#(because that's a thing I discovered exists) | Explore Tumblr Posts and Blogs

artytaeh · 1 day

Text

⋯ ⋯ ﹒ 🪻 ’

can i disagree with some of this fandom's perception of tom riddle? surely he won't be a sweetheart like lorenzo, but...

┊ i also don't think that he'd be so intentionally rude, so cold towards his significant other. i honestly think that if tom ever becomes infatuated with someone, he would take pride into getting this someone to belong to him. willingly! 🌷

౨ৎ i guess i'll never know the reason why you ♡ ͡

love me like you do; that's the wonder of you . . .

... tom riddle is a smart man, you see. love, romantic feelings, to act like a couple and all of those things— these might be the most confused that tom riddle will ever be, because otherwise, he's an extremely competent, capable young man.

tom riddle does get confused, a little lost on what to do; he'd torture himself by discreetly watching couples at hogwarts interacting, maybe make some research (= read novels. romantic novels. it was a discovery of a new medieval torture for tom, seriously, to waste his precious time reading some sappy crap like that.) to better understand how to handle you.

how to deal with you.

how to cherish you, so that you don't ever entertain the idea of leaving him. you see, tom is a practical man— he'd rather not commit mistakes, because to fail, means to spend extra time fixing his error and doing the same thing twice, so that this time, it's done correctly.

applying this ideology to you, it means: that 1) tom riddle prefers to always keep your heart happy, so that you don't have doubts about him; so that 2) he won't have to take twice the effort to conquer the city of your heart again.

some think that tom wouldn't like petnames. to be fair, tom would frown at many of those, at first— thinking that they were cringe, disgusting or a psychological way to acquire diabetes. however, when tom gets used to this stir on his heart, those loud heart beatings that cloud his rational thoughts...

... it's excused to say that tom's preferred petname to call you by, is 'my love'.

tom reasons that's because it isn't a lie at all. well, you're certainly his— and because of you, because of your existence, of this enchanting aura of yours; that's how tom riddle discovered love. there are few things that tom is attached to. even fewer that he shows to care about, to have affectionate feelings for; one of them is the basilisk. others are his favorite books, all of them first editions that were troublesome, but endlessly worth it, to get. nevertheless, at the peak of the pyramid, there's you.

you. oh, how your name sounds so angelic, so right, so perfect on his lips. sometimes, tom doesn't call you by any petnames, so that he can mouth each syllable of your name, tasting the acquaintance of the name of his darling on his lips.

⋯ ⋯ ﹒ 🪻 ’

he might call you by other petnames, depending on the occasions:

darling; which, in his opinion, is fairly one of the best petnames to be shared between a couple. because you, reader, are endearing to his eyes— a darling, really, whose presence immediately softens (ever so slightly, because tom riddle still is tom riddle himself, and that mask of stoicism of his won't be broken without putting up a fight.) those previously icy, cold eyes of his.

dearest; if tom is trying to reason with you. unlike what many think, tom would take a deep breath, put on that handsome smile of his, and use a gentle tone to convince some words inside that pretty little head of yours. 'dearest', he calls for you— so gentle, so full of affection; as if reminding you that you are the object of all of his affections and desires. you, his dearest, the one he adores the most. the reminder of such a fact easily melts you in less than a few seconds, which tom sees as too perfect of an opportunity to lose to convince you much faster.

doll; if you look rather ravishing to his eyes, whenever you dress up even prettier than other school days, and wear such pretty clothes and many accessories to further optimize your beauty. beautiful, perfect, flawless; like a doll. a carefully made doll. a doll, that sits there quiet and all pretty, obedient, doing as she's told.

( i must warn you, though, that tom won't entertain silly nicknames from you. tom riddle will ignore you, march forward without sparing a glance at you, not even acknowledging your presence should you insist on the matter. tom won't answer you, should you refer to him by such hideous petnames. you could be about to fall from a mountain, and yet tom won't help you until you address him properly. baby? he's not a child, for salazar's sake! pookie bear? now that might make tom riddle himself throw you off from the mountain's edge— call him such a monstrosity like that, and tom will lose every drop of faith on you. you're a lost cause. )

if he had to choose; yes, tom would prefer if you were obedient. contrary to popular belief, tom riddle is quite fascinated with sweet personas. to have a sweet significant other, who's all smiles and considerate words— it's so, so much easier for tom.

between a brat that trashes around for his attention, and a sweet girl who gently tries to indulge (purely out of concern, wanting him to share his problems with her!)— tom would rather choose the latter.

⋯ ⋯ ﹒ 🪻 ’

quite the darling you are. to boldly take tom's hands between your own, with that frown of yours. no, you're not being whiny; yet tom can see that there's consideration, there's time spent on that little brain of yours, that tries to find the right words to speak with him.

then, when you voice your concerns— that tom spends some time alone from time to time, seemingly hiding something from you, as if to shoulder all of those burdens all by himself...

tom takes a deep breath, swallowing his temper. trying to keep his composure, because tom hates having to justify his actions. with a smile, tom puts on a facade, with a too much convincing tone: "oh, dearest, no. i'm flattered that you noticed that i haven't been having the best days; however, your presence makes everything better. in fact, being with you now, makes all of my problems seem insignificant in comparison."

should his sweet words not be enough to keep your nose out of his business, then tom takes a step further. holding your hands, tom squeezes them between his fingers, gently at first, tightly when you're too stubborn: "my problems are mine to solve, my love. i would never put such a heavy burden on you; your smile is too precious for me to ruin."

sweet, sweet words; some that tom mentally grimaces at, but knows that are necessary and effective with you. talking as if he's doing you a favor on keeping you away from his PERSONAL thoughts and goals.

and that's how tom pushes you way. gently, smoothly— so that you'd have to rethink this moment over and over, for you to understand that once again, tom riddle has tricked you; tricked you into doing what he wants. because without a fight, without you daring to bother him further... tom riddle made you go back to your own business, and leave his alone.

⋯ ⋯ ﹒ 🪻 ’

however, when tom is in a better mood and less stressed with his own goals, he'd find it funny, entertaining even, if his darling tried to be bossy. to pout, to want some sort of control. it's hilarious for him.

so, he indulges you. well, sort of— tom tricks you into thinking that he gave in to your commands. to your whims. in a sneaky way, tom makes you think that you're in control!

the one who's in charge is you. yes, darling, of course. he pats your head, gives you that charming smile of his. with such a serene expression, tom briefly raises his eyebrows, mocking you inside that devious mind of his, as he says: you are absolutely right, dearest.

tom riddle doesn't really mind that you aren't consciously aware that the one in charge is him. that's fine; no, seriously, go and brag about it!

because ultimately, tom knows that what he says, goes. that with some sweet words of his, a little touch here and there, that you'll soon see the reason and comply to whatever tom wishes you to say, to do, to behave.

he does is so smoothly, that even for the outsiders, well... it'd be hard to realize that all that tom riddle is doing to you, is nothing but manipulation. and you're oh so easy to manipulate— it was a challenge at first. now, it's more of a chore; tom barely blinks through it. he knows you so well.

however, so that you whining and getting used to think that you're having things done your way, tom throws some praises and compliments here and there.

touching you chin, gently brushing his thumb on your lower lip; tom's gaze intentionally softens, as he praises: 'you're just too good to be true, my love.', whenever you act accordingly. when you do as he says.

brushing a strand of yours away from your face, so that he can further admire the physical features of his beloved: 'i sincerely can't take my eyes of you, darling, when you are so good for me like this. pardon the way that i stare— you're too beautiful.'

and with even more sincerity, tom riddle isn't sure where his manipulation ends and his genuine care for you starts; tom isn't sure, whether his words are now a muscle memory of his, or if he truly means them.

but he never allows himself to discover the roots of this thought. to actually find out if he truly is such an emotionally shallow person, or if his weakness for his darling is deeper than he realizes. no— this is one of the few matters, in which tom would rather remain ignorant about.

⋯ ⋯ ﹒ 🪻 ’

because tom is such a gentleman with you...

opening doors for you. walking two, three steps ahead of you as soon as the entrance is upon sight, tom will open the door for you; his arm keeps it open for you to enter or leave the room first, and so those grayish-green eyes of his watch you, as you pass by. then, tom will enter just behind you, following your lead, quickening his steps to go back to his rightful place by your side. he lies to himself, saying that he only does such a small gesture to effortlessly keep you by his side. tom would be telling the truth, if he doesn't interrupt the thought that he enjoys to escort you— because, deep down, tom genuinely appreciates your company. every step, every minute you spend together. 'here, love. please, continue; what did you tell your housemate, then?'

tom riddle refuses to let you carry heavy books. so, as if it was muscle memory and so smoothly that you can't do anything about it, tom will carry your books along with his, as soon as you leave the classroom. it's not that he finds you useless, incapable; rather, tom riddle perceives you as a... preciously delicate, fragile little thing. most of the times, tom does it so nonchalantly that you don't even notice; you're too distracted by your conversation, to notice how tom carries your stuff, busying his arms. however, should you notice or worry that you're being a burden to tom in any way; tom shakes his head at you, waving off this silly insecurity of yours: 'i know you can carry them, beloved. however, allow me to do it for you. i am your boyfriend, am i not?'

offering his hand for you to take, whenever there's a higher step to be climbed up, or tricky stairs on your way. tom will do it too, to give you some kind of support, should you jump off of a particular high edge. whenever you wear high heels, tom would be specially careful with you— he offers his arm or hand for you to take, walking in a much slower pace than usual, so that you won't overexert your feet. we can't have his darling getting hurt, now can we? no bruises, no pain, no redness on your skin undesired by him, nothing to interrupt the lovely time you're spending together. 'take my hand, my love; it's quite high for you. that's it, darling, good girl.'

whenever you're about to sit, tom grabs the back of your chair, pushing the seat backwards for you to take, then helps you settle closer to the table. only then, will tom take his own seat in front of you. it's something that becomes so, so common between both of you, that sometimes you find yourself taking a few more seconds to sit down, whenever you hang out with your friends; unconsciously, you'd wait for tom to gently guide you to your seat. oh, you're spoiled.

leaning down to get the material you accidentally knocked out; if he's not quick enough to notice, then tom will keep his hand on the edge of the table, so that there's no chance for you to hit your head. 'quite the klutz, aren't you, darling?' — with a lighthearted tone, so that he doesn't come by as mean, tom couldn't help but to tease you just this time, — 'next time, let me get it for you, dearest. now, careful with your head.'

⋯ ⋯ ﹒ 🪻 ’

... and because he's always so soft-spoken with you, well, how could you listen to your friends, in case they notice that maybe tom riddle isn't as a good guy as he lets on? that perhaps, he is a little controlling. that maybe, he's too overprotective of you.

→ and of course, being the fool you are, you stroll to the lion's cage (or should we call it snake?) and deliver all of this information on a silver platter for him.

SAT SIDEWAYS ON HIS LAP, tom settles your thighs to rest on top of his, while a hand is respectfully kept there; caressing the smooth skin, rubbing circles on the bare skin of your thigh, just inches underneath the hem of your skirt.

tom riddle keeps up a serene expression, sometimes humming in acknowledgement, to show you that he's listening to this ramble of yours. if it's a topic that seems to have bothered or upsets you, then tom will keep another hand on your lower back; he soothes you with small movements of his fingers.

oh, how funny. so this ravenclaw friend of yours, told you that it isn't normal for tom, your boyfriend, to comment whether you roll up your skirt during summer? that such a thing is being controlling? now that's something tom will have to deal with. perhaps, he'll only have to frame this irritating ravenclaw girl; have you ever thought that maybe, she's interested in tom? that must be why the ravenclaw is filling your pretty little brain with such absurd exaggerations of his doings. how lucky you are, to have an attentive boyfriend that easily notices when a friend of yours has bad intentions.

( for obvious reasons, tom despises amortentia. he finds it disgusting, but more than that, tom riddle perceives amortentia has a rather pathetic tool to get someone's affection. tom will never use it on you— he doesn't need to! however, he will get his hands on one, to use it on that nosy, insufferable ravenclaw friend of yours. only to prove his point. so that this nosy girl acts disgustingly flirty around tom, so that you'll come running back into his arms, crying about such an awful friend and that once again, tom was right. you apologize to him, for doubting his assumptions. you end this friendship and cut ties with the ravenclaw girl. and tom, well, tom riddle has once again rid both of you from troublesome outsiders. )

ah, now this is entertaining! so these friends of yours, housemates, have noticed that tom has been keeping an eye on you. now, dearest, that's rather silly, don't you think? so what if you seem to find the same familiar faces in the same space as you? do you really believe your friends' theories? that he sends his followers ''friends'' to follow you around the school? darling, hogwarts is quite enormous and spacious, yet all of you study together in the same castle. it's inevitable, to see familiar faces, here and there.

( however, tom will blame his followers. how difficult can it be, to follow, to stalk a girl like you? and to go unnoticed as they do that? sincerely, tom stares at them with such disgust, such disappointment, that his followers tremble under his gaze— the future dark lord even mentions the idea of getting rid of them. of throwing them away. after all, why would he need such useless, such incompetent boys like them, if they can't follow simple orders correctly? it's excused to say, that you'd never suspect being stalked again. 1) because tom reassured you that such a thought is rather silly; and 2), because these followers of tom riddle do a much better job. out of fear. )

oh, darling, what silly friends you have! sincerely, it seems like you only attract observant delusional friends, or attentive paranoid companies!

in the end, it doesn't matter if your friends tried to alert you about tom's toxic concerning flaws traits. because in the end, at night, he will have you nuzzling on his lap, holding you so tenderly; all of these warnings disappear into thin air, when tom makes you laugh at such accurate ridiculous accusations.

in conclusion: no, tom riddle would never be rude or snap at you; not if he can help it, not if he can keep his temper in check. he believes that the best way to keep you so effortlessly devoted and infatuated, to keep you willingly by his side, is to treat you with care (even if sometimes he has to manipulate his way into it). how lucky you are, to have such a obsessive caring boyfriend!

🪻 ; . . . fandom : harry potter.

— i'm endlessly faithful to theodore nott. however. the first to kick the entrance door to my heart was tom riddle. and what a man (i can't fix him. i would let him ruin my life him tho!), ladies and gentlemen.

the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷

#tom riddle #tom riddle x reader #tom riddle headcanons #headcanons #fluff #dark romance #hp fandom #hp fanfic #slytherin boys #slytherin boys react #christian coulson #tom riddle dating

126 notes · View notes

theloneotaku158 · 2 days

Text

As of Batman: The Brave and the Bold #12, local precious-gremlin-who-I-would-die-for, Maps Mizoguchi, is now officially(?) the sixth Robin. Or at the very least, she's now "in" on The Secret™.

If this isn’t a set up for her taking up the Robin mantle officially then I genuinely don’t know what is.

As one of the twelve Gotham Academy enjoyers in existence, I am having the extremely normal reaction of "FUCKING FINALLY! LET'S FUCKING GOOOOO--!"

In all honesty, I'd be lying if I said I hadn't seen this coming from miles away. Like, Maps has appeared in a number of seemingly random cameo roles recently, including Batgirls (2021), and even technically as Robin in the backup issues of Batman (2016) #119-121, and in a short story in Batman Black & White. And most of those got collected in a standalone titled "Maps of Mystery", which specifically gathered all her appearances as Robin (and the Gotham Academy Belle Reve story).

And then, of course, her recent time-travelling Future-Trunks-esque appearance in Birds of Prey (2023), as the tech-based Meridian, from a potential future timeline where she apparently makes it as a superhero using gadgets she apparently designed, proving that she's hero material.

That's not something you do for a character for no reason. That's the sort of thing you do when you want to keep a character in the conscience of your readers for whatever reason, because you have bigger plans for them.

Also interesting to consider that, in the "Mother's Day" story where this took place, Alfred is standing right there and not lying down six feet under wood, dirt and a stone slab, and that Bruce is in the old Batcave under the manor so he still has Money™, I must assume this was some nebulous time in the past (after GA: Second Semester(?), but before City of Bane)... which I won't bother to analyse the exact timeframe of because DC doesn't care about the post-Flashpoint / New 52 / Rebirth / Prime Earth / idfk / Dawn of DC timeline, so neither should I.

But I think it's really funny that this presumably means Maps has known The Secret™ for a long time relative to present-day comics, but always acted like she didn't.

But if all her appearances are in chronological order, that means Bruce is only the fourth Bat whose identity she discovered.

Like, she discovered Cass' identity almost by accident on a trip to the zoo, Damian showed off his grapple gun and gave her an actual Batarang during the three hours he was enrolled in the school (as if she wouldn't immediately put two-and-two together even back then), and she even found out Terry fucking McGuinness would become Batman in a future via a time-travelling grandfather clock.

No I did not make that last part up. Read Gotham Academy istg.

Did Cass know that Maps had been acting as a Robin when she met her, both at the zoo in Batgirls and her future version in Birds of Prey?

Does Damian know the one (1) friend(?) he made in Gotham Academy is potentially in the running for his job?

Is Bruce himself aware that she knows as much about their identities as she currently does?

How is DC going to retcon this so it all makes sense in the barely-functioning canon of the modern DC universe?

I'm digressing. Where was I going with this?

Point is, she's destined to become a Robin, and I'm glad DC finally pulled their fingers out their asses and capitalised on that destiny.

Let's just hope it doesn't take another year for them to follow up on this plotline again.

Bonus: Jason Todd, after learning of Bruce taking yet another happy kid under his wing as yet another Robin, giving her some advice:

#dc #batman #maps mizoguchi #mia mizoguchi #bruce wayne #cassandra cain #batgirl #batfam #damian wayne #robin #jason todd #red hood #gotham academy #dc istg dont drop the ball on this i will NEVER forgive you #and PLEASE do not traumatise this robin #Bruce promised he wouldn't let anything happen to her #he better keep that damn promise #otherwise I will personally Blue Skidoo into the comic itself and kick both Bruce and the traumatiser in the groin

128 notes · View notes

entomjinx · 2 days

Text

ONE PIECE CHAPTER 1113 SPOILERS!!!

It's tagged, it's in bold, if you didn't see it that's on you, but I'm sorry. (I'm also a little sick so sorry for how this starts to turn a little insane at the end.)

The reveal makes perfect sense. I've seen a few people struggle to figure out where it came from, so I'm gonna explain why it makes perfect sense and then pop off with some silly theory.

The first hint at the fact that the One Piece world is sinking exists all the way back in Long Ring Long Island.

That seems like an odd place to start, but it's the first time we're shown how drastic the tides of the ocean in the One Piece world can change. It's enough to separate entire parts of an island, causing it to appear as separate islands, once every year.

This implies that the tides change drastically over the course of much longer periods than it does in the real world.

After that, we get to Water Seven and discover that it's sinking, and that the Aqua Laguna is getting worse every year. We also know that it's caused by the water receding at Long Ring Long island. We're also outright told that they want to make the city float to stop the sinking problem.

We also, much later, see just how high Wano is in altitude.

Knowing that the Redline is so tall that it cannot be passed by any ship, cannot be broken through, and that Mariejois is sat right on top of it only adds to why it makes sense.

The world isn't "sinking," those some islands technically are(Water Seven, modeled after Venice), the tides are going to rise exponentially, and fast.

The force of the water would instantly drown most people, and those who survived would be those who could get to higher altitude islands, the sky islands, Fishman Island, or the Redline.

And because I know someone will try to point this out: land bound plant life can temporarily survive underwater, so Ohara's 5000 year old library tree would be fine for a a bit while submerged. There's lots of places with high tides who's plant life is just fine. (This also could explain why they'd be so willing to throw the books into the water. Not only was it to save them from the fire, but many of them had likely been submerged for long periods of time before. They knew the books would be find in the end because they had record of it. And well, it's mentioned in the chapter that Vegapunk means to finish what Ohara started.)

This would also explain how thorough the government was able to be with wiping out information from the void century. If only a few places can survive, then few things that tell the truth will survive, and even fewer people.

Do I think I'm 100% correct about any of this? Or course not, it's Oda. It's One Piece. Things are pretty much never predicted with 100% accuracy. But that's my thoughts on why it makes sense. Now we get into theory:

I have several points to make, so I'm going to write out the shortest ones first.

-This would, completely unironically, explain some of the centuries long racism campaign against fishman. They have no reason to fear the high tides. They will survive no matter what happens on the surface, and that scares the humans who cannot.

-I think that the extreme tide is a part of why the bridge is being built in Tequila Wolf. I believe the bridges purposes is to connect all the highest points of the world so there's no need for ships to carry them. This way, the Celestial Dragons will still have access to more slaves, produce, and anything they can't get within Mariejois on their own during the time period when everyone drowns.

-and now we get to the big one:

I think that the reason the 20 kings and their people destroyed the ancient kingdom is because the ancient kingdom had a way to survive the high tide while keeping the maximum number of people safe in the process, and while being able to save many more people. They refused to ask for help, and were instead afraid of the power the ancient kingdom held, so they sought to destroy it.

I think that the ancient "weapons" were instead a means of survival, and the reason they were hidden is because the 20 kings would have used them as weapons instead. We don't know much about the ancient kingdom, so much of this is speculation.

I think Pluton was a large enough ship that it could carry the entire kingdom. We've already seen some massive ships in One Piece, and Iceburg intends to turn the entirety of Water Seven into a ship, so the idea of an island sized ship isn't all that odd.

If you continue to think about it, why did none of the Beast Pirates manage to find Pluton while searching for the poneglyph in Wano? I have two theories for this based on the fact that we're told Wano would have to open it's borders in order to get Pluton. If the walls would need to be torn down, then we can continue to assume that Pluton is massive.

Theory one is that Pluton is is hidden within the mountain itself, and that the mountain was man-made to hide the ship. Not only would the walls need to come down, but the mountain itself would have to be destroyed. They would also need a way to survive the high tide without it, so creating a mountain that is high enough in altitude to keep them safe would have been a necessity. I think this is the more believable of the two theories.

Theory Two is that Pluton is Wano. The entire island is the ship, and many of Wano's people descended from the people of the ancient kingdom or those they rescued. This one is much less likely, but it's still a possibility in my mind.

We know that Poseidon was the former mermaid princess, and that the current one is Shirahoshi. She can control the sea kings. Why would this be important? Because if everywhere floods, then the sea kings, who are already very large creatures, suddenly have an influx of room to move, food to eat, and places to lay eggs. It would cause a population spike. *However,* that would cause an ecological disaster within the food chain. The sudden influx of sea kings would be desperate for any food they can get their hands on, and many would likely die of starvation. This means they need some way to repel them from the large ship.

We don't know anything about Uranus yet, so I've nothing for you.

Another thing we know about the ancient kingdom is that they seemed to be friendly with everyone, or at least it's implied via how many friends Joy Boy made.

Fishman: Along with the bonus of having Poseidon, the fishman also have access to the tree resin from Sabaody. Should the ship(Puton) or the ancient kingdom ever need to submerge in order to keep people safe or to have a temporary air bubble, They'd be safe.

Lunarians: The people who originally lived on top of the redline. Sinee the redline is high enough to not sink, it would have made sense for them to be trade partners.

Skypians and Shandians: Another race with wings. if the tides really got too high, then they could join them in the sky sea for a time. They could also trade with them.

Minks: Zunesha was a friend of Joyboy's. We don't know much else about that situation, but it's likely that Zunesha is plenty tall enough to keep the minks from drowning, and they could have traded often as well. Maybe Zunesha was even able to do something similar to the giants.

The Giants: This feels like the most important one to me, and not just because of recent chapters. Obviously the giants think very highly of Nika/Joyboy, but it's also very likely that Elbaf is tall enough to survive the high tide, and if not, the the giants themselves are. If you look at what's known about current giants, some of them are tall enough to walk along the sea floor, and the ancient giants were so large that it's said they pulled and moved continents.

Why is that bit important? Because a ship the size of an entire island would likely need a lot more than sails buoyancy to move quickly. The ancient kingdom was pulled by the giants. They moved to different areas to rescue people and to trade so that life continued while the tide was at it's highest point.

Another random thing that supports this is the giant's vehement hatred towards Charlotte Linlin. She has Totto Land, which is supposed to be a place where all races live in harmony, but it would be a mockery of what the ancient kingdom was like, and for giants, who live about 300 years, that's only a few generations back. They would still have stories about the ancient kingdom and remember the truth.

Again, I don't think anything I predict will ever be 100% accurate, but I hope you enjoyed my rambling nonetheless.

#one piece #one piece chapter 1113 #one piece spoilers #one piece theory #nika #joyboy #one piece ancient kingdom #this kinda turned into stream of consciousness at the end #so I hope it makes some sense.#if you read all of it #thank you #I love and appreciate you #drink something eat something and take your meds today

58 notes · View notes

pr-incey · 2 days

Text

For a while—after being exposed to the antiship movement, because goodness knows I didn't care about this when I was younger—I wondered *why* fiction and reality were so different in my head. Why I could happily see things depicted in fiction that would make me sick to my stomach or upset me to tears just from thinking of it happening in real life. I couldn't come up with a reason for this for a while, which caused me distressed and made me worried that I might secretly be a terrible person after all.

But I've done some thinking and I've figured it out. Or, rather, I've returned to the mindset that came so easy to me in the past and probably did to a lot of people before the well was poisoned.

When I see a fictional character, I don't see a person. I don't see a person like *me*, anyway. I see a person within that piece of fiction's universe; a plane of existence that is wholly different from my own. Lines and colour, words on a page, virtual drawings being played sequentially at a speed that simulates movement. Sure, the written passage, 'He had eyes, ears and a mouth' is a representation of what *I* am, and what other people around me are, but it is fundamentally a plane of existence that is *alien* to me.

An alien is something that is decidedly not human. I feel empathy for other humans because I can relate to them. I have no desire to hurt them because I either know what it is like to be hurt in that way, or I can imagine what it would be like. I know the harm it would do to them, which illicits a reaction of disgust and apprehension in me. 'That's terrible,' I think, which simply kills any desire to cause any harm to a real person or do any disgusting actions.

This is why predators are such terrible people. They are fully aware of the harm their actions will cause and then go ahead with them anyway.

But with a fictional character, it's different in these ways:

1. First of all, we have to remember that they AREN'T human and so whatever I feel towards them cannot accurately mirror whatever I feel towards real flesh and blood individuals. They're projections of humanity from OTHER people in whatever medium they choose, but fictional characters are—and I cannot stress this enough—NOT HUMAN. If I pull off the head of a Barbie doll, does that mean I have the desire to behead someone in real life? Does it mean that I MUST have the urge to behead someone in real life, because a barbie doll is a 'representation' of a person? Your answer, I'm hoping, is no. Because Barbie is not human.

2. And because fictional characters are not human, I don't have empathy for them. Not REAL empathy, anyway, the type that stops the desire to cause harm. When I 'violate' a fictional character, it illicits at most only superficial disgust because I know that character will not live with the lasting consequences of my actions. They're a projection, a facsimile.

So that might bring you to another question, 'Even if they're not real, why would you WANT to do that to them, anyway?'

That I can't answer. The human brain is weird. Sometimes, people have dark urges. If a kid tosses their Barbie onto the ground and seems to take pleasure in it falling, can that accurately say they want to push a real person onto the ground? If someone seems to enjoy a violent video game like GTA where they can run people over and shoot them to their heart's content, is that a surefire way to know that they want to do those things to real people? I wouldn't say it is. Would you?

The final thing to remember is that it's not completely black and white. A serial killer might have been 'inspired' by a violent horror story, whereas the actual author of that story is a nice, well-adjusted individual. People with the desire to hurt actual humans might make do with projections, but it does not change the fact that they actually want to HARM people. The fiction didn't make them want to do that. They already did, and probably would have even if they didn't discover said fiction. And horrible people CAN make their own 'projections'.

Generally though I believe it is obvious when someone is just playing with dolls, and when someone is exhibiting an actual desire to hurt somebody.

#proship safe #proshippers please interact #proship #profic #just thinking

43 notes · View notes

buggbuzz · 4 months

Text

my gender is like meat leaf i think. boy materials in the structure of girl. like im a girl made out of boy things but not in a transman way like i like being female im just. a girl-leaning boygirl. maybe??

#u dont understand ive been insisting to all of my friends for like 6 years that im NOT a trans man #i cannot be proven wrong at this point i'll lose it #and anyways im not actually a guy #im definitely a girl just like. a type of girl that scientists haven't discovered yet #and that sounds like a joke but im soooo fucking serious #im a fucking student geneticist dude #i think theres some autosomal gene (or probably multiple) that regulate gender in convoluted ways #probably linked and i think there's probably multiple types of fem and masc genders not to mention non fem OR masc genders #codominant? incomplete dominance? is it different on different scales?#its a completely possible and furthermore plausible concept like from my perspective it'd be really weird if gender genetics weren't a thing #i think theyve already lowkey been proven to be a thing cause of that paper comparing trans brains to cis brains #& finding a link where trans men had a certain section that was the same as cis men #and that same section in trans women was the same in cis women #its an OLD study too #anyways i want to research this one day but i also dont because i dont trust humanity with that information #but if i found proof that it exists maybe it could seriously back trans people with scientific evidence #not that they should fucking NEED it testimony should be fucking good enough #ive been bio obsessed since i was born and im a natural skeptic #but when i was 11 i asked a trans person i knew like 2 fucking questions and they answered me and i was like 'yeah this makes sense'#figured anything that didnt make sense was just something i didnt understand yet #and now that im older and in college level biology and genetics classes i know i was right #it would be really really weird if trans people didnt exist did you know that? all the kinds too like nb genderfluid agender genderq demi #i dont fucking care it makes SENSE #'nonbinary' was a good term to adopt because it really just fits perfectly #nothing in biology is ever ever ever truly binary especially not a neurological and psychological phenomenon #especially not in a species with a brain so overly complex and tangled up like HOMO SAPIENS??#are you kidding?? the fact that we even have a concept of art and music let alone have talents and passions for them is proof alone dude #that shit doesn't help us survive its a modified version of pattern recognition and uncanny valley #combine that shit with the fact that intersex people exist?? like #nonbinary gender is literally the combination of intersexuality and human neurology

67 notes · View notes

vaxxman · 14 days

Text

I have so much brainrot about Medic's wife, specifically the design from the comic doodles that Makani drew, I'm so ready to draw a whole comic about her, man I love hallucinating.

#60 seconds till mission begins rambles #But also I have so many things to do I could cry #I don't like engaging in fights about which ships are valid in the eyes of canon etc #I've seen many people try to ignore medic's wife's potential existence because it would invalidate the possibility of him being gay #insisting the doodles were drawn before Makani joined Valve; and Demo's domination line just being gibberish etc etc #That's sad to me because I think she's a REALLY cool character and I cry about her never ever coming to the official material #So listen to me; headcanon; what about #He's bisexual (and discovers he has a preference for men)#boom #we win🏳‍🌈#also the doodles where his wife appears are the same doodles where he's smooching heavy so why are you only reading half of the scriptures?#I'm just foaming at the mouth about the idea of Medic having a female best friend who he married and who understands him in a different way #I just like the idea of both of them being opportunistic and marrying for the societal benefits a marriage gave you back in the days #and like being the only other person to have enough blackmail material on the other #Ok no I cant talk more about this I'll give away the entire story I have in my head

30 notes · View notes

dollsome-does-tumblr · 5 months

Text

so, the most recent novel i managed to actually finish writing, three long years ago, was the book of my absolute lifelong dreams and most of the time i just leave it sitting on my computer and pretend it doesn't exist because i feel too tenderly about it and i'm too proud of it and it's agony to me. these feelings are, for whatever reason, unbearable hell. but like once a year i work up the courage to reread it, and every time i'm like, "god DAMN! who wrote this?? this is exactly what i've wanted to read my whole life!!!!!!! it's simply delightful!" and then i remember that oh yeah, it's me!

#i feel like i should vow to try to query this thing like 50 times just because i love it so much and i owe it to my own love of it #and then when i get rejected because it's 155k and that's insane (but it NEEDS TO BE!) i can at least say i tried #i don't get what it says about me that i wrote the book of my dreams and now i'm too embarrassed so i pretend it doesn't exist #instead of trying to get it published #as it is apparently my lifelong goal to be a published novelist #why is my brain wired this way!??!?!?!?!#i think i'm just too scared that everyone else will hate it and it will hurt my feelings too much because it's so me #it is truly and completely my sweet little baby #and it has the same word count as jane austen's emma which i only discovered after i finished writing it #fate!!!!!!!#dollsome's deep thoughts #it's my birthday so i'm allowing myself this really self-indulgent post #getting older and still never being a (non-self-) published novelist: the story of me

32 notes · View notes

caffeinatedopossum · 3 months

Text

I feel like I'm going to throw up, there's something so wrong with me and with the world. It's not okay, how can anyone be okay

#domt mind me just realizing that i will never be able to be a good person because good people dont exist #and the world makes criminals of us all #what do i do? theres no way to heal the damage of my existence #i cant handle this i wasnt made for this #i truly believe humanity will kill itself off either on purpose or on accident and when it does i just pray we dont take every other species #with us #i think humans are evolving and discovering things we cant handle knowing #but only some of us will hold onto that knowledge and let it drive us insane #the others will ignore it and continue to only be insane in the same way they always have been #this all sounds crazy i sound crazy but i promise it makes sense to me #and it fills me with unparalleled dread #i cant even think about it without Dissociating

20 notes · View notes

blue-jos10 · 1 year

Text

kevin, remembering the time neil asked him for advice before his first interview and kevin told him to just 'be himself', downing vodka: so it was fucking me huh

160 notes · View notes

fuckdamn · 2 days

Text

everytime i’m faced with wild overt misogyny that’s just platformed like it’s nothing i remind myself that people don’t actually have to feel this way about women. men are fully capable of treating women like human beings and viewing them as such. “but socialization but male fantasies but patriatchy speaks through us even when we don’t recognize it” sure but actually regardless there exist men who are fundamentally not raging misogynists and they generally seem happier and better adjusted. misogyny to me isn’t disappointing because “oh i can’t believe Men, as an essentialized category of person, are like this” it’s disappointing because people make the choice to be like this. “it’s my biological imperative as a man to dominate you” okay well it’s my biological imperative as a freaky bitch to dominate you so what now. what biological imperative is making you comment “onlyfans detected opinion rejected” on every picture of any attractive woman. i think i will always be understood by most people as a woman and i’m learning to accept that and trying to like it but misogyny makes me feel very trapped of course. but misogyny is a choice. which means some people make the choice to be misogynistic which is profoundly frustrating. but many other people choose not to be actively misogynistic and i believe anyone could choose not to be actively misogynistic if they wanted. so it’s a whole thing

#lotte.txt #womanhood is a fun thing to participate in with women who do not hate women. otherwise it’s very stifling and starts to not be worth it 4 me #for other girls — cis and trans btw — i think relishing in womanhood still feels worth it even when it’s very difficult and i admire that #but apart from my fashion sense and bloodlust i feel very detached from womanhood as like this primal animate Essence #but i don’t really want to be a man either. i like being a Weird Girl i like being a Hot Weird Girl #i’m more of a Hot Weird Girl than a Hot Weird Boy and i’ve discovered that through trial and error #and calling myself nonbinary/fluid accurately describes my experience in a lot of ways. but i also sometimes feel like the label doesn’t..#serve me? if that makes sense #like i got really into kibbe in 2020 and it was like oh shit i’m a soft dramatic. how cool that there’s something that describes my body #but after a while i got exhausted with kibbe because yeah. by the logic of the system of course i’m a soft dramatic #and i operate with that knowledge in the back of my mind. but also so what. i am aware of the shape of my body now #and now i feel the label has very little left to offer me #like if you’re asking? sure i’m a kibbe soft dramatic. but i don’t hold kibbe’s system as law or view it as crucially important #that is very much how i feel rn about calling myself nonbinary #like if you want me to think about it? yeah i don’t strictly conform to the gender binary #but i don’t believe gender itself is useful for my growth - i don’t hold the institution of the gender binary sacred - why bother #why draw attention to where i exist within the system when i’m tired of defining myself in terms of the system at all. yk #aUghj. anyway

11 notes · View notes

aroacehanzawa · 1 year

Text

verdict: super rushed episode with no breathing room + they skipped sigma's dramatic entrance. however i can forgive any and all sins simply on account of sigma <3

#this episode really would have been much better as two separate episodes #it was like BAM BAM BAM one thing after another and no time to process anything #especially with so much new information being dropped all at once #like the existence of the casino #and the coin terrorism plot #(and there was not enough tension when tachihara discovered the coins)#(and no tension with the aircraft hitting the casino either even though that was like. a massive moment in the manga)#and sigma's ability reveal #dazai and fyodor's conversation was particularly rushed because it was actually such an important discussion #about the nature of strength vs weakness #and about the casino being created from the book (and iirc shouldn't the discussion about sigma being created from the book also be here)#fukuzawa and fukuchi's chat also felt too short with not enough tension #overall i think this is the weakest episode of the season #the dogs hunt dogs episode was also really rushed but it was more action-focused #whereas this one was action-focused AND information-heavy #i wonder how easy it was for anime-onlies to follow?

60 notes · View notes

lonelylonelyghost · 3 months

Text

OK, why the hell was I not aware of Doom Patrol until like literally 2 days ago??

I'm on episode 7 now and it's so good???

The general premise is quite familiar to any lover of superhero stuff. Basically due to some circumstances several people somehow attain unusual powers and are gathered in the huge-ass house (the energy bills must be insane) by a mysterious Chief. And then weird shit starts happening.

I think in regards to general set-up it's a bit similar to Umbrella Academy, but in smaller details and characterizations it's a completely different thing.

The characters? - They are actually good people. Flawed, yeah, definitely, some of them did pretty messed up stuff in the past, but they're constantly trying to do better, be better. Deeply human, despite their supernatural abilities. I know that complete irredeemable assholes are quite popular with the public nowadays, but for me personally I like characters that have kindness in them, someone I could actually root for, and with at least some semblance of a moral compass.

The dynamic? Great! Everyone there is with their distinct quirks and loads of trauma, somehow culminating into a messed up but highly entertaining to watch found family. Also, at least for now - no romance within the group! Yey! Praise the gods, honestly, because you've no idea how annoyed I would be otherwise (a lot of media is ruined forever by adding a completely unnecessary romance subplots imo. Hollywood can't grasp the concept of love like 99% of the time). But with the way it's going and what kind of dynamic people there have with each other, any romance between them seems highly unlikely.

Humor? Oh yes! I'm too lazy to look for specific quotes, but because the characters are so different from each other, from their personalities and experiences to time periods, their interactions and reactions to the same events are hilarious.

The meta from The Narrator aka Mr Nobody is also top tear. I quite like meta things in media in general, and it's not easy to do it well, but here it's executed just right. The interesting thing about this running commentary on the events happening is that despite the seemingly omniscient perspective it's clear that The Narrator is biased and you can't really take his every word and opinion as absolute reality.

Also, one thing that I personally appreciate - even though there is a fair amount of graphic violence and gore, it's actually manageable and not crossing the "violence just for the shock value" line. Don't get me wrong, I do enjoy some on-screen dismemberment every once in a while, but not when it starts to get gross. No way near the level of the Boys (please don't kill me, I like their memes).

Overall, this particular mix of scifi and magic, tragedy, comedy, heartfelt moments and good plot managed to resonate with my brain's wavelength. So here we go. Enjoy

My favorite flavor of absolute bonkers happening all the time

#I learned about this show's existence when I was searching for dead boy detectives' release date #because hello #ghosts and investigations are my two favourite things #and then I discovered that those characters are featured in 3rd? season of Doom Patrol #And I clicked on the ep.1 out of curiosity #doom patrol #also brandon fraser is in this?

7 notes · View notes

nero-neptune · 9 months

Text

idk, i just think that (to a point) Everyone's a product of the media they consume. that's why certain media is called 'formative', esp if you watched it young. one thing you watched/read could’ve lead to an interest which could’ve gotten you to learn/participate in/avoid something you wouldn’t have otherwise. take away all the books you’ve read, movies you’ve watched, music you've listened to, etc etc- you’re likely a totally different person. which is neither good nor bad, that's just called being a person who lives on planet earth.

#if i went back in time to middle school and made it so twilight wasn't on hold and i finally read at the age of 11 #pretty sure i could've become a twilight fan (opening a whole new branch of who i could turn out to be)#or how i was This Close to becoming a directioner (and i probably would've been a whole new person due to that)#or how i only got into doctor who because i was recommended hitchhiker's guide to the galaxy (my first real intro to scifi books)#and without that i probably wouldn't have stayed on tumblr (which i only made bc of my interest in animation (more media consumption lol))#bc it's the who in superwholock that cemented my desire to make an account #or if i hadn't thought the violin looked cool bc i saw it in a movie then i wouldn'tve joined orchestra in 6th grade #(and then discovered i hated orchestra so then i joined band. and then i was offered the choice of baritone or sax and i chose baritone)#and marching band (which i later joined) defined all 4 years of my high school #something that straight up would not have happened if i hadn't thought a violin player looked cool in a movie i saw as a kid #boom! butterfly effect!#so who am i without all these experiences bc of the media i consumed? idk. if they exist in an alternate timeline #without any of the things that make me Me #that's a stranger for all intents and purposes #rambles

25 notes · View notes

yourbuckies · 5 months

Text

mmmm this has annoyed me since chris with asp but platforming has actual meaning and by definition you really can't platform a former potus/current presumptive republican nominee (or a sitting senator). i get that this is the get all your news from destiel memes website, but the man has press pools from the world's major news organizations dedicated to his every move. what is this venn diagram of ppl who are watching this basically indie movie but don't know who he is already.

#the worst thing about this movie is going to be yet again #ppl who discovered politics existed in nov 2016/jan 2017 speaking with unearned authority about the intersection of politics and media #i wish media had the sort of influence fandom thinks it does #because the republican party would have ceased to exist one year into jon stewart's tenure at the daily show

9 notes · View notes

irregularjohnnywiggins · 11 months

Text

Something I've been considering recently: the big storytelling difference between Hideo Kojima and Yoko Taro.

There's an obvious reason I've been thinking about this, I feel: both these guys are, on the surface, exceedingly similar. They're both well-known Japanese video game creators*, they're both known for their eccentricities, they both tell stories that run the razor-thin line between 'Violence is corrupting and immoral' and 'Okay, but that bit of violence was pretty sick, right?' really well, as well as throwing in some really funny 'Hey, what the fuck did I just watch?' energy, hell they even both had a game in their series directed by Platinum Games, I don't especially think this is an overreach, here.

But they are different creators, and I've been thinking about their differences (specifically in storytelling - obviously one makes Action-RPGs and one makes Stealth Games and Baby Postman Simulators) as I play MGS3 and Nier Replicant, and I think I've come down to this: it's in how they condemn violence, and especially war.

Kojima bases all of his stories in reality - a heightened reality, perhaps, but there's a reason multiple MGS games end with long lists of dates and events, Kojima's made-up ones slipped in-between the actual history. Kojima bases his critiques on things that are real and tangible - MGS3 itself, more than any bee-wielding supervillain or photosynthetic sniper, is about the Cold War, and it's no accident that the Boss' speech at the end isn't about the Philosophers, or Volgin, or Metal Gear (METAL GEAR?) it's about soldiers, their fates and their traumas. Kojima lives in the world of... not exactly reality, but allegory-through-reality, and it makes his games pretty explicit in their messaging - which in my mind is a good thing, because it means that people who fundamentally misunderstand MGS aren't just wrong, they're obviously wrong - show me an MGS fan who thinks they're pro-America and pro-military, and I'll show you someone who did not pay attention to MGS.

Yoko Taro, on the other hand, is entirely a creature of allegory. Yoko himself has said in interviews that he tells stories primarily as a way to get people to feel something, and all other things like connections to the other games or even internal consistency comes as a secondary concern (as someone who's tried multiple times to tie everything Drakenier related together - that's believable.) As an inevitable result of this, his stories aren't really 1:1 parallels to history or the modern day, they're very general conflicts that speak to a wide range of topics.

Put it this way: in MGS4, Kojima describes in great detail a situation that is the natural endpoint of the geo-political situation (especially re: America) during most of the early 21st Century, especially The War on Terror - instead of war being a means of obtaining resources to generate income for big corporations, now war is the means of income, and all the inherent flaws of American late-stage capitalism have been applied to it - to the point that soldiers have to pay extra to use someone else's gun. It's a heightened, at times absurd version of reality, but it focuses on specific issues and flaws with the subject matter - The War on Terror, and through them highlights issues with our current world - hell, Kojima may have predicted some of the issue we currently face with capitalism.

In Nier Automata, however, Yoko doesn't present an exaggeration of a real-world conflict to portray it's flaws and its hopelessness. Instead, he constructs an entirely hopeless war, a war that is literally pointless on every side, and explores how people react to that. As opposed to Kojima's slight exaggeration of the War on Terror, by the end of Automata Yoko has presented a proxy war fought on behalf of two races that died off millennia ago, between two groups that are, at their core, exactly the same, made from the same components, fought on one side because of a poorly worded instruction from their creators that necessitates eternal total war as a basic fact of their evolutionary cycle but also inevitably results in their evolutions being violently purged because any form of passivity is betrayal, and on the other as a grand Machiavellian scheme to kill off their own troops, thereby concealing the deaths of their creators – a scheme, it’s worth noting, conceived of by an android that no longer remembers conceiving it, because his own scheme necessitates his constant assassination by the person he cares about the most to prevent him from discovering his own plan. Kojima's wars in MGS4 are absurd and pointless for us because we know what the results of the War on Terror were, Yoko's war in Automata is kinda like an onion - every layer you peel back on it, you discover a new way that it's pointless, and every time you do, you're crying a little bit more.

So, wrapping this up before people realise I just used the ultimate cliche of poorly-worded food metaphors, if you were to ask me what the big difference between Yoko Taro and Hideo Kojima was... well, I'd still go with the gameplay genres, but I'd also say that it's a slight, but really interesting, difference in how they go about their metaphors. As for which is better... neither, obviously. They're both really talented creators, this is just a style thing. You seriously expect me to choose between a series that includes 'a man pretended to be possessed by the ghost of his crush's son because he grafted his arm onto him and everyone bought it' and a series that includes 'at some point the Earth stopped spinning. This has never been explained in any of the games'? What are you, a cop?

*albeit if Yoko ever heard someone compare him to Kojima he'd probably simultaneously die of embarrassment and make a joke about being a younger, hotter Kojima.

#yoko taro #hideo kojima #drakenier #metal gear #metal gear solid #nier #I have to admit my own western biases:#it was extremely weird calling Yoko Taro 'Yoko' through all of this #but one of the things I still retain from my essay-writing days at uni is that it's really weird to call one author by their last name #and another by their first name #so since I was calling him 'Kojima'...#also I'm sorry if this is semi-incomprehensible #it's kinda stream of conscious as I thought of stuff #hence also why I didn't mention why the WWII parallels with Automata counted as a Kojima-style allegory #(and also why I have not come up with a fancy word to differentiate Kojima- and Yoko-style allegories)#seriously I planned out an entire footnote on that #(along with a brief tangent on why people who say Nier Automata is fascist apologia are wrong and idiots)#(because that's a thing I discovered exists)#ah well #I'll probably go on that rant another day #I could literally talk forever about Yoko Taro games #stay tuned!

23 notes · View notes