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#I don't know if I'll be okay
inkskinned · 2 months
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before you know about women, you hear that you do not need to love the man, just that you need to love him through his manhood. which is to say you have seen the future painted in lamb's blood over your eyes - how your mother shoots you a look about your father's inability to cook right. how your aunt holds her wineglass and says i'm gonna kill em. men, right! how your best friend bickers with her boyfriend, how she says i can't help it. i come back to him.
you learn: men are gonna cheat. men aren't going to listen when you're talking, because you're nagging. men think emotions are stupid. they think your life is vapid and your hobbies are embarrassing. men will slam things, but that's because men are allowed to be angry. if you get loud, you're hysterical. if a man gets loud - well, men are animals, men are dogs, men can't control their hands or their eyes or their bodies. they're going to make a snide comment about you in the locker room, about your body, about how you're so fucking annoying. you're going to give him kids, and he will give you the money for the kids, and you're going to be running the house 24/7 - but he gets to relax after a long day, because his job is stressful. the man is on stage, and is a comedian, and says "women!"
and you are supposed to love that. you are supposed to love men through how horrible they are to you - because that's what women do. that's what good women do. wife material. your father even told you once - it'll make sense when you're older. it was like staring down a very lonely tunnel.
it feels like something's caught in your throat, but it's all you know, so. it's okay that you see sex as a necessary tool, a sort of okay-enough ritual to keep him happy, even though he doesn't seem to care about happiness as-applied-to you. it is relationship upkeep. it is kissing him and smiling even though he didn't brush his teeth. it is getting on your knees and looking up and holding back a sigh because he barely holds you as you panic through the night. it's not like the sex is bad and you do like feeling wanted. and besides! he's a man! like... they're another species. you'll never be able to actually communicate, right. he isn't listening.
you just don't get it. you don't feel that sense of i'm gonna climb him like a tree. mostly it just feels fucking exhausting. you play the part perfectly. you smile and nod and are "effortlessly" charming. and it's fine! it's alright! you even love him, if you're looking. you could have good life, and a good family, and perfectly happy.
in the late night you google: am i broken. you google i'm not attracted to my husband. you google i get turned on by books but not by him. you google how to get better in bed.
the first time he yells at you, it almost feels like blankness. like - of course this is happening. this is always how it was going to end up. men get angry, and they yell, and you sit there in silence.
you mention it to your friend - just the once - while you're drunk. she shrugs and says it's like that with me too, i just try to forget and move on. men are always gonna hear what they want to. pick your battles and say sorry even though he's in the wrong. you play solitaire online for a month. you go to your therapist appointment and preach about how you're both so in love.
after all, you have a future to want. nobody lied about it - how many instagram posts say marriage is hard. say real love takes work. say we fight like cats and dogs but the best part is that we always make up. how many of your friends say happy anniversary to the best and worst thing to ever happen to me. if you really loved him - loved yourself too - you'd accept that men are just different from you.
the first time she kisses you, it's on a dare at a party. something large and terrifying whips through your body. you wake up sweating from dreams where her mouth is encrusted with pearls and you pick them off one by one with your teeth. fuck. you sit at the computer and your almost-finished game of sim city. you think about your potential perfect life and your potential future family. you google am i gay quiz with your little hands shaking.
you delete each letter slowly. you don't need to love him. you just need to keep going.
#warm up#writeblr#this is also about being ace btw#my identity has slowly shifted over time and maybe if everyone is REAL cool i'll talk bout it#bc it's complicated and nuanced. but this is like#trying to warn u that if you find it “relationship upkeep” to have sex with ur partner#and don't actually enjoy it or seek it for urself. u might just not be attracted to them.#which is fine ! ace ppl can be perfectly happy in any relationship they feel good in!#but also i wasn't as straight as i had expected!#> the first time i saw dick i was like. huh. oh okay that's fine i guess#> the first time i saw pussy i was like. WAIT ACTUALLY HANG ON I GET IT#i just assumed sex wasn't all it was cracked up to be ya know#but also like. btw? this IS NOT saying ''u might be gay not ace''#bc tbh i'm grey ace/demisexual#it's saying u might not be into ur partner. explore urself & ur feelings. turn inward.#TAKE THIS IN THE MANNER IT WAS MEANT> GENTLE AND KIND#AND NOT IN A WEIRD INTERNET WAY PLEASE#bc the truth is that there ARE ppl who are gay who assume that they just ''don't like'' sex#and ace ppl who might need a different partner w/different needs#and i would have REALLY needed to hear ''check in w/urself about if u actually like sex''#WAY EARILIER in my life. but nobody said anything bc they assume if ur having sex. u like it.#not just the actual act of sex. not once ur turned on. do you ACTUALLY like it. or is it a burden?#even if ur gay. check w/urself. maybe ur more ace than u realized. in which case. ADDITIONAL FLAG BB#i love collecting my flags. i'm at like 354 at this point#but also btw this is about how toxic relationships are SO normalized that u can be in one#and have everyone around u being like ''THATS JUST MEN LOL''
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Happy White Day!
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Credit goes to @waternaeng, thanks for the nice artwork!
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forgettable-au · 4 months
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Give the G dude some clothes🙄 he walking 'round with all that bone showing lol smh(+it's Christmas-)
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I think he looks very handsome 🖤 let the guy show some bones
But, okay, let's give him some clothes because it's Christmas
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I guess he's not cold...
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kaiserouo · 4 months
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modern au
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yhwcomeback · 9 months
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"How did you even get in here" "Is that a rethorical question?" "Right you're a ninja, I forgot"
Headcanon that Brad has a flowershop in Dragon Rising and Lloyd drops by to get tea leaves every so often (no other reason in particular...)
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petricorah · 11 months
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lee from the tea shop boutta get it (wip) [id in alt]
edit: completed illustration here
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zillychu · 3 months
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woke up from a dead sleep last night realizing I could make soroku flavored pitch pearl and no one could stop me
edit: you know what? I'm feral and I won't apologize. more under the cut bc this is my house
I slammed this out all at once so I apologize for the quality but I'm having EMOTIONS
so imagine. bc of the way Danny was quickly resuscitated, his ghost only barely started forming. With the excess blast of ectoplasm from the portal being created, that little whisp was given form even after Danny's soul returned to his body.
except this ghost (Phantom) slowly comes into consciousness while trapped in Danny's body. they're separate entities sharing one body, but Phantom doesn't really have a sense of self right away. he pieces together vague fragments of Danny's memory to get a basic understanding of the world, and is mostly just observing like a backseat passenger.
Phantom starts reflexively protecting Danny, his powers and instincts bleeding through when his emotions are high. Danny doesn't really transform, and his personality doesn't totally shift that much at first because Phantom’s mind isn't complex yet. but as time goes on, and Danny has tense conversations with ghosts, Phantom realizes that's what he is. he's a ghost, somehow trapped in his old body. and even now, this early on, he already feels separate. he doesn't have all the memories Danny has.
this slowly turns into horror. into rage. sorrow, mourning a life he never got and will never get to have. forever trapped behind the eyes of someone else, never able to interact with the world. Phantom's rage eventually boils over until it allows him short bursts of taking over Danny's body. it starts out small–a stray hand moving without his consent, knees locking up, ghost abilities going awry. Danny can start feeling emotions that don't belong to him. get vague impressions, almost hears a voice inside him.
and eventually, Phantom is able to fully take over. this is when Danny “transforms". at first, Danny blacks out because his consciousness isn't used to being shoved into the back seat. but eventually, he's awake for these “episodes", trapped in the back of his mind while Phantom controls his body. this only happens when ghost stuff is happening, when Phantom feels threatened enough. he's not protecting Danny, he's protecting himself. Phantom knows instinctively that if Danny dies, he dies too. he's not a normal ghost, he wouldn't be freed. he'd simply disappear.
at one point after a fight, Phantom can feel Danny struggling to take back control. and he talks to Danny for the first time, acknowledges he's there. asks how it's fair that Danny is the one that gets to exist. but Phantom is tired and weak, he slips back into the passenger seat.
over the next few days, he's able to start talking to Danny even while he's not driving. though he's not chatty, it's only when necessary. and Danny knows, can feel it across the link between them–Phantom hates him. the ghost he created is desperate to find a way to take over completely. and as time goes on, Danny realizes with horror that it might actually be possible for Phantom to do that. he grows stronger every day, can stay transformed longer, controls Danny's body with much more ease.
it's only through a chance meeting with Frostbite that Danny and Phantom fully learn what happened to them. Danny feels sympathetic towards Phantom now. this isn't a malevolent ghost, it's a person who was never given the chance to live. who's trapped. who has to watch someone else live a life they're just as deserving of.
and Phantom feels that emotion from Danny. is so shocked by it, he doesn't know how to handle it at first. it takes him a while to contemplate, to talk to other ghosts like Frostbite. until one day, Phantom realizes… he feels sympathy for Danny, too.
neither of them asked for this. both of them deserve to live. Danny didn't do anything wrong. they're both villains to each other's story. and if anything… doesn't Phantom owe his life to Danny in the first place?
Phantom takes over less often. Danny doesn't feel hatred from him anymore. anger, yes–but not aimed at him. in fact, Phantom starts controlling their body in little ways in order to protect Danny from things that aren't even dangerous. just to avoid pain that would only affect the human tethered to him.
it isn't long before they're separated, either thanks to another ghost or Danny's parents. they're thrown apart in the middle of a horrific fight, and when Danny sees Phantom's equally shocked expression, he's terrified.
this ghost that hated him for so long–at best, Phantom would leave him defenseless. at worst, surely some part of Phantom still wants to kill him for stealing away his chance for autonomy.
and yet, when fire rains down on them, Phantom risks it all to grab Danny and get them both to safety. they're still both shaken and stunned this is even happening, but Phantom is able to nervously be like shit shit shit okay stay here don't go anywhere or I can't protect you, okay?
after the fight is over and dust settles, Phantom offers Danny his hand. they stare at each other and god if this isn't the weirdest thing. like, uh, okay, what now? they decide to go see Frostbite, who confirms that they're fully separate now. they ask if there's any chance of merging again and Frostbite assures it's impossible.
Phantom asks, even if I overshadowed Danny? or stay real close? yes, it's nothing to worry about. they leave, and back in the quiet of Danny's room, they talk. Phantom isn't sure what to do. now that opportunity is in front of him, he feels paralyzed. Danny does his best to let Phantom know that… they might be separate now, but if he ever wants help or even just a friendly ear, he's here for him.
Phantom is quiet for a while. then says maybe he just needs to rest first. he'll think about it tomorrow. they're both exhausted and injured. Phantom asks quietly… if he could rest in Danny for the night.
Danny's shocked, and–really confused. Phantom blushes and is like I don't know what my haunt is yet, I don't know where to go, but I know… you're kind of my home. now that I know I can leave whenever I want, it's not something bad anymore. I miss feeling your heart next to my core, just a little bit.
and Danny is just as surprised when Phantom overshadows him, then quietly nestles into the passenger seat again. he didn't realize how he got used to feeling Phantom with him. it's a feedback loop of contentedness, and Danny sleeps easily. (they also find out while sharing a body, Danny gets to reap the benefits of Phantom's supernatural healing)
anyway that's all I got for now thank u for coming to my ted talk
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front-facing-pokemon · 11 months
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hayaku14 · 6 months
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kaito buying every ticket to every soccer game available just to see that excited look on shinichi's face
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hrokkall · 7 months
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ULTRATOBER DAY 2 /// V2
[PREVIOUS] 🪛 [NEXT]
All red for the red fans in the audience
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viliantropy-art · 4 days
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I would do anything, anything at all (overgrown garden - beetlebug)
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omaano · 7 months
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Rex meets R4 once he's somewhat recovered from his 200 years of dying-not-dying in the vacuum of space. I cannot wait for you all to read @dharmaavocado's The Old Guard AU fic they wrote for the @rexobibang!
If I Ever Leave This World Alive
Out in the vast well of space, Obi-Wan dreamed a man. He drifted from system to system, eternal and endless. Time and the cold had rendered the durasteel shackles around his wrists and ankles weak and brittle, and he had snapped them at some distant point in the past. Arms and legs free, he curled inward, knees drawn up to his chest. The man died. And then he lived. In which Obi-Wan and Rex may never leave this world alive.
Check out the other fantastic art pieces by @flowerparrish HERE and HERE and by @inqorporeal HERE !!
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kindledrose · 9 months
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goofy hermit doodles!! because uhh why not!!
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franky-y · 5 months
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this is a drawing please don't come after me
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by-saiyuri · 5 months
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this moment from stars_at_dawn 's recent oneshot lives in my heart rent-free, the classic mortal/immortal angst is SO GOOD
the fic is "an ocean in my veins (and you'll be diving in)" on ao3, please go give it a read!
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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