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#without having to write them
daisywords · 6 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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ryllen · 4 months
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"Don't u know what u're asking me with these?
'Abandon the sea, and stay on land'"
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"Are you sure you know~ what u're getting into, Trey-san?"
[x] [x] [x]
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officialspec · 6 months
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ill be honest as much as i love to criticise the use of fatphobia for comedy ill never be able to hold the fatphobic jokes in kung fu panda against it
like yea those movies are guilty of dipping into The Usual Tropes for a cheap laugh but not only is the character writing for the fat characters the strongest and most sympathetic ive Ever seen literally just the character designs of the pandas in the 3rd movie get me choked up sometimes. theyre all so appealing and clearly treated with the same care and attention as everyone else without copping out and making them Barely Fat. po is already a size that doesnt exist in film protags and hes still the thinnest person in that whole village and that meant a lot to me
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basilpaste · 29 days
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"It wouldn't feel right to... do this without giving us both some time, I think."
〔Sif looks away from you.〕
"But!" You stumble over the word, "Um! Later doesn't mean never!!"
〔You clumsily reach for one of your earrings and take it off. Even when you sleep, you wear studs. It feels kind of strange to go without!〕
〔You're not sure why you picked up the chain in the House. But... it gives you the chance to do this.〕
〔You hook it through one of the chain links and carefully slip on the back.〕
"So... until we're both ready. Until we know for sure! How about a promise?"
"A promise?" Sif echoes.
〔With all the caution in the world, you slip the chain around Sif's neck. They don't flinch. And... neither do you.〕
"A promise to come back to it eventually. We have time."
〔You do have time! Real, moving, twisting time! To think about things!!〕
〔Sif clutches the earring around his neck and smiles shakily.〕
"A promise."
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plush-rabbit · 3 months
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Adam Dating Headcanons
I love him sm and I hate that it's him!! Why couldn't be like Lucifer or something!!
Angel:
With his status as the “First Man”, Adam can get away with most things. In doing so, he has you with him at all times. Takes you everywhere like a pampered pet. If someone comments about you, he’s hyping you up. He’s telling everyone how you’re just so hot, and you give the best kisses, and how you tempt him constantly. You’re all that he can talk about. It’s him bragging about how great you are, and of course, you're great. He deserves all the finer things that angelhood has to offer. You’re an added bonus. Someone so cute and hot. 
He’s crass with everyone, and you are no exception to this. He’ll throw our swears, and phrases that are demeaning. He’ll use awful pet names that have your ears burning, and s scowl twisting at your lips. A part of you believes that he only continues to call you such things to see your reaction. His crude nature is public for all to see and bear witness to. He has no issue telling others the filthiest things that you two have done, and where you’ve done them. He only slows down when you swat at him, your face burning and hidden into his arm, pulling at the cloth for him to stop. His grin is sharp, and for the few times in his life, he takes pity, and he gives you mercy, letting the words come to a sudden halt, about how only he should be privy to just how perverse you can be. 
There are times where he’s just a jerk. Flat out mean, and cruel towards others and towards you.. It never lasts long, it’s more like it’s just second nature to him to know that he’s above everyone else, so he doesn’t have to play nice with others. He’ll snarl and when an angel clings to his robes with stars in their eyes about meeting him, all he can think about is how he has to be somewhere that isn’t there and they’re dirtying his robes. You’ve been on the receiving end a few times, and everytime you give him a certain look. He isn’t one to say sorry without being nudged into it, but he’ll lift his shoulders as if to hide himself, and he’ll mumble something close to an apology, and when you look away from him, he’ll hold your hand. He didn’t mean to snap at you- he thought you were someone else, and you know how it is. When you do take it personal, he still won’t tell you a proper apology, but he will wrap his arms around you and his mask will nudge itself along the crook of your neck, soft words spoken that won’t be heard for a long while.
It’s rumored around Heaven about the past wives of Adam- how they both fell for Lucifer, how they were Adam’s but they left him. He complains about it, grumbling under his breath about the fallen angel, about Lilith and Eve, and there’s this underlining of hurt in his voice. Everytime that you see him without his robe, he almost always has his side turned away from you, a hand curving just under his chest. And maybe because of the betrayal, he’s so attached to you. He wants you around him. He needs you around him. Far more than he would ever like to admit, he can’t- and he hates to even give it thought- he doesn't think he could stand another betrayal like that. So he’s attached to the hip with you. He’ll call you constantly, he’ll want to go everywhere with you. He just wants to be near you. 
While he may have his moments where he’ll whisper honeyed words to you, or give you bouquets of flowers, Adam expresses himself through touch. When the two of you go out, he’ll hold your hand, and if he can get away with it, he’ll tuck his hand over your bum. He’ll put his arm over your shoulders, letting his fingers graze over your chest, and keep you tucked underneath him. His wings are massive, soft to the touch and blinding in the sun, shimmering with gold and snowy white feathers, and while they can be heavy to hold them against his back, he’ll curve them around you, pulling you close to him when others cannot see. You’re protected underneath the gold, and he adores how you always reach out to touch them, to smooth at any stray feathers that bristle when he surrounds you. He needs to be touching you- he has to. In private, he’ll hold your hand and trace over yours with his claws. He’s never been so gentle with someone, he’s pulled apart sinners and covered himself in blood and gore, he’s vile and cruel, but he holds your hand so tenderly, and for a moment, he’s forgotten he’s Adam, First Man, and at that moment, he’s a man, holding an angel’s hand in his calloused claws.
Sinner:
Adam likes to joke that Extermination Day is the best thing to ever happen to you since it’s what allowed you to meet him. Plus, the added bonus is that now you’re protected and you won’t die. Probably. If you listen to what he says. But even then, he always makes sure to keep an eye out for you- hunting near your hiding spot, shooing away any of the other exterminators. It’s a win all around, really. At first, he’d have the two of you meet at the Heaven Embassy in Hell. However, it proved to be suspicious when other angels would question and even his own lies were starting to fall apart. He could always tell them he needed a break from all the singing and pure-hearted delight in Heaven, but he knows that he would have others follow him, peeking into something personal. So, he’s commissioned a new mask, and he’ll ditch his holy robes for something more Hell-esque to visit you.
You’re aware of his feelings towards demon folk, and walking hand-in-hand with him in the very place where he creates destruction, makes you feel like a traitor. You can tell that he's disgusted by everything- the gore and deaths, the rotten stench of meat coming from the Cannibal District. The rottenness of Hell has acid burning his tongue, but when you pull him towards a vendor on the street, he can hold his tongue. He gets to see you, and that’s enough for him. He holds no power in Hell. He could, and while he’s sure he could handle a few of the Hellborn and Sinners, you would be at risk. So any amount of disrespect has him biting his tongue and keeping you close to him. It’s infuriating to know he has to spend his time locked in your apartment, eating takeout- or on the lucky occasion your home cooked meals- and hiding away with you. He wants to show you off. He wants to be showed off. But, you sit beside him, and tap against his horns with an impish smile as you hold a forkful of food near his lips. 
He may never admit it, but he likes staying indoors with you. For those few hours, where you cook and you nap together, and you kiss him earnestly and with want, he can slip into the illusion that this is his norm. It’s vanilla- so much so that if it were any other time or place, he’d be sick. But, with you by his side, complimenting his mask, the tips of your claws curving over the horns and tracing the outline of his mask, he’ll take it. He’ll tease and snap at you, asking you to beg for him to remove his mask, telling you to ask nicely, and when you coo and press yourself against him, he’s grateful that the mask is still on. Not much can make the First Man flush, but when you act so sweetly, lips pulled into a smile with fangs on display, he thinks it’s one of the better sights that he’s seen in a long while. If he’s in a pleasing mood, he’ll rid himself of the oversized robe, and let his wings expand. He watches your expression- the awe and wonder that they hold, the gasps when you touch his feathers. He’ll stare and memorize the shape of your eyes, and the curve of your lips, as you familiarize yourself with his wings. In those few hours when he’s with you, it’s domestic, and it’s nice. 
When he visits Hell, he never stays for long. It’s visits that last for a few hours, but they never stretch into the night, and when it’s time for Sinners and alike to rise, he’s gone, not a single trace of him left behind. The dishes are put away, his part of the bed tucked in and flatten, it’s as if you dreamed a perverse dream where an angel took interest in a demon. You’ve asked him what excuses he gives to the others, never telling him that you wish he would stay for longer. He tells you that he’s told others he’s doing paperwork, or that he’s going to some orgy party and no one should bother him. When you laugh at that, he stares at you, eyes wide and heart- or whatever it is that he has- skipping a beat. You sleep in your bed, and he pulls you close to him, his eyes on the wall, as you make yourself comfortable on top of the Exterminator. He tells himself that he could miss a day- skip work and spend the day with you here, where the two of you could entangle yourselves with one another, but when brushes over your skin, and he hears the demons talk between the thinned walls of your apartment, he pulls away, and rests his lips over your temple. Leaving you behind in Hell never gets easier, and the more he erases that he existed in your home, the more he hopes that you’ll cry and miss him, and want him.
Unsurprisingly, he’s mean. Perhaps it’s his own personal feelings that he’s had with demon folk for the past number of  millenniums, and how in comparison to that, he’s only just met you, that he still has animosity towards demons. Unfortunately, it doesn’t stop with you. He can be cruel, referring to you as a Sinner, and sneering at you, and when you flinch, hurt evident in the way that you back away from him and pull your limbs close to yourself, that he groans. He hadn’t meant it. Not like that- at least not towards you. You have to understand, some demons, some of those sinners, well- and his explanations are always cut short when you scowl at him. He hadn’t meant to be mean to you, he promises. He’ll envelop you in his arms, and pout, asking you to not take it so personally. He’s tense, and he waits with bated breath, and he visibly relaxes when you wrap your arms around him. Adam had never thought himself to care about what a demon may think of him, but in those moments where you sit still and he’s unsure if you’d forgive him or not, his mind is racing. He can’t- It can’t even comprehend what it would feel like to be rejected by you. 
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siriusly-the-best-bi · 9 months
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wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.
Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.
Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.
This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.
Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.
Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.
When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.
this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.
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pizzaqueen · 4 months
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A snippet from a future fic I'll probably never write, where Steve is a widower with two teenage kids, and he and Eddie randomly meet up, rekindling their old flame. This is when they've been together a while:
“Thank you,” Steve says, coming up behind Eddie at the bathroom sink.
Eddie pauses, catching Steve's eye in the mirror. “What for?” he asks, mouth foamy with toothpaste.
Steve slips his hands along Eddie's hips, hooks his chin over Eddie's shoulder. “For loving my kids.”
“You don't—” Toothpaste dribbles down Eddie's chin and he stoops to spit what's left in his mouth into the sink, gathering his hair to one side. He rinses his mouth out, wipes his face with a towel, then turns to Steve. “You don't have to thank me for that. Of course I love them.”
“Not everyone I've dated has.”
“They're idiots.” Eddie grabs the hem of Steve's shirt, pulling him close. “I mean, first of all, they're part of you, and I don't think I could love you and not love them. But...” He trails off, a small smile tilting his lips. “They're amazing kids.”
Pride swells in Steve's chest; he slides his arms around Eddie's waist and says, “They are.”
“And I'm pretty damn honored I get to be part of their lives,” Eddie says, “so thank you,” and he butts his head gently against Steve's.
Steve huffs and slides his hands up Eddie's back, pulling him into a tight embrace. “I love you.” He presses a kiss to Eddie's neck.
“I love you too.”
“And they both love you as well.”
Eddie lets out a shuddering breath. Steve knows how nervous Eddie was, when they started dating, that he wouldn't be welcomed, but it's almost like he's always been part of their family now. “Good to know,"”Eddie says.
Steve holds Eddie a little tighter. All those years ago, back in Hawkins, when they ended things, Steve thought he'd never see Eddie again. But here they are, together—a family—and Steve's never letting him go this time.
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poorly-drawn-mdzs · 4 months
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Call that a Cave Story.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#mianmian#wei wuxian#jiang cheng#I had to cut the comic with JC 'holding WWX back from fighting the Wen Assholes' but it is with me in spirit.#It reads (to me) a little bit like JC is scared of Core Melting Hand and wants to have an excuse to hold on to WWX for comfort.#As far as I can recall they are around 15-17 in this arc.#And a guy who can rip out your golden core? The thing we know JC truly puts so much weight upon that he feels meaningless without it?#Yeah that's pretty terrifying. I hope WWX hugs back (he will not)#I have a lot more thoughts on Wang Lingjiao and Mianmian but I will keep them for later.#WLJ is a character I feel got done a little dirty because she has a ton of interesting potential that gets pushed aside for Mean Villainess#Let's be fully honest. Wen Chao and Wang Lingjiao are *THE* characters the Protag of one of those 'Reincarnated as the villain!' stories#Set up to be assholes to the main character and meeting a horrible end in retribution.#Do you think MXTX thought about that? How Wen Chao is basically the original Shen QiugQiu?#Who's going to be the brave soul who writes A transmigrator in wen chao's body (accidently makes wwx fall in love with him) story?#Though If we are going with “any mxtx character sho dies transmigrates to another book” WHO is the transmigrator?#Hear me out. I think it should be Original Liu Qingge. I think he and wwx would make a funny duo and I want to see it so bad.#AND the contrast of womanizer Wen Chao VS 'What is a woman' LQG.
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somnimagus · 7 months
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-blonde horror protagonist's abrupt and incorrect assumptions about blonde people
[id in alt]
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ganondoodle · 5 months
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Sonia redesign + Zelda (ancient)
she is the one to seal ganondorf in an intentionally cruel way to take revenge for him killing rauru
she also had a daughter from a previous marriage that she named Zelda after an ancient legend from long forgotten times; while she technically had both time and light powers, she could only take ahold of one (struggeling to grasp a certain power you are pressured to awaken reference ;) ) which is time, it was not the one she was supposed to manifest as her status was always associated with light, in her younger years she was often looked down upon but despite that later proved to be a capable leader
shortly after her first marriage was ended rauru and the rest of the remaining sonau (engl zonai) came from the underground to warn the folks living on the surface from a great evil that was told about in ancient texts they had found while mining desperately for the stones they had grown reliant on for survival
this warning later evolves into the plan to seal ganondorf away before he could even become a threat, through all those discussion and planning sonia and rauru grew closer and eventually married; the plan was to be executed in secret to give ganondorf no time to even consider to reveal what demon they believed he really was, but the secret got out and ganondorf enacted a counterattack in the form of stealing one of the enigma stones in order to put pressure on the hyrulian kingdom, but he gets betrayed by the gerudo that will be their sage in the last confrontation, however in the time that the gerudo sage takes to warn sonia and mobilize to save rauru ganondorf has already confronted him and though he did not plan to kill him he does so, more on accident really, as rauru did not listen to a single word he said but instead acted erratic like a helpless man trapped in a cage with a hungry bear, essentially starting a fight of life and death
when sonia arrives at the scene it is already to late; thanks to the enigma stone ganondorf can escape her grief-striken rage but sonia is out for revenge and sees him killing rauru as proof of the warnings of old, she wages war and at the end seals ganondorf in a cruel cage between life and death, even at the cost of her own life
her daughter, having witnessed it all, grows up bitter and determined to make hyrule a kingdom that will never fall again
(totk rewritten project)
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dykecubes · 4 months
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Tazercraft mental link but make it a lil bit weird, they’ll have a conversation mostly in their heads but partially out loud which from an outside perspective is just fragments of words and half sentences, they go dead silent for hours at a time only for them to suddenly start shouting out loud, very clearly mid-argument, Pac says something but it comes out of Mike’s mouth, Mike starts speaking with his mouth and finishes speaking with Pac’s, sometimes their thoughts become so tangled that they’re unsure who a thought belongs to so they both express it at the same time like horror movie twins, do you see my vision
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rawliverandgoronspice · 5 months
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I think what particularly annoys me with the "zelda was always gameplay before story" is that... it's not true? At least I don't think it's true in the way people mean it.
Zelda games were always kind of integrating story based on the standards of the time. When game stories were in game pamphlets, Zelda's stories was in the pamphlets. ALTTP tried to tell a pretty complicated stories with the limitations of the time. OoT was actively trying to tell an epic, cinematic tale packed with ambiance and expand what 3D could offer that 2D games struggled with. Majora's Mask is deeply character-driven in many, many ways. Wind Waker and Twilight Princess are both pretty concerned about their stories, down to the point that some people were bored by TP's cutscenes in particular. Skyward Sword, from what little I have played it, is very very invested in its characters and their journey (and 2D Zeldas have Link's Awakening, Minish Cap... None of them are visual novels, but they are concerned with emotional journeys, character arcs, mysteries about their own world...)
What is true is that the narrative wraps around the mechanics, and not the other way around. The mechanics drive themes, aesthetics, emotional beats and character journeys; and that's great. The world is a puzzle, and the world is delightfully absurd when it needs to be, full of heart when it calls for it, dark and oppressive when it suits the player experience.
That does not mean the games aren't invested in their stories. Even BotW has a pretty complicated story to tell about an entire world rather than one specific tale or legend --all of it at the service of the gameplay, which is exploration and mastery of your environment.
So. Yes, none of the Zelda games are million-words long visual novels that care deeply about consistency and nuance; but stories don't need consistency or deep lore to be meaningful and serve an emotional journey. Again: gameplay is story. The two cannot be so easily parsed from each other.
And Zelda as a franchise obviously care deeply about story, characters and setting (and still does right now --otherwise there wouldn't be a movie), even if it doesn't try to imitate prestige narrative-driven games, which is great and part of why I love this series so much. Doesn't mean it couldn't have done better in the past, it obviously could have, but I feel like pretending that nobody ever cared about story or character is just... false? It's a huge disservice to the devs too. Some of them obviously cared immensely.
The "gameplay above story", at least in the extent to which it is paraded today to defend TotK, mostly, is a really recent development. And I think it's one that deserves to receive some pushback.
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kelocitta · 7 months
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In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-
Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.
To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)
And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.
Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.
The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.
They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri
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starrystevie · 1 year
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i love the idea of eddie working jobs that no one expects him to. eddie as a baker, hasn't slept at all between finishing his concert and needing to get to work, so he's surviving off coffee alone because he has to start on the muffins. eddie as a barista, hair pulled back into a tight ponytail as he smiles with fake politeness at overworked jerks complaining about the price of soy milk. eddie as a grocery store bagger, taking the time to put all the similar foods into the same bags to make it easier for the shopper to unload at home and his rings turn ice cold from holding onto a carton of ice cream for too long.
eddie as a daycare greeter, throwing kids over his shoulder to march them into their classrooms with a warrior's roar as they squeal and pound at his back with grubby fists. eddie as a valet at a fine dining restaurant, opening doors with an outstretched hand to assist guests and then peeling away in a too nice car once the driver was out of earshot. eddie as a florist, wrapping smiley face bandaids around his fingers that were pricked by one too many thorns before setting out a curbside vase with free flowers for tourists to grab.
and you know what else i love? steve falling for him in every possible universe. he's first in line to get the blueberry muffins that he's grown to crave every wednesday morning, and it absolutely has nothing to do with the man at the register. he's at the end of the mid-morning rush to get his coffee and blushes when he sees the barista give him a real smile instead of the fake ones he throws around. he stays long after his bags are tucked neatly in his shopping cart so he can invite the guy who went the extra mile to pack his things nicely to his house for dinner because they both know he bought enough for two.
he's the single dad who's a little rundown but sees a future in mr. eddie as he holds his crying kid to his chest and sings something to get her smiling again. he's the guy standing off to the side in the parking lot laughing because the hot valet doesn't know how to drive stick and he has to yell instructions to him for how to put it in gear so he won't get fired. he's the new to town fireman that's looking for a fresh start who takes a flower from the free vase every day only to bring it inside and give it to the guy who's prettier than all the other flowers combined.
the idea that they can find each other time and time and again and the love story feels right. the idea that they can be two strangers or best friends or enemies or teammates and let whatever blossom between them until they're madly in love. the idea that eddie is eddie and steve is steve and that they are a match no matter the circumstances.
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add1ctedt0you · 5 months
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Really funny chengxian fics tags lol
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lennsart · 3 months
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Most of the wips I write these days can be summarized by "Legend gets hurt in fucked-up ways, and then he gets hugs" :)
(I'm fine shhh)
But I had this sitting in my drafts, and it's like the comfort part to a hurt/comfort, except I didn't like the hurt part, so posting this probably doesn't make sense, but.. I just wanted the boys to hug
Context + snippet under the cut !
Basically, Legend has been abducted for ransom (I think it was inspired by a whumptober prompt) and he didn't have a stellar time there. The rest of the chain rescues him, but they're worried he'll wake up confused at night, so they decide to watch over him. And they're supposed to take turn, but they all kinda end up sleeping next to him :)
Have this little Four POV that I quite like and feels like it can be posted without context :
Four expected to see two people in the room. One awake, that he would be about to replace, and the other asleep, that he would watch.
He hadn't expected three sleeping dudes.
He had to pause and go back to the hallway to laugh, muffling his chuckles in his sleeve. Of course Sky would have wanted to hug Legend and would have fallen asleep. Of course Hyrule would have let them, and promptly fallen asleep as well.
When he came back in and carefully closed behind him, he noticed with fondness that Legend, at least, looked perfectly content. He was sleeping on his back, Sky hugging his right arm, and he held Hyrule's hand with his left.
The traveler was mostly on the ground, head and arms on the mattress. Four winced ; that couldn't be comfortable.
Alright, he gave up (as if he hadn't as soon as he noticed them). He'd watch them three sleep, if only to gush about how cute they were tomorrow.
(He hoped Wind would bring his pictobox for his turn of watch in the morning.)
He got on Hyrule's side, and gently nudged him. This one hummed sleepily.
" - Shh, don't wake them up. " Four whispered. " Hop in.
- What...? " the traveler asked in confusion.
Four bit back a laugh at how asleep he sounded.
" - Get in the bed. " he ordered.
Hyrule may not really understand what was happening, but he didn't need to be told twice. He climbed in, wincing when he moved his legs, and abandoned Legend's hand to hug his waist, resting his head on his stomach.
The veteran softly hummed, but didn't fully wake up.
Four sat on one of the scarce empty spots of the bed, giggling to himself. He was happy that this watch had taken such a sweet turn ; he had expected to get lost in his own mind, trying to understand how they could have let one member of their group go through that. 
...
Instead, he had three sleepyheads cuddling, and he would trade for nothing in the world.
The last free spot on the mattress, above Hyrule and next to Lege, was probably too small for someone to sleep there.
...Well. He was small too, and mostly slept curled up anyway.
But, no ! He had decided he'd stay awake. No matter how comfortable those three looked, no matter how much he'd like to hug the vet, too, he would fulfill his mission.
Legend's hand opened and closed in his sleep, and he extended it further. Four blinked, and reached with his left hand. 
In a second, he was trapped, Legend satisfied with the hand he found and holding tight onto it.
...
Alright, that wouldn't be comfortable to stay sitting in this condition. Plus Legend looked like he wanted the smith to stay, and his goal had always been to watch for him, right ?
He curled up in the little free spot, his hand still in Legend’s, and definitely did not fall asleep in a matter of minutes.
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