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#and if I never have (which is a lot of things) then I generally don't have any kind of opinion on it
animentality · 4 hours
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not to be a boomer, but I do worry about the current generation of kids being raised with iPads.
first off. some of them literally can't hold a pencil because their parents never gave them physical toys to grip and play with, developing their fine motor skills.
you might ask why do we even need to learn how to write physically anymore- well, frankly, because if you're stranded on an island somewhere and you need to write HELP, you might not have the strength to hold a pencil, but you can at least hold a stick.
but on a more general note.
writing by hand helps you remember things better. it forces you to focus in a way that typing something word for word does not. a person can transcribe what a professor says without even thinking about it.
someone writing notes has to consider what to write and what to omit. it also activates more parts of your brain, forcing you to flex the parts of your brain related to learning and communicating, while also engaging the part of your brain dedicated to muscle control and precision.
but in general, I think the issue isn't even oh technology is bad and kids are getting dumber.
you can have PowerPoints AND take physical notes. that could help you learn even better than the olden days where you just had to remember everything that was thrown at you. or read very limited, out of date books.
the problem is that the generation that raised/is raising this generation of children just doesn't understand the true impact that all this technology will have on their kids. or they just don't care.
because our generation had the internet yes, but it wasn't widely accessible for most of us, sharing our computers with the entire family in the kitchen. it was also the internet in its infancy, where it wasn't quite so predatory, when it was lawless and disturbing, yes, but it wasn't weaponized by corporations trying to sell you things and steal your data, it wasn't flooded with bots and ai and all sorts of things that the human brain can't even distinguish as real or fake, especially when you're just a little kid.
that generation still played with physical toys. we celebrated when it snowed and we could stay home.
we also came from a gen that still, vaguely, cared about some form of community and had third spaces for kids to hang out.
90s children, who still had some memories of both playing outside on a playground and playing Mario Kart on the Nintendo 64 with their friends, who both went out to the mall and had a club penguin account.
we grew up with laptops and smart boards. maybe some of us had them in high school or college, but we still physically went to class and developed relationships. learned uncomfortable things about ourselves and others, the way humans do.
met new people and were exposed to new ideas, away from our parents. but not from some fucking influencer trying to sell us Sephora products.
we had to study for things, instead of just being able to Google shit for some bullshit online test.
which is also something that really concerns me. so many kids today can so easily Google answers for every test, and while tests don't ultimately matter in the real world, they still provide some basis for things that do matter.
like I'm just imagining medical students googling how to perform an appendectomy on the day of, and just using a YouTube tutorial to guide them through, and shuddering.
there are some things that the Internet can't teach you.
there always will be.
but I don't think my generation is really helping their kids find the balance that we were given naturally growing up.
the boomers and gen xers had fist fights and we had bullying someone online until they committed suicide.
and now kids use AI to spread fake nudes of girls.
but the laws haven't caught up with a lot of this stuff yet, and certainly won't while we have dinosaurs running our government. and culture takes even longer to change than laws.
I also worry because I know how badly covid affected kids worldwide. how they struggle to read and do math, because remote learning just isn't good for kids.
and I can't even blame them!! I literally teleworked for 4 years and even I can admit that I'm not nearly as good at focusing at home as I am in the office.
it's hard for kids with social anxiety and disabilities, yes I know, I know, trust me, I have social anxiety, and as a hybrid worker ATM, I highly doubt I'd be able to handle 5 days a week in the office.
but it's also not particularly good for kids to stay home ALL the time, entertaining themselves in their room and never being challenged, and never meeting people other than their parents.
the iPad is more of a symbol of that problem than the direct problem.
if your entire... world view is limited to what you can see on your iPad... I mean what a terrible world view you'll have.
you're a 10 year old using TikTok and all you ever see is the same opinion over and over until you can scarcely comprehend people who have an opposing opinion.
you see fake videos that seem so real. that must be real, and so comforting, aren't they, those videos that seem so real?
you let 30 year old influencers who are trying to grift people shape your world view.
and it's not even your fault.
your parents aren't doing anything to help you.
you're young and you're being barraged with entertainment and fake educational videos and how to guides that accidentally create mustard gas in your toilet.
your parents should be teaching you to find a balance between these things. they should be telling you what's real and caution you about the things you see.
they should limit your fucking time on the iPad actually. take you to a fucking park and let you roll in the mud or some shit.
and then when you're a teenager and a young adult, then you can start deciding for yourself what you believe.
but a lot of these weird millennial/gen z parents, man. just let your 1 year old scroll through vids on TikTok while you don't even talk to them or look at them once.
maybe it's because they don't see the harm in it, but I don't get it.
adults can watch TikTok all day and know, ahhh this is bad for me. I'm not doing anything I actually want to be doing.
adults can see other adults doing dumb shit and say ah you're sponsored. someone paid you money to say and do that. silly.
but kids are just kids.
they don't have discipline and frankly, that's not their responsibility. that is yours.
you should be teaching them that they can't have everything in life at their finger tips at all times, actually.
the iPad doesn't solve all of your problems, nor will it think critically for you.
so I worry about if humanity can really keep up with its own technology.
our species is still in its infancy, believe it or not.
so maybe these are just growing pains, and future generations will be able to look back on this era and know the proper balance.
but as someone living in 2024.
I wonder just how much pain is left before we really mature and either make it or break it.
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Hi my husband and I have never used lubrication but I have PCOS yes I did comment this on your post unanon but I don't want too much attention anyways we've used Vaseline like twice I'm wondering what works?
So first off: please please don’t use Vaseline inside a vagina. It’s one of the big three that uses a lot of glycerin, which is just not a good thing to introduce to the hardworking vaginal flora. The well known brands Vaseline, Astroglide, and KY are all big offenders on this front. It preserves lube and also makes it taste sweet which people like but vaginas really don’t.
I don't know specifically if lubrication will help with PCOS pain, but it's just a generally good idea for sex. And as an uninformed non-medical professional it does seem like more lube more better with regards to cysts but definitely consult a doctor! I'd check out Sliquid lube which has a nice thick consistency similar to Vaseline without the offending ingredient.
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Just wanted to say thank you so, so much for writing Fate's Favourite. I actually found and loved your blog before I ever found that fanfic, and it was a delight to know it was written by you, and it's so clear how you've improved. But Fate's Favourite will always have a part of my heart, because it's the first story I've read that just has a platonic friendship that feels as equal as a romantic one without being romantic? And as a lonely aroace that means everything. EVERYTHING. (1/2)
(2/2) I had a conversation today that reminded me that I'm never going to have the queerplatonic relationship I want that I've always wanted since I was a child, and how it makes me want to write one so much more, but then I've never managed to write the story I've wanted to write my entire life because I'd always be afraid of being accused of queerbaiting or people just going, 'but it's actually just a gay romance this isn't what friendship looks like' and just. Thank you for Fate's Favourite.
--
Wow. FF is a blast from the past!
You are very welcome.
Apologies for the long, self-indulgent reply.
That story was one of the first things I ever properly wrote and my first (maybe second?) truly long-form story ever. I thus have a soft spot for it, even though in terms of craft and technique I can't so much as look at it without seeing all my numerous beginner flaws and cringing and can't bring myself to actually point people to it. Much improvement since then, as you say!
(An excellent reminder that writing is a learned skill.)
Anyway. The other interesting thing about that story is that I wrote it before I'd ever heard of asexuality or realised that was what I was. I was a very confused teenager being bombarded with this pressure to have crushes and date people and all that general societal messaging we have about romance being the most important thing ever. Especially in YA.
So I'd go home after school and write that story.
Obviously it's more unhealthy than what I'd want for myself in my real life, but the sheer intensity of feeling and importance of the platonic main relationship was something I had also never seen before but craved. And still crave, honestly. So I feel ya.
As for queerbaiting...
A lot of readers at the time told me they viewed the story as 'pre-romance'. AKA, it's a romantic relationship and they haven't realised it yet for whatever reason. They mostly didn't mean that badly, I don't think.
(Although I sometimes think though that if the term 'queerbaiting' was as broadly known and misused then as it is now that I would have been mercilessly lambasted out of ever writing again! And I wouldn't have known how to articulate the fact that wasn't, actually, what I was doing. I think we need to be kind to new writers. I think 'content creator' is gutting something vital in the ecosystem. But that's another rabbit hole.)
So I've been there. It happens. But other people's bad takes didn't change the story and what it meant to me as a lonely ace teenager or what it meant to you.
I have had readers before make a similar comment to you about how it was the first time they got to see something so important to their heart portrayed.
That matters so much more than whatever people say about your writing who don't need it.
Which is why we have to keep writing the stories.
Even if it's clumsy and raw. Even if it's the first thing you've ever tried. Even if it's (especially if) it's a messed up fantasy straight from the most primal part of your brain.
If we don't write it, it won't exist.
And that's so much worse.
The nay-sayers can come to the party, but it wasn't thrown in their honour.
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helenstudies · 14 hours
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I've seen a lot of "gifted kid burnout" posts and also a few "where do we go to post studyblr stuff when we're bad students and don't get good grades" so I'm here to talk about my own experience of "I've never been a gifted kid and I've never been a good student".
I'm not a gifted kid. In fact, there was no "gifted kid" system in my country at all. And instead of multiple choice questions or true or false questions, we had to memorize pages and pages of our textbook and write them down during three hour exams. You can't get "a" and "the" wrong or you lose points, that's how much memorization we had to do. We didn't get electives until our last two years of high school and the electives were "biology or economics?" Yeah, those were the only two. Even at my university, I didn't get to choose my own electives. Everything came in a neat little box that you can never escape. And we never, EVER get full marks in Burmese or English. 80 out of 100 is considered phenomenal and no one's ever gotten more than 82 in either subject. So our matriculation exam's full mark is 600 but the most you can get is 550.
Suffice to say, the education system sucked and I don't like memorization so my grades were 50% at most. I failed my math and physic classes with 28 marks out of 100 for a whole two years, only barely passing on midterms and end of year exams. For my matriculation exam I got 340 out of 600, which is SUBPAR. That's 2.0 GPA btw. I never thought of myself as educated or a good student and I still don't.
But I love languages and I realize that while languages seem hard to learn and have strict rules, they actually don't. You can move them around and learn them however you like. So as an avid reader, I started learning languages so that I will be able to read books in those languages and I found studying liberating. Why not? I'm no longer memorizing 600 pages of text book and writing them down.
I realize that I love learning and studying when I get to choose what I learn. So I stopped caring about grades and started learning things that I love. Hey, do you know what's the biggest side effect of learning things that you love and not caring about grades? It's that you actually start to learn and your grades start to come up. I realize I perform badly when I am stressing out about my grades. This is why you're seeing all my 100% grade and 80% grade all over my walls. It's not because I'm a good student. It's because I've let go of the notion that I HAVE to be a good student.
I can talk about my bad grades as freely as I can talk about my good grades. I can tell you that I've been learning Japanese for ten seven years and I'm only JLPT N3 level. Honestly, you know what? As a generation, we're due to appreciate our process and progress instead of our achievements. It's fine if you're a bad student. It's fine if you are a gifted kid who fell off the wagon. It's fine if you've never been a gifted kid or a bad student. What matters is you're here studying and learning and appreciating yourself for doing all that.
So post your good grades, post your bad grades. Post your good stuff and bad stuff and messy notes. Post about your good days and your bad days. Talk about your productive days and talk about your rest days. Keep going and keep learning!
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captainhunnicutt · 2 days
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I was watching Commander Pierce, today and had some thoughts. I feel like, this is one of those episodes where the viewer is supposed to think Hawkeye is being a jerk with his "leadership style," and how he overdid it etc. etc. but the more I think about it... the more I feel bad for him. I don't think he was actually at fault here as much as initially thought.
Hawkeye knows who he is. He knows what his faults are and doesn't try to pretend they aren't there. He even says he isn't fit to lead. His insignia is a cringing chicken. He doesn't know how to give orders. He legitimately gives every reason putting him in charge is a bad idea - and not one person takes him seriously. I feel like sometimes, throughout the show, this theme reappears. People don't listen or take Hawkeye seriously because he says things in such a way that makes it sound like he's cracking a joke - but behind every joke there is some semblance of truth. And it feels like an argument could be made that that particular consideration isn't often awarded to Hawkeye. It's the exact opposite of BJ - who delivers a lot of very telling statements calmly and collected and no one pays any attention. Like when BJ says in Our Finest Hour that the war has made him angry, and we all act surprise (the only person who doesnt is Hawkeye) when he lashes out in BJ Papa San. It's the same idea. They aren't taken seriously, and that feels like the most dehumanizing thing, which in turn feels like commentary on soldiers/draftees in general. They are just chess pieces in one large game that never seems to end.
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But anyway, Hawkeye doesn't think he can lead, but he really is a natural leader. He leads by example and by not following protocol. By thumbing his nose at rules and regulations - and that is actually working until the influx of wounded and the lack of physical hands available to help. So he defaults to the only option readily available to him. The "army way". There are rules and regulations and standard operation procedures, that in theory, are supposed to help lead. They are supposed to be ways to get themselves to the other side of a situation. So Hawkeye tries to abide by them, use them to his advantage, but with people who are conditioned - by Hawkeye himself and commanding officers continuously allowing it to happen - to NOT play by the book. So what do they do? They lash out at Hawkeye. They make him out to be the worst leader and doing a terrible job - which isn't entirely fair to him.
Hawkeye didn't have the confidence in his own natural abilities to lead and to get them through everything, and fell victim to thinking the "army way" was designed to actually help.
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And while I think BJ was honest upon his return, and did exactly what "Captain Pierce" would've done, I don't think he was actually mad at Hawkeye or "Commander Pierce." I think it's one of those situations where he wasn't mad, just disappointed. I like to believe (re: it's possible and I'm in no way saying this is absolutely what happened but it's open for interpretation) BJ was the first person (maybe the only person) to recognize that Hawkeye would've done just fine if he had led as himself and not tried to be the exact thing he normally despised.
Thanks for coming to my messy MASH talk.
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do you have any tips for writing characters who have a lot of difficulty identifying their own emotions (and other people's)? specifically if the work is from their POV. thank you very much!!
I'll start by saying you're in luck--literature's finest characters are defined by their difficulties identifying their emotions! You're in great company.
As a general rule, don't let your character figure out their emotions until you want some resolution in the narrative (climax, ending, or anywhere in between. Or if you have some second conflict in the narrative, feel free to resolve this one earlier). If your character has clarity about how they feel and what they should do about it, you don't have a compelling narrative but a successful therapy. The trick is in misguiding your characters.
You and I and everyone in the world are misguided about our emotions constantly. We want to feel everything on our terms. If we want a coffee, we want our favorite hazelnut latte, not the Americano. If we go through heartache, we still want to be happy, so we turn to coping mechanisms, often unhealthy, to achieve this. We are emotionally greedy.
Your characters also want to feel everything on their terms, and they don't like that they can't, so they turn to something unhealthy, something they think will solve the problem. In previous posts on my blog, I talk about this in terms of "want" and "need." Your character "needs" to handle the emotions as they are through healthy means, but your character "wants" to feel how they want to feel, which in a strong narrative won't make the character feel better. Ask yourself: if my character was real, how would they react to the situation they're in? When you think of anything unhealthy, write it.
As an example in one of my WIPs, a girl is bullied by the popular kids at her school, and she doesn't like that, but she's also friends with one of the popular kids. Instead of talking to this friend about the bullying, instead of talking to the counselor about it, instead of doing anything that would actually resolve her situation, she decides that if she wants people to stop bullying her, she herself needs to become popular. She notices all the popular kids have boyfriends, so she decides she's going to pursue someone. These are pretty steep leaps of logic, but we do it all the time. Has anyone tried to use romance to bandage emotional sores? Of course!
Macbeth is scared of the witches' prophecy. Does come to peace with it? No! He and his wife kill a lotta people!
Think of your favorite book: how do its characters try and fail to come to terms with their emotions?
As far as "how to write," it sounds like you're writing in first person, and if you are, I can't help too much--I have next to no experience there. But if you're narrating through your character's thoughts, never let them land on the right thought, the idea that will get them out of their bind. It might help to focus on physical sensations and the things people say and do around them--how is your character affected, and how do they interpret these things? Never let them interpret them well and correctly until you want resolution.
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peggingeddiediaz · 21 hours
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Complaining because we're happy about buck finally dating the perfect guy is something… and comparing Tommy to Taylor, please
I really am trying to not be as petty as I can be.
I'll say it again, I actually like Buck and Tommy dating, I like canon bucktommy but the fanon bucktommy fans have made the ship so generic in record time, it's getting insufferable seeing posts about them.
Also, let's not kid ourselves and pretend that the insane fan support for Tommy/Lou that elevates the character to "perfect love interest" in just 2 episodes, is not largely unrelated to him being a hot attractive white man. (I still remember some of those bucktommy fans calling Tommy a Walmart version of Buck when the Tommy/Eddie speculation was a hot topic, and now look at them…) I do admit that both Buck and Tommy look very similar at times🤭
Tommy is not perfect, in fact that 1st date was really uncomfortable to watch and not only because of Buck.
1st: The fact that Tommy knew that Buck wasn't out and that this is literally his 1st date with a man, who had his 1st kiss some days before, which is the reason why Tommy picked a really out of the way restaurant for the date, but still he made a "funny" comment about closet spaces to Eddie, who he's not out to, was a choice. Specially when Tommy knows first hand how hard it is to come out to your friends.
2nd: The fact that not only did he not tell Buck about cutting the date short before leaving the restaurant, but that he called himself an Uber to go home and left him there on the sidewalk?? (Confirmation that Buck drove them there is nice though, passenger princess Tommy is canon 🤭)
3rd: For someone who knows Buck might not be ready to date anyone right now, saying yes to a 2nd date, after the disaster that 1st one turned out to be, and as a guest to his sister's wedding is a little insane.
I can imagine the vitriol and innumerable call out posts had Tommy been a female love interest. Aside from those points, is also deliciously ironic how fanon buddie is the way it is because fans were "tired" of the: bigger guy means he's a top and the smaller one is the bottom dynamic, but suddenly everyone is salivating at it now with bucktommy. Which again, it wouldn't be such a problem if it didn't devolve into stereotypes, just like in fanon buddie.
The one thing both ships have in common is that Buck is never allowed to be a character but just the "your name" tag, stereotypical bottom, infantilized and woobified to the point he's barely recognizable.
I like canon bucktommy and canon buddie (or their potential canon given Buck and Eddie's personalities, and how they are when dating other people), their fanon versions though, where they are stereotypes firsts and characters second? not so much.
In conclusion, I like Tommy and his potential, but he needs a lot of development to be considered a character at all (getting told he's cool is not character building) and awkward dates don't count either (specially when the same benefit is never given to the female love interests).
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vsaintsin · 2 days
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Writeblr Re-Intro
Yo! I'm V Saintsin. Or V or Vin or Saintsin or whatever you want to call me that sounds right on your tongue. I'm a self-proclaimed Social Media fumbler who got a late start to the party and has never quite figured it out. I hate how hipster and edgy it sounds to say "I'm bad at social media" but like I used to work with some people who actually managed the social media accounts for the business we worked for and there were rules and whatnot and damn, I think online media is just not my medium. That being said, here I am! Hah
I'm an author and general mess who's hoping to be the miracle man (somebody who makes a living writing silly little stories). I do use a pseudonym but please hear me out when I say I didn't realize how edgy it sounds, it just has some sentimental value to my personal life. I'm so sorry that I sound like I'm in my emo phase HAHA
About me -
He/Him Transguy from the American Midwest (arguably the south, depending on who you talk to, but the older people still say "Sodi-pop" and "ope").
I'm dysautonomic, bendy, permanently sleepy, and a survivor of Crappy Doctors Who Suck At Doctoring.
I like DnD, Pathfinder, Baldur's Gate 3, Cyberpunk, Dragon Age, and other things in that vein.
I do make art of my stories and characters (Tablet is currently not working so I'm in a dry spell).
My writing background is predominantly ancient, dusty RPs from as far back as the foopets days and fanfic writing on Quizilla - I am an old and wizened elder of the net.
My formal education was music performance and behavioral neuroscience, I don't really know how I got where I am.
This is not my first rodeo with tumblr but it is the first time I have anything to SAY instead of just lurking.
In the event of malfunction, you can put me outside for 5 minutes and I'll probably factory reset.
My existence as I know it hinges on a massive number of sticky notes plastered throughout my room.
What I'm lookin' for -
Idk, whatever? I'm down for most things. Did you write it? Cool, let me see. I'm not too bent on genre or anything, just fascinated by the art of storytelling.
A bit tentative with fanfiction but that's just because if it's not a fandom I'm familiar with I am rather clueless about what the hell is going on and if it's a fandom I am familiar with I HUNT DOWN THE DEEP LORE.
I like art a whole lot, including fanart. Also art advice, love seeing things from different perspectives and learning something new.
Mutuals, really, for any reason. Building better connections on here, getting to know people. I am hideously bad at this but I try.
What I write -
Science Fiction with heavy subjects that matter to me - trigger warnings on a story-by-story basis.
High Fantasy (eventually books I think?) characters and their backgrounds for DnD and Pathfinder - I have been tempted to share these to help people get ideas or just for free use?
Things that I delete because I have crippling imposter syndrome and publishing makes me nauseous (doin' it tho).
Stories that I hope will make people feel less alone or that people could relate to, stories that I wish I had when life was worse and I was reaching out for anything I could find to keep me afloat, stories that try to be critical of things that SUCK in a way that's any helpful.
Lots of curse words and cussing (that's just how people talk 'round here), dubious science, things that I hope might make you cry but in a good way though.
Character-Driven stories that revolve more around the development of the person and less around the plot itself if that makes sense.
I've put blurb things below for my primary project/series which features a grumpy, queer, 37-year old chain smoking Frenchman and his misadventures with life and love and unbridled rage. If any of that sounds cool stick around and hang out? (This part is a plug bc I did a thing and I'm proud of it) And if my books sounds interesting the first one is 99 cents on Kindle and you just need a phone and a free app to read it!
THE SECRET OF LIFE (Published) - Sci-Fi/Psychological Thriller, Bi M Lead, Lovers to Enemies, AI but the oldschool cool kind not the real world thing that's stealing our future
Carlisle-Trystan Antoinette is a mercenary on a hard road, navigating life and death itself in an infinite cycle started by powers above his understanding. He has one mission - warn The Dianican Space Station of the coming threat and put a stop to a war that would encapsulate the whole of the Sol System before it can ever begin. Unfortunately for Carlisle, reality is a tenuous thing, made up only by our understanding of it. At least, according to his Psychiatrist, who tells him that there is no war, that he was never a mercenary, and that what Carlisle is experiencing is a severe but manageable psychotic break. Stripped of his combat enhancements, his bio monitor, and everything he's every known, Carlisle has a decision to make. Does he give in to the thoughts and memories, so real that he can almost taste them, or does he live a life of comfort and ease, returning to a husband and daughter that he left behind?
TWs: Domestic and War Violence, suicide, rape, medical trauma, grief, drug use
THE SILENCE OF ANGELS (Due July '24, TSoL 2) - Betrayal and Rage, Learning how to love again slow-burn romantic subplot, Learning how to Dad, A general inability for any one thing to just go right
(Quick Rough Blurb that offers no spoilers for TSoL) Making connections isn't easy for somebody who's accustomed to burning bridges. Isolation has always been Carlisle's mantra for surviving his life. Playing a role comes second nature, pretending to be the man that everyone else wants to see in him. When an old friend is murdered Carlisle finds himself as the primary suspect with all evidence pointing to him so clearly that even he calls to question what he is capable of. Unwilling to believe that he could commit such a heinous crime, Carlisle sets off to find the truth of his friend's death - was Carlisle framed or does he truly have the capacity to bring such harm upon those he loves? Old and new bonds will be tested, faith broken, and the future of everyone called into question as lines are drawn and sides are picked.
TWs: Violence, mentions of SA, graphic character death, more grief, more death
I don't know what else to say... Later!
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hi! I've been reading through your blog and you seem to give decent advice, so I figured I'd try my luck at something that's been annoying me recently.
So to start, I'm 17ftm (no testosterone), I have had many mental health struggles on the past 5 years and my parents don't really trust me or take me seriously. And I have never had sex with a penis haver so no possibility of pregnancy at any point.
Okay so my problem is that I never get consistent periods and almost always skip more than a month in between. They actually started pretty consistent when I was 13 but became extremely irregular after I gained a lot of unexpected weight (I was on a high dose of antipsycotics which I believe caused this). I skipped 6 months when I was 14. Since my parents don't take me seriously, they kind of softly assume I'm exaggerating or just not counting the days right ever time I bring it up and it made me so frustrated that last year I finally got a period tracker and committed to filling it out daily. I finally decided to go back and check how long it's been because I felt like it had been forever since I actually bled and uh. Guess what I was right 😬
Since the new year, I logged myself as "spotting" on February 7th and January 22. I marked myself down as "light bleeding" on the 18th. Every other day this year there has been no bleeding. Is this abnormal??? My mom keeps saying things like "I skip months all the time" but it's just really unsettling me I feel like something's wrong. I've also had period-like cramps a few times since the year began and at one point they got really bad, like a 7/10 but again I haven't bled even a little bit except those three days I just want to know I'm not being unreasonable.
I do plan to talk to my doctor, my dad set an appointment for next week (I didn't tell him what it was for & he didn't ask which was nice) but while my GP is usually pretty good I'm worried she'll dismiss me like my mom always does & I'm worried I'll phrase something wrong or not describe things correctly. (I have the kind of autism that gives me psychic damage when people don't understand me hence the multiple paragraphs to explain a fairly simple issue... Sorry about that btw)
Thanks for your time and I hope I wasn't too annoying🪻
hi anon,
irregular periods are pretty typical when you first begin menstruating, but the fact that they haven't leveled out by now could definitely be indicative of some kind of complication in your reproductive system that's definitely best to know about sooner rather than later. I'm sorry your parents have been dismissive of you, but if your GP is generally reasonable I'm sure she'll understand why you're concerned; missing your period for months at a time definitely falls into what's considered irregular and warrants further investigation, and it sounds like you've been documenting your experiences enough to back up that that's the case.
I hope everything goes well and you can find some answers <3
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nebulouscoffee · 10 months
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The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.
Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.
But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:
KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?
Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪
And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:
WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.
In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!
I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.
And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.
First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-
WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!
So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.
WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.
Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.
And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.
The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.
Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.
Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3
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front-facing-pokemon · 6 months
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#alt with eyes hidden under the cut#cofagrigus#their eyes are shiny. made of plastic. so they're looking a little bright. apologies for this#so. generally when i have quarrels about the pronunciation of a pokémon's name (since i don't watch anipoké)#where someone else and i pronounce the same pokémon's name differently. which doesn't happen very often‚ since typically i talk about#pokémon mostly entirely in text. because most of the communication about things i like happens in text. and the pokémon games#are not voice acted. so pronunciation of their names is sparse and sometimes limited to anipoké but even they're inconsistent i think#but whenever i have quarrels about the pronunciation of a name. someone else and i pronounce it differently. i go to pokédex 3d pro#on the 3ds. because every time you go to a pokémon's dex entry‚ the pokédex guy says their name out loud#i basically treat this as gospel for how to pronounce pokémon names. i've been proven wrong a lot but i've also been proven right a lot#and this guy. oooohhh this guy. before pokédex 3d pro i pronounced this guy's name as though the F-slur was right in the middle#only recently did i learn that it kinda sounds like “grievous‚” [kʰɐ.fə.'gɻiː.gəs]#at least. that's how the pokédex 3d pro guy says it#whereas i had been pronouncing it [kʰow.'fæg.ɻɪ.gəs]. so. you can see the issue that arises with that pronunciation#a lot of these pronunciations that i have to double-check just live in my head. and it's only when i say them out loud that i realize#how i'm saying them. like how i pronounce “centiskorch” as [sɑ̃.t͡si̠.skoʁʃ] for some fucking reason. my brain sees it and is like#yeah that's? a french word? even though it looks nothing like one#i also tend to pronounce “grumpig” as ['gʀʊm.pɪç] because of the “ig” at the end. i guess. german instinct#of course these are pronunciations i never say out loud but the first time i Have to say this pokémon's name out loud i'll go#oh yeah! it's not pronounced like that. i should probably not say that#and then i do not. just a fun little story about my twisted and fucked up mind. a little peek into my enigmatic brainspace#jesus christ these are some of the longest tags i've ever written. i'm gonna stop
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uncanny-tranny · 2 months
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Honestly, going into your WIP pile to actually go through it and see what you actually want to finish can be really helpful, especially when you don't judge yourself and try to learn why that piece became a hibernater in your WIP pile
Some questions I ponder when I look at a WIP is:
Is this project turning out how I want? If not, what about it don't I like?
Do I or did I have fun when I was starting it?
Will I actually use it or enjoy it when I'm done?
Do I like the material now?
Do I see myself enjoying the product after it's done?
Were there, or are there, time restraints preventing me from finishing?
Is this out of my current skill set, and am I okay with that?
If I could change one thing about the WIP, what would it be?
I know plenty of people won't incorporate this into their own WIP and crafting journey, and that's okay. But I know so many people who hibernate their projects for many reasons and feel guilty about it. I hope this might give people ideas about why they hibernate projects to prevent that type of guilt from eating away at their conscious. This (creating) should be fun, and if you're spending a lot of time feeling guilty or ashamed, it can be hard to continue doing the things you like.
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elftwink · 1 day
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been learning to play ironsworn (gritty fantasy ttrpg which you can play with a gm but is mostly suited for solo or small group co-op gmless play) after having the rulebook pdf for several years (stars finally aligned to remove invisible thing blocking me from reading it idk) because i'm on another solo ttrpg kick & i don't know what took me so long to get around to this game because it genuinely is exactly what i was looking for. years ago when i was playing through solo 5e modules i should have just been playing ironsworn (believe it or not, 5e isn't very suited to solo play and is extremely clunky when you try lol).
also though i have dabbled in some other solo ttrpgs, a considerable amount of them are journaling games which is fun but imo considerably more work (usually by the time i'm a quarter of the way through the journal entry, i know how to entire scene played out and i want to move on to the next gameplay thing, so i get frustrated and bored quickly. it feels like when you solve a level in a video game but don't have the coordination to pull off the necessary move so you have to spend 20 extra minutes doing something you already figured out), so i really appreciate like not needing to write something for the game to progress (ive been taking notes for my own record since im playing solo and thus am not really out loud roleplaying the way you do in a group, but i definitely could do that instead and not take notes and the game would still function perfectly)
& ive been playing by myself but also in the past ive played a lot of ttrpgs in very small groups which has been other games but is mostly dnd and like. we also should have been playing ironsworn so that having a gm was not necessary. have definitely played games where we had to adapt the rules soooo much to do something that is just base game included in ironsworn. plus it's rules-light enough to do pretty complex moves that pose difficulties in bulkier games (ever introduced someone to dnd and they tell you they want to do a sick backflip and catch something and then attack and you have to tell them that will require several different consecutive rolls and some creative liberties with how the rules are 'supposed' to let you move? you can just Do That in ironsworn. use the strike move and describe it. done!)
the one thing is that although it's rules-light enough to theoretically play any setting or genre (some with more difficulty than others), ive found so far that like... the grittiness and sense of threat is very built into the mechanics so that would be sort of difficult to work around or change (but i think it's great from a game design perspective). what i mean is like, okay: you start with 5 max hp. there isn't really a way to raise this max hp, you just slowly gain abilities (assets) that make you less likely to have to lose the hp in the first place, or that make it easier to recover. when you encounter foes, you rank them on a scale of 1 -5, and enemies on the lowest side of this scale do one harm to you, while enemies on the highest side do five harm to you. so even though encountering an epic enemy won't always be deadly due to the assets you have, they are ALWAYS capable of taking you down to 0 hp with one good hit. so the feeling of threat is much more present compared to games where your character starts to be able to just tank and push through a failure or huge threat.
admittedly also i'm playing solo, im still learning how to balance combat, and also i built a character who has NO combat talents and iron (the close quarters fighting stat) is one of my lowest stats so i personally am under much more threat than if you built a character who knew how to fight or who could do deadly harm. but also the other thing about combat is it's extremely difficult to maintain control of the fight; you have to score a strong hit to do it on basically all moves, and there's a really limited pool of moves available when you don't have the initiative, and obviously none of them really favour you. i don't know that this makes combat genuinely more difficult, but it does make you feel like the fight is always about to spiral out of your control. every second you let it drag without decisive action feels like it brings you closer to dying. like i said, this is a feature of the game design and not a problem in any way. just thinking about it because when i was initially learning i was going to try to supplant it into a homebrew fantasy world of my own but the tone just wouldn't be right. and that it is somewhat difficult to replicate the kind of worlds that i typically play or run for dnd, which tend to lean somewhat sillier and definitely much higher fantasy
but i like to try new things and tbh especially in dnd i find that i very rarely feel that sense of threat and when i do feel it, it has nothing at all to do with the actual mechanics and reality of the combat and everything to do with how well the dm sells it to me and makes it sound and feel scary and dangerous. which is a testament to what a good gm can do for you but i do appreciate the threat feeling more built-in and also being actually real.
#good idea generator#kas plays ironsworn#am giving it a tag because i will continue to talk about this. its my blog#idk i just find in dnd like. players often FEEL threatened WAY before they actually are threatened#which makes it really hard to balance combat because players treat evenly matched fights like hopeless death traps#so instead they do underleveled combat that feels boring for some hard to pin down reason#but like. the reason is even though you're nervous about the dm's description and the things the monsters can do#there is no real threat. especially in bigger parties where the players DOMINATE action economy. they are always in control#so of course it gets boring. it drags out so everyone can take their turn but it never forces you to make difficult choices#or to totally exhaust all your abilities. after awhile the combats start to feel same-y#because even if the monster is different. you never have to do anything different to defeat it#ofc this is a subjective assessment and also if youre reading this and we play dnd together this is not a gripe abt our table i love u#i think it's really easy to get trapped doing this esp in tables which like rp more than combat#because its also like. once you're used to a certain balance of combat if your dm suddenly threw you a big one#you assume that this is a uniquely large threat in the narrative as well (rather than a rebalancing attempt)#and treat it accordingly. which is to say with way too much caution because it isnt actually that big of a threat#so then as a dm when you have to maintain the feeling of threat and the mechanical threat#(especially when sometimes the mechanical line between 'cakewalk' and 'tpk' is razor thin#and is more about the initiative order and luck than anything else)#you start to prioritize the feeling of threat. which is imo the right call always#but its just after awhile when you feel the threat but nothing ever happens to anybody. the dissonance starts to affect the table#also balancing dnd combat as a dm is really hard and often requires a LOT of on the fly adaptation#because sometimes the CR is useless and you don't know how it's gonna do until the dice are on the table already#anyway. my point is that im enjoying how ironsworn handles this problem
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kaurwreck · 2 months
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fav chuuya trivia: he’s a lightweight and a wine collector. combine it with the fact that poisons a weakness for him, ability wise, and too much alcohol is in fact poison. he chooses that often.
bonus: combine that with the fact that dazai’s coming of age came with going to a bar, and i don’t know what that means
anon cause shy
Untitled I. My dear, even though you treat me kindly, I'm stubborn. After we parted last night, I went drinking and berated some weakling. This morning, Waking up, I remember your kindness And sadly reflect on my vile behavior. And now, I, a total fraud, will here confess that, without shame, Stripped of all dignity, and therefore lacking honesty— I was urged on by my own illusions, raving mad. [...] III. In this world we sadly live in like this, your heart— Don't let it grow stubborn my dear Because I hope for intimacy with you Your heart— don't let it grow stubborn my dear.
[Excerpted from Poems of the Goat, written by Chuuya Nakahara, translated by Ry Beville]
#bsd chuuya#chuuya nakahara#bungo stray dogs#japanese poetry#thank you for sharing!!#no need to explain anon to me#you are entitled to your mysteries and boundaries and bashfulness#i have anon on because i feel comfy and fine with people engaging however feels most comfortable to them#also i'm going to avoid commenting on what y'all share because i'm already sharing in return by offering up chuuya poetry that strikes me#and because i don't want anyone to think that a lack of a more specific response isn't because i didn't go !!!!! at what they shared#(this exercise is designed so I can also work throughout the day while getting chuuya enrichment)#BUT#alcohol IS poison and that's something I've thought about a lot in my framing of it for myself and generally#but I've never connected it with chuuya's vulnerability to poison and how it is such an equalizer#and how when shirase wanted to ground him and render him someone shirase felt he could face both honestly and to fight he poisoned him#i wonder if alcohol makes chuuya feel a teeny bit more visceral and real and like a person in a body#rather than an experiment or a leader or an act of violence or the salve to someone's loneliness or the vessel of a storm#or someone who wants terribly to lead and protect but is so unsure of himself because of how much he understands the gravity of that role#which isn't to say i think he doesn't want to be a leader and doesn't want to be an act of violence or a salve or a liberated ex-experiment#all of these things and the choices he's made for and because of and despite these things are inextricable from who he is#but every so often#it's nice just to be flesh and electricity
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nemmet · 9 months
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question: who is your favourite scooby doo character and why?
in a similar vein to my how did you get into scooby doo post from last month, i'm now interested in hearing who your favourite character from the franchise is! are they a member of the core gang or a side character? which iteration/version of theirs do you like best? do you have any specific memories associated with them? do they mean a lot to you personally, or do you just think they're neat? it's time to gush about them in the tags/replies!!
#if you don't know me: hi i'm nem and when the scooby doo hyperfixation beam hit me back in 2021 i was cursed to forever think about#fred jones more than everyone else on the planet combined#i just think the evolution of his character is so fascinating#especially in the way that they made him more engaging by just exaggerating his core traits a whole bunch over time#my favourite iterations of his are mystery inc (for the canon autism and generally how emotionally affecting he is)#and what's new (for just how plain silly and sweet he is)#however now that i've seen the whole show be cool's version of fred is now a firm favourite as well (his focus episodes are amazing!!!)#there's just so much that can be done with him and there's never a dull moment when he gets quality screentime in an episode or movie#he makes me laugh he makes me cry and through relating so much to his character he essentially tricked me into loving myself#i grew up with undiagnosed autism and struggled with self-hatred for things like my intense interests/social struggles/hyperempathy#things that i now know are just. fundamental parts of me and the way my brain is#so seeing fred be his unapologetic autistic self (canon in mystery inc/coded in everything else) made me feel less alone & gave me hope#which eventually led me to seek out & obtain my formal diagnosis at 17 and generally just feel so much more secure in who i am#so yeah!!!! this silly goofy cartoon character means a whole lot to me and i'm glad to have a place to express that :)#i look forward to seeing everyone's responses to this question!!!#scooby doo
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non-un-topo · 3 months
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It's strangely gender-affirming when my mom gets defensive and accuses me of mansplaining
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