing the same thing that I’ve always done when it comes to characters like that.”

Cruel Summer takes place over the course of three years — ‘93, ‘94, and ‘95 — showing splices of each year in every episode. Produced by Jessica Biel, Tia Napolitano, and Michelle Purple, it centres around the kidnapping of a teenage girl and the fallout of the crime in her community in Skylin, Texas. Gutierrez plays Jamie Henson, the boyfriend of the missing girl, Kate. In her absence, a quiet nerd named Jeanette suddenly rises the social ranks and assumes Kate’s place — including dating Jamie. When Kate returns, Jeanette is suspected to be involved in her disappearance, throwing Jamie into some seriously challenging circumstances. His character could easily be a one-dimensional archetype — and truthfully, I expected him to be — but Cruel Summer took the opportunity to explore toxic masculinity and its widespread impact.

We see Jamie caught in the middle of conflict, unsure how to respond to a traumatic event that certainly no teenager expects to be faced with. He’s not a hero, but he’s not a villain either. It’s unclear whether we’re supposed to root for Jamie or not, which makes him that much more interesting to watch. “He talks a lot about his desire to protect the people around him, regardless of whether or not they asked him to protect them,” Gutierrez says of his character. “He kind of superimposes his own idea of what the people around him need. In order to maintain the peace of the people around him, he kind of robs the people around him of their agency. It’s just a really fascinating character to play in that way.”

Gutierrez has also been able to explore the ethics of true crime in a time when the genre is exploding in popularity. Though Cruel Summer is fictional, it questions the effect that public opinion can have on criminal cases — and perhaps more importantly — the well-being of the people involved. “When it comes to the investigation of a crime, you have to weigh the good it can bring into the world versus the bad it can bring. Or making one person seem suspect, or airing the dirty laundry of a private citizen for the viewership of loads of people.”

Despite his eloquent reflections on Jamie throughout our conversation, it’s clear that Gutierrez doesn’t take himself too seriously. He speaks into the camera like we’re old friends on FaceTime, and when my dog unexpectedly jumps into my frame, he gushes excitedly and asks what her name is. He’s able to laugh at himself one minute and share poignant truths the next. It’s refreshing, much like Cruel Summer.

Another likely contributor to the show’s authenticity? The fact that the cast was kept in the dark when it came to overarching plot points. Instead of knowing the show’s trajectory ahead of time, the actors would receive scripts for the next episode while they were filming — and they were subject to change. “We didn’t know where it was going,” Gutierrez says. “And we were told, “‘This might happen here, or this might happen there.’ And it would shift around.”

Without foresight into their character’s arc, the actors have no choice but to focus only on where they were in that moment — a difficult task when a single episode spans three very different years. Gutierrez faced an even greater challenge, as, unlike the two female leads, his character didn’t undergo any drastic physical transformations over the three years.

“I didn’t really compartmentalise the character,” he explains. “I kind of thought of the different years as different phases in my own life. The first year, ‘93, was a complete absence of any regret. You’re still very young, I was just thinking of like, a complete golden retriever,” he laughs. “A 16-year old boy who just wants the best and isn’t aware. ‘94 is me right before I made the decision to go to therapy, where I was making all these bad decisions and I didn’t know why. And then ‘95 was a whole desire to wrestle with those things and really look at yourself in the mirror and take accountability.”

Gutierrez didn’t only infuse personal experience into his behind-the-scenes work — some aspects made it onto the screen. The actor, whose father is Mexican, grew up spending time between Mexico and Texas and is a native Spanish speaker. Because Cruel Summer is set in Texas, Gutierrez suggested creating a similar background for Jamie.

“I was talking with Tia Napolitano, the show-runner, and I was like, ‘Hey, you know what would be really cool? What if the character is half-Mexican, too?’” Gutierrez says. “And she's like, ‘Oh, yeah, let’s write it in the script.’ And I got to write a couple lines in Spanish, which is really cool. [Jamie] could have been this mould of a cool, likeable jock. And then he ended up being this very nuanced human being, which is awesome.”

Though he is learning to appreciate all parts of his heritage, Gutierrez hasn’t always embraced his identity. “I remember feeling like I might have been not American enough for America, and not Mexican enough for Mexico,” he says. “And I remember having a bit of time in which I had an accent in both languages. Even my name — in Mexico I always went by ‘Froylan’, which is my full name. And then in the U.S., I went by Froy, because I thought it would be easier for other people to say.”

He continues: “I identify as Latino, but I”m also very wary of auditioning for Latino roles because I’m aware I don’t look like a typical Latino person. I don’t want to be someone that you can just sub in for that role, when I’m really white and blonde. And so whenever I do get a role like this, one where he’s not written to be any particular direction and we’re able to collaborate, I’m able to inject some of myself in there. So it’s been really cool to embrace all sides of my history.”

But of course, as is true for Gutierrez, Jamie’s cultural background is only a small part of who he is. Cruel Summer is committed to portraying him as a nuanced character that breaks the moulds of masculinity while tackling complex inner conflict. “Living in his shoes and walking in them, a big question that came up for me was, ‘What is the difference between guilt and shame? [Jamie]’s coping mechanism was terrible and unhealthy, and caused more pain for the people around him. But at the same time, the shame that he internalized made it worse for him. One thing I really learned, is that shame is about yourself and beating yourself up. And guilt is about taking accountability and apologising, moving forward without expecting the relationship to come back. It's just about trying to heal what happened and then moving on, on the terms that the other person sets. It’s not about you, and I think that’s what the character learns throughout the show.”

#froy gutierrez #wonderland magazine #froylan gutierrez #interview #cruel summer #catherine santino

[thesandbeneathmytoes]

Mayans Season 3

Soooooooooooooooo I have a lot of thoughts. Like, a lot. No one asked for this but some of you did express enthusiasm when I told you I was gonna go AWF, so here we go.

DISCLAIMER: I should perhaps also mention that this is simply a critique of the finished product — I understand, of course, there were other issues that affected the production of the season that perhaps didn’t affect seasons one and two, such as Covid and some of the confusion after the departure of Sutter. Some might say, however, that this season without Sutter was easier because there was less tension on set (I’m just re-counting what some of the cast have intimated). Ultimately, though, I really just want this to be a critique of the finished product, in the way that I assume all creators and artists want their work to be judged… Standing alone versus as a potential outcome of problems or challenges.

It’s probably clear by now that I wasn’t a huge fan of this season, so first I’ll start off with what I did like:

*SPOILERS, OBVIOUSLY*

• The cinematography was really nice. We got a lot of great wide shots that made us feel how expansive these worlds are, how lonely the desert, how wide the ocean, etc. They showed us the freedom that comes with this life but also how small it can make you feel when you get swallowed up in it. Scenes were also a lot less dark-lit, which was great cuz I didn’t have to mess with my screen’s contrast as much, so that was appreciated.

• There was also some beautiful color work this year. A lot of oranges and purples that I appreciated. EZ was almost always beautifully framed. We got some nice close ups of Angel as well. The scene with the tear running down his cheek was beautiful, which leads me to:

• THE ACTING: Danny Pino was far and away the best for me. His microexpressions, his ability to change emotions on a dime, his capacity for showing us the exact thoughts going through Miguel’s head, as well as his continued excellence at portraying Miguel’s duality and his divided loyalties (his family of origin vs. his current family, his American vs. Mexican heritage, his classy Cornell acapella-singing [!] self vs. his ruthless cartel persona) never ceases to impress me. Carla is amazing as well, she gave me chills in pretty much every scene. Sometimes I remember that she’s my age (30) and I’m just like holy shit, where did all this poise and presence and focus come from?? Couldnt be me! Honorable mentions include Clayton Cardenas (aforementioned crying scene, “WHERE THE FUCK IS RAMOS?!”), Michael Irby/Alexandra Barreto (diner scene), Felipe (telling Gaby to go scene...most scenes with Gaby), Emily Tosta, and Holland Roden. Richard Cabral did great too, although his storyline bored me so much that I couldn’t really pay attention to his excellent performance. Hope also was a distraction for me, but (much) more on this later. JD was pretty strong throughout, although some of his scenes (especially the ones with Gaby) were so poorly written that I imagine it was hard to make them anything but wooden (more on this later too, unfortunately). Sulem was hit or miss for me, but I felt like she hit her stride later in the season, and by the end, I fully bought it. MOMO RODRIGUEZ made me feel everything. There was a nuance and a depth to his performance that I was not expecting. It was a beautiful surprise to have a comic character (and a comedian) bring such an important role to the show. I loved that they made him symbolic of the heavy toll this life can take (I regret his death, but I think it was a wake up call) and how you can’t always escape your pain. And the fact that EZ was the one to try and tell him otherwise, emphasizing his own internal struggle, was especially poignant and heartbreaking, which now leads me to:

• THEMES: I liked a lot that we got to explore some of these character’s inner worlds more this season, and that we finally got to see the emotional consequences for what these characters have done and who they are. I never watched SOA, but from what y’all have said on here, it seems like more of those characters acted with impunity and were largely unphased by their own demons. It’s really nice to see the Mayans own up to what they’ve done and the lives they’ve chosen, from EZ, who wonders about the darkness inside of him and if he always was this way (see: theme of fate, later in this paragraph) to Alvarez, regretting what he’s done and who he has been (killing his own son) and wanting to live a new life, but not sure he deserves it. Angel’s monologue about “no happy endings in this town” was especially revelatory as well. It was also nice to see POCs, notably POC men, allowed to explore their emotions, cry, and lift back the curtain on what this kind of life does to your fucking soul. It humanizes the characters and liberates them from the Latinos = gangsters trope that we’re all so used to seeing, the very racist trope that ludicrously & infuriatingly suggests that POC men, especially Latinos, are almost meant to be gangsters and have no qualms about it whatsoever, that they are good at it because they are unburdened by the strict moral code that governs white people (LOL @1/6/2021). The theme of FATE was also drawn upon heavily, and I really liked that. It harkened back to S1 [Church of] Coco and the conversation he had with EZ on Celia’s floor, talking about how “everything that happens is what was meant to happen.” He insists that even though EZ thought he was supposed to be the “Golden Boy,” he ended up in the MC for a reason, maybe that other life was never an option for him at all. We now know that part of the reason his parents encouraged his Golden Boy persona so much was as a way to KEEP him from indulging his darker side. I liked the development of this theme a lot, but it did, unfortunately, also cause some problems, which leads me to:

PROBLEMS WITH MAYANS MC SEASON 3:

Characterization: I think this season suffered from what TV can often suffer from when a new person takes the helm, which is a lack of continuity from previous seasons… I understand, of course, that the characters were going through a lot this season, but I don’t think that warrants a total change in their personalities. The biggest offenders here, for me, were Angel and Coco. While we certainly had an idea that Angel, before he was with Adelita, was something of a hoe, I didn’t get the vibe that he was quite as insouciant or uncaring with his partners as he definitely seemed to be in Season 3. I understand why the show wanted to portray him that way—he was hurting—but it just seemed out of character to me that he would jump from partner to partner, so easily make intense commitments, and somehow be obsessed with creating a family life when that never really seemed to be his focus before… His focus on the baby in Season 2 seemed to be confined to Adelita. Coco, on the other hand, seemed to be very interested in his romantic relationship with Hope this season which really baffled me. Coco in previous seasons was almost the spiritual or kind of mystic element of the show – – his “Church of Coco” musings were, as I previously said, sort of a vehicle to highlight the element of fate as a theme in the show. For me, this made perfect sense as a place for him to be, partially because Richy himself is sort of woo woo (I mean this as the highest of compliments). To see him thrust into a somewhat arbitrary (for me) romantic relationship felt so forced, not only because their sex scene was incredibly dry and uncomfortable to watch (LOL), but also because it just didn’t make sense that Coco would risk everything for this woman he knew nothing about… And even at the expense of his relationship with Letty. As @drabbles-mc mentioned, why spend all this time developing Coco’s relationship with Letty when you’re just gonna destroy it? It feels disrespectful to the writing that has gone before… Speaking of, I want to address the EZ equals psychopath road that we now seem to be going down. As I mentioned earlier, I’m glad that they addressed that his scholarliness and the encouragement of that by his parents was a tactic to distract him from the “darkness” inside of him, however, it feels strange that all of a sudden they are intimating that he has a very very deep darkness inside of him that we didn’t really see in previous seasons. I suppose you could make the argument that it was there before, however I would’ve liked it to be revealed a little bit slower and perhaps have more references to it in previous seasons if you’re going to make this case now. It just feels a little incongruous to what we know about EZ that he is a psycho on the inside… Because that’s what they seem to be suggesting — that he’s dark and can’t be anything but dark. I guess I just would’ve liked to see a more gradual reveal of that versus him saying that he’s always been dark and he knows because of a Goya painting? Seems weird. Like, how is he Dexter all of a sudden? Finally, the Nestor/Álvarez situation at the end: are you telling me that Alvarez really would give a fuck about the Mayans after Bishop betrayed him, especially at the expense of his own life if Miguel figured out that he didn’t do what was asked of him? And how is Nestor, who has always been undyingly faithful to Miguel, all of a sudden going to flake out on his duties, especially when he knows how important this is to Miguel???

Writing/storylines: So, to the extent that this is a separate issue than just simple characterization, I would say that this was the biggest problem for me this season. Lazy writing was a real issue for me and that it took me out of the plot and the moment many times. As I mentioned before, there were some scenes with Gaby and EZ that just felt so stilted that I really couldn’t take them seriously – – the scene in the church comes to mind. In addition to this, there were some plotlines that just felt tired or unnecessary, or didn’t link up. The Angel/Hank/Nails storyline, for example, just seems so boring… We just did a unexpected pregnancy storyline last season with Angel – – why did we need one again? Have they just run out of ideas for him? And to put Nails into the position of baby mama just feels kind of disrespectful to her character. Does every woman in this show need to have her uterus or sex life be a plot line? Bishop is another character that I feel like was done a little bit dirty the season. While I previously mentioned that I adored the scene with him in the diner, I was confused by the purpose of his dead son storyline. As emotional as it was and as great as the performances that it produced were, it didn’t really tie into anything else in the season. I understand that they were trying to give some background to Bishop’s character, but it just seemed like kind of a one-off considering it lasted for a few episodes and then was never brought up again. Perhaps they were trying to show us that everyone lost family or had to compromise something to be part of the MC, but if that was the case, then I would’ve liked to see it be tied to his decisions or his story later on. Maybe they could’ve done something like show that his dedication to the club was because they are the only family he has now that he lost his son? Or that he is wildin’ out now and tryna be the one king because he has nothing left to lose? Idk, maybe that was implied but I certainly didnt catch it — it would’ve been nice to have a more explicit connection there, because to me it just kinda felt like they showed us his pain and then forgot about it and just made him this crazed bloodthirsty madman. I also want to talk a little bit about undelivered upon promises – – Elgin said in a review before the season came out that we would get to see a little bit more into the backstory of each character and why they joined the MC – as I mentioned before, we got a little more about different characters lives but we didn’t necessarily see the why, which is something I really would’ve liked to know. I also was hoping for more social commentary than in fact happened this season – – the new intro seemed to suggest that we would get more of an emphasis on Latinx history or culture or social clashes, but in fact, such references were few and far between, as far as I could tell (although totally possible I missed some stuff). One scene, or rather, one line, that I really really enjoyed was when Gaby said “I risked my life to come here and I try to survive every day and you choose to flirt with death. That’s the privilege of being an American.” I found this line SO powerful, but it was almost a throw-away, and I really wish it had been touched upon more. I was looking forward to learning more about this and having it portrayed in such a Latinx-centered way would’ve been cool to see.

Ok, this is likely to be the most unpopular section of this post (for those of you who are even still around LOL), but I’m including a list of all the plotholes, inconsistencies, or unexplained events from this season, of which there were many. If anyone has an answer to these, please let me know:

Taza and Riz: I’m supposed to believe that he killed Riz just because he wanted to start a war with Palo? Because palo killed his lover over 20 years ago?? Like, could he not have started a war with Palo without involving Riz? And when he said “I didn’t know how many people would get hurt?” What??? How could you possibly have thought that a. Murdering your brother and b. Starting a war with the VM over a personal issue wouldn’t result in carnage?

Dead SOA ppl: why did Chibs never come calling to find out who killed Thomas (?) last season? Or Montez? I know that Montez wasn’t actually killed by the Mayans but he was placed in the Mayans parking lot or whatever so wouldn’t that raise some suspicions??? All that they said about Thomas was that he disappeared and the Sons didn’t know what happened? @starrynite7114

What was the point of the whole Lobos Sonora thing? Why did Palo need to talk to them to get involved with the Tucson mayans? Could he not have just gone to Canche himself? Was this something that they were doing to set up next season? If so, it seems like a long walk to get there…

Speaking of Canche, how the fuck did that cockroach survive a bomb?

Who tipped off border patrol on the night that they tried to move the drugs from the tunnel? Was it the girl in jail? And how come we never heard from her again? Just one of many plotlines that was started and then never revisited.

The Miguel/Felipe thing: We got so close but never actually got there. Are we gonna have to wait a whole other season for this?

Speaking of paternity, who is actually the father of Adelitas baby? I’m kind of OK with not knowing if the baby is alive or dead but I’m ready to know who the father was… Again, I don’t wanna wait another season to wrap this up.

Additionally, did Adelita actually hurt Potter’s family? Did she kill them? It was very unclear.

They essentially said that Potter shut down the border out of spite after the Adelita thing happened… What the fuck does that mean? Are you trying to tell me that a government official can just randomly shut down the border whenever he wants? And what was it about the Adelita thing that pissed him off? That he captured her? That EZ and Angel got one over on him? I really don’t understand… Angel said in the first episode that “the shutdown affected me more than anyone,” ostensibly because he lost his partner and child, but I just don’t see how Adelita and the shut down were related??

CHUCKY!!!!!!!!!!!!!!!!!111!!!!! GTFOH with that weak-ass excuse.

Coco storyline:

Was he never gonna find out that Hope was the one who took the picture of him and set him up?

What about the fact that Letty essentially conned him into killing his mom?

Also, did Isaac really die? And what about the reaper tattoo on his side? Was he part of SOA? Was that ever going to be addressed? The story just wasn’t wrapped up at all and I cannot HANDLE any more Meth Mountain next season.

I guess my point in all of this is that I don’t have a problem with the cliffhangers per say – – but there’s a difference between “oh this is an exciting unknown that we can speculate about until next season” and “this is just messy writing where many story threads were begun this year and then never finished” or “we were supposed to wrap up storylines from two seasons ago and we just didn’t.” The latter two just feel sloppy to me, and I feel like that’s a lot of what went on this season. The whole show this year felt both slow and overstuffed, both uneventful and packed at the end. Perhaps it was a pacing issue, a problem of Elgin wanting to distinguish himself and pack so much in and make it so different from previous seasons that he bit off more than he could chew and it all became unfocused. As I read somewhere else, the problem when you have this many unfinished storylines is that they weigh you down for the next season – the writers now have to either spend the majority of next season addressing these questions or just forget about them and pretend they never happened, which feels disrespectful to the audience. I guess my hope is just that Elgin will find his footing and be able to deliver us a more cohesive, well-paced season next year. I fully believe he is capable of this, and if he continues to deliver on the things that did work about this season, we should be in good shape.

Tagging some ppl who have expressed interest in my thoughts: @yourwonkywriter @angelreyesgirl @megapeacelovemusic-blog @starrynite7114 @joannasteez @brattyfics @mareethequeen

#mayans mc season 3 #Mayans mc #mayans mc spoilers #Mayans mc season 3 spoilers #jd pardo #Clayton Cardenas #Danny pino #carla baratta #angel reyes #ez reyes #miguel galindo #Felipe reyes #edward james olmos #coco cruz #richard cabral #bishop losa #michael irby #chucky marstein #I love you chucky

[breitzbachbea]

📒💖

Emi, I'm kissing you on the mouth right now, you're so sexy. In general but also for taking the bait.

Put “📓” or some other version of a book emoji into my inbox and I’ll explain the plot of a fanfiction that I haven’t written but daydream about.

The Constantinople AU

This AU is from 2017 and came about because I watched a TED-ED video about Constantinople's walls, relistened to the Aladdin soundtrack and because I had earlier talked with a friend about how I had not really seen people make a genie a woman. I came back years later to explain it to my friend Jonah and add new stuff and this year I showed it to @amber-isnt-a-precious-stone to add even more things. It's one of my favourite AUs for sure.

Dramatis Personae:

- Herakles Karpuzi (APH Greece) as Son of the Roman emperor and heir to the throne - Sadık Adnan (APH Turkey) as Soldier in the Ottoman army and Imposter Prince - Dilan Taş (Human OC) as Jinn and Sadık's unsuccessful wingwoman - Athanasios Karpuzi (Human OC) as the Roman emperor and serial skirtchaser - Salvatore Vento (Human OC) as Advisor to the emperor and Fuckface McBadDad - Michele Vento (APH Sicily) as Herakles' childhood friend

The Happenings™:

- It's set in Constantinople in an alternate Universe, close to ours. It’s the late High Middle Age/Early Late Middle Age (depending on how you want to periodize. I am working with how the German Middle Ages are divided, which is arguably a very bad method for classifying Byzantine. But this is my silly Hetalia AU, not my term paper). Around 1300, I’d say.

- Athansios Karpuzi is the current Roman Emperor, which makes Herakles the heir to the throne. Athanasios is desperately trying to wed his son off to any available suitors to form new alliances, but two things keep getting into the way: 1. Herakles is thoroughly uninterested in playing along with Athanasios’ plans. He’s not a chess piece on his father’s board if he's got anything to say about it. 2. Salvatore Vento is Athanasios’ closest consultant and protests any marriage for whatever reason he can find. For the sole reason that he has been eyeing the throne for himself the entire time and wants to marry his own son, Michele, to Herakles.

- Like in my Hetalia AU "Like Father Like Son", Salvatore and Athanasios trust each other as far as they can throw one another. There is no genuine trust here at all, no sympathy, really, they just stick together because they know the other is useful. Have some assorted banter as result of this:

Salvatore: "Immortal what a name! What a title to bear! Although immoral would have fit you much better." [Athanasios’ etymology is “immortal”]

S: "Maybe you wouldn't have to struggle to find a suitable bride for your son if you stopped dragging every young woman within and from outside Constantinople to bed." Athanasios: "He's into guys too, problem solved." S: "Oh, yeah, me dumbass thought you needed stop whoring around, how silly of me."

A: "If he is into anything at all. But if I have another child, they might keep this empire going." S: "No legitimation to the lineage's claim to power like a gay loner and a bastard child." A: "Ah yes, I hired the man whose wife ran away with his son so he could berate me about family life. How I value your opinion, Salvatore." S: "She didn't run away." A: "No, she just hides and sends you people until she can get her divorce. I'm very inclined to give it to her."

S: "They're childhood friends! They'd make a great couple!" A: "All I can hear is what a great emperor you'd make, ruling on my corpse."

- So. Herakles is staunchly resisting any marriage to anyone and minding his business one day, walking along the great walls of Constantinople. He stops to look out into the surrounding area and suddenly, hears a noise. Confused, he looks down and sees someone scaling the wall. Sadık looks up and sees the most beautiful man he has ever seen … spotting him trying to get into the city.

- Sadık is part of the Ottoman Turks, who’re conquering the area around Constantinople these days. He’s some nobody in the army and thought he’d give it a shot and get into the city by himself to earn some fame (and money).

- Herakles is seriously impressed Sadık managed to actually almost scale the famously impenetrable walls of the city. Not impressed enough to actually let him in. So these two banter a bit, Sadık now distracted by this hunk in front of his nose. Herakles correctly assesses that he’s a Turk and says of himself that he’s the emperor’s son. Sadık: “Hey, hot stuff, if that’s true and it’s so impressive, why don’t you let me in as a reward?” Herakles: “Yes, of course. And then I’ll open the gates for the rest of your people, so that you can just walk in and take the city. What impossible thing do you want to happen next, a kiss on the mouth?” Sadık: “What’s so impossible about that?”

- Either way, Herakles threatens to sick the guards on him, which leads to a “Oh no you wouldn’t” - Herakles grins and definitely would, so Sadık has to retreat. (#Don’tSickTheGuardsOnMyAssYou’reSoSexyAhaha).

- He goes back to camp, having gained nothing but a crush. He gets in real trouble for rummaging around the booty, where he finds an oil lamp and WOULDN’T YOU KNOW WHAT HAPPENS NEXT. Dilan, a Jinn, pops out and Sadık uses his first wish to get out of trouble. Once that is done and the two have a moment of peace, he's thinking about what to do next and his mind circles back to Herakles.

- Dilan: "Ah yes, they always want something with love ... so who struck you and what's the problem?" Sadık: "Well ... I don't really know if it's true but he said he was the son of the emperor. He certainly looked the part! And I didn't really want to wait for him to call the guards to confirm it." Dilan: "Wait ... so you want to get with the son of the Roman emperor?" Sadık: "If that handsome little shit didn't lie to me, then yes." Dilan: "Isn't that a little out of your ballpark?" Sadık: "What, is it out of yours? Can't help me in that case, magic lady?" Dilan: "Psht, don't make me laugh! I can make the impossible happen, just tell me what you need." Sadık: "I dunno ... I guess getting inside the city?" Dilan: "That's it? That's all you need? That's less than a no-brainer -" Sadık: "Oh yeah, if it's so easy then, save that second wish for later. I got past one of the walls already once, I'll figure that out without your magic." Dilan: "Alright, alright ... and what about the wooing of your sweetheart?" Sadık: "That we'll see to once we're there ..."

- Dilan and Sadık chitchat while they make it to Constantinople. Dilan spends some time in the lamp, because walking is boring, but she does tell him that she's pretty sick of being in there. So that's where Sadık learns about her wishing to be free. Dilan in turn learns that Sadık doesn't have such a rosy life either (especially because now he can't return to the army, after he basically deserted).

- So they get to Constantinople and decide to actually factcheck if they got the right guy - and if yes, some general information about the emperor's son. Luckily enough, a friendly trader/tradesman tells them a bit about the city and the imperial family. Dilan: "So, did you by any chance ever see the emperor's son?" Trader: "Oh, well, that's an odd question, isn't it? But since you don't seem to be from here, I can understand the curiosity. Well, let me think ... You often see him only from afar ... during a triumph where he had accompanied his father during the campaign I got to see him up close. What a regal figure there at the head of the troops!" Sadık is too lost in the vision of his crush all decked out in military gear on a horse. And then taking all that gear off and being a regal figure while he fucks Sadık into the sheets … Dilan: "Yeah, yeah, yadda yadda, we need something more concrete. Height, hairstyle, haircolour, what does the dude look like?" The trader/tradesman is a little baffled but does provide a description that lines up with who Sadık saw. So with that information, they start to wonder how to woo a future emperor.

- Luckily, now that the trader/tradesman thinks they're here for imperial gossip, he actually mentions the fact that Emperor Athanasios hopes for his son to follow his footsteps and is currently looking for a suitable match, so that Herakles can be of political use even while he's still in charge. So Dilan and Sadık get an idea how to get into the city and Herakles heart. Or his pants. Milestones are still up for negotiation.

- After the grand entrance happened, where Herakles definitely took offense at either "Heard your prince was a sight lovely to see" or "Heard your prince was hot, where is he?" because either question was accompanied by Sadık's flirty looks, Athanasios actually lets Sadık and Dilan into the palace. There he and Salvatore discuss the entire thing, aka if whoever Sadık pretends to be is a good match.

- While they talk political stuff and snark, because of course Salvatore is against it, Sadık continues to feel very smug in his new princely identity and makes flirty eyes at Herakles. Herakles is just like "ugh" and much more happily plays with his cats. Which tbh sounds like they're 16 or something, but they're not that much younger than in canon (I think they'd be 22 and 24 here).

- Hijinks ensue. Herakles tells his dad that he’s a Turkish soldier that tried to sneak into the city and Athanasios doesn’t believe him, thinking Herakles is now lying badly to not get married. Dilan and Sadık are developing a friendship that is best described as hoes being bros.

- Dilan: "Look, you like cats. Cats are furry. Hairy, if you will. You know who else is hairy? Sadık. He's juuust as hairy as a cat - shhhht, I'm wingmanning for you and it's working great, you can thank me later."

- At first, Dilan mostly employs her magic for some silly little things with Sadık to woo Herakles. It doesn't work very well. Herakles: "I know it's magic, that's not impressing me - Okay, it is kinda cool, but you're still a dick." Dilan: "But a dick with a cool sidekick, come ON! What else do you want me to do to make the nerd viable?!" Sadık: "You call that wingmanning?!"

- Once Dilan realizes dickbags Athanasios and Salvatore are, she also uses little magic tricks to continously make their lives worse. Ironically, this may be what finally endears her and Sadık to Herakles. (If you haven't noticed, he doesn't like his father very much and Athanasios doesn't care for him aside from being a political pawn).

- At one point, Michele shows up at court! Herakles is overjoyed to see his childhood friend, which he hadn’t seen in years! Sadık is absolutely not, because it looks like just when he and Herakles almost had something, this twat shows up and steals the show!

- Dilan: "Well, I can't make him not love this dude, but I could beat the dude up." Sadık: " ... keep that in mind."

- However, when Dilan goes to investigate what Michele is doing here (and wingwomanning again), this ensues: Dilan: "Hey brah, what's up, why so blue looking? Is it because your boo just told you you ain't his number one anymore?" Michele: "I, eh ... no ... May I ask who you are?" Dilan: "Just one of the servants of the insanely charming and powerful - and hairy - Prince who's here to marry the Prince. Yep, he's sooo gonna marry that guy." Dilan: "There was a whole musical number about it, you should have seen it, I was on top of my game." Michele: "Sure heard about it, you stirred up trouble here. Hope it helps ... I'm not saying that Herakles should marry someone his dad set in front of him, but it'd be nice if he found someone at last. He told me he was very lonely the last years ... I don't want to leave him behind just as lonely again." Dilan: "Yeah, it'd be - Leave him behind?"

- Dilan: "Good news! His loverboy is not here to stay! He wants to go to the west, he's just here because of his terrible dad!" Sadık: "Oh, that's good! Wait ... isn't his father that asshole of an advisor?" Dilan: "Yeah. Why." Sadık: "The guy who wanted to marry his son to Herakles since apparently forever?" Dilan: "Yeah, but his son is not going to marry him." Sadık: "I smell a trap 10 miles against the wind."

- There is no trap however. Herakles realizes that the crush on Michele is nothing but a childhood crush and has to be left in the past … and that he wants to move forward with Sadık. When he wants a conversation one-on-one, Dilan wants to make it a one-on-two, but Herakles asks her if she doesn’t want to keep Michele company in the gardens, it’s not gonna take long, an hour or two at most. Then she can also fetch Michele when they’re done, so that Herakles can say goodbye before he leaves for Sicily.

- Dilan thinks about it, finds it’s not a trap (and if it was, nothing she and her fists couldn’t solve) and goes in the garden. There she talks with Michele and makes the mistake to either show off her magic powers, tell Michele of TurGre’s meetugly (#Don’tSickTheGuardsOnMyAssYou’reSoSexyAhaha) or to be like: “Hey, do you wanna know a cool secret? Sadık isn’t a Prince, all of this is my doing. Pretty cool, eh?”

- Unfortunately, they’re not alone. Salvatore was searching for Michele in the gardens, to get his “fucking rotten brat of a son” to play along after all instead of disappearing once again. So he overhears this. Salvatore: "Oh, so Prince Sadık is not a Prince? That's a funny joke indeed and I'll laugh my ass off the hardest in the end."

- So just when Herakles and Sadık had time to talk about their feelings and confess and, also, you know, make out and fumble for good measure, they get interrupted. Literally when Herakles was finally stripped down to his tunic and Sadık slid his hand underneath it.

- Athanasios: "This is gonna be the last wall you breached, you little rat." Herakles: "Dad! Stop it!" Athanasios: "This man nearly ruined our dynasty. Arrest him." Salvatore: "Arrest the man indeed. Go and get the ex-emperor." Athanasios: "Ex-Prince. It's not the right time for your snark." Salvatore: "I'm not talking about that small fish. Guards - arrest this careless idiot who nearly ruined our city by letting a scammer into its walls! Clearly the emperor's been in on this and can't be trusted!" Athanasios: "You've lost your mind." Salvatore: "You've lost yours and it's actually the thing you'll miss the least when syphilis is going to eat away the last of your rotten brain in the dungeons. So get him! And that ottoman faker, too, just get the trash out of here."

- The scene ends rather dramatically, because I love the thought of Michele and Dilan rushing to their help, but they get held back. Dilan maybe gets restrained by some anti-magic stuff. And Dilan begs Sadık to use his last wish to help him. To solve this problem. But Sadık refuses, because he promised to use it to set her free. So Dilan is just livid and upset, distraught, yelling at him to let her do something while he gets taken to the dungeons.

- So now Salvatore’s in charge and setting his plans into motion. PR is of course the first thing that needs to be done, so there’s a speech to Constantinople’s masses: "But, as you know, I respect and regard the royal family, the entire dynasty, more than any of you! So I am not going to assume power, it'd be a crime against God himself who granted us this emperor, if I had removed him for anything but his unstable condition and his tragic mistake of almost letting his lineage being tainted! Not to mention that this would have been the end of our beloved empire, our city, suddenly overrun and ruled by those barbarians! No, of course I'll give my power to the true heir who was merely a victim to his father's incompetence. To prove I really mean it, I'm even going to give up my son to the Prince, to forever bind my loyality to the throne!"

- Michele: "I hold no more respect for you as father as I did when we left. I'm not going to play along your perverted plan." Salvatore: "Well Michele, if you don't respect me as father, then maybe you'll respect me as the Roman Emperor!"

- Meanwhile, in the dungeons, Athanasios and Sadık have some great chitchat. Sadık: "Guess that's some quality father and son in law bonding time, eh?” S:“Though I'm pretty sure your son would rather call me daddy than you." A: "Once this entire drama is over, I'll have you decapitated. Or just kick you back to your people and let them handle this." S: "Ah, but when I came here as a fake prince, your arms and gates were wide open. Should've listened to your son when he told you so."

- Here’s also some Salvatore content: Athanasios: "And now you strut around in my clothes. I'm surprised they even fit you fatass!" Salvatore: "Oh, the entire imprisonment is really getting to you, ain't it, emperor tightlips? Ah, I meant - ex-emperor tight lips. Now you've sunk low enough to insult me with such details. Is it because you have nothing else left now that you're off your high horse?" Salvatore: "I thought so. At least you're enough of a sound mind to not threaten me with 'once I get out of here' hot air. Because we both know you're not getting out of here in a lifetime anymore. And yes, I’m wearing your rags, since I’ve got no time to waste.” Salvatore to Sadık: "Actually, it's sad that you aren't going to be there to watch it. Although, I think a public execution would just spice the entire wedding festivities up, if I think about it."

- Ah yes. The wedding. Herakles: "You look great today, my love. Like a polished jewel." Michele: "Thanks. I'd never seen a man more handsome than you though. Truly, a prince with all his qualities seen right away." Both: -sigh- Ft. Dilan, who’s just watching the kids sadly and is trying to reassure them she got this, she’s gonna find a way, it’ll be fine!!!

- Herakles and Michele wonder why Sadık didn't use that wish. To which Dilan replies he said he'd free her with it, but she didn't believe he'd actually uphold that promise. And he shouldn't have because now she's useless and he's in trouble. (And Hera only falls more in love with Sadık, because being a good person is HELLA swoony.)

- Dilan also tries to cheer them up and I believe she can still do small magic tricks, she just can't get out of whatever shackles/confinement she is in. So when she isn't despairing or raging, she tries to cheer Herakles and Michele up with some silly little tricks. She shapeshifts into their fathers to make fun of them. Which leads them to an idea ...

- I have no idea what it is though. I only know that the grand final and resolution involves shapeshifting. If anyone who's better at plots wants to give me ideas, please do.

- However they manage to stop Salvatore's machinations, this is what follows: Salvatore gets thrown into the dungeons. Herakles decides to not let his father out and instead take the crown himself. He becomes emperor and marries Sadık. Sadık uses his last wish to set Dilan free. Michele goes to travel to Sicily, promising he’ll write letters to them and come visit some day (Dilan promises the same).

- The end of Salvatore and Athanasios rotting in jail together is SO satisfying to me, bc now that they are useless to each other, there is nothing left to do but be a pain in each other’s ass. They hate each other and they DESERVE EACH OTHER.

Sequel Bait:

- Before we get to the sequel bait, let me give you some prequel bait for a change. Here's a little "what if one of the many suitable matches for Herakles had been one of the Beilschmidt brothers" scenario. Plus free medieval history lesson:

- Now for the actual sequel: Three years come and go. Herakles and Sadık settle in their new rules as emperor and ... emperor's husband. (I don't know if Byzantine empresses were "put into office" in the same way the Emperor was. If someone is more knowledgeable about this than me, correct me).

- Their marriage is going swell, however both struggle in their new official roles. Herakles faces all the administrative problems and tough decisionmaking that comes with being a ruler, while Sadık struggles to be accepted by the people of Constantinople. Where Herakles tends to take care of the court, Sadık tries his hand at being a military leader.

- One morning, Sadık wakes up with Herakles in the room. Which should not be surprising, if it wasn't for the fact that Herakles had left the city yesterday. He's oddly nonchalant about it when Sadık asks him and also ... weirdly chipper? Eager? Kitschy in his flirting? He's at first flattered, but soon very confused by everything and wonders if either he hit his head real hard in his sleep or if Herakles fell off his horse when he tried to make it out of the city.

- Turns out none of it, because after some more eyelash fluttering, his "husband" goes POOF! and turns out to be Dilan, who's on the floor laughing. "You should have seen your stupid face! Really! Wait, I'll show you!"

- After Dilan is done shapeshifting into Sadık, absolutely overacting his reaction and argueing with him about it, they finally get to catch up. Turns out that Dilan was bored by travelling around the world and wanted to check in on her old buddy.

- She couldn't have chosen a more opportune time to do so. Once Herakles returns, he ... at first has a weird reunion with his husband. Sadık is kind of wary around him and starts to list his attitude and general personality traits/ticks as proof for ... something. Takes a while for Herakles to get the news that Dilan is back, too.

- Herakles is very relieved to hear that! He wanted to confide something in Sadık, because after he had returned to the city, someone had taken him aside. Natasa Simonides, an old and trusted courtly advisor, needed help. Recently, her husband Ibrahim disappeared and she's worried.

- Natasa also told Herakles a secret: Ibrahim is a Jinn, which is why his disappearance worries her even more. Herakles informs Sadık and asks Dilan if she knows anything, but she sadly hasn't heard anything either. - Before she can zip off and see if she can find Ibrahim, Herakles asks another favour of her - to educate Natasa's twins, Timothea Farah and Omar Veniam instead. Natasa thinks they may be able to find their father, but they don't know they're half-Jinn, so they'd need some guidance. Dilan happily agrees to be their teacher!

- My only more in-depth infos on Jinn and their children with humans comes from this Monstrum video by PBS Storied. I don't think Thea & Omar would need to be taught by anyone to be seers and how to be in communication with non-human spheres, but it makes for a better story.

- So Dilan is off to teach the kids while Sadık volunteers to go and search for Ibrahim. Herakles resumes his imperial role in the city.

- It's not really fun and as the people become more and more agitated with the status quo, more and more people "remember" that the old emperor is still around. Enough people are going "What's that kid knowing anyways?! All those highfangled ideas and useless reforms, for what?" that a select few decide to stage a coup by releasing Athanasios from the dungeons.

- Now, I still haven't decided if Salvatore also gets let out. The problem is that I really would begrudge him his freedom ... but I also begrudge Athanasios his freedom! It doesn't feel fair that one bastard gets to walk free and the other doesn't!

- Out in the field, Sadık isn't having much more luck. No Jinn in sight and the trouble he has with a few of the men that accompany him keeps him thinking about the acceptance problems again. He really wishes at one point that Herakles wasn't emperor at all. You can imagine how terrible he feels for these thoughts when news of the coup catches up to them. Be careful what you wish for and all that jazz. On top of that, he gets into trouble as well - betrayed by some of the men he had taken along. He gets stuck in some place like a cave or an abandoned house he was investigating ...

- Sadık finds a large sealed bottle and thinks 'Well, what's the worst that could happen?' He is greeted by a GIANT cloud of smoke instead of anything edible/drinkable. By the time the cloud is human-shaped, he already has a giant grin on his face. Sadık: "Hah! I have a sixth sense for this kind of stuff!" Jinn: "Greetings, mor-" Sadık: "Yeah, yeah, quick question, is your name Ibrahim? Or do you know one of your kind called Ibrahim who's been passing through recently?" Jinn: "My name is Ibrahim - " Sadık: "Great! You know a Greek lady called Natasa? I take that look as a yes. Okay, so first wish is to get us out of here, second wish we'll see, third is like freeing you from the whole servitude bit - You do the three wishes thing, right? Anyways, your wife and kids are wishing for dad to come home, so get us out of here, you'll get explanations on the way back."

- In the meantime, Dilan and her protégés, along with Natasa and Herakles, have been trying to figure out how to solve the problem at court. It doesn't help that the news of Sadık's troubles also reached them (I know the speed of spreading information may be historically hella inaccurate, but I need it for the drama). So Dilan is torn between helping her best bud and helping the rest at court. The Greeks cook up a plan and assure her that she should go and help Sadık, they've got this.

- The plan is to get Athanasios to do something incredibly stupid that would immediately turn the people against him. They exploit the fact that Athanasios likes to listen to words that fall from pretty lady's mouths. So Timothea flatters her eyelashes and promises to tell him something of a vision she had ... that the divine has something to tell him through her. (Don't worry for her, she may have to endure his fingers under her chin, which is infuriating and nauseous enough, but no more skin contact than this). Thea gets backed by her brother to lend it more credibility once Athanasios considers with his head and not his dick.

- And we can all appreciate that Dilan has been sent away, otherwise the scene would have been like this: Thea: "The spirits are talking to me about you ... " Dilan: "Mhm, mhm, indeed, I can hear them to. They're saying that you're a bitch!"

- Dilan in the meantime reaches Sadık, Ibrahim and those of his troop that haven't betrayed and abandoned him as soon as they heard of the coup. A little happy reunion before she immediately fills them in on what's happening.

- They come up with a plan themselves to finally get rid of Athanasios and the Simonides and Herakles have begun to sweat a little back home, because Athanasios mistake of listening to the twins' advice has bought them time, but not really solved the problem yet. Which is when Dilan and Ibrahim sweep in, concocting an illusion powerful enough to wrap up everyone in Constantinople and make Athanasios seem like the literal devil. Some mass-hallucination miracle bullshit, truly, to assert that he doesn't deserve the throne.

- Maybe for good measure, Athanasios disappears after the illusion is over. Dilan and Ibrahim have no idea where he went, they say with a smile.

- Another grand finale! The four lovers are reunited, Thea and Omar are overjoyed to have their dad back and he is overjoyed to have his kids back. When Dilan tells the Simonides twins that they did a great job, she's a good teacher after all haha!, Ibrahim and Natasa invite her to stay. Dilan says that they don't need her, surely, now that Ibrahim can teach them, but Ibrahim says he could use some help. Herakles also encourages her, saying that he'd love to have her at court - and Sadık also bullies her into staying. "What do you wanna do, see the world again? Didn't do much for your peanut brain the first time around, maybe hit the books together with Hera so that you'll be a passable teacher some day."

- Dilan and Omar also have evolved a crush on one another during this entire mess. That's what I'll leave you with - all well that ends well.

Also hey you! Thanks for reading all of this! Here's a little bonus content if you made it this far!

A wonderful fanart of Michele and Salvatore by my beloved friend C0FFINATED over on twitter!

Here's an amazing commission of the Greeks and Turks by @captkirkland ! I'm not sure if I'm allowed to repost the pictures myself on tumblr & you shoud reblog it from him anyways. Show him and his amazing art some love! From left to right it's Timothea, Herakles, Omar, then Dilan, Sadık and Havva (who's not featured in this AU, rip. Things would have worked to well with their brainpower).

Thanks for reading this! Hope you have a wonderful day!

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