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#also there is no text on the book
spooksier · 1 year
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me when the emotionally repressed character is revealed to have had something happen in their childhood that was completely out of their control but changed them in a way they can never come back from
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ale-arro · 7 months
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been going a little bit insane about this sentence from Ace by Angela Chen for the past week
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echo-shard · 2 months
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I don't know what to feel... Am I happy? Am I empty inside? 📕
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passionpeachy · 4 months
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I spent staring at that little prince fanart for so long I started dreaming about him.......I don't remember what happened. his presence was just ever-present
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ryllen · 4 months
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i have no other reason of drawing this, other than i just want to
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ghelgheli · 1 month
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one of the fundamental mistakes serano and a lot of others make involves the following line of reasoning:
1. some people have dysphoric other-gender embodiment-desires (e.g. for different genitals) before they acquire an understanding of gender-sex associations or even that there are genitals other than their own
2. if gender is totally socially constructed, as the social constructionists say, then these embodiment-desires would not be possible in such a state of ignorance
3. modus tollens the social constructionists are wrong and there must be some innate gender-desire
this is often accompanied by the following:
1. if social constructionism is right, then the abolition of gender would mean the elimination of dysphoric embodiment-desires
2. the state of knowledge prior to acquiring gender-sex knowledge is analogous to the state of affairs under gender abolition
3. in that state some people still have dysphoric embodiment-desires
4. modus tollens the social constructionists are wrong
these arguments are often defensive, to be fair—the first premise of the latter argument is unfortunately made by certain social constructionists too, steamrolling those early childhood experiences. but in both cases there is a circular mistake happening. the dysphoric embodiment-desires can precede gender-sex knowledge specifically because they are separable from it. penis-dysphoria in young childhood can only be called gender dysphoria if we assume the very gender-sex epistemic constructions we have agreed not to take for granted! and the former dysphoria may well persist in the absence of the latter constructions. this is what people say when they talk about a (utopian, perhaps, but nonetheless coherent and logically possible) gender abolitionist future where people can have whatever procedures they desire done. the embodiment-desires are still there! they are just freed from gender-sex associations.
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scribefindegil · 8 months
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As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
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comradekatara · 2 months
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my favorite crazyinsane narrative foils who are also just so sillygoofy and adorable together
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keingleichgewicht · 1 year
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what's house of leaves?
the short version is, it's a book about a book about a book about a book about a movie that never existed about a house that's bigger on the inside than it is on the outside. it is probably the single most famous/notorious existing work of "ergodic fiction", meaning basically fiction which exists in such a complex relationship with its medium that it takes nontrivial effort just to consume, meaning uhhhh a lot of it looks like this,
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or worse!
it's like, fifty percent an extremely high-effort mockery of modern academia, it's often doing its active best to be completely incomprehensible to you, its and i cannot emphasize this enough A Space With A Beast In It. its awfully dear to my heart also. or as mark z danielewsky who wrote it puts it:
"I had one woman come up to me in a bookstore and say, 'You know, everyone told me it was a horror book, but when I finished it, I realized that it was a love story.' And she's absolutely right.
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ghostlyheart · 3 months
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How I (roughly) imagine this scale:
1- I see myself as a faster reader than the average person. I can breeze through a text quickly and still understand almost all of it
2- I read at a "normal" speed. I need to pace myself but can consistently read and comprehend a text in a reasonable time frame
3- I see myself as a slower reader than other people. It takes me a long time to get through a text and if I try to go too fast I won't understand it
Obviously this can vary by your mood, the type of text, etc. and this is a very imprecise scale with some overlap, I'm just casually curious!!
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librarycards · 3 months
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PSA for all who hate censorship and live in Florida!
Banned Books USA is offering a free (only pay for shipping) commonly-banned/challenged books in FL. These range from kids to adults, fiction, poetry, and nonfiction. They'll keep sending them as long as they can afford it, so please donate if you have the means, and share with those who could benefit from it, especially educators and those who care for kids.
Here are just a few from the list that I recommend:
Toni Morrison, Beloved and The Bluest Eye
Marcus Ewert, 10,000 Dresses
Yaa Gyasi, Homegoing
Junji Ito, The Art of Junji Ito: Twisted Visions
Alison Bechdel, Fun Home
Jacqueline Woodson, Red at the Bone
Jonathan Kozol, Savage Inequalities: Children in America's Schools
Mariko & Jillian Tamaki, This One Summer
Tillie Walden, Spinning
Kazuo Ishiguro, Never Let Me Go
Kurt Vonnegut, Slaughterhouse-Five
Marjane Satrapi, Persepolis
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emptyjunior · 3 months
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Can't stop thinking about how the actual wording of the prophecy is "one who CALLS you friend."
Luke took Percy out into those woods, knowing that if Percy didn't join him, he would need to kill him quietly.
Luke let Percy walk through the world with the lightning bolt, knowing if anyone was to find it on him he'd be smited instantly.
Luke gave Percy the shoes, planning for them to drag Percy down into the pits of hell and the hungry hungry embrace of Kronos.
Luke has love for annabeth, his sister, Luke has love for Grover, his protector, but he saw a forbidden kid and made a calculated decision on how best to utilise him and planned to eliminate him easily and swiftly in one elegant move, using him as a mule in the progress.
Percy was looking for which one of his friends would betray him, not realising it was one who only called him friend.
Percy not being important to Luke doesn't change how meaningful that relationship was for Percy, but boy howdy does it make it that much sadder😭
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ash-and-starlight · 1 year
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my “if something bad happened to them i’d kill everyone in the room and then myself” gang from the masquerade series (…..yeah i’m still in denial over [redacted] shut up)
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skyenish · 17 days
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The way that Kalim genuinely loves Jamil and holds on to him no matter what, even after book 4.
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wylansvanhendriks · 8 months
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there’s actually something so personal about how bc the books are from lucy’s pov it’s very easy to tell how she feels about lockwood vs the show giving us lockwood’s perspective and making it very easy to tell how he feels about lucy
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