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#She hasn't been clear as to what it is
ingravinoveritas · 2 months
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"The boy did good" is so possessive yet so incredibly fond--that perfect mix of heartfelt and horny that I first noticed in 2019 and that is so characteristically, thoroughly Michael. That combination of something classic and timeless--because love never goes out of style--with something modern and different. Michael showing his heart without a moment's hesitation.
And then just to make sure we didn't overlook the horny part, he threw in "And he looks good in a kilt as well, doesn't he?" as a chaser. As if to say, "Oh, you thought this was me complimenting my buddy on a job well done? No, this is me saying that my boyfriend looked fucking hot in a kilt." Just to remind us of exactly who Michael Sheen is (like we could ever forget).
Well done, Michael. Well done indeed...
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fromtheseventhhell · 5 months
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I don't think anyone who believes Arya is focused on revenge has ever actually read her chapters, it's just been one long game of telephone where people repeat a take they heard so they can pretend they know what they're talking about
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vagabondfromkanto · 1 month
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//somebody get tiktok sounds away from me. and also stop me from reading KlK (specifically Ryuko) related meta till 3 am.
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dylanconrique · 3 months
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it'd be sick, but i can totally see lucy reassuring tim that her injury(s) aren't as severe as they look to parallel allison's death in tw.
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bericas · 2 years
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scott appreciation week (day 2) → you’re a werewolf
         They will call me by the body
         & mistake bright skin
for new land. Mistake eyes
for lunar rock to be taken
                   home as a souvenir.
#twedit#scottmccallledit#scottmccallweek#scott mccall#teenwolfplus#ive had this made forever but i always wanted to redo it and then i didnt#its literally been since last june#so here it is for this!#anyway i love him#the reason scott is so babygirl is actually because like women his body is a commodity!#it was taken from him by peter and never really given back#hes something to covet and something to destroy but not someone to take care of#which becomes so starkly clear in s5 especially#in the way his mom talks to him after he dies and the way stiles attacks him and never apologizes#and the way by s6 i think lydia and malia are the only ones really treating him like an equal#but lydia treats him the way she treats herself which is with respect and expectation#and he's allowed to fail! but it doesn't mean he hasn't. you know. like i wanna be so clear there's no love lost. there's no hard feelings#and in a romantic setting it would probably be different but as friends i really think she treats him how she treats herself#which is why her holding him to a standard is different bc it isnt inhuman. its just knowing what hes capable of#but alll of that i think is why by s6 he's so surprised when malia is so tender with him#because hes either a child or a god or a hero#and always an alpha#and malias like no actually im gonna do what i want and also im gonna make you take a shower and hold your hand#anyway#the point of this#is that i love him#ALSO I DIDNT GET THE FRAYED FAKE OUT BUT EVERYONE HAS TO LEAVE IT ALONE#I THINK ITS CLEAR THAT IM NOT REMAKING THIS#SO WE ALL HAVE TO FIND A WAY TO COPE
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i hate vague plans i hate vague plans i hate vague plans i hate vague plans i hate vague plans i hate vague plans i hate vague plans i hate vague plans
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anghraine · 2 years
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Unrelatedly: in GW2, I needed a grandmaster chef (for multiple reasons, including crafting my mother's legendary), and the only character who had a slot empty was my stealthy, dagger-wielding thief who is 100% a spy/assassin for the Order of Whispers in my head.
She has many skills, okay.
#i use her almost entirely for crafting feasts / gifts / using the cooking station's bank to charge a quartz crystal#bc she's human it's quite easy to craft in her home instance#(my mother tried it with a sylvari ... rip)#but i do find her really entertaining in concept#also i might continue my trend of 'wildly non-canonical au version' of the personal story with my headcanon for her#she's ascalonian as usual of course but her backstory implies that she used to be a bandit before defecting some time earlier#it's pretty clear that she got thoroughly disaffected with the whole bandit deal awhile back though#and has been trying to get her friends to leave too#but hasn't actually gone out into non-dr kryta when the story starts so???#but i like the shady past theme and the idea of some kind of intermediary step between 'bandit gangster' and 'hero of shaemoor'#and suddenly i thought 'what if she was a separatist??'#not like althea or even elwin or devona in pro patria—the real deal#at that point it wasn't 'looking out for me and my friends' but trying to help her people#but she was actually doing a lot of the same things (and also was the cook for her cell lol—she makes a mean ascalonian salad)#and ultimately couldn't live with it and went back to visit her mother in dr and left for shaemoor not long afterwards#as a chance to help people for real (and without indiscriminate terrorism!)#yes i choose to believe this and i like it a lot#anghraine babbles#anghraine's gaming#ascalonian grudgeblog#deep blogging#long post#(for the tags)
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electriccenturies · 2 years
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...why... why has the mcr fandom suddenly decided it's okay to call ppl slurs???
the misgendering is old news by now but the constant f*g f*ggot f*g f*g is new and AWFUL. it is NOT progressive or okay??? you get to reclaim it for YOURSELF, it is still a slur if you say it about others!!!! especially about ppl who have specifically asked you to not speculate or talk about their sexuality... and ppl who have almost certainly had that word used to hurt them.
like i cant speak about fr*nk or r*y but the w*y bros have both talked about people thinking they were gay in high school and being bullied for it. the 90s were NOT like now, it was not SAFE. that is also why ppl call m*key GNC btw since ive seen ppl complain about that. yeah what he wore is p normal NOW, but it was not back then??? you can't just remove context from things??? so yeah, m*key wearing super tight girls jeans and eyeliner and doing whatever the fuck he did to his hair back then (and even just being openly touchy feely with dudes??? like those heychris pics) WAS gnc in 2005. so, so wild to me how people have latched on to g*rard being the "true f*g of the band" or whatever when m*key was also pretty openly doing gay shit too. it says a lot about what people actually care about: making g*rard a paper doll to project onto — he was talking about YOU!!!! — rather than actually being excited to have successful, gnc, probably lgbt icons like that.
i just dont get how people can convince themselves they're being Good People and treating LGBT people well while they act like this. like trans is not a slur, she is not a slur, but it is 100% misgendering to call someone trans or she/her if they have never asked you to??? why is okay to misgender g*rard as a 'joke' but not misgender YOU?
it's because you treat transness as a joke, sorry!
#i have blocked so many ppl for calling g*rard a girl/trans/transfem/she/a f*g that theres barely anything left to see#I truly dont know what to say to ppl who think thats okay... how can they claim to 'love' and 'respect' g*rard#while blatantly violating his wishes? he has said over and over to STOP forcing labels on him#its not okay to misgender people i dont give a fuck if you're trans#its not okay to force ANY label on real human people or to call them slurs??? WHAT?!?! idk how this fandom got so twisted#g*rard has made it super fucking clear that his identity is none of our business and if he IS trans he clearly doesn't want to come out#(he's also clarified what he meant by he/they but ppl who take 'i identified WITH girls' as 'I identify AS a girl' dont care about that)#like ive said this before i think but believing he legit uses he/they pronouns also means that you think his brother and friends dont care#enough about him to do it since they ONLY ever use he when refering to g*rard#if he actually asks for smth then yeah of course ppl should respect it! but he HASN'T and he's straight up done the opposite#u think he's gonna ever feel safe coming out now that his words have been twisted and ppl think its cool to call him a trans woman?#idk its just Gross. it is the exact opposite of progressive and kind#think whatever u want like i have a Theory about a member of MCR but u know what? i dont fucking TELL people unless they bring it up first#and then only in DMs!!!#keep it to yourself if you have to talk about it!!!!!#im bitter about how ive been treated btw but i am trans positive... just not cool with THIS version of the 'trans community'#just if anyone was gonna throw that at me... i want changes but i do very much want trans ppl to be able to transition... ANYWAY
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arolesbianism · 26 days
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Why must it be 3 am I found a rly good rabbit au Jackie song and I desperately wanna draw smth based on it but if I did that then Id be going to bed at 5 am tonight and Id rather not. You guys should go listen to ofelia by kiltro tho it's pretty good 👍
#rat rambles#oni posting#Me when the toxic codependency that leads to an increasingly downward spiral of two women bending their morals and themselves beyond#recognition for each other only to grow more and more distant because of said efforts anyways#To be clear jackie still has shit morals in this au that is in fact why olivia also has shit morals#But jackie actually is on good terms with olivia for most of the story and loves her deeply#So she does notice olivia's downward spiral even with olivia actively hiding things from her and she notices them both becoming more distan#She gets freaked the hell out by olivia hiding shit from her but she's become so emotionaly dependent on her that she ends up loosening her#boundaries and as things get worse and worse she ends up taking it out on the staff that have been desperately trying to stop olivia#basically taking it upon herself to double down on olivia's downward spiral and jumping right in alongside her#Which in turn feeds into the whole reason olivia started down this path in the first place in a way that kind of makes her actually feel#Crushing guilt again as she's forced to watch the woman who she sacrificed her sense of self for end up sacrificing her own self back#Rly calls into question the justification for olivia doing basically everything she'd been doing for the whole plot#She hasn't been walking alongside jackie this whole time and now shes so far deep that jackie is left clawing after her#And once olivia 'dies' jackie is left behind to stew in her own grief and regrets#As much as she doesn't tend to question her morals it's hard to not think abt what must have went wrong
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imperiuswrecked · 2 months
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BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!
BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!
As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.
Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.
Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.
Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.
Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.
BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.
For more information about the character's history here is a breakdown of her appearances in Marvel Comics.
The Incredible Hulk (1968) #256 - Sabra's Origin
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On the cover of Sabra's origin issue is the image of a dead Palestinian boy.
continued...
As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.
This is Marvel Atlas (2008) #2 page on Israel
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Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.
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That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.
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The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."
Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.
The Prickly Symbolism of Cactus Fruit in Israel and Palestine.
“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”
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When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 
"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.
However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.
The Sabra & Shatila Massacre 1982
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The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.
The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.
Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.
For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.
Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.
Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.
Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.
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"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.
Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.
Marvel Super Hero Contest of Champions (1982) #1-3
Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.
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Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"
The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.
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Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.
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A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.
The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.
Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!
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The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.
I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.
The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.
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Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers
Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.
Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.
Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.
X-Men (1991) #67-69, 72-73
Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.
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She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.
Excalibur (1988) #120-121
Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.
Uncanny X-Men (1963) #366, 367, 379
Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.
X-Men (1991) #111
Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."
New X-Men (2001) #131-132
Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."
JLA/Avengers (2003) #4
Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.
Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.
Excalibur (2004) #5
Flashback two panel appearance of Sabra on Genosha.
Civil War: X-Men (2006) #1-4
Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.
Civil War (2006) #6
Sabra fights on the side of Tony Stark/Iron Man.
Union Jack (2006) #1-4
The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:
Marvel Encyclopedia, New Edition (2019)
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In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.
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Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.
To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.
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Later Navid gets hurt and Sabra checks on him, he tries to apologize;
Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.
Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.
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The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.
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Secret Invasion #6
Cameo one panel appearance of Sabra in Israel fighting a Skrull.
Astonishing Tales (2009) #6 - Astonishing Tales: Sabra
Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.
"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.
The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.
It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.
This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.
Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."
Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.
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Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.
Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."
Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.
Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.
Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.
I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.
History of the Marvel Universe (2012)
Cameo Appearance.
Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1
Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.
X-Men (2010) #31, 34-37
In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.
X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23
Sabra aids the X-Men.
Captain America: Steve Rogers (2016) #18
One page Cameo, Sabra appears to have completed a mission and gathered files.
Avengers (2018) #11
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Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!
Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.
At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.
Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.
Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.
Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link
Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link
Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.
I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.
Use the Captain America tags to Boycott Sabra.
If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.
Find a Protest near you
Donate or Join Palestine Action
Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine
Learn about Palestine
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transxfiles · 1 year
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lost phineas and ferb episode where perry is called to investigate what dr doofenshmirtz is up to because carl the intern got ahold of some intel that doof has been seen speaking to lawyers and looking up the endangered species act at internet cafes and as major monogram says, "something fishy is going on"
meanwhile phineas and ferb's subplot of "i know what we're gonna do today!" is that isabella needs her environmentalist fireside girls badge so they start researching which species are in urgent need of help in the tri-state area so that they can use new cloning and gene therapy technologies to bring at-risk animals back from extinction
(yes there is a c-plot where buford and baljeet argue the ethics of this idea, i don't have time to explain it all for you rn)
we cut back to🎵doofenshmirtz evil incorporated🎵where we see perry carefully maneuvering around doofenshmirtz's lab scared he might fall into a trap but he hasn't set off a single booby trap and it's clear something is off
he runs into doofenshmirtz and goes to kick him in the gut action movie style but doof steps back one overly confident and says, "nuh uh uh, you see perry the platypus, you are TRAPPED! by the danville section of the endangered species act of 1973!"
doof goes on to explain his tragic backstory: "you see, perry the platypus, when i was a child my parents did not show up for my own birth! but you know that already, yadda yadda yadda they did not love me and then they loved roger more, ANYways i was raised by ocelots! i had a lovely foster mother who took me in and made me one of the pride, and so you see, perry the platypus, i am still legally considered an ocelot. did you know that there are only 50 recorded ocelots still alive in the continental united states? very sad for me as a member of a near-extinct species. it would be immoral for you to hurt someone critically endangered... in fact, you have made many attempts on my life this summer"
[montage of doof's security camera footage of their battles]
"which is why i have decided to bring you... TO COURT!" we cut back to phineas and ferb's back yard where they've decided to start cloning ocelots in their kiddie pool
candace storms outside enraged and says, "phineas and ferb are you cloning ocelots in my duckie momo kiddie pool!?"
ferb's one line of the episode is "well, i guess it's more of a kitty pool, now"
candace storms away saying, "i'm going to tell mom!" and isabella turns to phineas and says, "oh, does your mom have experience in wildlife conservation?"
we cut back to the doof and perry plotline where the two are now in the danville hall of justice and we learn that doof has spent his monthly alimony check on a defense lawyer and perry turns and sees the lawyer and then vanessa helping her organize her briefcase and perry chitters at her and vanessa shrugs and says, "i'm thinking about going into legal defense. sorry perry."
the rest of the doof and perry b-plot is spent in court and perry is about to ask for a public defense lawyer when carl runs into the room and explains that he's owca's official legal defense and perry looks at him like, "uhhh is that even allowed?"
it doesn't matter because apparently the judge is out sick today but because it's danville roger's the judge now because he's the mayor and everyone loves him.
the court case continues.
meanwhile phineas and ferb have successfully cloned multiple ocelots from the original ocelot dna they had on hand and isabella asks phineas if these clones will experience health problems like premature aging, phineas casually explains that ferb figured out the problem while they were experimenting with stem cell harvesting.
back in the courtroom, doof's ocelot foster mother has been brought to the stand along with an ocelot to english translator. doof gets emotional seeing her after so long. she says that he was one of her favorite child and he was as strong a hunter as anyone else in the family. it's incredibly sweet. the jury's in tears.
meanwhile, isabella has established connections with a group in texas who are going to release the ocelots back into their natural habitat and, using the cloned ocelots to prevent inbreeding, help establish an ocelot breeding program. the group explains that they are going to send a helicopter to retrieve the cloned ocelots from danville and bring them to texas soon.
isabella gets her fireside girls badge.
candace manages to get mom to see the backyard only after the ocelots have been helicoptered off to coastal texas, their primary habitat.
mom makes it into the backyard as phineas stares wistfully over the fence and says, "if you love something, you have to let it go." candace goes, "look mom look look look!" and points at the ducky momo kiddie pool, devoid of cloned ocelots, where baljeet and buford are now chilling out, having settled their philosophical debate about the ethics of animal cloning.
back in the courtroom drama, doof looks like he's about to win when an attendant walks into the courtroom and whispers something in roger's ear.
roger looks up, grinning, and says, "good news, everyone! my attendant here has just enlightened me that ocelots are no longer considered critically endangered!"
this settles the case, with perry being decreed not guilty and the entire affair being called off. the courtroom cheers, roger walks over to doof and personally congratulates him on his species' return from the brink of extinction.
doof shouts, "curse you endangered species classification system!" at the ceiling of the danville hall of justice.
perry arrives back home just in time for mom to say, "who wants pie?"
the end.
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ohproserpine · 3 months
Text
iii. deer dolly
see all chapters here tags: fem! reader, reader is a performer in a speakeasy, jealousy, possessiveness, written before episode 7; may become inaccurate, gorey-ish descriptions of love, murder
The next night, Alastor returned in unusually high spirits. He practically dragged you onto the dance floor, twirling you around in dizzying circles for eight whole rounds. If you hadn't asked him to stop, you might have ended up collapsing from sheer exhaustion.
As it was a Saturday night and you weren't scheduled to perform, the trio of you settled in at the bar, enjoying drinks and each other's company as the night wore on.
"Come on, doll! Bottoms up!" Mimzy cheered, her laughter bubbling with infectious energy. The blonde pressed a crystal-clear glass against your lips, tilting it up and urging you to indulge further. The cool liquid burned as it slid down your throat, leaving a tingling sensation in its wake. The room turned into a swirling blend of jazz melodies, clinking glasses, and loud, loud chatter.
After a few seconds, unable to endure the relentless flow of alcohol, you finally pushed her hand away with a sputter and a cough. The taste of the giggle water lingered on your lips as you slumped against Alastor's chest, your burning cheeks squished against the fabric of his coat.
"Had a bit too much, have we?" he smirked. The radio host smoothly wrapped an arm around your shoulder, the fine fabric of his suit brushing against your skin as he held you upright against him. You nestled against Alastor, swaying slightly to the music, the alcohol-induced haze casting a dreamy glow over your vision. "My, it looks as though the night's got its claws in you, cher."
"Not yet it hasn't," you grinned, your words slurring slightly as you shifted against him, a hand outstretched to grab your drink off the counter.
"Ah ah ah," Alastor chuckled as he took your glass from you, setting it aside with a careful motion. "Let's not push our luck, shall we?"
"Aw, don't be such a wet blanket!" Mimzy snorted, her curls bouncing as she plopped onto the seat beside you. "She's just having a good time! Ain't that right, doll?"
"Mhm!" you nodded your head eagerly before stopping, the ceaseless nodding causing a dull ache in your head.
"There's a good time, and then there's getting plastered. I'd hate to see the star of the show here end up on the floor. Ha ha!" Alastor boomed out with a laugh, catching you off guard. You would have stumbled off the seat if it weren't for his swift reflexes, his gloved hand wrapping around your arm to pull you back up.
"Such a klutz," Alastor tutted with a smirk as he steadied you. "See? What ever would happen to my favorite showgirl if I don't keep a watchful eye?" 
"Oh, please!" Mimzy snorted as she slid another cool glass of giggle water in front of you, leaving a glistening trail of water from the condensation. "She's handled worse than this. We're just getting started!”
"Mimzy, my dear, it seems my words didn't quite get into that thick skull of yours," Alastor enunciated with a tight-lipped smile. "Allow me to say it in much more simpler terms; she has had enough."
"Oh, come on—"
"Do you want all your patrons to witness yet another fiasco in this establishment?"Alastor smiled as he bore his gaze into the blonde's doe eyes. "Because it does sure seem like a night can't pass here without a fuckup!"
Mimzy's shoulders raised in surprise. She stayed silent for a while before forcing out a response through gritted teeth. "No."
Alastor leaned in, glasses sliding down the bridge of his nose, voice devoid of his usual eccentricity. "Then dry up. Understood?"
"Understood," Mimzy rolled her eyes, tucking her chin to her chest as she stared at her feet.
"Lovely." Alastor hummed before straightening himself. And just like that, the tension dissipated, replaced by an air of nonchalance.
"Well! This has been a delightful night, but I do believe it's time to escort this lovely lady home, don't you think?" Alastor's tone shifted back to its usual charm, as nothing had happened. He wrapped an arm around your waist, tugging your ditzy self out of the bar stool as he began to guide you out of the speakeasy.
"Best of luck, chums!"
.
"Can you believe it? That lousy, two-timing rat! You introduce him to the girl of his dreams, and what does he do? He high-tails it outta here with her, leaving us all high and dry!" Mimzy ranted, shaking her fist in frustration before pouring herself another drink. "Not a word for a whole week! I had to call in Nitwit Nancy to cover her Friday shifts! And you know that broad sounds like a screeching cat on a hot tin roof."
Beside her, Angel Dust was flabbergasted, his jaw hanging open with the champagne glass dangling loosely from his hands, its contents long spilled onto the counter, creating a shimmering puddle on the bar. Husk grumbled as he wiped the counter clean with a worn-out rag, eyes flickering between Mimzy and Angel.
The spider was staring at Mimzy as if the blonde had just sprouted a third tit, his eyes wide and struggling to process everything he had just been told.
“Why is you gawkin'?!” Mimzy leaned away from Angel, unsettled by the look on his face. “Aww. Is it 'cuz I'm adorable?”
"Fuckin' hell, toots," the spider coughed out a laugh. "I'm having difficulty understanding all that you just spat at me, blondie. What happened to you ‘keeping a secret’?"
Mimzy's body tensed, a sudden realization flashing across her face as she belatedly registered the fact that she had been running her mouth.
Shaking her head, she pulled herself back together with a huff. "Whatever, alright?! I doubt—"
Suddenly, a loud bang at the door echoed through the room, causing the two demons to startle in their seats. Mimzy's head snapped towards the source of the noise so swiftly she nearly gave herself whiplash. In growing horror, she watched as the hinges of the hotel's entrance door began to creak, the walls around them starting to crack and shed plaster.
"Mimzy! We know you're in there! You lousy bitch!"
"Oh, shit," she winced sinking into her seat.
"What the fuck—" Husk cursed, his words drowned out by the sudden explosion that violently rattled the lower windows. Shards of glass rained down onto the floor as dust and debris filled the air, choking their senses. Husk whipped his head around to glare at Mimzy when she vaulted over the bar counter, seeking refuge behind the sturdy wood.
"I fucking knew it. What shit have you brought to us this time?" Husk demanded, his grip tightening on her dress as he lifted her up. Another explosion echoed through the building, the shockwaves pulsing through the floor causing Husk to stumble and drop her. 
With a pained grunt, the blonde crashed to the floor, her bruised front absorbing the brunt of the impact. As she lifted her head, she met Husk's glare.
"Ahah... Well," Mimzy sheepishly smiled, her eyes darting nervously as she cowered on the floor. The banging on the door grew louder and more aggressive, echoing through the hotel lobby like a menacing drumbeat.
Angel Dust stood frozen by one of the living room walls, his hands pressed against it to anchor himself. Suddenly, he noticed the television set flickering with an eerie glow, emitting dissonant static noises that seemed to crawl under his fur. The crackling sound took on an unsettling pitch, and an odd pink electricity surged through the screen, casting a sickly hue across the room. "What the fuck...?!"
In that moment, Vaggie and Charlie stormed onto the scene, their eyes widening in disbelief as they absorbed the chaotic sight. The hotel lobby, once orderly and serene, now lay in ruins—furniture overturned, glass shattered, and the wallpaper charred.
"What's happening?!" Vaggie exclaimed, swiftly drawing her spear and slicing a chunk of concrete in half before it could reach her. The broken pieces ricocheted off the walls, adding to the destruction.
"We are under sssiege!" Sir Pentious screamed as he scrambled to get Nifty into his arms, slithering behind the toppled-over couch for cover. The banging on the door intensified, accompanied by muffled threats and angry shouts from outside. "It'sss all that harlot'sss fault!
"Harlot?" Vaggie questioned, her fiery gaze sweeping the room for a familiar mop of blonde hair. Upon spotting Mimzy, her eyes narrowed as her lips curled into a snarl. "Explain."
"I may or may not be in trouble with an overlord! Well, maybe a couple of 'em," Mimzy rushed out, her words tumbling over each other in a nervous babble. "And I may or may not have 'borrowed' one of their top showgirls. And, well, got that girl killed… but she had it coming!"
Vaggie's patience waned with each new sentence Mimzy added, and a low groan escaped her lips.
"Leave this to me," she hissed, red-hot fury flashing in her eyes as she tightened her grip on her spear. "Everyone, get somewhere safe."
"I'm afraid that will not be necessary, my dear."
A sudden crackling static, skin to the ominous hum of a radio, seeped through the room as Alastor emerged from the shadowed corners. The demon's grin twisted unnaturally, stretching up to his glowing crimson eyes, which emitted an eerie, hollow glow. Tendrils of inky shadow began to writhe and sprout from Alastor's back, emitting sickening cracking noises.
In the blink of an eye, he dashed outside, engaging in his unholy work, swiftly and effortlessly ridding the area of its assailants. The air outside carried echoes of screams and the sharp, metallic scent of blood.
Before everyone could fully comprehend the whirlwind of events that had just transpired, the screaming ceased. Shortly after, Alastor returned to his usual demeanor. Nonchalantly stepping back into the damaged lounge, he dusted off his suit, traces of blood marking his path on the floors.
"Alastor! Babyface! Good show!" Mimzy began clapping, seemingly unfazed by the gorey scene as she stepped out of her hiding spot. "Bravo! bravo!"
Upon hearing Mimzy's voice, Alastor's head fully twisted around with a loud, bone-chilling crack accompanying the movement. The radio demon moved toward her, his towering 7-foot form eclipsing her much smaller figure. He bared his sharp teeth in a menacing smile as his antlers began to grow in length, curling and twisting over his head—a display nothing short of terrifying.
"You—"
"Alastor~" Charlie's voice quivered with forced cheerfulness, her hands wringing together anxiously. "Haha! Let's, uh, try to keep our cool here, okay? We really don't need any more messes, do we? Haha!"
The princess's attempt at forced cheerfulness made her look desperate, her manic expression surfacing as her pupils visibly shrank, darting around the room like startled prey.
Alastor closed his eyes, the tension in his form visible as he took a moment to regain composure. Gradually, his antlers reverted to their usual size. With an eerie calm settling over him, he reopened his eyes, though the strain was evident in his smile. "My apologies, chum. I'll be out of your hair in a bit."
He spared Charlie one more glance, his gaze piercing, before redirecting his attention to Mimzy. The intensity in his stare bore into her as he spoke, his voice low and measured. "Since you are so eager to catch up, why don't we have a talk? In private."
With that, the radio demon snapped his fingers, transporting both of them out of the lounge.
"Dumb bitch," Husk grumbled under his breath, covering his eyes with his paws and slamming his head onto the bar counter. "We're all fucked once he finds out."
"Find out what?" Walking up to him, Angel Dust shot Husk a confused look. The spider delicately brushed away the dust that clung to his grey fur, picking out the bigger pieces of cement and plaster. "I thought they were friends?"
Husk raised his head off the counter, mismatched eyes meeting Angel's own. "Not anymore."
.
Mimzy slowly opened her eyes, greeted by the surreal sight of a blood-red room surrounding her. It housed a radio station complete with an array of dials and a microphone, the very tools she knew Alastor utilized for his broadcasts.
'His broadcasting station?' she noted, curiously looking about the room.
Suddenly, Alastor's firm grip closed around her shoulder, causing her to whirl around with disorienting speed. His bloodied claws moved to cradle both of her rosy cheeks, their sharp edges looming dangerously close to breaking skin while he squeezed her face as though dealing with a disobedient child.
"I thought I made it very clear that you were to step nowhere near me," Alastor forced her to stare up at him. Despite the discomfort caused by Alastor's claws digging in, Mimzy maintained her confident demeanor and glared straight back up at him. "Did I not, dearest?"
"Oh, I just ran into a spot of trouble, and I thought, who better to lend a helping hand than you?" Mimzy rolled her eyes as she pulled herself away from his grasp, massaging the tender flesh of her cheeks. "You always love helping lil ole me."
"Enough. What is it you want?" Alastor snapped. "Should you persist in wasting more of my precious time, I will relish tearing you apart limb from limb, and the symphony of your sweet screams will be a broadcast for all of Hell to revel in."
Mimzy, unfazed, leaned in with a sly grin, her fingers playfully tracing the lapel of Alastor's coat. "Alright, tall, dark, and creepy. I know you aren't going to do shit."
"After all," she batted her lashes at him, "Hurting me would be hurting her, now wouldn't it?"
The blonde pressed her finger into his chest, poking him repeatedly. "That was in the contract~ You. Heartless. Son. Of. A. Bitch."
A low, guttural chuckle rumbled in the depths of Alastor's throat. "Oh, sweetheart," he drawled, catching her finger mid-poke. "You seem to be overlooking the delicate nature of contracts. It might be wise for you to tread more carefully, relying on such flimsy assurances."
"Flimsy?!" Mimzy scowled. "I got your girl on a leash!"
"Lets make this very clear," Alastor's voice deepened into a growl, eyes flashing red in warning. "This contract doesn't grant you a carte blanche to play games with my patience. If not for her plea to spare you, your fate would have been sealed by now."
As Alastor's grip moved to tighten around her throat, Mimzy's eyes nervously tracked the sharp edge of his claws, her breath catching in her throat.
"W-Whatevah! A contract is a contract," she retorted. Mimzy roughly pulled away from him, scrambling to gain the upper hand again. "Even if there ain't a soul exchange, it's still binding!"
"Yes, indeed! I am well aware of contractual obligations, dear," Alastor grinned, his cane tightening in his grip, claws leaving indents on the dark steel. Bending down to meet her gaze, he continued, "But you seem to have forgotten that time's almost up! The expiration for your contract is nearing. And when that happens, I do intend to reclaim what is rightfully mine – my wife. At that point, you will find yourself plunged into an abyssal world of unrelenting agony."
"Abyss, schmabyss. I've dealt with worse," Mimzy scoffed, her hand waving dismissively. "Now look, I got what I wanted outta you, and I don't have to take this."
With that, the blonde turned with a dramatic flair, her heels clicking against the floor as she stomped towards the door. She adjusted her hair and straightened her dress, a smug smirk dancing on her lips.
"Have fun with your little princess and your little project," she quipped.
Over her shoulder, she shot Alastor one last look, a sly glint in her eyes. "Because I sure am having fun with mine~"
Dry up - Shut up Giggle Water - Liquor Carte Blanche - Complete freedom to act as one wishes
3K notes · View notes
satoruxx · 2 months
Text
PARACOSM OF THE GODS.
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PAIRING: gojo satoru x f!reader, geto suguru x f!reader | 11.5k words
SUMMARY: ok here we go, canon au, angst, fluff, best friends being in love, stsg being whipped but unable to express it, reader is clueless as usual, timeskips, canon compliant deaths, bittersweet, longing, mutual pining, emotionally stunted teens, dad!gojo makes an appearance, hopefully that’s it i'm tired of typing
RHEYA'S NOTE: highkey lowkey stressed posting bc this has been sitting in my wips for 4 years now. i honestly didn't have to add much to it i basically just proofread. but yeah when you maladaptive daydream and create a plot where you're a character in jjk and you're also in love with gojo and geto this is what happens. a little sad to let this go but it's time !! plus i can add more parts later. but anyways pls lmk what you think, i'm super curious to know <33
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i. the unknown
satoru's first impression of you is anything but kind.  
his words come casually, free into the wind without care, and they aren't meant for you to hear. instead, they fall only to suguru's ears, evoking a deep chuckle and a slight shake of his head. his bangs swish a little with the movement, but satoru is too busy eyeing you over the frame of his shades to notice. 
you're lucky to have not heard it, because the intent with which it was said would have probably made your brow tick with frustration. he says it without a thought, as if he hasn't the slightest bit of interest in you as hints of arrogance fill his tone. 
"who's the rookie?" 
satoru and suguru sit outside against the patio railings of the classroom they had chosen for the day. it overlooks the grounds of the school, where they have a clear view of who approaches the main entrance. suguru absentmindedly clicks his lighter—shoko had gone to get another pack of cigarettes. 
it is from this higher point that they have a clear view of you. you're so obviously new to this, satoru thinks as he watches how you awkwardly stand in front of yaga sensei. 
he already wants to label you as a side character. it's mean, he realizes—cruel even, but he can barely bring himself to care. 
"yaga sensei mentioned that there'd be a new student joining us this week," suguru says, fingering the bangs hanging in front of his eyes. they roam over you with only slight interest before uttering your full name, just as his teacher had said it.
satoru repeats it with a hum. "not a big name or anything. a small-sized family of sorcerers i think." he shrugs carelessly. "but honestly i never really paid attention to all those stupid clan and jujutsu family lessons." 
suguru only responds with a good-natured chuckle, tearing his eyes away from the scene to look at his friend. "no shit." 
the two sit in quiet silence, watching yaga's lips move in structured, emotionless greetings as he shakes your hand. satoru is especially focused on the hunching of your shoulders and the way your eyes nervously dart around. 
suguru is the first to interrupt the peace. 
"maybe she's strong?" 
"are you kidding?" satoru scoffs as he stands up straight, shoving his fists into his pockets. he turns his nose up slightly. "that's not the attitude of someone who's confident in their abilities." 
ii. routine 
"can i ask you guys a question?" 
a cool breeze tickles your skin, goosebumps rising in its wake, and you suppress a shiver. the smell of the air tells you winter is fast approaching. 
"you just did," satoru hums, his snowy hair splayed out against stems of green grass. suguru's chuckle reverberates deep in his chest, and you have to push back an exasperated smile. 
"another one then," you press, leaning over satoru's face to force yourself into his view. his blue eyes pierce through yours over the dark-rimmed frames of his glasses, and even after seeing them so many times, they still feel as dominating as the first. he hums again, and you take that as your cue. 
"what did you first think of me when we met all those months ago?" 
satoru sits up quickly, and you can already feel your shoulders dropping when you catch a glimpse of the teasing smirk on his lips. he shifts so that he's directly facing you, leaning close so that the two of you are barely a palm's distance from one another. 
"thought you were an annoying little rookie~" he sings and you immediately shove at his shoulder.
"'m not a rookie anymore," you huff, and satoru laughs joyously. suguru only grins, his eyes darting between the two of you happily. satoru moves himself into a proper sitting position, digging his long fingers into your bag of chips and popping one into his mouth. you swat at his hand, even though you don't mean it, because though you complain about gojo satoru all the time, you would give him the whole world if you could. 
you and satoru take turns reaching into the bag. you wonder if the sound of crunching disturbs suguru. he's not asleep—he's just doing that thing where he keeps his eyes closed and escapes to his own land of tranquility. you'd like to give him as much peace as you can, so you stay quiet. satoru does too, but you think that's just because you aren't talking to him. 
the quiet is nice when you're with them. sometimes silence makes you feel alone—paranoid. it feels like there is some impending doom hovering over your shoulder, and all you can do is wait for it to come. but with them it is different. you know that any danger in the quiet will be caught by the two of them. maybe that's why it's so easy to let your guard down around them. you trust that they won't let you die.  
"i thought you were weak," satoru pipes up after a few minutes of silence. "you didn't seem like you were confident in your abilities, and that's a sign of weakness." 
after spending so much time with satoru and suguru, the word weak has permeated almost every one of your conversations. later you learned how much more significant it was for them to label someone as strong. you chase after the word—crave it.
"and turns out that wasn't true." suguru adds with a smile, his head leaning back against the trunk of the tree. his eyes are still closed serenely and you wonder if he can feel the way you're gazing at him. 
"yeah and now you act like some big hotshot," satoru grumbles, as though he doesn't want to admit to his old mistake, but you can hear his smile. it annoys you, the way his once degrading little nickname has now somewhat turned into a term of endearment. you would rather die than admit that you like hearing him say it. 
"well, I'm glad that i was able to prove you both wrong."
the conversation ends there. 
shoko returns a few minutes later, tossing you a can of soda and suguru a pack of cigarettes. as soon as she sits down in her spot under the tree you're forcing your head into her lap and kicking your feet onto satoru's legs. you ignore his complaints, because you know that in just a little bit he'll quiet down and his hand will rest over your ankle, fingers soft but firm. they'll occasionally drum some rhythmic tune, or draw nonsensical patterns against your skin.
shoko's fingers thread through your hair, just like they always do, and you know that in a few minutes you'll doze off in her lap, just like you always do. it's clockwork, this thing that you have with them. they make the days keep going—time doesn't stop for you. 
a part of you wishes you could freeze time at that moment. 
but you can't. 
iii. halcyon
"hey suguru?"
"hm?"
"how come you always do your hair the same way?"
suguru glances up from his book. he's seated at your desk, and for a minute, the breeze pushes your curtains so that they block your view of him. satoru groans lightly from your left, turning on his side to snuggle deeper into your pillow, and slumber overtakes him once more. him and shoko remain quiet, faces free of worry as they dream in a land that is so unlike the real world you live in.
"what do you mean?" suguru asks in response to your question. he has an amused smile on his face as he places his book on your desk, though his thumb and pointer finger keep his page.
"well…" you suddenly feel stupid for asking, but he's looking at you so intently now. "you have such nice hair. you could style it in so many different ways."
"are you saying you don't like my hair the way it is?" he frowns.
"no no!" you scramble, shaking your head emphatically. quite the opposite actually you think he's so so attractive—how on earth did you screw this up so badly? "that's not it i just—"
he laughs, tilting his head fondly. "i'm just messing with you, hotshot."
you blanch, before crossing your arms with a huff. "asshole…"
he chuckles, before lifting a calloused hand up to finger the tie that holds his hair in a bun. he glances back at you, before a michevious smile settles on his face. he gives the tie one sharp tug, and the bun falls away. black hair drops, resting on his shoulders, and you stare at him—oddly parched. wind brushes through the open window, tickling your curtains, tickling his now open hair. you had seen his hair down before, of course. in the few seconds after a sparring session when the bun had gotten loose, or when too many strands escaped the tie and fell in front of his face (he always pushed them away with an agitated huff). but now he looks different—good, you realize. he looks good.
"how should i style it then, hotshot?"
his question shakes you out of your daze. you hum in contemplation. "i don't know."
he laughs quietly, as to not wake the other two. "didn't you just say there were so many ways to style it? enlighten me then," he teases, reaching over to grab a small scrap of paper from your desk. he slots it where his fingers are holding place, and then closes the book. he swivels in the chair to face you completely, rolling over so that he's right in front of you.
"well…" you start, biting your lip in thought. "a ponytail maybe?"
suguru bunches his hair into his fist, holding it up against his head. "and? how do i look?"
you grin, eyeing the new style with a stifled laugh. "fantastic."
he laughs again, louder this time, before dropping his hand.
"it looked good though!" you laugh and he rolls his eyes fondly.
"yeah yeah," he dismisses with a wave of his hand. he looks back at you, eyes tracing over your hair before he grins wide.
"i like yours."
you blink. "mine?"
"the way you did your hair today," he points to the half up-half down style you've thrown together. a dark blue ribbon holds the hair in place—satoru had said it matched nicely with your uniform. suguru's eyes gleam as he appraises it. "it's nice. it looks really pretty on you."
something in your chest feels like it fell off a cliff.
"oh—" you stumble, before smiling at him because that's all you can do when he makes you feel like this. "thanks suguru."
"do mine like that," he says quickly.
once again, you blink owlishly and all you can manage is a stupid "huh?"
"do my hair like that," he repeats, getting up from the chair to sit at your feet, back towards you. he crosses his legs and puts his hands in his lap, patiently waiting.
"you can't do it yourself?" you tease, scooting closer to the edge of the bed.
"i can," he replies and you can hear the easy smile in his voice. "but i want you to do it for me."
"okay then!" you laugh before gently parting sections of his hair out. and then you work in silence, putting more effort into his hair than you've ever done with your own.
iv. fragility
"lady riko does not have any relations. when she was young, her family was involved in an accident…since then, i've been her caretaker. so please let her at least spend time with her fr—" 
"—so that makes you her family then." 
suguru's words seem to stun kuroi, the weight of riko's situation finally making itself clear as her face crumbles. 
"…yes." 
you listen to the way her voice wobbles, and try to suppress the poisonous lump forming in your throat. 
"then we do everything we can to make her happy," you say solemnly, leaving no room for argument. suguru seems to agree and says nothing—some deeper part of you feels something more than thankful towards him. 
"you're awfully sensitive for a jujustu sorcerer, you know that?" satoru comments offhandedly. you turn to look at him, meeting his piercing gaze over dark rims. 
"maybe," you concur. "is that considered weak?" 
satoru seems to ponder his answer, before shrugging, a light smile on his face. "to some people, maybe." 
you manage to smile back, and he takes in the expression with an odd look on his face. "say what you want, satoru. but you agree with me, don't you?" 
he looks away, eyes gazing out to the distance where you know riko is currently in class with her friends, trying to live the life she wants, and something in them softens considerably. 
"we'll do things the way she wants us to." 
it's one sentence, said without a smile or laugh, but hearing it fall from satoru's lips makes you beam at him. 
that's just your kindness, isn't it, satoru?
your heart leaps when you notice the tips of his ears tinge with rouge. 
v. longing
riko's hand is warm against the coolness of your fingers. your body feels hyperaware of your surroundings, toes deep in hot sand and salty air sticking to your skin. for some odd reason, you can't seem to relax. unconsciously, you tighten your grip around the young girl's palm. she glances up at you, but when you look down at her, she's wearing the biggest smile you've ever seen. 
satoru's presence makes itself known behind you—his shadow looms over yours in the sand. "it'll be fine," he says.
you can't see his face, nor can you see suguru who stands at his side, but your shoulders drop slightly, and you find yourself smiling back at riko. 
"i'm getting in the water!" she squeals eagerly, before dragging a helpless kuroi with her. satoru laughs—a clear, pristine sound—and follows after her. you watch the three of them with a fond smile, something akin to content settling deep within you.  
"and what are you planning on doing?" suguru asks. you turn to look at him, watching the way his heavy eyes stay focused on you. 
"hmm," you quirk a brow mischievously. "build sandcastles with me?" 
suguru blinks owlishly before he breaks out into a good-natured laugh. 
"deal." he walks closer to the water's edge, where the sand is damper, and crouches down. he turns to look at you over his shoulder. "don't make me do all the work, hotshot." 
you stand there, taking him in—really taking him in. he's just as clear as the sky behind him, and the sun shining on his face makes his smile glow. you want him to continue smiling at you like that well into the future. the waves crash onto the shore, as though the ocean is chasing his radiance, and an overwhelming feeling of unfiltered affection swells in your chest. 
your feet carry you forward, and you think that they might always lead you back to him. 
the sun rises as time passes, and occasionally you spare a glance at satoru and riko, who are screaming as they splash water at one another. and then you catch a glimpse of kuroi, who stands with her feet in the water, a soft smile on her face. 
and in that moment, nothing can be ruined. 
"what's wrong?" suguru's voice calls out, and you tear your gaze away from the others to look back at him. he stands behind you with two strawberry ice cream cones in his hands. 
"nothing," you hum, a serene smile on your face. "everything's perfect."
his eyes trace your face, stopping to linger on your smile, and they soften. "it is, isn't it?" 
he turns to the ocean, watching satoru and riko, and his eyes sparkle. "i hope it stays like this always." 
"me too." 
he bends down to take his place at your side before he hands you a cone. you take it from him. suguru's eyes drift away from you to look down at his castle. 
"i think it looks great," he expresses, before taking a lick of his ice cream. 
you roll your eyes with a huff. "yeah, because you made it look so nice. you're unnecessarily good at this, suguru." 
he laughs, waving his hand dismissively. "no no, we did it together! and yours is nice too!" 
"maybe," you grin, looking at his castle. "but yours is extra pretty." 
he smiles back, before pointing at a small hole in his sand tower. "see this room? it's yours." 
"mine?" you chuckle.
"yeah, all yours," he hums softly. "this is my castle and you get your own room." 
"oh? and why's that?" 
suguru's gaze lingers on you, and his dark eyes soften considerably. "because you'll always have a place in my home." 
you stare at him, speechless—something hammers away at the inner crevices of your chest. 
"and this one—" he points to another hole a few inches away from the first. "—is my room." 
"well in that case, that room is mine too!" you declare.
"what?" he barks out a laugh. "how does that work?" 
"well…" you grin at him, the sun burning into your cheeks. "because my home is wherever you are!" 
suguru's cheeky smile fades and his eyes widen. he looks at you, mouth agape, and you're about to say something else before sticky coolness trickles down your wrist. 
"ack!" you hurry to wipe away the strawberry ice cream dripping down your skin and you completely miss the red that creeps up his neck and seeps into his ears. 
vi. ice bath
shoko's fingers are unbelievably soft. you're grateful that you were unconscious through most of her procedures on your battered body—you don't think you would've handled the pain too well. she's quiet as she works over the large wound that now covers almost half of your torso. the man with the scar on his lip had done quite the number on you, and you don't think you'll ever forget the searing ache of his blade slicing through your flesh. he had left you in a bloodied pile, isolated, and you hadn't seen what had happened to suguru after the man shot riko. you could only lay there, vision swimming as a bitter taste filled your mouth—a reminder of the life you failed to protect.
the pain had been the only thing you could focus on, until satoru was on his knees at your side and tightly gripping your shoulders. your hazy focus was drawn to his lips as he spewed curses and insults at you. 
"why didn't you run away, you little shit," he had shouted, a feral look in his eyes. there was something different about him—a change in his very being that you could see even in the throes of death. "shoko's coming, do you hear me? for fuck's sake, keep your eyes open, hotshot!" 
you swore you saw his eyes shine behind that look of uncontrolled anger. he had been talking a mile a minute and your focus had waned until you could only see his lips move, no sound reaching your ears.
you've never thought satoru looked more godly than he did at that moment.
suguru eventually found his way into your field of vision—knelt at satoru's side. his large hand had squeezed your limp fingers in a death grip. he was sweating, and his eyes were darting back and forth between your pale face and bloodied torso, something akin to guilt swimming in them. you wished that you had the strength in you to squeeze his hand in return. the last thing you remember seeing is his dark hair falling in front of his face as he turned to shout at whoever was approaching.
now you're awake. disoriented and bleary, but awake, and all you can look at is the way shoko's bangs fall over her furrowed brows. she's taken care of the bleeding, and now all that's left is a dull throbbing, reminding you of how close you had toed the line with death. you don't know this yet, but the scar will remain for the rest of your life, and that dull throbbing will be a permanent reminder of your narrow escape. 
shoko hasn't said a word since she noticed your eyelids flutter open. you want to ask her so many things. important things that cannot wait: 
where's satoru? how about suguru? i saw them both. satoru's alive, right? and suguru, too? the man—with the scar. where did he go? he said that satoru—riko….where is riko? and—and kuroi…i—i..couldn't save riko. when did you get here, shoko? and why am i the only one who's being taken care of by you? 
you want to ask her. but she's making a very odd expression as her hands ghost over your body. you've never seen it before, this odd quirking of her lips. her teeth sink into the bottom one, and she chews and bites and nibbles like it's some kind of nervous tell. 
"shoko?" 
it's all you can manage to say—all you dare. your voice is dry, shaky, and sounds almost foreign to your ears. you're going to ask more, at least one of those thousand questions you had asked in your head earlier, but you don't get to because she speaks before you. 
"shut up," she spits, and the wobble in her voice has you pinching your lips shut and feeling closer to death than you did before. 
vii. acid rain
the sound of clapping is deafening. you don't think you've ever heard a sound so horrid in your life before, and you feel as though your ears are bleeding heavily. you can faintly make out the conversation between satoru and suguru, your ears struggling to pick out the tones of their voices. 
"no…" you hear suguru say quietly. "it doesn't matter if I'm fine…"
you can feel satoru's eyes roam over your motionless body, watching the way you gaze out into the crowd impassively. 
"let's get out of here, guys."
your feet carry you numbly, and you aren't aware of anything except the way riko's arm is swinging in front of you lifelessly. there are no mirrors around—no way of catching the track of tears cutting over your cheeks. the places where the salt touches burn like acid. you say nothing. 
satoru's gaze feels intrusive. he doesn't need to ask you anything—he just knows. it's like your body is radiating the emotions tumbling around in your gut. 
you're awfully sensitive for a jujutsu sorcerer, you know that?
"do you want to…kill them all?" 
the question stuns you, and for the first time, you can shake yourself out of your daze to look at satoru directly. blood is smeared over the left side of his face, cerulean eyes dimmed, as though something had pulled the shine out of them. red seeps into the fine hairs of his restless eyebrows. 
"right now, i probably wouldn't even feel anything," he continues, staring at you listlessly.
you think satoru might be feeling just as numb as you are. you don't know what happened to him yet. the last you had heard, gojo satoru had been killed by the man with the scar. he had boasted about it to you before he attempted to kill you too. but then satoru was at your side again, completely alive as he ran your battered body to shoko like a crazed man. 
you'll find out later who the man with the scar on his lip was, and what kind of legacy he had left behind. but for right now, all you see is a teenager with the weight of the world on his shoulders, and you know your answer.
satoru could help the pain go away; he'd be able to make the clapping stop—maybe then your ears wouldn't bleed anymore. but you couldn't ask that of him. 
"forget it. it's pointless," suguru mutters, and you're glad he's on the same page as you. not because any of these people deserve pity, but because satoru deserves a break—one less burden for him to carry. 
you hear suguru say more, but you can't focus. you continue to listen to the sound of the clapping, and once again lose yourself as you stare at riko's bloodied fingertips. 
"pointless, huh?" satoru mumbles in response to suguru's answer. "does there need to be a reason?" 
"of course. it's important," suguru's voice doesn't carry the same pleasant tone it always does. instead, it sounds strained, and tired beyond belief. unsure. "especially as jujutsu sorcerers." 
satoru doesn't respond, but you know that he's measuring the weight of his friend's words. that's how it was with the two of them. they both balance each other out—their moral compasses influenced by one another. but then you feel satoru look up from riko's body and turn to you. suguru follows suit, and before you can wonder why, it hits you: satoru had asked you both. 
you suck a deep breath in, feeling unusually breathless. the flesh of your stomach tingles with a painful reminder of what might've been, and you make up your mind. 
"killing them won't change anything," you say, breaking your silence. the tears on your cheeks have dried, but they leave a rigid trail in their wake—a trail that still stings. "let's just leave it at that." 
viii. fever dreams
satoru lies next to you. 
a few nights have passed since riko's death, and you've chosen to stay holed up in your room. you're not sure why—death has always played a big role in your life. you don't understand why it's different this time. 
tonight is different as well. while you've maintained a distance from everyone since that day, save for classes and passing by people on school grounds, today you've decided to let someone in. satoru's the lucky one, mostly because he would've pestered you until you opened your door for him anyway. 
it's strange though. he had knocked over and over, and when you finally opened up with a snappy jab at his annoying personality, he had brushed straight past you and laid across your bed. he hadn't said a word since then, and you've found yourself lying next to him in silence for quite a while. 
his hand stretches out in the darkness and you can feel his fingertips brush over the skin of your arm. it's delicate, like he's testing his limits, but you understand. it's just to ground himself—to know that you're still here, with him. to be sure that you're still alive.
you think the scar that goes down your body bothers him a lot more than it bothers you. 
"'m here," you mumble sleepily. your fingers reach up to bump against his knuckles, and you hear him inhale deeply. his voice is throaty when he replies. 
"i know." 
ix. doubt
satoru learns that you've never been kissed before and he teases you for it.
not in a mean way, but in a way that has your cheeks heating and your eyes avoiding his. suddenly it feels like the gap between ages 16 and 17 is huge. he's barely even a year older than you and you're in the same year, but it feels as though he knows so much more about the world than you do. you want to ask suguru if it's bad that you've never had a kiss, but you don't. suguru rarely talks these days. sometimes he'll have conversations with you but won't look in your eyes when he speaks. 
"hey listen, hotshot. if you don't get a kiss by…" satoru hums, an eager smile on his face as he swings an arm around your shoulders and contemplates his words. "…let's say 27, then i'll give one to you!" 
there's an odd note of glee in his voice. 
"shut up, toru," you groan, heat flooding your cheeks. "quit joking around." 
he laughs loudly, pulling your cheek teasingly. "aw, i'm just playing. it's not a bad thing i promise!" 
your shoulders relax slightly as the snowy-haired sorcerer continues to speak. 
"i just thought that you would've kissed someone by now," he shrugs. "wasn't there that one guy you went on a few dates with? the one you met when we went to yokohama?" 
there's an almost sour expression on his face as he speaks, but you're too frustrated to care. "just because i went on a couple of dates with him doesn't mean i kissed him!"
a broad teasing smile appears on satoru's face. "is that so?" 
"ugh, i'm only 16!" you hiss, shoving him away from you. "besides i'm saving it for someone special!"
"good," you hear suguru speak up, and you turn to look at him. his fingers are interlocked, elbows resting on his knees, and he's staring down at his hands like they hold the answers to some deep questions he has. "it is something irreplaceable after all." 
x. shadow
satoru's grin is proud as he stands before the three of you, his loose shirt billowing in the summer breeze.
you stare at him, heart thumping as shoko lets out a confused gasp. "huh? what the hell was that?"
"did it automatically choose the target for your technique?" suguru asks.
"yep!" satoru stresses the word, spinning the pencil suguru had thrown as he explains. "though i am the target. i've pretty much automated what i used to have to do manually."
your head is spinning.
"now i can tell an object's danger levels based the strength of its cursed energy, its speed, mass, velocity, shape—whatever. i want to be able to discern poisons too but that's pretty hard right now." satoru's voice is even when he explains, though you can make out the hints of pride that permeate his tones. you think his voice has gotten a little deeper too. "basically this is gonna allow me to keep my limitless technique active all the time!"
"that's gonna fry your brain!" shoko interjects, shaking her hair out of her eyes.
"yeah but i can do it while i continuously generate energy on my own. that way my brain stays fresh."
you can't help but let out an amused scoff. "what brain?"
satoru chucks the eraser at you, and you laugh as it bounces off your shoulder harmlessly.
"i've been working on shortening my hand signals so i can activate red and blue simultaneously." he continues, lips twitching upward as he gives you an exaggerated glare. "after this the only things i need to work on are domain expansion and long-distance teleportation. which i should be able to do if we set up some training courses here at school."
you think if someone examined you closely, they would see the stars in your eyes when you look at satoru.
"shoko~" he calls out, grinning eagerly. "think you could get me some lab rats?"
shoko groans as satoru bounds over to pester her more emphatically. you watch him, thinking you've never seen a person quite so magnificent.
god personified into a 17-year-old body. and yet it is a body that stays so close to you—well within your reach. maybe there's nothing so godly about that at all.
"don't you get tired of getting stronger and stronger, jeez?" you complain, crossing your arms as you raise a brow at him. satoru wets his lips as he throws you a smug smile.
"don't worry hotshot, you'll catch up to me someday!" he gives you an exaggerated wink over the frames of his glasses, and you shake your head somewhat fondly.
"no way! i never want to be at your level," you huff. "i'm very comfortable living in your shadow, thank you very much!"
a strange look passes over his face, almost puzzled, but the dip in his brows melts away as he approaches you. "well—" he slings an arm over your shoulder. "if my shadow makes you happy then you're more than welcome to stay there."
you don't have time to reply. pale lashes flutter at you—a backdrop of cerulean. you think white and blue may be the prettiest combination of colors in the world.
"suguru?" satoru's voice is casual, yet the amusement has dropped from it. his arm is heavy around your shoulders. "have you lost weight? are you okay?"
you look up, seeing tired eyes behind dark stands of hair. suguru's cheekbones are prominent, and you have the sudden urge to reach out and trace your fingers over them.
his lips twitch upward weakly. "it's just the summer heat…"
his lavender eyes drift to your face as he says it, and he tilts his head as he scrutinizes your worried expression. "…i'll be fine."
xi. hellfire
you hear suguru before you see him.
his breaths come loud as he pushes the door to the morgue open, the metal clanging heavily. his eyes bore into your back, taking in your clenched fists and raised shoulders that seem to tremble.
you wonder who told suguru you'd be here. maybe nanami, who was here not long ago, and had sent you a text that merely said: the mission went badly.
or maybe it was satoru, who had been chatting with you near the entrance of campus when he saw the myriad of emotions pass over your face as you read the text. he had probably called suguru as soon as you left.
it doesn't matter—you can't bring yourself to care.
you can only think about the way haibara had smiled at you before he left that morning.
now that smile is covered by a dirty white sheet, and you can't tear your eyes away from it. the taste of blood and vomit is heavy on your tongue.
suguru says your name quietly. you can't even look at him—you're scared that you'll cry if you do.
you don't ever want to cry in front of him. or satoru—so weak in front of those who are so strong.
"he asked if i wanted to go with them and i said no because i was lazy," you hiss, teeth clenched as you spit out the words with venom. "if i had just stopped thinking about myself for a second—"
your fingers dig into the flesh of your palms—deep, deep, deeper.
you hear suguru click his tongue, and his hands wrap around yours. he yanks your fingers apart fiercely, thumbs smoothing over the bloodied indents you've made in your own skin. you tear your eyes away from the body to finally look at him.
"don't—" his breath catches as his thumbs still over your flesh, eyes going hard as he takes in the blood.
he blurs in and out of focus. his head whips up when he hears you sniffle, and his lips slant ruefully. "you—"
"i'm fine," you interrupt, blinking pointedly and taking a deep breath. "it's fine—i mean it's not fine—but i c—"
"stop." suguru grabs your shoulders, giving you an even stare. you don't know how you didn't notice it before, but he looks thinner, older. there are dark circles under his eyes—poison seeping into his skin. "you need to rest."
you stare back at him silently, but you don't feel like you agree. something about this is making you feel restless, like there is so much you need to make up for. his grip tightens, before he's wordlessly leading you to take a seat—he finds his place next to you.
"satoru took over the mission." he stares at the lifeless body on the table as he speaks. you lower your gaze.
"and nanami?" your throat feels like it's closing. suguru inhales deeply.
"he went back to the dorms."
"okay."
you try to figure out if there is any meaning in having this conversation. despite everything, weren't you expected to wake up tomorrow morning and head out on a mission once more? and when you return, you're sure that there'll be another faceless body taking haibara's place.
the cycle continues—clockwork. it scares you, just how replaceable you are.
haibara, nanami, you, another, nameless—interchangeable.
not like satoru. not like suguru. not like the strong.
you lean your head against suguru's shoulder, fingering the hem of your uniform skirt. the fabric is cool to the touch—it seems darker, heavier. heat radiates from the body next to you, and there's something about him that's making your stomach churn with nerves. "suguru?"
his voice sounds far away. "hm?"
"are you okay?"
he stiffens and you suddenly fear you've said too much—nosy, intruding, out of place. you stumble. "it's just, we haven't talked much lately."
"i'm fine," he answers, and you can hear a smile in his voice—whether it's real or fake you can't tell. "just a little tired."
you know there is truth to this. but it scares you, how this tiredness of his has lingered for months. you don't know how to tell him that.
"okay…" your voice is barely a whisper, heavy with unspoken words that you don't know how to formulate. somehow you find that silence has always been your only option.
but like usual, silence with suguru has never once been uncomfortable.
haibara's smile burns behind your eyelids.
"it should be a relatively simple mission. if you're not doing anything today senpai, would you like to come with us?"
his voice tickles your ears.
"that's alright! i'll get going then! oh right, today's mission is a little farther than usual, so we'll probably be back late! what would you like me to bring back for you?" 
hypoxia crushes your lungs, your blood burns. selfish selfish selfish. you've only ever cared about yourself.
suguru's arm curls around your shoulder before you even realize you're crying. his palm is warm as it smooths over your hair, and all you can worry about tainting him with your ridiculous tears.
you don't ever want to burden him—just want to quietly live in his shadow.
"i don't—" you internally cringe at the throaty rasp of your voice, swiping a hand at your nose. "i shouldn't be so sensitive about—"
"it's not your fault." he quietly hushes you, grip tightening imperceptibly. through your tears you can see him adam's apple bob, and for some reason that makes you feel worse. you're too scared to look at his expression, even though his voice is resolute. "none of this is our fault."
something has changed in the way he speaks now. something has settled, a confirmation of some idea that has been brewing for a long time now.
you don't say another word, but somehow he manages to sear himself into your very being. he's warm, and fuzzy, and he smells like sandalwood and incense. 
you don't know how long suguru let's you pathetically sob into his shoulder.
but you think you're embarrassed that he has taken pity on a wounded animal's cries.
xii. split
he looks different, but also the same. you've seen him wear that sweater before. it's plain black, no patterns, and you know that there's a loose string on the inside of the left sleeve that he was always too lazy to cut. you've always liked that sweater—always liked the way he looked in it. 
you liked it so much that you've even stolen it a few times yourself. 
but now it looks different. older and dirtier—as though soiled by some unknown curse. 
that's what everything came down to, right? curses. 
suguru stands in front of you, almost no trace of emotion on his handsome face, and his expression makes you want to turn and run. you miss the calm serenity that normally graced his features, wishing that you had some kind of cursed technique that could turn back time. but you aren't blessed like that—you wonder what sin you might've committed in a past life that made you so unlucky in this one. 
"you look confused," he comments. you reel at how casually he speaks to you, like it's just another afternoon sitting under that stupid tree. like he's leaning his head back against the trunk and watching you and satoru bicker with that fond look in his eye. 
"suguru," you speak, an odd strain in your voice. you struggle to comprehend this odd turn of events. you've had time to understand that he's now a different person than the one you once knew. you know that he's responsible for killing 112 innocents, including his own parents. you know that he's now an enemy to jujutsu society and you know that you should kill him right at this moment.
but he looks so much like suguru, like your suguru, that you can only manage to stand there, frozen in place. his eyes drift over your body, taking in your pajamas, the bath towel in your hands, and the small drops that trickle from your hair, and you can see the familiarity settle in his expression. 
"why are you here?" you choke out. you feel an overwhelming sense of danger in your gut, knowing that your family is just a few rooms over from where he stands now. 
"at your family home, you mean?" he asks casually. a small, almost amused smirk appears on his face. "you said i was always welcome." 
you did say that. sometime last year or the year before, when you had invited satoru, suguru, and shoko over to visit during one of your quick holidays. suguru had sat across from you at your dinner table. he complimented the food and your father smiled one of his rare smiles. you had chewed quietly to hide your grin.
you don't know what to say to him now. 
"everything they said about you," you whisper, taking a step toward him. he remains rooted in place, but his eyes follow your movements. they shift when he catches your fingers gripping your towel tighter. "is it true?" 
"do you think it is?" he asks, and you gulp. it feels like he's baiting you into some kind of trap. 
"i don't want to believe that it is," you answer, voice shaking. "that you would ever do something so…"
the sentence hangs in the air, and he tilts his head imperceptibly. something in his eyes changes as he focuses on the drops falling over your shoulders. 
"well i'm sorry to squash your hope," he raises his arms in a shrug. "but everything you heard is completely true." 
your head aches, but you're not surprised by his confirmation. "why would you…?"
suguru hums, a dark look falling over his face. "do you remember the conversation we had after haibara's funeral? do you remember what i told you when he died?" 
anger flares in your gut at the mention of haibara, and the bath towel crumples in your hold. "don't say his name," you hiss through gritted teeth. "don't act like he's the reason—just…don't bring him into this. please." 
suguru licks his lips, eyes going soft before he tries again. 
"everything used to make sense back then," he sighs. "back when the strong existed to protect the weak. but it's not true." 
"suguru—" 
"the reason why we suffer is because of them," he interjects evenly, though frustration is clearly evident in the curve of his brows and the volume of his voice. "we clean up their messes. they create problems and we die for it." 
you're stunned into silence, at the way he's raising his voice at you, at the way he's speaking so firmly about this horrible topic, at everything. he seems to realize the effect of his speech, and he quells his anger to speak quieter. "that's why i'm doing this. i'm going to create a world without non-sorcerers, so that sorcerers like you and i can live peacefully." 
a lump forms in your throat because god, he's right. he's so right. your life would be a thousand times better without curses. non-sorcerers were the reason curses existed. but the way he's going about this…
"suguru," your voice shakes, but you press on. "i get it. i really do—" 
"i know you do," he interrupts. "you always have. even back then…" 
he takes a step closer to you, reaching out to finger the towel in your hands. "but you don't agree with the way i'm doing it, right?" 
you bite your lip, and he smiles at the sadness in your expression. "you're so easy to read, hotshot." 
you ignore the way the nickname stings. "i just—how could you kill innocent people like that? your own parents, suguru."
he looks away from you, steely resolve in his eyes. "if i made exceptions for my parents, that would kinda make me a hypocrite, wouldn't it?"  
you don't know what to say to that. he doesn't seem to have anything else to add either. 
he looks around your old bedroom, eyes sparkling as they catch a picture of the four of you from your first year. satoru's arm is slung around shoko. the dark-haired female has her elbow resting on your shoulder, her tongue sticking out playfully. you're clinging to suguru's arm, and satoru's free hand is squishing your cheeks together. the four of you are laughing. 
nobody has laughed in a while now. 
you tear your gaze away from the picture frame to look at him. he's so unbelievably close, and he's gazing down at you with this foreign look in his eyes, the picture forgotten behind him. 
he slips his fingers into your hair. his palm is large enough that it can brush the side of your face, and you wonder why your body doesn't flinch away from those bloodstained hands.
"it's okay," he mumbles, a faraway look in his eyes. they remain trained on your hair, but it feels like he's looking straight through you. like you're nothing more than a ghost he wants to erase. he's so close—you can count his dark lashes as they brush against his cheeks. "it's difficult. i don't expect you to understand." 
his words incite a sudden flare of anger in your gut. it burns something fierce, and in that moment you hate him. 
"no, i don't," you reply indignantly. he pauses, now really looking at you, and his brows quirk upward in what seems to be surprise, because—well, he's never seen you make such an expression at him before. "you never tried to help me understand. you just left." 
a strained silence follows. his fingers twitch against your cheek.
"this doesn't concern you," he says finally. "i don't need you to understand my actions." 
you recoil, as though he's physically hurt you, and your expression falls so hard that it almost makes him regret saying it. almost. 
"if it doesn't concern me, then why are you here?" you ask again, and you see suguru's shoulders drop. "you know that i have orders to kill you. i might not be able to because you've always been stronger than me. but you know that i'll…" 
go down fighting you, is what you want to say, but the words leave a nasty taste in your mouth. but suguru seems to know what you're implying because a wry smile appears on his lips. his fingers twirl a strand of your wet hair. 
"i'm here to say goodbye," he says finally. another tense silence fills the space between you both, and suguru can see the way your fingers shake between the folds of your towel. 
"you're a little bit late for that, aren't you?" you choke out, a strange tilt to your voice as you break eye contact with him. "you left school weeks ago, and you didn't say a word to me then." 
"better late than never, right?" 
the softness in his tone makes you turn to look at him again, and you desperately want to ingrain the features of his face into your head. the gentle slope of his eyes and sweetness of his smile. he almost looks like the suguru you once knew, and you suddenly have the urge to mourn his death. 
his face becomes blurry, the edges becoming less pronounced, and you can see the way his expression falls. 
"i didn't come all the way here to make you cry." his hand drops from your face and he takes a step back. your fingers hurry to wipe at your waterline, and you shake your head. 
"'m not crying." 
suguru smiles ruefully, and his eyes suddenly look devoid of life. he takes another step back—your heart plummets.
he says your name once, quietly, and it hangs in the air as you wait for him to say more. 
he doesn't. 
"you know that I'm not supposed to let you leave alive, right?" you mumble, fingers toying with the towel in your hand. "but i can't—i mean—"
"hm," he chuckles. "still as sensitive as ever, huh? s'okay…" 
he moves toward you again and his hand gently cups the back of your neck. "i think it's your best quality. makes you better than most people in our world."
he presses his lips to your forehead tenderly, and you feel your eyes widen behind your tears. 
you probably could've stopped him, because you're aware that he's now suddenly behind you, and that he's raising his hand. you can stop him, but a part of you thinks that if it's death at suguru's hands, maybe it's not such a bad way to go. 
you accept your fate then and there. 
you'll find out later that suguru never had the intention to kill you then. perhaps he was waiting for a more opportune time, waiting for there to be a meaning behind it. you're not sure. but when you wake up tucked in your bed cozily, you'll feel the remnants of him lingering around you.
he was warm, and fuzzy, and he smelled like sandalwood and incense.
xiii. sanctify
satoru's at your door again. 
you've memorized his knock patterns. he always knocks three times, then leaves a pause, then twice more. for someone so erratic, he can be quite predictable. 
"what's up, satoru?" you call out, not looking up from your busy hands. there are a couple of empty cardboard boxes open on your bed, and you've been placing things into them all morning. things that should've been put away a long time ago. you pause on one of your old test papers, and in suguru's dark, blocky handwriting you read: 
YOU GOTTA STUDY MORE DUMBASS.
underneath it, satoru had scrawled: 
hotshot failing class now huh? :P
and shoko had added: 
both of you stfu you're failing too 
you had drawn a heart next to her name. 
"whatcha doin'?" a familiar voice chirps. "spring cleaning?"
satoru stands directly behind you, peering over your shoulder. you can practically feel his aura shift when he notices the items you're putting away. 
"cleaning of some sort," you sigh, before turning to look over your shoulder. "i've been…putting it off." 
he doesn't move—just continues to stare down at the paper in your hands. you think maybe you shouldn't have let him in. sometimes you forget that satoru might have his own sensitivities—you've always viewed him as the strongest.
a few strands of his hair tickle your cheek, and you scrunch your nose in response. he then turns to you, eyes blinding as he studies you over the frames of his shades. 
"want help?" 
"please." you don't intend to sound so needy, but the way you whisper the word has him immediately grabbing your wrist and sitting you down next to him on the bed. 
"how are we sorting this stuff?" he asks, his voice oddly calm. he hasn't let go of your arm yet, and some quiet part of you is grateful. 
"i was putting our old school stuff in that box. books, papers…" you answer softly, and satoru nods in understanding. "and in the other box…" 
you inhale deeply through your nose. satoru waits, strangely patient. you're not sure if you're imagining it, but you think he squeezes your wrist. 
"…are all of suguru's things." 
there's a moment of silence—a quick mourning for what is no longer there. 
"it's stupid stuff that he left behind, you know?" you chuckle, even though nothing is funny. "some old shirts from when you two would sleep over, his old textbooks, a few pictures from our holidays—shit like that." 
satoru hums. he's not looking at you—instead he's staring at the box, a frown on his face. 
"i guess he didn't really need those things for where he was going. or for wherever he is now," you mumble. 
"guess not." 
you're not sure what's going through his head. satoru's reaction to suguru leaving had been chaotic at best. it was so hard to tell how he felt about it. you knew he was angry, confused, betrayed. but he never showed things like that. you think it might have to do with being the strongest. you're not sure though—you never were strong like him.
you wish there was a way to tell him that he could share his feelings with you, but you can't think of a way that won't be awkward. 
a ticklish sensation crawls up your wrist and you look down to watch satoru's first two fingers tap against the inside of your palm. his thumb brushes against yours as he lets out a heavy exhale. 
"let's get started then, hotshot." 
he looks down at you as he says the words, and you think you might cry. but you want to be strong, like him, so you offer him a smile. he gives you one in return. you realize there isn't that much warmth in it, not like it used to have—you're sure that yours isn't that warm either. 
but it's enough for the two of you. 
"you look tired, toru," you chuckle wryly, reaching up to brush a few strands of hair from his face. his eyes flutter at the touch, and you honestly think this might be the most vulnerable you've ever seen him. 
"so do you." 
"i am," you admit honestly. 
"'s okay," he mumbles. his fingers tap against your palm once more. "'m here." 
"i know," you answer. you always are.
nothing more is said as satoru stands up. he makes his way over to your desk and pulls one of suguru's old sweaters from your chair. you watch him fold it neatly, smoothing out the creases with care, before placing it into the box—you smile once more. 
you think the scent of sandalwood tickles your nose, but it's gone in an instant.  
both of you work in relative silence, sorting through the things in your room quickly. you're surprised at how bare it looks as you're nearing the end, as though there's nothing more to your life than old high school recollections. 
you finish putting the last few polaroids into the box when satoru speaks up. 
"hey." 
you look up and find him staring at you, so you turn to face him completely, giving him your full attention. 
"zenin toji—" the name sends a painful tingle up your body. "—left something behind." 
you frown. "what are you talking about?" 
"a kid. he's got a kid. and i was gonna go meet him today," satoru shrugs. you try to read his emotions, but as usual, he's giving you nothing. "the old man said something about the zenin clan buying up his kid before i killed him. i was gonna go see if there's something i could do about that." 
you sigh before raising a brow, an amused lilt to your voice. "and why have you kept this a secret?" 
satoru's trademark smirk appears, and he walks over to sling an arm around your shoulders. "who knows?" he quips nonchalantly. "guess i was waiting until we were bored. we need something to do now, don't we?" 
you glance at the packed boxes on your bed, and then look around your empty room. everything is always changing, but satoru is constant. 
"i guess so," you grin. his eyes shine, and for a second you see a familiar teenager at the beach, and then a familiar teenager under an old tree. you think you hear waves, and the crinkling of a bag of chips. 
"good," he chirps, walking you to the door, the arm around your shoulder secure. "his name's megumi, and we're gonna make sure he gets strong."
xiv. idyll
it takes you a little over four months to get used to megumi's eyes. they aren't unsettling or invading, like a certain snowy haired sorcerer, but they do give you chills when you first notice them. chills and a fleeting feeling of metal slicing up and down through your flesh. you just have to steady your breathing and remind yourself that the son is not the father.
tsumiki is an angel. you didn't think that kids that age could be so emotionally competent, but she's a pleasant surprise. she had been awfully protective over megumi, fidgeting with a firm hand on his shoulder as you and satoru invaded their space and upturned their lives. even after they had settled into the humble apartment satoru had purchased, tsumiki was still so overly cautious. it was obvious she still didn't trust either of you, but you thought it was admirable of her, and you relay this thought to satoru one day.
"think they hate us?" he asks, squishing his cheeks between his lithe fingers as he eyes the different milk cartons over the rims of his glasses.
"i'm pretty sure they just don't trust us that much," you reply, placing a few packs of instant ramen into the cart. "can you blame them? we're just random strangers who came up and basically kidnapped them."
"i'd like to say adopted!" he points out with a grin, before he sighs. "but we've already proved we're just doing this to help them. but they still barely talk at all."
"they're just being careful. megumi's still a little young and he looks like he doesn't give a shit about most stuff anyway," you chuckle as you remember the expression on the first grader's face as he spoke to your cocky friend. "and tsumiki's being cautious for both of them."
"she doesn't need to be cautious of us!" satoru dramatically whines, pulling out a carton of whole milk and placing it into the cart. you shiver as the cold air hits your skin, eyeing the sorcerer with an exasperated smile. he shuts the door with a huff. "i've been such a good dad!"
you roll your eyes, shoving his arm as he starts pushing the cart down the aisle. "she definitely should be cautious of you, you creep."
satoru looks down over his shoulder, appalled, though his eyes sparkle with mirth. "and why do you say that?"
"have you seen yourself? crazy 19 year old man that kidnaps kids," you mutter somewhat sarcastically, falling into step with him like it's normal. satoru grins at that—amused.
"i think it's pretty cool of her to be that responsible though," you continue, voice going softer as you think about them, and satoru hums in what you think might be agreement. you suddenly grab his arm, stopping him in his tracks and he turns to look at you.
"you think we should get another carton of milk?" you question, tilting your head at him. "megumi's been drinking it every day after he comes back from school and tsumiki said she wanted to try making milkshakes."
satoru blinks at you, eyes widening before an amused chuckle escapes his lips. you're about to ask what is so funny but he gestures back down the aisle. "go get some."
he waits for you as you go grab another carton, leaning against the cart easily. when you make it back and place the extra milk in the cart, satoru slings an arm around your shoulders. you raise a brow, but he just continues to push the cart with his free hand and says nothing.
so you don't say anything either.
the two of you continue shopping, trying to remember the things you've noticed the kids enjoying because you know they'll be too uncomfortable to outrightly request them. for every sweet snack satoru puts into the cart, you add something that can pass as somewhat healthy, and he hides a teasing grin behind his fist each time.
when you're almost done, satoru motions to the shelves of snacks, raising a brow at you. "what do you need, hotshot?"
you look up from where you're analyzing the contents of the cart. "hm? oh i don't wanna buy anything for myself. i'm good with the stuff i have back at the dorm."
"great," he shrugs with a subtle shake of his head. "except you're not buying anything this time, i am. so pick something."
"what?" you frown, walking over to him. "we're supposed to split groceries for the kids."
"we can split next time." satoru rolls his eyes at you, as though annoyed by your insistence. "i just got paid yesterday and i wanna waste money. pick something."
you groan. "but there really isn't anything i want. if you're gonna pay yourself then let's just go. i think this is good enough."
satoru looks unamused, his eyes boring into yours—bright, dominating, mesmerizing. "oh really? nothing you want?"
you stare at him in confusion as he walks over to the frozen section and opens the door. after a few seconds of rummaging, he pulls out a box. "not even this?"
your shoulders drop. he's holding a tub of strawberry ice cream.
he casually places it into the cart, eyes trained on your expression as he bends down. "it's your favorite, isn't it?"
your voice comes out throaty, and you wet your lips nervously—his eyes follow the movement at lightning speed. "how'd you know?"
satoru scoffs out a haughty chuckle, reaching up to knock a knuckle at your forehead—it's cold. "i know everything about you, hotshot."
he moves to grip at the cart's handle, standing close enough that you can feel the energy radiating off of him. the side of his hand touches yours, still cold. "now we can go."
he sticks by your side, pushing the cart towards the counters as he casually looks around the store. you briefly realize that his shadow doesn't cover you when you're at his side like this. the thought both scares you and pleases you in a way you didn't think was possible.
"thanks toru," you mumble before you can stop yourself. his gives you a sidelong glance—assessing.
his lips twitch. "it's just ice cream."
"no, it's a lot more than that." you're not really sure why you say it so tragically, and satoru inhales sharply. you notice that his knuckles have turned white as he grips the cart's handles. once again, his eyes dart rapidly over your face—between your eyes and then further down.
then he lets out a hushed laugh, nudging your shoulder with his. "as long as you share with me, hotshot."
everything is always changing, but satoru is constant.
you can't help but smile. "always."
you two don't say much as you head to the counter, taking turns placing all the items on the belt. you quietly watch satoru dig into his wallet, feeling oddly content doing so. you think the stars in your eyes will never disappear.
the clerk eyes you both, and suppresses a fond grin. with your close proximity, shared cart, and satoru's easy going smile, you realize that she's probably misunderstanding, but you don't really know how to correct her. satoru says nothing—he just continues smiling, oddly pleased.
he smiles all the way to the car. you catch yourself doing the same in the rear view mirror.
xv. retribution
the first thing you notice when you kneel in front of suguru is that he's bleeding all over the place. you have the strongest urge to scramble and grip his fingers tightly, just as he had done for you so many years ago—but you don't dare. you're too scared that touching him will ruin you completely.
he says your name quietly, and yet it's the loudest thing in the universe to you—crashing over your ears until you've lost all sense of self.
and then he leans forward, his gaze heavy, and his hand comes up to tangle in your hair. his palm rests on the side of your face just like it did when he visited you at your family home. the last time you saw your geto suguru.
except this time he moves further—crosses a line. presses his lips to yours.
he tastes like blood. you don't pull away.
the feeling of his lips shocks you though, and you stay permanently frozen in place as you feel your eyes glaze over with something you can't put into words.
suguru kisses you slowly, deeply, like he's been waiting but wants to savor it. maybe you've been waiting too. you're not sure. you're so confused.
you don't even process the way his tongue slips past your lips, tasting almost eagerly like your mouth is some kind of conquest he's trying to claim.
it's intrusive, but not unwelcome. slow, but not gentle.
you whimper quietly, feeling acid sting down your cheek as he pulls away and his eyes flutter open. he takes in your expression, and a million emotions pass over his face.
a quiet chuckle. "that bad, huh?"
you shake yourself out of it and try to push away the flush creeping up your neck. "w-what?"
"you're crying," he announces, his furrowed eyebrows paired with a sweet smile that makes him look so unbelievably tragic. "the kiss was that bad?"
your face burns, and you raise a shaking hand up to your cheek—it's wet.
"it wasn't—i didn't—" you struggle. "i mean—"
he smiles ruefully. "i'm sorry. you were saving it for someone special, right?"
there's a charged silence that follows as you scour your brain for the conversation he's referencing. when you find it, your heart sinks.
"you've always been special to me, suguru." your voice comes out quiet, but he hears it all the same. his eyes widen fractionally and you can see a light pink dust his cheeks before he laughs. it's soft, hushed, and looks like it's painful, but he lets it run its course.
it reminds you of a laugh from so long ago, at a beach, with childish screams echoing against the sound of waves. you think you can feel strawberry ice cream dripping down your wrist.
his laughs die down and he's left smiling softly at you. his lavender eyes sparkle with mirth as he tilts his head. "i'm glad. that you were the one i gave a room to."
you can hear waves in your ears, crashing crashing drowning. sand is in your hands, in between your toes, in your eyes.
he coughs, and his palm shakes against your cheek. you wonder why he doesn't just let go already dammit suguru.
you inhale sharply, trying so hard to breathe because what is that stupid thing that's clogging your throat and preventing you from speaking? there's so much you have to say to him. so many questions. so many things left unsaid. your words are failing you.
but silence with suguru has never once been uncomfortable, right?
you raise a shaky hand to press against his where it lays against your neck. "do you regret it?"
he licks his lips, smiling faintly, as though he's enjoying the new taste of you on them. "no."
"why not?" you whisper. your body unconsciously shuffles closer to him, chasing his warmth because gods is he warm. he's always been so warm, even now, in the throes of death.
"my feelings are still the same. i still hate the monkeys for everything they've done, all the crap they cause." he shuts his eyes, smiling that serene smile. you wish he was leaning against a tree trunk. "i still have no resentment to those at jujutsu tech. and you, i still…"
he doesn't continue. you don't think you want him to. there's a flush crawling up his neck, the faint pink a stark contrast to the red of blood. it makes you nauseous.
another deep inhale, and his thumb slides over your jawbone, before brushing under your bottom lip. he stares at the flesh heavily, letting his finger press into it. his tongue swipes over his own lips, eyes darkening further.
and then something shifts in his face, and he smiles mirthlessly. his hand drops from your face—broken contact.
he doesn't tear his gaze away from you, committing your face to memory. it's almost like he wants to say something, but decides against it at the last minute as he slumps further into the wall behind him and shuts his eyes.
when he speaks again, you know that it is all over.
"you're late, satoru."
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alastorss · 2 months
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Could you maybe write something with Alastor and reader,
and reader gets hurt in the extermination and he cares for her? And maybe like she takes a nap on his lap and he just sorta falls asleep right next to her?
a/n: hello!! i sort of got carried away with this one and made it more sappy than i originally intended, but i hope you still like it! for context: the reader stepped into battle when alastor was hurt by adam and this is the aftermath :) hurt/comfort and fluff!
⋆。゚☁︎。⋆。 ゚☾ ゚。⋆
Alastor has been eerily quiet since returning to the newly-rebuilt hotel, sutures and bandages in hand.
All his belongings, including his beloved cane, have been cast aside in lieu of medical supplies to be split between you. One measly box worth of gauze and sanitizing wipes. Definitely nothing to gawk at, but good enough.
He's stripped his shirt without any exchange of words. You know his silent request, too prideful to ask for your help verbally but desperation clear in his expression.
"Is this the only spot?" You ask, slowly stringing a suture through his skin. He hisses in pain—his only response. The demon doesn't even gratify you with his eyes anymore, opting to stare off into space as if his mind has taken a vacation elsewhere.
You frown but continue delicately stitching him, piecing him together until he's whole again. His back hits the dresser as he leans on it, body instinctively trying to crawl away from the stinging of the needle. Finally, you knot the end of the sutures and sigh in relief, reaching over to get something to clean the area.
"I'm glad this whole fiasco is over," you comment softly, knowing it won't make him look at you. "With their leader gone, maybe the angels will finally—"
"You disobeyed me," he suddenly snaps. "Why?"
You pause in your movements, blinking up at Alastor while he glowers at you. His eyes narrow into slits, half out of anger and half in a grimace.
"You were cornered. I couldn't just sit by and—"
"I told you to stay out of it," he interrupts again, slapping away your hand. You gasp, alcohol wipe hitting the floor beside you. Defiantly, you challenge him with a glare of your own.
"I'm trying to help, asshole!"
"I know, I know!" He explodes, obviously frustrated. "And look where it got you!"
He pinches your chin to tilt your head up toward him, rotating your face around so he can observe your wounds. A cut lip, a bruising eye—horrible reminders that sinners could be hurt. And you were no more of a sinner than he, much less an Overlord who knew the shape of a soul.
"You risked your life by intervening! What if you had been struck down, you fool?"
Alastor's voice is all panic and no composure, missing any semblance of that accent which is so beloved to him. You know he's telling you exactly what he feels, true emotions unburdened by the character he built for himself in the afterlife.
"So be it! It's no less a fate than what would have happened to you!" You emphasize by jabbing your finger just above his wounded abdomen, careful not to agitate his fresh stitches.
Wincing, he goes silent. It's unnerving how quiet it is again. You've gotten so used to the ambient buzz of his static, but with it missing, you can feel the hairs on the back of your neck pricking up in unease.
He still hasn't released your face, clawed fingers pinching your chin and holding you in place. It isn't until he feels the wetness of your tears pooling at the pads of his fingers that he recoils in surprise.
Sighing, he twists over to open new packs of wipes. You stay still while he carefully cleans your face, ignoring your little whelps of pain the best he can.
Once the blood is gone, he pauses. Then, his fingers gingerly wipe under your eyes, swiping away the globs of tears spilling down your cheeks.
You are pitiful right now, he thinks. Though he probably looks no better.
"I'm sorry," you hiccup. "I don't mean to make you worry."
His expression softens, though his viscous smile remains. You can see it in his eyes—something genuine buried beneath his act.
"I don't want you to die," you admit quietly.
"I wouldn't dream of it, my dear."
You laugh dryly, wiping up your tears on your own with your bloodied sleeves.
"But you almost did. What would I do without you?"
The question is rhetorical, but something vile still swirls violently in your stomach at the idea. As if knowing what's going through your mind, he grabs you by the cheeks and forces you to meet his stare again.
"Not another word out of you," he demands.
His gaze flicks to the bruising under your eye, flesh already discoloured and swelling. "Got a remedy?" You grumble.
Alastor shakes his head but leans in anyway, pressing a chaste kiss just below the swelling. His lips linger on your skin for a moment before he pulls away, amused by your stunned expression.
He invades your space again, this time kissing the crown of your head. Speaking into your hair, he whispers, "I will be more careful. I promise."
"And I'll think before charging into battle after you," you chuckle softly, overwhelmed by his warmth.
Slowly, he tugs you along and sits you on the sofa. He brushes the hair from your eye and takes the opportunity to look at it under better lighting. Just like that, he vanishes, melting into the shadows. When he reappears in front of you, he has cold packs. In a place so warm, they are of little use. But they are better than nothing, he supposes.
Groaning in pain, he seats himself beside you and allows you to slot under his arm. Two demons seeking comfort and companionship curled up together—any other Overlord would laugh.
But Alastor knows what it means to be loved, to have someone who would stand in front of a lethal blow for him, to be stitched back together by your hands.
In the safety of each others' presence, you both fall asleep with the faint hum of static filling the air.
~
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hairmetal666 · 4 months
Text
Steve has a problem. Not a big problem--not an Upside Down-sized problem--but still. A problem. In the form of Eddie Munson. And not the person Eddie Munson, who is second only to Robin in the hierarchy of Steve's heart, but his feelings in regard to one Eddie Munson. Namely, his enormous, devastating, gay crush on the guy.
And he knows, okay, he knows Eddie is gay, but that doesn't mean he wants Steve. Eddie is probably into other metalheads or dnd nerds. What could Steve, with his sports and his polo shirts, possibly have to offer?
He's coping, though. Or, at least, he thought he was until the Family Video phone rings and Jonathan invites them to the New Year's Eve party he and Argyle are throwing at their new apartment.
"We have to make a no-date pact." He tells Robin as soon as the phone is back in the cradle.
"Or you could just ask Eddie."
"You could just ask Nancy." He raises an eyebrow.
She lets out a slow breath. "Yeah, okay. No-date pact. I'm down."
It's just as easy to get Nancy and Eddie on board. Nancy just laughs and says "yeah, like I'd bring a date to the party my ex-boyfriend is hosting with his new boyfriend. How you do you even start to explain that dynamic?"
And Eddie snorts right in Steve's face (it's not cute, it's not), says, "Right, cause my dating pool in Hawkins, Indiana is just ripe with guys who want to ring in the New Year with me."
Steve wants to say that he would be that guy, happily, giddily, but he can't risk blowing up his second most important friendship like that, not when Eddie's never given a fraction of a hint that he wants Steve too.
But that's his problem solved, right? The four of them aren't bringing dates. Easy-peasy.
Unfortunately, Steve's life hasn't ever worked out like that, and the party turns out to not be only their little end of the world crew and a handful of people Jon knows from his grocery store job, but an actual motherfucking party.
It takes almost ten minutes for him and Robin to navigate through the sea of strangers to find Jon and Argyle handing out solo cups in the kitchen.
"Who are all these people?" He shouts over the pounding music, nothing like Steve's ever heard.
"Argyle got a job at the record store down the street," Jon yells.
"Co-workers." Argyle nods. "And a few of their friends."
"A few, right."
"The more the merrier. Right, my dude?"
"Sure." Steve takes a cup. "You seen Eddie around?"
"Living room, last time I looked." Jonathan answers.
"See you around?" Robin asks.
"At least meet up for the ball drop," Argyle answers.
They push their way into the cramped living room, and Steve searches for that familiar cloud of hair, the ripped black jeans. It takes a minute just for the sheer amount of bodies pressed into the small space, and when he sees him Eddie's--
He's standing against a wall, next to the stereo (of course), but there's someone with him. Someone who is tall and leanly muscled in a way that Steve isn't. Someone with long hair pushed back from his forehead. Someone with facial piercings in places Steve didn't even know you could pierce and tattoos and a chain hanging from his worn blue jeans and a bandana in his back pocket, just like Eddie.
And Eddie he's--he's gazing up at this dude with clear stars in his brown doe eyes, body angling towards the other man like he can't help but push more into his orbit.
Steve turns hard, Robin colliding with his side. "Steve, what the--oh."
"I hate New Year's Eve," Steve sighs, trying to ignore the sick feeling in his stomach. It's always been the kind of holiday that is high on expectation and low on follow-through.
"C'mon, I think I spotted Nance over by the bedroom."
He lets Robin guide him across the room, steadfastly not looking back at where Eddie is very obviously finding himself a date. It's okay, Steve reasons. It's okay because that was obviously the kind of guy Eddie would be into it. He knew he had, like, no chance. He shouldn't be disappointed. He shouldn't.
The evening slips away in the shove of people, in the solo cup that manages to always be full in his hand, and he tries as hard as he can to ignore the way Robin and Nancy start sharing the same space.
So much for the no-date pact. He would laugh if a sort of deep loneliness wasn't seeping into his bones.
There's a girl, though, across the room. She's in a short dress and glances at Steve from under hooded eyelids. He could make a move; could have someone to kiss at midnight; have someone just for the night. But then--his heart makes a pathetic patter--Eddie.
Eddie who is practically in that stranger's lap.
He goes out for a cigarette.
When he comes back inside, it's five minutes til midnight and Nancy and Robin are dancing slow and sweet to a song that is neither.
He's happy for them, almost incandescent with it, but the loneliness sinks deeper, reaches marrow, especially after he fails to find Eddie in the crowd.
Steve thinks it might be time to give the whole failed endeavor up for good, but Jonathan and Argyle, both in tiny 1987 novelty top hats, appear at his side.
"Stevie-boy!" Argyle bellows. He lifts Steve at the waist, twirling him, and Steve laughs despite himself.
"Keeping busy?" He asks.
Jonathan pounds him on the back, just a little too hard.
A guest yells from deep in the apartment, "one minute to midnight!" and the music turns off, the TV tuned to Dick Clark and turned up.
Nancy and Robin find their way over, Robin mouthing "sorry," on her way. He pulls her into a side-hug; he'll never begrudge her any happiness, even on his worst day.
From across the room, there's a crash, a short yelp, and then a familiar head of fuzzy brown curls makes its way to them.
"Sorry, sorry." Eddie apologizes as he shoves through the other guests.
"Hi, guys!" He beams at them, cheeks flushed. Steve looks away so he doesn't have to think about how beautiful Eddie is; about how he's not the one who made him blush so pretty.
The countdown on the screen reaches 30 seconds, and the party goers start chanting.
"What happened to--?" Steve can't help but asking.
"Psh, that dude? He's a punk. Plus, I couldn't imagine ringing in 1987 without you guys by my side."
Steve blushes and rolls his eyes. "Sap." He knocks his hip into Eddie's.
"You love it," Eddie wraps him in a loose hold.
The count is down to 10, the ball almost dropped, Jonathan and Argyle and Nancy and Robin making soft eyes at each other.
"What's going on in that head of yours, sweetheart?" Eddie knocks his head gently against Steve's.
"It's nothing."
"You're pouting." Eddie mimics him with a poked out lip.
The count is down to 5.
"Fuck, I just--I wanted to have someone to kiss at midnight, you know?"
The ball drops, the year changes over, the room cheers. His coupled up friends cling to each other in soft, joyous kisses.
Eddie's eyes flick to their friends, to the guests, all kissing and embracing and celebrating, then back to Steve.
With two careful fingers, Eddie lifts Steve's chin, makes it so he can't look away.
"Fuck it," Eddie says. He leans forward, kisses Steve with soft authority.
And Steve just--he just fucking--crumbles into it. He makes a soft noise, curls his fists into Eddie's t-shirt.
Eddie's hands work their way into his hair, pulling him closer. Steve goes eagerly, crushes their bodies together.
They kiss and they kiss, and it's already so far from a friendly New Year's kiss, but then Eddie's tongue swipes into Steve's mouth, and the kiss breaks.
"Um," Eddie says.
Steve can't respond because all his focus is on not giving into the weakness in his knees and collapsing to the floor.
"I've wanted you to do that all night," Steve says.
"Oh." Eddie's face blossoms into a slow smile. "Me too. A lot longer than that, actually."
It's Steve's turn to smile, and he does, so hard it hurts his cheeks. "Me too."
Eddie presses their foreheads together. "Happy New Year, Stevie."
Someone starts singing Auld Lang Syne loudly and off-key, but they're quickly drowned out by a chorus of accompanying voices.
"Happy New Year, Ed."
Steve pulls him in for another kiss. 1987 is already shaping up to be the best year of his life.
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