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fucktoyfelix · 1 day

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Choking Safety

I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.

First you should be familiar with some basic anatomy of the neck and throat:

The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.

This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.

You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!

#choking #kink positive #sex positive

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bleaksqueak · 23 hours

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This is going to seem like a dumb question lol but you are just such an incredible artist. The fact that you do this comic on your own blows my mind. But I was wondering, do you ever still struggle with your art? In terms of self confidence or skill? Or do you ever still need reference for things? You just seem so experienced and established lol

Thank you so much! The good news is I don't do it entirely on my own all the time, the pages I've been working on lately were thumbnailed for me by @elanorpam , who also made some of the frequently used 3d assets (aether vials, a couple of locis, etc.!) Ofc I'd still kill for full assistant style work for some things (flats, lettering, applying the final touch details from my asset sheets lol), but for now I do those. anywho, I think every single person will struggle from time to time, even someone who looks like an art god. If they say they never struggle, they're lying lol. There's always going to be bad art days, things you don't know how to draw yet, or a difficult angle you're having trouble composing. The good news is that when you accept that as the truth, you stop caring beyond a healthy stride for improvement, and you carry on knowing this is simply a fact of art. I'm confident in the sense of knowing I draw and paint because I both have to and because I want to. As long as I make something I either had fun doing, was proud of, or taught me something, then I'm pleased and the next comic page or illustration is taken on with a goal of repeating that or bettering it. With comics especially there's always going to be some mistakes and wonk since there's not time to obsess over correcting it. Due to this I only ever bother correcting major mistakes or mistakes that don't convey the point (expression is way off, body language way off, important detail missing. That kind of things.) Accepting those things and having fun with the act of doing it and the goal of improving leaves me confident in my work. It isn't perfect, but things don't have to be perfect to feel confidence in yourself. Flaws and strengths make us who we are, and it definitely applies to art. I've been posting my artwork on the internet since the late 90s, though, so I've had a while to build up a healthy mindset around it. That's not a requirement though, so just go have fun with your art! and thank you again.

#asks #art stuff #gonna schedule/queue this one too! 3 am ask brigade

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prince-liest · 2 days

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First off; I LOVE 666!!! 'Multi-series hard kink/edge play pwps (though I'm with you on the 'without plot' being a total misnomer) that are actually in depth psychoanalysis of characters and complicated relationships' is one of my favorite parts of any fandom ( I'm being specific with that because no really for years in a lot of fandoms there's been that one ((or 2)) series that like. Will stick with me forever and make me think about sex/intimacy/myself differently. And your fic is 100% that for HH). I have a lot of squeeing about a lot of it that I hope to be able to coherently comment about at some point but for now!!!!

I was wondering if there was specific purpose behind where certain scenes take place? Like if they're at 'Vox's place' or 'Alastor's place'? because I thought there was a pattern of when Vox is (or ends up) subbing it's at his place (where he would feel safer and therefore more comfortable being vulnerable maybe) and vice versa with when they're at the hotel. But looking back at it to write this maybe I'm making that up? Because they just mostly do take place at somewhere of Vox's? Because I guess Alastor did end up 'going home' at the end a lot. In which case is there specific reasoning behind them not being at Alastor's place as often? (Does he just have less privacy at the hotel lol?) Idk I thought I was getting something, especially with that 'we're at the heart of your territory' line in part 8??? The more I type into this rambly chatty ask the more I think I was just overthinking. But it stood out to me anyway. ANYWAYS. *Finally pauses to breathe*

I really appreciate your series and I love your interpretation of these two weirdos relationship!!! Every snippet and every update I see drives me crazy!!! Thank you so so much for all your work!

Ahaha, I'm so glad to have written that fic for you in this fandom! Someone left a tag on one of the art posts for 666 recently that said "can't wait to see what emotional revelation unsafe kink will lead to this time" and it's. Pretty on point for the series, ehehe. With the likes of Alastor and Vox, it's really hard to dive into any form of intimacy without, like, emotional repurcussions, and that's my favorite thing to write! Thank you so much!

As for your question: To be perfectly honest, there's no specific pattern behind which location I choose for a fic as far as their roles are concerned! They mostly take place preferentially at Vee Tower because Alastor doesn't want to invite all the fuss and bother of Vox's...everything...to the hotel until much later in their reacquaintence. It's much easier to decide that he's done with whatever's going on and to dip out of Vee Tower than it is to have to remove Vox from the hotel (or, well, at least in theory: he portals Vox back into his own bed pretty easily after their night of drinking, haha).

Alastor inviting Vox over for drinks is a sign that he's actually, like, opening up a bit in certain ways by actually inviting him into his living space. Previously they'd mostly only been at the hotel transitionally, and during the second time they slept together, which is also the first time Alastor actually slept with Vox for reasons other than "for the meme", and was looking for a more comfortable, controlled environment to try this new thing in. (And also gave fewer shits about kicking Vox the fuck out without a second thought.)

In a way, the locations follow the general pattern of Alastor's emotional evolution throughtout the series: he's fine with it being at his place at first because he feels more secure and doesn't give a shit about Vox; then he transitions to being more careful and shutting Vox out of his personal space; and now he's slowly gotten to the point where he's comfortable inviting Vox in on occasion.

Alastor's opinion tends to matter more between the two of them as far as location is concerned, so it's mostly down to that, plus occasionally me thinking, "Hm, this episode would be cool to do in blue shark tank mood lighting," hahaha.

#ask #personal #callmeicarus #666 live on air #my writing #hazbin hotel #t #long post

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diviningrodtv · 3 days

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Oh yeah, NSH Time.

I've been holding this post back for like a week😅

I absolutely love how NSH came out and I think he's currently my favourite rain world model that I've done! (Sorry Pebbles, I'm going to upgrade you later anyway :]

I also made his scarf easily removable so you can see how the stripes aren't just on his head! The stripes and his irises also glow, but a bit brighter than the areas on Five Rotten Pebbles.

His antennae are pretty similar to how I did Sliver's, especially considering I did his first! XD They're separated from his head a bit.

Also if you've noticed in my art that his eyes are the exact same as in the model here, that's because they are! I tried finding a way to draw them how I usually might, but I just couldn't get the same vibe! So I said, "Fuck it!" and I've been drawing over his model ever since XD

NSH is also who I used to make the "umbilical arm" model! So if you saw those posts, that's why the textures are all messed up!

And here it is in all it's glory!

It's mostly made of ball joints with a flexible joint attached to the back. The last segment also twists just like your forearm bones!

Also..... lore shit below cause I have, plans™ so-

If you don't want to know why NSH is acting strange on my blog yet, read no further!

(there's also some downpour spoilers, and some other disturbing things)

*slaps top of can* This bad boy can fit so much fucking insanity in him. (cw: self-harm yeah you heard me)

If you haven't figured it out already (I did drop hints :) NSH's structure is damaged! His legs are giving out because a group of scavengers thought it would be funny to transport all of their explosives at once.

So he's in a bit of a pickle!

This is when Looks to the Moon and Five Pebbles' communication tower is repaired! During their first conversation in a very long time, NSH finds out about good ol' Hunter long legs, and is rightfully distraught! He feels like a total failure, that he wasn't experienced enough to properly create his messenger.

That's what this whole post was about!

But, experience is something that can be gained.

NSH figured if Five Pebbles was able to leave his can, then he should be able to as well, but that requires solving the three problems I mentioned in the Five Rotten Pebbles post:

The self-genome modification barrier,

A general lack of puppet central brain matter, and

No material processing within the puppet.

I'll talk about my umbilical lore for this AU here since it's relevant.

Either the "cord" or the "arm" can be disconnected, but not both. This is for ease of repair by administrators. Disconnecting them both would leave the unfortunate Iterator fully functional. Although, they would be blind in the visible spectrum (apart from overseers), unable to speak directly to someone in their chamber, and would otherwise have their workflow be severely impaired. They would effectively be trapped in their own head.

NSH realised that even if the barriers existed, they could still have the intentions, to break them. So what would happen, if he broke one? Not by writing it out of his system, Five Pebbles already proved how risky that method was, but instead by setting his actions in motion faster than any barrier could stop them? This was something to test, and wasn't that what Iterators were built to do anyway?

Umbilicals can only be disconnected by administrators, but what if he were to do it anyway? He needed to leave his can after all, it wouldn't be much of a loss if he was stuck on the floor of his chamber or floating aimlessly in zero gravity for a while.....

So what if he just ran fast enough to rip himself off?

What if he moved his arm back at the last second, could he gain enough inertia to pull it out of his back? Even if it took a few tries?

What other choices does he have? Perfect Five Pebbles' method until he collapses and continue even then? He had time, but not enough for that, and The Hunter certainly did not have any time for waiting around. NSH had to fix his mistake, he had to.

So this bastard goes and does exactly that, and short-circuits his entire system.

Not just breaking the umbilical maintenance barrier, but every other one in the process.

And it all hurts like hell.

But that's the first problem solved, and now he can help keep himself afloat longer. So that now, he can figure out how to solve the other two problems with precision.

Of course, the others won't like any of these plans, but, after what Five Pebbles did, they wouldn't dare disturb him if he stopped responding, right?

And maybe, he could even hijack their communications array, to look for help.

>:]

yeah so NSH is not sane

#No Significant Harassment #rain world #rw no significant harassment #rw nsh #low poly #3d model #blockbench #Digi's RW Design Posts #downpour spoilers #generally fucked up mentally unstable rain world nonsense under the cut. It's marked at the top when you click read more #long post #very long post

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nohoperadio · 16 hours

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Here's a little breakdown of my personal relationship/non-relationship with various types of aesthetic self-modification (?, I feel like there might be a word or at least a more elegant phrase to denote this category). The point is not to offer my "take" on each thing but to express the different feelings/desires/inhibitions my psyche manifests around them. Some of these will approach awkwardly personal territory, fair warning! You may notice that basically none of them are especially positive; I'm going to leave off from analyzing that pattern for this post.

Tattoos -- I think tattoos as a concept are extremely cool, frequently they're cool in practice also and I like seeing other people's, but I don't think I've ever had even the smallest urge to get one for myself. I'm not totally sure why. The lack of an obvious thing to get is one factor, I feel like "band tattoo" would be the most likely thing for me to have but I don't like the idea of directly lifting a band logo or album art and I really don't like the idea of a lyric tattoo (I offer no justification for these prejudices), so I'd have to get clever with it if I'm doing that and I'm not very clever. More broadly, I predict that my enthusiasm for any artwork I put on my body would fade through overexposure in a matter of weeks if not days--other people describe "barely knowing it's there" after a short time--which on top of making the value of the project seem dubious, I feel like having a permanent image on my skin that I don't actively love would be something I'd feel bad about rather than neutral. Like "man, that thing's on my arm and I don't care about it at all, that sucks" rather than just not noticing it. Maybe I'm wrong about that.

(Tattoos are the one that got me thinking about this whole subject I think, it feels like they're reaching a ubiquity in the culture where it's almost like you're expected to have a reason not to have one rather than a reason to? Maybe that's just a people-I-know thing, anyway it got me thinking about why I don't want one.)

Piercings -- An interesting thing about me and piercings is that it's virtually impossible for me to notice when somebody has them unless I'm like, actively consciously scrutinizing their face (or whatever it is). When I was about ten months into my current job I asked my co-worker who I worked closely with almost every day "hey when did you get that septum ring" and she was like "well way before I met you". That is simply how it is with me and piercings and I make no apology.

If my inability to perceive piercings (perceirvings...) makes me indifferent to the idea of getting one, what makes me actively hostile is the total certainty that I would fiddle with it constantly if I did. I know these hands and their ways and there would simply be no dissuading them, it would be so bad you guys, oh my god. This is probably the hardest no on the list I think, although I haven't finished the post yet so idk maybe I'll think of a worse one.

Makeup -- There's undeniably a lot that's very beautiful in the universe of makeup and there's also the weird dark side, I have dabbled a little in this area and in my heart I feel more positively than not about it, but it's just never going to be a sustainable part of my life because (not unrelated to previous para) I am a perennial and unrepentant face-toucher. I will be itching and rubbing my face-skin and also inflicting other hard-to-characterize punishments upon it (is this "stimming"?) until the day I die and anything that wants to be on my face has just gotta deal. It would probably be better if this was not the case but I don't make the rules, sorry.

Haircuts -- When I was a child I haaaaaated getting my hair cut, like the physical sensation of it? Was so horrible and would usually make me cry and always ruin my day (is this "sensory overload"?), I didn't understand why I was being made to go through this ordeal and basically as soon as I reached an age when I realized my mom couldn't literally force me to do it if I just stubbornly refused hard enough--that age was 13 I think--I stopped. I haven't had a professional haircut since that time although I'm sure I could cope with the sensory aspect at this point, it's just not a habit I ever picked up again (I've had a couple of non-professional ones from my ex who just kind of wanted to try it, in a not particularly ambitious or dramatic fashion). Sometimes I feel like I should, but idk. My hair as it stands is not optimized for making me look hot but I don't think it looks especially horrible either, it's just kind of whatever I think.

Complicating factor here: I've had trichotillomania since I was 15/16, and it's hard to imagine it going away at this point but it's a lot more under control than it used to be, to the point where you can't really tell just from my appearance that something's up now. I say "under control", I have very little conscious control over it and usually no conscious awareness that I'm doing it, but over the years the compulsion seems to have unconsciously settled into a routine where it's just kind of... sculpting my hair into a more-or-less normal silhouette? Like I sort of have a fringe and stuff despite no haircuts. Oh I guess this doesn't make sense unless I clarify that I mostly break rather than pluck the hair nowadays, that's a big part of the gradual unconscious shift that's occurred.

A fun thing about trichotillomania is that it often makes people really uncomfortable when you talk about having it, which sucks for me because it makes me feel lonely, but I guess it sucks for the person feeling uncomfortable too in a smaller way. If you're one of the people who feel uncomfortable around this topic, sorry! Quite genuinely.

Gender transition in general -- I feel like I'm just, just on the boring side of cis-by-default. I think about transitioning shockingly often for someone who's never gonna do it, like it's not searing a hole in my heart or anything like it is for a lot of people but it occupies that "it would be cool to learn an instrument" kind of niche in my thoughts, if that makes sense? (Probably a bit stronger than that analogy makes it sound, it's on my mind frequently but not with a massive sense of urgency attached I guess is what I'm getting at.) I can see myself taking the plunge if the medical technology was like 10% better, or the social technology was like 20% better, or with some medium-sized changes in how my personality was configured, but this life being this life there's no way in heck the juice would be worth the squeeze. If I had one fifth of the executive function required to do all of that lying to doctors and learning how to clothes shop and having awkward conversations with people in my life and all the rest of it, well I can list like ten things I'd rather spend it on first. And I don't!

Glasses -- Love wearing glasses, 10/10 no notes. I knew since I was like 11 that my face should have a pair of glasses on it and I was very smug when the optician agreed (I did not cheat on the eye test in any way for what it's worth). The only times I'm not wearing glasses are sleeping and showering. I don't even carry a case because there's no point because I simply don't ever take them off. This is probably overkill, I think as a kid I was instructed to only put them on when I need to see something in the distance, ignoring that and just wearing them permanently has probably led to my vision weakening to the point where they're now pretty much mandatory in every situation, but I don't give a shit about that because just let me wear my goddamned glasses okay, fuck off. It's actually crazy how much I like wearing glasses, this is the only true thumbs up on the list.

I remembering trying to explain how I like my glasses to a then-close friend of mine many years ago when the subject of laser eye surgery came up in conversation, he said I should get the surgery and then just wear glasses with non-prescription lenses. When I tried to explain why that wouldn't be the same at all he was adamant that I was just being stubborn. That guy was a wonderful person in many ways and I loved him very deeply, but man what a dumbass thing to say.

Facial hair -- There are so many great beards and moustaches in this world, there are few more cheering sights than someone bearing some swish whiskers who's pleased about it, but personally I don't wish to be involved in that business at all.

I never learned how to ride a bike -- Obviously this one doesn't belong on the list, it doesn't fit with any of the other categories, and yet I feel compelled to include it here. And why should I resist that which compels me? This is my post. Yeah, I'm the oldest of four siblings, we were all given bikes at the appropriate kid-on-bike age, the others picked it up but not me. I liked it when I had stabilizers on my bike, then they took them off and I started falling off the bike, and after a very short amount of time I gave up. Like I didn't get mad injuries or anything, it just felt like I wasn't improving at it quickly enough and I didn't feel like keeping it up so I didn't. Early indication of my bad personality.

Fashion in general -- Clothes shopping has always been extremely aversive to me for whatever reason, it's gotten a little better in recent years, I have been able to exist inside clothes shops for long enough to purchase a small thing or two, but eh. Most of my tops are band t-shirts I bought at gigs, most of my bottoms are exactly identical pairs of jeans, there's just not much going on you know? But unlike with most of the items on this list I would really like to be doing this properly. I would like to wear cuter things with prettier colours and designs. This one's an actual goal. But so far I haven't really made progress. The aforementioned shopping sucks thing, plus a fear of being so aesthetically clueless that I just make myself look like a big idiot if I try anything risky, plus the fact that doing things that are not my established routine is tricky in general--these are barriers for me. I guess another barrier is that the things that would be most interesting to try out and therefore most potentially motivating fall into the wrong-gender-clothes category and therefore bring into play some of the barriers from that other category a few ones up. I did actually somehow get myself to dabble in that area some years ago to a modest but positive degree of satisfaction. It'll probably happen again. The patterns and causes that determine whether I can or cannot find motivation to engage in a thing--they are mysterious indeed.

Like horn implants or whatever other crazy miscellany -- I don't want anything in this category and don't have any non-trivial thoughts about it either. Including this section for completeness only.

---

Well, there you have it, that's the post. Now you know a bit more about some of my little weirdsies. If you actually made it through the whole thing, a) how interesting and b) why not tell me a little weirdsy of yours in return, whether it pertains to the above list or not? Why not get all antiphonal on my post, that way I'd get to know a thing about you as well, it might be a whole fun kind of deal. You don't have to though, I didn't make this post to try to snare people into letting themselves be known, I just kind of made it to be a post mostly. I make all sorts of kinds of posts you know? And so I thought I'd try one that's like this.

#selfposting #uninteresting #more uninteresting than average #and a bit too long #and yet putting it in a readmore didn't feel right for some reason; sorry all!#have you ever tried listicle oversharing? it's weirdly freeing

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