Sex, Bugs and Drugs - Insect Aliens and The Winchesters
The Winchesters of course is a relatively PG show, we’d probably label it (thus far) “mild drug references” (to weed), “light kissing”, and “some horror”.
However, the fact it is inhabited by insect aliens (the Akrida) invites musing on other insect-alien narratives and their resonances within the show.
“This is Mugwump, he specialises in sexual ambivalence” (Cronenberg, Naked Lunch, 1991):
“We are all insects, groping towards something terrible or divine”
Phillip K. Dick The Man in the High Castle.
The prominent reference to Vonnegut’s Slaughterhouse Five in 1x01 Pilot, alerts us to the qualities of that narrative which may be relevant here; aliens (in Slaughterhouse Five, the Tralfamadorians), the impermanence of death (Tralfamadorians see space/time with non-linearity, in four dimensions, so just because you are dead at one point in time isn’t an “end of the road” moment for them) non-linear narrative, an unreliable narrator, the presence of the author/narrator in the story). All interesting resonances, regarding Narrator-Dean.
The aliens in The Winchesters, the “cricket” Akrida, are able to possess human bodies, seemingly shapeshifting to look like humans in doing so, and they mind-control humans by pushing a stinger into their brain-stem. This kind of insect mind-control/ body-horror/ body-penetration, really made me think about Cronenberg’s film Naked Lunch (1991).
Naked Lunch is based on William Burrough’s (1959) novel of that name (which is already semi-autobiographical) mixed in with events in Burrough’s own life. Burroughs of course, was a Beat Generation author, as well as being queer and a drug addict. His novel is very much not PG.
Cronenberg’s film captures Burrough’s atmosphere of queer desire mixed with self-loathing/ internalised homophobia, very well. Remember, Burroughs was writing in 1959; everyone queer had internalised homophobia, that’s why we needed to develop a Pride narrative for ourselves.
This queer desire/ queer horror is evident in the giant bug with a talking asshole on its back. It asks Bill, the main character (Burroughs’ avatar) to rub some of the yellow bug podwer on its “lips” (the rim of the asshole) and makes obscene noises of pleasure when Bill obliges:
What the heck does that have to do with The Winchesters, you ask?
Well, in a much more PG way, we have the Ostium, which means, literally, “orifice in the human body”, the Men of Letters’ mystical box/ trans-dimensional portal which can blast the Akrida back to their alien home-world, and Carlos specifically joke-compares it to a sexual body “hole” in 1x07 Reflections:
Lata: “They call it the Ostium.”
Carlos: “Oh. Latin for an opening in the body. What, didn't any of you guys ever go to Sunday School? So is that thing organic? Is it a mouth or...( chuckles ) any other kind of hole?”
Lata: Let's just stick with a mouth, please.
https://tvshowtranscripts.ourboard.org/viewtopic.php?f=1550&t=58479
In Naked Lunch, the bug reappears, as a talking typewriter, and asks Bill to type the words “Homosexuality is the best all-around cover an agent ever had...” into it, and again, it makes obscene erotic noises of pleasure as he does so.
Bill reveals his own self-loathing/ ambivalence, telling another character he has a family “curse... I am a homosexual... impossible I am one of those simpering things... a wise old queen... told me I had a duty to live and bear witness..”
Later, as Bill makes out with a woman, a giant centipede alien with a long fleshy appendage (cock) and a human-looking butt slithers out of another typewriter and appears to join their love-making.
The Naked Lunch is a subterranean allusion in The Winchesters’ subtext. It’s not name-checked in the way Slaughterhouse -Five has been, which provides a clearer indication of authorial inter-textuality.
However, there are some interesting resonances; insect to human body-horror penetration (Akrida stinger into the brain-stem) a talking asshole/ a mystical “body hole” portal (the Ostium).
One more, being that in Burrough’s novel, and in Cronenberg’s film, much of the story takes place in “The Interzone”, which is partly an imaginary Morocco and partly Bill’s drug-fulled hallucinatory dream-world, but is, above all, a liminal space, which is symbolically representative of the space queer people in the 1950s inhabited, as “outlawed” subjects.
Narrator-Dean currently inhabits such liminal space himself, also in two senses:
1) We saw him die in 15x20, so he is, apparently, narrating from Heaven, or from the liminal space between dying and rebirth, as Holy Ghost Narrator Dean/ Dean’s soul in the Bardo (the space, as set out in The Tibetan Book of the Dead, between dying and reincarnation).
2) Dean continues to inhabit a liminal space with regard to his queerness in the SPN/ Winchesters narrative. He may be bisexual in a thousand ways in the narrative subtext, and in its (romantic) narrative architecture, but a heterosexual interpretation (they were best friends/ brothers) remains possible.
I bet Dean’s read The Naked Lunch.
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