Tumgik
#I adore him so much <3<3<3
fiepige · 8 months
Text
Hobie hand gestures part 2
Part 1 is here
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
159 notes · View notes
hualianschild · 4 months
Text
Tumblr media
3K notes · View notes
paperultra · 8 months
Text
back of house.
Pairing: OPLA!Vinsmoke Sanji x Fem!Reader Word Count: 1,113 words Warnings: Mild swearing
Tumblr media
If it weren’t for his principles regarding women, you’re fairly certain Sanji would’ve throttled and strung you up to dry by now.
“I … I’m impressed, sweetheart,” he says with a bright smile, though under the swinging lights of the kitchen it seems more out of pain than pleasure. “You managed to burn water.”
Your cheeks flame as you peer into the blackened pot with him, all traces of the water you’d been tasked with boiling completely gone. Vanished. You have no idea how or why.
“I’m sorry, Sanji.”
“No need to apologize. Everybody makes mistakes –”
“Sanji!” you hear Zeff before you see him round the corner. “Why the hell do I smell something burning in my kitchen?”
“None of your business, old man,” Sanji snaps immediately, murmuring a quiet excuse me, dear to you before taking the pot by the handle and heading to the sink. He twists the faucet open and running water roars like thunder in your ears as he thrusts the pot underneath. “I have it under control.”
“Under control, eh?" Zeff says. He suddenly turns his squinted gaze upon you, and you shrivel. “This your doing, missy?”
“I –”
“Leave her alone,” Sanji interrupts. “I didn’t give clear enough instructions. It was my fault.”
“Oh, there’s no doubt about that.” Eyeing your guilty and defeated figure next to the stove, Zeff shakes his head with a sigh and points you to the door. “[Y/n], go out and wait tables for the rest of your shift.”
Immediately, you make a move to remove your apron. “Oka –”
Sanji makes a noise of dissent and turns the faucet off. “Wait tables? She can still chop the vegetables and help me plate.”
“You’ll do that yourself. Front of house needs the extra person, anyway.”
“I’m her mentor.”
“And I’m the damn boss.”
The rest of the staff roll their eyes and carry on while the two men argue in the middle of the kitchen. You swallow and take your apron off, balling it up in your hands. This isn’t the first time they’ve butted heads over your incompetence, and watching them now cuts at your last shred of dignity.
Clearing your throat, you grimace when Sanji’s head whips around to look at you.
“Zeff’s right,” you tell him. “Dinner rush is coming up soon and I’ll just be in the way, anyway.”
Zeff grunts with satisfaction.
The expression on Sanji’s face reminds you of a kicked puppy. “But …” he begins to protest.
“Oi, you heard what she said. Get back to work! We have customers waiting!”
Sanji blusters about before heading back to his station, casting you one final, forlorn look as he does so. You imagine that your own face looks just the same when you turn to leave.
You take orders and serve customers for the remainder of the day, as promised, and help with cleanup after closing time. And then, long after the sun’s dipped below the horizon, Sanji joins you on the upper deck with a steaming bowl of seafood fried rice.
“For the madam,” he says with a smile, offering you the bowl.
You accept it silently and take a bite as he sits down next to you. It’s perfect like it always is – savory and warm on your tongue, happy and gentle in your stomach. You’ve never known a home quite like Sanji’s cooking.
His eyes remain fixed on you as you eat all of the rice, scraping the bowl for every last grain and setting it down beside you once you’re finished.
“Thank you.”
“It’s nothing. I figured it would cheer you up.”
“It did.”
It did, and yet, your lips tremble and your throat closes up. You clench your hands into fists in your lap.
Sanji’s hand immediately presses your shoulder as you sniffle. “Are you alright?” he questions worriedly.
(His attentiveness strikes you like a hot iron sometimes, even now.)
“Why haven’t you given up on me yet?” you whisper.
His brow furrows. As if it’s obvious, he answers, “You want to be a cook. A lady’s wish is my command.” Sanji pauses. “And I can’t call myself the greatest cook in the East Blue if I can’t teach others to be great cooks as well.”
“I think you’d be the greatest regardless.”
You glance at him through watery eyes in time to see his face flush a deep red. He looks away hastily, chuckling with feigned modesty. “I’m flattered that you think so highly of me.”
Your shoulders lift in a shrug as you look back down at your hands. You reach up to blot away your tears.
How could you not think the world of Sanji? Or the world of anyone at the Baratie, for that matter? When you were kicked off the merchant ship you’d stowed away on two years ago, you had been sure that you’d be banned from setting foot in such a fine-looking restaurant. Years of scorn and slammed doors had not given you the chance to think otherwise.
But Sanji spotted you on the docks, called you madam like you really were one, cooked you a meal in the kitchen and talked to you. Zeff gave you a job and a bed of your own. The staff gave you a family.
“We’ll try again tomorrow. I’ll figure out something that’ll make everything click for you, and you’ll be a proper cook in no time.” Sanji leans forward, resting his elbows on his knees, and winks up at you. “I promise.”
As always, your heart skips a beat.
“Okay.”
Maybe, you realize suddenly, you don’t necessarily want to be a cook so much as you want to love the way Sanji does.
“That’s my girl.” Standing up, Sanji takes your empty bowl in one hand and offers the other for you to take. “Now, shall I walk the madam to her room, or does she wish to stay out on the deck for a while?”
You allow yourself to grin, considering. “The madam wishes to stay out here and …” you hesitate but then decide to soldier on, “and possibly chat with a dear friend for a few more minutes?”
Your pulse pounds in your ears.
Sanji’s eyes widen a bit. Then he blinks, and then he smiles, drawing his hand back and quickly sitting down next to you once more.
“A lady’s wish is my command,” he says.
He takes out a cigarette, making a quip about Patty while he lights it, and your combined laughter rings out across the Baratie. It’s perfect like it always is – savory and warm on your tongue, happy and gentle in your stomach.
Indeed, this is home.
4K notes · View notes
dragonagitator · 7 months
Text
Tumblr media
We REALLY need more fanfics that explore this side of Gale.
But, like, in a smutty way.
Please.
575 notes · View notes
soulfireblue · 4 months
Text
I love how Tubbo decided it would be funny to be a pot stirrer and wanted to cause drama and not only completely failed but his friends took it as an opportunity to show how much they care about him and love him. They weren't upset; they took a pause from everything to make sure he was okay and try to help him. Fit and Pac didn't mind pausing their first date for Tubbo even when he was trying to sabotage it. Bagi was used to get in the way of the date, and instead of getting angry, she tried to push him to talk about Fred. They all love Tubbo so much, and he was so scared of losing that love that he couldn't even see it.
342 notes · View notes
Text
Tumblr media
some hasty Laughingstock ft. butterfly!Howdy for your mild enjoyment...
460 notes · View notes
tyttetardis · 3 months
Text
Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
219 notes · View notes
murk888 · 3 months
Text
Tumblr media
BIG SHOT! BIG SHOT! BIG SHOT!
(i can't find any other words right now. no thoughts only big shot. he occupies my mind. lives there rent free. leaves no free space at all. the big shot is very big indeed)
195 notes · View notes
13ag21k · 7 months
Text
Arthur *is giving an emotional and important speech*
Merlin & Lancelot *since everyone is distracted let's make heart eyes at each other*
Tumblr media Tumblr media
293 notes · View notes
littlestarbigfangs · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
[Was it true what they said? That you gave up fighting him long ago?]
"You don't know what it was like! There was no way out!"
335 notes · View notes
rissi-chan · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
More of Gale's scrunchy, sweaty, adorable face <3
152 notes · View notes
caycanteven · 4 months
Text
Tumblr media
Here's an adorable commission for @zigh-jace! Love seeing something that makes Bal smile! ❤️🫶
252 notes · View notes
Text
yk there's a lot of talk about the way merlin is practically a god but lives as an unassuming servant, and seeing this surprises druids/other magic users. i wanna see kind of the same thing happen to arthur with the people of his kingdom. we know arthur so intimately, from merlin's pov, but i wanna see him as a living legend. stories of his valor spreading across land, blown out of proportion and missing details. “the prince slayed the great dragon and gifted its head to the king!” “some say the goddess blessed him when he was born, when she took the queen back. how else does one survive an attack by a questing beast?” “he held out his hand and the sword stuck in solid stone flew to him! iwan says meredith’s aunt saw it herself!” “the word has come, king arthur defeated annis’ champion—a giant of a man!” old men discussing arthur’s policies, comparing them with those of previous rulers, and being glad that it's him on the throne “finally, a good fucking king.” people having faith that their ruler is generous and fair and can be approached in times of need, and having the comforting knowledge that he would do his best to help because that's what he did with the other village last year! young boys dreaming to join his army and young girls daydreaming about a fairy tale ending with him (or vice versa, obv). just... arthur of his people.
what I'm saying is i want an outsider pov character study of arthur pendragon king of camelot. hope that helps
540 notes · View notes
whereismyhat5678 · 4 months
Text
HOLY. SHIT.
Tumblr media
I don’t even wanna separate these?? TAKE THE WHOLE SHEET I’M SO PROUD OF IT WHAT????
I was playing around with expressions and OMG, I think I unlocked something???
It was mostly from yesterday’s post, I liked the way I drew Pizza Head so I decided to try drawing him again (since it’s been a while) AND GOD I LOVE THESE‼️‼️‼️ Seriously started out rough but then I just kind rolled with it! I like it! I like it a lot‼️ 😆😆
Also since I drew Brick yesterday as well, I decided to change the way I draw him, just a bit 🤏
Tumblr media Tumblr media Tumblr media Tumblr media
Today was so fun AAAHHH!!!! 💞💞💞💞💞💞
172 notes · View notes
henfox · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
i guess you could say i'm... bisexual. alex claremont-diaz in red, white and royal blue (adapt, 2023).
187 notes · View notes
batfossil-fr · 6 months
Text
Tumblr media
it's gonna be a while til he can get his genes, but wow, I JUST scried him and I'm instantly in love
193 notes · View notes