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#Reinaert
tesnuzzik · 10 months
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The faerie maze ✨🦊🍂
Meant as an environment/mood concept for my comic :)
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theravenandtherunaway · 6 months
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whoslink · 6 months
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I decided to draw two characters belonging to @tesnuzzik yesterday, their names are Reinaert and Fenric and I like them very much :)
If you want to read the comic they're making, it's called The Raven and the Runaway and you can find it posted on this -> @theravenandtherunaway blog! Go check it out!
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degenezijde · 9 months
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Voor mij een sub met vlees aub.
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swordvixen · 1 year
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Yes, I have a fursuit! Meet Reynard, here enjoying the book "Reynard, Renart, Reinaert and Other Foxes in Medieval England: The Iconographic Evidence" by Kenneth Varty. Fursuit partial by Toastermutt.
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mepaintsmepaints · 5 months
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Gustave van de Woestijne REINAERT DE VOS OPGEHANGEN (1909); RAM (1909); REINAERT EN KONING NOBEL (1909); REINAERT DE VOS DRINKT HET BLOED VAN DE SCHAPEN (1909), 1909 Pen drawing in India ink; Pencil drawing
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marciamattos · 9 months
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Gustave Van de Woestyne, azul, 1928,
Gustave van de Woestyne, nascido em Ghent em 2 de agosto de 1881 e falecido em Uccle em 21 de abril de 1947 (65 anos), foi um pintor, desenhista e ilustrador belga.
Biografia
Van de Woestijne frequentou a academia de Ghent e se estabeleceu em 1900 em Laethem-Saint-Martin com seu irmão, o poeta Karel van de Woestijne. Ele é um dos pintores mais conhecidos da escola Laethem-Saint-Martin.
Então, entre outros lugares, ele viveu em Tiegem não muito longe do Lijsternest de Stijn Streuvels. Durante e após a Primeira Guerra Mundial (de 1914 a 1919), viveu na Grã-Bretanha. A partir de 1925 lecionou, primeiro em Mechelen, depois em Antuérpia e Bruxelas.
Gustave van de Woestijne foi um artista introvertido e de inspiração religiosa. A influência dos pré-rafaelitas é perceptível nas suas primeiras obras, bastante simbolistas. No entanto, inspiram uma atmosfera mais serena: não encontramos aí a atmosfera decadente e equívoca dos pré-rafaelitas.
Na companhia de seu irmão, ele fez inúmeras visitas à famosa exposição de Bruges de 1902 dedicada aos primitivos flamengos, que influenciou fortemente seu estilo. A influência dos antigos mestres é vista sobretudo em seus numerosos retratos. As pinturas religiosas, muitas vezes localizadas na região rural de Lys, são provavelmente imitadas por Pieter Brueghel, o Velho.
Depois de voltar da Grã-Bretanha, seu trabalho evoluiu para sua própria forma de expressionismo, onde seu estilo, apesar da distorção usada, permaneceu realista e tecnicamente sublime. A deformação das figuras, como em muitos expressionistas, produziu nele características próprias.
Em 1909, ilustrou a reedição de Reinaert De Vos de Stijn Streuvels, reedição que apareceu na coleção Duimpjes de Victor de Lille.
Em 1979, seu comovente livro póstumo foi publicado: Karel en ik - Herinneringen ("Karel e eu - Memórias").
Muito amigos dos van Buurens, eles compraram para ele nada menos que 19 pinturas (incluindo uma representando os cinco filhos do pintor) que ainda estão expostas em sua casa que virou museu, o museu Alice e David van Buuren.
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organisationskoval · 1 year
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759) Willemsfonds - nazwany na cześć Jana Fransa Willemsa - organizacja kulturalna non-profit założona w XIX wieku w celu promowania kultury i języka flamandzkiego w Belgii. Aby osiągnąć ten cel, organizacja propagowała flamandzką pieśń ludową, organizowała gry językowe i wydawała niedrogie książki flamandzkie. Ponadto organizacja utworzyła biblioteki ogólne. Obecnie Willemsfonds nadal jest organizacją wolontariacką i miejscem spotkań kulturalnych. Ma na celu promowanie dialogu mi��dzy ludźmi, aby umożliwić im wyrobienie sobie własnej opinii. Willemsfonds ma inspirację liberalną, co odróżnia go od socjalistycznego Vermeylenfonds i katolickiego Davidsfonds. Willemsfonds został założony 23 lutego 1851 roku w celu promocji i wspierania języka niderlandzkiego we Flandrii (północna Belgia). Została założona przez 31 osób z Gandawy i 7 z Brukseli, a od 1868 roku jej siedziba znajduje się w Lakenmetershuis na Vrijdagmarkt w Gandawie. W jej początkach zarówno katolicy, jak i liberałowie współpracowali w ramach organizacji, nawet Jean-Baptist David był członkiem Willemsfonds. Kiedy w 1870 roku Kościół rzymskokatolicki sprzeciwił się bezwyznaniowemu statusowi edukacji publicznej, Willemsfonds stanęli po stronie liberałów i katolików, takich jak Jean-Baptist David, który opuścił organizację i założyli Davidsfonds w 1875 roku. Do 1976 r. prezesi Willemsfonds pochodzili z Gandawy, na przykład jej pierwszy prezes Jules de Saint-Genois (1813–1867), Ferdinand Snellaert, Prudens van Duyse, Frans Rens, Jacob Jan Heremans i Julius Vuylsteke, by wymienić kilku. Przez lata publikowała prace kilku autorów flamandzkich, takich jak Jan Frans Willems, Reinaert de Vos i Julius de Geyter, Johanna Courtmans-Berchmans, Tony Bergmann, Cyriel Buysse, Virginie Loveling, Maurits Sabbe, Paul Kenis, Karel Jonckheere, Marcel van Maele, Willem Roggeman i Clem Schouwenaars.
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geritsel · 5 years
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Allart van Everdingen - Illustrations for Fables of The Fox Reynard, etchings
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pwlanier · 3 years
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De staatsman Camille Huysmans en Reinaert de Vos
Art in Flanders
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tesnuzzik · 1 year
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A few doodles I recently made of my characters <3 (Including a few vent doodles at the bottom)
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theravenandtherunaway · 6 months
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melikosonn · 5 years
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Reinaert Matthias De Wit
                “I hurt myself today,
                       to see if I still feel
                          I focus on the pain,
                            The Only Thing That’s Real…”
Born in a minor Gallo-Germanic tribe called the Eberones as Silvarinos, Second King to rule alongside his partner and second cousin Amboticus, being the First King
When Caesar planned to take over Belgae and its original tribes, Amboticus was destined to united the tribes to battle as one opponent instead of being limited by various wild & independent little tribes towards the Romans.
After they failed to protect their own territories, Silvarinos went to the local market to drink his sorrow & failings away, unbeknownst that a stranger fed him a jar of blood instead, after which he remembered nothing other than than he wake up with a sudden need for bloody nourishments.
Eventually, Silvarinos became a wellknown vampire that connected himself with the supernatural community by his odd but plentiful wisdom about mythology & other folk tales.
He eventually walked off to live in bloody olde Judea, where he wrongfully joked about Jesus when he was posing as a pilgrim unkown to his history nor past. He was then known in history as The Wandering Senex, an elderly man that insulted Jesus and followed a wrongfully assumed never-ending fate of immortality. In reality however, he was just a elderly looking vampire passing by.
To this date, Reinaert Matthias De Wit as his current alias enfolds, is a 2045 yrs old vampire of Paris Above, a seemingly elderly subject of the dutch “patriciërsfamilie” deWit, which are the ancestors of high esteem people of political power originating out of the early Dutch Republic, just like many other Dutch pratician families. He owns a impressively large personal library, and spends him time studying everything new & recent, while enjoying fine wines in his free time. During daytime, he would work at Université de Paris (Sorbonne), as a Professor in Classicism, most notably the Old World Mythologies.
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having-it-all · 5 years
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Gustaaf De Bruyne ( Belgian,1914 - 1981)                                                  Camille Huysmans & Reinaert the fox, 1947
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foxpost-generator · 4 years
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Crimes >:3
https://twitter.com/PluizigeVos/status/1246923907904319488
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heaveninawildflower · 5 years
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Decorated pages from  William Morris’ ‘Kelmscott Press.’
1) ‘Psyche borne off by Zephyrus’ drawn by Edward Burne-Jones, engraved by William Morris taken from ‘A note by William Morris on his aims in founding the Kelmscott Press’ (1898)
2) ‘The Floure And The Leafe’ (1896) by Thomas Clanvowe  
3) ‘The History of Reynard the Foxe’ (1892). Based on a Dutch prose rendering of Reinaerts historie, a 14th century recension and continuation of Reinaert de Vos.    
4) ‘Biblia Innocentium’ (1892) by J.W. Mackail  
5) ‘Maud’ (1893) by Alfred Lord Tennyson    
6) ‘A note by William Morris on his aims in founding the Kelmscott Press’ (1898)
7) ‘The Love-lyrics & Songs of Proteus’ (1892) by Wilfrid Scawen Blunt  
8) ‘Hand & Soul’ (1895) by Dante Gabriel Rossetti. Reprinted from ‘The Germ’ by William Morris  
9) ‘Hand & Soul’ (1895) Dante Gabriel Rossetti. Reprinted from ‘The Germ’ by William Morris  
10) ‘Sidonia the Sorceress’ (1893) by William Meinhold ; translated by Francesca Speranza, Lady Wilde.
University of Maryland, College Park
archive.org
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