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welcometothejianghu · 5 months

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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 절대 그이/My Absolute Boyfriend

My Absolute Boyfriend is the 2019 Korean live-action adaptation of the Watase Yuu manga "Absolute Boyfriend." (There are two other adaptations, one Taiwanese and one Japanese.) It tells the story of a woman who has just broken up with her celebrity boyfriend, and the robot who becomes a real boy by falling in love with her.

(And yes, the reason we started watching it was because of Yeo Jingoo, since the tantalizing prospect of "that guy who played Han Juwon, playing a robot boyfriend" was too amazing to pass up.)

I need to note right off the bat: I am not usually a consumer of bippy k-dramas, romcoms, or het romance in media in general. No shade to anyone who likes these thing; they're just not my regular cup of tea. So if your tastes are akin to mine, you may have looked at the poster and been like, hm, no thank you.

Thus I am here to try and sell you on it even if you are not a fan of these genres.

This show is so unwatched that (as far as I can tell) there is nothing for it on AO3. There are a mere eight hits for the manga, Zettai Kareshi | Absolute Boyfriend, but there's nothing at all for this adaptation. This is an absolute crime, for reasons I will detail in the forthcoming five reasons to watch (above and beyond the simple pleasure of watching Yeo Jingoo be a handsome goober, though that remains a serious point in its favor):

1. Balls entirely to the wall

You know those Tumblr posts where someone comments and is like, at no point could I have predicted what the next word in that sentence would be? Yeah, that, only the sentence is the show.

This show is absolutely bonkers. It is absolute storytelling mayhem. It is gleefully head-clutching weird. Someone told it that girls like exactly three things -- cute boys in adorable outfits, cute boys with their shirts off, and cute boys in Situations -- and it is ready to deliver.

I could tell you what the plot of the show is, or at least I could try, but that wouldn't convey the sheer volume of shenanigans it gets up to. I feel like every time it had a flashback montage (set to one of its six licensed pop songs), I was like, oh yeah, that happened.

The thing, too, is that it's so self-aware. This show knows precisely what it is, and it's having fun with it. The acting is often melodramatic, but obviously very consciously so. I'm not going to say the show never takes itself seriously (because it does -- see my point #5), but it never doesn't know exactly what it is.

Browsing the MyDramaList page, I can see that a lot of viewers had lukewarm feelings on the show as a whole. (Normally I don't make the mistake of reading the comments, but since this is such a non-property in English-speaking fandom, I had to go find out what the hell.) And yeah, I can imagine that if you came into this expecting a more straight-faced entry in the genre, what you get could be confusing and alienating.

If you watch this, take off your nitpicker's hat. There are many, many points that do not make sense. Just go with it. Let the cute boys take off their shirts. Kiss a robot. Embrace chaos.

2. A++ Girlfriend

Eom Dada is great. She's just so weird. I love her and I absolutely understand why those two boys want to get with her.

She is a special effects makeup artist who runs her own three-person team that specializes in sci-fi/horror properties. One of the first things we see her doing is mixing up a bunch of different types of fake blood, because, hey, a lot of different stunt people are going to die today, and you can't just use one type of blood for everybody!

She is a dadgumn professional, is what she is.

What she isn't, however, is a pick-me, not-like-the-other-girls girl. Several times, she gets dressed up real cute and femme, and she never expresses negativity toward her more girly-girl friends. It's not that she's rejecting femininity so much as that her vision of femininity is big enough to include creating beautiful fake severed body parts. When someone describes a female character as "quirky," I cringe reflexively. But that's what she is! She's got quirks! She's a nice, normal girl who is also a big weirdo.

Since I did go read the comments, I found out pretty quickly that a lot of viewers hate her. Part of this, I'm sure, is just your generic vitriol you see aimed at any woman in a show, because holy fuck, we sure do hate women.

But I think part of it may come from how she's not asking "how high?" every time those boys tell her they'd like her to jump. There's some real viciousness out there toward women that turn down men, epecially from other women. Without getting too much into psychoanalysis about it, an awful lot of hate gets directed from other women toward the female ex-/partners of desirable men, much of which comes from the terrible assumption that if you were in her position, you'd be appropriately grateful! You'd treat that boy right! That lucky bitch doesn't know how good she's got it!

...You see how that's bad, though, right? Like, really bad and toxic?

Eom Dada tells those boys "no" when she doesn't want what they're offering. She's realizes early on that setting yourself on fire to keep your partner warm is terrible, so she stops. She's going to make them wait until she wants it -- and if she never wants it, well, those boys just get to keep right on waiting!

Read me loud and clear: I'm not saying the only reason to dislike Eom Dada is misogyny. Sometimes you just don't like a character! It happens! It's legal! What I am saying, though, is that when you look at a lot of the hate toward her all at once, certain trends emerge, and they're more than a little bit ugly.

And I think that's unfair because she's an absolute pumpkin who deserves all the smooches and spicy noodles she wants.

3. ...Are they gonna kiss?

And by "they" here, I don't mean Girlfriend and Robot Boyfriend, who obviously smooch. I mean Robot Boyfriend and Ex-Boyfriend.

They hate one another! They make heartbreaking sacrifices for one another! They're vicious rivals! They team up to solve mysteries! They're incredibly suspicious of one another! They trust one another completely! What the actual hell is going on with these two? Because oh boy, the show itself sure doesn't know.

Their relationship yo-yos constantly throughout the length of the series. They're never friends, but they get weirdly close on several occasions, including rescuing one another from terrible predicaments. They also both seem fascinated with each other, above and beyond how they're competing for the affections of the same girl. The actors have some solid chemistry (much of it comedic) in their shared scenes. They're certainly not afraid to get right up in each other's personal space.

This isn't queerbaiting, it's not using gay as a punchline, it's ... something, that's for sure. And by that I mean, I don't know if I've ever seen a more powerful vindication of the principle that the optimal solution to every love triangle is a threesome.

This to me is one of the flaws of the show, that it has decided it must never acknowledge the strength of their independent bond outside of its place in the central love conflict, and to keep from doing so, it keeps nuking Ex-Boyfriend's character back to square one. He learns about love and trust and growth! ...and then we need the plot to have a which boy will she choose??? conflict, so he's got to unlearn all of that real quick so he can be a real dillhole again. If it didn't feel obligated to do that, things would get sexy fast, I'm just saying.

Here is the main reason I'm baffled that I'm getting no AO3 hits for this: These three would be one hell of a throuple. Where are my bisexual horndog fix-it fics where all three of them wind up sharing Ma Wangjoon's comically large bed?

4. Weirdly healthyish messages about romance?

I mentioned earlier that het romance in media is not my thing, and one of the main reasons it's not is how many just gross messages it delivers about normative gender roles and behaviors.

This show absolutely starts that way. Robot Boyfriend is raised on all your classic romcoms and taught that love is all about giving everything with no concern for your own well-being, while at the same time overriding all your partner's objections because you know what she really wants. When he first latches on to Eom Dada, he's kind of your classic overbearing comedy stalker who doesn't take no for an answer, because True Love.

And then ... he changes. He realizes that his romcom education is not going to help here, so he decides to figure out what kind of boyfriend she actually wants. Once he does that, he starts to figure out that he wants to be loved too. And that's when things get interesting.

He never stops being pretty forward about things, but it becomes far more playful when he's not pressuring her, just reminding her that the offer is still on the table. Eom Dada then responds by becoming clear about how she definitely wants to take this boy out for a spin -- just at her own pace, when she herself is ready for it.

It makes an interesting contrast to how, when she was with Ex-Boyfriend, all she wanted was for him to acknowledge her (which he wanted to do too, but couldn't, for absolutely bonkers reasons, because this show is just Like That). The two of them are still in love, but the show makes it clear that being in love doesn't mean you're going to be good together -- and it doesn't mean you have to forgive the bullshit your ex-partner pulled back when you were together.

But the love triangle isn't even the sole source of romance! There's a whole 'nother love ... triangle? quadrilateral? Whatever, you've also got Robot Boyfriend's charmingly goofy MIT-educated co-creator/trainer/big brother, who becomes the object of affection for at least two of the supporting characters.

My take on this is that Handsome Robot Hyung deserves the whole harem: the boss lady who can pick him up, the cute thirsty girl who does yoga, and the sweet gay-coded boy who is so impressed that he knows robots. (This is another tragic casualty of the NO HOMO attitude of the show, where that boy should be treated as a legitimate love interest, but can never be. But we know better!)

I'm used to seeing love triangles solved in one of three ways: 1) one point on the triangle gets demonized so significantly as to make the other one the obvious choice; 2) the eventually unchosen point gets given a Consolation Prize Significant Other so we don't fell too bad about how they didn't get chosen; or 3) one point dies or is otherwise removed from the narrative, letting the other two hook up without guilt. None of those things happen to either of these love polygons. Despite some genre-appropriate catty, melodramatic speed bumps, everything gets resolved in the manner of adults with reasonable amounts of emotional maturity. It's weirdly kind of nice.

(This isn't to say there's no toxic bullshit that slips in -- for instance, I still don't know what to make of that one arguing couple, or what Robot Boyfriend says to them. It's just much less than I expected.)

Your mileage may vary about the choices the show makes at the very end. It's not how I would have ended it, sure, but I also don't think it could have ended any other way -- remember, this is a show that never forgets what it is. It is contractually obligated by its genre conventions to keep certain narrative promises. If anything, I think it's interesting how much it feels it can get away with leaving hopeful yet unresolved, up to and including how many people are still comfortably single at the end of the show. Partnered romance isn't always the solution to everything! Sometimes you've got your career and you've got your friends, and now you've got some time to work on yourself! Maybe it won't always be that way, but it sure is right now. And that's great.

5. A surprisingly sophisticated meditation on memory and mortality (say that five times fast)

Real talk: In the past four months, I have lost a lot of people, places, and animals who were very dear to me, and had some close calls with a couple more. It has sucked exactly as much as you think it has.

So yeah, in the last few episodes, I blew through some tissues.

To a certain degree, it's exactly the kind of melodramatic tearjerker narrative you'd expect from a property like this. And let me tell you what, there is nothing wrong with getting a good, sappy cry going because of the overwrought dramas of fictional people. There are plenty of objectively mediocre shows and movies I put on because I know I'm going to be a blubbering wreck by the end.

This show, however, has the extra layer of interest that Robot Boyfriend is both Boyfriend and Robot. I don't want to spoil anything, but I will say that having a guy designed to be reformatted every time a new person smooches him adds a whole lot of interesting layers to what counts as death and mourning.

Add that to how Eom Dada is still grieving the loss of her beloved father, who taught her everything she knew about her career, and you get some surprisingly moving little moments that creep in through the wacky hijinks that make up the rest of the show.

Look, it's nothing I'd ever teach in a Philosophy seminar, or anything so profound as that. But it's quiet and nice, and it has more depth than I expected, and it all hit me right in my tender little feels box. If that's the kind of thing you're open to, you could do a lot worse.

Thinking about giving this one a shot?

Viki's got the series in its full 40-episode run. (It's actually 20 hour-long episodes split in half because of commercial break rules, if you're wondering why it's sometimes Like That.) So does Tubi. I guess your choice then becomes which one's ads you'd rather sit through.

I think if you go into this with the attitude that you're just going to go with it all and laugh at how zany it is, you're in for a fine time. Whether or not you think it's good is up to your standards of quality. But it's hard to deny that it's a whole lot of fun.