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#English pop rock band
k-i-l-l-e-r-b-e-e-6-9 · 10 months
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𝔗𝔢𝔞𝔯𝔰 𝔉𝔬𝔯 𝔉𝔢𝔞𝔯𝔰 – ℌ𝔢𝔞𝔡 𝔒𝔳𝔢𝔯 ℌ𝔢𝔢𝔩𝔰
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Tracklist:
I'd Have You Anytime • My Sweet Lord • Wah-Wah • Isn't It A Pity (Version One) • What Is Life • If Not For You • Behind That Locked Door • Let It Down • Run Of The Mill • Beware Of Darkness • Apple Scruffs • Ballad Of Sir Frankie Crisp (Let It Roll) • Awaiting On You All • All Things Must Pass • I Dig Love • Art Of Dying • Isn't It A Pity (Version Two) • Hear Me Lord • Out Of The Blue • It's Johnny's Birthday • Plug Me In • I Remember Jeep • Thanks For The Pepperoni
Spotify ♪ YouTube
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toshkakoshka · 11 months
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hey chaipunk likers!! do you guys have any hindi songs to recommend? also punk love songs id appreciate it very much xoxo
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theditchlillies · 2 years
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Harriett Wheeler // The Sundays // early 1990s
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th3-0bjectivist · 2 years
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     While kicking off this new ‘season’ of musical posts I suppose it’s important to remember why I started posting music with commentary in the first place. I primarily did it because I’m an ex-radio deejay that has heard some great and uncommon sounds that few others have even dared to broach. Sometimes the best tunes out there are tracks you’ve never even heard of. Being connected to the music industry a wee bit more-so than your average Jane or Joe, I have had the distinct pleasure of stumbling across singles or full albums by promising artists which have sadly gone unheard of by the public at large. Enter this week’s musical feature; Curve, a rare man/woman electric-rock duo that disappeared over a decade ago. Question: Remember Garbage (Shirley Manson, prominent in the late 90′s to early 2000′s, ‘I’m Only Happy When It Rains’)? Curve sounded like Garbage before Garbage even existed, and they stayed true to their form until the bitter end. You see, Garbage eventually went pop, alienating a significant cross-section of their core audience in the process. Curve did not break with their sound principle, not only preceding Garbage in terms of timeline/production, but also sticking to their guns and staying true to their rocktronica sound until their bitter end in 2005. Do you like heavy beats, sexy vocals, and a shoegazing atmospheric backdrop? Don’t you worry baby, Curve’s got you covered in spades! Managing to generate a solid but limited cult following, but never reaching quite the commercial success of groups like Garbage, they split once in 1994 and then again approximately a decade later. Fun random fact: the lead lady vocalist, Toni Halliday, is married to record producer and music industry legend Alan Moulder, who you might remember for formulating great albums with the likes of The Smashing Pumpkins, NIN and the Yeah Yeah Yeahs. But enough of my pedantic ramblings, smash play and enjoy a song you’ve never heard of from an album you’ve never heard of, Chainmail from 2001′s Gift. You can find the full album here if you like the cut of their jib. Expect one tune per week from me until end of 2022, dear listener!
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Curve in their prime, 1990′s. Image credit: http://curve-online.co.uk/archive/images/photo/05.php
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always-a-slut-4-ghouls · 10 months
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I’ll listen to music that’s new to me but in genres I like and I’m like “this is so normal though” when talking about it but then I hear common pop like Taylor swift or something and I’m like “oh. This is definitely a different genre actually”
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wclassicradio · 2 years
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bellheadband · 2 years
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BELLHEAD is doing two nights with 80's English new wave / synth-pop band China Crisis. Tuesday June 21st at Shank Hall in Milwaukee, WI followed by Wednesday June 22nd at Space in Evanston, IL.
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theanaloglibrary · 10 days
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The Stranglers, Friday the Thirteenth, Live at the Royal Albert Hall (London), 1997 First edition - 1997, Eagles Records (Eagle Rock Entertainment Limited)
Tracklist 1. Waltzinblack 2. Valley of the Birds 3. Skin Deep 4. Always the Sun 5. Face 6. Daddy's Riding the Range 7. Strange Little Girl 8. Still Life 9. Let me Down Easy 10. Golden Brown 11. Lies & Deception 12. European Female 13. All Day and all of the Night 14. Duchess 15. Down the Sewer 16. Five Minutes 17. No More Heroes
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The Cure – The Last Day Of Summer
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Tracklist:
What Makes You Beautiful • Gotta Be You • One Thing • More Than This • Up All Night • I Wish • Tell Me A Lie • Taken • I Want • Everything About You • Same Mistakes • Save You Tonight • Stole My Heart
Spotify ♪ YouTube
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pat2dee · 3 months
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Back in the early 1970’s, before we had a leisure centre in Guernsey that put on current rock and pop acts, we had the quaintly named Little Theatre, which is exactly what it was. But it did bring us some acts that had noteable hits, like Edison Lighthouse’s “Love Grows (Where My Rosemary Goes), Christie’s “Yellow River”, Love Affair’s “Everlasting Love” and Pretty Things “Don’t Bring Me Down”
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quirkydoodler · 5 months
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Asian Kung-Fu Generationの「未来の欠片」・"Piece of the Future" by Asian Kung-Fu Generation
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Very powerful lyrics and instruments here!! Requested by JO; I am happy to say I will definitely be checking out more songs by this band :D
Below cut are lyrics sectioned off in Japanese, Ro-maji, and English versions!
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些細な言葉や何げない仕草で 綻ぶ思いをただ確かめたい僕の歌
悲しい顔もして切ないふりして 消えゆく思いをただ塞き止めたい今日の歌
雨の道を這ってるトカゲみたいにきっと何処かで 止むのを待っているのさ きっと僕を
繋いでいたいよ 君の声が聞こえた日から萌える色 伸ばした手から漏れた粒が 未来を思って此処に光る
些細な誤解や行き違う心で 綻ぶ思いをただ塞き止めたい僕の歌
過ぎ行く時間が奪っては壊して それでも思いを繋いでいてよ
溶け出す心 僕の声が途絶えた日から萌える色 繋いだ手から漏れた粒が 未来を思って此処に光る
繋いでいたいよ 君の声が聞こえた日から萌える色 伸ばした手から漏れた粒が 未来を思っている
繋いでいたいよ 君の声が聞こえた日から萌える色 伸ばした手から漏れた粒が 未来を思って此処に光る
此処で光る君の破片 此処で光る僕の破片
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Sasai na kotoba ya nani genai shigusa de Hokorobu omoi wo tada tashikametai boku no uta
Kanashii kao mo shite setsunai furi shite Kieyuku omoi wo tada sekitometai kyou no uta
Ame no michi wo hatteru tokage mitai ni kitto doko ka de Yamu no wo matteiru no sa Kitto boku wo
Tsunaideitai yo Kimi no koe ga kikoeta hi kara moeru iro Nobashita te kara moreta tsubu ga Mirai wo omotte koko ni hikaru
Sasai na gokai ya ikichigau kokoro de Hokorobu omoi wo tada sekitometai boku no uta
Sugiyuku jikan ga ubatte wa kowashite Soredemo omoi wo tsunaideite yo
Tokedasu kokoro Boku no koe ga todaeta hi kara moeru iro Tsunaida te kara moreta tsubu ga Mirai wo omotte koko ni hikaru
Tsunaideitai yo Kimi no koe ga kikoeta hi kara moeru iro Nobashita te kara moreta tsubu ga Mirai wo omotteiru
Tsunaideitai yo Kimi no koe ga kikoeta hi kara moeru iro Nobashita te kara moreta tsubu ga Mirai wo omotte koko ni hikaru
Koko de hikaru kimi no kakera Koko de hikaru boku no kakera
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With something like a small word or a casual gesture I just want to confirm the unraveling feelings, with my song
Put on a sad face and pretend to be sad I just want to hold back the thoughts that are fading away, with today’s song
LIke a lizard crawling along a rainy path, surely somewhere out there, I’m waiting for them to stop Surely they’re waiting for me
I want to be holding on To the colors that burst out from the day I heard your voice To the grains that spilled from my outstretched hand Thinking of the future, shining here
With something like a small misunderstanding or hearts that cross each other I just want to hold back the unraveling feelings, with my song
The passing time deprives and destroys Even so, hold on to those thoughts
A heart that starts dissolving The colors that burst out from the day my voice cut off The grains that spilled from our joined hands Thinking of the future, shining here
I want to be holding on To the colors that burst out from the day I heard your voice To the grains that spilled from my outstretched hand Thinking of the future
I want to be holding on To the colors that burst out from the day I heard your voice To the grains that spilled from my outstretched hand Thinking of the future, shining here
The pieces of you that shine here The pieces of me that shine here
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so0ppa · 6 months
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kacey's favourite artist is billy joel and ace's is foo fighters (real & canon)
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Jamiroquai - Virtual Insanity 1996
"Virtual Insanity" is a song by British funk band Jamiroquai, released on 19 August 1996 as the second single from their third studio album, Travelling Without Moving. The song interpolates parts of Jocelyn Brown's 1984 post-disco hit "Somebody Else's Guy". "Virtual Insanity" was a number-one hit in Iceland and reached number three on the UK Singles Chart, as well as becoming a top-10 hit in Finland, Ireland, and Italy, the song also climbed to number 38 on the US Billboard Modern Rock Tracks chart upon the single's release in the US in 1997. The song also earned the band a Grammy Award for Best Pop Vocal Performance by a Duo or Group. Thematically, the lyrics are concerned with issues like overpopulation, human genetic enhancement, eugenics and ecological collapse. In the beginning of the song's album version, a sound that is sampled from the 1979 sci-fi horror film Alien appears. It is the sound sequence when the S.O.S. signal appears on the screens of the spaceship Nostromo at the start of the film. The music video for "Virtual Insanity" was directed by English filmmaker, director, and screenwriter Jonathan Glazer. At the 1997 MTV Video Music Awards it won 4 out of 10 nominations; Breakthrough Video, Video of the Year, Best Visual Effects and Best Cinematography. In 2006, it was voted 9th by MTV viewers in a poll on music videos that 'broke the rules'. In addition to heavy rotation on MTV and other music television networks, the video for "Virtual Insanity" has amassed more than 250 million views on YouTube as of August 2023 and has seen renewed attention on TikTok, gaining millions more views through various memes and remixes. It has been parodied, referenced, remixed or imitated in countless music videos, television shows, and internet memes. On a personal note, I love each and every one of you who tagged the poll as "#rearranging furniture" in your reblogs! 😂💖 "Virtual Insanity" received a total of 80,7% yes votes!
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hazelsmirrorball · 7 months
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 Rockstar girlfriend | Hazel Callahan
Rockstar! Hazel Callahan x Popstar! Reader summary: Y/n despises Hazel and due to that they decide to put them together in a PR relationship Warnings: Enemies to lovers! Heavy make out session, English isn’t my main language  a/n: This is going to be several parts, hope you enjoy!
part two. part three. part four.
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There were a few words Y/n could use to describe Hazel Callahan. Annoying, cocky, rude, careless, egotistical, arrogant and the list goes on and on. Y/n could talk for days about her hatred towards the girl but she was aware that the only thing she couldn’t call her was untalented. 
Hazel was an excellent song writer and a perfect musician. She played every single instrument known to mankind and she had a voice of an angel. She had several awards to her name, best song writer, song of the year, best music video, best upcoming artist, Every category that existed, she had won. Y/n would bet that with all the money she had, she probably paid someone just to come to her house to clean her grammys just to get her daily doses of ego up.
 Hazel Callahan had everything. Her band, The Bottoms, was selling hit after hit, becoming one of the best Rock bands to ever exist. Yeah, PJ, Josie and Hazel were talented, she really couldn’t deny that but did they really have to rub it in their faces? It seemed that everywhere Y/n went Hazel seemed to follow her. Billboards in Time Square haunted her, magazines with their recent shoot in her local supermarket made her scream, The band being featured in her favorite show made her break the remote,  the loud mall speaker blaring their music drove Y/n to the edge. Everyone wanted something to do with the band collabs, interviews, photoshoots, hell they even had their own toothbrush line. But the thing that drove Y/n insane was the fact that Hazel’s band was under the same record label and management as Y/n. 
Isabel, Brittney and Y/n made it their life mission to work hard to get to where they were. Sure they didn’t play instruments on stage like The Bottoms or made your ears bleed with the hard rock music but they had managed to make actual good music with dance moves. They were the pop girlies people would die for but due to the fact that Hazel’s mother had something to do with the record company everything related to them always came second. 
Y/n hated Hazel because everything she worked so hard for was pushed to the side because she was mommy's little princess and it drove her insane. She could do elaborate dances, make the best song to mankind and she would still come out second place.  
Y/n wasn’t the best when it came to hiding her feelings, so it was pretty obvious that she couldn’t stand being in a room with Hazel for more than one minute. At first, some people of the management team found out but they simply brushed it off thinking it was some type of petty drama. The higher ups started noticing the glares or scoff Y/n would throw to Hazel’s way. But Y/n had dropped a big one, by writing a song indirectly hitting hatred towards a certain girl. It wasn’t hard for the fans to get the hint, clicking every interview or award show where both girls were seen together. Everything made sense but this caused everyone to start taking sides which wasn’t good for any of the bands. That’s when their PR team went to work and that’s how Y/n found herself straddling Hazel's lap waiting for the paparazzi to show up to take a picture of the two. 
If they wanted people to get out of their business and think that the song wasn’t about her and that she actually tolerated Hazel they needed to be spotted making out. The perfect idea, at least that was how both PR teams made it seem. It was an opportunity for both bands to finally click together and Y/n was getting the short end of the stick. 
Y/n let out a groan, already frustrated in the situation she was in. Her hand rested on Hazel's cheek while Hazel's hands gripped on her waist, her cold rings sending shivers to her spine. They had been straddling each other for the past 45 minutes in Hazel’s car waiting for the paps to show up. 
“When are they getting here? Isabel said that they were going to show up half an hour ago. I’m already done with this shit” She muttered as she attempted to sit straighter, her skirt slowly rising up making Hazel sneak a discreet look. 
“Why are you so eager to leave? I thought we were having fun” Hazel responded sarcastically as she rested a hand on her thigh squeezing it a little to make her stay still.  Y/n looked away from the car window and focused her gaze on Hazel’s blue eyes. 
“Well, I would enjoy spending my weekend on top of someone that I can actually stand, rather than being here with you.” She said, sending her way a fake smile. Hazel rolled her eyes tapping her thigh sending her one of her famous smiles that Y/n was tired of seeing in those damn magazines that stayed near her night stand. 
“Really? I didn’t know you had so much action? By the looks of it you are turned on just by my hand gripping on your thigh. Don’t worry, if you want you can grind on it” She responded with a cocky smirk , making Y/n slap the side of her head making Hazel let out a loud laugh. 
“You really think you're the shit, can you jus..” Y/n got cut off by Hazel placing her thumb on top of her lips, grazing them softly. 
“All you do is bitch and moan with those damn pretty little lips of yours, can’t you do something else?” Hazel said her soft breaths hitting her lips. Y/n could feel the space in the car getting closer as Hazel’s eyes gazed at her lips. “Not so vocal anymore, what happened, cat got your tongue?” 
“You always have to rui..” Y/n started but got cut once again by Hazel’s lips on her. It took Y/n a few for her to kiss back but as a few seconds passed by she finally caught herself kissing back. Both of the girls kissed desperately fighting for dominance or finally letting out that sexual tension that they’ve bottled up for years. 
Hazel's hand reached towards Y/n’s ass, gripping harshly making her moan. Y/n’s hand gripped on Hazel’s hair as she let out a low whimper making Y/n smirked into the kiss. Before she could even think about a comeback, her thoughts got snapped into reality by seeing flash coming towards the window. 
“Don’t worry, I take my job really seriously so don’t take that kiss to heart sweetheart. Take this as excuse about writing a song about me but this time, don’t say I’m a bad kisser” 
part two part three
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