This is a Power Rangers fan film with the serial numbers just barely filed off, and it's a rather old school one - there clearly is no budget, and none of the glossiness that led up to the whole Axanar... thing, so the protagonist is fighting guys in dollar store Halloween masks wearing a painted motorcycle helmet and a suit with the paint rubbing off. There's a certain charm to that, though, it's pretty well written, and the actors aren't bad either, so overall it's a pretty fun time.
Álbum: In the Flat Field
Banda : Bauhaus
Ano : 1980
Faixa :
1. “Dark Entries"
2. "Double Dare"
3. "In the Flat Field"
4. "God in an Alcove"
5. "Dive"
6. "Spy in the Cab"
7. "Small Talk Stinks"
8. "St. Vitus Dance"
9. "Stigmata Martyr"
10. "Nerves”
I love books, I love literature, and I love this blog, but it's only been recently that I've really been given the option to explore disabled literature, and I hate that. When I was a kid, all I wanted was to be able to read about characters like me, and now as an adult, all I want is to be able to read a book that takes us seriously.
And so, friends, Romans, countrymen, I present, a special disability and chronic illness booklist, compiled by myself and through the contributions of wonderful members from this site!
As always, if there are any at all that you want me to add, please just say. I'm always looking for more!
Edit 20/10/2023: You can now suggest books using the google form at the bottom!
Updated: 31/08/2023
Articles and Chapters
The Drifting Language of Architectural Accessibility in Victor Hugo's Notre-Dame de Paris, Essaka Joshua, 2012
Early Modern Literature and Disability Studies, Allison P. Hobgood, David Houston Wood, 2017
How Do You Develop Whole Object Relations as an Adult?, Elinor Greenburg, 2019
Making Do with What You Don't Have: Disabled Black Motherhood in Octavia E. Butler's Parable of the Sower and Parable of the Talents, Anna Hinton, 2018
Necropolitics, Achille Mbeme, 2003 OR Necropolitics, Achille Mbeme, 2019
Wasted Lives: Modernity and Its Outcasts, Zygmunt Bauman, 2004
Witchcraft and deformity in early modern English Literature, Scott Eaton, 2020
Books
Fiction:
Misc:
10 Things I Can See From Here, Carrie Mac
A-F:
A Curse So Dark and Lonely, (Series), Brigid Kemmerer
Akata Witch, (Series), Nnedi Okorafor
A Mango-Shaped Space, Wendy Mass
Ancillary Justice, (Series), Ann Leckie
An Unkindness of Ghosts, Rivers Solomon
An Unseen Attraction, (Series), K. J. Charles
A Shot in the Dark, Victoria Lee
A Snicker of Magic, Natalie Lloyd
A Song of Ice and Fire, (series), George R. R. Martin
A Spindle Splintered, (Series), Alix E. Harrow
A Time to Dance, Padma Venkatraman
Bath Haus, P. J. Vernon
Beasts of Prey, (Series), Ayana Gray
The Bedlam Stacks, (Series), Natasha Pulley
Black Bird, Blue Road, Sofiya Pasternack
Black Sun, (Series), Rebecca Roanhorse
Blood Price, (Series), Tanya Huff
Borderline, (Series), Mishell Baker
Breath, Donna Jo Napoli
The Broken Kingdoms, (Series), N.K. Jemisin
Brute, Kim Fielding
Cafe con Lychee, Emery Lee
Carry the Ocean, (Series), Heidi Cullinan
Challenger Deep, Neal Shusterman
Cinder, (Series), Marissa Meyer
Clean, Amy Reed
Connection Error, (Series), Annabeth Albert
Cosima Unfortunate Steals A Star, Laura Noakes
Crazy, Benjamin Lebert
Crooked Kingdom, (Series), Leigh Bardugo
Daniel Cabot Puts Down Roots, (Series), Cat Sebastian
Daniel, Deconstructed, James Ramos
Dead in the Garden, (Series), Dahlia Donovan
Dear Fang, With Love, Rufi Thorpe
Deathless Divide, (Series), Justina Ireland
The Degenerates, J. Albert Mann
The Doctor's Discretion, E.E. Ottoman
Earth Girl, (Series), Janet Edwards
Everyone in This Room Will Someday Be Dead, Emily R. Austin
The Extraordinaries, (Series), T. J. Klune
The Extraordinary Education of Nicholas Benedict, (Series), Trenton Lee Stewart
Fight + Flight, Jules Machias
The Final Girl Support Group, Grady Hendrix
Finding My Voice, (Series), Aoife Dooley
The First Thing About You, Chaz Hayden
Follow My Leader, James B. Garfield
Forever Is Now, Mariama J. Lockington
Fortune Favours the Dead, (Series), Stephen Spotswood
Fresh, Margot Wood
H-0:
Harmony, London Price
Harrow the Ninth, (series), Tamsyn Muir
Hench, (Series), Natalia Zina Walschots
Highly Illogical Behaviour, John Corey Whaley
Honey Girl, Morgan Rogers
How to Become a Planet, Nicole Melleby
How to Bite Your Neighbor and Win a Wager, (Series), D. N. Bryn
How to Sell Your Blood & Fall in Love, (Series), D. N. Bryn
Hunger Pangs: True Love Bites, Joy Demorra
I Am Not Alone, Francisco X. Stork
The Immeasurable Depth of You, Maria Ingrande Mora
In the Ring, Sierra Isley
Into The Drowning Deep, (Series), Mira Grant
Iron Widow, (Series), Xiran Jay Zhao
Izzy at the End of the World, K. A. Reynolds
Jodie's Journey, Colin Thiele
Just by Looking at Him, Ryan O'Connell
Kissing Doorknobs, Terry Spencer Hesser
Lakelore, Anna-Marie McLemore
Learning Curves, (Series), Ceillie Simkiss
Let's Call It a Doomsday, Katie Henry
The Library of the Dead, (Series), TL Huchu
The Lion Hunter, (Series), Elizabeth Wein
Lirael, (Series), Garth Nix
Long Macchiatos and Monsters, Alison Evans
Love from A to Z, (Series), S.K. Ali
Lycanthropy and Other Chronic Illnesses, Kristen O'Neal
Never Let Me Go, Kazuo Ishiguro
The Never Tilting World, (Series), Rin Chupeco
The No-Girlfriend Rule, Christen Randall
Nona the Ninth, (series), Tamsyn Muir
Noor, Nnedi Okorafor
Odder Still, (Series), D. N. Bryn
Once Stolen, (Series), D. N. Bryn
One For All, Lillie Lainoff
On the Edge of Gone, Corinne Duyvis
Origami Striptease, Peggy Munson
Our Bloody Pearl, (Series), D. N. Bryn
Out of My Mind, Sharon M. Draper
P-T:
Parable of the Sower, (Series), Octavia E. Butler
Parable of the Talents, (Series), Octavia E. Butler
Percy Jackson & the Olympians, (series), Rick Riordan
Pomegranate, Helen Elaine Lee
The Prey of Gods, Nicky Drayden
The Pursuit Of..., (Series), Courtney Milan
The Queen's Thief, (Series), Megan Whalen Turner
The Quiet and the Loud, Helena Fox
The Raging Quiet, Sheryl Jordan
The Reanimator's Heart, (Series), Kara Jorgensen
The Remaking of Corbin Wale, Joan Parrish
Roll with It, (Series), Jamie Sumner
Russian Doll, (Series), Cristelle Comby
The Second Mango, (Series), Shira Glassman
Scar of the Bamboo Leaf, Sieni A.M
Shaman, (Series), Noah Gordon
Sick Kids in Love, Hannah Moskowitz
The Silent Boy, Lois Lowry
Six of Crows, (Series) Leigh Bardugo
Sizzle Reel, Carlyn Greenwald
The Spare Man, Mary Robinette Kowal
The Stagsblood Prince, (Series), Gideon E. Wood
Stake Sauce, Arc 1: The Secret Ingredient is Love. No, Really, (Series), RoAnna Sylver
Stars in Your Eyes, Kacen Callender [Expected release: Oct 2023]
The Storm Runner, (Series), J. C. Cervantes
Stronger Still, (Series), D. N. Bryn
Sweetblood, Pete Hautman
Tarnished Are the Stars, Rosiee Thor
The Theft of Sunlight, (Series), Intisar Khanani
Throwaway Girls, Andrea Contos
Top Ten, Katie Cotugno
Torch, Lyn Miller-Lachmann
Treasure, Rebekah Weatherspoon
Turtles All the Way Down, John Green
U-Z:
Unlicensed Delivery, Will Soulsby-McCreath
Expected release October 2023
Verona Comics, Jennifer Dugan
Vorkosigan Saga, (Series), Lois McMaster Bujold
We Are the Ants, (Series), Shaun David Hutchinson
The Weight of Our Sky, Hanna Alkaf
Whip, Stir and Serve, Caitlyn Frost and Henry Drake
The Whispering Dark, Kelly Andrew
Wicked Sweet, Chelsea M. Cameron
Wonder, (Series), R. J. Palacio
Wrong to Need You, (Series), Alisha Rai
Ziggy, Stardust and Me, James Brandon
Graphic Novels:
A Quick & Easy Guide to Sex & Disability, (Non-Fiction), A. Andrews
Constellations, Kate Glasheen
Dancing After TEN: a graphic memoir, (memoir) (Non-Fiction), Vivian Chong, Georgia Webber
Everything Is an Emergency: An OCD Story in Words Pictures, (memoir) (Non-Fiction), Jason Adam Katzenstein
Frankie's World: A Graphic Novel, (Series), Aoife Dooley
The Golden Hour, Niki Smith
Nimona, N. D. Stevenson
The Third Person, (memoir) (Non-Fiction), Emma Grove
Magazines and Anthologies:
Artificial Divide, (Anthology), Robert Kingett, Randy Lacey
Beneath Ceaseless Skies #175: Grandmother-nai-Leylit's Cloth of Winds, (Article), R. B. Lemburg
Defying Doomsday, (Anthology), edited by Tsana Dolichva and Holly Kench
Josee, the Tiger and the Fish, (short story) (anthology), Seiko Tanabe
Nothing Without Us, edited by Cait Gordon and Talia C. Johnson
Nothing Without Us Too, edited by Cait Gordon and Talia C. Johnson
Radio Free Skaro #855 - Anarchy in the UK
- The #DoctorWho Brand Manager position returns!
- Commentary for "The Space Museum", Part One
http://traffic.libsyn.com/freyburg/rfs855.mp3
Download MP3
Have you ever wanted to manage the Doctor Who brand? Yes, the dream of many a British schoolchild can be yours if you have extensive experience in said management of brands and Doctor Who and probably a bunch of other stuff dummies like the Three Who Rule don’t understand. And that’s the news as new Doctor Who continues to be made, away…
As promised @possession1981 and I have compiled a list of Buffy the Vampire Slayer (and Angel) related academic text and books. I think this is a good starting point for both a long time fan and for someone just getting into the show, or just someone interested in vampire lore. I have included several books about the vampire lore and myth in general as well. Most of these are available online.
BOOKS
Fighting the Forces: What's at Stake in Buffy the Vampire Slayer; edited by Rhonda V. Wilcox & David Lavery
Buffy the Vampire Slayer and Philosophy - Fear and Trembling in Sunnydale by James B. South
Buffy Goes Dark: Essays on the Final Two Seasons of Buffy the Vampire Slayer on Television, edited by Lynne Y. Edwards, Elizabeth L. Rambo & James B. South
Buffy the Vampire Slayer: Myth, Metaphor and Morality by Mark Field
Televised Morality: The Case of Buffy the Vampire Slayer by Gregory Stevenson
Undead TV: Essays on Buffy the Vampire Slayer by Elana Levine
The Aesthetics of Culture in Buffy the Vampire Slayer by Matthew Pateman
Girls Who Bite Back: Witches, Mutants, Slayers and Freaks by Emily Pohl-Weary
Why Buffy Matters: The Art of Buffy the Vampire Slayer by Ronda Wilcox
Into Every Generation a Slayer Is Born: How Buffy Staked Our Hearts by Evan Ross Katz
The Lure of the Vampire: Gender, Fiction, and Fandom from Bram Stoker to Buffy the Vampire Slayer by Milly Williamson
Blood Relations: Chosen Families in Buffy the Vampire Slayer and Angel by Jes Battis
Sex and the Slayer: A Gender Studies Primer for the Buffy Fan by Lorna Jowett
Diseases of the Head: Essays on the Horrors of Speculative Philosophy; edited by Matt Rosen (chapter 2 Death of Horror)
Public Privates: Feminist Geographies of Mediated Spaces by Marcia R. England (chapter 1 Welcome to the Hellmouth: Paradoxical Spaces in Buffy the Vampire Slayer)
Open Graves, Open Minds: Representations of Vampires and the Undead From the Enlightenment to the Present Day; edited by Sam George and Bill Hughes (chapter 8 ‘I feel strong. I feel different’: transformations, vampires and language in Buffy the Vampire Slayer)
The Contemporary Television Series; edited by Michael Hammond and Lucy Mazdon (chapter 9 Television, Horror and Everyday Life in Buffy the Vampire Slayer)
Joss Whedon and Race: Critical Essays; edited by Mary Ellen Iatropoulos and Lowery A. Woodall III
Buffy and the Heroine's Journey: Vampire Slayer as Feminine Chosen One by Valerie Estelle Frankel
The Existential Joss Whedon: Evil and Human Freedom in Buffy the Vampire Slayer, Angel, Firefly and Serenity by J. Michael Richardson and J. Douglas Rabb
Buffy the Vampire Slayer 20 Years of Slaying: The Watcher's Guide Authorized by Christopher Golden
Reading the Vampire Slayer: The Complete, Unofficial Guide to 'Buffy' and 'Angel' by Roz Kaveney
Hollywood Vampire: The Unnoficial Guide to Angel by Keith Topping
Buffy the Vampire Slayer: The Monster Book by Christopher Golden
Slayer Slang: A Buffy the Vampire Slayer Lexicon by Michael Adams
What Would Buffy Do? The Vampire Slayer as Spiritual Guide by Jana Riess
ARTICLES, PAPERS ETC.
Bibliographic Good vs. Evil in Buffy the Vampire Slayer by GraceAnne A. DeCandido
Undead Letters: Searches and Researches in Buffy the Vampire Slayer by William Wandless
Weaponised information: The role of information and metaphor in Buffy the Vampire Slayer by Jacob Ericson
Buffy, Dark Romance and Female Horror Fans by Lorna Jowett
My Vampire Boyfriend: Postfeminism, "Perfect" Masculinity, and the Contemporary Appeal of Paranormal Romance by Ananya Mukherjea
Buffy, The Vampire Slayer as Spectacular Allegory: A Diagnostic Critique by Douglas Kellner
"Buffy the Vampire Slayer": Technology, Mysticism, and the Constructed Body by Sara Raffel
When Horror Becomes Human: Living Conditions in "Buffy the Vampire Slayer" by Jeroen Gerrits
Post-Vampire: The Politics of Drinking Humans and Animals in "Buffy the Vampire Slayer, Twilight", and "True Blood" by Laura Wright
Cops, Teachers, and Vampire Slayers: Buffy as Street-Level Bureaucrat by Andrea E. Mayo
"Not Like Other Men"?: The Vampire Body in Joss Whedon's "Angel" by Lorna Jowett
Buffy the Vampire Slayer and the Domestic Church: Revisioning Family and the Common Good by Reid B. Locklin
“Buffy vs. Dracula”’s Use of Count Famous (Not drawing “crazy conclusions about the unholy prince”) by Tara Elliott
A Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy the Vampire Slayer by Stacey Abbott
Undressing the Vampire: An Investigation of the Fashion of Sunnydale’s Vampires by Robbie Dale
"And Yet": The Limits of Buffy Feminism by Renee St. Louis & Miriam Riggs
Meet the Cullens: Family, Romance and Female Agency in Buffy the Vampire Slayer and Twilight by Kirsten Stevens
Bliss and Time: Death, Drugs, and Posthumanism in Buffy the Vampire Slayer by Rob Cover
That Girl: Bella, Buffy, and the Feminist Ethics of Choice in Twilight and Buffy the Vampire Slayer by Catherine Coker
A Slayer Comes to Town: An Essay on Buffy the Vampire Slayer by Scott Westerfeld
Undead Objects of a “Queer Gaze” : A Visual Approach to Buffy’s Vampires Using Lacan’s Extended RSI Model by Marcus Recht
When You Kiss Me, I Want to Die: Gothic Relationships and Identity on Buffy the Vampire Slayer by Ananya Mukherjeea
Necrophilia and SM: The Deviant Side of Buffy the Vampire Slayer by Terry L. Spaise
Queering the Bitch: Spike, Transgression and Erotic Empowerment by Dee Amy-Chinn
“I Want To Be A Macho Man”: Examining Rape Culture, Adolescent Female Sexuality, and the Destabilization of Gender Binaries in Buffy the Vampire Slayer by Angelica De Vido
Staking Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior by Frances H. Early
Actualizing Abjection: Drusilla, the Whedonversees’ Queen of Queerness by Anthony Stepniak
“Life Isn’t A Story”: Xander, Andrew and Queer Disavowal in Buffy the Vampire Slayer by Steven Greenwood
S/He’s a Rebel: The James Dean Trope in Buffy the Vampire Slayer by Kathryn Hill
“Once More, with Feeling”: Emotional Self-Discipline in Buffy the Vampire Slayer by Gwynnee Kennedy and Jennifer Dworshack-Kinter
“The Hardest Thing in This World Is To Live In It”: Identity and Mental Health in Buffy the Vampire Slayer by Alex Fixler
"Love's Bitch But Man Enough to Admit It": Spikes Hybridized Gender by Arwen Spicer
Negotiations After Hegemony: Buffy and Gender by Franklin D. Worrell
Double Trouble: Gothic Shadows and Self-Discovery in Buffy the Vampire Slayer by Elizabeth Gilliland
'What If I'm Still There? What If I Never Left That Clinic?': Faërian Drama in Buffy's "Normal Again" by Janet Brennan Croft
Not Gay Enough So You’d Notice: Poaching Fuffy by Jennifer DeRoss
Throwing Like A Slayer: A Phenomenology of Gender Hybridity and Female Resilience in Buffy the Vampire Slayer by Debra Jackson
“You Can’t Charge Innocent People for Saving Their Lives!” Work in Buffy the Vampire Slayer by Matt Davies
Ambiguity and Sexuality in Buffy the Vampire Slayer: A Sartrean Analysis by Vivien Burr
Imagining the Family: Representations of Alternative Lifestyles in Buffy the Vampire Slayer by Vivien Burr and Christine Jarvis
Working-Class Hero? Fighting Neoliberal Precarity in Buffy’s Sixth Season by Michelle Maloney-Mangold
A Corpse by Any Other Name: Romancing the Language of the Body in Mary Shelley's Frankenstein for the Adam Storyline in Buffy the Vampire Slayer by Amber P. Hodge
Sensibility Gone Mad: Or, Drusilla, Buffy and the (D)evolution of the Heroine of Sensibility by Claire Knowles
"It's good to be me": Buffy's Resistance to Renaming by Janet Brennan Croft
Death as a Gift in J.R.R. Tolkien’s Work and Buffy the Vampire Slayer by Gaelle Abalea
“All Torment, Trouble, Wonder, and Amazement Inhabits Here": The Vicissitudes of Technology in Buffy the Vampire Slayer by James B. South
Staking Her Colonial Claim: Colonial Discourses, Assimilation, Soul-making, and Ass-kicking in Buffy the Vampire Slayer by Jessica Hautsch
“I Run To Death”: Renaissance Sensibilities in Buffy the Vampire Slayer by Christine Jarvis
Dressed To Kill: Fashion and Leadership in Buffy the Vampire Slayer by Christine Jarvis and Don Adams
Queer Eye Of That Vampire Guy: Spike and the Aesthetics of Camp by Cynthea Masson and Marni Stanley
“Sounds Like Kinky Business To Me”: Subtextual and Textual Representations of Erotic Power in Buffyverse by Lewis Call
“Did Anyone Ever Explain to You What ‘Secret Identity’ Means?”: Race and Displacement in Buffy and Dark Angel by Cynthia Fuchs
“It’s About Power”: Buffy, Foucault, and the Quest for Self by Julie Sloan Brannon
Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy by Hilary M. Leon
Why We Can’t Spike Spike?: Moral Themes in Buffy the Vampire Slayer by Richard Greene and Wayne Yuen
Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority by Daniel A. Clark & P. Andrew Miller
Are Vampires Evil?: Categorizations of Vampires, and Angelus and Spike as the Immoral and the Amoral by Gert Magnusson
BOOKS ABOUT VAMPIRE LORE AND MYTH IN GENERAL
The Vampire Lectures by Laurence A. Rickels
Our Vampires, Ourselves by Nina Auerbach
Vampires, Burial, and Death: Folklore and Reality by Paul Barber
The Secret History of Vampires: Their Multiple Forms and Hidden Purposes by Claude Lecouteux
The Vampire Cinema by David Pirie
The Living and the Undead: Slaying Vampires, Exterminating Zombies by Gregory A. Waller
Vampire Forensics: Uncovering the Origins of an Enduring Legend by Mark Jenkins
Slayers and Their Vampires: A Cultural History of Killing the Dead by Bruce A. McClelland
The History and Folklore of Vampires: The Stories and Legends Behind the Mythical Beings by Charles River Editors
Encyclopedia of Vampire Mythology by Theresa Bane
Vampires of Lore: Traits and Modern Misconceptions by A. P. Sylvia
The Vampire: A New History by Nick Groom
Vampyres: Genesis and Resurrection: from Count Dracula to Vampirella by Christopher Frayling
Race in the Vampire Narrative by U. Melissa Anyiwo
Vampires, Race, and Transnational Hollywoods by Dale Hudson
ok just to clarify, nobody asked for this but i’m making it anyway
here are some great influences for the goth music subcultures
i’ve been hyperfixated on pretty much every one except metal and grunge at one point or another so i think i’m pretty qualified to make this statement.
also some of these artists are problematic so please do your research before you promote them! also i don’t support any of their actions, they just have good music that’s very influential to the scene.
anyways…let’s get started
- siouxsie and the banshees are a really great band to start out and they’re one of the most popular goth bands. they have about 12 albums and 2 compilations. they had many members at different times but notable members are siouxsie sioux (lead vocals), jon klein (guitar), steven severin (bass + keyboards), budgie (drums), and martin mccarrick (keyboard + strings)
- another great goth band is bauhaus, they are one of the pioneers of gothic rock and are often credited with making the first goth song. they have five studio albums. members include daniel ash (guitars + saxophone + lead vocals + backing vocals), peter murphy (lead vocals + backing vocals + guitar + keyboards + melodica + congas), kevin haskins (drums + keyboards + piano + backing vocals), and david j (bass + keyboards + percussion + lead vocals + backing vocals).
- another great band to start off with is the cramps (i recommend their album psychedelic jungle). many people think of the cramps as more psychobilly or punk-ish but they are also considered gothabilly and have gothic elements. they have at least 8 (i’m not sure) studio albums, 2 EPs, 2 live albums, and 4 compilations. members include, Lux interior (lead vocals + harmonica + percussion), Poison Ivy (lead guitar + rhythm guitar + bass), Slim Chance (bass), and Nick Knox (drums + percussion)
in order for a band to be goth they must play either gothic rock, post-punk, ethereal wave, cold wave, dark wave, death rock, visual kei, gothic pop, gothic metal, gothic symphonic metal or another gothic subgenre.
some more goth bands include…
- the cure (post-punk)
- sisters of mercy
- christian death (death rock)
- she wants revenge (gothic rock)
- alien sex fiend
- sex gang children
- lebanon hanover
- type o negative (gothic metal)
- o.children
- joy division
- london after midnight
- bat nouveau
- horror vacui
- the danse society
- strawberry switchblade (gothic pop/synth pop)
- depeche mode
- cocteau twins
- switchblade symphony
- fields of the nephilium
- twin tribes
- the march violets
- xmal deutschland
- clan of xymox
- pink turns blue
- rosetta stone
- plastique noir
- mephisto walz
- corpus delicti
- 13th chime
- specimen
- skeletal family
- molchat doma
- drab majesty
- altar de fey
- inkubus sukkubus
- strawberry switchblade
- the birthday massacre
- killing joke
- this cold night
- japan
- the birthday party
- paralysed age
- the scary bitches
- scarlet’s remains
- mareux
- she past away
- bloody dead and sexy
- rose garden funeral party
- mephisto walz
- this cold night
- cold cave
and more!
edit: just a note. you do not need to dress goth to be goth. goth fashion is optional. if you choose to dress goth but don’t listen to goth music you are just alt. the only way to be goth is to agree with the beliefs behind it and listen to the music (you can also listen to other genres in addition to goth).
some beliefs of the gothic/alt community are:
- there is beauty in darkness, pain/sadness, and the macabre
- rejection of conservatism
- rejection of conformity
- anti-war
- anti-racist
- anti-fascist
- anti-authoritarian
- pro-LGBTQ
- pro-choice
- anti-capitalism
- and other leftist or anarchistic beliefs
also…
if you agree with the beliefs but nothing else you are just a leftist/anarchist
if you listen to the music or dress goth but don’t agree with the beliefs you’re not alt and/or you are considered a “poser”. right-wingers cannot be alt because they contradict eachother.
The dynamic duo has proven they can work as Batman and Robin countless times, but now they must work together as Bruce and Damian to stop a deadly killer...on a soccer field?! The mystery of who is Shush and what they are doing in Gotham continues to grow, but Damian is confronted with a blast from his past that wants him to leave his father and Gotham!
WONDER WOMAN #6
2/20/24
Written by Tom King
Art and Cover by Daniel Sampere
Variant Covers: Nikolas Draper-Ivey (Black History Month Variant), Jeff Spokes, Julian Totino, Kevin Wada (1:25), Daniel Sampere (1:50)
Wonder Woman against her greatest foes! After thwarting each threat that the Sovereign has thrown at her, he decides to bring in the biggest guns the DCU has to offer. Let the battle royale begin! Plus, the Super Sons' bedtime story goes wrong!
SINISTER SONS #1
Written by Peter J. Tomasi
Art by David Lafuente
(No Damian mention, but significant Variant cover feature by Dan Mora)
They're bad to the bone, ready to brawl, and the sons of two of the deadliest villains in the galaxy: they're the Sinister Sons and the DC Universe will never be the same! When the son of General Zod was cast off of his adopted homeworld of New Kandor, Lor-Zod runs afoul of a kid on a mission: Sinson is out to prove he's got what it takes to live up to the family name of Sinestro! But all is not as it seems, and the sons' journeys will take them into the heart of darkness in this sensational first issue! Superstar Super Sons scribe Peter I. Tomasi returns to the world of DC youth once again-joined by fan-favorite artist David Lafuente-to craft one of the most dynamic debuts of a duo in DCU historv!
I rewatched The Social Network for its 13th anniversary. One of my favorite films of all time, and one that convinced me of Armie's extraordinary acting skills. The film is a masterpiece on every level, one of the greatest biopics of the 21st century. In my opinion also David Fincher's magnum opus, together with Se7en, if one could have more than 1. With an inimitable performance of the KILLER soundtrack.
And Armie Hammer was in it!!!
A few review quotes about Armie's performance:
* Hammer and Garfield make the glue that hold it together.
* Although the stand out award I'd like to give to Mr. Armie Hammer. His role is just Tailor fit, literally as his jacket. From his statuesque as a rower all through out as a dapper at Harvard, he is just believable in that field. He is after after all the Winklevoss BrotherS.
* Armie hammer is a best combination of grace and conceit how he played wealthy twins.
* David Fincher's cool, stylish direction and great performances by Jesse Eisenberg, Andrew Garfield and Armie Hammer make The Social Network a worthwhile watch.
* Now that some of the dust has settled, there’s one name that keeps coming up as a comic scene-stealer and awards dark horse: Armie Hammer, who plays entitled twins Cameron and Tyler Winklevoss. In the movie, a Winklevoss twin declares, “I’m six-foot-five, 220 pounds, and there’s two of me,” but since there’s only one of Hammer, that meant the actor was often acting opposite a body double whose face he’d be digitally grafted onto in postproduction (and when you consider the notorious amount of takes that an exacting director like David Fincher requires, Hammer’s nimble pair of performances is all the more impressive).
* My favorite description of the twins in the film comes from Alison Willmore's review, in which she writes, "Hammer is infinitely amusing in his dual role, exuding privilege and looking like something grown in a vat of J. Crew catalogs and Aryan race propaganda."
* No one could have played Sean Parker like Justin Timberlake, and Armie Hammer playing the Winklevoss twins is fantastic too.
* The quasi-pair of performances generated Hammer Oscar buzz at the time, and he has been a marquee mainstay ever since, appearing in films like J. Edgar (2011), The Lone Ranger (2013), The Birth of a Nation (2016), Call Me By Your Name (2017), Cars 3 (2017), Sorry to Bother You (2018), and On the Basis of Sex (2018).
* What makes Armie Hammer’s acting performance outstanding is his use of specific body language with each of the two characters.
The different way he moves, his vocal cadences , and facial expressions makes it so easy to believe that these were two different people on the screen.
When Armie played Cameron Winklevoss, he played him more uptight and more formal. The formality also came out in his dialogue. His diction was more precise.
When he played Tyler Winklevoss, he leaned back and was more laid back. His speech pattern was more fluid and he even used curse words as Tyler’s character.
I think that Armie’s performance was so great that I would easily see him being a contender for best supporting actor at the next Academy Awards ceremony.
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This scene is epic! Great visual metaphor emphasised by this music piece.
#'In The Hall of the Mountain King' #Trent Reznor and Atticus Ross #Henley rowing scene
Reporters tantalized their readers with stories about the “plutocratic Osage” and the “red millionaires,” with their brick-and-terra-cotta mansions and chandeliers, with their diamond rings and fur coats and chauffeured cars. One writer marveled at Osage girls who attended the best boarding schools and wore sumptuous French clothing, as if “une très jolie demoiselle of the Paris boulevards had inadvertently strayed into this little reservation town.”
Many of the Osage would rush to see a gusher when it erupted, scrambling for the best view, making sure not to cause a spark, their eyes following the oil as it shot fifty, sixty, sometimes a hundred feet in the air. With its great black wings of spray, arcing above the rigging, it rose before them like an angel of death. The spray coated the fields and the flowers and smeared the faces of the workers and the spectators. Still, people hugged and tossed their hats in celebration. Bigheart, who had died not long after the imposition of allotment, was hailed as the “Osage Moses.” And the dark, slimy, smelly mineral substance seemed like the most beautiful thing in the world.
A short, stout man, with a luxuriant mustache and a shock of red hair, Burns had once aspired to be an actor, and he cultivated a mystique, in part by writing pulp detective stories about his cases. In one such book, he declared, “My name is William J. Burns, and my address is New York, London, Paris, Montreal, Chicago, San Francisco, Los Angeles, Seattle, New Orleans, Boston, Philadelphia, Cleveland, and wherever else a law-abiding citizen may find need of men who know how to go quietly about throwing out of ambush a hidden assassin or drawing from cover criminals who prey upon those who walk straight.”
Meanwhile, Ernest’s aunt was muttering, loud enough for all to hear, about how mortified she was that her nephew had married a redskin. It was easy for Mollie to subtly strike back because one of the servants attending to the aunt was white—a blunt reminder of the town’s social order.
Hoover demanded that his staff wear dark suits and sober neckties and black shoes polished to a gloss. He wanted his agents to be a specific American type: Caucasian, lawyerly, professional. Every day, he seemed to issue a new directive—a new Thou Shall Not—and White put on his big cowboy hat with an air of defiance.
Blackie, evidently enjoying himself, looked squarely at Burkhart and said, “Ernest, I have told them everything.”
The judge advised the jury members that they must set aside sympathies or prejudices for either side. He warned, “There never has been a country on this earth that has fallen except when that point was reached…where the citizens would say, ‘We cannot get justice in our courts.’ ”
In 1932, the bureau began working with the radio program The Lucky Strike Hour to dramatize its cases. One of the first episodes was based on the murders of the Osage...The broadcasted radio program concluded, “So another story ends and the moral is identical with that set forth in all the others of this series….[The criminal] was no match for the Federal Agent of Washington in a battle of wits.”
The historian Burns once wrote, “To believe that the Osages survived intact from their ordeal is a delusion of the mind. What has been possible to salvage has been saved and is dearer to our hearts because it survived. What is gone is treasured because it was what we once were. We gather our past and present into the depths of our being and face tomorrow. We are still Osage. We live and we reach old age for our forefathers.”
Killers of the Flower Moon, dir. Martin Scorsese // Killers of the Flower Moon by David Grann (3/3)
After the breakup, every time Crowley goes to drink at the Dirty Donkey pub, across the way from A.Z. Fell's bookshop, the jukebox mysteriously starts playing bitter breakup and sad bastard songs. Songs that aren't on the jukebox play when other songs are selected. It's like some demonic miracle. This also happens on the radio in Crowley's Bentley.
See note after list on song the selection process.
Songs include:
"Pale Blue Eyes" - The Velvet Underground
"I'd Rather Go Blind" - Etta James
"Cry Me a River" - Ella Fitzgerald
"Till the Heart Caves In" - Roy Orbison, K.D. Lang version
"Wicked Game" - Chris Isaak
"Crying in the Rain" - Everly Brothers, a-ha version
"Ain't No Sunshine" - Bill Withers
"It's Too Late" - Carole King
"Nothing Compares 2 U" - Prince, Sinead O'Connor or Chris Cornell versions
"Running Up That Hill" - Kate Bush
"One" - U2
"Crucify" - Tori Amos
"Hallelujah" - Leonard Cohen, Jeff Buckley version
"Lovesong" - The Cure
"I Don't Believe in the Sun" - The Magnetic Fields
"Love Will Tear Us Apart" - Joy Division
"Blue Monday" - New Order, Orkestra Obsolete version
"Never Let Me Down Again" - Depeche Mode
"Tainted Love" - Soft Cell
"Careless Whisper" - Wham!
"I Thought You Were My Boyfriend" - The Magnetic Fields
"Somebody to Love" - Queen
"Love Hurts" - Nazareth
"Love Stinks" - The J. Geils Band
"One More Minute" - Weird Al Yankovic
Despite himself, Crowley is compelled to visit Maggie's record shop to purchase copies of these songs.
Crowley has been sleazing around the backroom of the bookshop, crying and drinking, under the guise of helping Muriel run the place, but actually he's selling Aziraphale's books out of revenge.
P.S.: “Pale Blue Eyes” reminds Crowley of Aziraphale’s eyes. Every time he plays The Velvet Underground in his car, he remembers the time Aziraphale made a stinky poopoo face and called their music bebop.
P.P.S.: “Till the Heart Caves In.” Aziraphale stole Crowley’s dreams and sold them for dust. He always knew that angel was a bit of a bastard. Crowley remembers meeting young Roy Orbison and suggesting he wear sunglasses. A rock icon was born.
P.P.P.S.: “Wicked Game” reminds Crowley of the time when the bookstore burned down, Crowley rushed in to rescue his best friend Aziraphale but was too late. Later the same day, the M25 motorway was on fire. Then his beloved Bentley was destroyed by fire. To this day, Crowley can’t tell what hurt him more, losing Aziraphale or losing his Bentley, until they were both returned to him by Adam Young. He’s a good lad.
P.P.P.P.S.: “Crying in the Rain.” No one should see a demon cry. Crowley does his crying the shower. Earth rain showers, even thunderstorms, are also cathartic for crying in, unlike the swampy, wet bits of the fifth circle of Hell.
P.P.P.P.P.S.: “Nothing Compares 2 U” reminds Crowley of the times he and Aziraphale dined at the Ritz. Well, now he can eat at any fancy restaurant he wants without Aziraphale. Only now the food tastes bland and the drinks taste flat.
P.P.P.P.P.P.S.: “One.” This achingly beautiful song about relationships feels like a knife in the heart and punch in the gut. “We get to carry each other.” It’s too true. It hurts. F*** that angel for leaving him. The song reminds Crowley of his time hanging out with Brian Eno in Berlin in the early 1990s. He had fun running around with the band from Ireland. Crowley and Bono discussed corrupt religious leaders and the writings of C.S. Lewis. He suggested sunglasses to Bono. Then Bono took it further. The Fly, the Mirrorball Man, and MacPhisto were born. The rest is rock ‘n roll history. Crowley is especially pleased with himself for influencing Bono.
P.P.P.P.P.P.P.S.: “Hallelujah.” Crowley remembers helping manifest nebulae and stars with Aziraphale. Crowley was the one who gave the secret chord to David, yet David got the credit for pleasing the Lord. In a rare occurrence for deceased rock stars, Heaven got Jeff Buckley.
P.P.P.P.P.P.P.P.S.: “Never Let Me Down Again.” Crowley thinks of all the times he and Aziraphale went for a drive in the Bentley. Aziraphale let him down. Curse the wretched, brightly shining stars. Nothing is alright.
P.P.P.P.P.P.P.P.P.S.: “One More Minute.” This Weird Al song suggested something, an act of revenge to get closure. Crowley thought about the malt shop Aziraphale liked to go, but then reconsidered arson because innocent people might get hurt.
Note on song selection:
I selected songs that thematically fit with the relationship between Crowley and Aziraphale. This is what I call sad bastard music. What songs would match Crowley’s angry, bitter brooding? What songs would make him laugh? What songs would break him and make him cry? These are all songs that I like. You may not like my choices, so your mileage may vary. You can make your own playlist.
NOTE: Revised 3 April 2024 to include P.S. notes about the songs and the obligatory U2 reference. (I'm not sorry.)
NOTE: Revised 9 April 2024 to include songs by The Magnetic Fields, one of Neil Gaiman’s favorite bands. I must make this playlist pleasing to the co-creator of Good Omens.
Bargain of Blood and Gold by Kristin Jacques - 3.75/5 stars
Reminiscent of Jordan L Hawk's Widdershins series, but with vampires and werewolves. Also takes place in Maine, which isn't a very common setting. Unwittingly, I bought the second book in the series months ago, and I realized as it got to the top of my TBR that I didn't have the first book! I had to scramble to order it and I was happy I enjoyed it since, obviously, I already have the second book.
Ander & Santi Were Here by Jonny Garza Villa - DNF at pg 2
Captive Prince by CS Pacat (reread) - 5/5 stars
Prince's Gambit by CS Pacat (reread) - 5/5 stars
Kings Rising by CS Pacat - 5/5 stars
I think I loved these books even more on my reread.
Gravity by Tal Bauer - 4.25/5 stars
Probably my favorite hockey romance that I've read.
The Modern Mythos Anomaly by Juniper Lake Fitzgerald - DNF at pg 132
I actually liked the story, the characters, and the writing in general, but this book just needed another few edits to slim it down a bit.
Lose You to Find Me by Erik J Brown - 4.5/5 stars
Leeward by Katie Daysh - 4.5/5 stars
The blurbs on this book are hilarious, because they're all like, tall ships people, and then Mackenzi Lee, hailing it as a lovely queer historical romance. This was a really lovely book and I'm excited for the sequel. Also hoping for more kissing in the sequel since this was a serious slow burn.
Riley Weaver Needs a Date to the Gaybutante Ball by Jason June - 3.75/5 stars
Starseer by Katya Hernández - 4/5 stars
Be Dazzled by Ryan La Sala - 5/5 stars
I loved this book so much!! Oh my god. Super funny, very romantic. It revolves around cosplay which is of course a special interest of mine.
Northranger by Rey Terciero and Bre Indigo - 4.5/5 stars
Flying Without a Net by EM Ben Shaul - 2.75/5 stars
The Watchmaker of Filigree Street by Natasha Pulley (reread) - 5/5 stars
Striking Distance by Sarah Rees Brennan - 4.75/5 stars
I didn't expect to like this as much as I did. The graphic novels were good but changing to a novel format allowed for much deeper characters. Surprisingly devastating and also really funny.
The Old Haunts by Allan Radcliffe - 4/5 stars
The Gay Best Friend by Nicholas DiDomizio - 5/5 stars
Main character is the best friend of both the bride and the groom, and everything surrounding the wedding becomes a train wreck beginning on the weekend of the bachelor party, when the bride asks the MC, Dom, to keep tabs on the groom for her. As someone who is extremely conflict avoidant with friends but not family and romantic partners, I heavily related to Dom. There's also a romance that I really loved.
Romance Languages by AJ Truman - 4.25/5 stars
I think this was my favorite of the South Rock series. It deals with some more difficult topics—Julian's self-loathing over his body image is heartbreaking (and relatable), and Seamus's guilt over the way his gambling addiction hurt his ex was very well done. I'm a sucker for stories where a character learns to ask for help, not to mention difficult parent-child relationships, and this had both. I also appreciated Julian's arc re: sex and virginity.
Darkhearts by James L Sutter - 5/5 stars
Another bandmates-in-love treasure, with a twist—the main character, David, left the band right before they got famous. He ends up falling for one of his ex-friends/bandmates after they reconnect. The author is a musician himself, and it definitely shows (in a good way). I'm really a sucker for The Burdens of Fame, which this book definitely had, but there's actually a really good arc for David and how he deals with his jealousy and resentment over being left behind. Plus he wants to be a carpenter rather than go to college, which was cool.
Brute by Kim Fielding - 4.25/5 stars
We Could Be So Good by Cat Sebastian - 5/5 stars
What can I say about this book? Why was it so lovely? Why did it make me feel so much? Why can I not rate things higher than 5 stars? It's a million stars in my heart. Aside from just being a gorgeous mid-century America m/m romance (my favorite), this one features an Italian-American main character. The stuff with Nick's family was spot-on. I just loved this book. I felt like I was wrapping myself in a big, comfy, historical gay romance blanket.
Drowned Country by Emily Tesh - 5/5 stars
The sequel to Silver in the Wood. Had a very mythic and sort of folk horror vibe. This one is from Henry Silver's POV instead of Tobias Finch's and takes place two years after Silver in the Wood, which is time that Henry has mostly spent sulking in Greenhollow Hall, sans Tobias. Really highly recommend this duology. Emily Tesh is a treasure.
The Alchemy of Moonlight by David Ferraro - DNF at pg 11