BLACK NARCISSUS (1947)
Dir. Emeric Pressburger and Michael Powell
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The Red Shoes (1948) dir. Emeric Pressburger, Michael Powell
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Good Omens season 2 referencing Powell & Pressburger films
Crowley's angel hair is modeled after Kim Hunter's hair as June in A Matter of Life and Death (1946).
Maggie's shop is called The Small Back Room in reference to 1949's The Small Back Room.
The red ballet shoes on the door of Give Me Coffee or Give Me Death are a nod to The Red Shoes (1948).
(Note : the klaxons sounding in Heaven at the end of episode 1 are said to be a nod to the alarm bells in The Other World in A Matter of Life and Death. Personally, I don't think they sound at all alike; they are only similar in both being alarms. Plus, it's an audio reference, which I don't have the skill or patience to include here. But it's there!)
In The Small Back Room, Maggie has a poster for the film Stairway to Heaven displayed. A Matter of Life and Death was released under this title in the US.
The tartan hills welcoming Aziraphale to Scotland are a reference to the tartan hills welcoming Joan to Scotland in I Know Where I'm Going! (1945). And of course, the third episode is itself titled "I Know Where I'm Going."
Jim drops the book My Best Games of Chess, 1924-1937, by Alexander Alekhine, onto a table in the bookshop repeatedly as he is discovering how gravity works. This book is featured prominently in A Matter of Life and Death.
When Aziraphale enters The Resurrectionist pub in Edinburgh, I Know Where I'm Going! is playing on both televisions (I'm pretty sure I found the right scene to match this screenshot). You can also make out the name 'Pressburger' on one of the posters in this screenshot, but we'll get to that later. . .
The family name on the mausoleum where Aziraphale and Crowley hide out with Elspeth and Wee Morag is Archers. It's never clearly seen in the show, but it can be seen in this BTS photo of the model used for Crowley's embiggening. The Archers was the name of Powell and Pressburger's production company. The interior of the tomb and the urns outside the full-size set also reference the Archers, and Powell & Pressburger individually.
In Mr. Arnold's record shop, one of the posters on the wall is for a UK music tour; either the band or the tour is titled Met By Moonlight. This is referencing Ill Met By Moonlight (1957), the final film Powell & Pressburger made together. (I personally think this one is a reach, as the title of the film is a line from A Midsummer Night's Dream and thus not really clockable to the outside viewer as a direct Archers reference, but apparently the intent was there so we're counting it!)
The Pressburger posters are more clearly visible during the Gabriel and Beelzebub rendezvous scene in The Resurrectionists pub. We can see they advertise 'Pressburger Scottish Lager,' which is of course a nod to Emeric Pressburger himself. (Unclear if Michael Powell has his own label that we just don't get a clear view of. . .)
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I clocked a couple of these myself, but they are all referenced in the X-Ray trivia on the Prime Video player. Would love to know if anyone has clocked anymore that aren't divulged. . .
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Powell and Pressburger easter eggs in Good Omens.
I gathered all of those mentioned within the trivia section of Prime. I also added all the possible behind the scenes posters, even went ahead and looked for the grave inscriptions on the tombs of Powell and Pressburger. Go on and read them, they’re beautiful. “For love is heaven and heaven is love”.
There is an extra slide I’ll add in the reblogs because I can’t put it here.
Who were Powell and Pressburger?
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s.
Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films.
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Good Omens: A Matter of Life and Death
Easter eggs and references! We know from the obvious placement of the movie poster in the title sequence and Maggie's shop (and even from Neil's asks) that inspiration was drawn from this movie.
I'm not going to dive deep into a lot of meta connections, but I wanted to share some of the parallels. For a great summary of the movie (A Matter of Life and Death aka Stairway to Heaven by Powell and Pressburger) and some general info relating it to Good Omens pop over to this article. This will contain some spoilers for the movie - now on with the show!
This one is before the movie even starts - The Archers is the production company of Powell and Pressburger - their target logo looks a lot like the one in the magic show portion of the title sequence.
We open in space - looking at stars and supernova, talking about the big, expansive universe. Fascinating how our view of the cosmos has been changed by modern telescopes (Crowley is so proud).
June (our heroine) is an American radio operator and picks up British squadron leader Peter's plane as he is crashing into the channel. They form an instant connection. Her hair was the inspiration for the Starmaker's amazing do.
Peter's fellow airman dies and ends up in Heaven, waiting for him. The angel administrators are very serious, very organized, very well dressed, and Heaven as a whole is colorless.
But Peter doesn't die - in fact he washes up on the beach near June, where they meet and immediately fall in love. Conductor 71 (the heavenly employee who was meant to collect Peter but lost him in the fog) is sent to convince him to come to Heaven, stopping time and freezing June to have a conversation with Peter.
I'll stop here to keep this from getting too long... More to come?
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BLACK NARCISSUS (1947)
Dir. Emeric Pressburger and Michael Powell
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The Red Shoes (1948) dir. Emeric Pressburger, Michael Powell
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