#actually. shipping is still kinda important to me

[antimony-medusa]

*I emerge from several weeks of talking about conceptualizing my cubitos and who else populates their world and what the precise nature of the character is* Hello. Hi. It's time for my twice-yearly thoughts on RPF.

Okay so I was one of the people who was emailing Ao3 about it when we had all of MCYT wrangled into VBRPF going please please please please can we have our own server tags pleeeeeeease I promise it's not just video blogging rpf pleeeeeeease my streamer doesn't have wings in real life pleasssssseeee— and my general stance is that writing about Dream SMP characters is writing about characters, it's not RPF.

Not quite. It's not quite RPF. There is a meaningful distinction there, but it's not a really huge one. That distinction exists and is important to me in how I conceptualize those characters and whether I'm mentally going "okay I need to study lore streams for vocal patterns" for voice research or if I'm going "okay I need to pull up technocord logs " to get techno voice right. What I consider the authoritative canon "character" is a rp guy who spawns withers, not a real streamer in california with a little white dog.

But like I do multifandom exchanges and I wander into them with my cubitos clutched tight in my palms, and I see what other fandoms look like— and importantly, I see what other rpf fandoms look like— and guys, I think that line is legitimately blurry and I think that's literally fine. If I walk into a mulltfandom space with my guys they're going to squint at me and go "rpf fandom— kinda, I think" and I can go "hahaha, not quite", but also I do not blame other people for thinking this is RPF cause like— there are a lot of similarities!

What MCYT tends to classify as "RPF" is directly stories operating in a world where the characters are streamers, they post on twitter, they have lunch with the CEO of twitch. And anyone not writing that, is obviously not writing RPF. And that is not untrue, up to a point, but there is a broad category of fics that tend WAY harder into the pure fictional that are still considered RPF fandoms, if you actually check what other RPF fandoms are doing. There are 599 works in "Demon Shane Madej", many of which are in AUs that have no connection to the real world other than the character relationships, and they're still officially considered RPF.

I have a friend who's in a c-drama rpf fandom that has a rpf ship they really like, and a really popular thing is to take the various characters these actors have played (totally fictional characters from various media) and ship them together. And that's just a crossover of two fictional mediums, but because the thread connecting them is two guys in real life, that's considered RPF.

The banddom tags are absolutely COMPLETELY full of aus that are not set in the real world at all, no connection to the music industry, and what the people in those fandoms will say is like yeah, I have no idea about the real guy, I'm working with a character/persona who's put on for the stage and interviews and personas, and that guy is not REAL, who knows what the real guy is like, but like, I like the persona, I deal with the persona, and then they put that persona in an au where he kisses other personas— and this gets considered RPF.

Wrestler RPF is directly dealing with invented characters who are beating the bloody snot out of each other (hot), they have names like "the undertaker", dealing with scripted storylines, but it still get considered RPF.

And like, I look at myself as I am entering my fourth year of writing Technoblade most of the time, and what I'm doing here and— there are a lot of similarities in what I'm doing to what other RPF fandoms are doing. I'm a fan of the DSMP character but I'm also a fan of the guy, so I want to play in this extended universe, so I want to include nods to his other stuff. So I will pepper in a cheeky nod to the potato war here, I'll mention hypixel there, etc, kind of make an extended Technoblade universe. And I think that's not RPF (quite) because I'm working from a fictional canon that includes references to the potato war and hypixel etc, I'm just expanding on it, but like, this is literally what my friend in c-drama rpf does as well when she's writing aus about her guy. It's kind of close to RPF. That line is not really obvious to the casual viewer.

So I do not blame anyone else if they look at what we're doing and they go ah, nods wisely, you are a rpf fandom, I've seen this before, and we go um actually, hahah, you'd think that, but no, and then they nod and clearly do not understand how it's not a RPF fandom.

But the thing is it's literally fine if people think that, I think. RPF is not the end of the world. It's just a bunch of people working with people's various performancesonas and worksonas and having fun with it. Spoilers for mythbusters in the real world, but we now know that by the end of mythbusters adam and jamie were not really friends, but most of the mythbusters rpf keeps them as friends because that was the professional persona they provided for the camera, and that was the fictional world the writers wanted to live in. I don't think it's a problem if someone wants to write straight up streamer fic, you do you, and that's unequivocally RPF, but once you start getting into AUs and extended universes and bringing emduo content into qsmp and writing fic based on GIGS streams, the line legitimately gets WAY more blurry.

I think a bunch of fic (including my fic) can start to exist in a "both things are true" state where it's drawing from direct fiction but it's also drawing from a lot of stuff that other fandoms would consider RPF sources, and like, I don't mind this. I don't think it's bad if you're doing this too. We're not getting more DSMP content, the fandom police are not gonna turn up at your house if you want to pull strongly from minecraft monday for your fic. Do schlackity on QSMP. Do a DSMP extended future where tommy gets tubbo to marry him for a bit and then tubbo immediately demands a divorce. The canon of material we have to draw on is not something where big obvious lines exist between "rpf content" and "pure fiction" if you step at ALL outside of canon-compliant. Like fuck, in my very first DSMP longfic I included all these hermit cameos and mcc references which would make it RPF in any other canon, but also I was pulling strongly from the prison arc lore and beats and relationships for the core, which is NOT rpf, and at this point it is not worth the hassle in my head to draw a strong distinction between them.

It's kinda RPF. It's not quite RPF. It's fictional. It's based in the real world. It's all personas. it's drawing on off-lore-stream dynamics. It's drawing on scripted scenes where my streamer had his camera in lore mode. It's COMPLICATED to unpick and I legitimately think that's fine. RPF is literally fine, some people are gonna think we're writing RPF, it's not the end of the world. Just have fun with it.

#fandom meta #dsmp

[wp100]

god i miss my obsession with heroes of the storm. i had whole entire headcanons for all the blizz characters and their interactions existing in the nexus. they lived in my head rent-free

i fucking shipped raynor and diablo (Seriously, no joke lol)

#bro i would just ship anything #i still do ngl #actually. shipping is still kinda important to me #gets me through the rough patches sometimes #ramblings #I FORGOT THIS WAS SUPPOSED TO BE A DIABLO THIRST POST BUT ENDED UP TALKING ABOUT HOTS INSTEAD #I just miss this game #i played in strictly AI mode with AI teammates #then they ruined the ai teammates and made them so brainless so i stopped playing #and lost interest #grinding the skins and gold was a pain too. it's very slow with AI games #games in maintenance mode. it sucks because it is a fun game #blizz's core audience just isnt into the MOBA genre #if they wanted to play MOBA they'd play league. but they wouldnt because they like Blizz games #I liked HoTS. yeah sure it's a moba. but it's blizzard's take on one #and i like blizzard's characters #im attached to them... i cant get into new ones anymore it's hard #hots

[fenixburned]

new german r.apunzel version has dropped & naturally my christian muse is LIVING 🥹🥹🥹

#tbd #I love the trend of having rapunzel & the prince meet as kids tbh 🥺 #also I’m very attached to christian as the second son but the prince literally having to climb a tower for his claim? UFFF #also rapunzel actually having magic? 👌🏼👌🏼 #& my son finally got a funny sidekick 🥰🥰 #I also kinda ship them but whatelse is new dhdjjzzjjzj #the way he’s leading him around when he’s blind has me 😭😭😭 #overall I love that the blindness part gets more screentime it’s important to me ok?? #<< edit: ok not as much as I hoped but STILL :’))

[yusukenui]

aether is the doormat twin if anything, argue with the wall

#from the drafts #this is purely shower thoughts but 😭 #mainstat def aether vs atk lumine is actually so important to me #because it honestly sets a path for me to characterize them since canon gives us the same lines for whichever twin u chose #aether has that... younger even if by a minute energy. the energy where hes kinda aloof and sociable but still a bit of an awk kid #but lumine has the kind of stubborn daughter energy. where she just goes head first into an issue and just plans from there #i feel like current traveler interactions are more accurate to lumine than to aether because theyre only now starting to become more_ #- passive aggressive #aether would take it reluctantly without voicing annoyance vs lumine that does get the job done but id bitter about it the entire trip #another thing i really like :( is those showcase videos where they put the twins fighting styles overlapped #and the way that they fight covers for each others gaps :( #where lumine goes in ruthlessly and aether covers for her weak points... their dynamic as siblings is SO important to me #i wish there were more backstory to them more of when they traveled other worlds more from when they were twin starts... anything!!! #their characters are so neat but quest wise we dont even have crumbs where threading w cells dawg 😭 #anyways #genshin impact #i want u to know that the thing thats got me thinking about them rn is how i got xiao x aether as my assigned ship in that one buzzfeed #quiz #and i was like... xiaoae works but i dont see them being anything with lumi #and now that we're on that topic #i feel like a lot of traveler x character ships work with aether and not with lumine or they have a completly different dynamic #based on... well basically everything said earlier about their dynamics as siblings #xiao and lumi would never work because for lumi finding aether has no rock that will be left unturned #xiao has a duty with liyue... if lumi has to turn to darkness to save aether she will do it and she will not take betrayal lightly #aether would understand xiaos duty to liyue... he has a duty with lumi afterall. he bargains. #lumi on the other hand rejects #doormat dynamics 😃👍 #i have two more drafts to make before the coffee wears off 😮‍💨👩‍❤️‍💋‍👩 #this is in the queue as well LOL

[grandmofftarkinsuggestions]

sometimes...... legends canon star wars..... is worse.

#sw #death star novel #i'm most of the way finished with it and dear g-d. #do ya'll seriously like this novel??????? #i need to know what the actual ultimate end-all-be-all daala x tarkin book is bc it is not this one surely. #she's barely in it! she is just here to be his yes man and have a few cute moments with him and that's it. #she is meant to be the main investigator for the mysterious ship explosion that happened but then she retained #memory loss of the past six months after some brain trauma caused in a fight. and then she got shipped back off to the maw. #like any agency and importance she had as a character besides being an emotional base to tarkin (who is also barely in it) #was rendered utterly and totally useless. like she doesn't matter at all besides a few hey we totally care about giving tarkin an arc #/lying moments from the authors. like? they don't even actually utilize her as a tool to uplift tarkin's character arc. she's basically #just there for the investigation (which is now a fridged plot point? i'm assuming that's that on that for its importance to #the story bc she was the only one who knew anything about it and her memory got fucked) and they immediately threw that away #bc it wouldn't fit with anh plotwise and her injury was used for like. two or three scenes of tarkin being kinda nervous. #that's it. like the writers obviously don't care about tarkin and it's killing me bc he is objectively one of the most interesting #characters in the death star novel's mile-long cast of boring apolitical straight couples. #also they make tarkin and vader mildly irritated with each other. even when this book came out (mid 00s) vader and tarkin #were still canonically friends. like in anh. the first movie. the movie that the rest of either canon is based upon. #but whatever! i hate when sw authors ignore canon just bc they personally don't like tarkin like shut up! #get somebody who does like him to write him for g-d's sake. #and that's not even really touching on just how misogynistic this book's writing of every single female character is lmaooo #like daala is the best written woman in it imo and i just ranted about how they used her exclusively as a crux to tarkin's emotions. #insane that she didn't have a first name for over 20 years. that says it all right there.

[creature-once-removed]

.

#I am so tired of people not being able to wrap their head around how dramaturgy works #I am so tired of people jumping to extreme conclusions #as someone who is becoming more and more involved in actually learning how writing in tv and movies works #I am so fucking tired of people mixing fanfic style structure and dramaturgy with original narratives #also I would give a kidney for people to stop judging media through the shipping lense #shipping centric fanfic has done so much damage to the way y'all interact with stories it's unsettling #there's reasons why fanfic is fanfic and original media is not. both are valid both have their niche to exist in #but they do not play by the same rules. that's why they're different from one another #(yeah this is about stranger things but it's not the only instance. this is something that happens more and more and it sucks) #(it makes me furious how many important aspects of storytelling are completely disregarded in fandom discussions) #(a lot of it might be because people don't know? #because it's kinda hard to see the mechanisms when you've never had a look behind the curtain?) #(but that doesn't make it any less frustrating) #(you guys are so hell bent on hating on creators it's terrifying. like do you not realize 'don't put people on pedestals' applies here) #(do content creators make stupid decisions? hell yes! is there some truly awful media out there? definitely!) #(is some of it really harmful? of fucking course!) #(but still these are people writing that and you need to consider not everyone has your brain) #(not everyone comes from the same mental map as you) #(also nothing will ever hold up to the flawless interpretation you have in your head. that's just not how it works) #(and it never will be) #(learn how to critically engage with media you like. that also means considering other nuances you didn't see) #(or didn't want to see) #(you have absolutely every right to be upset and angry and disappointed and all that) #(and of course you should point out dubious choices or tendencies) #(but if media is going to hold any kind of enjoyment for you) #(ESPECIALLY sequels) #(you need to also give benefit of the doubt. suspension of disbelief. 'not what I imagined but Imma read a fix it' mindset) #(especially if the thing you're criticizing /is not finished/) #(almost all of those 'plot hole / everything wrong with' posts about st vol 2 are so so easily rebuffed) #(shit I've run out of tags. whatever I guess you get my point. hopefully)

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

#hanamusa #hanamusashipping

[5ummit]

AO3 Ship Stats: Year In Bad Data

You may have seen this AO3 Year In Review.

It hasn’t crossed my tumblr dash but it sure is circulating on twitter with 3.5M views, 10K likes, 17K retweets and counting. Normally this would be great! I love data and charts and comparisons!

Except this data is GARBAGE and belongs in the TRASH.

I first noticed something fishy when I realized that Steve/Bucky – the 5th largest ship on AO3 by total fic count – wasn’t on this Top 100 list anywhere. I know Marvel’s popularity has fallen in recent years, but not that much. Especially considering some of the other ships that made it on the list. You mean to tell me a femslash HP ship (Mary MacDonald/Lily Potter) in which one half of the pairing was so minor I had to look up her name because she was only mentioned once in a single flashback scene beat fandom juggernaut Stucky? I call bullshit.

Now obviously jumping to conclusions based on gut instinct alone is horrible practice... but it is a good place to start. So let’s look at the actual numbers and discover why this entire dataset sits on a throne of lies.

Here are the results of filtering the Steve/Bucky tag for all works created between Jan 1, 2023 and Dec 31, 2023:

Not only would that place Steve/Bucky at #23 on this list, if the other counts are correct (hint: they're not), it’s also well above the 1520-new-work cutoff of the #100 spot. So how the fuck is it not on the list? Let’s check out the author’s FAQ to see if there’s some important factor we’re missing.

The first thing you’ll probably notice in the FAQ is that the data is being scraped from publicly available works. That means anything privated and only accessible to logged-in users isn’t counted. This is Sin #1. Already the data is inaccurate because we’re not actually counting all of the published fics, but the bots needed to do data collection on this scale can't easily scrape privated fics so I kinda get it. We’ll roll with this for now and see if it at least makes the numbers make more sense:

Nope. Logging out only reduced the total by a couple hundred. Even if one were to choose the most restrictive possible definition of "new works" and filter out all crossovers and incomplete fics, Steve/Bucky would still have a yearly total of 2,305. Yet the list claims their total is somewhere below 1,500? What the fuck is going on here?

Let’s look at another ship for comparison. This time one that’s very recent and popular enough to make it on the list so we have an actual reference value for comparison: Nick/Charlie (Heartstopper). According to the list, this ship sits at #34 this year with a total of 2630 new works. But what’s AO3 say?

Off by a hundred or so but the values are much closer at least!

If we dig further into the FAQ though we discover Sin #2 (and the most egregious): the counting method. The yearly fic counts are NOT determined by filtering for a certain time period, they’re determined by simply taking a snapshot of the total number of fics in a ship tag at the end of the year and subtracting the previous end-of-year total. For example, if you check a ship tag on Jan 1, 2023 and it has 10,000 fics and check it again on Jan 1, 2024 and it now has 12,000 fics, the difference (2,000) would be the number of "new works" on this chart.

At first glance this subtraction method might seem like a perfectly valid way to count fics, and it’s certainly the easiest way, but it can and did have major consequences to the point of making the entire dataset functionally meaningless. Why? If any older works are deleted or privated, every single one of those will be subtracted from the current year fic count. And to make the problem even worse, beginning at the end of last year there was a big scare about AI scraping fics from AO3, which caused hundreds, if not thousands, of users to lock down their fics or delete them.

The magnitude of this fuck up may not be immediately obvious so let’s look at an example to see how this works in practice.

Say we have two ships. Ship A is more than a decade old with a large fanbase. Ship B is only a couple years old but gaining traction. On Jan 1, 2023, Ship A had a catalog of 50,000 fics and ship B had 5,000. Both ships have 3,000 new works published in 2023. However, 4% of the older works in each fandom were either privated or deleted during that same time (this percentage is was just chosen to make the math easy but it’s close to reality).

Ship A: 50,000 x 4% = 2,000 removed works Ship B: 5,000 x 4% = 200 removed works

Ship A: 3,000 - 2,000 = 1,000 "new" works Ship B: 3,000 - 200 = 2,800 "new" works

This gives Ship A a net gain of 1,000 and Ship B a net gain of 2,800 despite both fandoms producing the exact same number of new works that year. And neither one of these reported counts are the actual new works count (3,000). THIS explains the drastic difference in ranking between a ship like Steve/Bucky and Nick/Charlie.

How is this a useful measure of anything? You can't draw any conclusions about the current size and popularity of a fandom based on this data.

With this system, not only is the reported "new works" count incorrect, the older, larger fandom will always be punished and it’s count disproportionately reduced simply for the sin of being an older, larger fandom. This example doesn’t even take into account that people are going to be way more likely to delete an old fic they're no longer proud of in a fandom they no longer care about than a fic that was just written, so the deletion percentage for the older fandom should theoretically be even larger in comparison.

And if that wasn't bad enough, the author of this "study" KNEW the data was tainted and chose to present it as meaningful anyway. You will only find this if you click through to the FAQ and read about the author’s methodology, something 99.99% of people will NOT do (and even those who do may not understand the true significance of this problem):

The author may try to argue their post states that the tags "which had the greatest gain in total public fanworks” are shown on the chart, which makes it not a lie, but a error on the viewer’s part in not interpreting their data correctly. This is bullshit. Their chart CLEARLY titles the fic count column “New Works” which it explicitly is NOT, by their own admission! It should be titled “Net Gain in Works” or something similar.

Even if it were correctly titled though, the general public would not understand the difference, would interpret the numbers as new works anyway (because net gain is functionally meaningless as we've just discovered), and would base conclusions on their incorrect assumptions. There’s no getting around that… other than doing the counts correctly in the first place. This would be a much larger task but I strongly believe you shouldn’t take on a project like this if you can’t do it right.

To sum up, just because someone put a lot of work into gathering data and making a nice color-coded chart, doesn’t mean the data is GOOD or VALUABLE.

#ao3 #ao3 stats #psa #my words #fandom #I doubt anyone is even going to read this but I needed to get it out of my system and at least try to stop this from spreading #if you know me #you know I get Big Mad about misinformation #don't take anything at face value #do your own research

[psychronia]

I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.

We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.

What's important here, though, is Zuko's introduction to the Southern Water Tribe.

Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.

Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.

He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.

Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.

And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.

And then...

He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.

And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."

This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.

It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.

Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.

And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys".

#avatar the last airbender #atla #you're not an imperialistic conqueror you're a BABY #a BABY BEAN #diffused tension #bad at being bad #can you imagine how horrible this would have played out if Azula was the one that came? #psychronia

[crumb-crumblet-s-crumbington]

yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

#mia winters #resident evil #ethan winters #mithan

[demonpiratehuntress]

Hi !!! Just found your blog recently- absolutely love how you write the comfort pirates :< !!🫶 if you’re open to requests (if not, pls ignore!! It’s not a need ^_^) would it be okay for strawhat and/or heart pirates (you chose which characters! Doesn’t have to be all) headcannons with a reader who losses their emotional support stuffie?

It’s not a big plush, a small one that could fit in your pocket- something simple and easy to hold or squeeze, but when they lose it they get kinda anxious :( they try to hide it from the crew tho, it’s pretty childish heh.. (and if it is, again no need to write agshdjfk)

Thank you!! Keep up the great work, and take care of yourself! Have a great night/day <3

thank you! you're so sweet <3 this idea sounds SO cute, i was definitely excited to write this one! I'm so sorry for the long wait, my laptop crashed and needs to be repaired so I'm doing all my requests on my phone which takes so much longer :(

taglist - @kabloswrld

plushie (Straw Hats + Law)

featuring - Zoro x F!Reader, Law x F!Reader, Usopp x F!Reader, Luffy x F!Reader, Sanji x F!Reader

summary - the ask above

warnings - none

ZORO

You panic, the anxiety of losing your comfort plushie too much for you to handle.

But you won't go to Zoro or anyone else for help, thinking that they'll just make fun of you.

Especially Zoro, he can be quite mean even unintentionally.

So you search all over the ship yourself, worry and fear steadily increasing.

You hoped and prayed no one else found it before you, because surely they would laugh at you and tease you to no end.

"Babe what are you looking for?" Zoro grumbles after a few hours of you refusing to cuddle him in favour of searching for your plushie. "And why is it so important?"

It helped you cope. With stress, with anxiety, with any problem you faced. It was comforting, and it relaxed you. Keeping it close made you feel secure, safe and sound. But you didn't tell him that.

You tried not to look too desperate, or else the others might ask you as well.

"This what you looking for?"

You almost died on the spot when you turned around to see your boyfriend holding your plushie up, a huge grin on his face.

"Zoro-"

"It's kind of cute, actually," he studied it. "But you have me, you know that right?"

You sighed and explained that this plushie was for when he was training, and you tried to get him to swear not to tell anyone but...

Zoro is a menace so he tells everyone.

SANJI

You know Sanji would not make fun of you for it, in fact he would probably think it's cute and compliment you and the plushie non-stop, but you still didn't tell him.

His compliments, although good-natured, would make you feel like a child, and you didn't want that embarrassment.

But searching for your plushie isn't easy, because the Sunny is huge.

So staying inconspicuous while looking for your comfort source is quite difficult, and there are moments when Sanji does suspect you're acting weirdly but you try to avoid him when he starts staring.

"Are you okay, my love?" He asks you every fifteen minutes, his concern growing by the second.

You laugh it off nervously, "Yes, love! Just making sure everything is clean."

At that point everyone knows something is off because who other than Franky and Usopp worries about the Sunny THAT much?

Eventually Sanji finds the plushie, but he's a bit confused. Is this what you're looking for?

To save you what he assumes would be embarrassment, since you haven't shown it to him before, he keeps it in your shared room and plans to ask you about it later.

When you don't find it by the end of the day, you feel like you want to cry. Your emotional support...gone. Just like that.

You don't expect to walk into your room and find Sanji sitting on your shared bed studying it curiously.

"Sanji," your eyes go wide, "Where did you find that?"

He looked up at you and smiled, "Under the bed! Is this what you've been looking for, my love? It's as cute as you are!"

You blush MADLY, walking over tentatively, "Please don't tell the others. They'll only laugh."

"I promise it's our secret," he grinned, then gave it back to you. "But love, you know you can come to me for anything, right?"

You smiled and nodded, kissing his cheek, relieved to have your plushie back with only one crewmember in the know.

LUFFY

You don't tell Luffy about your plushie because you're afraid he might steal it.

He's just childish in general, so you only worried about the others finding out.

When you lose it, you panic immediately thinking Luffy found it and took it.

Your anxiety worsened when you realised he might show it to the crew, because he hides absolutely nothing from everyone.

You can't ask him though...in fear of him not actually having it and then finding out.

Luffy doesn't notice your frantic searching, because of course he's too oblivious to.

You search every nook and cranny of the Sunny, dejection settling in when you still couldn't find it.

That is, until you walked in on Luffy holding it up while in the kitchen, and you thanked God that no one was around.

"Luffy!" You quickly grab it from him and cradle it against your chest protectively, glaring at him instinctively.

He pouted, "But it's cute! Tell me what it is, (Name), because it's almost as cute as you!"

You blushed, but told him anyway, "It's my emotional support plushie. But you can't tell anyone, Luffy!"

"But why do you need it? You have me!" He cheefully stated, theb frowned, "Why can't I tell anybody?"

"Because they will all laugh!"

He pouted more and agreed to not tell anyone.

You should have known better. He told everyone.

"LUFFY!"

LAW

Law already knows, sorry.

There is literally nothing you can keep hidden from this man.

But he pretends not to know, because he doesn't want to intrude on your privacy and he knows that if you wanted to tell him then you would have.

He also notices when you lose it and start searching the submarine whenever you could without arousing suspicion.

Bepo, Shachi and Penguin were nice but you knew the latter two would make fun of you.

"Are you okay, (Name)-ya?" Law's concerned voice startles you in the middle of turning your shared room upside-down in your desperate search.

You freeze, your eyes going wide, "Law-"

"You can tell me what you're looking for," he encouraged, "You can tell me anything, you know that."

You sighed and bit your lip, "Okay, it's this small, palm-sized plushie I use for comfort...I know it's childish-"

Law stopped you by holding something up - the plushie in question.

Your eyes widened, "Where did you- how- Thanks babe!" You smiled wide and reached for it, taking it gratefully and squeezing it to calm your nerves. "But can you please-"

"I won't say a word to anyone," he promised, sighing as he brought you close and wrapped his arms around you. "I know I'm not around as often as you'd like, but you still have me. You can still come to me. Okay?"

You smiled and nodded, "Okay."

"Good," he smiled and kissed the top of your head. "You're cute you know that? Cuter than that stuffed animal."

USOPP

Usopp, bless him, is the one who found your plushie before anyone else did.

But, curse him, he decided to withhold it until you asked for help finding it, because he sees how distraught you are and doesn't like it.

And he's sad that you don't trust him enough to tell him about it and that you don't trust him to have a mature reaction.

You look all over the Sunny, trying to be discreet so that no one asked you about what you were looking for.

And then you noticed the weird, hurt looks that your boyfriend was giving you, which made you frown.

Were you neglecting him in your search- no time for that, you had to find your plushie before someone else on the crew did, an outcome you dreaded most.

A few hours later, you were on the cusp of just giving up and sobbing, until Usopp walked up to you and handed your plushie to you.

"Usopp-"

"You could have told me," he frowned, "I would never make fun of you."

He started to walk away, but you stopped him.

"I know, I'm sorry," you sighed. "I just thought that it's so childish, I was too embarrassed to say anything."

"Well you shouldn't have been embarrassed cause it's not childish," he grinned, "It's actually cute and...oddly comforting."

"Right!" You smiled. "So you won't tell anyone?"

"Of course not! What do you take me for? I'm not Luffy!"

"Thanks babe."

#one piece #op #zoro x reader #zoro x you #roronoa zoro #one piece x reader #one piece x you #vinsmoke sanji #sanji x reader #sanji x you #usopp #one piece usopp #usopp x reader #usopp x you #trafalgar law #law x reader #law x you #monkey d luffy #luffy x reader #luffy x you

[loguetowns]

the one that (almost) got away

roronoa zoro x fem!reader

it takes him 12 hours to realize

3.6k words

a/n: ok listen, i think i started writing this like 6+ months ago and it’s just been sitting in my drafts bc idk how to commit to endings so y’all are gonna have to take this as it is. also i have no concept of how sailing works or how long it takes oops

9:00 pm

“y'know, there's really no point to a farewell party if the one leaving isn't there.”

you look up from your spot on the library floor. your eyes land on the green-haired swordsman leaning against the doorframe and you smile.

“i’ll be there in a second. i just have some more stuff to go through.”

zoro eyes the mess of books surrounding you, recognizing a few of nami’s atlases and robin’s textbooks. “you haven’t finished packing yet?”

“i’m mostly done. i’m just trying to decide which books i want to keep.” catching his eye, you joke, “why? you want me gone that bad?”

crossing the room, a scoff leaves his lips. nothing could be further from the truth.

“you got me. i am so sick of you,” he says with a grin. “can’t wait to get rid of the annoying librarian invading my napping spot.”

zoro plops down on the bench behind you, catching a whiff of your shampoo as he lies down. you sit with your back to him, sorting through your piles, but zoro can hear the smile in your voice when you speak.

“you’re such a pretender, eh?”

zoro puts on a look of overdramatic offense, a hand on his chest. “me? you’re talking about me?”

at his poor acting, you turn around. you rest your chin on the bench, your face so close to zoro’s that one could only describe it as a kissable distance.

“you act like i'm all in your space, but nami told me that you never used to spend any time in here at all!”

“pfft, why would you ever trust what that con artist has to say?” zoro pokes your forehead. “you see it with your own eyes. am i or am i not here every day?”

you purse your lips as you think back to the last few months; he’s right.

you’ve spent most of your days in the ship’s library, and zoro has almost always stopped by. in the beginning, it would be for a few minutes, but over the last little while, he’d be in here as long as you were.

zoro smiles as he watches you think, eyebrows furrowed as you replay the last few months in your head. little do you know that this is exactly why the library is his new hideout. watching your pretty little mind work — doing what you love, thinking and studying and reading — is a far better use of his spare time than anything else he could be doing.

“anyway,” he says. “i guess your silly star stories have been a good trade-off.”

now it’s your turn to be mock-offended.

“silly star stories? you’re the one who asked about the constellations in the first place!”

“only because you kept talking about these fictional gods like they actually did something important.”

“says the guy who's completely enthralled by hades,” you roll your eyes.

“king of hell, god of the underworld,” he grins. “that’s my kinda guy.”

zoro laughs when you shake your head at him. he’ll never tire of teasing you; you are far too adorable with your little sigh and a ghost of a smile on your lips.

“did you know,” he says with a playful look. “that you still owe me about ten more constellation stories? d’you think you could squeeze in one more before we head up?”

zoro smiles at you, and you can't help but smile back. 

you have so many treasured memories with zoro in this library; ones of just the two of you (him napping while you studied), ones with nami and robin (and sanji until nami kicked the boys out for their incessant bickering), and ones where the night listens in as you recite the history of the stars.

whether you were telling the story of another righteous deity enacting justice, or the tale of mere mortals who insulted the gods, zoro would listen with his eyes closed, lying across the bench as he is now, and you’d sit in front of him as you are now.

everyone’s waiting for you upstairs and you hate to disappoint, but some things are more important — like telling a silly star story to a silly swordsman.

“of course i can.”

12:00 am

raucous laughter and cheering that’s loud enough to deafen anybody; empty plates, once piled high with food, now scattered around the room; bottles on bottles of sake and rum and whiskey and every liqueur that one would hope to find on a pirate ship.

these are zoro’s requirements for a good time, and suffice to say that your farewell party has them all in spades.

zoro watches his friends’ tomfoolery from his spot at the table (currently, luffy’s trying to get franky to see how far he can slingshot him) when you plop yourself into the seat beside him.

“this,” you say as your arm knocks against his, “is the best party i’ve ever been to.”

zoro takes a swig from his glass, “you haven’t partied until you’ve partied with pirates.”

“seriously! you guys are insane!”

as if to prove your point, franky chooses that exact moment to show off a juggling sequence involving a barrel of whiskey, a giant potted plant, and a squealing chopper.

you gasp at the spectacle but quickly dissolve into laughter when nami saves chopper, and it’s with both awe and pure excitement that you turn to zoro. laughter is etched into your lips, your cheeks are flushed, and zoro can’t help but marvel at how you’re even cuter when you’re having fun.

“what, you’ve never seen a cyborg man toss a speaking reindeer in the air before?”

you nudge him with your elbow, “well, excuse me for leading such a mundane life where animals don’t speak and men don’t tinker with their bodies.”

“ah, but that’s where you’re wrong.”

you look at zoro quizically.

he takes a sip of his beer, “most men do tinker with their bodies.”

it takes you a moment to catch his innuendo and zoro roars with laughter when the realization hits you. embarrassment tinges your pretty face and you shove him with a loud “ew, zoro!” but he can’t stop cackling.

“you’re disgusting!”

you make to swat zoro across the chest but he quickly catches your hand. he leans in to waggle his eyebrows at you, “but i’m not wrong, am i?”

you groan loudly, which only makes him laugh again.

perhaps it’s the alcohol that let his inhibitions go, or maybe it’s the fact that he doesn’t have much longer with you, but when you hastily change the subject and there’s no longer a reason for him to still be holding your hand, he doesn’t let go.

when nami joins you two, his fingers slips between yours and to his surprise, yours do the same. sanji joins your threesome, then franky and robin, and in no time at all, it’s no longer just the two of you at the table.

but zoro doesn’t care.

drunk, carefree, and more content than he’s ever been, zoro closes his eyes and smiles. he lives in the moment, and in this moment, he’s happy — happy with a full stomach and a full glass, happy to be surrounded by his favourite people, and happy that, under the table, you’re still holding his hand.

3:00 am

“and what’s that one?”

hands swinging between you, you and zoro dodge the tide as you roam further and further from the thousand sunny. the sand is cool under your feet and the tide kisses your toes with each step. your other arm is stretched above you, pointing at a constellation in the distance.

“what is this - a pop quiz?”

you smile, “i want to make sure you don’t forget about my ‘silly star stories.’”

zoro groans, “has anyone told you that holding grudges isn’t healthy? keeping going and you’ll turn into a bitter old thing some day.”

you stick out your tongue, “you’re just afraid you’ll get it wrong.”

“wrong?” zoro scoffs. “i’ve gotten the past six right.”

walking along the beach, you and zoro fall in step with each other and your footsteps match the ebbing waves in perfect rhythm. you smile in his direction and his chest is flooded with a warmth that has nothing to do with the copious amounts of alcohol he’s consumed.

“alright, let’s see what we got here.”

zoro follows your gaze at the cluster of stars you’ve chosen, and he grins when he sees the constellation. “really? at least try to make this hard for me, please.”

his cocky attitude leaves you speechless, making zoro laugh. 

“you’re so annoying!” you shove him with your free hand and the force of his stumble pulls you along, and you shriek as he drags you into the ocean with him. he doesn’t let go of you, not even for a second — not when water splashes your legs, not when zoro’s pants get soaked as he spins you around. 

your laughter is warmth in its purest form, the kind that you can feel all the way down to your cold toes. when he sets you back down, you give his hand a little squeeze, to which zoro answers back with a tender smile.

now with wet feet and a distance between you that’s even smaller than it already was, zoro continues to walk alongside you.

“moving on from your pathetic distraction attempt,” — you let out a dramatic gasp — “i’ll tell you exactly who we were looking at.”

pointing at the starry zodiac sign, zoro speaks with complete confidence.

“virgo the maiden, otherwise known as persephone, wife and muse of the best god of them all, hades—”

“fanboy much?” you tease but zoro pretends not to hear you (the little tug of his lips tells you that he does).

“—who snuck her a pomegranate seed because he couldn’t bear for her to leave him.”

zoro puffs his chest with pride, relishing in this one niche study of which he is now an expert. it’s incredibly endearing how pleased he is with his answer and you almost feel bad for correcting him.

almost.

“good answer,” you grin. “but you left out the little detail about how she was kept in hell against her will.”

zoro gasps, “are you accusing my idol of being a kidnapper?”

“your idol!” your cheeks already hurt so much from smiling but another giggle slips out. “first of all, these aren’t my accusations. historians have told their love story this way for years—”

“slander is what this is.”

“—and secondly, why would you want to look up to hades? he’s literally the antagonist in every story.”

“he’s the king of hell! that’s so bad ass.” zoro winks at you, “don’t be surprised if you hear them calling me ‘zoro, king of hell’ some day.”

“what’s wrong, demon of east blue doesn’t go hard enough for you?”

embarrassment rushes to zoro’s face and he’s never been more grateful for the night. “who told you that? was it usopp or nami? i bet it was nami.”

“i might hold a grudge but i don’t snitch,” you flash a mischievous smile. “anyway, let’s get back to how you want to be just like devil who tricked a poor girl in returning to the underworld.”

“come on, can you blame a man for doing whatever it takes to stop his beloved from leaving him?”

it sounds like an innocent question — harmless banter, really — but something in the way he says it makes you stop dead in your tracks. a silence falls and in its wake, all you can do is stare at the man you’ve spent the last several months with, the same man that you have to say goodbye to tomorrow.

moonlight falls unto the both of you and bathes zoro in soft light. it illuminates his eyes and when you meet his gaze, you see a sense of longing there that you feel in your chest. a longing for what, you don’t know — or rather, you don’t want to know.

at least, not yet.

so you hold his hand a little tighter, and underneath the watchful eye of the gods and constellations, muster a smile,

“i guess not.”

6:00 am

if this was any other morning, zoro would be awake and working out already. he'd be done his fourth set of bicep curls or, at the very least, working on his form. he could even be in the middle of deadlifts (because he knows not to skip leg day), but he definitely wouldn't still be in bed the way that he is right now.

the thing is though, if this was any other morning, he wouldn't have you sleeping next to him, curled into him like you were made to be a perfect fit.

he's never been more glad to still be in bed.

your breath matches the rise and fall of zoro's chest, perfectly in rhythm with the waves outside his window and the beat of his heart, like the universe meant for all these things to be in harmony at this one singular moment in time.

your lashes flutter in response when he shifts his weight.

he takes a peek at you, “psst, are you awake?”

eyes still closed, you manage a noncommittal grunt but your body says otherwise.

zoro can’t help but smile as he watches you start to wake up. your toes wiggle beneath the covers and you rub your eyes before looking up at him with an adorably sleepy look that he would love to wake up to every day. 

if only he could.

you focus your gaze on zoro like he’s an anchor in a sea of slumber. the way that you look at him, as if he’s the only thing that you see, fills his chest with a golden warmth akin to the breaking dawn.

you offer him a soft smile, and zoro wonders if the sun knows that you glow brighter than it ever could.

“why are you up at this ungodly hour?”

he chuckles, low and tender, “’m used to it. i’m usually up by now.”

“freak,” you mutter. zoro laughs, and you can’t think of anything else that sounds more beautiful at six in the morning.

you’re not usually up this early but what you notice is that, at dawn, time has a habit of moving slowly. it’s as if the morning casts magic upon those who rise with the daylight — and you’re so thankful for that.

because if time moved any faster than this, you’d have to say goodbye that much sooner.

“are you going to miss us?” zoro puts his arms around you.

you murmur into his chest, “of course, i will.”

“who do you think you’ll miss the most?” 

you give pause and zoro’s almost certain you can hear his heart beating a little louder — he can definitely hear it. he doesn’t typically get nervous like this but, then again, nothing about the way you make him feel is typical.

you seem to have come to a conclusion because you look up at zoro and he holds his breath. 

“sanji.”

he blinks.

“wait, are you serious?”

you’ve never seen zoro looks so wonderfully scandalized before, and you burst into a fit of giggles. as soon as you start, he knows he’s been had. he scowls but only for a moment; for who could be upset in the presence of such twinkling laughter?

 “silly man,” you snuggle closer, "of course i’m not serious.”

“okay, good.” you can hear the smile in his voice. “i don’t know if my ego could handle losing to him.”

zoro holds you close, his thumb tracing circles on your skin. his movements are slow, steady, comforting — ‘round and ‘round, in the same spot, like he’s drawing an invisible mark that is only known to the two of you.

"but, you know,” you hum, careful not to disrupt the peace. “you wouldn’t.”

“wouldn’t what?”

“lose.” and after a beat, you quietly add, “you wouldn’t lose to anyone.”

and just like that, zoro’s on cloud nine, airborne and weightless. he’s always known that he has a place in your heart, but this is the first time that you’ve ever hinted about where that place may be. if he allowed himself to be hopeful, it almost sounds like a confession. 

but almost isn’t good enough for him. zoro wants more — wants to find out exactly where he belongs in your life, wants to know if he can make himself at home there. 

it’s a shame that he’s out of time.

you interrupt his thoughts with a whisper, barely audible above the sound of the ocean and his aching heart,

“will you miss me?” 

more than anything.

9:00 am

surely, zoro’s dream to be hades has been granted. otherwise, why would it feel like he’s in hell, standing on the deck, all alone and watching your dinghy sail away from the thousand sunny?

zoro’s had his fair shares of farewells while aboard the ship, and to be honest, yours wasn’t any more emotional than anyone else’s. you left with a smile as beautiful as the morning sun and with far less tears than he expected (which he’s thankful for because he would hate to see you cry). as far as bittersweet goodbyes go, yours was definitely more sweet than bitter.

and yet, here zoro stands, with a bad taste in his mouth that he can’t explain. he can still see you from where he stands, and watching your little boat in the distance is the only thing that seems to settle his uneasy heart. 

should he have bid adieu privately? maybe he should’ve left you with a memento of some kind? should he have done more than offer you a quick hug? was it his imagination, or did you hold onto him just a beat longer than you needed to?

zoro’s so occupied by these messy thoughts that he doesn’t even hear sanji approach him.

“well?”

startled, zoro can only stare at the blond cook. ignoring the dumb look on his face, sanji continues.

“what’d she say when you told her?” sanji nods in the direction of your boat.

“told her what?”

“that you love her,” sanji takes a drag of his cigarette, looking at zoro directly now.

he speaks so frankly, so matter-of-fact and candidly, that it takes zoro a second to really register what it is that he’s saying. 

he loves you.

and as soon as he thinks it, the truth comes barreling through all the doubts clouding his head. clarity floods his chest as he comes face-to-face with what his yearning, pining heart has been trying to tell him this whole time.

he loves you. he loves you. he loves you. he loves you. he loves you-

fuck.

he loves you.

and he never told you.

epilogue — 9:30 am

sails closed, your boat floats with the current and the salty breeze reminds you that your adventure with the strawhats has come to a close. compared to the never-ending bustle of the crew, it’s almost too quiet being at sea alone. the silence lends itself to your overactive mind, working full time to unravel the tightness you feel in your chest.

you’re lost in thoughts of what could’ve, should’ve, and would’ve been — so much so that you don’t even hear the commotion behind you. it’s not until you hear zoro call your name that you hear the frantic swimming and you whirl around.

“zoro! what-”

“can you help me first?” he splutters.

you pull yourself together long enough to run to the side of your dinghy, pulling a sopping wet pirate on board. zoro leans back, trying to catch his breath as you rummage through your things.

“are you crazy? do you know how far we are from the sunny?” you throw a towel over him before reaching for another. you start drying off his hair, frantically fussing over him.

“you think that just because chopper gives you the clearance that you can push yourself over the limit-”

“y/n.”

“this is why you’re always on house arrest! you’re actually insane, you know that?”

“y/n.”

“i know you work out, but for goodness’ sake, zoro, you’re only human-”

“y/n.” zoro holds your wrists, forcing you to stop with a start.

in all your worrying, you didn’t realize that you’d been gravitating closer to zoro until you’re staring into his dark, obsidian eyes. there’s clarity in the way that he looks at you. his eyes are shining with a fierceness that you’ve only seen in his worst fights, and you brace yourself for whatever comes next.

because you know that this will change everything.

“hades and persephone.”

“huh?“ you blink at him. “did you hit your head-”

“ask me if i think hades loved persephone.”

you stare into zoro’s eyes, desperation reflecting back at you. there’s a hidden question there and you understand immediately.

quietly, you ask, "do you think hades loved persephone?”

“i do,” he whispers. “i think he loved her and he would've been stupid to let her go.”

your breath catches. zoro places a hand over yours, surprisingly warm as his fingers find their home between your own.

the heavens watch on as the two of you finally open your hearts and give way to the stuff that myths and legends yearn for — a connection that can only be described as fated, destined, purely and resplendently magical.

the gods smile at the two lovers who find themselves falling into each other, laughing as you confess, over and over again,

i love you.

#zoro x reader #roronoa zoro x reader #roronoa zoro fluff #zoro fluff #one piece x reader #¡! ❞ [ fics ] #i know i just wrote a zoro fic BUT #this fic has been stuck in my drafts for too mf long #i didn't even proofread the epilogue bc fuck it #i just need her to go out into the world ok #i promise i will write non-zoro stuff soon #(maybe) #(jk i will)

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

#rain world #rw shipping #tagging that just cause this is explicitly about that even though I usually dont do shipping stuff #with that said i dont even think this particular interpretation of a possible dynamic needs to be romantic its just kinda #about companionship in general. companionship thats going to absolutely shred an already unstable slug emotionally but thats #the point. friendship and love in spite of the unavoidable ending #just noticed this is like 80% theme analysis and 20% 'these go together just trust me' #but also theyre both girls because i want them to and also because im channeling hornet from hollow knight #who made me so deeply ill that my rain world tags still havent outcompeted my Hk tags because i drew her so much. so so much. #hunter is hornet coded to me and artificer is like if angela and gebura from lc combined into a deeply fucked up ferret #also i did tag the poll because they kinda inspired this but also. i wasnt gonna put all this out here WITHOUT a readmore thats embarassing #but i guess this is propaganda for a ship already seen as popular but like... idk i think theres something to it even as someone #who did literally slap them together originally because they were both red slugcats i considered girls. predownpour so we didnt have anythi #anyway hi tag readers i have so much work to do im being bad by writing about gay slugs. i need to get myself together #its so late this might just be nonsense bwaaaaaaa

[youryurigoddess]

The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

#the good omens crew is unhinged #everything has a meaning #title sequence #angels everywhere #archangel fucking gabriel #gabriel’s statue #bookshop statues #statues update #ponte sant’angelo #let there be light #good omens analysis #good omens meta #bible fanfiction #yuri is doing her thing

[ell-does-stuff]

MAKING A BIG OL POST OF EVERYTHING I GOTTA SAY ABOUT THE NEW SPOOKY MONTH BECAUSE HOLY SHITTTT THERES A LOT

‼️‼️SPOILERS OBVIOUSLY‼️‼️

THE THIEVES ARE BACK WOOOOOOOO!! IVE MISSED THEM SM

also eepy lila

while gathering images for this ive noticed that the "pile of dexter" as im calling it is staring at the thieves the whole time they're in the attic (specifically fat thief)

is he somehow still alive???? just possessing a pile of dead doll????????

so cool to see the big ass spider get some actual relevance!! def gonna be important next episode for sure

ROSS'S DAD!!!!!!!!

also jaune is so pretty with her hair down like omggg... love to see her being such a supportive friend to lila as well

"are you throwing away dad's stuff mom?" WAAAAAA MY POOR BABYYY IM GONNA CRYYY

HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN HI KEVIN

theyre so me

DEXTERRRRJRJRJRHSHSHDBBDBSB!!+!!!!!(!!

"this cat looks sick im taking it to the vet" BULLSHIT i know what you are. 👁️👁️

DEXTER'S MOM!?!?????!?!?!?!?!!!??? i had no idea she would ever show up like wow i did not expect to see her at all

poor little babies and their lack of parents

ok sorry ik im joking here but MAN this scene made me feel bad 😭😭😭

THE FUCK.

pretty sure this dude is the same guy as the "costume bob" in the last episode??? i felt bad for him last time but here he seems like kind of a pathetic and weird ass man ngl lol

RADFORRRRRRDDDDDDDDDDDDDDD!!!!!(!!(;+;!;(;;(;??;(;;!!(+!!++!(++!

HES SUCH A GOD DAMN SILLY NERD MAN LIKEEEEE "he even sounds like he does in the movies!!!!!!" BROOOO I LOVE HIMMMMMMMMMM DJJDGWHDHSHFH

he is EXACTLY how i pictured he would be!! my brain is not gonna shut up about him for the next few days i just know it HAHAHAH

also my caramelpopcorn (thats their ship name right?? or was it candycorn??? i forgor lol) heart is completely full, i loved actually seeing him and kevin canonically interact, they are perfect <3

HES IN THE CANDY CLUB OUTFIRTBD RJSHNF EBDJFBSBDJC EJDUFBEBW DKXN SCUEBFNFBRJSJCJCHDB!!!!(!!!!!;+;(;!!(+!!

"im... uh... like an uncle!!" "i just wanna help the children..." BROO??? feeling kinda bad for frank rn, these are like the only kids he genuinely cares about and hes being turned away from em

ik hes a shady guy but STILL

GREGOR LOOKS SO GOOFY DOING THE DANCE JDBDHSHFHD LIKE WHY DOES HE LOOK LIKE THATTTTT

also i made this gif myself yall better like it

aaaaaaaaaand dexter's mom is dead.

like son like mother i guess 💀

love how ignacio's door has small little boards on it from when they bashed it with a hammer HAHAHHA

also, looking at the inside of ignacio's house, is that john's family on the little table there???

one of the images in the arg gives a better look at this, but i had no idea it was in IGNACIO'S HOUSE of all places. why does he have that??? and right by the gun too.... what is this silly cult man planning......

(the arg image in question if yall were wondering)

"we understand you" "we're here for you dude" "thank you guys, i just wish things weren't so..." HATZGANG FRIENDSHIP WAAAAA!!!!!

also ROY HAS BEEN THROUGH SHIT MY POOR GUYYYY i wanna hug him mannnn 🥺

IMAGE LIMIT IS KILLING ME SO IM GONNA REBLOG THIS WITH MORE SHIT TO SAY BECAUSE I AM NOT DONE MANNN‼️‼️‼️‼️

#spooky month #sr pelo spooky month #spooky month spoilers #skid #pump #skid and pump #lila spooky month #lila #fat thief #thin thief #kevin #kevin spooky month #dexter erotoph #radford #radford spooky month #father gregor #frank #frank spooky month #jaune #ross's dad #ross's dad spooky month #ignacio #hatzgang #roy spooky month #ross spooky month #robert spooky month #roy #ross #robert

[margoshvets]

Redesign / Alliance fit for Theron!

I was kinda sad that our husband didn't get a new design like our wife Lana did, so I decided to try to make something nice for him✨

Not that I don't like his original design. I just wanted to try something different.

(I got too tired drawing, so that's why he doesn't have a face XD)

I'll be describing some details of this design below if anyone is interested to read about them!

A little bit of warning. There is some headcanon / fanon stuff here, and, also, the opinion on some stuff is just my opinion, and you don't have to agree with me. Please don't be too harsh to me. I just wanted to have fun UwU

For the lower part of his body, I mostly got rid of a bunch of details, like the blue stripes on his pants, to make it simpler (in contrast with the upper part, which has some interesting stuff going on).

Got rid of those hanging things on his belt cuz they seemed pretty redundant, and I couldn't think of what they could be used for. Belt, in general, is more simplified. As a cherry on top, he now has the alliance symbol on it ✨

I added the metal thing, which I like to call "magnetic plate", on his right leg, and it's basically for carrying stuff like his datapad, keys, Eternal Fleet ashes, etc.

(I do remember seeing a similar thing in imperial designs, but I'm not sure what it's called)

Since he relies on tech a lot, he now has a fancy new toy - the glove on his left hand! Very useful thing for operating stuff and also hacking!

Remember that scene when we get our ship back, and Theron just presses something on his very regular glove? I always found it amusing. Not it will make more sense since he now actually has a suitable glove for this kind of action XD

[the scene in question]

He now hides his blasters inside his jacket (hence the belts on his upper part).

The jacket is a pretty memorable part of his design. It looked really good with a yellow color, but it's hard to imagine him wearing a jacket that isn't red.

I have to admit that a lot of new stuff in that thing was added based only on my headcanons. Mostly because I wanted to add an interesting story to it.

(A little bit of explaining is in order) Theron is a chilly person; he often feels like it's cold even if the room temperature is normal. Tauntauns are also his favourite animals.

This jacked is a gift from a very dear person to him. They knew all that and that's why they gifted Theron a warm jacket made with Tauntaun's fur (no tauntaun was harmed in making this jacket).

That person is no longer alive, but he still holds on to this jacket like it's his second skin; it's very important to him.

Anyway, the white parts of the jacket are now fur. And the fur inside only extends to shoulders (having natural fur already sounds too expensive for a republic soldier salary it was bought with). It's still warm tho. Sleeves have fur only at the ends and have zippers so that they can be easily folded back.

This jacket also can be closed (sounds kinda pointless stating the obvious, but in comparison with his original jacket, to me at least, makes sense cuz I can hardly imagine the original one closing).

Almost forgot.

A turtleneck for Theron. It just makes sense.

#star wars the old republic #star wars #sw art #swtor #swtor art #theron shan #swtorlightlegacy