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#I can feel a lot of potential
inkskinned · 5 months
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in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!
they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.
they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.
you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.
but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.
where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.
and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?
doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.
but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.
what if you're both just people, and you're no saint neither.
just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?
your mouth will always have a hole, is the thing, if you remove the tooth.
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fiona-fififi · 6 days
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Okay. I'm about to say something that's probably going to get me run out of the fandom, but.
I don't actually think Tommy leaving their date early had anything to do with him not wanting to pressure Buck (regardless of what he claimed later). Instead, I think it had everything to do with Tommy being annoyed and no longer into it that evening, and I think that is both okay AND significantly more interesting than taking him at his word later and framing it as some selfless act by a sanitized elder gay shepherd just trying to do right by Buck.
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heymacy · 27 days
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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gunstellations · 3 months
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In the world I love
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In a different world
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poorly-drawn-mdzs · 4 months
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Call that a Cave Story.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#mianmian#wei wuxian#jiang cheng#I had to cut the comic with JC 'holding WWX back from fighting the Wen Assholes' but it is with me in spirit.#It reads (to me) a little bit like JC is scared of Core Melting Hand and wants to have an excuse to hold on to WWX for comfort.#As far as I can recall they are around 15-17 in this arc.#And a guy who can rip out your golden core? The thing we know JC truly puts so much weight upon that he feels meaningless without it?#Yeah that's pretty terrifying. I hope WWX hugs back (he will not)#I have a lot more thoughts on Wang Lingjiao and Mianmian but I will keep them for later.#WLJ is a character I feel got done a little dirty because she has a ton of interesting potential that gets pushed aside for Mean Villainess#Let's be fully honest. Wen Chao and Wang Lingjiao are *THE* characters the Protag of one of those 'Reincarnated as the villain!' stories#Set up to be assholes to the main character and meeting a horrible end in retribution.#Do you think MXTX thought about that? How Wen Chao is basically the original Shen QiugQiu?#Who's going to be the brave soul who writes A transmigrator in wen chao's body (accidently makes wwx fall in love with him) story?#Though If we are going with “any mxtx character sho dies transmigrates to another book” WHO is the transmigrator?#Hear me out. I think it should be Original Liu Qingge. I think he and wwx would make a funny duo and I want to see it so bad.#AND the contrast of womanizer Wen Chao VS 'What is a woman' LQG.
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turtleblogatlast · 6 days
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[ cw: dismemberment / ]
I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)
I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#dismemberment /#if literally any part of the prison dimension rescue was different it would have ended Very Badly#mikey came in clutch for doing the impossible in the first place#raph grabbing leo and not once letting go was vital#and donnie directly hitting the krang was essential#hell leo having the ability to reach out at all in the state he was in was a miracle#listen I think about the prison dimension a lot if you couldn’t tell#for the next tags:#strangulation mention /#physical trauma induced mutism /#potential death mention /#potential sibling death mention /#barely it mainly focuses on if he lives but /#I also think about how Leo’s trachea could have easilyyy given out as Raph (krangified) was choking him#can you imagine the last words raph hearing from his little brother being I’m sorry?#he’d likely live as the hamato bros are built different but imagine if he straight up can’t talk again after#the bros having no idea what Leo’s plan is but they suddenly feel him disappear with the portal#or also#imagine all he gets out in his hoarse voice is to beg Casey to close the portal before his family HEARS the sudden silence like a knife#even if he gets saved his voice may be wrecked or even gone for good#what am I writing wait-#also for my point on leo losing his arm paralleling his future self#imagine fate being a thing in this world but a VERY situational thing#imagine it makes it so that leo has to lose a limb#but not just that - it also ties his presence directly with the Krang’s - so if the Krang’s somewhere else…so is he
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a-s-levynn · 2 months
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A new era
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drawnfamiliarfaces · 4 months
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I’ve been simping over your ‘human’ Nomicon design since it came out in Ninja-November. If you have any headcanons about them, would you please share?
ah, a fellow monster/eldritch horror enjoyer I see! thank you! <3 tbh that Nomicon design was like an one day revelation, because while I love all the human!Nomi designs I've seen over the years (and there are some banger ones, man), it hit me that we as a fandom really underutilize all the uncanny aspects Nomi possesses. So ye. I do have a couple hc.
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Nomicon is an entity that doesn't have its own face and voice.
Whenever Nomicon talks to Randy it uses proxies in form of art/images/drawings/scribbles/writings. It gives strangely non-verbal vibes for something so cryptically eloquent! And whenever it does use a voice, its voice of the First Ninja (or more accurately his VA xD) , its first owner/wielder. When it uses a face, its usually the static/unmoving marble-like faces of Art or silly pen scribbles - both of which hold that uncanny valley look of something that looks human but really isn't. Not to mention the fact that it once literally stole Randy's face/body to teach him a lesson.
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I like to think that Nomicon has a library of faces/visages/voices it can take on, but all of them are creepily unsettling because - what would a book know about how to be human? It's face moves wrong, the eyes are too wide open, its body is creepily still, the voice uses inflections like its copying someone else (and sometimes voice warbles and changes/overlaps with other voices because it has so many).
All of it gives these fae/cryptid vibes of creatures that steal voices/faces to trick people, but in this case Nomicon collects those faces/voices from its owners along with their memories (which is another messed up thing we collectively forget is very creepy lol).
Nomicon is an entity that doesn't have a body, and most importantly - hands.
The reason I gave Nomicon so many shadow hands is because, well, Nomicon is a book. Hands hold those books, so the hands are very important to Nomi. All those shadow hands? Are memories of all the hands that held it (mostly previous Ninjas, but also the Creep and some others). It remembers everyone who held it.
The fit- the hat and the cape are kind of obvious, it look like center of the cover and the cape looks like covers on either side with pages underneath. The weirdest addition I made - is the spaghetti noodle-doodle 'hair'.
It constantly fascinates me that Nomicon, besides the Greek Key/9 motif, has those sort of concentration circles that are also present during Mask/Suit transformation. It gave me thought of sort of weird halos i guess?? Which adds to creepy vibe, but in this case its biblically accurate angel / holy deity type of vibes.
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Nomicon has very basic understanding of humanity.
For all the experiences/memories/personalities it was created from and it absorbed over the years, human things are a rather alien concept for the book. It's the reason Nomicon is so bad at its timing whenever it buzzes Randy. It just doesnt care that you are at school Randy, its trying to teach you how to be a better ninja!!! In some sense, it absorbed the most prevalent quality of First Ninja - the dedication to duty, the whole reason for its existence - to serve Ninjas to be the best they can. So, such human/mortal things as good grades/video games/a good nights sleep are very nebulous concepts to it.
Less of a hc but more of an observation/gripe but-
COME ON ITS NAME??? Ninjanomicon as in Ninjanecronomicon??? Because lets be honest its not just a book/guide for Ninjas its a book full of DEAD NINJAS??? LIKE??? In some sense all previous Ninjas, when they go through Ultimate Lesson, 'die' in the real world (because they are no longer Ninjas) and are preserved in Nomicon. And First is like deadass dead? (Plop plop too lol). So I feel like there should be more creepiness about that.
Anyway thats basically most of it, and sorry for silly doodles but i cant really draw creepy stuff xD
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stuckinapril · 4 months
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Think I’m making communication a non-negotiable for 2024. If you don’t know how to properly communicate like an adult we quite literally can’t be friends
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There are three types of people when interacting with Cucurucho.
There's Jaiden, who essentially becomes BFFs with Cucurucho and will [possibly] die/kill for them.
There's Tubbo, who will slowly and meticulously break apart any semblance of sanity Cucurucho might have had, with no idea he was even doing it at all.
And then there's everyone else in the QSMP, staring at Jaiden and Tubbo with the biggest 'wtf' face that anyone has ever had.
[and no, I will not shut up about them]
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damianito · 1 year
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The fiancees ♡
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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clowningaroundmars · 1 month
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morales twins hcs
i'm absolutely in love with the idea of miles42 and miles1610 being twins, i'm so glad most of the fandom has basically adopted 42 lmao
some of my own twins headcanons, just random stuff to add onto other ppls hcs ive seen:
☆ 42 loves his mamí absolutely but def acts the most like his dad, and haaaates when anyone points it out. it's the most obvious when 42 gets mad, he sounds EXACTLY like his father then lol
☆ in fact, the twins polar opposite personalities is probs bc 1610 takes after his mom's temperament more, while 42 is as stoic, stubborn and slightly dorky as his dad is
☆ whenever the boys made each other cry (by accident or otherwise) they did the typical little kid thing and tried immediately comforting the other. now that they're older 1610 handles his emotions better and is mature when talking about them, but 42 is the one who comforts 1610 more often
more below ↓
☆ as well as staying on top of his academics, 42 also plays basketball and trains in a couple martial arts studios after school. 1610 is taller than 42 bc of the spider bite but 42 has always been slightly bigger and more muscular than 1610 since he's the athlete. whenever the family attends 42's boxing matches, jeff gets an overwhelming sense of deja vu from back when he attended his own brother's matches before
☆ they both got thru school p okay, not many incidents of bullying mostly bc if anyone did try, 42 would put a stop to that nonsense immediately. 42 loves his bro with his whole heart and was glad to pick a fight with anyone who gave him any trouble at all. the whole neighborhood knew it too bc the only person allowed to bully 1610 is 42 himself!
☆ in fact, 42 doesn't win the lottery to enter visions in the first place, which saddened both brothers when they found out. so because they're at separate schools now, 42 makes sure his twin knows that if any fuckery is afoot at visions that he'd be more than happy to roll up and dogwalk any fool who tries it. 1610 laughs him off but knows his bro has got his back for sure
☆ 42 likes to pretend 1610 is the nerdy one, but they are both very big anime and manga nerds. every time they hit up any bookstore, they both make a beeline for the manga section and argue over who's gonna read the newest one first (they have to share cuz those books cost some moneeyyyy, man)
☆ 1610 and 42 love their uncle to pieces, OFC. they both pick up separate traits from him, even. 42 was inspired to start martial arts and boxing from watching videos on old digital cameras that aaron hung onto thru the years. they were of a much younger aaron back in his boxing days, when his family went to his matches and recorded them from the seats. 1610 was inspired to pick up graffiti and then even started doodling in notebooks bc of aaron
☆ 1610 is def the social butterfly and easily the most popular kid on the block by virtue of how friendly and outgoing he is. 42 is more introverted and keeps a small circle of friends, but everyone is cool with him nonetheless since they fuck with his twin bro
☆ since 42 stays at home the most (lol he a homebody) he picks up cooking much better than 1610 thanks to him staying in the kitchen to help his mom make dinner while they watch telenovelas together. 42 also knows how to dance bachata and salsa much better than 1610 too
☆ both twins love physics and math but 42 is more hardware-inclined. 1610 is about software, data, and formulas. 42 is good at taking things apart, putting things together, building and engineering. he kinda takes after his uncle aaron that way, and drove his parents nuts as a lil kid when he got his hands on radios, computers, clocks, etc
☆ 1610 loves softer brighter music like JID, steve lacy, smino, frank ocean, kid cudi, post malone, and nujabes. 42 is always bumping harder shit like pop smoke, waka flocka, zillakami, three 6 mafia, benny the butcher and some oldies like paul wall, wu tang clan, biggie smalls, MF DOOM and big KRIT. they tease each other's music tastes a lot since they're polar opposites in almost every way
☆ they actually have a shared playlist where they add new music they like (probs on some e-1610 spotify or soundcloud equivalent since everything is slightly skewed on e-1610 tbh). both of them check it periodically, and 42 is the more frequent contributor
☆ they both make art but 1610 is the artsier kid for sure. 42 doodles occasionally but he's not as enthusiastic about it as his twin is. they both go around the city tagging walls whenever they have any free time, though. 1610 loves colors, expressive styles and is good at coming up with cool ways to draw text. 42's lines, accuracy and technical skill can never be beat
☆ 1610 has superpowers, sure, but his fighting skills are trash! 42 was always the scrappy one, not 1610, so he shows his twin how to properly throw punches and other useful fighting knowledge. it def comes in handy in the future
☆ jeff loves his sons to death but he often finds himself butting heads the most with 42 since they're so similar, it kinda drives them both nuts. it def gets worse once aaron starts gossiping abt what jeff used to be like when they were kids, giving 42 plenty of ammo. they love each other but their relationship is just as complicated as it is between jeff and 1610, and 42 would be lying if he said he wasn't affected by the rift between his dad and uncle himself
☆ the minute the twins turn 16, 42 goes out and gets his drivers license on the first try (computer quiz AND road test aced) and rubs it in 1610's face almost constantly. 1610 likes to throw back that there's no parking space for another car on their block, so he can't even get his own car even if he wanted to anyways
☆ whenever the boys really fight, the whole city seems to know. they squabble a lot obvi, they're brothers. but the very few times they've given each other the silent treatment like for real, everyone in the family tries to get them to make up since it's unsettling to see two peas in a pod be so hostile with each other
☆ and since they've always been attached at the hip, 1610 being enrolled into visions felt. weird. everyone thought 1610 was gonna take it the hardest but surprisingly 42 had a harder time adjusting since he always saw his bro in the hallways at school, and was so used to him knowing the latest gossip of anybody in their grade. without 1610 around as often, 42 becomes even more withdrawn than usual
rio looks up from the pot suddenly, glancing at the time. dinner was almost ready and she… hadn't seen not hide nor tail of her son this evening. he returned home from school a couple hours earlier, choosing to skip going to his boxing class to shut himself in his room.
fine. teenagers can be moody sometimes and rio would rather keep her moody son at home where she can keep an eye on him, rather than worry about what he's getting up to on the streets.
strange thing is, though... rio hadn't heard a single noise come out of that room all night. 42 usually liked to have at least some music playing, maybe video game noises out of his nintendo... oh, what was it called again? whatever, that nintendo thing he played on sometimes.
rio placed the lid on the pot and lowered the flame a bit before making her way over to her twin sons' bedroom door, hesitating a bit when she noticed no light was filtering out from the bottom either. okay... that was weird, too. neither of her sons ever went to bed before dinner. ever.
the one time rio dared to try and send her sons to bed without dinner years ago-- as punishment for fighting right there in the kitchen that time-- both twins hollered so loud they got concerned knocks on their front door from various different neighbors. never again, rio remembered thinking that time.
now, the bedroom door stands oddly quiet and completely hollow without any signs of life behind it. rio knocked anyways, hoping against hope itself that 42 didn't go ahead and sneak out of the house without her knowledge. if he did sneak out, he's grounded for 3 months, rio thinks to herself mostly as reassurance. she nervously picks at a nail and strains to hear anything behind the wood.
she thinks she hears a groan and decides to try her luck by slowly opening the door. hopefully he's not in there... y'know, doing teenage boy things, either. dios mío.
rio swings the door open to...
...a completely pitch-black room, save for the sliver of streetlight filtering in past a crack in the window curtains and casting an eerie yellow glow on anything it could touch. it is cold, and also deathly quiet.
rio is shocked.
she walks over to the right side of the room where 42's bed is pushed up against the corner, next to the windows. on that bed lies a big lump, buried under several layers of blankets. the lump stirs.
rio crosses her arms. "mijo, mi amor. are you sleeping? …pero qué te pasa, papí?"¹
42 rolls onto his back and glares sleepily at his concerned mother standing at his bedside. it's dark in the room, but rio's face is illuminated by the living room lights pouring in from the open door. she's wearing a tilted smile, but coupled with the worry lines on her forehead, it isn't fooling anyone.
42 slowly closes his eyes, chin still under the covers, and lets out the most world-weary sigh rio has ever heard coming out of someone as young as him. if it weren't coming from her own son, she might have even laughed.
she immediately sits down, lifting the cover off of 42's chin to check his temperature all over his face. he tries to wriggle away.
"maaaaaa, stop..." he grumbles, trying to pull the covers up higher over his head. "'m not sick, mamí, forreal… chill."
rio leans on a hand. "¿si no 'ta enfermó pues qué es?² what's wrong?"
42 doesn't answer for a bit and rio exhales through her nose. " 'moré, what are you doing in this pitch-black room all by yourself? no light, no music, no nothing. what's wrong? you look like you're on a death bed!"
42 finally opens his eyes again, and blinks a few times as he says, "nothing, ma. seriously, i'm just... tired. that's all. i'm fine."
"you don't look 'fine' 42, you look like 2 seconds away from flatlining."
another sigh from the boy. rio rolls her eyes and places her hand on his forehead again, then strokes his cheek.
"is it 1610? hmm?" rio asks 42. she asks so unbelievably gently, as if by only mentioning his brother's name she would shatter something in the room. a mirror or something.
42's heart clenches at the love and care his mother is showing around this particular topic. it was true, and he couldn't even deny it. having 1610 in the house less and less every week, not seeing him in the hallways at their local high school, receiving sparser and shorter replies to his texts... it was all building up in his chest and the dam was pretty close to bursting. especially now as his mom was lovingly stroking his cheek as she checked in with him. how embarassing. rio wouldn't see him cry, not right now. he closed his eyes and willed the tears away, for her sake.
miraculously, 42's voice didn't crack or waver when he said, "yeah. yeah, i miss 'im."
rio crooned something saccharine in spanish and placed a kiss on her son's forehead. she saw right through his cold tough guy act, as expected. with how much of a mama's boy 42 was, it would've been impossible not to. they spent way too much time together for her to miss how he dragged his feet getting ready for school in the mornings, how he's been skipping martial arts and basketball practice more often lately, and how unenthusiastic he's been in general.
rio chuckles as she lays her cheek on 42's forehead for a second before sitting back up. "ay, bendito. 42, you know your brother is just down a few blocks from here. why don't you go visit him soon?"
42 shuffles under the covers. he's unsure if he should even admit this, but he proceeds anyways. "uhm. he's not answering my texts lately, so." he feels strangely guilty about this, like he just snitched on his twin somehow even though he has no reason to suspect that at all.
rio sighs and looks off into the distance, bracing herself for what she's about to say. she looks back down. "yeah. i know. he doesn't answer mine, either. i was hoping he was talking to you, but... well. "
something in 42 stirs a bit. "i bet he thinks he's in some fancy private school, around rich kids, now he's too good for us," it's a weak attempt at a joke, but rio smiles down at him anyways.
"don't worry. the second he gets home this weekend, he's on house arrest. okay? he's gonna be chained to you the whoooole time. and i'm keepin' watch."
it's not much, but 42 still takes that little bit of hope and holds it gently in his mind.
"the second he walks through that door, i'm tackling him. i don't care." 42 smiles at the thought.
rio laughs, kisses his forehead again and stands up. "dinner is almost ready, by the way." she gives him a look. "you better eat with me tonight, because your brother is at school and your dad is doing overtime tonight. okay? okay."
42 sighs deeply to wake himself up a bit more as he sits up and scratches at his durag. "yeah, yeah. 'm comin', ma!"
¹ "but what is going on with you, papí?" (papí being a common term of affection for a boy in spanish, it doesn't always mean "dad" lol)
² "if you're not sick, then what is it?"
☆ until they get "too old" for halloween, the morales twins ALWAYS wear matching costumes. every year. every single year, no matter what. what they usually end up wearing changes every year and they aaaaaalways argue over it, of course. notable costumes so far: batman and superman (age 13), two ninja turtles (age 9) (im thinking mikey and donatello bc of personality but lbr rio most likely forbade either of them to be leonardo bc the twins would deadass get into a fist fight over it), tom and jerry (age 2), mario and luigi (age 7), woody and buzz (age 5), peter pan and captain hook (age 10), and-- rio's favorite-- thing 1 and thing 2 (age 4)
☆ 42 was surprisingly always very popular with the girls at school. in middle school, 1610 was the geeky one with braces and acne. 42 got off relatively easy in that regard and as a result was labeled "a heartbreaker" from the jump, which annoyed him. he has no interest in dating whatsoever and swore to never get into a relationship before graduating high school. he's got his mom and brother to take care of and he's going places after high school, damnit! 1610 on the other hand is a huge romantic and has a crush on a new person almost every year of school, easily
☆ the literal second 1610 set foot in the house after his spider bite, 42 was all over him asking a million questions since they both have that supernatural twintuition, and 42 sussed him out immediately. 1610 obviously had to come clean and tell his brother he was spiderman just like he told ganke, otherwise he was never gonna be able to change into his spider suit at home (plus they share a room, so. there's that)
1610 didn't even get to close their bedroom door all the way before his twin leaped up from his own bed and stalked over.
"óye, bro. what's up? what happened at visions?" 42 circled his brother, squinty-eyed in the exact same way their mom is when she's suspicious. 1610 dropped his bag next to his bed and plopped down on his sheets, trying to put some distance between them.
"uhhhh what're you talkin' about?" he tries casually, and immediately regrets it.
"uhhhhh what're you talkin' about?" 42 mocks. "don't play dumb with me. you KNOW what i'm talkin' about, stupid. first, you answer, like, none of my texts ever. then dad comes home sayin' you never let him talk face-to-face when he visited you a couple days ago. mamí has been texting and calling you nonstop, no answer either. you are a brand new person now, huh? qué te pasa, yo?"
1610 hunched his shoulders as he got up and slumped over to his desk. he was quietly weighing his options, nervously rearranging papers and sketches on the wooden table, wondering how he was going to break it to his brother that he was--
"lemme guess. you have superpowers now," 42 says easily. he crosses his arms triumphantly when big round amber eyes suddenly turn up to his face.
1610 searches his face for any hint of a joke. no... no way. did his brother just...?
"you're playin' with me. no way. how did you--?"
42's eyes widen. "wait, are you being deadass right now?" he threw his head back and crowed with laughter. "that was just a guess!"
1610 leaped forward and pushed his hand onto 42's mouth, shutting him up. "heeyyy hey hey hey hey shhhhh, man. damn, could you possibly be any louder? look," he took his twin by the shoulders and gave him a slight shake, lowering his voice to a near whisper. "mom and dad can never know anything about this. okay? anything. not a word, you understand?"
42 pushes his brother off. "ok-ay man, cool it. i promise. we can shake on it, even."
wordlessly, they did their super secret handshake they came up with and perfected in the 4th grade in lieu of hooking their pinkies together. it was the morales shake, a move that binds them to secrecy and keeping promises til death. this was serious business. 1610 relaxes a bit once they're done.
"... okay. and i mean it, pencil braids. if you even breathe a word about this, or even think about--!"
"if you don't just tell me already, goddamn."
with a meaningful look thrown at his brother's way, 1610 raises an arm silently. 42 looks back expectantly.
1610 shoots a web up. he jumps up, using the web as a bungee rope to help him flip and land feet-first onto the ceiling. once his sneakers touch their ceiling, he stands up... upside-down. he stares at his brother and his brother stares back, mouth agape.
"niiiiiiice," 42 leans back and grins up at his twin brother, spiderman.
☆ 1610 is glad he has someone besides ganke to talk to about spiderman stuff, though. his brother listens way more attentively than his roommate anyways, and even tries to help sometimes esp when 1610 needs a quick distraction so he can switch from spiderman back into his regular clothes before the parents notice
☆ 42 is surprisingly cool abt his twin bro being spiderman, actually. even when they're texting 42 is careful not to imply 1610 is spiderman, and often calls stuff in to the police station if 1610 webs anyone up and lets him know. he also gets very good at bandaging up wounds quickly
☆ 42 is a hardass on the outside and contains his emotions much better than his twin, but he's kinda different around his family, since he loves them a lot. he jokes around a lot with them, esp around 1610. they also love pranking their parents, and are p creative at coming up with ways to make everyone laugh
☆ i personally picture 42's personality being sort of like huey's from the boondocks, especially around other adults. he becomes withdrawn and speaks very clearly and directly, and is very shy around strangers. some ppl mistake that as him having an attitude problem but his friends and family know better. only difference between huey and 42 is that 42 isn't nearly as woke lmfao
☆ meanwhile, 1610 becomes a motormouth around strangers and is quick to hug and kiss random family members at family reunions. as a lil kid, he'd always be the one up at the counter ordering for the both of them and chatting with the cashiers, or bus drivers, or whoever. as he gets older and used to the spiderman thing, he chats and jokes with randoms a lil less. he has to save the good material for when the mask is on
☆ 42 is a better writer than he is an artist, actually. he has notebooks filled with poetry and lyrics he scribbles down on post-it notes just to stick them in there for safekeeping. he's also been working on a sci-fi story since he was in 6th grade in absolute secrecy; he doesn't want a single soul to see it. he'd be mortified if anyone saw the nerdy shit he comes up with
☆ even tho 1610 has never fought anyone or been scrappy with anyone else, he's very good at wrestling and dodging punches thanks to his brother.
☆ 42 is the more fashion-inclined twin, even tho they're both sneakerheads. 42 just pays more attention to accessories, the fit of his clothing, how to pair the right shoes with the right jacket. 1610 throws on anything comfortable and calls it a day, and it gets even worse after he becomes spiderman. 42 clowns his brother SO HARD after he finds him wearing yellow sweatpants with an oversized red adidas hoodie and a green puffer jacket once (it was when 1610 came home from fighting a shapeshifting lizard that tried to take over cypress hills. the sweatpants were on backwards)
☆ 1610's sense of humor is geeky and he always tries too hard with his quips and jokes. he usually gets "secondhand embarrassment" chuckles from ppl. 42's style of comedy is a mix of dry humor and unintentionally being funny. this dude will say something clever with the straightest face ever and have the ENTIRE room in stitches without even meaning to
☆ just to nail home how different they are, even tho they share a room, you can tell EXACTLY which half of their room begins and ends. 1610's half is cluttered, vibrant, covered in posters and action figures, collages and trinkets on every available surface. 42's is as clean as a hospital room, and he ALWAYS makes his bed every morning. 42 has a poster or 2 hung up but he's not much for decorating in general. he's more into alphabetizing his bookshelf and looking for more efficient storage to put under his bed
☆ when jeff looks at his sons, he sees aaron and himself and sometimes it scares him. when the boys were around 12 (the Evil Year) he made SURE to sign them up for camp trips that summer and keep them close together as much as possible. he hates to see his boys drift apart at all and is the 1st one to call it out if he sees it. he just doesn't want his boys to end up like he and his brother did…
☆ … and then other times? it genuinely makes him feel a combination of irritation and also fondness bc sometimes 1610 and 42 really really remind him of aaron and himself, esp when they were young. ESPECIALLY when they argue. in every playful slap on the shoulder, every arbitrary competition started out of nowhere, every sleepy brother slowly sliding onto the other's shoulder during nighttime car rides, he sees it. he sees them, and then he sees his past. and with every little difference between the boys slowly cracking open like a chasm with each passing day, sometimes he thinks he can even see his future.
☆ 42 is cool or whatever but i also hc he's kinda… weird sometimes. it gets worse when his twin bro goes off to visions, he keeps staring at walls while sitting in dark rooms and eating at weird hours of the day. rio caught him fast asleep practically hanging off the window sill one night, and another time jeff found him having an entire conversation with a brick wall once while on patrol. 42 refuses to answer any questions
☆ after 1610 gets into visions, becomes spiderman, tells his parents abt his plans to go to princeton, etc... 42 eventually starts feeling a type of way (a jealous way…) their parents also seem to pay attention to 1610 more whenever he's home just to add insult to injury. he knows he's not supposed to, but he often finds himself thinking about the prowler gloves and schematics aaron left behind. he managed to grab them and hide them in a gym bag one day while helping his parents clear out aaron's apartment. the tech currently lives under his bed…
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canisalbus · 5 months
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I'm sure you get loads of these but heck I said I'd give it a shot anyway!
Your artwork is so inspiring and beautiful. I recently graduated from art school with a degree in Animation Production but I've decided I'd love to be an illustrator some day. Your work really motivates me and gets my brain juice buzzin. Keep it up!!!
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storytellering · 8 months
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Feast.
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sleepy-stitches · 1 month
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google search how to safely have my friends from other groups smell each other through the door like cats so they can be introduced
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