So… Season 2 began. And I know, a lot of folks were upset that there was barely any Vaxleth in those first three episodes.
But I’m fine with that… as shocking as that may sound to those who know me.
That’s because of how Season 1 ended with Keyleth very aware that Vax is in love with her… but had to gently turn him down because she has to worry about her own responsibilities first. And he understands that, but still can’t help but be a little mopey about it.
That, and he’s still very much ride-or-die with Vex.
They took how things ended in Season 1 and carried it forward with Vax still quietly pining for her, showing visible sadness whenever Kash tries wooing her.
It’s establishing continuity between seasons and how he’s exercising restraint by keeping his distance. He knows where there are boundaries.
It’s why I, for one, actually approve of the change made in Season 1 where they did NOT kiss during the Whitestone rebellion. While at the same time, Keyleth at the end of Season 1 not only acknowledged Vax’s feelings for her, but also didn’t say anything to suggest that she did not feel the same. She’s keeping her distance just as Vax is keeping his.
And the encounter with Osysa definitely hit Kiki point-blank regarding her fears: not only of failing her Aramente, but also that no one will leave to see her rise up. Thus only further making her want to maintain her distance from Vax.
That being said… the next three episodes might change that.
“Those Who Walk Away”
“Pass Through Fire”
“Into Rimecleft”
We’re going to deal not only with the aftermath of the Sunken Tomb, but also the events that occur in Pyrah. It’s quite clear that “Pass Through Fire” will be Kiki’s own episode this season, as we will certainly encounter not only Korrin, but also a flashback of her mother Vilya, which I’m still happy that they got Janet Varney (Korra herself) to play her, along with Kestrel Riegel playing Kiki as a child.
Along with that particular episode, we might yet see a moment between them. One that may or may not turn out the way we’re expecting.
We’ll just have to find out for sure next week.
We’ve only just started, after all.
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Interviewers: let’s talk about your romantic relationships with N and M in S7–
Oliver: who?
Ryan: I don’t know her
Oliver and Ryan: actually let’s talk about the most important relationship that is Buck and Eddie. They can be vulnerable with each other be there for each other coparent Chris together, you know they just have this deep relationship that’s also really soft!
Interviewers: that was not—
Oliver and Ryan: oh did we tell you how we love each other? He puts me at east makes me comfy we’ve been glued to each other since day one! That chemistry between Buck and Eddie? That’s real that’s authentic🥰🥰🥰
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this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
two hours later edit: you're allowed to reblog this! sorry about the confusion
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In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.
The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".
Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.
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[TW implied/referenced rape/forced consent]
did Alicent call for her mother? did she ask her, a woman she thought was so wise and all knowing, why? why it happened to her? why her father betrayed her so? why this man who was so much older than her, looked at her with such empty lustful eyes? did she silently pray for her mother when Viserys raped her, night after night, begging for her to save her? did she imagine her mother walking next to her as she made her way to Viserys's chambers, knowing what was to happen, unable to change her fate? did she scream for her during labor, begging for her to be by her side, to hold her hand, to make the pain stop? did she cry for her mother when she was raising a child, while still a child herself, another on the way, clueless as to what to do? did she ask her for advice? did she beg for forgiveness cause she was failing her children? did she kneel at the Sept till it hurt more than she could bear, trying to feel her mother's arms around her? did she take Aegon? Helaena? Aemond? Daeron? did she take them with her to pray, to get to know her mother? did she have to hold them still and remind them to be quiet in such a place? did she hold them close as she told them stories of her?
did she ever think of Aemma? she must have, she must have when Viserys forced her into the late queen's robes, she must have when he frequently called her by the wrong name, when he sought her hand in marriage before his mourning period had even ended. did she beg for Aemma's forgiveness? was she sorry for what Viserys was doing to her? did she blame herself? did she feel guilty for having a healthy son on the first try, for having 4 healthy babes? did she tell her kids of her? did she share her memories of Aemma with them? did she question how she managed to be with Viserys for so long? how she lost so much cause of that man yet pain and anger never once flashed in her eyes? did she think of the last conversation she heard from her, about the child bed and royal wombs, often?
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byler headcanon where…
jonathan taught will morse code so they could tap on the walls of their bedrooms and talk like that during the night as a fun little game. when will told mike about it mike thought it was the coolest thing ever and practically begged will to teach him as well, so in their sleep overs at mike’s basements will teaches him little by little. but mike has a hard time paying attention and retaining what composes each letter.
seeing will writing it down for him just doesn’t help. it gets to the point where it’s really late at night and karen comes downstairs to send them to bed already. begrudgingly mike flips the lights off and the two of them snuggle into their sleeping bags.
will is about to doze off when he hears a muffled tapping against his ear. then mike is saying “was that an F?”
“no,” will says, “that was an U.”
mike frowns and from upstairs karen yells “enough with the tapping and talking! go to sleep, kids.” mike sighs.
will turns in his sleeping bag towards mike like always and closes his eyes to fall asleep. two seconds pass when he feels cold fingers in his palm. before he can react and pull away, mike taps across his palm, this time a dot, a line across with his nail, and two more dots. will opens his eyes and finds mike staring right back at him, big dark eyes filled with excitement.
“was that an F?”
“no, that was an L.” mike scowls and will laughs though he keeps it down so mrs wheeler won’t scold them again. “what do you wanna spell, anyway?”
mike twists inside his sleeping bag and rolls a bit closer. “i wanted to spell friend.”
will smiles at mike and mike, besides being annoyed of not being able to learn morse code yet, smiles back. and will feels warm, and safe, and like this basement could be the entire world for all he knows because his friend is here and that’s more than enough.
“here, give me.” will reaches for mike’s hand and gently taps across his palm. “this is an F.”
“ah! i was so close!” mike whispers and will chuckles again. “how do you make an R, will?”
“like this”
“and an I?”
“like this”
“what about-“
the next morning jonathan comes by to pick will up and will makes sure to leave behind the cheat sheet with the morse code symbols. mike doesn’t pay it any attention though. he goes to his room and lays on his bed, tracing across his palm the word FRIEND. that one he learned alright, and he couldn’t be prouder of himself. it was easy, when he could still feel the tingle of will’s fingers tapping across his palm.
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My crack theory for ATN is that John will use Kiriona to preserve the sun (and the nine houses) by transferring the 'godhood' to her, which is why he didn't resurrect her in a regular body but in an immortal one, also why he's been flaunting her as his heir tower prince yadda yadda, so he can go fuck off and become mortal again and live the rest of his days on earth, frying that bacon Tamsyn talked about.
The tension of the book will either be him failing in doing that or succeeding and now they have the job to turn Kiriona mortal again.
With this also fulfilling the generational ructions she talks about.
If anything, John is crafty, and it'd be foolish of us to think he doesn't have a plan, what that plan is gonna try to achieve is where I fall flat, but we know the first step has been completed: the Tomb is open and Alecto is free (and if we consider those dreams are his actual connection to Alecto, he might've known about Harrow's soul swap and getting her back was also part of the plan).
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