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#Why didn't she remember it
stromuprisahat · 2 years
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Alicent: *never explains how come she unexpectedly married Rhaenyra's father, move that gained her status and endangered Rhaenyra's*
Alicent: *has no qualms humiliating and insulting Rhaenyra and her children for over a decade*
Alicent: *refuses peace offering in a form of marriage*
Alicent: *smiling one moment, ploting against Rhaenyra the next*
Rhaenyra: Ok honey, I won’t kill that treacherous cunt of your father. I’ll think about your terms... UWU kissu-kissu!!!
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bet-on-me-13 · 16 days
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Wes ruins everything
Wes had finally done it, he had finally realized why nobody ever belived him about Fenton and Phantom! It made so much sense now, he had been looking for an answer for years, thinking he was going crazy because everybody refused to see the Obvious!
He was Cursed!
He literally had an Ancestoral Curse on his Bloodline that made it so that all those born with the gift of Prophecy would be ignored! A Gift of Prophecy that he apparently had.
It was Cassandra's Curse, the one from Greek Myths. Apparently she was his Great×1000 Grandmother and passed down the Gift (and Curse) of Prophecy to him. And he knew how to break it!
All he needed to do was gather the right resources, chant the correct incantations, make sure not to accidentally summon a Demon in the process, and he could just foist the Curse onto some other poor schmuck. Sure it would suck for them, and he would loose his Gift of Prophecy, but Wes had been ignored for Years at this point, he needed validation!
So he did the Ritual, and he didn't mess it up, and he managed to get rid of the Curse.
Now all he had to do was convince everybody that he was right for the first time in his life! This was going to be great!
...
Cass didn't know what was going on.
A while ago, she had started getting these...gut feelings that she couldn't explain.
She would look over the details of a Case her Family was working on, and see a patern that the others were seemingly ignoring. Like when she realized that The Penguin was about to raid the Docks on the East Side, but the others were convinced it was going to be on the West.
But when she had tried to tell them, they had brushed her off. "We've already concluded that he will begin the Raid on the West side, no need to go to the East."
She had gone anyways, and low and behold she had been right. But nobody even acknowledged that she had been right at all, they had just wondered how they had missed the signs, not even questioning how she had known.
It wasn't limited to Cases either. Even small things, like telling her brother's where the TV remote was were brushed off, and hours later they would still be looking, never even having checked where she told them.
It seemed that no matter what, nobody cared about her point of view anymore. They kept brushing her off, telling her she was wrong, actively ignoring her ideas.
And it was getting worse. They were starting to ignore her more and more, forgetting she was in the room, not calling her down for Dinner, even forgetting to check in on her during Patrol.
She knew that there must be something going on, Magical or otherwise, but when she tried bringing it up with her Dad or JLD, they would also Brush her off.
Her Family was forgetting her. And they didn't even realize it.
...
Danny was not okay at the moment.
When he had gone to school a few weeks ago and noticed everybody staring at him, he didn't give it much thought. Maybe Dash or Paulina had spread another Rumor about him again, not too out of the ordinary.
When his name had been called over the Intercom, he hadn't thought much of that either. His grades were falling even more than usual, so he assumed his Guidance Counselor wanted to have another talk with him.
When he walked into the Principals Office to see both of his Parents and some GIW Agents, that's when he realized something big must have happened.
He didn't have much of a chance to react when the Shields went up, but he did react when the first Ecto-Blast scorched the wall behind him. His Parents began to scream at him as they fired their Blasters, something about replacing somebody? He didn't know, he was pretty preoccupied at the moment.
It took more effort than he cared to admit to escape the Room, but a stray shot to the hidden Shield Projector under the Principals Desk proved to be his saving grace. Unfortunately the moment he escaped the Office, he was met with a veritable Army of GIW Agents, all armed to the Teeth with Weapons he had never even seen before.
He managed to get away for a moment, hiding in the Bathroom as the Agents chasing him passed it by. That's when he met Wes.
He obviously hadn't been expecting him, but the moment he saw him Wes put on a smug look. "Oh hi Fenton, trying to get away from the other students?"
Danny had replied with confusion, "What the hell are you talking about?!"
"I finally managed to convince everybody about you, now everyone knows that you're Phantom! I'll bet you're hiding from all of the other Students hounding you for questions right?"
"...it was you?"
"Yeah, so? I finally get to be right!"
"...You absolute MORON-"
That was the last Danny got to say to Wes before an Ecto-Blast launched him through a Wall, seeing his face morph into a look of Shock just before the dust cloud covered it up.
Since that day, Danny had been on the Run. Nowhere was safe anymore now that the GIW knew both his Human and Ghost's faces, but he had to keep running. He crossed state Lines already, and was on his way to the next Ecto-Rich City he could sense, somewhere in New Jersey.
He cursed his Fenton Luck every day. Why had everybody believed Wes this time?! Nobody had ever belived him before, nobody even seemed to acknowledge his existence after a while! What had changed?
Danny just wanted to rest already.
...
Cass had taken to Patrolling alone recently. She had taken to doing a lot of things alone, actually.
After the first month, it seemed that nobody could remember that she was in the room with them, even if she was within their eyeline, she just faded into the background. By the 2 Month Mark they had stopped talking to her entirely, although occasionally she would get a Text or two from her dad. By the 3 month Mark she was completely invisible, and By the 5th she had been forced to get used to it.
She didn't know what was going on, was it a Meta Ability? Magic? Alien Tech? She had no idea.
She had begun to cook for herself after the first time Alfred forgot to set her Plate at the Table. The same with Washing her own Clothes, Cleaning her Room, and Paying her Phone Bills. At the very least the Automated Allowance Payments to her Account had kept up, or she wouldn't have been able to go to her favorite Cafe anymore.
It was bittersweet for her. She used to go to that Cafe every week with Alfred, but he didn't even come on his own anymore. Had he only come for her? Did she really mean that much to them? It hurt, she finally had a family that cared for her and suddenly she didn't exist to them.
She sat alone at a Table, ignored by everyone in the Cafe as usual, when a new face walked in. He looked about her age, a little roughed up, walking with a sort of cautious gaint, as if he was scared of something. His Body Language seemed to agree with her assessment, as his body practically screamed "Worry" in its movements.
Cass stopped watching at that point. Just another Gotham Teen, probably worried over something like getting not having enough money or getting mugged on the way home. It was a Common sight in Gotham.
She attention was pricked again for a moment when she heard a voice speak up. "Uh, can I sit here?"
She ignored it, he wasn't talking to her.
"Um, excuse me? Miss? Could I sit here?" He repeated.
She ignored him again, he wasn't talking to her. Nobody talked to her.
"Hello? Do you have Earbuds in?" He said, and he waved his hand in front of her face.
Her face. He waved his hand. In front of Her Face.
He was talking to her.
She looked up at him sharply, seeming to startle him for a moment before he asked, "So, is that a no?"
"You can see me?" She asked.
He looked a bit bewildered, but replied "Uh, yeah? Why would I not? Are you...a Ghost?". That last part sounded a bit suspicious.
"No. Not a Ghost. But nobody sees me. Ever. Nobody remembers me." She replied. She had never spoken this much to anybody outside of her Family, but in the past few weeks she had been starved for interaction.
He seemed slightly interested, and sat down at her table. He looked her in the eyes, and said "Do you...talk about it?"
She smiled. He could see her.
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ineed-to-sleep · 3 months
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So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again
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mersei47 · 10 months
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how to make omelette
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lunarharp · 2 months
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What led to this (orufrey comic, cw an uncomfortable/creepy scene)
#witch hat tag#orufrey#er.... i'm too tired to have anything to say..i worked several days on this.#wait.. didn't i say just recently here that i probably wouldn't ever depict 'what if alaira is qifrey's sort-of ex'. What's going on#i don't even remember deciding to draw this..it's all a blur..i'm not sure why i WOULD decide to draw delicate scenes in my head#that i wouldn't really want to share with anyone/discuss so why did i draw it...#some part of me really really wants to draw things that are more and more true to myself...#maybe because of my alienation with most romance/shipping/dynamics the rest of the world depicts.#orufrey really is perfectly suited to me - what i read in the text and what is in my head. well anyway#i am TIRED of drawing poses and angles and..maybe now i will actually take a break from drawing bc of the tediousness of Angles#btw it really is a 'stretch of time' . . . assuming witches graduate age 18-20#well orufrey are canonically 30-ish. they've only had agott around for presumably about TWO years (?) bc she took the test age 10#and it feels like oru moving in/unknown atelier acquisition/building (?) .. i guess that could be a year or so before agott at most#(she was the first disciple) so... ????????? What about the other 7 or so years ?!?!?!!?!?! Unemployed Brimhat Hatred era#that time is very nebulous. after qifrey went to the tower i feel like it's been implied he and oru drifted apart a little.#certainly they didn't live together at first... no way. that doesn't feel like how it is based on things oru has said about becoming Eye#idk. I'm tired now. i don't usually think of alaira as necessarily qifrey's ex and this being how things went in that 'sliver of time'.#i usually prefer the idea that they have their first kiss with each other in their 30s cause That's Just The Orufrey Lifestyle#just felt like making a more relatable alternative view of my own Cai Orufrey Canon one time. btw im a big monoshipper and it hurt a bit#let's leave it there. this is surely the most i've worked on a 'single' art - though now i realise just how much longer the fic took :')
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uncanny-tranny · 3 months
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I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
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idk-bruh-20 · 10 months
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Irondad fic ideas #139
NWH AU where Tony's been in a coma this whole time. He still is. But the world thinks he's dead.
One day, Rhodey is in some science place (maybe SI, maybe a community college where he was giving a speech?) and he sees this kid tinkering who looks exactly like Tony Stark. The teen Tony Stark from when he first met him at MIT. Even down to the mannerisms. He goes up and has a brief conversation with this stranger, just curious. Then he leaves.
Unbeknownst to the kid, Peter, Rhodey managed to grab something for a DNA test. The kid just looked too much like his best friend. Like seeing a ghost
When they analyze the DNA, they learn that this kid is in fact Tony's biological son
Rhodey goes back to find the kid, this time bringing Happy. Peter gets to have the super fun conversation where two people who should know him but don't tell him that the person he saw as a father was his actual father, only it's too late
They convince Peter to come with them eventually. And Peter gets the shock of his entire life
Over the next little while, at Tony's bedside, Peter gets to know Morgan (who he would've seen as a sister anyway but this is insane). He also gets reacquainted with Rhodey, Happy, and Pepper, who all admittedly find him a bit sus with how much he seems to know.
But...this is Tony's kid. His son. So they let him be there, let him talk to Tony and hold his hand. 
Finally, finally, Tony wakes up.
And it turns out, being in a coma and thought dead by the entire world, including wizards, makes one exempt from certain magic
Bonus:
As he sits by Tony's bedside, Peter has to grapple with a lot of emotions. One of them is the realization that he was never actually related to Uncle Ben, which makes him feel like his uncle and aunt died for nothing
Pepper helps him through it. Even not knowing him the way she once did, she knows plenty about guilt complexes and chosen family. She assures Peter that he's still a Parker, no matter what, and that his aunt and uncle wouldn't have given him up for the world
Another thing Peter deals with is the fear of Tony waking up and not knowing him. It breaks his heart just thinking about it.
Cue THE most relieving hurt/comfort reunion ever imagined
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blueskittlesart · 8 months
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maybe this is a kind of obvious answer but can you talk about the symbolism of the silent princess flower in botw?
YEAH. i can <3 <3 <3 <3
so the silent princess. this flower which is so pervasive as a symbol throughout this game. most of what we are told about it comes directly from zelda in the memory where she talks about it. in the english version of the game, she says "This one here is called the silent princess. It's a rare, endangered species. Despite our efforts, we can't get them to grow domestically yet. The princess can only thrive out here in the wild. All that we can hope... is that the species will be strong enough to prosper, on its own." in japanese, she (more or less) says, "this is... it's called the silent princess, and it's an endangered flower. I started artificial cultivation [of the silent princess] a while ago, but it's not going well. it's... a princess that might become extinct." that discrepancy is interesting, i think, with the english version being altered to give zelda a slightly more hopeful outlook on the fate of the flower, musing about its potential for survival instead of thinking more negatively about the prospect of its extinction.
So. the flower's actual symbolism. It's honestly kind of heavyhanded imo, but sometimes a heavyhanded symbol still works really well. consider the flower's name, the "silent princess." consider, then, the two characters who are most obviously tied to it--zelda, the princess, who is actually named in the flower's compendium description, and link, the silent knight who seems to find the flower at every important location throughout his journey. On a certain level, the flower is representative of these characters, hence why its name evokes aspects of both of them. more specifically, though, the flower is representative of the internal struggle these two characters undergo as pieces of the bigger puzzle that is the calamity.
both zelda and link suffer "in captivity" as zelda puts it--they find themselves struggling under the weight of their destinies, zelda unable to perform to the standards of her father, link terrified to fall short of the kingdom's expectations. neither of them are able to reach their full potential when "cultivated artificially" as it were; link is mute and subdued, never showing even the slightest hint of his true personality underneath the hardened exterior, and zelda is frustrated and depressed, convinced she will never be enough to win the love and praise of her father. On a certain level, being "cultivated in captivity," being forced to live under careful observation, with a clear purpose and clear, unshakeable expectations, killed both link and zelda. link literally died at the hands of the calamity, and zelda killed her adventurous spirit and scientific curiosity in an attempt to conform to her father's expectations. when zelda, in the japanese version of the game, muses that the princess may be destined to become extinct, she is expressing kinship with the flower, believing that she, too, has no meaningful future since she can't conform to the expectations her father and her kingdom have for her. She essentially feels that if she can't be useful "in captivity" there is no way for her to live in this world, and that the only other option is "extinction."
Her more optimistic english monologue, however, is closer to the truth of the silent princess's resilience. While we know that the princess was in dire straits a hundred years ago, post-calamity hyrule sees many of the flowers taking root, often in places that were once highly-populated but have since been abandoned. what we find in a post-calamity landscape is that the silent princess, once thought to be unsavable, is THRIVING in this new world, having been released from the expectations and interference of the people trying to cultivate it. Again, this is symbolic of link and zelda: in a post-calamity landscape, we see link begin to find his voice. we see his personality begin to return--he cracks jokes, he laughs, he cooks, he takes photos, he makes connections, he buys a house and decorates it. He thrives in a world where he is not confined by the pressure to be perfect, to grow in the way that others expect of him. the silent princess can't grow in captivity, but it CAN thrive in the wild, free of outside influence, allowed to just BE.
Also worth noting that there's a side quest in botw which involves a legend that if you swear your love on a freshly-picked silent princess, you and your partner will "live a charmed life." there's definitely something to be said about The Zelink Flower being the subject of a romantic legend. but that's not actually the point of this post. anyway
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stsghrs · 7 months
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an old married couple satosugu fic where they visit the jujutsu high and tell everyone how their teachings are wrong, how "back in the day we were the strongest...", and are generally just annoying old grandpas, but we know everyone loves and respects them
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naturecalls111 · 8 months
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Wish I never had to sleep I wish I could just stay awake all the time and do nothing but draw and had no responsibilities
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follineo · 15 days
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please, don't give me a chance to draw after watching anything. I get fixated on one two characters and several pages of sketchbook will turn into sketches of him
I wanted to draw Maximus, but in the end…. INCIDENTALLY… I make a page with Thaddeus
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meow (Since I'm not sure if the detail is a spoiler or not, I've hidden it)
And, of course, I had to try to draw the Ghoul. I'm still probably not the best at it, but I enjoyed painting him
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I mostly drew them from memory while sitting in class to pass the time.
Someday I will definitely learn how to draw ghouls... but okay, who am I lying to? One day I'm gonna learn how to draw real people.
Well now I have to draw something other than sketches… Right?
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maxphilippa · 6 months
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Finals start today.
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always late to the party but hey! look! daildy dads content but halloween content. mic is like... 8 years old here. Based on a Jack Stauber thing.
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oceanwithouthermoon · 3 months
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THE FACT THAT THE ONLY INSULT SHE COULD THINK OF FOR HIM WAS THAT HES QUIET AND GLOOMY, AND SHE HAD TO LIE ABOUT THE REST OF IT..
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brookheimer · 11 months
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i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
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front-facing-pokemon · 10 months
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zukkaoru · 1 year
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sorry i'm thinking abt megumi's incessant desire to be the first to die vs. the narrative keeping him alive despite and how the most tragic ending for him is not actually dying, but being left behind. for megumi, the worst fate is living a long life
#megumi growing up assuming he will be the first to die out of those he loves#bc gojo is the Strongest and tsumiki is a non-sorcerer so they should both be Safe while megumi is just. megumi#vs megumi at 15 having lost tsumiki gojo nobara nanami etc etc and knowing it's only a matter of time before he loses yuuji too#megumi not knowing how to be the survivor because he never thought he'd live long enough to have to say goodbye#also sometimes i think abt that post that was like... remember in thg how katniss' motivation for Everything is saving prim?#and then prim still died at the end because the world they lived in could not allow someone so good to live? it could not allow#katniss the One thing she wanted most#yeah so like. everything megumi is doing and has done has been for tsumiki. it's all been for her#but the world they live in is cruel and tsumiki is too good of a person#and when has megumi ever been granted anything he's wanted? why should the world allow him his one biggest desire of tsumiki's safety?#and what is megumi supposed to do when he outlives the one person who has been by his side - the one person he wanted most to save#how is he supposed to live a long life when everyone he cares about is gone? how is he supposed to care about new people?#what's that one quote that's like. a son or a husband can be replaced but who can grow me a new brother#no one can replace tsumiki. megumi cannot find a new sister#yes losing gojo and yuuji would be devastating. but at the end of the day megumi has known yuuji for only a few months#and gojo was already a replacement for his father#tsumiki has been with him longest and she's always been megumi's main motivation#she's the reason he didn't go to the zenin clan. she's the reason he was trained by gojo. she's the reason they're all in the culling games#trying to fix it from the inside and running on a time limit#and what happens if he CAN'T save her. what happens if. like katniss and prim. despite EVERYTHING. tsumiki still has to die#THIS IS ALL BECAUSE OF TSUMIKI#BECAUSE MEGUMI WANTS TO SAVE HER#DO YOU UNDERSTAND!!!!! DO YOU UNDERSTAND THE TRAGEDY IN BEING ALIVE WHEN EVERYONE ELSE IS GONE!!!!!!!!!!!!!!!!!#sorry i'm not normal about fictional sibling dynamics. btw if you even care#hello grace here#jjk spoilers#update i just realized it's not even 7am. as you can tell i'm having a great time today
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