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#The New Adventures of Kimba The White Lion
thegabberwocky · 1 year
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I know it’s an unpopular opinion, but I really love the 1989 Kimba design of Hamegg. He’s so cuteeee.. the first one is a little zesty sorry
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conroichts · 4 months
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First drawing of the new year… I love those little Kimba figurines where he’s wearing the outfit. Super cute!
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ihopesocomic · 1 year
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This is why I love to hate and hate to love Jasper, he’s awful but also so pathetic and idiotic and it’s funny. I hope he gets humiliated. Also partially because you just had to give him the cutest hairy monster face and he sometimes reminds me of Carol from where the wild things are. You couldn’t just make him ugly and make this easy lol
Haha he was partially inspired by Joe from The New Adventures of Kimba the White Lion. I couldn't make him ugly cuz then why would the girls like him so much! - Cat
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rawgreys · 2 years
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Street racing outlaws dubs
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#STREET RACING OUTLAWS DUBS DRIVERS#
#STREET RACING OUTLAWS DUBS DRIVER#
#STREET RACING OUTLAWS DUBS SERIES#
#STREET RACING OUTLAWS DUBS SERIES#
Funimation gave the English version of the series its first Blu-ray release (and a DVD re-release) on May 30, 2017. In August of that year, the original series was licensed by Funimation. On May 25, 2015, Tatsunoko announced that they were developing a new Speed Racer anime series, in addition to a new licensing program to reintroduce the franchise. After two lawsuits issued in 2012 between Tatsunoko and SRE were dismissed, the former company announced in a press release issued on Decemthat all rights to Speed Racer reverted to the studio. Speed Racer Enterprises' rights to the franchise expired on May 31, 2011. The second season premiered 3 years later. A week before the film's release, Nicktoons premiered yet another American television adaptation called Speed Racer: The Next Generation to play up the hype for the film. The Wachowskis wrote and directed a major motion picture based on Speed Racer in 2008, which was met enthusiastically by some fans, but failed to impress critics or do well in the box office. SRE intended to revive the whole title into a new franchise in time for the anime's 40th anniversary. "NASA might accept it, but not NASCAR.") An ad for Geico involves Trixie (from a helicopter) telling Speed (driving in a race) that she saved money by switching to Geico.
#STREET RACING OUTLAWS DUBS DRIVERS#
One of the ads for ESPN featured real NASCAR drivers complaining about how hard it was to compete with Speed, and showed actual race footage with the Mach 5 matted in another featured NASCAR officials trying to determine if the Mach 5 was suitable for competition. The most amusing appearance of Speed Racer in America had to have been in a series of tongue-in-cheek commercials for ESPN and GEICO Insurance. Its English adaptation was produced by DIC and titled Speed Racer X, but was short-lived thanks to a lawsuit between DIC and the American-based Speed Racer Enterprises. Four years later, there was a Japanese-made remake in 1997 with updated versions of the characters and vehicles, but numerous changes to its source material. There was a American-made Speed Racer cartoon in the early '90s titled The New Adventures of Speed Racer, which wasn't well-received. Speed's effeminate look, the way the dubbing actors have to race through the dialogue and narration to fit in all the exposition and keep up with the lip flaps, and the long sequences without movement all combine to create a style that defined not only this show, but the view of anime in general for generations of Americans. The show is both fondly remembered and reviled by many anime fans not for introducing anime to a wider audience, but for coloring its general image at the time. Speed Racer is remembered by Americans for its goofy character designs, limited animation and a very low-quality English localization, courtesy of Trans-Lux and Zavala-Riss Productions, as well as its memorable characters and over-the-top sensibilities. It was by far the most successful and well-known series for decades, and practically defined anime (or "Japanimation," as it was known at the time) in America until around the mid-90s. The show is notable for being one of the very first anime localized in English for US television, all the way back in 1967, following only Astro Boy and Kimba the White Lion. Speed's Japanese name is also "Go Mifune" (hence the "G" on his shirt). The pun in the original title comes from the triple meaning of the sound "go" in Japanese - the number "five", a denotation for the number or name of a machine ( Mach Go-Go means the Mach Type 5 - the same can be seen in Tetsujin 28-go), and the English "Ready, set, go". note Though at the time a sports car actually did have to have a trunk to compete at LeMans. a spy robot, underwater capabilities and a trunk (which even street-legal sports cars often lack). The "Mach Five" ("Mach Go" in Japanese, note Or simply, "The Mach" yielding the pun in the original name) had an array of gadgets more at home on Bond's Aston-Martin than on a racing vehicle, like autojacks, note Meant more for maintenance, but frequently used to make the car jump. Speed would race dangerous routes against dangerous people and come out on top with his "girlfriend" Trixie (Michi Shimura) trailing him in a helicopter and his little brother Spritle (Kurio) and his pet chimp Chim-Chim (Sanpei) frequently stowing away in the trunk.
#STREET RACING OUTLAWS DUBS DRIVER#
Speed Racer (Go Mifune) is the young driver of the Mach 5, an incredible supercar designed by his father "Pops" Racer (Daisuke Mifune). English title of the Tatsunoko Production anime series Mach Go Go Go! (based on Tatsuo Yoshida's manga of the same name), and one of the best remembered anime series for several generations of fans and detractors alike.
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animecatoftheday · 3 years
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Today's anime cat of the day is:
Marody from The New Adventures of Kimba the White Lion!
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laikaflash · 2 years
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Why was the 1989 Jungle Emperor Leo theme so good? My ramble about the show itself is under the cut, but be warned, this show was dark. I now call that series “Edgy Kimba”. (But it also had a cutesy ending theme with cutesy visuals... Why?)
I remember when someone put all the episodes of this series on YouTube (that person's channel was long since deleted). Not a single one of them had subtitles, so 13-year-old me watched this show get grim while I understood, like, 5 words at most. I shit you not, there was an episode where a nuclear-powered satellite crashed into the jungle and hordes of animals, many of which were deathly sick from the fallout, flee from a clean-up crew intent on shooting them. Granted, I got the summary from the old Kimbawlion site beforehand, but I had some idea of what I was in for on that one.
I'm aware that there was an English dub (with Light Yagami’s English voice!), but it’s only 13 episodes... Out of 52. And with the violent bits cut out. I don’t know why they even bothered. ¯\_(ツ)_/¯
Oh, and I found out that Archive.org has the full episodes now. Maybe I'll finally finish the series.
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holy-cucumber01 · 3 years
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Kimba the White Lion
Genre : adventure, shonen, drama, fantasy
Category : Аnime series / Аnime film / OVA / Special
Episodes : 52 duration 25 min, (Jungle Taitei Susume Leo!) 26 duration 25 min, (Jungle Emperor (1989)) 52 duration 25 min / (Jungle Taitei (1966)) 75 min, (Jungle Taitei (1997)) 100 min / (Kimba the White Lion: Symphonic Poem) 90 min / (Jungle Taitei: Yuuki ga Mirai o Kaeru) 107 min
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innumerablemuses-a · 5 years
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.➤Multimuse Blog for Various Fandoms Plus Original Characters
.➤Roleplaying Experience of 8+ Years
.➤Multiverse / Multiship
.➤Non-exclusive / Semi-Selective
.➤Crossover Friendly
Featuring;; Kibito & Buu & Paragus (DBZ/Super) || Aximili (Animorphs) || Hawkeye (M*A*S*H) || Lucifer (Netflix’s Lucifer) || Riddick (Pitch Black/Chronicles of Riddick) || Cynder (The Legend of Spyro) || Gig (Soul Nomad) || Kid (Chrono Cross) || Tenebrae (Tales of Symphonia) || Leo (Jungle Taitei) || Soren (Guardians of Ga’Hoole) || Gin (Ginga Nagareboshi Gin) || Lara Croft (Rise of the Tomb Raider) || Alex Fierro (Magnus Chase and the Gods of Asgard) || Qwilleran & Koko (The Cat Who... book series by Lilian Jackson Braun) || Acorna (Acorna the Unicorn Girl) || Ravenpaw & Mapleshade (Warriors) || Eliza (The Wild Thornberries) || Francis (Felidae) || Celestia & Gabby & Lightning Dust (My Little Pony: FiM)
+More to come~
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catluniscia · 5 years
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Deviantart Youtube Patreon Redbubble Teepublic Ko-fi Commission List Society 6 Youtube Art Station Instagram Facebook Twitter Wysp Newgrounds
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Kimba from The New Adventures of Kimba the White Lion...now I just...please I beg you no Kimba the white lion, Lion King, Disney stole bs okay...both movies are majorly different and I really REALLY am tired of hearing this.
Though fun fact Kimba means Corpse or pile of trash in Swahili
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animalfictionsource · 5 years
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do you know if the 80s kimba/leo series has ever been fully subbed? i can only find the first 22 eps
i believe that it may be subbed in crunchyroll or viki, but I am unable to visit those sites. i could only find the first 22 eps on youtube too. can any of my followers help anon?
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agentcharlesb · 6 years
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THIS BABY I LOVE HIM 
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pandomiasplayground · 6 years
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Simba from "The Lion King", Leo from "The New Adventures of Kimba the White Lion/Jungle-Taitei", and now Fearless from the new book series of "Bravelands".
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conroichts · 5 years
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“The great ones among us do not choose their greatness. They are chosen, as were their fathers before them, and their fathers before them, and so on.”
Got to feeling nostalgic with the old VHS commercials on my sailor moon VHS.
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Andy on Asian Animation or SYAC: The Master Review 2
Let’s talk a bit about anime and Dobson’s work relation with it.
I think we can all agree, that starting from the late 90s and early 2000s on, anime and manga became extremely popular in the western world. Sure, Japanese animation was nothing completely new to us (Speed Racer, Nadia-Secret of Blue Water, Samurai Pizza Cats, Sailor Moon, Kimba and Akira e.g. come to my mind as properties already known in the west before 1995) but it really was around this time that thanks to “mainstream” stuff like Dragon Ball and Pokemon people became aware of how different Japanese animation was from western. Eventually resulting in the really good shit (like Cowboy Bebop, Black Lagoon, Kenshin and Heat Guy J) coming over and enriching nerd culture for more than just a few people who knew of it as an obscurity at that point. Now, if you know anything about Dobson, you likely know that his relationship with anime is rather… complicated to say the least. Or, to let him explain it with his own words…
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Dobson essentially likes silly and wacky 90s anime. But later on he hated anime in general, because it got too popular and a bad experience with an anime club in college soured his enjoyment of it. Furthermore, he put the blame on his lackluster art style and storytelling capabilities as seen in the likes of Formera, Patty and Alex ze Pirate, on anime in general, while also claiming that Disney pulling the plug on 2D animation is the result of the “anime inspired” Treasure Planet, meaning anime in a sense deprived him of his chance at working at his dream job and “ruining” western animation.
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Which to me has always been ignorant as fuck. For starters, I can understand not liking certain stories or genres, either for objective or subjective reasons. But to hate on an entire nation’s form of entertainment (not just individual shows or genres), depriving yourself of the chance of potentially watching a lot of good stuff while also being rather insulting to these other works and people enjoying them? Especially when the stuff you can supposedly “stomach” has been rather simplistic compared to other things?
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 Second, blaming Japan for “poisoning” your art style? What, did the ghost of Osamu Tezuka possess you and FORCE you to put sweatdrops on your characters forehead while also going for the rather simplistic character style of Rumiko Takahashi, as well as emulating the slapstick of the likes as Slayers and Ranma ½?
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 Next, if he had emulated them successfully, I say he would have actually managed to tell decent enough stories worth to read online. Not create Uncle Peggy aka “Discount Happosai” or the bland proto-Isekai known as Formera.
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I mean, let’s give some context here: There have been people who successfully managed to emulate certain anime and manga aesthetics into western animation and make it work. Otherwise we wouldn’t have gotten the likes of Avatar-The last Airbender, Samurai Jack, the Animatrix, Thundercats 2011, Super Robot Monkey Hyperforce Go, Kim Possible, W.I.T.C.H, Megas XLR and Wakfu. You know, shows that are actually awesome as hell.
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Heck, Dobson’s favorite animated show of the last decade, Steven Universe, is heavily inspired by anime aesthetics to the point of being embarrassing.
 But Dobson… well, he emulated anime aesthetics in his work the same way as these crimes against animation did.
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Combined with his general shortcomings as a storyteller it is no wonder his initial comics did not do well.
 Lastly, and sorry for digressing here a bit, but if the Wikipedia entry on Treasure Planet is something to go by, there was no real inspiration by anime involved in making this movie.
Supposedly the idea of making an animated Treasure Planet in outer space movie was already pitched by Ron Clements WAY BACK in 1985 but only came to be after Michael Eisner greenlighted stuff in the late 90s. Design wise the movie was supposed to look 70% traditional and 30% sci-fi inspired and people took inspiration for the art style by illustrators associated with the Brandywine School of Illustration. A western style of illustration established in the 19th century, that had a big impact on the illustration styles for many 19th and early 20th century adventure novels and short stories.
What, is anime supposed to be the only form of animation allowed to have sci fi elements or steampunk in it? Fucks sake, The Lion King and Atlantis, which came out one year earlier to Treasure Planet, were likely more inspired by anime. Don’t believe me? Watch Atlantis and then a certain anime by Studio Gainax called “Nadia-Secret of Blue Water”. Or read up on the controversy surrounding the two.
The truth is, it is not entirely clear what caused Disney to shut down 2D feature film animation in the early 2000s. In fact, if anything, most people put the blame on Michael Eisner and a certain change in the publics taste in movies in general, combined with Disney trying to turn almost every movie they had into a franchise via cheap follow up movies on video and DVD.
And even if Disney did not shut down, are we really supposed to believe that a certain guy with fedora would have made it big at Disney to the point Alex ze Pirate would have been made into a feature film?
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But Dobson could never quite understand this and instead of “reinventing” himself properly, he would rant about anime and its fans in one form or another…
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 And on the peak of his hissy fit create this little art piece he baptized Anime Sux. Alternatively “West vs East”. Or as I like to call it, slap a jap.
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Now, the pic was done in 2008 and Dobson claimed sometimes in the last decade, that he no longer holds his old opinions. Unfortunately, by that point he would also more or less use the chance to vent in his webcomic about anime (or rather its fans), which brings us finally back to SYAC.
 While Dobson never outright thematized in more detail WHY he hates anime and manga in SYAC (likely cause if his comic reasoning was even slightly like his reasoning in his blogs, people would have torn him apart like a bag of paper) he did use the format to punch down on anime fans and their preferences.
 For example, for someone who has a 4chan story going around of having been rather arrogant towards others in college for not liking Ranma ½, Dobson has THIS little college related comic to show off, where he portrays an aspiring manga artist as a delusional jackass.
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Then in this strip titled manga, his manga fan is essentially portrayed as a young woman dressing up like a very stereotypical high school anime girl, who is in the wrong for even just DARING to draw her comics in the direction manga are read.
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On one hand, I get Dobson’s point. She could be at risk of alienating a market of readers as she is obviously drawing for a western audience. Then again, if she doesn’t draw a traditional western comic but a manga, why shouldn’t she? I mean, as long as she enjoys it, which I assume she does as she seems genuinely just happy when stating that she likes manga, why not let her? Plus, this comic was drawn in the late 2000s. I think by then most people kinda knew how to read from right to left, so Dobson’s claim she would alienate or confuse people is kinda redundant. If anything I find a) Dobson getting angry at her just very petty (just let her have fun) and b) portraying a western manga fan as someone who would be confused by the sheer idea of reading stuff from right to left is also in itself just really dumb and insulting. What is Dobson trying to imply? That anime fans are so stuck in the way they consume certain media, they can’t act according to “western standards” again?
Then there is this strip where yet another female anime fan is essentially portrayed as the embodiment of how “ignorant” manga fans are of the idea of different art styles...
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Which becomes rather laughable once Dobson describes his style as a mixture of European, American and  Japanese. Why? Because he is the one oversimplifying things, rather than the anime fan.
You see while anime and manga of all sorts do share certain aesthetics (like the black and white art style, emphasize on the eyes of characters, the way hair is drawn, recurring tropes within certain genres and so on) style wise (both in art and storytelling) there can be severe differences, depending on the artist alone. Akira Toriyama’s style differentiates significantly from the likes of Eichiro Oda, Rumiko Takahashi, Kentaro Miura, Tezuka, Kaori Yuki and so forth.
The same also goes for many western artists. Herge had a significantly different style from Uderzo and Goscinny. Don Rosa has a different style in which he drew Scrooge McDuck than Carl Barks did. Rob Liefeld and Jim Lee draw mainstream superheroes differently compared to how Jack Kirby, George Perez and others did. Heck, Ethan Van Sciver and Jim Lee were closely associated with Green Lantern in the 2000s and look how they differentiate.
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 Which btw is the kind of skill level Dobson would have needed to have, to make it in the mainstream industry
So when Dobson says “I draw in a combination of American, Western and Japanese” all I can think is the following: THAT DOESN’T NARROW IT DOWN! WHAT THE HECK HAVE YOU LEARNT IN COLLEGE ABOUT COMICS? WHICH ARTISTS, WORKS AND STORYTELLERS DO YOU TRY TO EITHER EMULATE OR HAVE BEEN INSPIRED BY?
Then there is this little thing…
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Where do I even begin? How about the fact that Dobson’s hand in the last panel looks like he has lost a thumb? The fact that the little boy, anime fan or not, is aware of Sae Sawanoguchi, a character from a short lived OVA and anime series from the 90s, which considering his age, I kinda doubt he would be aware off. Unlike Dobson, who got into anime in the 90s and admits in fact within the posts I loaded up earlier, that he had watched the anime in particular, known in the west as Magic User Club.
Then there is the implication by Dobson, that anime is so “corruptive” as a medium, little kids don’t even know the most basic characters in western animation because of it. I expect in a next panel, that all of sudden some 50s PSA guy comes along and lectures me that if I want this kind of thing not to happen at MY convention, I need to teach little kids more about the GOOD western animation, instead of the BAD eastern one. Then there is this rather unflattering portrayal of a shonen ai/shojou ai fangirl…
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 Which makes me laugh cause honestly, even some of the worst shonen ai and shojou ai can do better in portraying a “realistic” gay relationship than Patty if you ask me.
Also, as much as I think fangirls can be extremely thirsty (I have read my fair share of extremely stupid yaoi and yuri fanfics) I think that in hindsight Dobson is really not anyone to complain about shipping obsession and sex when he himself has KorraSami, the Ladybug fandom and a certain rat pirate under his floppy belt.
As you can imagine, Dobson would get heat for those comics, considering how he himself has been greatly inspired by anime and manga for his major comics. And while I don’t have any explicit deviantart posts of him reacting to criticism in that regard, I do have this comic which addresses it directly.
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 And yeah, if I were schoolgirl number 4, I would just sigh and walk away after telling Dobson that his mistakes and shortcomings are not related to having consumed anime, but rather by what sort of anime (and other stories) he had consumed and the amount of effort he had put in creating his stories instead of emulating just something more popular. Plus, if you really want people to draw more from life, how about drawing more from life yourself down the line? And no, tracing Star Wars movie frames does not count.
Finally, Dobson, considering how very little most people think of your work, I say mission accomplished: People have learnt from your mistakes and know not to be a Dobson.
And at last, there is this comic, which kinda wraps up Dobson’s “vendetta” with anime and manga fans within the pages of SYAC.
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By trying to mock anime fans and make them look just as shallow as he is. I at least suppose. Honestly, the message of this comic is rather muddled. On one hand, I would say the strawman accusing Dobson hates anime just because it is popular is very simplified. After all, Dobson has made his reasons for not liking anime clear in a few more details. It’s just that the details in and on themselves in real life are still rather shallow and boil down to a lot of personal bias rather than an objective criticism of actual flaws. Which I think is worth pointing out.
But frankly, what is Dobson trying to say or point out here? That the strawman is not so different or even dumber than him, because he hates Justin Bieber for “shallow” and superficial reasons too?
Okay, this doesn’t quite work as well as Dobson wants. First, the argument Dobson’s strawman makes is in huge parts based on some verified statements Dobson made for not liking anime. Second, he just says a name and that triggers the guy to express his hatred for Bieber. We don’t know why the guy hates Bieber and you could make in fact the case, that he hates him not because he is popular, but because he has a genuine issue with the artist, his work or his behavior as a human being. Third, if you want to make yourself look like the better person Dobson, try to argue with the guy and make solid arguments why you don’t like anime. Instead you just deflect the criticism by changing the subject and then try to make yourself look like the “smarter” person in the room by mocking your critic in the most condescending manner.
Which as I think about it, sounds like your modus operandi on twitter and tumblr.
Weirdly enough, that more or less marks the “end” of Dobson tackling anime fans and the beef he has with them within the pages of SYAC. Despite how much Dobson’s negative reputation especially in early years was build around him hating on anime and belittling its fans, he didn’t really do more afterwards in the Dobson focused pages of SYAC. And mind you, those strips were also separated by other strips in-between, focused on Dobson just being at conventions.
Unfortunately for him, the strips didn’t really help in any way to diminish that negative reputation and instead just confirmed for many, that Dobson can’t handle criticism about his flawed opinion on anime. If anything, it just made people think even less of Dobson, as the strips just painted him as someone who would rather portray his critics as strawman he can be “rightfully” annoyed at, instead of fellow humans with slightly different tastes in entertainment, who are still worth listening to.
So, now that we have the anime fan related “annoyances” out of the way, what other sort of silly problems in making webcomics would Dobson cover in his strips and are “relatable” to everyone?
Lets see some of these examples in the next part.
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kpissfm · 3 years
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Jan 2021 AutoPilot Grooves
Baby Get Your Thing - Segun Bucknor Dis Moi La VeritéOrchestre Poly - Rythmo De Cotonou Crying Every Night (These Eyes) - Stranger Cole Thoughts - Sounds Of Liberation The Moontrane - Larry Young Check It Out - Tavares Precious to Me - Phil Seymour I Hope You'll Be Unhappy Without Me - Tavares Don’t U Know - Dj Rels Love Dance - Surinam Funk Force Lillemor - Sahib Shihab Enchantment - The Horace Silver Quintet Sgnari Fer You - Evan Pinkis Drum Song Dub - Scientist She's Perfect - Odyssey and Company The Time Is Now - Stranger Cole Jungle Lion - Lee "Scratch" Perry Steal Away - Jimmy Hughes Hot In The City - Billy Idol Susan - Jack Ladder Hacksaw - Brower You Need Love - Muddy Waters East Houston Blues - Rodney Crowell Adventures In Success - Will Powers Jah Light - Love Joys Reality's Monologue - Bruce and Vlady It's Good To Be Here - Digable Planets Dearly Beloved - Sonny Rollins Walk With Me - Dwight Sykes Don't Look Back - Shirley Scott Obsession '77 - Atomic Forest Plight - Charles Tolliver Everglades - Dale Hawkins Groupie (Superstar) - Delaney & Bonnie Lover's Lane - Elias Rahbani Mystic Voyage - The Last Electro-Acoustic Space Jazz & Percussion Ensemble Equipoise - Max Roach Gypsy Without a Song - McCoy Tyner You Make Me Feel - Laura Jean None Of Us Are Free - Solomon Burke Hurt No More - Charles & Eddie Love Dream - Unity & The Downbeats Gimme Some Lovin' - The Spencer Davis Group Guitar Town - Steve Earle Massachusetts - Bee Gees Sonido Amazonico - Los Mirlos Song for Hilary - London Jazz Four Kimba - The Lyman Woodard Organization Soyoyo - Kings Aigbologa Bucknot & His Afrodisk Beat Organisation Israelites - Desmond Dekker Romeo's Tune - Steve Forbert Need You Tonight - INXS Do You Really Want To Hurt Me - Culture Club Hit The Ground Running - Smog Red Cadillac And A Black Moustache - Warren Smith Judgement - Andrew Hill Inner Urge - Joe Henderson Acka Raga - John Mayer She - Jeff Lynne Looking For The Magic - Phil Seymour He Still Calls Me Baby - Josephine Network Stay With Me - Faces Native New Yorker - Odyssey Alias Buster Henry - Clifford Jordan The Prophet - Eric Dolphy Back In My Arms - Robert Palmer To Be Of Use - Smog The Whole Of The Moon - Kirin J Callinan Silence - Dom Don't Be Afraid (Instrumental) - Sky's The Limit Don't Be Afraid - Sky's The Limit Priscilla - The Bobby Hamilton Quintent Unlimited Bear Song - German Oak You Can Have It All - George McCrae Leaving Louisiana in the Broad Daylight - Rodney Crowell Angel - Gavin Friday Kissing You - Des'ree Little Star - Stina Nordenstam I Can't Stand The Rain - Tina Turner I'm On Fire - Dwight Twilley Too Much Heavan - Bee Gees I Can Dream About You - Dan Hartman Naquela Base - Vitor Assis Brasil Changing Man - Power Of Attorney The Thing - Carleen & The Groovers Jungle Strut - Gene Ammons Pop Corn - Omar Khorshid Search Light Blues - Sun Ra Down Here On The Ground - Grant Green African Stomp - Steele Beautttah Always Dubbing - Wackies Zorba The Greek - Mikis Theodorakis Thinking Of You - Sister Sledge Exhale (Shoop Shoop) - Whitney Houston Two Hearts - Chris Isaak Graceland - Charlie Sexton You're So Cool - Hans Zimmer Even Trolls Love Rock And Roll - Tony Joe White Breathe Again - Toni Braxton Bewildered - James Brown
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animecatoftheday · 3 years
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Today’s anime cats of the day are:
Amaji and Keruru from The New Adventures of Kimba the White Lion!
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