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#Eliza Graves
lotrmusical · 3 months
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never let anyone tell you that trawling through mediocre victorian poetry isn't worth it. we just happened upon an absolute BANGER of a worm poem. go read it or else 🪱🪱🪱
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dulcemapis · 8 months
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Now I don't know about you but when Dutch said during the Blood Feuds mission, "Who steals a God damn boy?" Arthur damn well thought, People could do worse to a boy. Men, somehow worse than him, would take away a boy's life for lesser reasons than stealing moonshine and horses.
Evil men would take away a little boy's life for ten dollars. Isaac had been learning to read at that time; he could have been a doctor, or a lawyer, or an author. Arthur had been teaching him to fish then. Maybe he had been hoping to teach him to hunt, too, or just fire a gun so he could take care of Eliza while he was away.
He could have been so much more than just a little boy, and he died because his only sin was being in the wrong place at the wrong time.
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elizadushkudaily · 2 months
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ELIZA DUSHKU as Erica Open Graves (2009) dir. Álvaro de Armiñán
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ELIZA DUSHKU as Erica Open Graves (2009) dir. Álvaro de Armiñán
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gravecinema · 10 months
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Grave Reacts: Wrong Turn (2003) - 08/01/2023
In this video, my roommate and I will be reacting to our very first watch of Wrong Turn from 2003. This was a pick by our Patreon subscriber Fullmoon, and this was a decent backwoods slasher from the 2000s.
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cornfieldsrambles · 1 year
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Idk I think a retelling of Shadow Over Innsmouth that just fully embraces the subtext of Robert Olmsted overcoming his own internalised bigotry and embracing his heritage instead would be pretty neat. Sometimes a family consists of a newly self-discovered fish guy, his trans cousin that he broke out of jail, and their telepathic grandma, and that’s okay
(Characters from left to right: Eliza (she/her), Robert (he/him), Kailani (she/her))
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doublestandardlove · 22 days
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apparently i look like a homosexual flight attendant today ;-; alrighty then. also an overworked bartender. ig i'm a working woman now- all the respect
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I like to think Eliza and Jason's dads were coworkers and they had a friendly rivalry where they used Eliza and Jason to brag to each other.
Eliza's dad "You know, Eliza just got dance classes"
Hunter: "Huh, well Jason just learned how to shoot"
Eliza's father: "What was that?"
Hunter: "Nothing"
Silliness in the office.
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tybaltsjuliet · 1 year
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here's the thing about charles dickens. [discussion of his antisemitism, misogyny, and racism ahead.]
his last, unfinished novel, the mystery of edwin drood, features helena and neville landless, heroic and sympathetic south asian (sri lankan, specifically) characters, and the racism they endure in an english town is relevant to the plot to the point where neville ends up falsely accused of murder. in the wake of the indian rebellion of 1857, dickens applauded the english brutality against "that oriental race," and called for genocide.
fagin is called "the jew" 274 times in the first half of oliver twist. an article in the jewish chronicle asked why "jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." at first, dickens dismissed this, and claimed he was just being accurate about london's criminal makeup. but he was moved enough by eliza davis's letters to him on the matter that he halted the printing of the latter half of oliver twist so he could change the text and remove the antisemitic language therein.
dickens was an abolitionist who despised chattel slavery in the united states, and called emancipation a "moral duty." dickens didn't think black americans were intelligent enough to vote, and he wrote an entire character in bleak house who is a joke to be disliked and mocked because she'd rather oversee charity missions to help children in africa than be a proper mother and tend to her own family at home in england.
speaking of one's own family at home in england, dickens smeared his wife, catherine hogarth, publicly so he could justify separating from her and taking up with a younger woman. catherine hogarth was likely mentally ill, likely living with postpartum depression. she was also an author in her own right and loved her family dearly. her reputation never recovered in her lifetime from the claims he made about her. in dickens's novels, time and time again, from nicholas nickleby to david copperfield to our mutual friend to the mystery of edwin drood, men who menace and take advantage of vulnerable women are portrayed as the worst kind of villains, deserving of whatever grisly ends come to them.
charles dickens was both privately and publicly a raging asshole in many ways and the world would be worse off without him, because he wrote for bourgeois, comfortable victorians, the very people who so often failed to "think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." in the same breath that he calls agnes fleming, who opens oliver twist as an unwed mother dying in a workhouse, "weak and erring," he dares to add that "i do believe that the shade of that poor girl often hovers about that solemn nook-ay, though it is a church." he calculated jo's death to the page in bleak house for maximum effect. but when he wrote of the orphaned crossing-sweeper, "dead, your majesty. dead, my lords and gentlemen. dead, right reverends and wrong reverends of every order. dead, men and women, born with heavenly compassion in your hearts. and dying thus around us every day," people listened.
i dedicated years of my life to reading him and studying him and thinking about him and writing about him and his novels. now, i turn to condemn him; now, i turn to justify him. i wish i had a time machine so i could shake his hand. i wish i had a time machine so i could publicly debate him. i wish i had a time machine so i could break his nose.
charles dickens gives me courage and hope. charles dickens makes me want to tear my goddamn hair out. he is everything i despise and everything i love about the victorian age in one; the term "a man of his time" ought to have been invented for him. the leaps and bounds the victorians made for progress in the public good are only matched in greatness by the extremity of their atrocities against their "fellow-passengers" on this earth. the way we think about nearly every modern social ill can be traced back to the 19th century; the way we think about nearly every modern idea of social justice can be traced back to the 19th century. every last one is writ large and small in dickens's novels. he and his age are the greatest contradictions in human history and that's why i can't shut up about them, ever, even when i am exhausted by them, even when i am inspired by them, even when it was two centuries ago and it shouldn't matter anymore, but it does. it always will.
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murmiss · 1 month
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Yandere Simulator.
(accordingly, inspired by the game Yandere Simulator)
Pairing: Ghost/You, Price/You, Gaz/You,Soap/You, Graves/You, Konig/You, Alejandro/You, Rudy/You, Horangi/You. Valeria/You. (I assume that this is not all, since the idea is taken from the Yandere Simulator, in the harem version).
Warning: College, city and certain places and people are fictitious, the education system is fictitious, OOC is possible,My personal headcannons and character vision.Different ages, mention yandere,mentioning mental problems, etc.there may be mistakes in words, English is not my first language.
Summary: Inspired by the game Yandere simulator, where you are the main character, a simple girl in in which different guys with different types and characters are interested, and of course, there is Yandere.
you can express your opinion :)
1 part.
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You were born into a simple, extremely ordinary family. Your father was a banker, walking around in his favorite stereotypical outfit: a strict gray suit and a tie, as an indicator of masculinity. Every morning, Mrs. Attwoord, getting up early, cooked breakfast, her children's favorite scrambled eggs and sandwiches, collected breakfast and, like a loving housewife wife, escorted her husband to work, leaving an imperceptible trace of a kiss on his cheek, and carefully tying his tie with her elegant fingers. Next comes the younger brother, the "heir", as his grandmother affectionately calls him, although you sincerely do not understand it: what to inherit? Your father has no company, no business, no fancy house, what can the son of a simple bank employee inherit? But it's not the point that matters. Next, after her brother, the middle daughter Eliza wakes up- an exceptional beauty, with glossy wheat hair, a doll's face- almost a copy of her mother.Eliza was a promising dancer, but she was not a good singer, but she danced perfectly, performing a light bunch of moves to some loud song at every party. Then, at the very end, you woke up.
Usually, it was the last ring of the alarm clock, which you heard through the veil of sleep, not wanting to miss the outcome of the battle between Harry Potter and some fairies. But your mother's shriek, tired of trying to wake you up, let out a loud shriek, forcing you to jump up from your seat and rush to the bathroom, showering and washing up at speed.Standing at the mirror and looking at your exhausted eyes, your hands reached for a small cosmetic bag and your favorite concealer, which, as you hoped, would hide not only the sins, but also the dark bags under your eyes. Next was eyebrow gel and lip gloss - you didn't have much time to put on makeup, and you didn't see much point in it, because you weren't going on a date. In terms of clothing, your choice fell on a skirt-shorts in a large pleated dark blue color, beige T-shirt, which for convenience you tucked into the skirt, a light cardigan for warmth, and complemented the image of black capron tights, which at least somehow but added to the image of completeness. And on your feet you left comfortable sneakers.
After stuffing notebooks and stationery, house keys, lipstick, hairbrush, and perhaps a sketchbook into her backpack, the girl quickly went down to the first floor, grabbed a sandwich from the table, and hurried out of the house, to the excited cry of her mother: "Honey! You forgot your breakfast!"
But the bus, you know, won't wait for you to finish, so you sped up and headed for the bus stop, but when you saw the damn bus in the distance, you immediately broke into a sprint, running like a marathon runner and mentally cursing.
"If you leave now, asshole, I'll put a curse on you!"
And thank God, as if hearing your pleas (curses), the driver waited for the girl in distress. Almost jumping into the bus, skipping the steps, you plopped down on the only free seat and relaxed exhaled, leaning back on the back of the uncomfortable seat. A couple of stops later, leaving the packed bus, or rather, the mechanical inferno, the gates of the college appeared before your eyes. The college was a historic building that people had equipped as a "place of knowledge". Antique patterns, massive doors made of pure wood, high ceilings - all this looked really intimidating and mesmerizing. Passing the gate, you looked at the students with interest: here were girls in brightly colored dresses excitedly babbling about something, here was a group of guys, six people laughing, and here were just loners walking towards the building with headphones in their ears. There were huge trees growing on the college grounds: pine trees, mighty oaks, and even flowers. The place was indeed beautiful. But soon after you took your eyes off the beauty of the place, you noticed that there was already five minutes of class going on! As you rushed into the building, you slammed into someone's strong chest. When you looked up, trying to catch your breath from a short jog, you saw a guy, tall, sturdy, and wearing a half-face mask, which was a little weird, because it wasn't quarantine period or anything. Well, maybe it's an image of him, you thought. Realizing you've been staring at each other for a few moments, you mumble.
-Oh, I'm sorry, I didn't see you there.
You didn't? That's the stupidest excuse ever, to be honest, because it's hard not to notice a big guy like that. The guy nodded, but didn't answer, and, feeling rather awkward, you threw another "sorry" and rushed further into the classroom. And good thing the teacher was late. Entering the classroom, you noticed a guy who sat with an improvised slingshot in his hands, made of two pencils and a rubber band. Oh, yes, you know this jerk - John MacTavish, a Scottish guy, explosive in character, but at the same time the soul of the company and incredibly cute and dorky guy. Noticing you he waved his hand, removing his backpack from its place and beckoning you over. Shaking your head, you quickly climb up to the top and plop down on the seat next to him, pulling out a space-print notebook and a couple of pens.
-What have you got there? When did you start liking Cosmos?- John asked with interest.
-I borrowed a couple of notebooks from Eliza,-you said, sighing, and put your elbow on the table, propping your head on your hand and staring at John, who was fastening erasers and pens with little rubber bands.
-What are you doing?
-Sword-with a serious face John answered, causing you to raise an eyebrow and ask: "A sword?"
-Yeah, the guy pulled out a little man made of erasers from his pencil case and happily demonstrated it to you.
-God, John...-a slight laugh escaped your lips.
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prince-kallisto · 9 months
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Ramshackle Gravestones
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Ramshackle Dorm has a fascinating connection to ghosts and the undead: from the haunted mansion look, three ghosts, and two gravestones…wait, gravestones? I just recently discovered the two gravestones at Ramshackle Dorm- I’m the type of person who misses obvious details like that haha. I heard other people say that maybe it was a Halloween decor choice, or something made by the ghosts to scare people off. After all, there’s a shovel right in front of the Ramshackle gates.
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But look at Ramshackle dorm when it turns into the “Dazzingly Dapper dorm.” All renovated and shiny- the gate and stairways are all replaced with more elegant designs. However, the two gravestones still remain, are REPLACED with new stones, are given a more formal and respectful placing. The gravestones even have a separate path leading to them. And as we know, Ramshackle was under renovation for quite some time after Book 6 shenanigans, and Vil was definitely part of the designing process.
So why give such a prominent spot to *fake* gravestones? I personally think that these gravestones are the real deal. But not only because of this evidence, but because Ramshackle attracts the undead. Think of the three ghosts and Eliza from the Phantom Bride event- there must be an underlying reason that the dead are attracted to Ramshackle. But that’s where the bigger question lies: Who did these graves belong to?
Of course, that would be nearly impossible to deduct. There’s likely a whole slew of characters we haven’t been introduced to yet, especially now that we’re beginning to learn about Fae backstories. But I want to debate as many possible options to hopefully spark some ideas ^_^ Spoiler alert: none of these options feel convincing enough, but I think there’s a reason for that (more on that later)
-The Ghost trio: The immediate answer would be these guys, but why have only two gravestones instead of three, especially since the gravestones were replaced? I talked A LOT more about the ghost trio in my previous theory post, but all three died in their old age, none of them died as students.
-Eliza: Nope. Haha a little harsh, but she just didn’t meet any of the criteria for this one
-Portraits: In Ramshackle dorm, there are portraits of a woman, but I’m still not convinced that she has any relevancy other than just being a reference.
-Past NRC students: This seems like a possibility AT FIRST, but now we have to confront the main problem with these gravestones.
Look at the shovel, the haphazard placements of the gravestones, the unkempt the yard. Hell, just consider the fact that Ramshackle is ABANDONED. If it were past students, or meant to be a memorial for ANYBODY, why give them such disrespect? If a student ever died due to an Overblot tragedy or any other incident, there’s no way their graves would have become this disregarded- it’s highly unlikely that student bodies (no pun intended) would be buried on school ground in the first place!
Hm. Back to square one- or so I thought. Looking at both gravestones again, they seem to be unmarked. It would’ve been very easy to draw in a few squiggles or lines. If they’re not meant to be read, so be it, but why leave the graves unmarked?
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After all, as we can see from the Halloween events, or even just the statues of the Great Seven, the graves are MARKED, despite being event background props
Graves were (and are left) unmarked throughout history for various reasons: Too many victims of disease, too poor to afford a proper memorial, or suggest that the person burying ISN’T worthy or memorial and respect.
Interesting 👀 We may be making some progress with that last point- and it may be the reason why Ramshackle was abandoned. Again, I talked more about it in my previous theory post, but the ghosts were definitely not the reason why Ramshackle was abandoned. If anything, it was a coverup for something big. After all, at least a hundred student have had to have been displaced, and new rituals would have been required.
Thinking more about the shovel and the crooked gravestones is interesting. It’s almost like the placement of these gravestones were rushed. And with Ramshackle being abandoned, no one would have to think about these gravestones. I feel confident that the graves were placed after the abandonment of Ramshackle dorm, because although the dorm has a very haunted look to it, it must have been completely different in its prime. No dorm would have a shovel lying in front of the gates!
Still, it’s bothering me that these gravestones were made on school grounds in the first place- unless the graves were related to someone from the school. Someone who wasn’t worth remembering- or perhaps their identity is kept secret for another reason entirely.
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But there’s even more things that are bothering me. Let’s look at the graves once more: They’re different sizes. The one of the left is larger, the one of the right is smaller. And even with these renovations, the different sizes remain the same.
Is it perhaps implying that the one of the left was older, and the one of the right was younger? Like a child and an adult?
(*heaves in Revan/Crowley theories because what if it represents Mallenoa and Malleus because notice how the long is RIGHT NEXT TO THE GRAVESTONES in the Halloween event*)
Anyway, I still can’t think of the two possible victims, and they likely are people we haven’t met yet in the main game or are involved with the fall of Ramshackle. But I have one last desperate suggestion: What if the gravestones represent two people that haven’t died…yet? If the time loop theory is relevant, what if two key characters ended up dying from the monster in the prologue?
Edit: A comment or mentioned what if the gravestones were for MC and Grim 👀 the different sizing of the gravestones would make so much sense
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AS USUAL I have no clue 🤩 At the moment, so much is kept in the dark, and literally all I can do is speculate and obsessively analyze everything. I feel like I’ve learned a lot about Ramshackle with these posts, even if we technically aren’t any closer to discovering the truth 🤣 I’d love to hear any suggestions and ideas, because I’m so lost haha
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frnkmush · 18 days
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when eliza said, “you could have done so much more if you only had time”, but it’s barty breaking down at evan’s grave – the only time he’s cried since he was a child.
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ELIZA DUSHKU | Open Graves (2009)
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sixminutestoriesblog · 11 months
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Mercy Brown: when superstitions go awry
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Tuberculosis is an insidious disease that comes in quietly and sweeps away entire families, rarely content with just one or two before its run its course. This slowly dividing bacteria travels from host to host through aerosol droplets via sneezing, coughing, speaking and other airborne paths. Considering the fact that TB attacks the lungs most often, resulting in, among other things, coughing up bloody phlegm, this means its highly transmissible and yet, luckily, very slow to be caught by the average passer-by. The longer someone spends with the sick person, and the less well ventilated an area is, the more likely the disease is to pass on to the next victim. Most people that came down with TB caught it from sick family members. These days we have a vaccine against it but TB has been around for most of humanities' recorded history, with even Egyptian mummies having been found with physical evidence of it. In Victorian (and later) times the disease was referred to as 'consumption' with little understanding of its source or its cause, an unknown horror that seemed to come from nowhere, prey on an entire family or community and than vanish again just as mysteriously.
In 1883 (or 1884 or 1888 -the dates are all over the place), a woman in Exeter, Rhode Island by the name of Mary Eliza died of 'consumption'. Six months later, her oldest daughter, Mary Olive, joined her in the graveyard. The distraught husband, George, waited, one can only imagine, with terror for the rest of their children to be swept away as well but for the next several years, all was well in the family. Then, in the cold months at the end of 1891, his daughter Mercy Lena came down with consumption.
From our place, safely in the future, we can look at the case and wonder if she was exposed to a new strain that finally found a weak spot the previous one hadn't and laid claim to her. It's entirely possible however that the same bacteria that killed her mother was now killing Mercy as well. Mercy might have contracted what's known as latent TB from her mother, a case where the bacteria lies dormant in the system, the victim a benign carrier who can't infect others until something, usually an event that suppresses the immune system, triggers it into a full blow, active bought. Whatever the case, whether it was a new infection or the haunting family ghost of her mother's older one, Mercy, and her younger brother Edwin, both came down with active TB in 1891. Edwin, a teenager at the time, was sent to Colorado in the hopes it would heal him - but Mercy died in the first month of the new year, going the way of her mother and older sister before her to the grave. She was only 19.
The story should have stopped there.
I wouldn't be writing about this if it had.
Edwin returned from Colorado and his health continued to decline. Soon, if nothing changed, he would follow the majority of his family into the grave. The neighbors had a plan though. They just needed his father's permission.
What they proposed was that an evil entity was draining the life of the Brown family, picking them off one at a time and returning for each new victim. The evil that was killing the family - was a member of the family.
Here's where we get into the superstition part of things. If you read articles online about Mercy Brown you'll find the word 'vampire' thrown around a lot. It was the word used in the newspapers of the time, that caught wind of what the neighbors planned, and its also modern culture, thanks in large part to Bram Stroker's Dracula (there is speculation that his character of Lucy might have had its roots in stories he'd read about Mercy in the newspapers of his time. Dracula, remember, was published in 1897). A dark force, rising from the grave to suck the life out of its victims. Well, yes - and no. Modern vampires, the way we collectively view them now, with fangs and a hunger for blood, creeping around through windows and walking among us on our crowded nighttime streets is a new reskinning. During Mercy's time, and much much further back than that, the 'vampire' associated with disease like TB was much more nebulous. For many cultures, what was rising out of the grave to drain the life from its own family had more resemblance to an angry or hungry ghost, than a walking, talking monster. A distinction that, realistically, has no bearing on the end result but, metaphysically, the story changes. It becomes something personal, to the victim and the neighbors around the family, someone they knew in life, someone they watched die. It's the sorrow and the potential rage and absolutely the confusion of why it happened in the first place, rising like fog from the grave to whisper across the landscape, trying to take what it once had back to the cold of its tomb with it. It's the familiar knock of a friend at the door when the friend isn't there anymore. It's the smile you knew all the nineteen years of its life on the other side of the window on a moonless night. When the neighbors wanted to dig up Eliza, Olive and Mercy, there was the quiet whisper that traced back through a thousand ancestors into the far past of humanity that murmured that love doesn't die when the body does - and that that's terrifying, not comforting.
George, with his son dying, agreed to let the neighbors go digging up his family. Maybe he believed them, some accounts say he didn't, but whatever the case, he let them pull up the bodies of his dead loved ones out of their cold graves in the late winter and lay them out right there for testing. Mary Eliza and Mary Olive were safe. They were too rotted to be the hungry ghost that was trying to take young Edwin with it. Mercy however - Mercy, according to the reporter that was onsite to record all of this, looked far too fresh to be a two month old corpse. Her hair and nails had grown, her body looked unblemished, reports said her body had shifted since it had been laid out and, most damning of all, when her chest was cut open by the local doctor, her organs were found to still have blood in them. It wasn't important that Mercy's body had been in the ground during some of the coldest, and therefor most preserving, months of the year. They certainly didn't know about the buildup of gas in a body that can make it move or the way the skin shrinks and pulls back from nails and hair, making them seem to grow. No. What they saw was that Mercy wasn't content to travel into death alone. She wanted her baby brother to go with her.
So they burned her heart on a stone in the graveyard, put the ashes in a drink and had Edwin chug it down. In a move that dates back to, at least, Achilles desecrating Hector's body in the Iliad, you rob a ghost of its power by mangling the body that ties it to both this world, and its recognizable identity.
It didn't work. Within two months, Edwin was dead as well. The story however, lived on. Perhaps in Stoker's Dracula and certainly in the papers of the day. Mercy was, perhaps, the last body dug up in New England and given the 'vampire' treatment. She wasn't the only one however. There are at least six other recorded, and possibly other unmarked, instances during what came to be known as the New England Vampire Panic that swept the upper US during the 1800s. Mercy, at this point, seems to be the last, coming in on the tail end of the old century and the beginning of the new. A last flicker of the old superstitions dying out in the face of rising science.
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sweatermuppet · 11 months
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what good disturbing books have u read thus far?
im gonna list everything ive read. 🌟 means they're very good, ✅ means they're pretty good, & ❌ means i did not like them
trapped! the story of floyd collins by robert k murray & roger w Bruckner ✅
all the pretty horses by cormac mccarthy 🌟
the revenant by michael punke ✅
blood meridian by cormac mccarthy ✅
hogg by samuel r delany (unsure how to rate this one)
saving noah by lucinda berry ❌
piercing by ryu murakami 🌟
tell me im worthless by alison rumfitt ❌
the summer i died by ryan c thomas ❌
to be devoured by sara tantlinger ❌
bear by marian engel ✅
tender is the flesh by agustina bazterrica 🌟
and then i woke up by malcolm devlin ❌
you should have left by daniel kehlmann 🌟
the haar by david sodergren 🌟
maggies grave by david sodergren ✅
the vegetarian by han kang ✅
split by cathy linh che 🌟
& i am currently reading kill anything that moves: the real american war in vietnam by nick turse & boy parts by eliza clark
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magicalshitposts · 4 days
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Ancunìn Family HCs
Some Headcenons of the Ancunìn Family outside of Astarion
TW - Mentions of Cazadors Abuse, Slight mention of emotional abuse, it's mainly cute I promise
The Ancunìn Family has Four children. Astarion is the eldest. He has 2 sisters and brother. The second eldest is his sister Eliza, then his brother Rohan, then the youngest Angelica, who he has never met.
Astarion was taken before Angelica was born. She is now 180.
The Ancunìn mother is called Emile (she left after Angelica was born). The Ancunìn father is called Darmi.
Astarion hated Emile. She was an emotionally manipulative woman who he wanted very little to do with.
Astarion was very close with Darmi. He is an author and as a child, Astarion loved to read his sibling Darmi's books.
The Ancunìn children bickered a lot as children, Astarion was the annoying mean older brother but he would die protecting his siblings if needed.
Bar the gauge recollection of having a family, Astarion doesn't remember the details of his family after being turned. He just knew he loved them.
Cazador would use the threat of telling Astarion to bring in his siblings to be fed on by Cazador, this hurt Astarion more as he wouldn't be able to know who his siblings are until it was too late.
He does reunite with them after the events of the game (planning to write a fanfiction about that so no spoilers).
They left his bedroom exactly as he left it, even though he doesn't remember it. Nothing had been changed. They were too upset to move anything.
The Ancunìn's had a cat called Lady when Astarion was young. She's gone now, but they have a little grave they all pay their respects too.
However Lady's lineage lives on. Her children and grandchildren have been the Ancunìn's cats since she gave birth to her first litter.
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