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shioaoi · 1 year

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*Leans back in armchair, sipping my tea*

Let me explain how both Blacksun and Bumbleby are fully canon; how Blacksun wasn’t erased to make way for the Bees, and that actually it is an excellent showcase in character growth in an overarching narrative that we don’t normally see.

I do not think that Bumbleby was planned from RWBY’s conception – however I do believe that them being in a relationship makes sense considering the natural progression of both Blake and Yang’s character arcs.

Often, various narrative based media fall into the trap of tailoring a story and its characters to fit a planned ending – even if the characters have evolved into completely different people from when that ending was conceptualised.

The most well known example of this is happening was with How I Met Your Mother (bare with me, this is relevant). Due to the fact that the actors casted as Ted’s children were going to continue growing, they recorded many of their scenes in the earlier seasons – including the ending, which involved Ted and Robin becoming a couple at the end. The show ended up running for a total of nine seasons, and through those episodes, us as the viewers are shown time and time again the toxicity of Ted and Robin’s relationship, and the eventual build-up of Robin and Barney’s relationship. Heck, the entire final season is set during Barney and Robin’s wedding! These characters had evolved way past what had been planned for them at the shows conception, but instead of changing the ending to reflect the character’s growth, the show runners threw all that development away in order to shoehorn the characters into the planned ending.

You could also argue the same thing happened with Game of Thrones – but I digress.

So, where am I going with this in regard to Blake and her favourite blondes.

Sun is introduced in V1 to be the perfect foil to Blake (just look at their Semblance’s). Sun is outgoing, carefree and open about his Faunus identity, in contrast to Blake’s silent, untrusting and closed off nature. Throughout the Beacon arc, Sun is there to help Blake navigate things post Adam. While Yang, Weiss and Ruby teach Blake to open up, have friends and enjoy life – Sun acts as her connection to the part of her most tainted by Adam’s action, her Faunus heritage and the White Fang. It’s the classic sunshine vs grump troupe, and if RWBY was a typical high school anime then I would imagine Blacksun being endgame.

But that isn’t the kind of show RWBY is.

Beacon is destroyed, partly at the hands of Adam – the man who abused Blake; groomed her; took away the White Fang from her father, corrupting it and what it stood for. He reaffirms everything he had made Blake believe and severed Yang’s arm – her huntress partner – as payback for Blake leaving him.

In this broken state, Blake does the only thing she is capable of doing in. She runs.

And Sun follows.

Sun is the only one who could have helped Blake when she is was in this mental state. He follows her because he loves and cares for her, and he can see past Adam’s abuse to who Blake really is when she is incapable of doing so. Like I said, the perfect foil. While bless him, Sun only has one braincell and no impulse control, every single action he does is out of love for Blake.

He helps balance out Blake’s worse tendencies, and that support allows her to learn to accept herself and find what she had once lost.

And Blake recognises this. Even if in the moment she gets annoyed by him, their goodbye in V6 shows that Blake is thankful for all Sun has done and reciprocate his feelings.

But relationships are a partnership, and both Sun and Blake are treading very different paths. You can be in love and also realise when a relationship has run its course.

To quote a rather dumb show – “It wasn’t pointless. It’s just over.”

This storyline is over. Sun wants to find his own identity as the leader of SSSN and Blake doesn’t need him by her side to help her shake free of Adam’s abuse. The characters have evolved past their need for one another. Their bond is unbreakable even if their chance at romance fades away.

Sun is an instrumental part to Blake’s character arc that doesn’t get erased by the ending of their relationship. It is the unconditional love that Sun has for Blake that allows her to find it within herself to love herself and to heal.

So, now we move onto Yang.

Yang and Blake are partners. We are shown constantly throughout the show that partnerships between hunters and huntresses are just as important – if not even more so – as teams. They are forced to forge a bond and place their lives in one another’s hands time and time again.

Adam frays the bonds of this partnership by reigniting all of Blake’s trauma and self-hatred, followed by him taking away Yang’s arm and with it her confidence. Instead of having one another to lean on, Blake flees in fear and Yang is left trying to figure out who she is and what to do next that the easy path is gone.

When they are reunited at the end of V5 / beginning of V6, they are settling themselves into their new mental states post V4/V5 character arcs. They are forced to rebuild their partnership from the ground up, only this time its different. This time they are choosing this partnership and one another. There is no Ospin or Beacon Academy; they had a chance to take different roads but they choose to continue forward together. This is a much more solid base for a relationship to form, and because of their shared trauma and history, they have a lot deeper insight into one another’s strengths and weaknesses.

The formation of their new partnership cumulates perfectly with their fight against Adam, where they both face the source of their trauma and defeat it together.

From there we move onto V7. Now that the bond is fully reforged, we get to see the softer, dorkier moments like we did with Blacksun in V1-V3. The romance is blossoming to the surface and it is now noticeable for the other characters to see.

Then in V8, when the group becomes divided by ideals, Blake and Yang understand each other well enough to not take the other’s stance in the divide personally and it does not impact their love for one another – in stark contrast to Renora when it almost drives the two apart.

And now we have reached V9, where all the pieces are now in place. A strong partnership, complete understanding and acceptance of each other and love that can withstand.

In media – particularly anime style narratives – there is always the expectation that a character can only fall in love once. The inclusion of multiple love interests is often only there to add drama, backstory or angst.

But that is not the case here. Both Blacksun and Bumbleby are healthy, canon, romantic relationships. All that happened was – as the narrative developed and Blake went through her character arcs, she outgrew her relationship with Sun and grew into her relationship with Yang.

Beacon arc Blacksun is vastly different from the Haven Arc Blacksun – the same way the Beacon Arc Bumbleby is vastly different from the Atlas Arc Bumbleby.

I believe that Bumbleby wouldn’t nearly be as important a sapphic ship if it hadn’t been given the chance for the girls to evolve into the people they are now. It is happy, healthy – its earned.

And it being earned wasn’t at the erasure of Blacksun, but at the evolution of the characters.

#thank you for coming to my ted talk #rwby #rwby9 #bumbleby #blacksun #blake belladonna #yang xiao long #sun wukong #rwby spoilers

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fruitless-nonsense · 3 years

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Well… turns out I have a lot of opinions on characters I don’t even think strongly of. Who knew?

No joke, this is probably not as thorough as I like, but this idea came to me and I have so much to say that I don’t know how to structure it. Okay? Let’s talk about Damon Salvatore!

If you read any of my previous posts, you’ve probably gotten a decent idea of how I feel about him from my quick snippy remarks. I genuinely believe he is the worst character in the show. Yes, other characters can be more boring than him. Yes, there are people that can be more infuriating than him. It’s not simply who his character was, it’s how the writers wouldn’t stop messing with him that convinced me he was utter trash. Sit back, cause this could take awhile.

Let’s start with season one and the two brothers. Theory time! I’m strongly of the opinion the writers wanted a love triangle between Elena, Stefan, and Damon from the very beginning. Not that crazy to believe considering this show was born off the heels of Twilight’s grossing fame, not to take credit away from all the other shows at the time which featured a love triangle or two. From fanfics to original stories written by tweens I read when I was thirteen, love triangles were huge back then (in a way they still are fairly popular, but not like back in the day. Now I feel old). So they wanted a love triangle? Sounds cliche enough to be in the vampire diaries, what’s wrong? Well, there’s a bit of an issue with the candidates, or more specifically candidate. You see, Edward was a creep and Jacob was an incel, but you can say they weren’t monsters (well by my standards they were, but by YA standards they were pretty normal). I mean, the movie made a point to say the Cullens didn’t feed from humans, and they’re only seen killing in self defense, meanwhile Jacob is treated like a good person throughout despite everything. My point is, at least at the beginning, the story didn’t want to paint either candidate as irredeemable. Back to tvd season one, Damon tortures Caroline, kills Zack, two random humans, and that one football coach/history teacher, mentally and physically tortured Vicky Donavon before turning her against her will and made it impossible for Stefan to remedy the situation until he ultimately had to kill her to save Elena, and this is all from the first seven episodes.

Now, I used to think at least Damon was a fun villain, but was he really? I mean, yeah he could be funny, got a few chuckles outta me, but besides humor and violence what was his character? For example, in season one we are introduced to Stefan, a supposed “good vampire” who has taken a liking to Elena due to similarities between her and his ex before admiring how much better of a person she is and wanting a true connection with her. We later learn that his experience with his ex Katherine was extremely one-sided as he was compelled to love her to satiate her needs. Even later (still season one), we learn that his only drinking animal blood is because he is a ripper or “blood addict” as I call it cause even one taste of human blood and he’ll go on a rampage. So by seasons end we have a character who was a victim of serious abuse (which is never truly addressed in the show btw) and carries a rare vampire trait that makes not being a murderous psychopath incredibly difficult, yet he still tries to beat the odds and not hurt people. This is a lot to learn about a character in its first season, and it helps us gravitate towards wanting him to succeed. Stefan is what you would call a good character (at least for now). So that was all we got on the first candidate, what about option number two? Well, he’s funny and he likes to kill people, that’s about it. That ripper gene that Stefan’s fighting, Damon’s not someone who gave in to the gene to explain why he’s so murder happy, he doesn’t even have it! There’s nothing making him be a bad person, he just is one! Why? Your guess is as good as mine. The most we get is learning he had real feelings for Katherine and was never compelled to love her as an explanation for why he hates Stefan so much. Wow, two brothers at war over a girl one of them doesn’t even like. You can’t even say it was because Stefan turned him, because Damon says it blank that it’s cause of Katherine in 1x20, so don’t. So Damon kills for no reason, hates Stefan for a stupid reason, and has no personality traits outside of humor, murder, Katherine, and hates Stefan. With all of this on the table, my question is this, how do the writers expect me to pick Damon over Stefan in this love triangle with everything we got in season one? And the writers realized this.

Season two starts this long “arc” asking if Damon can be redeemed, or that’s what the writers wanted. Second theory: the writers realized they couldn’t justify Elena picking Damon over Stefan without ruining her character (lol), so they decided the best way to keep this love triangle idea afloat was to redeem Damon. The theory comes in when they realized they couldn’t completely redeem him because they had written themselves into a corner and being a murdering psycho with quirky one liners was his entire character, therefore redeeming him would take away what made Damon himself and so likable among fans (not me). I’m gonna pull the rug from under ya, remember when I said klaroline was not actually a love story, but was positioned and is still believed to have been one despite this fact? Same applies here. Did Damon ever go through a redemption arc, or did the writers want you to think that he did so they could have their cake and eat it too? Is there any actual story progression that show growth in Damon as a character? Nope. He’s sadder, wouldn’t say that’s him being a better person. In the early seasons, his characterization feels more like a seesaw than an arc. Sometimes he’s chill and helping with a plan, and the next episode he’s biting a chunk out of more innocent bystanders while abusing more women (*cough* *cough* justice for Andie). The longest I can say he was a genuinely decent person was in season six when he was trapped in the prison world with Bonnie (cause she’s the only character that would put up with his bs). Everywhere else, an inconsistent character, and I feel like that was intentional. They wanted to keep Damon how fans liked him while making him seem like a better person. An example is the introduction of Enzo, which I think was a ploy by the writers to make it seem like season five Damon was interacting with a season one Damon to show how far he’s come, but that doesn’t stick at all (mostly because Enzo’s crimes in the show compared to season one Damon’s feel less psychotic and malicious). All in all, to me Damon on his own was a truly boring character and even more boring villain. No motivation and no personality outside his infatuations. Which leads me into the worst plot line of my entire cw experience: Delena.

If you haven’t noticed, I hate this ship with a fiery passion. The only reason I think it’s slightly better than klaroline was at least the writers tried to write a story with them (keyword tried). I said they would have to ruin Elena’s character to have her choose him over Stefan, and I was right! Not only does she cheat with him (2x22 and other scenes from season three), it’s never explained why she likes him in the first place (actually in season six they say it’s cause he gave her Stefan’s gift necklace despite being in love with her, which is so stupid it made me laugh). Furthermore, why does Damon develop feeling for Elena? Supposedly it happens while he’s still obsessing over Katherine, so is that it? The turning point which pushes them together is revealed to all be fabricated by a sirebond. For real, the only reason Elena fell out of love with Stefan is because a bond out of her control made it impossible for Stefan to help her through vampirism and thus she had to lean on Damon for support. I know the show states the bond didn’t create her feelings merely heighten them, but it did isolate her from everyone else she loved and made it so she had no choice but to rely on Damon, and that’s not exactly better than the former. Let me say it louder for the kids that were corrupted. Codependency. Is. Not. Healthy. It’s toxic, and the trope in romance needs to die a horrible death. And the show knows it’s toxic, they bring it up all the time in season five and six thinking that will excuse them to keep going with it. Sorry hun, self awareness does not give you a pass. The worst part is the pacing. I mentioned the sirebond storyline in season four which takes up a huge amount of the season with them debating if her feelings were real before abruptly deciding Elena doesn’t care. Great conclusion, but it gets worse. Season five is pretty thin as far as a story, so what fills the run time is a storyline straight out of fifty shades. Fighting, sex, fighting, sex, breaking up because they aren’t healthy, sex, fighting followed by getting back together followed by more fighting and more sex. I can’t tell you what was gained after everything that transpired in the season. Lastly is season six which took time away from the first interesting villain since season three to give us an amnesia storyline! I’d tell you more, but if you’ve ever seen a movie you could probably explain it exactly. All that time that could’ve been spent in better ways, was given to something I stopped caring about by season fours end.

Honestly, the fact that the show treats this like the greatest love story of all time makes me less angry and more concerned, because the audience who watched this show weren’t adults who understand what love really is, the people who watched this was made up of mostly tweens and teens. I can’t get too mad, this trope is everywhere, girl helps abusive guy be better person while sapping away all her energy in the process was done before and is still being done today. All I ask is that the young adults who remember this show fondly understand how wrong this is. How people like Damon should not be pitied and relationships like Delena should not be celebrated. Ship whatever you want, but please tell me you’re okay. Are you okay? In conclusion, Damon is trash and Delena wasted my time along with being extremely toxic and abusive. Goodnight everybody!

#anti damon salvatore #anti delena #anti tvd and to writers #anti klaroline #damon salvatore #elena gilbert #stefan salvatore #Stefan deserves better #anti the vampire diaries #anti codependency

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stray-tori · 3 years

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Emma’s character arc in the anime (or what I think it is, anyway) (anime-only)

Her "nothing has happened in a year and it's my fault" vent is -- a) kind of meta (they literally have only been passengers in their s2-story so far*. rescued by mujika/sonju, directed by Minerva, chased out by the farm force & now on the run. right now, they have so small agency in the story and not only is the narrative acknowledging it, Emma's development herself seems to be a result of it)

* in part that's also true for s1, they have always been carried a little. By Krone, for giving them the pen, and by Norman for generally being the connecting piece until he was gone and even then he outlined most elements of the plan for Emma.

-- b) interesting because right now it makes her the opposite of Norman who despite not being in the season for almost half of its run time, arguably made more goal-related progression (i.e. stealing children from farms - assuming it was them -, while Emma couldn't even go back for the Phil and others; probably having a base to bring the children they steal (i doubt the group that was with him are ALL of them), while Emma's base, the bunker, had to be abandoned). He’s the plot-driving character even when he's not there and now that he is, I'm assuming there will be more of a lead / idea of where to go from there.

It feels like a foil setup but I'm not entirely sure for what.

so, clearly this season's theme is not burdening everything by yourself - proof:

Ray spelled it out in ep1, Gilda reaffirmed it in ep2 and the opening’s visuals with her in the vidaflower field also seem to carry the whole “we’re finding hope together” angle

Emma did agree to it but then still said “I’m fine” after the vidaflower scene and is now blaming herself for everything that has been going subpar

also, the tidbit about the older kids always leaving more food for the younger ones also fits this theme, though it's not just Emma in that regard. and Lani and Thoma were the “don’t burden everything on yourself” argument in that scene.

I actually think Emma has slowly become more self-burdening, because I feel like back in s1, while she always seemed strong, it never felt like she actively hid from anyone. She did some things by herself like figuring out the room measurements, but she still felt free to bring up anything to the others and involve the children (place trust in them) later with the execution of the escape plan. Even when Norman's life was on the line, she never really intended to fully sacrifice herself like Ray had with the distraction plan or Norman did with his shipment - she never said anything like taking his place, she was still very much in the "we" mindset (at least if I remember correctly). We haven’t seen her work together like towards the end of s1 where she coordinated everyone - even when the kids were a huge part of the solution, like Chris knowing the bunker’s layout, it wasn’t because she told them to do that.

In a way, I feel like Emma's development actually made her more like Norman (who usually used to keep stuff to himself, and tried to juggle all the conflicts himself, and in the end, took the burden of making the plan work even at the expense of his """"death""""). Heck, her words after the vidaflower scene ("I'm / it's okay" (daijoubu)) is something Norman says/said a lot, it's basically his trademark pff-

So I can't help but assume these are connected, and Emma is - whether intentionally or not - trying to mirror Norman because in her mind, everything's been going wrong since he wasn't there to aid them anymore (which she's actually right about, which leads me to my next point).

The fine line between character angst and the savior trope. I hope the anime will use this whole setup with Emma’s arc instead of just being like “ah, Norman Christ has arrived, our lord and savior, how good that we don’t have to worry about anything anymore”. Because they actually, in-universe, acknowledge that "nothing has happened" and that's imo a fine line they have going on right now, which could lead to some interesting character moments.... or they completely ignore it and thank god, our lord and savior.

Because it's not a problem that they are being carried, in fact, as mentioned before they have been carried outside of s2 as well, by Norman specifically as well too. He's always been a sort of savior figure, even after his death he motivated them to go on (see ghost Normans, see Emma talking about how she promised him, see Ray on the ground wanting to continue because he promised (to Emma too but you get the point, and Norman was the one who initially saw through his plan)) - he IS in a lot of ways, a savior. So I'm not saying it's bad narratively if now he's back and the plot moves more towards the goal again. I'm saying it's questionable, if now Emma's and the narrative's acknowledgement of that lack of progression go away too. Because THEN it's actually just "everything is solved now and we're useless without you", and I think it NEEDS to develop Emma further in order for that angle to still be there (and to still be kind of questionable), but to be narrative-ly significant because it's part of Emma's arc and therefore her later actions.

In short, Emma’s low-point revolves around the stagnation and to resolve it (the lowpoint) with Norman’s return would be questionable.

SO I have hope for juicy angst but also see how this could horribly backfire.

Now, I've been trying to figure out were her arc is going, considering all of that.

"Burdening everything by yourself is bad" theme

Emma hates herself for not being able to do anything

Norman is her opposite / foil in that regard

So possible ways to go here are

a) further make Emma feel inferior to Norman, since she never got to do all those things she took upon herself and make her mental state even worse

b) it will probably lead to Emma contributing whatever she can to her family’s rescue, no matter what it takes out of her.

likely both.

The interesting thing is that while narratively this sets up a sort of opposite-dynamic between Emma and Norman, they do both share the self-burdening-thing now (I doubt that changed about Norman, but maybe it did); so I feel like this can only end in a "who's more self-sacrificial and bottling up" contest.

Taking the theme into account, I feel like it’s going for one of the following things, maybe multiple:

a) they all work together in the end to reach their future (probably Ray has to bonk them both and be like "shut up, we're doing this together" because I feel like he's the only one who actually got out of his self-damning hole somewhat)

b) the kids come barging in with the/a solution while Norman and Emma are busy trying to be self-sacrificial (Lani and Thoma HAVE been observing and trying to balance the self-sacrificial out throughout the season, mostly by humor, so I feel like that could work even if I don't know how it could be DONE so hmmm)

c) if someone has to do a sacrifice like Norman in s1, it won’t be done through trickery of the others, or won't work / will be stopped / backfire

Because I don’t think what will happen is that someone actually gets to sacrifice themselves without massive consequences from the other characters because that’d contradict both the overall season's theme and if it was forced upon the others, it would just mirror s1 and show no narrative growth.

It's a fickle situation because I feel like the natural evolution of this arc would be to have Emma be, the "hero" or a leader-position or something of the sort. But the self-sacrificial theme forbids her from doing it on her own or by massively hurting herself in the process so.... ahhh idk how they'll handle that!

because I like the "together" message it seems to be aiming for but at the same time, having a character struggle with not being able to do anything by herself in the same like 6 episodes as “yay, we need to do it together!” is a little risky since while it could work, doing teamwork in a way where everyone is important, while also not validating Emma's belief is.... hard.

It could work if Norman’s arc is the opposite, to let others do more for him and let Emma take over (who needs to built confidence as a leading figure); but even then Emma has to be driving force. If Norman initiates that, he’s actually saving her in every sense.

#tpn #tpn s2 #tpn anime #the promised neverland s2 #tpn anime-only #tpn emma #tpn theory #tori has opinions #tori talks #long post

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steven-falls · 4 years

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Steven Universe Future reviewed: Prickly Pair

‘Prickly Pair’ explores the negative feelings Steven has been having as of late and I’m a little worried those negative feelings are going to rub off on to this review.

‘Fool!’

Before I say anything else, I will clarify that Steven cactus is the MVP of the episode. In an otherwise angsty affair, he provides the most enjoyable and comedic parts. Which is a bit messed up considering he’s being mistreated throughout the whole thing.

I will split this review into four parts; My overview of the episode as whole, my thoughts on the opening scene, a discussion of Steven’s view of the other Crystal Gems, and finally my thoughts on the episode’s conclusion.

Overview:

I think what’s difficult about watching ‘Prickly Pair’ is that it’s a pretty big downer the whole way through, with only a couple brief uplifting moments. Steven was a sad sack in the previous episode too, but that was balanced out by everyone else in the episode being pretty happy in their lives. You don’t get that levity in this Steven centric affair.

‘I gave up running the school, but now I don’t know what comes next.’

Ah that feeling of giving up your job because it isn’t right for you, but not having an idea of what you want to do next. So you start filling your time with hobbies to distract you, like gardening or writing reviews of children’s cartoons… ahem.

Almost every plot beat has Steven be depressed or anxious about something new. We start with Steven questioning what he’s doing with his life, which progresses to him venting about his problems to his newly born son, Cactus Steven. This results in Steven mistreating the cactus when it starts parroting him in front of others, exposing all Steven’s insecurities to his loved ones. Finally, this cumulates in the two fighting. And, despite ultimately making amends with the cactus, it still decides to leave him.

This does at least lead to Steven experiencing a growing moment.

‘I’m sorry I mistreated you, you’re just learning from the only role model you’ve got!’

He learns the moral that impressionable children can internalise and replicate their parents unhealthy behaviours and attitudes.

Despite learning this, I’d argue that Steven is in a worse place emotionally at the end of the episode than he was at the beginning. Steven at least had his plants to distract himself from his depression, but after the cactus fiasco I can’t imagine he’d be able to go back to that. Now he has no hobby to consume himself with, and has to deal with his family knowing about all the negative feelings he was trying to keep hidden from them.

This is probably something that will benefit him in the long term; the gems are aware how much he needs their support now. But in the meantime he’s left feeling pretty low.

And that’s sort of how I feel about this episode. By itself I don’t really enjoy it that much because of how negative it is, even though in the long term I can acknowledge this was probably a necessary step in Steven’s journey.

That acts as my general overview of the episode, but now to get into more specifics.

Potty for Potted Plants:

‘This little smarty is named Connie.’

Awkwardly drawing attention to the fact that we haven’t seen Connie since the movie… a movie she was barely in.

The episode opens with an introduction to the plant colony Steven has been growing, each of the plants being named after one of his friends. Steven naming his plants after his friends is something that could be seen as cute, but it’s portrayed as an unhealthy coping mechanism from the get go; as Steven rambles about how the plants can’t leave him. A dark reading of this behaviour suggests that he wants his friends in a position where they physically can’t leave him, and also depend on Steven to care for them for their own survival.

While I can appreciate the subtext I still didn’t care for this scene in general. Particularly the part when Steven starts talking to the Lars plant.

‘You’re stuck in the ground aren’t you not going to zip into space and leave everyone behind’

I personally find it annoying when a character just starts rambling like a crazy person for comedic purposes. Particularly if the content of what they are saying isn’t that funny: Steven’s pretty much just summarising his insecurities for the audience right here.

Steven’s plant obsession is supposed to be comedic in its creepiness, but I just don’t find this creepy behaviour comedic.

It does serve its plot purpose, although having Steven literally name the plants after his friends feels so on the nose. Just have him ramble about how plants can’t leave and we’ll get it.

I’ll give them the onion joke though

I’m assuming Garnet’s ‘You should keep a close eye on your cactus.’ line is her using her future vision but…. What exactly is she seeing? Her later line of dialogue ‘that cactus really bounced back’ suggests that she was just warning him about over watering it, but that seems like such an inconsequential thing for Garnet to care about. Did she see the events that played out in the episode, where the cactus comes to life and started attacking them? I feel like if that’s so then she surely would have known about Steven’s mental state from the beginning. Also her warning Steven about the cactus is ironic as it is inadvertently what caused those events to happen in the first place.

I don’t know, I think she knew something was up with the cactus but I’m not sure what.

It does at least act as an example of her ‘high and mighty advice’ Steven complains about later in the episode. Speaking of...

Steven VS The Crystal Gems:

This episode contains Steven’s most sinister character moment yet; slagging off the crystal gems behind their backs. Let’s break down each of Steven’s ‘critiques’ of the crystal gems to assess their validity.

‘I can’t let Pearl know how I feel because she’ll blame herself and spiral out of control, and I’ll have to pick up the pieces!’

This is by far the harshest of Steven’s outbursts, and a pretty low blow considering all the trauma Pearl went through. But on the other hand Steven had to resolve a lot of Pearl’s issues for her from a young age, so I can’t really blame him for feeling this way. In fact if this complaint had been made before the Pink Diamond reveal I would have been fully in Steven’s corner.

It is ironic because you could say that Pearl unloading her trauma onto Steven traumatised him. And now in turn Steven is unloading all his issues on to Cactus Steven. Definitely a message in here about parental figures passing on their baggage to their children.

‘I don’t want any more high and mighty advice from Garnet.’

I found this one funny because it just reminded me of his impression of Garnet in season 1’s ‘Tiger Millionaire’

‘I’m not going to say anything, but I expect you to understand that was wrong.’

Ah, the more things change the more they stay the same.

‘And I’m so sick of Amethyst acting like she’s so mature now’

This is the rant that comes most out of left field, especially as Steven was the one who first labeled Amethyst as ‘mature’ back in ‘What’s your problem.’

His issues with Pearl and Garnet make more logical sense as those are reactions to problems he feels he needs to deal with himself. But Amethyst's maturity isn’t something that negatively impacts Steven.

In fact, in the very next scene Amethyst's maturity is the thing that encourages her to reach out and ask if Steven needs any help. Steven’s distaste for Amethyst maturity comes across as plain pettiness towards her growing as a person. The two have somewhat switched roles from the episode ‘Steven vs. Amethyst’.

‘Great and now you’re even more mature than me [...] Now I’m the worst Crystal Gem’

Here, Amethyst was bitter that Steven was starting to excel past her. Steven improving as a person made her feel worse about herself. Both of them have felt bitterness towards the other showing maturity and character growth . But of course, being resentful of someone else’s maturity only makes you seem more immature.

The Final Fight

It takes Steven having a physical fight with the cactus to realise the only reason it is being so aggressive is because it’s copying him. Which is weird because Steven knew the cactus was learning by copying him from the beginning.

Like, come on man you already knew that, it should have been pretty self evident.

But obviously Steven was so preoccupied by his annoyance the cactus that he completely forgot this.

The reactions to the cactus pricks make for some great visual gags. But I feel they overplay this joke, it’s done like 5 times in the final scene alone.

Because the cactus only copies Steven, all of Stevens' anger directed the cactus is really just anger at himself. This metaphor is made even clearer by the cactus literally being a cactus version of Steven. So Steven’s realisation that he shouldn’t have been so hard on the cactus doubles as a realisation that Steven shouldn’t have been so hard on himself, (although I don’t think Steven made that connection) So there’s a double moral here that one should be kind to them self as well as others.

#steven universe future #prickly pair #review #SF reviews SUF

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beatriceeagle · 4 years

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I think my TV meta ask reported an error so I'm going to repeat my questions, feel free to ignore any of them! 1) I love Looking for Alaska the book, and whilst I'm not worried about the TV show as an adaptation, I am worried about it being good... should I watch it? 2) Are you excited for Bojack Season 6? 3) How do you feel about Agents of Shield as a TV show that's constantly changing? I'll never forget their pivot in season 1! 4) SPORTS NIGHT! Why do I love Dan Rydell so much?

I don’t think I could love a meta ask more unless it included Farscape. This is phenomenal.

The highlight is that the Looking for Alaska adaptation is good and you should watch it. To get deeper, without getting spoilery, I’ve heard a lot of people say that it improves upon the book, which I don’t exactly agree with. What Looking for Alaska is is a very smart adaptation.

Basically, Looking for Alaska, the book, pulls off a thematic trick using its limited point of view. Miles spends the first two-thirds of the book wildly idealizing Alaska, and often very much in the dark about the exact specifics of her relationship with Jake, but also with Takumi and even the Colonel. Then when the turn comes, that becomes the point: Miles might have loved Alaska, but the Alaska in his head was never the real Alaska, and that means that he can never really understand what happened.

We spend a lot of time hearing Miles’ very precocious, pretentious narration, and also Alaska’s precocious, pretentious dialogue, and a lot of that has seeped into the culture as being the book, as if there’s no deconstruction happening. But there is! Miles is a little bit self-deluding, and Alaska is almost always putting on a front, and neither of their words can ever be fully trusted. This is a book about a guy who never really knew a girl.

The writers of the series, I think, wisely realized that that dynamic was going to be incredibly difficult to replicate on-screen. No matter what they did, viewers were going to get an objective look at Alaska, and the time constraints of television (ironically, the fact that they had to fill out more time) meant that they would have to go outside of Miles’ perspective. So they ditched that idea entirely, and instead dedicated themselves to expanding wherever they possibly could. We get so much more Alaska than the book gives us. She is more real than she possibly could have been in the pages, because we get to see her, not Miles’ view of her. But we also get much, much more of the Colonel, more of Sara, more of Takumi and Lara, more of the Eagle and the Old Man. And it’s wonderful! Some of the show’s most incredible scenes are between characters who are neither Miles nor Alaska.

But it does undercut the theme, somewhat. (Especially when combined with some other adaptation decisions that I won’t get into, because they are spoilery.) Looking for Alaska, the series, gives up some thematic impact in favor of a great deal of character richness, and it’s absolutely the right call for the series, given its format, and given the context in which it was released. But it was a trade, and I think it should be acknowledged.

(The other thing the show does that I think is necessary from an adaptation standpoint, but makes for a kind of weird viewing experience, is that it adds a whole plotline to the middle of the series that doesn’t exist in the book. I do think that this was necessary, because there’s not a lot of structure to the middle of Looking for Alaska, and while that’s fine for a book, a series needs a plot with some kind of forward momentum to hang itself on. But the problem is that the inevitable arc of the book means that this new plotline has nowhere to go, and it ends up just sort of fizzling out, once the book plot takes over.)

Anyway: Looking for Alaska. Very good show, very good music, exceptional performance from Denny Love. Definitely check it out if you loved the book.

I am very excited for BoJack season 6! I’m just waiting to watch it with my sister. I have hope that, since this is a planned final season, it’ll give the writers space to move the characters forward, and actually give people like Diane some measure of peace, and people like BoJack some measure of atonement.

I think that being the kind of show that was a different show every season was the smartest choice that Agents of SHIELD ever made. (The least smartest choice that Agents of SHIELD ever made was “Fitz and Simmons can never be together for more than six episodes at a time,” even if it has led to several individually successful story arcs.) It makes the show infinitely adaptable, so for instance, if they kill off their lead character thinking that the show is ending, and then suddenly get renewed for two (!!!) more seasons, it’s very easy for them to bring the actor back without walking back the story they’ve told; the show is capable of going to almost any place or time, and pulling on almost any trope of sci-fi or fantasy.

It also makes the show really interesting. One of the problems with season one of Agents of SHIELD was that the MCU is this giant world, full of lots of different settings and genres, and in comparison, AoS felt bland. The genre it was taking on (sci-fi procedural) isn’t inherently boring, but it wasn’t a particularly fresh take on the idea, and the visual trappings of the setting were incredibly sterile. But post-Hydra reveal—and especially post-season four—AoS is like the MCU in a microcosm. It can be anything! It can do a season in the future, a season in space, a season in a computer simulation. It can do pulpy action and messy comedy and gorgeous, lyrical sci-fi.

And also, it manages to do something that’s incredibly difficult (even The Good Place didn’t quite manage to get the hang of it until literally just this last episode) which is to rewrite the characters’ realities over and over without losing track of their character progressions. So, for instance, Fitz has been regular Fitz, and then he’s had his entire reality rewritten by the Framework and become the Doctor, and then he married Jemma and died, and then we reset to cryo!Fitz. And throughout all of that, the show has always been very clear about where the current Fitz is emotionally, and how all of the past and alternate versions of him affect his mental state—but also how he is distinct from any past or alternate versions of himself. And they do this while carrying on actual physical trauma from season 2; if you pay attention, Fitz still briefly loses words when he gets stressed. (As someone who takes a medication that makes me forget words easily, this is my ACTUAL FAVORITE THING on television.) The end result is that you actually know more about Fitz from seeing his reality rewritten so many times—and he still has a coherent character arc.

Of course the downside of this constant shifting is that sometimes AoS will find something that really works for it, and then leave it behind. Like, over the course of seasons three to six, they built up a lot of texture and a deep bench of characters to the space setting, and I would probably say, at this point, that Space AoS is my favorite version of AoS. But the latter half of season six ditched that setting almost entirely, and it’s not clear to what extent we’ll be going back there at all for season seven. Similarly, Fitz’s character arc remains coherent, but I’m not sure the current version of it is my favorite version of it.

But at the end of the day, I think that’s a fair trade for a show that’ll change Daisy’s name halfway through and stick with it, you know?

Well, I don’t know why you love Dan Rydell, but after putting a great deal of thought into this over many years, I can tell you why I love Dan Rydell: He is, setting aside some baseline Sorkin patronization, a legitimately great guy, going through a legitimately tough time.

Like, in the grand scheme of things, there are a lot of people who have it a lot worse than Dan Rydell, but one of the cool things about Sports Night is that the narrative is genuinely engaged with that fact: It’s aware of Dan’s privilege, and it makes Dan aware of his privilege, in a way that future Sorkin properties never really manage to do. Think of “The Apology”: “No rich white guy ever got anywhere with me comparing himself to Rosa Parks.” Think of Bobbi Bernstein, a woman who Dan calls crazy until she proves that she was right. Think of “The Quality of Mercy at 29K,” an episode that’s basically all about turning Dan’s privilege inside out.

What makes Dan likeable is that the show is aware of his privilege, it points his privilege out to him, and he learns. When Isaac calls him out, he’s immediately contrite. When he sees someone in need in his office, he overcomes his immediate reaction and tries to help. And when he realizes his error with Bobbi, he grants her an immediate, complete, and sincere apology.

The thing is, Dan wants so desperately to be a good guy, and it’s just really hard not to like someone who is trying so hard. He’s incredibly good to his friends, and honestly, I think the turning point is “Mary Pat Shelby.” You give Dan and Natalie’s scene in “Mary Pat Shelby” to a halfway decent actor, and how do you not come out of that scene loving Dan? This incredibly unselfish, incredibly well-pitched moment where, while everyone else is freaking out and trying to get something out of Natalie, Dan just says, “No, I’m not going to tell you what to do, I’m just going to tell you that I am behind you a million percent.” How do you not love that person?

But the other thing is that Josh Charles is not a halfway decent actor, Josh Charles is a phenomenal actor, so actually the turning point isn’t “Mary Pat Shelby.” It’s the speech in “The Apology.” The speech in “The Apology” isn’t Sorkin’s best writing—“high as a paper kite” is a choice—and honestly, that scene is a lot to ask any actor to take on. Performed competently, it would be kind of embarrassing.

Charles fucking impales himself on that monologue. He leaves blood and guts on the anchor desk. And he somehow does it without overacting? It is a very subtle, precisely-balanced act of self-dismemberment.

What I’m saying is that right from the very beginning, Dan opens himself up to the viewer, and we see all his vulnerabilities, all the ugly, painful pieces of him that make him. And because Charles is a really, really good actor, it’s all very believable, and it’s all very magnetic—you’re drawn to it. And he does it all while being so likeable, and so good.

So of course people love Dan Rydell. He’s generous, he learns and apologizes, he tries incredibly hard, he’s got level 25 charisma, and he’s an open book of emotion—not to the people in his life, but to the viewer.

(Hey, while you’re here, have a link to an amazing Dan Rydell vid!)

Send me meta prompts to distract me from my migraine! (Yes, I still have a migraine.)

#looking for alaska #agents of shield #sports night #dan rydell #aos #mcu #meta #congratulations asker i am now rewatching sports night

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ptw30 · 5 years

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Are you happy with Shiro settling down to get married and “leaving the battle” or whatever as his ending? Because I really thought he should’ve gone back to being a piloting instructor at the garrison and maybe staying on standby as atlas commander or something like that. He loved piloting too much to become completely disconnected from it and it feels like he never dealt with his trauma imo.

Short answer: No.

Long Answer: Somehow, this transformed into, “Obligatory Post-Season 8 Meta: Shiro is still the Black Paladin. No, I’m not delusional. Really.”

The Black Paladin & PTSD Treatment

It’s important to know, especially for @dreamworksanimation and @voltron, that someone doesn’t “get over” PTSD, as Lauren Montgomery said in an interview.

I’m not trying to be harsh or “call someone out.” I’m stating fact. According to the Mayo Clinic, PTSD symptoms can be treated by opening up to others and seeking the help one needs.

Getting timely help and support may prevent normal stress reactions from getting worse and developing into PTSD. This may mean turning to family and friends who will listen and offer comfort. It may mean seeking out a mental health professional for a brief course of therapy. Some people may also find it helpful to turn to their faith community.

This ties directly into Shiro’s story. In Seasons 1 & 2, Shiro hid the majority of his symptoms from the others. In Season 3 - 6, those symptoms were exacerbated by Haggar, and though Shiro reached out to Lance, he did not get the help he needed. Shiro then was attacked in battle by Haggar/The White Lion, and again, he suffered alone.

In “All Good Things,” the Void scene revealed that Shiro wasn’t as close to the others as he could have been, and that ended up being the truth.

Like Allura never regained her confidence to lead, Shiro didn’t open up to the others and bridge that connection to strengthen it, which is one of the treatments for PTSD.

Here some of the Mayo Clinic’s advice:

You don’t have to try to handle the burden of PTSD on your own.

[…]

Spend time with supportive and caring people — family, friends, faith leaders or others. You don’t have to talk about what happened if you don’t want to. Just sharing time with loved ones can offer healing and comfort.

Shiro handled his suffering alone, and he did not reach out to family and friends. We didn’t see him working out with the Atlas Crew. We didn’t see him hanging out with the paladins. He was all alone.

This is also why “Knights of Light” is such a traumatic episode for Shiro fans and those struggling with mental illness. It completely dismissed all the suffering Shiro endured. The original paladins went insane in the Void. Shiro survived and came back stronger.

Even then, he went through the struggles in the Void alone. The paladins went through it with each other. That two-parter episode originally - I have no doubt - was for Shiro to open up to the others, receive support for his past torture, and even receive help from Zarkon, the original Black Paladin.

That’s why Shiro’s core fear - I’m too broken to be a paladin - focused on him returning from the Void, reconnecting with the paladins, and forming a stronger bond with the team. In this way, he would have begun to cope with his PTSD as the Black Paladin, proving he wasn’t too broken, and the story would have embraced the found family aspect, where Shiro and the paladins are truly “stronger together.”

Instead - Shiro was alone. Even in Atlas.

Even in Atlas/Voltron.

The rest are all bonded to their lions. We know from “Genesis” that the White Lion isn’t in Atlas with Allura’s crystals, thus Shiro isn’t the White Paladin.

Furthermore, the others don’t even speak to him in Voltron any longer.

He asks, but no one answers him. (There was one time that Allura responded, but that is only once. The only other time someone actually answered Shiro, it was Coran, who is not in Voltron.)

Throughout the season, there are instances of this. Here, Shiro and Keith are on the bridge, and they don’t even look at each other.

They don’t talk to each other. No matter how you see their relationship, they are important to each other. And yet…nothing.

Another time, Shiro was sad to be left behind when the team went forward. You can’t tell me he’s happy here.

But Shiro desperately doesn’t want to be alone or left behind.

How do we know?

Shiro’s only win since Season 2 was an arm-wrestling competition, and he only won because he took strength from his one-time team. (Notice: Future hubby isn’t in the above shot.)

Shiro’s Marriage

Shiro is married, so he’s not alone, right?

Well, yeah, but…Shiro’s story wasn’t for him to be married off to finally have a family, when Voltron was supposedly a story about found family.

By Shiro’s happiness coming from marriage, Shiro was reduced to his sexuality. Shiro is queer and nothing else, but being queer is a part of someone’s entire person. If they would have shown Shiro “finding his happiness” on board the Atlas with no-name-dude with a tag like, “Shiro continued as the Atlas’ commander and found his happiness in space,” then fine. Do I still think it would have been random and forced, and all that?

Yeah. It’s 2018, and it’s baby steps, and I can’t believe there hasn’t been a mlm kiss in all of American cartoons already. But putting my own shipping preferences aside - it is progress.

However, Shiro’s core desire was to be a paladin, to help, to explore space. Say what you want about the paladin’s guardian spirits, but Shiro’s was the cosmos. Tell me again why Keith has a dog that can teleport and is called Cosmo? Oh, right. Cuz Shiro was supposed to be able to teleport.

Shiro enjoyed being paladin. He wanted to be a paladin, and if one wants to embrace his captaincy or admiralty or commanding office of the Atlas position - all right, but even then he was someone who wouldn’t leave behind the “good fight.” The good fight was where he wanted to be.

What’s also disturbing to me about “Shiro’s happiness” is that - it’s the ending Adam wanted. If you follow my blog, you know I wasn’t a fan of the “Shadam” pairing, mainly because Shiro and Adam wanted different things. That’s mature. That’s a good representation of an adult relationship. Each wanted something different, so they broke up and moved on. I like that DreamWorks showed that, and I wish they wouldn’t have killed Adam. It would have allowed viewers to see how relationships can have a healthy conclusion.

But for Shiro then to do what Adam wanted years later, leave behind “the good fight” and settle down, is a complete reversal of Shiro’s character. That also says Adam wasn’t enough for Shiro, but no-name-husband is. To be honest, if Adam hadn’t died, Adam could have filled that role, which is disturbing as well because Shiro is now “cured” of the degenerative disease, supposedly. (Technically, he’s not in the context of the story, but I’m ignoring that for now.)

So if Adam would have waited for Shiro, okay. But for Adam to want Shiro once cured, is a terrible message to those suffering from degenerative diseases. (Full disclosure - I was a caretaker of a person with a degeneration disease for sixteen years.)

Therefore, Shiro’s ending comes down to three things:

Shiro was married off because the EPs wanted him out of the story since the get-go, and if there is a sequel, Shiro is out of the fight - both the Black Lion and Atlas.

It was tacked on to fix the BYG trope in Season 7.

It reaffirms that Shiro is “old,” which the EPs just love to say, even though the dude is younger than me.

Shiro’s Role as the Atlas’ commander/captain/four bars

If one wants to say Shiro’s heads the entire coalition as a disabled man, which is empowering, I get it. That is a powerful position, though he hasn’t won a fight since Season 2. (The Alteans beat him up in “The Zenith,” and Zethrid’s Olkari tech is the reason the team wins in “Genesis.” In Season 7, the Atlas doesn’t beat the Altean mech, so Shiro in Atlas hasn’t won a fight by himself.)

But my argument is - Shiro’s core fear was not being worthy of being a paladin, and his position in Atlas proves his fear true. (Even though Altas and Voltron merged at the end, Shiro was still not a paladin - as I explained above.)

Also, it’s important to note Shiro was happy as the leader of Voltron and the paladin of the Black Lion. Plus, he was the garrison’s best pilot. (Keith was the garrison’s best up-and-coming pilot.)

Why would you ever sideline your best pilot? He’s one of your strongest fighters. He’s one of your best skilled fighters, and you take him out of the fight and put him on the bridge? That’s a terrible battle strategy. It’s like having the most winning goaltender in NHL history and taking him out to put in a no-name second-stringer.

What happens? The franchise collapses.

Yes, take that both ways, as I intended. After all, it’s no coincidence that Shiro was the Hot Topic exclusive Funko Pop! figurine.

Not only did the storyline sideline one of its stronger fighters, it continuously reminds fans of this and undeservedly praises itself for doing so.

Shiro had the strongest bond with his lion, and since the lion swap, almost none of the paladins talk to their lions. I think Keith is the only one who actually directs a comment to his lion - the “you’re back” line, in Season 8 and “I know you’re hurting,” in Season 6. The clone asked Black to trust him, but all the rest of the paladins refer to their lions and haven’t actually spoken to them in seasons.

Even the final moments of the paladins with their lions reinforce the original line-up, which does indicate that the lions and paladins haven’t spoken to each other because the lion-paladin bonds ceased to exist following the lion swap. In fact, I would go insofar as to say the lions themselves were not happy with the swap.

After all, Pidge and Lance never do the eye-glow thing, and Allura only did it with Voltron, not Blue. Also, Allura only used her bayard once in Voltron, in conjunction with Hunk’s. Neither Lance nor Allura ever use their bayards alone in Voltron, and also - the Blazing Sword does not return to Voltron until Zarkon is in Voltron with Keith.

So yes, according to “Knights of Life” - Keith is not the Black Paladin. Zarkon said Keith is a leader, not the Black Paladin, and Shiro, too, never told Keith in Season 2 to fly Black, just to lead.

Keith, Shiro & Leadership

Disclaimer: I love Keith. He’s my second favorite character, but I love Keith, not Keith acting like Shiro.

I wasn’t going to go into Keith and Shiro’s leadership dynamics, but after seeing this -

- I felt the need to touch upon it, as Shiro now reflects Keith in Season 2.

Keith’s leadership is based on two things - his race, as deemed by Zarkon, and two years on the back of a whale leading no one. (This is a story’s fault, not the character’s.) Keith’s connection to the Black Lion is based upon his relationship with Shiro, first asking the Black Lion to fly to save Shiro, then taking up the mantle of leadership because Shiro asked him to, and then again, flying Black to save Shiro.

Shiro, on the other hand, had the strongest bond with his lion, died to save the universe, was saved by his lion, existed in an environment that drove the original paladins insane, and came back to take leadership of an entire coalition.

Yeah, he’s just going to give up? And he’s not going to be the one talking miracles and getting up and moving again?

One can say, “But Keith has developed into the leader Shiro is/was,” which… okay, but then one has to also acknowledge, “Shiro has regressed after all he’d been through”

If one is discussing endgames for characters, this is a terrible place for us to say good-bye to Shiro.

Also, despite Keith’s insistence -

- it wasn’t. How do we know?

Allura died, saving the universe. In a universe where Voltron wins, it’s because the team is stronger together, and the team wins together. The paladins wouldn’t allow the universe’s survival to hinge upon only one of their shoulders. If Allura went to sacrifice herself, the other paladins would find a way to save her. They would talk her out of it. They would find another solution.

The Season 8 Voltron line-up cannot save the universe, let alone each other.

But with Shiro in Black, Allura in Atlas/the White Lion, Keith in Red, Lance in Blue, Pidge in Green, and Hunk in Yellow - we have a team that has saved the universe and a team that won’t let each other die.

We’d have a true found family that together, would win.

And Shiro would have found his happiness, in Black and in his family.

TL;DR:

#voltron #vld season 8 #shiro #onetrueblackpaladin #allura #paladins #vld #voltron critical #meta #keith #leadership #black paladin #atlas

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the-writer-and-the-artist · 5 years

Text

WE’RE ALIIIIVE

Mary (The Writer): Hey all, it’s been a minute! The Writer and the Artist are both here today to get you caught up on our individual stories. Things have been in flux lately and we had to take a bit of a break. But we’re back! This is probably going to be a bit silly but bear with us.

Sally (The Artist): Hey peoples, basically ^ what she said. We've been absent on our social media for awhile now and as we make our way back to posting more frequently and everything we wanted to share what's been going on. Just in the unlikely case that anyone had missed us or wanted to know what was happening…(Anyone? Anyone at all??)

Mary (TW): My life went through a lot of changes the past few months. I went out west to California for a job, which turned out not to suit my perpetually questionable health, got a kidney infection and a big ol’ painful ovarian cyst, so I headed back east. Have you ever flown when you’re sick enough to need a wheelchair? It’s awkward. People look at you suspiciously, like you’ve fooled the airline somehow when you get up and walk a few steps. It occurred to me they might prefer it if I fell over a few times but was unwilling to hurt myself for their sake. I’ve talked long enough for this wee paragraph! More adventures in ill-health to come.

Sally (TA): Since Mary was out in California we decided that her blog posts, every other Wednesday, would be postponed for a little while. I did my best to keep up with my end of the blog post on the off Wednesdays but after awhile I started faltering in that area also. I didn’t have a legit reason like Mary did, she was in a new state with a new job and having health problems….while I just ...didn’t do what I was supposed to be doing. There’s a seasonal thing going on here that means during the winter I’m not as productive as usual even though I set the same amount of goals/schedule ...I’m calling it hibernation.

Mary (TW): I had a difficult time getting healthy physically but mentally as well. I was despondent. I felt like my health defined me and that it was never going to get better. I began to care less about everything and let that self-pity go on too long. I got a spinal tap (the last leg of testing before treatment) and not too long after that I was traveling for the holidays. Even though I had a bad cold, that trip reinvigorated me. I realized that I'm not at the end of any line. Maybe the pain will get worse, all evidence suggests it will, but I have access to a treatment that may help. And I can write. I can always write. It might be trash sometimes, haha, but at least I have that.

Sally (TA): Now that we’ve talked it out and acknowledged that we haven’t been keeping on track with things for the last couple of months we can get ourselves back on track. Mary is continuing to write and I will continue to do the art for her writing (maybe even remember to get video of it too). I’ve realized that now that I know I have lower productivity during winter months I can compensate for my schedule to fit that so that I don’t feel bad about not doing everything I set for myself. That only leads to feeling worse and doing worse.

Mary (TW): It’s time for some updates! We will still be publishing weekly blog posts but on Saturday instead of Wednesday. Having it in the middle of the week can put a lot of pressure on us, but especially Sally since she’s the one currently working a full-time job. I’ve been getting more progress made with the Ibis story and I’m taking pictures throughout the process to share with you.

Sally (TA): I’m also going to be doing more to post the art I’m making for the poetry book on Instagram. When we started out we tried doing a post every day religiously and if we didn’t have anything planned out for the post it got to be stressful. So we’re going to hold ourselves accountable and post more regularly but not necessarily every single day.

And that's that! We're so grateful that you've chosen to come on this journey with us. We're always learning and we appreciate your patience. It's been fun and there's loads more to look forward to.

#writers on tumblr #artists on tumblr #collaboration #women in art

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psychic-echo · 6 years

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Yugioh Theory: Mai’s Dark-Side

Okay, so hear me out. Might sound stupid, but I have a theory that Yami Marik wasn't completely destroyed by Marik upon his surrender to the Pharaoh at the end of Battle City. In fact, it might be possible for Yami Marik to be partially responsible for Mai's turn towards the Dark-side during the Doma Arc; in more than a PTSD Nightmare fuel sense.

(Longer version after the break)

So, as stated above, the theory revolves around Mai's personality change in comparison to where she was when she drove off into the sunset at the end of Battle City, and when she comes roaring in as a bad-ass biker babe only 7 episodes later at the start of the Doma Arc.

Mai's motivations as to why she is now a rival of Yugi & co., and has given into the power of the Orichalcos and turned to the dark side, seems a little baffling. Mai is said to want power and become a stronger duelist, but is also suffering from post-traumatic stress and possibly other psychological disorders (Anxiety, etc.) by the mental torture she had to endure in the penalty game imposed on her due to her loss to Yami Marik, in the Battle City Semi-Finals. She thinks she's abandoned by her friends, who no longer care.

To quote her exactly on her motivations: "You've never been an outsider like me, All alone. Duel Monsters is all I have, and after the battle city tournament I set out to become the best. I dueled against chump after chump to improve my dueling skills. I needed to make a name for myself. Even though I won match after match, I didn't feel any stronger as a duelist. In fact, I felt worse, and I certainly wasn't making a name for myself. Not long after that the nightmares began [....] Every night it was the same dream. I was weak, and no one was there to help me! I was at the end of my rope, scared, lonely, pathetic, and my so called friends were no where to be found. "

Well, yeah it's understandable she's fed up with not being considered being in the same league of Duelist or as well recognized as Kaiba, Yugi, and even Joey. It's also understandable she's still traumatized from the events of Battle City, to the point she's convinced herself that she doesn't belong with them, and they don't care about her.

After all; part of the Shadow Game she played in involved her friends being erased from her mind, and her penalty game involved showing her an illusion of her friends being happier and better off without her, completely forgetting about her.

Mai's final scene in Season 3 she exchanges farewells with Joey. She appears to acknowledge the fact that Joey actually does care about her and consider her a friend; and she tells him that the feeling is mutual and she considers them to be friends as well. It's a sweet scene and feels more like a send off to Mai, and the conclusion of her character arc.

That's because in the Manga, Mai's character arc ended with the Conclusion of the Battle City Arc. She is never seen again throughout the rest of the Manga. But of course, that's not the case in the Anime; as she was brought back in season 4 (which was not adapted from an arc in the Manga--as the arc bridging the gap in between the Duelist volumes, and the Millennium World Volumes of the Manga was the 5 volume series Yu-Gi-Oh R, which people tend to forget as being a thing. Though I can see why Yu-Gi-Oh R, was never adapted into Anime; but that's for a future discussion.)

Mai's return as a character, and an antagonist seemed mostly for character motivation for Joey as a secondary protagonist character; giving him more of a mission and reason to be there than just as moral support for Yugi and the Pharaoh. His purpose in this battle against evil, aside from the standard "I promised Yugi I'd help him face whatever evil there was"; becomes more of a rescue mission, repeating a lot of the same steps from the Battle City Finals: showing Mai that she has friends who care about her. Though in the process Mai's motivations for being against them feel more like the writers forgot, or rather, undid, all the development in the past three seasons. But also adding the "inadequacy as a Duelist" subplot--which doesn't get focused on quite as much as the "friendship" thing, or this weird "Love-triangle" subplot between her, Valon, and Joey.

Even when Mai defeats Joey, and the Seal of Orichalcos takes his soul, freeing Mai from it's influence as she sees Joey cares about her enough to risk his own soul. She sees that what she had convinced herself of was wrong:

"I was angry and confused and I blamed all my loneliness on you. So I tried to get rid of you. How could I be so selfish? You're the only one who ever cared about me. You're the closest friend I ever had and how did I repay you? By leaving you for a mad man who promised me power."

That's all fine and good, except now this make time number two that Mai has repeated this arc. Blaming Joey for her loneliness, and her problems, and why her victories seemed to be meaningless and empty. Literally they have the same exchange as the end of Season 3, just done slightly different (with Joey being unconscious). Mai acknowledging Joey's friendship and how much he cares about her and what happens to her, that he was willing to lose everything just to save her.

"Okay, but now....aren't we supposed to be talking about Yami Marik being partially responsible for this relapse and influencing Mai's dark personality, under the power of the Orichalcos? You've yet to actually explain where he fits in to this. All you've done is sort of highlight the baffling writing in Season 4 in regards to Mai."

I'm getting to that. Just needed to establish that we're given the reasons why Mai joined with Dartz's organization. She felt weak and that her friends had abandoned her. She was desperate and miserable. But when Mai left at the end of season 3, she didn't seem like what she was now coming to understand and see would be something she would forget about anytime soon. I'm not sure if it's ever stated how much time passes between Battle City and the events of the Doma Arc, but it's seems like enough for Mai to win a number of tournaments; and have a number of reoccurring nightmares, to be at that point where she's desperate and feeling hopeless right before she encounter Valon, and begin working for Dartz.

So, the main theory; Yami Marik is responsible for Mai's turn to darkness in more than just the memory of their duel and his torturing of her being the source of her PTSD. He may actually be present in Mai's mind and is helping influence all these things. Even if she, and no one else might know.

But we're going to set Mai aside for right now to talk about Yami Marik for a bit, but don't worry these two paths are gonna converge, but I'm sure before I even get to that point. You'll see exactly where Yami Marik fits in to Mai's darkness and backwards progression. If you haven't already and are screaming at me right now to make the point.

We know from what we've seen, Yami Marik was created after Marik's initiation as Tomb Keeper, from Marik's hatred, anger, sadness, among other negative emotions. He's been shown to influence Marik's personality, so it isn't too much of a stretch to say that plenty of Marik's motives and actions as an antagonist were influenced by Yami Marik as a play to gain more power, to eventually become strong enough to possibly over come the suppression which the ritual Odion performed on his face as a sign of solidarity to his little brother, without having to have Odion fall unconscious.

Yami Marik gains power and a greater influence on Marik, through Marik's own actions and emotions and through the pain he inflicts on others; like a vampiric parasite he feeds off of misery, darkness, desperation, hopelessness and evil and negative energies. They sustain him enough to remain present in Marik. He messes with Marik's mind and emotions to keep him miserable and fueling his hatred, just as Marik screwed with the mind and emotions of others through the Millennium Rod's Power.

The idea to use the Millennium Rod's power in this way on others probably came from Yami Marik himself. His influence over Marik has grown in the past few years since the death of Mr. Ishtar. It's become strong enough now that Marik's personality has changed and become this revenge driven, scheming evil master-mind. Of course this greater influence is from the benefit of the power of the Millennium Rod and the shadow-magic within it. He feeds off of the power of the Shadow Realm and the suffering of his victims (including the Rare Hunters he controls, as many of the Rare hunters he's possessed, Like Arcana, Lumis, and the Exodia Rare Hunter, have all been shown to be fearful of him appearing in their mind and taking control of them, when they've failed him.)

(The fact that Yami Marik feeds off of the Shadow-Realm and the Millennium Rod's power can be evidenced through just the change in his appearance among the episodes. He becomes more deranged, and his face becomes all sorts of distorted and those muscles. I mean just....Damn.)

(Yami Marik feeding off the darkness of the Shadow Realm and the torture of his victims; also can be evidenced through a cut scene cut from the 4Kids dub, where after his duel with Joey, in which he narrowly escaped defeat, he is shown momentarily becoming ill, and nearly vomiting, making it almost seem as if the energy he received from the Shadow's in that duel was tainted in some way.)

Okay, so let's talk about the Millennium Rod and it's power at this point. Among the abilities of the Millennium Rod, such as mind-control, and mental mental manipulation, the ability to leave a portion of the owner's mind in the people that he has controlled. This ability was used in a couple instances, such as allowing Marik to appear in Bakura's mind to tell him to enter the Battle City Finals, and to appear to seek Bakura's assistance when Yami Marik took over, and of course using this ability with Tea.

At only one point in the Duels after Yami Marik awakens do we ever see him use the ability to enter into someone's mind. That is right after Mai's loses the Shadow Game against him. He appears to her in her mind, to trap her there inside an hour glass, that once the sand ran out would completely erase everything of her memories. While there he created the illusion to make Mai think her friends were happier without her and that no one was coming to save her.

It's possible that when this happened Yami-Marik left a piece of his mind inside of Mai; in order to appear in her mind, he would have had to do this. Did he intentionally mean to leave this piece of his mind inside of Mai? Maybe. Though the theory still works if it was not intentional; I believe this was intentional.

Why? Because...."I always have a plan."

These are the exact words Marik himself uses shortly after he has his Rare Hunters capture Joey and Tea and they become Marik's mind slaves to lure Yugi into a duel to the death against Joey at the harbor. Marik has been shown many times to have several plans running in action at the same time, (like a good villain). Any time one plan falls through, the next can be put into motion.

Having gained control of Marik's body, no longer being suppressed by Odion, now that he's been struck down; Yami Marik has to try to keep his control. Prior to his awakening (the first time and the recent time); Marik has shown active resistance to his Dark-Sides control, even shortly after losing control, appearing to call out for Ishizu's help, only to be locked up and banished.

Given that Yami-Marik actively goes after Odion multiple times in order to kill him,in order to eliminate the threat of Marik regaining control were Odion to regain conciousness like the last time he was in control; he would have to have plans in play in the probable chance he may be defeated. Even if those plans have to be improvised to a degree; using the only available people around. (It's the finals, there aren't that many people around, you're on an aircraft/island/etc.) He needed a back-up plan incase this all went south, and he was banished. So what are your options at the time? They're pretty damn limited.

You're not going to go after the non-duelists on board. I mean, they probably don't have cards, or any real means of accomplishing the mission to defeat the Pharaoh, or anything else really. They're worthless to you.

Like fuck you're going to try possessing Odion, he's the reason you were supressed in the first place, You'd rather prefer his dead ass chopped up into peices and tossed out into the ocean for the sharks. Because like hell you're taking that risk of bringing him back to conciousness and getting yourself destroyed. I mean, Fuck. That. Shit.

Well, there's Joey---but..he's shown resistance to the Millennium Rod's Mind control before and even managed to break himself free. You can't break his will that easy, and his mind may actively fight you. So, that's a no go.

Kaiba? Kaiba has connections to the ancient past, so the Millennium Rod's power isn't going to work, and besides--there's a chance the Millennium Rod might recognize this connection between Kaiba and it's former wielder and Yami Marik could lose control of the Millennium Rod. You want to keep that. Besides, the only thing you want from Kaiba is his Obelisk the Tormentor. (Wait---that came out wrong.)

As well, You're not going to hide out in this eighth duelist because, they haven't shown their face yet. Who cares who they are. Maybe when and If you have to face them, you can use them. Of course by the time you do find out who they are (surprise of surprises: it's your sister.) you'll have to eliminate them as an option, not only does she have a Millennium item (which she gives up) She also has a connection to the ancient past through the family lineage, so she's probably protected from most of the powers of the Millennium Rod. I predict the future says no on this one.

Bakura's an option--but there's already another dark spirit working there within the Millennium Ring, who's probably already pissed off at you after your weaker half almost got his host obliterated by Silfer in Match 1 of the finals---You need someone who's not going to pose a threat to you. Someone who can't use a millennium item to banish you before you even have a chance. Forget it. Leave the Cream-puff alone; he's got his own problems. Besides, like with Tea, your weaker half might be hiding out there. You'll have to eliminate him and any other pieces of him that might be lurking around anyhow.

So, who's left? Ah, well, isn't it your luck the Blue-Eyes Bingo Machine just puked out your number and that of your first opponent, and what a joy; she's already brimming with feelings of loneliness, isolation, and anger, masked behind the tough-girl lone-wolf Duelist façade. Perfect. You can use this to your advantage for the perfect shadow game and even set her up as your backup plan.

She's got all the negative emotions you can feed off of, to sustain yourself upon should it eventually come down to it. Sure, you're back to square one if your weak half some how gets back in control, and if Odion does regain consciousness, giving your weak half the confidence enough to destroy you and banish you forever from his body. But, hey; if you do enough damage, you can mentally scar her enough to get some sort of advantage should you have to actually rely on your backup plan.

To make things even better; when she loses this game, you can completely destroy her mind. Torture her, and put a timer on her penalty game. Anyone who wants to save her better do it in enough time. Even if this whole "destroy the Pharaoh" plan doesn't work out the way it should; if they don't take you down in enough time; there won't be any Mai left to bring back, and no Mai left to be able to resist your power. You basically get a back-up body to inhabit, without nearly as much of the work you had to put in to Marik. (And even better, Odion won't be able to stop you, that whole ritual thing that been suppressing you probably only works with Marik...and you won't be him. so yay.)

Anyhow, It seems like a perfect set up for a back up plan. However as I mentioned before, the theory still works on the idea it was all accidental and Yami Marik didn't know he was leaving a piece of his mind behind in order to enter into Mai's mind. He only finds out about this after appearing in Mai's mind sometime after the end of Battle City and her departure from the group.

Either way, sometime after Yami Marik is defeated; he appears inside of Mai's mind. Mai's acknowledgement of her friendship with the others has occurred and now she's off on her own with that confidence in her heart. For now. Yami-Marik is back at square one with his power, back like when Marik was still a kid. Well, that is enough. You can still mess with her mind. Bring up those old scars, and traumas. Put the power of suggestion in her head.

All it takes is that first tournament win. Yami Marik takes the joy from it, just by the power of suggestion. Make her believe it's an empty win, and it makes her no stronger than before. She might have won, but what's the point? No friends to share the victory with? It makes her miserable, thinking something is wrong with her. Her misery makes him stronger. Repeatedly again and again, sucking the joy from the only thing Mai has in her life at the moment. It drives her mad, and she can't understand what the reason for it is.

He suggests to her it's because she'll never be a respected Duelist. Yugi, Kaiba, Joey, those are the real stars; those are the real duelists, and she's fooling herself if she thinks anyone will consider her in their league. Of course the words she's been hearing from her competition, and others only reinforces this idea.

Then the nightmares start. Now he can confront her, he can bring back those memories of her loss in Battle City. He can torture her more. Really drive home the fact she's alone, she's weak, and make her believe no one cares and she'd have been better of in the shadows, forgotten about. It makes her desperate. She slips into depressive state, and really starts to believe that her friends don't care. Now she's absolutely miserable, and Yami-Marik can sustain himself for quite some time. She feels hopeless, and it's difficult to find the positive when there seems to be nothing left to make her happy, or have a sense of worth and purpose in the world. She can't talk to anyone about it, because her "Mind" has convinced her they don't care, because they haven't tried to contact her, and she would be bothering them if she tried to contact them. She's convinced they only tolerate her, but don't actually think she's a friend. Despite all evidences to the contrary.

He's basically undid every piece of character development Mai's ever had. Then something Yami Marik didn't count on happens. Valon crosses paths with Mai. He's defeats her in a duel, the first person to do that since Yami Marik himself. Valon could be trouble with his promises of giving her friendship and a sense of belonging. However, there is something else Valon promises to show Mai if she goes with him; true power. Valon says Dartz, the man he's working for has power, and that Power can belong to Mai.

Power? Now that has Yami Marik's interest. He's greedy. Sustaining himself off of Mai's misery is fine, but what he really needs is a boost of power. Something which might allow him to take a greater influence on Mai, maybe actually take control of her. Mai's desperate anyways, and convinced she's weak. Here Valon is offering friendship and power to over-come the nightmares and become a stronger person. The idea sounds appealing to her, so she goes.

The minute she is given the power of the Orichalcos through Dartz, Yami Marik takes greater control, now boosted by the dark power of the Orichalcos. It's not the power of the Millennium items but it's a dark power that will do for now, until he can get his hands on a Millennium item. It turns into an even better luck this power comes with a mission. Destroy Pegasus and Destroy the Pharaoh. (The Pharaoh is who Yami Marik is really after; destroying Pegasus is an added bonus.) Even better, if it's the Pharaoh we're after then Wheeler isn't going to be too far behind.

Joey must be eliminated. Yami Marik has already started to convince Mai a lot of her problems stem from Joey in some form or another. He's a cause for her loneliness. If Mai is ever going to be respected as a Duelist, and ever going to be happy ever again; she needs to get rid of him.

Though, the truth is a little more off than this. Joey is a threat. He's already shown amazing friendship, courage, and dedication to his friends and to Mai, risking his own life. Mai knows this and has come to accept this, and there is a piece of her still deep under all the shadows in her heart which remembers this. Basically, Joey had become to Mai what Odion was to Marik. A source of encouragement and a pillar of strength. A threat to the control Yami Marik has over his host. He must be eliminated.

I say Yami Marik has partial control over Mai, in the fact that frequently during her duel with Joey whenever she is explaining why she took a turn towards evil, she refers to herself in a third person;

"[....] the Mai you knew is gone, I traded in her soul for power. The old Mai was too lonely and pathetic, the girl was just holding me back. So I did what I had to. I sent her packing. Now my weak side is gone for good."

Oddly enough Mai, who is supposed to be the same person and hasn't spawned a "Dark" personality in spite of the Orichalcos, rather just changed personality to become tougher, refers to herself as her "weak-side", now---who else has called their other half their "weaker self?" Oh, right, Yami Marik.

On a side note: A lot Yami-Marik's dialouge in Mai's nightmares mirror words which Yami Marik said when Marik (in Tea's Body) confronted him ontop of the Duel-Tower before the finals of the tournament took place. In the dream Yami Marik says to Mai:

"I told you you're weak, you don't belong in this world. So I'm banishing you into the shadows where you'll spend all eternity."

To Marik he said:

"I'm afraid you're too weak now. Marik, I'm the real you, and you're nothing but a small peice of my memory [...] Sorry Marik, but it's time for me to banish what's left of you into the Shadows where you belong."

He speaks to Mai in her Nightmare as if she is now the personality he has to contend with for control.

Anyhow. So now Mai is being controlled by Yami Marik through the power of the Orichalcos. He's only able to take control through the Orichalcos, but still has influences on her personality outside of it. So Mai sets out to accomplish the mission Yami Marik had initially started out to do before his defeat.

"but----wait. We see Yami Marik appear in that valley of the dead area with all the ghosts and shit. Like implying he's dead so what do you make of that?" Well, Weevil is there too and he's not dead, he just doesn't have his soul anymore. Besides; like 99% of Yami Marik was destroyed, so yeah he's technically dead, even if a peice of his soul/mind is hiding out inside of Mai. I mean, they think he's dead too. So, yeah. (Also, the Paradox brothers are there….and we know they’re not dead.)

Whenever Mai is on her way to stop Valon and Joey from Dueling later in the episode. She does have a breif moment where she has a flare-up in the orichalcos controlling her, but it appears only after there is a breif image of Yami Marik appearing in her mind, as she declares she isn't going to go back to that place.

However, Mai's good personality starts to fight back as she watches Valon and Joey fight, realizing both of them care for her as a friend. Something in her heart sparks at the memory of seeing Joey nearly bite the dust in the duel, and she starts to fight back against Yami Marik. She starts to fight for control, because now she sees what she was led to believe was wrong.

The moment Mai is unable to attack Joey in her duel against him, in order to win; Mai remembers everything between her and Joey. How he and his friends made her feel welcome and understand friendship for the first time on Duelist Kingdom. But most importantly, she remembers the unspoken words between them as she left at the end of Battle City, and Joey's message finally gets through to her. "I'll always be your friend." With just that, Mai is able to over come Yami-Marik's influence, and the dark power of the Orichalcos which has also been messing with her mind. With Yami-Marik having been feeding off the power of the Orichalcos, when the stone shatters, the last of his mind is gone. He is dead. She is free of her darkness. (Maybe? At the very least she cut off his power boost.)

Now Mai has realized the damage "she" has done; the fact Joey has lost his soul because of her, and she let herself be controlled by giving in to Dartz power. She has to make things right. She has to make it up to joey and Valon for all the shit they've had to go through because of her. It's time to try to face Dartz. .....and promptly get your soul stolen by Raphael. (Dissappointing, and it all happens off screen too. It would have been cool to see Mai getting to use Hermos in a duel against Raphael. but oh well.)

The whole season ends and now Mai finds herself free of her darkness, and the influence of her past. Maybe some day, she can truely forgive herself for the horrible things she allowed to happen to her friends, but until that time comes she knows she has the support of her friends and they'll never forget about her and she'll never forget about them.

I know it's not a perfect theory, but It's a fun theory to play with none the less, and might make for an interesting fanfiction. Seriously, Go back and watch the Orichalcos arc and any of Mai's appearances in the season with the idea of Yami-Marik being present/controlling her (A couple of Joey's lines and Mai's reactions become interesting, and the duel between Joey and Mai becomes a bit of an interesting paralell with Joey and Yami-Marik's duel. Joey being drained of energy and getting weaker as the duel wears on, and the duel being won due to the fact of Joey collapsing from exhaustion. Even Joey's reasons for dueling are the same. To save Mai.) --

Anyhow, I hope that you guys found this theory as interesting of an idea as I have and might want to do something with it. (I know I will probably be doing a few things with it...and have already started on a couple of projects involving the idea.) I thought it'd be interesting to share, even if I let myself get a little carried away with the idea and explaining it.

Want to go back and watch Yugioh Duel Monsters from Episode one? Buy the DVDs. Don't have that much money? The entire series is available to watch for free on Yugioh.com. (It's the 4Kids English Dub, for the original Duel Monsters so if you aren't a fan of it, I don't recommend you heading over there and watching it, but let the rest of us enjoy it okay?).

-- Until next time!

#Yugioh #Theories #Mai Valentine #Mai Kujaku #Marik Ishtar #Yami Marik #Malik Ishtar #Yami Malik #seal of orichalcos #doma arc #Season4 #LONG post

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loki-of-war · 6 years

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On the future of TWD

(EDIT: Reposting due to a formatting error)

So I’ve seen a lot of people commenting and sharing their opinions lately on how Chandler’s departure will affect the show, if it will survive this hit or not, for how many seasons more will TWD run, etc, etc. And I decided, now that I’m thinking more rationally (I hope) and I’m able to form understandable sentences, to share my honest thoughts with you lovely people on this entire mess.

Which is as follows: I give the show a minimum lifespan of ten seasons (meaning, the show will end in two more seasons) and a maximum of twelve seasons in total. This is my verdict, feel free to disagree with me.

Now onto explaining why I think this is so:

I can sort of see why old fans who left and people who have never liked Carl or feel lukewarm about him are happy this death is going to happen. But on the other side I'm thinking this kind of mentality is the reason why the show gets away with terrible decisions and why they keep making them over and over, declining in quality. I don't think it's right to condone mediocrity; this is from someone like me who has stayed on the TWD's side so far hoping they'd find the right footing at some point this season (then, obviously, because why wouldn’t they, my patience and tolerance was rewarded with this haha). And as I mentioned in a previous comment I made on YT, no matter what the public's feelings for Carl are, they won't change the importance of his role in the plot and his fundamental connection to Rick (this latter element has an effect on the whole cast, for better or for worse).

But anyway, Carl's death is going to change the entire mood of the series from now on so it definitely will never be as it once was and I think because of that the story will slowly bleed out. I mean, Carl has been the greatest determinator for every single one of Rick's decisions the entire show, and not only that but what he symbolised as a character, the hope for a better future, is gone now. What do children, sons, daughters, symbolise in every universal story? The next generation, what comes after, that not everything is going to be screwed up forever; especially after seeing how unmerciful TWD's world has proven to be for children and having Carl be the only exception to this 'kids cannot survive this world' rule has sort of become a moot point thanks to the...current circumstances.

Rick's and Lori's speeches to Carl in seasons 2 and 3 respectively justify this way of thinking: that after everyone from their generation (the adults) dies, Carl will have to take the reins and move on. I refuse to believe any writer with common sense would write such important pieces of dialogue just because they felt like it, just because they're emotional words without any other kind of meaning behind them. That is just lazy and awful writing in my opinion. Why write these poignant moments only to have the kid killed long before the end of the series? Why write/do anything if those things are going to be ignored later down the line, nevermind that every piece in a story must connect with the others? Why bother teaching him this morality lessons if they're all going to go to waste anyway; if he will never have a character arc/storyline that is plot relevant where his morals are challenged? (Good on you, whoever made the call, for missing out on possible great storylines for Carl that would have improved viewing and the quality of the show). That doesn't make a bit of sense, unless that what they were looking for was to give the events leading up to his sudden death some twist of irony, and that'd be perfect and all, except that Carl dying was so not part of the plan (the improvisation is so obvious it hurts me in the balls I don't have) and even the way his death was set up was graceless-the bite- and not something one would expect from the same people who made/directed/wrote/produced Season 4. In other words, killing him was basically flipping off the idea of a future in the face, whether they meant to do that or not, and this is bound to turn the overall mood the series to a much grim and darker tone to an already heavy themed and toned series. Many people won't find themselves too content with that heavier tonal change, I think, if the ratings for season 7 are to be trusted.

Ignoring that the conclusion to this was having him die though, I do have to say the actual set up in the mid season finale itself was beautiful and emotional (Chandler's acting was on point, he was the star of this episode), but the chain of actions leading up to it was lackluster. With lackluster I mean that he is a very important character that has literally been wasted for far too long; if you look at his progression throughout the seasons you'll realize he has not done much from a plot perspective despite being a main character. Therefore, his death feels unsatisfactory and empty because one can't help but feel that he hasn't nearly done as much as he should have. What he did to save his people in the mid season finale was amazing but it wasn't enough to make up for a notorious lack of screen time over full eight seasons, moreover if the motivations that drove him to that point, to that mentality, to that philosophy, don't make sense because his personality has made a one eighty from how he was the previous season with no type of prior explanation as to why that happened.

It may not seem like it but I'm actually a huge fan of angst and favorite-character-slaughter. I love when books, music, movies, videogames, series make me suffer (great examples of this are my undying love for Hannibal the tv show and that my favorite videogames are the ones directed by this one man, life destroyer actually, called Yoko Taro). Perhaps that is another reason why I'm being so critical with the choice to kill Carl (asides from the horrible decision-making and poor writing), because I love being hit in the feels in the best way possible, without holding back any punches, just go straight for the kill and make me cry like a newborn. However, I don't like tragedy when it's done for shock value, or when it's done simple-mindedly. If a favorite character of mine is going down, it has to make sense and they must have had filled out their purpose in the story, reached a state of character development we're all satisfied with so that when they die one can accept it and be happy despite the possible trauma that could ensue after (well, one can't exactly pin point when that happens, when enough is enough, but to have had the character embark on a lot of adventures even without them accomplishing their purpose, is enough to embrace their death). I guess what I'm trying to say with all this is that, while on one hand I would have preferred him outliving everybody else, if they were still so adamant on having him die at some point of the story (as if killing Carl had actually been part of a long term plan and not some last minute decision) they should have developed him first and foremost, and then assign him a proper death in later seasons, most preferably before the last season ends given that him dying before Rick is several different levels of wrong; if he wasn't such a huge part of Rick's character then fine, do it, but putting and end to him is equal to neutralizing Rick for literally years, which is time that both a comic and a tv show cannot afford, so to do it near the end of everything would be a better fit.

And, I don't know, even having Judith fill the void won't be of much help either, because we haven’t and we won't see her grow the same way we did Carl, her relationship with Rick will be vastly different, and so on. Probably this is just me but I'm not really attached to her; Judith so far is to me only a concept and not actually a person (yet). The fact that they keep changing the little baby girls who portray her doesn't really help, that gets me out of the story everytime. She just can't replace Carl, she might take his future storylines but it won't be the same. Besides, by the time she grows up, she’ll already be deep into this world, this is her normal life and probably by that time things will have changed.

So basically, not only in killing Carl they destroyed the image of a future, they have killed a foundational part of the essence that made The Walking Dead be The Walking Dead we all knew and loved, and that will never return. Also, allow me to point out that for those who think that The Walking Dead is about people dying whenever and wherever, and the cruel injustice that is life, I am not going to say that your interpretation is wrong but it is an incomplete one. The audience doesn’t watch TWD only to see tons of MC’s get murdered on a daily basis. Otherwise, why bother with investing time on a plot and just have them all killed at once. The soul of TWD is not about senseless killing and murder and tragedy and sadness. Simplifying it all to ‘this show is about the possibility of anybody dying/gore/zombies/etc’ is a great disservice to the show and the fans. Obviously, I am not neither the writer of the show or Robert Kirkman to claim to know to a T what the central theme of The Walking Dead is, and for full disclosure I have not read the comics. Nonetheless, basing my personal opinion on the tv show alone, I would like to think one of the core themes the show has explored and returns to time and time again is the topic in regards to the essence of human nature, and how in spite of apparent doom and the horrible circumstances we are forced to face, humans will always find the way to move forwards and stay strong, ergo, the message is a positive one, not a negative one, depressing, nihilistic one. And what better character to portray this versatility of human nature, this capacity for change, other than Carl Grimes, a child of transition, a child who was pulled out of his normal childhood and thrown right into the chaos of the apocalypse? A boy who has witnessed inhumane things, horrible things, has killed his mother, his second father figure, has done awful things himself, has always been toeing the line between right and wrong, cruel and kind, because of all the experiences he has had to process in a very short period of time? He was obligated to grow in a decaying world, watching his father and the ones surroundind him make mistakes, learning from them, evolving, seeing close ones die, starving, surviving insane experiences... If someone like that manages to grow in such a hostile environment and still remains true to himself and still has not lost faith in the world and humanity, and keeps close all the meaningful, important things his family and friends told him in the course of his entire life and not only that, but also applies them... What does that mean for you, to you? What does it mean for us? What does it say about human nature that hasn’t been told before or not quite in this manner?

Well, that is the point. I guess we will never get to find out in the Tv Show the answer to those questions. Regrettably.

If, and just if, the show manages to recover from this point onwards, I still have no idea how I'd feel about having the show thrive on the tails of throwing under the bus such a key character with no legitimate reasons behind the choice (don't even get me started on what they've done to poor Chandler). I'll still watch the show but I would be incredibly uncomfortable if that is how it turns out to be.

Finally, I apologize for any grammar mistakes or awkward phrasing you may find, it’s way too late to be doing such a long post and English is not my main language. Please don’t be afraid or feel awkward about replying to this post, even if it’s to hate on it. I really don’t mind having a long conversation about this topic with you all since I’ve literally been dying since Sunday night to discuss it.

Thank you so much for reading!

#twd #the walking dead #Carl Grimes #Rick Grimes #Chandler Riggs #Andrew Lincoln #Michonne #Danai Gurira #Negan #Jeffrey Dean Morgan #season 8 #twd s8 #scott gimple #amc

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hacktagmedia · 6 years

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Omarosa says Trump is a racist who uses N-word – and claims there’s tape to prove it

Former Apprentice contestant and ex-White House adviser writes in new memoir that she witnessed ‘truly appalling things’

Donald Trump is a “racist” who has used the “N-word” repeatedly, Omarosa Manigault Newman, once the most prominent African American in the White House, claims in a searing memoir.

The future US president was caught on mic uttering the taboo racial slur “multiple times” during the making of his reality TV show The Apprentice and there is a tape to prove it, according to Manigault Newman, citing three unnamed sources.

Trump has been haunted from around the time of his election in 2016 by allegations that outtakes from the reality TV show exist in which he is heard saying the N-word and using other offensive language.

In her book, Unhinged, a copy of which was obtained by the Guardian ahead of its publication next week, the former Apprentice participant insists that the reports are true, although she does not say she heard him use the word herself.

She also claims that she personally witnessed Trump use racial epithets about the White House counselor Kellyanne Conway’s husband George Conway, who is half Filipino. “Would you look at this George Conway article?” she quotes the president as saying. “F**ing FLIP! Disloyal! Fucking Goo-goo.”

Both flip and goo-goo are terms of racial abuse for Filipinos.

Critics have previously questioned Manigault Newman’s credibility and are likely to accuse her of seeking revenge against the administration after her abrupt dismissal last December.

At the time, she writes, she felt a “growing realization that Donald Trump was indeed a racist, a bigot and a misogynist. My certainty about the N-word tape and his frequent uses of that word were the top of a high mountain of truly appalling things I’d experienced with him, during the last two years in particular.”

Recalling her sudden and unceremonious departure, she writes: “It had finally sunk in that the person I’d thought I’d known so well for so long was actually a racist. Using the N-word was not just the way he talks but, more disturbing, it was how he thought of me and African Americans as a whole.”

Trump hosted NBC’s The Apprentice from 2004-2015 before running for the presidency and still likes to laud his high ratings.

His insurgent election campaign was rocked in October 2016 by the release of an Access Hollywood tape in which he bragged about grabbing women “by the pussy”. The media firestorm prompted Bill Pruitt, a producer on the first two seasons of The Apprentice, to tweet that there were “far worse” tapes of Trump behind the scenes of the show.

Further allegations emerged that Trump had used the N-word in the recordings. Then, following the New York property tycoon’s shocking victory over Hillary Clinton, the actor and comedian Tom Arnold claimed to have the video of Trump using racist language.

The White House staffer Kellyanne Conway and former aides Hope Hicks and Omarosa Manigault Newman at a press briefing last year. Photograph: Alex Wong/Getty Images

“I have the outtakes to The Apprentice where he says every bad thing ever, every offensive, racist thing ever,” Arnold told the Seattle-based radio station KIRO. “It was him sitting in that chair saying the N-word, saying the C-word, calling his son a retard, just being so mean to his own children.”

But Metro-Goldwyn-Mayer, which owns the rights to the reality TV show, and its British creator, Mark Burnett, have resisted pressure to release the footage because of “various contractual and legal requirements”.

Once close to Trump, Manigault Newman was among his most high-profile supporters during the election campaign and drew a top salary of $179,700 as director of communications for the White House office of public liaison. She held her April 2017 wedding at Trump’s luxury hotel, close to the White House.

Hers is the second memoir from a former Trump administration member, following that of the ex-press secretary Sean Spicer, but it was always expected to be less adulatory. This week the Daily Beast reported that she had secretly recorded conversations with the president and “leveraged” this while seeking a book deal. On Sunday she is due to appear on NBC’s flagship political show Meet the Press.

Some commentators have struck a note of scepticism about her book. Brian Stelter, senior media correspondent at CNN, wrote in an email newsletter: “Is former ‘Apprentice’ star Omarosa Manigault-Newmana reliable source of info about the Trump White House? Buckle up for debates about that in the coming week. Because she’s about to betray Trump in a new tell-all book.”

For its part, the White House has previously dismissed criticisms from her. In February the deputy press secretary, Raj Shah, said: “Omarosa was fired three times on The Apprentice and this was the fourth time we let her go. She had limited contact with the president while here. She has no contact now.”

In the book, she recalls how in late 2016 Trump’s team held a conference call and scrambled for how to respond to the tape but it never came out. Then a source from The Apprentice contacted her and claimed to be in possession of it. Trump was in office and Manigault Newman continued to investigate. Advertisement

She continues: “By that point, three sources in three separate conversations had described the contents of this tape. They all told me that President Trump hadn’t just dropped a single N-word bomb. He’d said it multiple times throughout the show’s taping during off-camera outtakes, particularly during the first season of The Apprentice.”

Recalling that she appeared on the first season, Manigault Newman reflects: “I would look like the biggest imbecile alive for supporting a man who used that word.” She says she confided in the former White House communications director Hope Hicks, who said, “I need to hear it for myself,” and continued to ask her frequently about what progress she was making.

She believes that Hicks told the White House chief of staff, John Kelly, that Omarosa was close to getting her hands on the tape, and this gave him cause to terminate her job, though he found a different pretext.

Four months after her departure, she spoke by phone to one of her Apprentice sources. “I was told exactly what Donald Trump said – yes, the N-word and others in a classic Trump-goes-nuclear rant – and when he’s said them. During production he was miked, and there is definitely an audio track.”

Manigault Newman also recalls her interactions with Trump during the filming of The Celebrity Apprentice in late 2007 – a time when the little known Democrat Barack Obama was in the ascendent. “During boardroom outtakes, Donald talked about Obama often. He hated him. He never explained why, but now I believe it was because Obama was black.”

In January, Trump was widely condemned for reportedly dismissing Haiti, El Salvador and African nations as “shitholes”. Manigault Newman describes a similar experience that appears to support that account. When she told Trump that she was going to Haiti, she writes, he demanded: “Why did you choose that shitty country as your first foreign trip?”

He added: “You should have waited until the confirmations were done and gone to Scotland and played golf at [his course] Turnberry.”

In another damning passage, she describes his “broken outlook” and how “the bricks in his racist wall kept getting higher”, wondering if he did “want to start a race war”. She adds: “The only other explanation was that his mental state was so deteriorated that the filter between the worst impulses of his mind and his mouth were completely gone.”

The book comes days after Trump faced renewed allegations of racism over his persistent descriptions of the congresswoman Maxine Waters as having a “low IQ” and CNN journalist Don Lemon as “the dumbest man on television”, as well as criticism of the basketball star LeBron James. This weekend marks the first anniversary of the white supremacist march in Charlottesville, Virginia, that erupted in deadly violence; the president claimed there were “very fine people on both sides”.

Elsewhere in Unhinged, published by Gallery Books, an imprint of Simon & Schuster, Manigault Newman takes aim at Trump’s sexism. Recalling more outtakes from The Apprentice, she says he asked personal questions about female contestants such as “What do you think she’s like in bed?” and “Do you think she’s sexy?” He allegedly asked male contestants: “Who you think would be better in bed between the two of them?”

Asked about the allegations in Manigault Newman’s book, White House press secretary Sarah Sanders said: “Instead of telling the truth about all the good President Trump and his administration are doing to make America safe and prosperous, this book is riddled with lies and false accusations.

“It’s sad that a disgruntled former White House employee is trying to profit off these false attacks, and even worse that the media would now give her a platform, after not taking her seriously when she had only positive things to say about the president during her time in the administration.”

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