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#wish rambling
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Not the Bridgerton season 3 trailer making me emotional. "Even a wallflower can bloom" hits different for us introverted girlies.
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trendingdrama · 9 months
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I'm kinda happy that see you in my 19th life ended with 12 episodes because i couldn't continue to watch them butcher more and more of the webtoon ... i mean webtoon story was good ( and we had so many cho won and doyun moments) and better story than the script the drama writers wrote ...
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snowberai · 2 months
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Merdusa (mermaid + Medusa) but her hair is ribbon eels
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AJ: AA is 50% Apollo trying too hard to sound cool in front of Klavier and 50% Klavier twirling his hair in reaction to it
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puppyeared · 8 months
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learned something about myself lately
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fox-guardian · 1 month
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i think my favorite part about the tma liveshow with the Dog Incident is the fact that it's canon. like the fluff episodes are cute and fun but they also aren't canon and weren't written to be considered potentially canon, they're just fun lil fan things. the liveshow tho is meant to be considered canon. which means that yes, jon did in fact canonically go "like, in general?" to being asked if he'd seen a dog (which let's be real that's a mood i would also do that if caught off guard)
but also essentially jon was like "okay so you work for me, cool, and i could Fire You If Don't Fix This Immediately" and martin literally Looked This Man In The Eyes and said "i mean yeah, probably heh :) oH-" with the gayest processing delay i've ever heard in my LIFE. i honestly don't think that was any of his little manipulations of getting people to underestimate him or whatever i really think he was just that gay about Handsome Man With Nice Voice Speaking Authoritatively At Him that it took him a minute to process. and that's CANON. that's REAL. he DID THAT. i can't get over that.
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noritaro · 1 year
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imagine if the femme camp queen pussy cunt cunt slay wolf and death wolf were related
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thebibliosphere · 10 months
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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lazylittledragon · 3 months
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do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great
i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually
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polyphonial-old · 1 year
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do u guys have a character/ship that you are the #1 enthusiast and understander of but you just. never post about them. like they are on your mind 24/7 rent-free but you just don't talk about them
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saltpepperbeard · 7 months
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crying, quite literally this time, so so hard over their reunion just being cloaked in so much hope and warmth. the idea that you think you’re a horrible person but someone still loves you and sees you to your core. the idea that you think you’re all alone but you never really are.
the idea that somewhere, somewhere, someone is right there for you. someone wants you to be around. someone loves you despite it all.
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as someone who has experienced abuse from someone with a personality disorder, it's actually incredibly easy to not dehumanize everyone with a personality disorder. i've seen people do borderline eugenic rhetoric surrounding people who have npd, aspd, bpd or other personality disorders, and then be like "I'M allowed to say these things because i'm a survivor, and if you disagree you are hurting abuse victims."
and frankly? i'm tired of it. as an abuse survivor i'm here to say that you're NOT allowed to turn into a fucking eugenicist the moment you're hurt by someone with a personality disorder.
does hurting and belittling other people who happen to have the same disorder as your abuser, people that are already suffering and that are already looked down on by society, bring you any healing? does it bring you peace?
Being hurt by someone isn't an excuse to hurt others that you feel justified in lashing out on. you're literally in control of your own actions,
you may claim to be making a safe space for abuse survivors, but i will never feel any solidarity with you, and i ESPECIALLY don't feel safe with you considering i might have a personality disorder.
you are excluding a large amount of abuse survivors in the name of "advocacy". a lot of people with personality disorders developed one or multiple due to heavy abuse. in the aim of creating a safe space, you are excluding the ones who need a safe space the most.
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trendingdrama · 10 months
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i got diabetes from today's ktl episode... this whole episode was so sweet i can't with them
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purplesound · 14 days
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I've been hit with undertale nostalgia still can't believe buff fish woman and feminine killer-robot had set my bisexual criteria for my crushes almost 10 years ago
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raphs-rhapsody · 7 months
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he immediately made scarab his own ao3 account afterwards.
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foldingfittedsheets · 13 days
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I got accidentally diagnosed as hyper mobile by one of my art teachers. I turned in a drawing of my hands in different poses and his feedback was “Watch out on your anatomy, fingers don’t bend that far.”
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