‘’Tartini's Dream" (Detail) by Louis-Léopold Boilly (1761-1845)
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Deux jeunes femmes s'embrassant, c.1790-94 by Louis-Léopold Boilly (French, 1761–1845)
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Louis-Léopold Boilly (1761-1845)
"Portrait of Monsieur G. Giving his Daughter a Geography Lesson" (1812)
Oil on canvas
Located in the Kimbell Art Museum, Fort Worth, Texas, United States
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Louis-Léopold Boilly (French, 1761–1845) • Madame Saint-Ange Chevrier • 1807 • Nationalmuseum, Stockholm, Sweden
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Louis-Léopold Boilly (1761–1845) • Trompe l'oeil Tabletop • Before 1793 • Oil on rosewood parquetry • National Trust, Wimpole Hall
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Louis Léopold Boilly (1761-1845) – Les Amateurs d’Estampes (The Print Enthusiasts)
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Louis Léopold Boilly - “L'Ebahi” - Self portrait
Louis-Léopold Boilly (5 July 1761 – 4 January 1845) was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life.
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Title: The Present
Artist: Louis-Léopold Boilly
Date: 1761 - 1845
Style: Neoclassicism
Genre: Genre Painting
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AFTER LOUIS LÉOPOLD BOILLY (1761-1845)
'LES MUSTACHES' AND 'LES PRISEURS',
circular miniature paintings, watercolour on ivory, one with an amusing scene of gentlemen stroking their moustaches, the other with gentlemen taking snuff, in moulded ebonised and gilt frames
Lyon and Turnbull
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Louis-Léopold Boilly (FR, 1761 - 1845)
Trompe l'œil dit aux dessins et aux savoyards, 1775 - 1825. Louvre
https://collections.louvre.fr/en/ark:/53355/cl010067334
https://commons.wikimedia.org/wiki/File:A_Trompe_d%27oeil_By_Louis-Leopold_Boilly_in_the_early_1800%27s_%2812413345454%29.jpg
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Louis Léopold Boilly (French, 1761-1845)
Louis Boilly is known for his genre paintings of everyday middle-class Parisian society. He also found a niche as a painter of risqué boudoir paintings; meticulously rendered and finely detailed.
Consequently, Boilly was reported for having painted "obscene works revolting to republican morality." The denunciation was forwarded to Robespierre's Comité de Salut Publique. At the height of the Terror this was a life-threatening accusation, of which Boilly managed to clear himself by painting Triumph of Marat (Musée des Beaux-Arts, Lille), which appeased the revolutionary thought-police.
Could the paintings below be some of the "obscene works revolting to the republican morality"? Over 200 years later and large segments of society still can't get over it!
Deux jeunes femmes sembrassant (Two Young Women Kissing) • c. 1790-1794
The Sorrows of Love • 1790 • The Wallace Collection, London
The Morning Wash, Woman on a Bidet • c. 1790
And here is the painting that literally saved Boilly's neck:
Le triomphe de Marat • 1794 • Palais des Beaux-Arts de Lille, France
The details of Marat's story and the how and why of Boilly's painting don't interest me nearly as much as the latter's penchant for producing naughty pictures for an eager public. I would love to time travel to a party at Boily's studio where I'm sure there would be lots of wine and raucous fun! However, if you wish to learn more, here is a link to a very good blog post about The Triumph of Marat.
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Louis Léopold Boilly (La Bassée 1761-1845 Paris)
Head of a man in profile composed of six female nudes
oil on paper, circular
3 1/8 in. (8 cm.) diameter
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“Tartini's Dream” by Louis-Léopold Boilly (1761-1845). An illustration of the legend behind Giuseppe Tartini's “Devil's Trill Sonata.” (photo: Public Domain)
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Louis-Léopold Boilly (1761-1845)
"L'Indiscret" (c. 1795)
Located in the Musée Cognacq-Jay, Paris, France
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Louis-Léopold Boilly (1761-1845), A trompe-l'oeil with a cat and a wooden log through a canvas, fish hanging from the stretcher, oil on canvas, 85 x 96 cm, sold for USD 842,500 at Christie’s on 25th January 2012
Source: Wikimedia Commons | Christie’s
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BOILLY, Louis-Léopold (1761-1845). Le soupé interrompu (vers 1791). Huile sur toile. Provenance: Norton Simon Art Foundation, Pasadena.
*Le vieillard Jaloux pour la seconde oeuvre du pendant.
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