#and the little shit in me wants to take that worldbuilding and do crime with it

[skyclan-funny-name-squad]

I could never make a rewrite because I could not make any major clan culture without immediately pulling down a powerpoint about every single way you could abuse it, and every single way it could be taken as a cult thing

#i love reading other peoples stuff but the amount of times i point at things and go 'thats part of the bite model' is ABSURD #or i see a punishment and immediately start scheming on how to turn it back against everyone else or use it as a form of defiance to societ #the psychology major in the back of my mind just goes 'i need to get the kitties into therapy and to explain how fucked up that is now' #and the little shit in me wants to take that worldbuilding and do crime with it #theres a reason my main warrior cat ocs are a bunch of rule breaking gay medicine cats in the dark forest #i am too loner coded #if was a kitty cat in this world id be the local gay loner that tells cats to bite their gods more

[asukaskerian]

peddling svsss (spoilers abound)

lovingthatofficeyfeel: ok. Now try to sell me on SVSSS because I read the summary and go 'nope, nope, nope icky power dynamics do not want, nooooope' because if it is not that I am also amenable (Book summary: "Half-demon Luo Binghe rose from humble beginnings and a tortured past to become unrivaled in strength and beauty. With his harem of over three hundred wives, and dominion over both the human and demonic realms, he is truly the most powerful protagonist—in a trashy web novel series!

At least, that's what Shen Yuan, online alias "Peerless Cucumber," believes as he finishes reading the final chapter in Proud Immortal Demon Way. But when a combination of rage and a poor meal choice leads to his death, Shen Yuan finds himself reborn into the world of the web novel, in the body of Shen Qingqiu—the beautiful but cruel teacher to a young Luo Binghe.

Although as Shen Qingqiu, he now has incredible power and abilities as a cultivator, he’s destined to be horrifically punished for crimes against the protagonist, so this new Shen Qingqiu has only one course of action: get into Luo Binghe’s good graces before the young man’s rise to power. That’s the only way he’ll escape the awful fate of a true scum villain!")

lovingthatofficeyfeel: ^ like based on that summary, I would never read that light novel on my own

Askerian: oh man yeah it makes it sound like grooming as fuck Askerian: grooosssss

lovingthatofficeyfeel: exactly! lovingthatofficeyfeel: its like this for most of the danmei!

Askerian: it's not like that at ALL

lovingthatofficeyfeel: which is why I want to know why people like it so much

Askerian: ok first of all, the guy he's stuck inside of is a high ranking ice bitch, so he has to speak that way too, BUT! he's a huge nerd inside! Askerian: the contrast between the speech and the narration is sometimes completely hilarious Askerian: also. his screen name peerless cucumber is a dick joke. and the book author's airplane shooting toward the sky is also a dick joke Askerian: this guy is the kind of oblivious demisexual who will read a 600+ chapters harem story for the worldbuilding

Askerian: and the protagonist! he LOVES the main character, so he also looks favorably upon him getting everything life owes him including sex, he supposes, but! none of his wives LOVE HIM PROPERLY. hm. let's flame the author over that. Askerian: anyway so then he lands himself in the body of a teacher to a 14 year old abused kid. who is a kid! and a very adorable kid. yeee time to spoil the shit out of him Askerian: the issue there is that there's a system/game manager forcing plot points and assigning quests and no matter what he does some things must happen, such as his betraying his poor clingy baby student so that he can rise magnificently from a hell dimension and take his place as a demon king Askerian: so when his adorable little student comes back Pissed and starts doing things that look very similar to what happened in the book just before murdering his evil teacher, he starts running. but he also really wants to help his student survive and even thrive! but also, not die in the process PLEASE.

Askerian: meanwhile luo binghe went from abused by sensei to spoiled by sensei to "i will marry sensei when i grow up" to "STOP RUNNING FROM ME AND EXPLAIN"

Askerian: main character can't explain, btw. he'd die.

lovingthatofficeyfeel: ahahahahahahah OMG lovingthatofficeyfeel: see THIS, this is my shit lovingthatofficeyfeel: this sounds freaking God Tier hijinks humour

Askerian: it's so damn fun XD

lovingthatofficeyfeel: you should write the summaries for seven seas' danmei books

Askerian: also the System sells "small scenario pushers" for points Askerian: guy "what's that, ok, let's buy, maybe it'l save my life" => WHY DID I END UP HALF NAKED AND DRENCHED Askerian: luo binghe : hhhhhhh 🍆

lovingthatofficeyfeel: ahahahaha omg, wet hanfu Saves Lives XD

Askerian: shen yuan: idk what distracted him but time to run Askerian: luo binghe: D:< wAIT STOP BEING NAKED AROUND MY LOVE RIVALS shen yuan: oh no he wants to kill me twice as much Askerian: he's Oblivious (tm)

lovingthatofficeyfeel: omg. 'oblivious demi-sexual keeps running away from future-demon-king trying to seduce him'

Askerian: yiss

lovingthatofficeyfeel: this is a fanfic plot in the best way

Askerian: YISS. Askerian: i kinda love luo binghe's character too tbh. he's so nice! but he's such a yandere sometimes Askerian: i mean, nice. :X Askerian: "my fantasy life is to be my master's little housewife and i will burn down the world to make it happen" dude :X

lovingthatofficeyfeel: honestly, good on him for having balanced life goals XD

Askerian: as a kid he's adorable but also already "i hear what you said! i understand it! gonna do what i felt was right tho" Askerian: after he's been given unconditional love by sensei!!!!! but also betrayed by sensei!!! he doesnt know which way is up anymore. it's kinda clear that in the book he was from, his original version was using "seduction and sex with this random new girl that will disappear from the plot in five chapters" to paper the holes Askerian: like, couldn't trust anybody's love because he never had any, but desperately needed it. Askerian: this one's had a taste before, and doesn't know what he must have done to lose it, but he will fix it!! but only sensei will do Askerian: main character keeps expecting him to hook up with dozens of girls and it never happens and he's ?? while also totally missing all the admirers HE is gathering Askerian: also issues because he's a half demon, and sensei said he thought good demons must exist, but he was still rejected on reveal, so does that mean "there can be good demons but you're not one" Askerian: and since he's naturally smooth and it easily goes into manipulation, everything he does or say, sensei takes it as some underhanded threat or plot! he was a demon king in the book ok?! Askerian: book him was NOT nice Askerian: anyway a REALLY fun read

Askerian: though don't expect the sex scene to be good because it's a half-feral "fixing you via magic sex" and he canonically has huge meat :X Askerian: and since he has ZERO experience it uh, goes badly Askerian: tbh the author's gift does not lie with sexy porn

but tbf the point of the scene was NOT to be sexy, soooo...

#svsss #i fell into it now i'm taking all of you bastards with me

[saikolikes]

Aki’s P5R  fanfic recs! (part 2)

Hi and welcome to another one of my recs posts! As you can see, this is part two: part one of this post can be found HERE and includes fics I bookmarked between April 2019 and December 2020. This second post will deal with everything I bookmarked during 2021 and 2022 (... so yes, part 3 is bound to happen some times in the future)

Here a brief disclaimer:

Everything in here is spoiler for either P5 vanilla, Royal, or Strikers;

I won’t report the tags, as it would take too long, so if you’re interested in a fic, please open the link;

Fic recs obviously reflect my tastes and preferences. For example, I love suffering and I don’t like fluff or domestic works, so browse this list knowing that;

The stark majority of the works here is shuakeshu

If you want more recs you can find them in my bookmarks, most of them are public!

MY ONGOING RECS Again, I don't read a lot of ongoing works (although, admittedly more than in the past) and these are the ones I'm subscribed to that I'm adoring!

The Lovers, Reversed by salexectria, Terra5 (E) | Royalty a/b/o AU | akeshu | series in three parts, ongoing "A Thief is caught stealing from the Northern King, and is sentenced to death for his crimes. The Alpha Prince intervenes, but at what cost to them both?" What I love about this AU is the amount of politics and worldbuilding put into it, as well as the uniqueness of double povs who constantly switch from Akira to Goro creating one back and forth that acts literally like poking into their minds. Plus the slow burn and the pining are just on point.

never die when I'm dead by threerings (E) | Royal & post-Royal | akeshu | series in 2 parts, ongoing Two one shots featuring one of my absolute flavors of this ship: sad, intense and unhinged

IDC FOR UPDATES I resolved to defeat my abandoned-wip trauma one excellent fic at a time so here's a list of works that haven't been updated in a while or the author straight up confirmed they won't keep writing them, but they are so good you just have to read them and let them remodel you. Do it. Do it now.

the year of the knife by theexistentiallyqueer (M) | No powers AU | shuakeshu | 2 chapters "The plan for Akira's junior year of high school was to keep his head down and his nose clean, but he hadn't counted on his new high school having more trouble than it was worth--and he specifically didn't plan on Akechi Goro, the haughty, machiavellian vice president of Shujin Academy's student council, dragging him face-first into political scandal and a series of encounters that would change his life." Please let teq bring you through a journey of spot-on characterization and stunning prose that will rewire your brain chemistry completely. Their take on machiavellian Akechi is really good, and the snark Akira spits in this fic is really something I cherish.

kiss & cry by MajorGodComplex (T) | Figure skating AU | shuakeshu | 2 chapters "Goro’s first thought when he hits the ground is some combination of the words ‘shit fuck hell fucking bullshit bitch fuck motherfucking hell.’ His next thought is wondering whether Akira Kurusu, senior debut, constant thorn in Goro’s side, and the only person anyone this season seems to talk about, is also trying to land a quad axel at the moment." I don't know what to tell you, the prose of this one is so witty and funny you just have to read what's published of it as of now!

honeybrains by succubused (T) | Time loop | shuakeshu | 4 chapters "a chronicle of the twenty-fourth time akira kurusu lived through the month of january 2017" What can I say, I am really a sucker for time loops and this fic took me by the heart. Tagged as character study and with rights because the characterization here is very interesting!

in the snow globe by aminami (E) | Time travel | shuake | 1 chapter "It’s your heart,” Joker says like it’s the most obvious thing. “Your desires, your hopes, your fears. I’ll carry them with me always. My little snow globe." This fic will hurt you so badly but it will be so worth it, I swear. It's just so melancholic and tender and angsty and it carved a place in my heart.

my love has never lived indoors by rhodophytae (E) | a/b/o | shuake | 1 chapter "Ren Amamiya knows he's an alpha, and he's comfortable with that, but he's pretty sure that being an alpha is, well...different for him than it is for other people. He resigned himself a long time ago to the fact that he'd probably go his whole life without finding anyone else like him. And then he meets Goro Akechi." This fic has such an interesting take on omegaverse! Paired with a stellar characterization and delicious pining, it's no surprise it's a fic I will never forget.

GENERAL RECS The fics I’ve enjoyed the most and that I go back to reading sometimes.

how joker and crow survived the coronavirus pandemic of 2020 by shntlvs (T) | Royal | shuakeshu | series of 2 works "Escaping from Maruki's false reality gets interrupted by the Coronavirus pandemic." Could you have ever imagined reading a fic centered around the pandemic? Me neither, but this one and its sequel work so well and have very compelling bits of characterization for the boys. Unexpected premise, but I utterly loved it.

straw house, straw dog by caelam (T) | 3rd sem | gen | one shot "In the saccharine utopia of Maruki’s reality, Goro Akechi’s mother is still alive." I admittedly don't read too many fics with mamakechi so I won't claim to be an expert, but this one really left me impressed with how clear and tangible the tangle of feelings is.

Knight of Pentacles, King of Spades by Naometry (M) | Medieval AU | shuakeshu | 11 chapters "“Hifumi passed on your greetings,” Akira Kurusu says, fury simmering beneath his conversational tone. “And I’m polite enough to give you my own in person. So greetings, General Goro Akechi. I am the man who will kill you.”" I started reading this fic for the war captive trope but this story has so much more to it than just that. Nao's superb skill with writing violence and viciousness will have you thrust into a cruel world where two boys seem to be bound to kill each other... unless?

Ripples by Riona (T) | gen | canon compliant | one shot "Ten people know exactly who the news is talking about, and now they’re going to have to deal with that." A peek into the heads of 10 of Joker's confidants upon learning about his death. The fic I would never imagined myself reading, but I did because it was recced to me, and now I'm recc'ing it to you, too.

When Your Eyes Meet Mine by seths_dream (E) | no powers AU | shuake | one shot "The way the bellboy lingered on him made his heart jolt, made him think that maybe, maybe the bellboy was looking at Goro the same way Goro was looking at him." I've lost count of how many times I read this fic because the horny is just so juicy, it's unironically one of the fics I come back to when I need to remind myself how to write horny stuff. (the same author also wrote this delicious pegoryu that you have to read)

a study in what not to say by succubused (T) | 3rd sem | shuake | one shot "Akira has finally had enough of Akechi's bullshit; they resolve it the only ways they know how." If you like the boys being really nasty to each other, this fic is a must. It has excellent dialogue, dynamics, and a tad of homoerotic wound tending which can't hurt no one!

MY ALL-TIME FAVOURITES The fics that rewired my brain chemistry, took my heart out, slapped it, put it back, and left me a whole new person.

27 steps to seduce a crow by relationshipcrimes (G) | Royal | shuakeshu | one shot "A handy bullet-pointed list on how to flirt with, seduce, and keep your local Akechi Goro." Still to this day, I think of this fic in terms of Goro's characterization. If I have a thing for post-canon shuake chasing each other, it's probably due to this one.

The Brigverse by TzviaAriella (E but most works are M) | Pirates AU | akeshuake | series, ongoing I admittedly don't care that much about pirates but the og fic from this series (A Brig Too Far) was being passed on so much that I gave it a try and. Oh boy. Not only is the characterization impeccable, the story compelling, and the action thrilling, but at least one scene and/or line from each work in this series has altered my brain permanently. I am a new person after reading Brigverse.

wild and free by bangandawhimper (E) | a/b/o | shuakeshu | one shot "Akira Kurusu hasn’t always been an omega. But now everyone he meets in this city assumes he’s an omega. He’s treated like an omega. He feels like an omega. He knows he feels like an omega because he remembers what it was to be an alpha." This work might have my favourite take ever on shuakeshu omegaverse, it's so fitting for them, so thought out, and the characterization is so on point... my god. Read this fic now.

The Diamond Chest by kinneas (E) | post-Royal | shuakeshu | 3 chapters, complete "Who says you have to see Morgana speak in the Metaverse before you can hear him in the real world? Not the few hundred officers who arrested Ren in Sae’s Palace two years ago, that’s for sure." Honestly everything kinnes writes is gold but I'm shouting this fic out because I reread more than a few scenes from this fic more than once, and it's a 100k-words baby. I am a sucker for heist stories, I am a sucker for dealing with trauma in very tangible ways, and I'm a sucker for kinneas' characterization of the boys.

before midnight by specterthief (Not rated) | 3rd sem, canon compliant | gen | one shot "“I—” Swallowing past the lump in her throat, Sumire sets down her chopsticks and rubs her face with both hands. “Um—who told you I was going to training camp?” (On January 9th, Sumire goes home.)" This is the stellar Sumire characterization fic you're looking for. Read this. Read this right now.

I HOPE THIS DOESN'T AWAKEN SOMETHING IN ME (DELUSIONAL) I clicked on these fics solely due to my trust in the authors/the summary/one rec and now I find myself with a new kink. Thanks.

Containment Breach by salexectria (E) | Space pirates AU | akeshu | one shot Akira gets stranded on an abandoned spaceship seemingly infested by a terrifying creature. He finds the lonely survivor of the crew and they begrudgingly start to work together to contact help and survive. I am just going to say that I clicked for salex's name, I stayed for the stellar characterization, pining and top-tier bantering, and got overwhelmed by the tentacle sex. (/pos)

it takes two by lumensd (E) | 3rd sem | akeshu | two-shots By all means, this series has some things I usually am not interested in (phone sex, degradation) but Jay is so skilled and his akeshus are so fucked in the head that now I've signed up for the masochist Joker agenda. Hurray!

i dream of you draped in wires by rime (E) | 3rd sem | akeshu | one shot "Maruki's Shadows don't want to fight; they just want to collect data. Wait, are those cat ears?" You would think a work with the tag "catboy shibari gunplay fuckordie" can't be too serious. Wrong! Excellent character study attack 🔪🔪🔪 (from the same author there's also this P5 vanilla fic that is excellent)

Darken my doorway by EnlacingLines (E) | 3rd sem-post canon | akeshu | one shot ""I don’t need to test my theory. You should be thanking me, really. Opening this door for you.” “A door to what?” Akira says, exasperated by just how self congratulatory Goro still sounds.“ Submission.” Or: I am a firm switch shuake shipper, I don't vibe with too-extreme dynamics *proceeds to go ballistics over this fic regardless*, *awakens to the wonder of d/s a lil fucked up dynamics*

#persona 5 #persona 5 royal #p5 #p5r #p5 spoilers #p5r spoilers #shuake #akeshu #shuakeshu #akeshuake #fanfiction recommendation #fanfic #p5r fanfiction #p5 fic rec #fic rec #fic reccomendations #p5r fic rec

[lorcandidlucienwill]

me and sjm are about to have a world building problem because she's killing me she obviously takes inspiration from ancient civilizations and geographical names around the Mediterranean, like the greeks (Eris, Helios, etruscans (literally their goddess of dawn is named thesan). Tarquin the last king of rome (and ironically the opposite of acotar Tarquin). Adriata should then come from the Adriatic sea and their architecture seems greco-roman. But then she mixes it up and gives the court fae brown skin (by the way, what kind of brown, this tells me nothing, i don't need like pantone, but slight more description) For the night court, she's just weird with it. the clothes Feyre is initially given by Rhysand kind of read to me like what you find when you search up 'sexy belly dancer'). Same with all of the clothes she wears when visiting Hewn City. I feel like she was trying to incorporate some more "exotic" things but it doesn't match the rest of the court. It seems like there's a couple different groups with completely different aesthetics that are completely separate from one another. Both Illyria and the court of nightmares seem like vassal states to Velaris and aside from Illyrians having tan skin and being called something around the lines of savages (very POC-coded), there is little to no evidence of any aesthetics that could be considered non-European. Not architecture-wise, name-wise, or (for the most part) fashion-wise. Now, it is a free country, SJM can write however and about whatever she wants. But I feel like there is just such a loss there. No matter where in the world you go, there is evidence of different cultures. Rich cultures which someone could easily take inspiration from!! I just wish she took the time to go down some of the rabbit holes fic writers go down, learning a multitude about what ends up being a small part of your story. Right now, her POC characters feel like an afterthought where she had her story written and then just inserted the word dark/tan on a couple characters. (Also I had no idea Amren was east asian until someone said she was on here and I do have to ask, where is the east asian exotica? Normally if you have one you have the other.) Also her in-universe world building is so convoluted and i hate it and nothing makes sense. I love magical objects as much as the next person, but some of these are one-and-done objects that you definitely could have had more use over. I think she has a vague plan and is just doing whatever she thinks of first to get to each plot point. (me in essays) Also, someone should make an anti-inner circle timeline with all the fucked things they've done so we don't forget. (And hope in the next book, sjm writes about a war crime tribunal for the past... century) thanks for listening to my rant, I've just been struggling to figure out how characters and courts play out and getting more frustrated as I continue.

Anon, you summed up all my frustrations perfectly!

Sjm writes her worldbuilding and tropes like she’s still writing fanfiction. I try to write fanfiction of her stories and I realize I know nothing about the places we’re supposed to be exploring.

Sjm takes inspiration from many many things but then she doesn’t commit to anything. She cherry picks shit to utilize based on vibes and together it doesn’t make sense. It’s really annoying when you see inspiration from your culture that could’ve been used so much better.

As for the IC, they’ve committed so many crimes it would require a thorough reread of all the books to note down all of them.

#anon asks #sjm critical #anti ic

[susandsnell]

CHOOSE VIOLENCE: 12, 18, 22, 23

thanks so much maggie!!! sorry for the delay. hope you're well!!

choose violence ask game 🔥

12. The unpopular character that you actually like and why more people should like them.

pick any woman lmao. but i'm going to say i'm especially defensive of may welland from the age of innocence and amy march from little women. the former is hated for trying to put a stop to an affair her husband was having/protect herself from being left for another woman when before they ever got married, she told newland straight up he didn't have to marry her if he wasn't sure and his dumb ass was so indecisive he tried to have his cake and eat it too, and nearly ruined both their lives. as for amy, she's unjustly hated for the high crime of 1) being kind of bratty as a child and 2) having the audacity to marry laurie, who she loved, instead of jo who is a lesbian who did not/could not commit to him. Perhaps the view of this has been skewed by the 2019 flick where Florence Pugh is playing an 8 year old and a twentysomething, but it really says something that classic lit fandom will fawn over the most atrocious, insufferable men imaginable (Rochester should've roasted and I'll die on that hill) but if a little girl , a literal child, has an age-appropriate fit of rage once and argues with her sisters (do these people not...have siblings?), culminating in her destroys her sister's things and said sister is everyone's self insert character (except, conveniently, for her rejections/subversions of femininity GEE I WONDER WHY), that's apparently a bridge too far. Even if she's overall a sweet person and outgrows being, again, kind of annoying as a kid.

Also, does Carlotta Giudicelli from Phantom of the Opera count? (Let's go with the musical version here for argument's sake.) She's a bit of a diva, sure, but honestly she earned it and is iconic for it, and she literally just wanted workplace safety and to not be replaced by a significantly younger and skinnier performer based on someone in power's attraction to said performer, which is still a very real issue in the entertainment world! She takes no shit! She was kind of hard on Christine when she wasn't to blame but c'mon, I'd hardly be the most reasonable or understanding if there was a serial killer on the loose bumping off my coworkers who was constantly threatening my life and that of my partner, and had suffered public humiliation twice at the hands of said nutjob. And she then has to find her husband dead as almost an afterthought to the wider plot. TeamCarlotta, she did nothing wrong except be slightly rude under extremely upsetting circumstances. I think she was more disliked in past Phantom fandom than she is now, but c'mon. Feature her more in fanworks, she's a badass!

18. it’s absolutely criminal that the fandom has been sleeping on… I can't answer 'women' twice, but I will just say as a generality deconstructing popular fic tropes. Really pick apart the horrific implications of what a Soulmates/Reincarnation AU looks like when equipoised against one's free will. Or heck, make it funny - There Is Only One Bed and this sonofabitch keeps kicking me. Just keep things fresh!!!

22. your favorite part of canon that everyone else ignores Ooh, tough one! Again, the cop-out answer is 'character's canonical flaws and worse moments, or their better points if they're worse characters' lolol, but I really in general get bummed when people shirk worldbuilding and cool concepts in service of the same handful of relationship tropes? Not to be one of those people who bitches about lacking gen while also not contributing gen content - I fully acknowledge myself I'm more into the relationship aspect of things, but whether it's the fullest potential of the Train in Infinity Train, the way the Force is deconstructed as some kind of horrific fate-controlling entity in Knights of the Old Republic 2, so so so so so much vampire lore/rules/mythos in any given vamp media and its fandom, I wish it was just acknowledged and played with more! You could even do so in service of ships/characterization if you're clever!

23. ship you’ve unwillingly come around to Another tough call! I tend to stick to my guns on ships and either end up liking them out of the gate and then that like can turn into total brainrot, or I just kind of dislike them and stay disliking them. If we're talking some real crack, I started as vaguely amused by Barbenheimer (the crossover ship based on the phenomenon) to getting surprisingly behind cracky content made for it. I'm sorry I don't have a more dramatic or satisfactory answer on this front, but as I said, I tend to stick around my early-formed opinions on ships, and most of them I approach from a neutral perspective to begin with and see if it's swayed by solid content, canon or fanon.

#ask night #thanks so much!!! sorry for the wait #choose violence asks

[sometimesraven]

Author Ask Tag Game

Thanks so much to @elean0rarose for the tag and questions!

What was your first ever story idea? What happened to it?

Oh man, let's get into this bb. My first story idea actually started off as Doctor Who fanfiction (the relic of which y'all can find reuploaded here if you really want to. I didn't get far bc I was a Child(tm) XD).

From there I decided to take the characters and make them into something more Original(tm) which turned into a disaster of a first attempt at a novel when I was a teenager

These days it's more of a passion project that lives on in my brain, after a long long time of developing my writing skills, but I still worldbuild for it and hope to make it an actual Thing one day.

What's your writing routine?

I actually made a tiktok about that a long time ago!

lmao no but I don't really have one? I'm a mood writer which is just writer for "I have unmedicated ADHD"

Are you a plotter, a pantser, or something in between?

Bit of a plantser. The writing process itself starts with pantsing-on-a-vague-outline, then I edit and structure an outline more firmly around the draft.

Leaning a lil more on planning rn though just because I've got such a complex web of plots and characters I have to get right in my head

Do you try to tell moral stories throughout your work, or any other life lessons? What are they?

"Fuck the system you were born into, do crimes and start a commune with your queer found family" is the long and short of it lmao.

Mostly I just want to spread a little hope through my queer superpowered idiots. Any lessons in my work are interpersonal, radical shit like "don't be a dick to people for stuff out of their control" and "hey, maybe the person who's angry all the time has a reason to be upset" and "traumatised people deserve support and love"

What do you prefer, character development or worldbuilding? Why?

Character development!! It's where basically everything I do begins, I love people and learning about people and different kinds of people and weaving them into their own little worlds ^w^

Do you have any tips for budding writers?

Research everything, write and rewrite, edit and re-edit. If you're struggling and you haven't before, try taking a break. If you've always struggled, try a different approach or three! Join writers' groups online to get support and advice! Don't be afraid to break rules but stay humble.

Who inspires you to write the most?

Two things:

"These answers that come into my mind unbidden // these stories delivered to me fully written" - I just,,,, Have Ideas. All the time and I have to write them down :D

I want to share those ideas! I get the most joy out of sharing joy. Part of it is of course my desperate and constant need for attention, but also I just,,, feel Big Feelings with my characters and I have the autistic need to share those Big Feelings all the time

--

Tagging: @smallvillecrows and anyone else who wants to! I'm not writing more questions bc I suck at that so here's the ones I got:

What was your first ever story idea? What happened to it?

What's your writing routine?

Are you a plotter, a pantser, or something in between?

Do you try to tell moral stories throughout your work, or any other life lessons? What are they?

What do you prefer, character development or worldbuilding? Why?

Do you have any tips for budding writers?

Who inspires you to write the most?

#about #writing #tag game #writeblr

[bonesandthebees]

So Everything else has gone wrong is giving me major Pogtopia vs. Manburg vibes. It’s always fun trying to spot the events and relationships referencing canon in AUs. The crimeboys be doing crime, but they aren’t the only ones. They are just slightly better at it because of some supernatural abilities. And I love how that is 1. Not a common thing at all, which explains all the secretly having to switch you could just take as trying not to be seen because Wilbur’s being cased.

2. It seems to be a hard magic system. Wilbur can’t just change into anyone, he has to constantly consciously keep the change in position. Because of that he has to know what the person he shifts into looks like, and I love that how well he knows a person affects how fast he can shift into them. On top of that there’s some serious painful drawbacks and a clear limit on how long he can keep going (which depend on how often his shifts and how much energy he has).

Tommy seems to have the same thing. I don’t know what things clairvoyance is capable of because I don’t think I know what the word means in English, but it seems to be some combination of telepathy and being all-knowing, but in a way where you have to focus to do it. So obviously Tommy uses that to always bet on the right outcome. Also, his drawbacks seem like shit.

Gotta love all the references to backstory such as whatever happened between Niki and Schlatt as well as Quackity, Schlatt and Wilbur. It’s a nice example of showing vs. Telling. We are technically told what happened between Niki and Schlatt (though it’s vague enough to not feel like exposition and it’s done by a character talking). We are very clearly told something happened between Schlatt, Quackity and Wilbur, but then we are shown how close they were via Wilbur knowing him well enough to know he’s not bluffing and the touching knees. Also, Quackity not selling Wilbur out mainly because Schlatt’s a bitch but also a little because Wilbur indirectly says he deserves better than Schlatt. (though Schlatt not believing him is a very good point.

Also, gotta love self-sacrificial Wilbur. Though he does have a much better chance at getting away with it and Tommy has the money on him, but it’s more protective older brother than common sense. Still, it’s a solid plan, it’s just a shame he overexerted himself by running and shifting and couldn’t hold on until he was actually safe. Also, that he didn’t think of Niki because that held him up and made him have to shift longer.

As you can tell, I’m mild obsessed with this concept. I love the worldbuilding. It’s very intriguing and fun.

-🌲

YEAHHHH the dynamics were definitely inspired by pogtopia vs manberg. I love including loose parallels to dsmp events I feel like it's just such a fun thing to base conflict on

yeah I wanted to make crimeboys abilities not be a normal thing in the world bc i see so many aus where 'powers' are considered the norm. and that's all well and good I've written those myself, but I just wanted to try something different. so yeah the general public does not know those abilities exist at all, hence why wilbur and tommy have to keep it a secret.

I wanted wilbur's shapeshifting to feel realistic. I had to think to myself how I wanted it to function—whether it was more of an illusion-type thing where wilbur can just project an alternate image to everyone around him, or if he's actually physically changing his body. I went with the latter because I felt like it had a lot more restriction to it, which made it more interesting for me to work with. technically he doesn't have to personally know someone well enough to shift into them, but he has to have spent a LOT of time observing them which is almost only going to happen when he, y'know, hangs out with someone a lot. like could he stalk a stranger for days on end and be able to shift into them really well without saying a single word to them? technically yes. but it's just easiest if he knows the individual personally.

clairvoyance is defined as 'the claimed psychic ability to gain information about an object, person, location, or physical event through extrasensory perception.' it can also be described as being able to perceive future events 'beyond normal sensory contact'. it's kind of a loose term when it comes to describing psychic abilities, but for tommy specifically I decided he's got three main things he can do. 1) he can remotely view a location or person he's not physically near. technically, he can only do this to a limited range, so if he's inside a building he'll just be able to look out onto the street but not go much further than a block or two. but because of the psychic link he and wilbur have, he can remotely view wilbur and the area he's in up to way greater distances, so that's what he's doing for most of the chase scene. 2) he was able to form that psychic link with wilbur, giving them the ability to communicate telepathically (not technically part of clairvoyance but it's just a bonus I gave him). wilbur didn't do this at all, that's not in his wheelhouse. tommy bonded them. 3) perceive future events but only in a very limited sense. this is how tommy was good at gambling. he can see what's going to happen right in front of him in the next few minutes. it tires him out to do this because it's an ability he has to 'activate', and he can only see what's going to happen around him specifically, hence why he doesn't use this during the chase. but if he's about to bet on a dice game or a roulette wheel, he'll be able to see what the winning number will be before it happens

I had so much fun indirectly explaining the backstory between those four characters (wilbur schlatt niki and quackity). especially with the 'niki' and schlatt interaction. it's such a unique perspective to get for a convo like that (schlatt thinking he's talking to niki but he's actually talking to wilbur), and I had a lot of fun playing around with how I'd imagine wilbur would act pretending to be niki while also setting up schlatt and niki's dynamic in this.

and then of course quackity. ah, tntduo. they gotta have something going on in every universe lmao

yeah while wilbur's plan was him pulling a self-sacrificial move it was also the best option for their situation. they were going to be way slower running through that crowd together, so getting tommy away was the priority. and what better way to do that than by tricking the guys following them? yeah, it exhausted him, but if he had chosen someone other than niki to shift into after tommy then he would've gotten back to tommy way faster. it was only bc pulled that stupid move that he was delayed talking to schlatt and overexerted himself so much.

i'm so glad you enjoyed!! i had so much fun with the worldbuilding and dynamics of it all

#ask #spruce anon #everything else has gone wrong

[scattered-winter]

BOOK ASKS!!!! 1, 4, 7, 11, 17, 20 <3333

book you’ve reread the most times?

ooh...probably either the six of crows duology by leigh bardugo (I have the whole thing practically memorized at this point...) or pjo/hoo.....theyre sooo <33

4. what sections of a bookstore do you browse?

YA, usually, just because that's generally where the authors I like are, but I'm SUPER picky about which YA books I actually read because well. *gestures at most of them*

7. is there a series/book that got you into reading?

I've been an eager reader for LITERALLY as long as I can remember (the way my mom tells it, I literally taught myself to read which tbh I don't remember enough to dispute that fact and it makes me sound cool so I'll take it) HOWEVER as a kid I was a huge fan of the magic treehouse and bailey school kids series. idk if they were the first ones I ever read tho

11. what non-fiction books do you like if any?

oooh ok ok so when I was a kid my parents had a whole STACK of these nonfiction books for kids called "I wonder why" and each one had like. a different theme. my favorite one was "I wonder why triceratops had horns (and other questions about dinosaurs)" and the whole book was about dinosaurs and answering different "questions" that kids might ask about them. and bro I ate that shit UP. I think my family had about 15 to 20 of these books, in a range of topics from extinct animals to ancient egypt to reptiles to plants, and I used to stack them all in a big pile on my bedroom floor and just read each one, cover to cover, one by one. I must've read those books at LEAST 7 times each, and I loved them soooo much. a lot of the topics are STILL interesting to me (like dinosaurs and extinct animals and ecosystems) and it was so funny because the other day my mom was talking about all the old books the family used to have and she offhandedly mentioned those ones and said something like "yeah none of the kids liked them so they just sat on the shelf :(" and I had to tell her that I actually had them mostly memorized at one point lmao

the series had a revamp pretty recently so most of the search results are the new covers but here's one of the old ones that I used to have :]

17. top 5 children’s books?

the "I wonder why" series (as seen above, because autistic kids deserve a fun little treat :]), magic treehouse (fun historic adventures !!! ALSO a fun lil autistic treat :]), the bailey school kids (THEE OG DETECTIVE GANG), animorphs (war crimes <3), and warriors (more war crimes <3)

20. what are things you look for in a book?

mostly I just look for a good time !!! I loooove complicated/fascinating worldbuilding, like with six of crows, and I also want to be reading about characters who I like/connect with !! if the book is romance-centric I'm less inclined to want to read it UNLESS it's very well written (six of crows is largely about romance but they're all sooooo well crafted that I just ??? love them all ???? and it's also balanced out by the platonic dynamics and overall worldbuilding and plot so they're very enjoyable to me even though the romance plays a big part in it) BUT OVERALL I just wanna have a good time yknow

book asks!!

#in hindsight my enjoyment of the i wonder why books should have been an indicator of me being neurodivergent in some way tbh #like literally i would read those things for HOURS. #i was filled with so many facts about so many different topics as a kid. lowkey wanna revisit the books now so that i can still know Facts. #anyway this was fun :]]] BIG trip down memory lane w the i wonder why books fr #leo 🌻

[littlesmartart]

Leverage AU thoughts

okay so I wanted to keep the worldbuilding for the AU in that specific photoset relatively short for the sake of how the post worked, but I've seen a lot of questions in the tags so here is some more information for you all, under the cut because it got LONG:

MORALITY: okay so I called this the "(sort of) Leverage AU" because it basically flips the Leverage concept of "criminals work together with one non-criminal for the greater good" into "one criminal persuades a bunch of non-criminals that law =/= morality and that sometimes to make sure the bad guys get justice you have to work around legality". Obviously some people are easier to persuade than others (Huaisang has always been pretty ¯\_(ツ)_/¯ about the law, but before he joins the team he insists all of his crimes have been Theoretical, and besides, pirating movies isn't real crime, da-ge, god), and some of them are a little troubled by it but have their own reasons for joining (Mingjue has a LOT of issues with it, but joins to protect Huaisang for That One Job, and then stays with the insistence that a. they don't kill anyone, b. they don't involve anyone who doesn't super deserve it, and c. that their goal is always to get evidence so the mark can be convicted and the mark is always handed over to the appropriate authorities at the end of the job. he has a little more moral flexibility than canon Mingjue because of his Complicated Past He Wants To Atone For, but he still has an incredibly strong internal moral code that he absolutely will not violate. Jiang Cheng cares more about the law in principle, rather than personally, and as soon as he sees that they can get Justice that the law can't, he's sold). Xichen has the hardest time of it; he jumps into the first job without protest because Meng Yao asks (and Meng Yao never ever asks for anything, so it... it must be important, right? And Jin Guangshan definitely deserves it). After that he has a lot of internal struggling going on, and he's usually the one in the team trying to steer them towards legal means, and going through the "correct" channels. He probably has a breakdown about it at the end of a season and spends the next season Travelling To Find Himself. He winds up coming back to the team when, on one of his travels, he watches a family he's staying with lose everything after being targeted by a conman, but because of a dirty police chief the evidence is destroyed. They refuse to take his money when he tries to help, and he realises that they only way to get them justice... is to call in the team. That's not to say he is 100% cool with everything from then on, and he definitely draws the line at certain criminal acts (stealing for the fun of it he is not okay with, for example, and he gives a Hard No on the suggestion of trying White Rabbit) but for the most part he accepts the concept of what they do as being for the greater good.

GRIFTER XICHEN: yeah it's ridiculous and implausible but hear me out... that just makes it better. Because this man is terrible at improv and can only lie when he's in character (you see that means it's not lying then, it's just ACTING) and doesn't drink and absolutely will not seduce a mark past the level of general flirting... and yet he's somehow a wildly successful grifter??? How??? I'll tell you how: he's so fucking handsome and kind and charming and cultured that pretty much everyone who meets him just... melts a little bit and, with some coaxing, gives him whatever he needs. IT'S LIKE A FREAKIN SUPERPOWER and it's absolutely ridiculous. With the added bonus that he's juuust famous enough that the average person might kind of think he looks familiar, which means he's very good at coming across like he totally belongs wherever he's seen. Of course he works here, he's been here for months... don't you recognise him?

NO WOMEN ON THE TEAM: look, in Meng Yao's defence, when he put together this team he thought it would only be for one job, he wasn't trying to future-proof it! But yes, it can sometimes be an issue if they don't have time to plan ahead, and he and Huaisang - as the most stereotypically feminine members of the team, and by far the best liars - will usually take on any female roles they need if they're in a pinch and can't call in outside help, although all of them are ready to take on roles of different genders if need be (female roles are actually the only way to persuade Huaisang to grift, and he has an extensive shoe collection for such roles that he likes to expand by billing to the company account... Meng Yao is deeply unimpressed by this).

OTHER CHARACTERS: when Meng Yao started this, he worked very very hard to keep his siblings and the rest of his family out of it, to keep them all away from any fallout in case it went wrong (and also to stop any pesky Moral Issues from getting in the way). When that was over and they started taking regular cases, he relaxed the rule a little - Mianmian will sometimes step in to help if she can be sold on how bad the person is they're taking down, Zonghui can be relied upon if they need extra muscle, and Wen Qing is their go-to Ask No Questions doctor. Wei Wuxian frequently gets roped in to consult, as, if you give him six packs of hot chips, ten cans of monster, twelve hours, and a laptop, he can become a specialist in almost anything. Jiang Cheng was very very resistant towards the idea of his brother being allowed in the team, even just as a consultant, but the MOMENT Wei Wuxian was given any access to Shenanigans there was no fucking stopping him. In the later jobs Qin Su accidentally gets pulled into one of the cons and turns out to be a WAY better grifter than anyone could have imagined, so she winds up on the "ally call list". Meng Yao is both perturbed and proud, but absolutely draws the line at teenage Mo Xuanyu being allowed to help.

PAIRINGS: flipping the "two parents + three kids" dynamic in Leverage, this AU has 3zun and Sangcheng - so "three gege + two didi". Xiyao have a One That Got Away sort of past, and Xichen joins the team SPECIFICALLY because Meng Yao expresses emotional vulnerability by asking for help fOr OnCe In HiS fUcKiNg LiFe. Nielan dated when they were teens, and are happy to be reunited, but Mingjue refuses to rekindle a romantic relationship until Xiyao sort their shit out because it's obvious to anyone with eyes how hung up on Meng Yao Xichen is. Nieyao have a certain amount of "I'll work with you towards a common cause but that doesn't mean I have to like you" vibe, but veeery slooowlyyy wind up bonding over doing stuff they're not proud of for something they were so sure was a worthy cause at the time, but now they just feel jaded and used (there's a lot of arguments along the lines of "oh, so my corporate espionage is worse than what you did in spec ops... because the military says that what you did was legal. RIGHT. OKAY. SURE."). After several years of will-they-won't-they struggle, 3zun do get together, and everyone is very relieved. As for Sangcheng... it starts off as Huaisang just flirting kind of obnoxiously with Jiang Cheng, who rolls his eyes and snarks back, and then naturally Huaisang winds up catching feelings and is like [meme voice] Haha, I'm In Danger! He is unwilling to act on his feelings because he doesn't believe that Jiang Cheng likes him that way, and continues to believe that right up until the day Jiang Cheng snaps, and grabs him and kisses him, and is like "if I didn't actually like you flirting with me I would have punched you in the face years ago" and Huaisang is like "huh. Yeah that's probably true."

#3zun #sangcheng #leverage AU #AUs #meng yao #lan xichen #nie mingjue #nie huaisang #jiang cheng #the untamed

[shtern-and-art]

I have more questions because it's no longer 4am lmao.

Does Skeppy fear any animals? I just wanna know if there's any sweet moments of Skeppy clinging to Bad whilst he tries to calm him down.

I'm guessing Bad still hates things like littering and woodcutters but would he ever act particularly strongly about it or would he have more control?

I like how Rat seems to tolerate Skeppy because Bad likes him but would she ever get jealous if Skeppy started pettting another dog?

I have a horrifying image of Bad just spider climbing up a tree to fetch Skeppy. I don't know why but I feel like dude wouldn't even need branches lmao.

What other supernatural creatures/people do they come across? Were there any that were especially dangerous and did they befriend any?

Is Bad much physically stronger than Skeppy? I keep thinking of Skeppy being a little shaz and Bad just one-arm picking him up and slinging him over his shoulder XD.

Does Bad ever get nightmares of the day he became the forest spirit?

How far would Skeppy take stealing? Would he steal something he knows the owner has genuine attachment to? Would he do everything in his power to steal something for Bad even if it means getting hurt?

Who's more likely to protect the other?

Skeppy just minding his business looking at one of Bad's textbooks, turns his head and Bad's just having a tea party with a freaking bear. Surprised the man hasn't had a heart attack yet XD.

What's your favourite thing to imagine them doing?

Is Bsd an adrenaline junky? Or is he scared of more dangerous things like bungee jumping and mountain climbing.

What would their reactions be to rollercoasters?

Do they have a favourite date-night activity?

Everytime I think of this au it brightens my mood!! Thank you for making something so heartwarming!! <3

Glad to see you again :D And yaay, questions!

My pen pressure broke again, I can't finish any sketches for this ask rn, but here's a couple of old messy designs.

1) Comforting and nightmares

Skeppy has a normal, I’d even say adequate level of fear towards wild animals, whilst Bad has it in negative numbers. And, yes, this fun juxtaposition leads to a lot of unfortunate moments of Skeppy nearly dying from heart attack when some of Bad’s animal friends show up unexpectedly, or Bad goes all out for his tea-parties with wild bears or smth.

So, yes, sometimes the comforting hugs are necessary! And no, none of them ever play up the dramaticness of the situation just to drag out the nice comforting moment They do n o t. That’d be very silly and unnecessary, and will deserve a lot of teasing. So, it’s all serious. Not only for the first couple minutes. Yes.

But If you’re looking for comfort-after-actual-hurt – Bad does have to hold and comfort Skeppy, when the stress of trying to not fuck up the good stuff around him gets too strong. And after the nightmares where they are hated and chased by people. Those dreams do not come often, but when they do, Bad is there to hold Skeppy, whisper in his hair that he is alright, that they’re both alright, and that they can handle everything that’s going on right now.

And Bad himself, well. After leaving the town, his nightmares about the night of the ritual stopped almost completely. They come rarely, only when the anxiety gets really bad. Before, in the forest, Bad had them pretty often. It’s one of the reasons he mostly slept not as himself, but in the minds of the animals.

2) Littering

Bad will not maim someone for not getting a candy wrapper in a trashcan, especially if there are people around. But if someone leaves a big mess in the nature, or even (*gasp*) does it regularly, Bad can and will try and teach them a lesson. As in: pull a cautionary (and probably slightly terrifying) prank on the misbehaving person.

It doesn’t always work out as Bad intended, and may even scare some people off anything relating to nature for good, but, according to Bad, it’s still “a fun and useful little hobby to have :3”.

3) Rat

Rat takes a looong time to warm up to any other animals that infringe on her territory. And Skeppy might be a little shit (and his own rights for Bad are debatable) but he is Rat’s territory still (by approximation from Bad). So, she can gatekeep Skeppy a little bit. Not as much as she does Bad, but the man gotta know his place – Rat comes before other dogs for him too.

4) Tree climbing and strength

Oh, Bad can an will climb down a tree like a full-on creepy creature he is: head down, using only his claws, with Skeppy tucked under one arm. Maybe not even upside down, if Skeppy is lucky, and wasn’t too annoying about wanting to stay up on the tree for the night :D

5) Meeting other spn creatures

Oh, that’s a big question (: Yes, they do meet other cryptids, befriend some, and get in trouble with some, and deal with a handful of new and old spn troubles :D

I always thought that Bad and Skeppy’s life after the main story can make a series of short stories (or one big episodic one) dealing with exactly that: the guys traveling around, meeting other cryptids, learning more about themselves and the world, trying to build a life between human and supernatural crisis going on. Just like In The Dark it can based on the mix between the real life and the minecraft-verse events.

I wanted to focus more on finishing the main story first, though, so these stories are not as sought through, I didn’t even write down any of them yet :D

But if you have more concrete questions, ideas, or suggestions (about a specific person, or a specific thing happening) – write me, I’ll think about it, and how it can work with the theme and worldbuilding I have in mind.

6) Stealing + Protectiveness

Skeppy can sometimes forget about, ahem, moral principles, or human decency… emphasis oh “human”. He’s nature and different worldview it gives, it seeps through in his life and actions even more with age. Especially after he’s been away from actual people for a long while. So, I guess, he might at times steal something that is very important to someone, or do something that could be considered weird or rude in general.

And if Bad really needs something, or is in danger – all rules are down. If there is no one to reality check Skeppy, he might proceed to walk on heads, and commit risky and reckless crimes just to help or save Bad.

They both are quite bad with that, the protecting each other thing. Bad, tho, can be more fiscally violent in his protectiveness.

7) Adrenaline and rollercoasters

Well, it’s not that Bad likes adrenaline specifically, he’s just very curious, likes to try new things, and is almost unkillable. So he can just- just go for everything that’s interesting for him with reckless abandon, and if it goes wrong – welp. Bones can heal limbs can regrow, and the cool abandoned caves will not explore themselves. He’ll have to learn to ease up with lack of selfcare though. Because Bad can’t always leave Skeppy to fend for himself, while he heals, and Skeppy does NOT like seeing Bad getting hurt so much, and not caring about himself at all.

This probably comes back to Bad dealing with his spn nature and learning to make peace between it and himself. And to his anxiety, and unhealthy coping mechanisms.

And hey, it’s the same for Skeppy and his lack of adequate moral compass at times :D

There will be a lot of tension and growing they’d have to do in regards to all this.

Also Skeppy is the one who’s really into chasing the thrills :D Man spent nearly half a year annoying probably-murderous-forest-spirit just for little not-boring fun, jeez :DD

Rollercoasters are a no go, tho. They go up in the air, real high, and, once again, Skeppy and highs do not mix, they do not mingle, they will not have tea parties (with or without bears). Unless, of course, Skeppy really needs to prove something. Then he’ll go on a ride, and die an honorable death, and will never admit he screamed all the way through it.

8) Dates

(*insert an innuendo from Skeppy here*) But, ahm, actually I’d say they love going on picnics: getting food, and hanging around in the nature for a while.

And I honestly donno what I like to think about the most… I just really enjoy the vibe and the atmosphere of the whole story, and how Bad and Skeppy interact in general.

It all is a real delight to write about :D

---

In The Dark - masterpost

#mcyt #mcyt fanart #badboyhalo #skeppy #skephalo #In The Dark #shtern talks #..... #dang i talk a lot don't i #:DDDD #but really #getting these asks getting to write more about this AU - always makes my day

[mindfairies]

Episode 5′s Light Battalion Scene - Part 1

If someone asked me what my favorite scene in Fate was, there’s always one that comes to mind. I will never ever stop talking about this scene.

Specifically, Episode 5 (9:00-10:10). Or as I like to call it, “The Light Battalion Scene”

We don’t get enough backstory on the adults in this show and it’s a crime, but this one scene has personally fueled more headcanons, story ideas, and theories than any other scene. This is going to be a little long just because I couldn’t sleep without writing this all down.

To start off, their name isn’t canonically The Light Battalion, that’s a choice I made in a fic that just ended up sticking. But the friendship of Farah, Saul, Andreas, and Ben is its own interesting world, and one that this scene manages to portray incredibly well.

I don’t have any screencaps of the beginning (rip) but the scene starts with Andreas and Saul. Obviously these two are already known to have some history, because Saul is implied to have raised Sky after Andreas exited the picture (”aggro father figure”), and he mentions Sky’s dad more times than I can count. But this is the first time we see continuous lines of dialogue between them, and it already tells us so much. 

Andreas teases Saul about being on the ground, and in my opinion that’s just best friends being best friends. It’s lighthearted, it’s funny. But then he hits him with the “let me know when you want to start pulling your weight, Saul.” And the air seems to shift a little at that. Andreas implies that he’s the one doing all the work, pulling all the weight in their fighting (it’s implied that they just took down a Burned One as a duo), and sort of passively aggressively jabs at him. Our beloved Saul obviously jabs back, and he brings up Andreas’s son. Ouch. Andreas’s entire mood shifts, and he looks Saul up and down before leaving. In those 30 seconds, we see more of both their characters than we have so far in the entire show.

They obviously were/are friends (very close friends, if Saul took over raising Sky), but their relationship is currently strained. Andreas sees himself as doing all the work, and Saul might be a little peeved that he’s not paying enough attention to his family. But they don’t talk about it, not really, walking away before they can actually get a conversation going. Saul has absolutely no other lines in this scene, and that’s mind blowing to me. But anyway, moving on.

Andreas and Saul rejoin Farah and Ben, and it’s implied that they just managed to take down a Burned One as a duo themselves. Andreas speaks first, and his line “is he dissecting again?” immediately reinforces the fact that there’s history there. Andreas knows Ben likes to dissect these things, and apparently Farah knows that he knows, since (being surprisingly sarcastic) she responds with “what do you think?” 

This next part is literally my favorite part of any episode ever. And I hate that I don’t have a screencap of all of it.

Andreas spits on the Burned One’s corpse that Ben is kneeling next to (which... ew). Ben looks up at him, exasperated, going “Or we could contaminate it. Lovely!” And instead of immediately turning back to continue his work, he looks at Farah.

The camera then pans to Farah, who’s got the hottest look ever on her face.

She raises her eyebrow at Andreas. As a response, Andreas raises his eyebrows and shrugs at her innocently. The camera pans to Saul, whose eyes flicker from Andreas to Farah (and they look her up and down, cheeky man). Then Rosalind interrupts.

That’s the moment I love most about this entire scene. Those maybe 15 seconds of interaction between four characters we know little to nothing about. So let me break it down really quick.

First of all, Ben looks at Farah. He stands his ground (kinda), sarcastically says “lovely!” but his gaze still moves to Farah for a brief moment. I think he’s looking at her for support, for a friendly face, and maybe subtly for a “can you believe this guy?” type of moment. But Farah’s reaction is to make direct eye contact with Andreas and raise her eyebrows. That’s a challenging look if I’ve ever seen one! She’s looking at him like she wants to smack him, like she’s done with his shit. Her little head tilt (chin jut = pride) at him just reinforces that. Andreas responds. He seems to know what that look means, almost like he knows exactly what she wants to do. So his reaction is to raise his eyebrows and shrug at her-- he didn’t do anything, he’s clearly innocent, he was only having fun. 

And that interaction says so much about both their characters. First, I think it shows that Farah might’ve been a little protective of Ben while they were soldiers, or while they were friends with Andreas. Ben is the one that Andreas chose to pick on in this scenario. Granted, he was the one leaning over the corpse and maybe the only one he could’ve picked on, but we just saw him passive aggressively commenting on Saul earlier. But he chose to go and spit over Ben, who looked towards Farah as if asking for help or support. And she’s clearly not afraid to challenge Andreas about it. And he’s clearly not afraid to respond with feigned innocence, although he knows what he did. It makes me wonder if they’ve had this dynamic their entire friendship (or their entire school years). Is it competitiveness? 

And then comes Saul. Who, like I said, has no other lines in this scene. I find it odd because this feels like the perfect time for Saul to jump in. Maybe to say something about the Burned Ones, or to Andreas, or to Farah, or just to put his sword away? But he just stands there, looking at Andreas and then at Farah. It’s almost like he expects a fight, expects them to lunge at each other, to say something. It’s like he’s hesitating, or anticipating something. And it makes me wonder if situations like this (an Andreas and Farah stand-off) happened more often than we think.

It’s 15 seconds of body language that could, in the end, just be the actors’ spur-of-the-moment choices. But I want to believe there’s more than that, because we know that these characters have history, and this one tiny scene shows more of it than any other scene in the show. These adults that the fandom so collectively loves have the potential to be so complex and multi-dimensional, and a whole worldbuilding can be done with their backstory. These are real people, soldiers, with real relationships and friendships that I personally want to know more about! These years weren’t implied to be pretty, and if this was a sweeter story I think we could’ve ended up with a light-hearted scene of their training turning out great.

But then Rosalind showed up.

(Part 2 coming soon!)

#Farah Dowling #Saul Silva #Andreas of Eraklyon #Ben Harvey #The Light Battalion #Alfea #fate: the winx saga #f:tws #theories #theorizing #episode #Burned Ones #fighting #writing #fanfiction #fanfic discussion #Gilded in Silver #farah dowling supremacy #Rosalind #Silrah #light battalion

[anondudeao3]

Fic Recs!

Since I'm on hiatus, I've finally had time to do some reading, and I thought I'd give some fic recommendations, since I won't be posting for quite a while. These are my absolute favourites!

(I'm splitting this into two posts — one for JayDick and one for JayTim — because now that I'm finished with the first half it's quite long)

JayDick

A Love Triangle With The Same Person

By: Chrystie, kate882

Word Count: 10,031

Summary: Dick might have a bit of a thing for Jason, one of Red Hood's criminal underlings. But he's also already a little in love with Red Hood.

→ Identity porn! Who doesn't love identity porn? Very cute and sweet.

Everything I Know

By: epistemology

Word Count: 12,360

Summary: Red Hood is a little bit in love with his partner, Nightwing, who has a huge crush on Jason Todd, the hot bookstore owner, who is actually the Red Hood, who is too busy being in love to notice Dick Grayson, who's actually Nightwing.

Jason and Dick fall in love with the wrong versions of each other, and things become complicated fast.

→ More identity porn, but this one is a lot more sort of missed connections, plus it has bookshop owner Jay who was never taken in by Bruce! It really has you begging SOMETHING to happen to somehow make them see that THEY ARE EACH OTHER, THEY ARE THE ONES THEY LIKE. AHHHH IT'S THE SAME PERSON. And when it finally does happen, it's so sweet and satisfying. (I recommend checking out their other fics too! Lots of sweetness.)

Lie To Me, Darling

By: Chrystie, kate882

Word Count: 19,214

Summary: Officer Dick Grayson is undercover in the infamous Red Hood's gang trying to track down the man behind the helmet. With his former partner killed for being found out, there's a new guy in the gang to take his place. Jason doesn't seem like the average new gang recruit, and Dick may be getting more than he bargained for trying to get close to him.

→ Okay, ngl I JUST now noticed that this one is by the same people as the first one, and I specifically didn't want to put multiple fics by the same people (just say I recommend checking out their other stuff, but not rec separately), but it's too late now and I don't have a 7th JayDick fic to recc that isn't also an author repeat, and I don't want it to be uneven.

But ANYWAY. This one will fuck you up, I can't lie. Unhappy ending, but if you can brave that, ohhh it's so good. It's so damn sweet whilst the good times last, even though you know it's only temporary and it's all going to go to hell at some point... man. It hurts. But it hurts so good. It's beautiful, and I personally think it's worth the pain.

Two Birds on a Wire

By: empires, pentapus

Word Count: 20,565

Summary: Dick asks Jason for help on a case. Jason should have never agreed.

→ It's probably laughable that I'm reccing this, since pentapus is one of the authors and their art is like huge in the JayDick fandom, and the fic has more than 22.5k views, which seems to be quite a lot as far as JayDick fics go. But in the event that you haven't read it yet... This is actually the very first JayDick fic I EVER read, it introduced me to the ship, and I just reread it and it's still just as amazing, what a winner to start out with!

The dynamic between Jay and Dick, the way Dick gets so into his undercover role, Jay's emotional turmoil, the action — it's all just absolute chef's kiss! It's so hard to write action well, and these two made this fic so engaging!

All Soulmates Final, No Refunds

By: empires, salvadore

Word Count: 38,900

Summary: Mystic Waters Grande Hotel sells itself as a luxury soulmate retreat with all manner of couple’s activities. The cost is high, and all is not as it appears on the hotel’s grounds. Dick and Jason go undercover as newlywed soulmates to find out what’s behind the rash of missing persons. And dig up old feelings in the process.

→ (Since empires was collaborating with two different people of the different fics, I don't count that as a repeat).

Well firstly, this is a rare Batman!Dick JayDick! And secondly, yes, one of the ubiquitous soulmate AUs. But with some very interesting twists! Also, like TBOAW above, the action in this is amazing, and absolutely had me on the edge of my seat. Similarly, their undercover personas were lots of fun, and it was very fun to see them push each other further and further with them.

Secrets of the Sea

By: ParzivalHallows

Word Count: 42,711

Summary: Being a merperson was dangerous enough, but being a merperson captured by pirates? That's got to be one of the worst fates for a merman. Merman Dick Grayson is captured by a slave ship, where he meets Jason Todd, who's a slave on that ship. Together, the two plan an escape. However, they need to put aside their odds first, which is very difficult for the two stubborn men.

→ I have to give you fair warning first, this one is incomplete and hasn't been updated since 2017, so I don't think it's ever going to be finished (but it can't hurt to leave a nice comment!) BUT WAIT, DON'T SCROLL YET, hear me out. It's really good, okay. You do need to mind the warning tags because there is major character death (not Jay or Dick though, and since it's not complete I'm kind of choosing to believe that they're not really dead and later in the story it actually turns out that they managed to survive).

There are a lot of grim things in this story, it's really about survival, but the worldbuilding is fucking phenomenal, and the author drew me right in. The descriptions and the action and emotion, the unexpected magic that they have to figure out? It's all so cool and well done.

Steady On Forward

By: JayseHasNoGrace

Word Count: 96,287

Summary: Dick Grayson's life has never been easy, but he'd like to think it's been going better lately. He's been operating mainly out of Gotham again for almost a year, and has been in a steady relationship for just over. He knows where he stands with crime-fighting, and the family is all on pretty good terms, considering.

Things are really going pretty well.

Unfortunately, the balance doesn't last long, and old horrors from Dick's past end up dredged up alongside new ones.

This is a story about love and family, but equally so about trauma and healing from it. Please heed the warnings in the preface.

→ Alright, the final JayDick rec, the longest, and the darkest. But wait, again, don't scroll! It's also by far the most hopeful AND FLUFFY. Now, the author is NOT fucking around about heeding those warnings, there's a shitload of them and it's really heavy, hard shit. Do not get me wrong, this fic is going to HURT you. But by the end, it's going to have felt so cathartic, and you're going so feel soft and hopeful and whole. I don't know how they did it, but it's SUCH an emotional rollercoaster. Another commenter on AO3 (mach5plus1) said it better than I could:

I gave this fic my whole heart, it took it, smiled and said “awwww, I’ll take care of it!“

Then started putting pressure on it and I told it “ouch, that hurts”

The fic kept smiling and put more pressure until a piece broke off (last chapter)

and then another (this chapter)

The fic keeps doing it until my heart is shattered into pieces and it’s standing over each shard with a frown saying “oops” (the upcoming chapters)

Then, after finding each piece again and picking them up, the fic will slowly push each piece back into place.

By the end it’ll give my heart back a little different, but somehow better than it was when I gave it away.

It will crush your heart, but it will lovingly patch it back together by the end, I promise. If you can read it without getting triggered, I thought everything was well handled, and it's so worth it. (I recommend checking out their other JayDick fic too, they only have one, but it's a fluffy romcom, so if you need a break after this one, that's there!)

#jaydick #fic rec #jaydick fanfic

[holdharmonysacred]

Every now and then I remember FE3H’s DLC books talking about the church’s tech bans and I get irrationally angry because it’s one of the game’s worst cases of Show Don’t Tell compounded by fantasy media as a whole taking anachronistic tech for granted. It’s like if a video game tried to have a whole sidequest about introducing potatoes to the kingdom via a fantasy columbian exchange, but everyone in the game up to that point was ALREADY cooking and selling potatoes constantly as if they were already a native crop, so why is the sidequest introducing this crop they already had as if they were new???????

Like the fucking. printing press ban. The game tries to make it like the Seiros Church banned printing presses (because the IRL Catholic Church did that and therefore we must make OUR fantasy church do that even if it doesn’t make sense!), but the problem is NONE OF THE REST OF THE GAME is written as if printing presses were banned. Books at the monastery are taken for granted, literally Everyone at the school has them, Seteth publishes children’s books for funsies, the library gives no fucks if you borrow their books and lose them, books are just common and easily makeable and replaceable in a way that only makes sense if they have printing press technology. This shit doesn’t happen in manuscript cultures - monks had to write and copy every individual manuscript BY HAND, there was an entire CULTURE of prayers and curses meant to prevent handwriting errors and book theft because one little fuckup could mean that that text is LITERALLY ruined forever. Manuscripts and books before the printing press were EXTREMELY valuable, and literally NO ONE in the game should be as casual about them as they are if printing presses are banned. The level of difference here is the loss of a printed translation of Beowulf VS the loss of the original manuscript book that our source text for Beowulf was in.

And normally this would be FINE!!!!!!!!!!!!! It’s FINE if fantasy media does this!!!!!!!!!!!! Normally it wouldn’t matter that they’re not being accurate about goddamn books. The problem is that the game SPECIFICALLY makes it a point that printing presses are banned and draws attention to how books in Fodlan are made and distributed. It’s a wink and nudge of “Hey, the Church is terrible about books, you should pay attention” that just completely falls flat because NOTHING in the worldbuilding we see actually supports it. Nobody behaves like they’re in a word where printing presses are banned, and the writers have done nothing to build the world in such a way as to support the apparent canon of “printing presses are banned”. It’s like the potatoes problem - the hypothetical example I mentioned TRIES to be clever and make a point that Fantasy Europe could only get potatoes through a Fantasy Columbian Exchange because IRL potatoes are only native to the Americas, not Europe, but it’s ruined because the word of the game just isn’t built to support potatoes actually being a new, non-native crop in Fantasy Europe. The lack of payoff for this reveal is just adding insult to injury, the game just goes “hey, the Church is doing Crimes” and does NOTHING with that new information, and confronting the Church about tech issues is never an issue anywhere else in the game, so again, why?????? And it’d be so easy to fix too by just adding an in-game explanation from someone that the Seiros Church USED to hold these bans, but they’ve been repealed or ignored and unenforced for years, there you go, now the game doesn’t look stupid.

It’s lazy and bad worldbuilding in a game full of lazy and bad worldbuilding. The devs clearly wanted to be clever and do Plot Twists, but made zero effort to integrate those twists into the actual world of the game, and it drives me out of my mind because the game could be so GOOD if they actually made the effort!!!!! They could actually DO THINGS with the twists they introduce!!!!! But they don’t. And it’s maddening when it comes to smaller stuff like this, but it gets even worse when it happens to actually plot relevant worldbuilding, like how nobody in the game gives a shit that the Heroes’ Relics are blatantly made from the bones of a genocided race. God damn.

#i love fe3h but this is just one of those things that makes me lose it #it could be SO GOOD and it just falls flat

[faorism]

needing the au to drop wherein i can commit to writing a historical au,, because since i first watched the db cooper job my mind went straight to OT3! OT3! OT3! (unlike with the van gogh job, since i aint playing with that fucking lieutenant)

one day maybe one dayyyyy i will sit down and i will write the ot3 into that episode's story. so, it'll be the backgrounds for the characters in the flashback (so, stephanie ritter, steve reynolds, and reggie wilkins), but with the necessary personality adjustments (parker, eliot, and hardison respectively). basically, vintage ot3 with some hot as hell aesthetics and secrets and avoiding as much as possible producing copraganda.

so. my thoughts. what i see happening. and this got super long so im throwing this under a cut. and for ease i will call them by their modern day canon names except when making a point.

first, general thoughts about the characters.

and so: steve to eliot. nothing much here on the surface. eliot still volunteers, too much an indoctrinated white man to have been forcibly drafted. so its still one man gone to war. one man come back. eliot would had been noticed early in training for his ability to pick shit up, and they teased at maybe sending him to a special unit. maybe they do, or maybe they don't because they just need to funnel fuckers to the jungle. the vietnam invasion was a terrorist imperialist venture and there's no romanticizing from me about anything done being at all valorous or special or brother-in-arms'y. and eliot commits war crimes under the american stars and stripes instead of just to keep moreau's champaign running. but also maybe moreau is eliot's superior. he certainly would have been rewarded for this ruthlessness. (eliot of course strove to impress moreau because there aint an eliot spencer who wasn't that man's dog at some point, i!!!! dont make the rules). eliot's friend died and eliot's gone off to carry out his wishes and moreau lets him because he Knows eliot is gonna come back. whether its to come back to the same squad, or follow him into deeper spy shit for the military, or to fuck off and go private. then eliot meets parker.

now. stephanie to parker. beth plays normal so well im mad at her, but there's something edgy and strategic about stephanie that i think parker can grab onto. i feel that maybe she was kind of a thief still, but there's more realism to this world so archie wasnt a super secret spy with lasers to practice with, but just a guy with sticky fingers whos a little bored and wants a protege. parker is good really good at what she does, and not having to deal with lasers makes me easy. but she's into scams that are less grifts and more Catch Me If You Can slight of hands. she's always looking for easy money (she was into lifting cars at one point! literally she follows where the crime is). she's doing something in an airport and someone tries to recruit her as a flight attendant because she's got the Look. and yall, flight attendants? that shit was like being a model and an astronaut and a time traveler back then. and according to a teacher i had, who once worked as in the f.a. union, those ladies back in the day were rad and queer and free spirited and runnnnning shit. i think, yes, it's a Job which i think we might resist placing parker into. but! of the jobs, at the time, i really see her rocking it during the time period. (also come on, the opportunities to swindle distracted people of their shit would be endless. they would just think they dropped their stuff in the airport! not that it was stolen.)

finally, reggie to alec. i think hardison will be the hardest to translate. even tho i admittedly listen to a lot of true crime podcasts, i dont know much about fbi life and also definitely don't know about it historically. part of me desperately wants to put him somewhere else even if it does have to stay within the fbi. i might cheat and make him like a Q(uartermaster) to 007/00s like in james bond, and he's like UGH this is horrible god i hate working for the fbi but they will give me funding so...... anyway, here's this totally cool [radio term]. that said, if hardison is stuck in the fbi, why he ends up there is that he is a fucking savant when it comes to research and the man can put together a presentation like no one else. that white man gets all the credit for profiling but it was hardison who goddamn was the google of the microfilm days. reggie felt super square but that might be because he had to deal with mcsweeties db cooper shit day in and day out for years. hardison is more himself. and definitely still a nerd. alec would be into dime fantasy novels and comics and ham radios and oh god he also would be into star trek like the original star trek as it came out and he would be into the zines yes! yessss. omg. also he plays a mean arcade cabinet. but he's mostly well adjusted but lonely. his colleagues dont appreciate him because fbi esp during that time were fucking wilding out and racist as hell aaaaaand im sorry im srry im trying so hard to have fbi hardison make sense but also! acab. ANYWAY.

second, the relationship

i think it would be fun to play with what it means to have parker/eliot start off first and bring in hardison afterwards. (if white collar is your thing, it would be like this canon divergent ot3 fic wherein peter burke is the last to join in.) i feel they would be Super Intense esp since they are carrying this big ass secret. kind of broken and dysfunctional and there's the passion and the commitment, but i think there's also a tenderness that's super hard for them to achieve? and i think there's a way that hardison plays such an important part in who they are and how they are. like, sure i think parker/eliot would have joy but they won't have levity. they would have compassion but they won't have gentleness.

eliot meets hardison after being recruited by nate. i think they get close because while nate and eliot have an interesting and compelling mentorship/friendship, nate is still eliots superior; sometimes its nice to complain about your boss, as hardison will say to eliot to try to make friends. i think hardison and eliot would become legit friends and not just work buddies because they are just not cut out of the same cloth as the rest of their colleagues. they grab beers after work. after hard days, hardison cajoles eliot into going to the arcade. they are friends. real real truly deep best friends, in a way hardison didn't think he could have with a fed and eliot didnt think he would have after his friend died. but also? they are like "buds" who are buds who are desperately tryna to cross any lines because there's a.... tension? an UST between them they dont know what to do with.

parker meets eliot by way of a "lets have my friend for dinner, he's a blast." and immediately immediately hardison is like... wow this woman is beautiful but like, really attracted to her personality. and parker things hardison is kinda dorky but cute dorkie? anyway, they have a puppy love situation growing. and it keeps growing until bam. eliot and parker are like. are we into alec???? fuck we are aren't we.

i think stephanie and steve would never tell reggie (even if somehow they were to be a thing). but parker and eliot? hell yeah they tell hardison. eventually. after a while. sooner than maybe they should. the tension if they should say something is one of the things that build up as UST between them for so long; parker and eliot know they are carrying this huge thing. two huge things. eliot being db cooper and also their massive crush on him.

if i could control myself to stick to a pwp, it would be another christmas. maybe the christmas nine (more?) years down the road. the damn snow grounded hardison's flight back to his nana's, and parker and eliot hear this and invite him over. the egg nog gets flowing and parker eventually is like,, fuck this. and comes onto hardison. and hardison would be like wow wow what but... idk, free love and swinging were In The Thoughts And Minds Of The People. he still checks in with eliot who is like. her body, man; i aint gonna tell her what to do. and for a sec hardison is like, man is this a cuck situation? i guess i can be for it but also...... aint mad if i aint alone. and eliot is so grateful and idk. i just want them all to be happy and having fun and no one to be left out. and yeah i am kinda brushing over a lot of the racial politics which, in a more developed fic rather than a pwp, would definitely need to be brought in; but idk that needs to just be in the bedrock of whatever plot is going into this.

it takes a lot of maneuvering of their lives but they make it work and eventually hardison is a keeper of eliot's secret too.

(apart from the historical aspect, another reason i probably won't actually write this is because i know myself. i would want to do worldbuilding. i would follow eliot and alec to their jobs, but i wouldnt want to write outright copaganda. the grit/realism i would be comfortable with would take a level of research i dont think i can commit to. but if someone wants to take this up or if you figure out a way around this issue, pls do i wont be mad)

#eliot spencer #parker leverage #alec hardison #leverage #thiefsome #okay i srsly am not this active but this week got me wanting to talk and talk about these three beauties #the db cooper job

[wordstro]

omg okay so here are yeosang’s and wooyoung’s more indepth backstories in the hero/villain au because in between working on my wips I’ve been thinking about this universe as a whole a LOT lol. this also includes everyone else's powers (the backstories aren't as in depth yet) as well just a little worldbuilding establishment:

yeosang’s powers are persuasion. he was always a quiet, shy boy who liked to keep to himself. he wasn’t always quiet though, not until the day he activated his powers. when he was 13 years old, he’d been upset about something he didn’t even remember, that’s how insignificant it was, and he screamed and shouted at his parents. his mother sighed, and his father crossed his arms over his chest and said stop being a brat and tell us what happened. ironically, yeosang hated being told what to do. he stomped his foot in anger and shouted, “leave me alone! go away!”

then he turned and stomped up the stairs and slammed the door shut. when he emerged from his room hours later and tiptoed to the kitchen in search of food. the apartment was eerily quiet, the tv still running and the lights still on. he’d gone to sleep peacefully that night, unknowing that his parents would never return.

to this day he did not know where they were.

he’d lashed out a boy prodding at him during gym class, still reeling from his parent’s abandonment. he remembered the boy’s insult. you’re so useless and ugly. no wonder your parents left you, he’d spat. yeosang saw red. he hissed, “go jump off a bridge, asshole.” the boy’s eyes went blank and he turned away. yeosang stared after him in confusion but the bell rang and he was herded back to the school. the next day he learned that the boy jumped off the highway bridge still dressed in his gym uniform.

that’s when yeosang knew what he could do.

he did not speak and kept to himself since then, festering in guilt, always on the look out for his parents. in high school, he met a boy with a big smile on his face and mischief in his eyes. he witnessed one of yeosang’s bouts of anger, when he cornered some bully behind the school where the CCTVs were broken and kids came to smoke and skip class and he told him to forget about his victims and leave them alone, to focus on his grades and family and stop bullying innocent people. he’d owed one of the bully’s victims for her help with keeping him from failing math. jung wooyoung witnessed it all. the boy’s blank eyes and listless nod, yeosang’s test afterwards, everything. before yeosang could persuade wooyoung to forget, wooyoung flicked a finger and blue flames sparked to life at the tip of his fingers.

yeosang suppressed the relief and a sudden onslaught of tears at the sight, the knowledge that he was not alone anymore.

wooyoung used it to light his cigarette and wordlessly offered it to yeosang. yeosang grimaced.

i hate smoking, he’d said. me too, wooyoung replied with a grin, tossing the cigarette to the ground and grinding it with his heel. he swung his arms over yeosang’s shoulder and the rest was history.

yeosang spoke again and wooyoung helped him control his powers and outbursts. yeosang promised he would follow wooyoung to the ends of the earth. and he did, to the hero-villain alliance where he acted as a villain, to the underground meetings, to the coup, to his fights with a team he’d come to love just as strongly as he loved wooyoung. he followed wooyoung through everything and he would do it again and again. still, why did he feel so guilty? why did he feel so much regret?

wooyoung can control fire. his backstory was nothing horrifying. it was kind even compared to the others. he’d simply lost control one day, overwhelmed by emotions as teenagers are, and he burned down his house with his family still in it. he’d left severe burns on his mother and brother, but no one died. when the police came to investigate, his parents covered for him.

his mother reminded him that she loved him and stroked the tears from his face, reminded him that he’d made a mistake and she forgave him for it.

his brother said he forgave him too, but the fear in his eyes remained and wooyoung saw it. he worked to remove it but he saw it. it stayed with him. the fear changed him. not death nor hatred, just the way people looked at him when they found out what he could do, even when he played a hero.

when he and yeosang joined the hero-villain alliance, he’d basked in the kindness in their eyes and though he told himself that he would stop being soft, that he only cared for the people he cared for and that’s it, just his parents who were too old and exhausted and his brother who feared him and yeosang, the team wormed their way into his heart. he loved them. he really did.

they taught him to embrace his softness. they taught him to care. he’d been chosen as a hero by management. but he saw the injustice done to his kind. he despised the fear the public felt towards his villain counterparts, his best friends. it angered him.

because it wasn’t fucking fair. though wooyoung was soft he never agreed with peaceful protests. he believed in fighting and sacrificing for the greater good. peaceful protests rarely changed anything. the ends justified the means. always. so he staged a coup. he had to. for his people. for the world. for the greater good. he betrayed the people he loved most in the world and he would do it over and over again. for the greater good.

jongho’s powers are invulnerability/absolute durability. he has indestructible skin. it’s said he could withstand a nuclear bomb, but no one lets him try it no matter how many times jongho asks. jongho likes danger. it’s the only thing that keeps him entertained and gets him through the numbness he feels every single day. they made him a villain and jongho wondered if they knew that he feigned his optimism. he wondered if they knew how much he despised himself. he wondered if they knew that he used to beat people up just to feel something.

san’s power is intangibility. he can phase through objects by vibrating his molecules to pass through objects. recently he learned to phase his body parts so when someone tries to attack him, they fly straight through him. he tries to learn the science behind it but frankly he doesn’t care. jongho asked once if he could make his molecules turn into a nuclear beam, eyes alight with hope. san would always scold him, but he could see the sincerity in jongho’s eyes. san joined the hero-villain alliance last, plucked from jail for petty theft and given a second chance.

he loved too deeply, and he grew attached too quickly. it was a fatal flaw of his.

so when they betrayed him, yeosang and wooyoung especially, he grew so angry, he was terrified of the force of it. he never knew he could hold so much resentment, but he figures that if he could hold so much love, he could hold just as much hatred too. he fought with a vengeance with anger, but more than anything, with deep, deep hurt.

mingi’s power is light manipulation. he can manipulate light, blind people, create burning heat from it, and even create entire illusions by fracturing light particles. he’d blinded people with his power and he casted an illusion of himself, forever living in his hometown, suffering the consequences of a crime he should have been, and he fled. he’d met yunho on the streets before the hero-villain alliance and they quickly became best friends, brothers even.

hongjoong’s power is dimensional storage. he can store objects and people away for safekeeping. he’s been told that if he trained hard enough, long enough, he could advance his skills. he could manipulate space itself, erase people from existence, create wormholes and paradoxes, warp reality. it would be hard for him.

wooyoung spoke of the possibilities with twinkling eyes.

hongjoong couldn’t admit that his powers terrified him. he still couldn’t bury the guilt of what he did when he couldn’t control his powers. he still didn’t know which dimension he placed his hometown in, whether they were still alive, and it’s nearing twenty years since the accident.

that’s why hongjoong advocated for peace, for treaties and regulations. he hoped for the best in people because that’s all that kept him going. he didn't want to fight. he advocated for his team every single day. he loved them.

that’s why he ignored the signs that wooyoung was up to something until it was too late. every day since then he fought to bring them back, to right his shortcomings.

bonus:

technically this ateez hero/villain au takes place in the same timeline as the astro hero/villain au i have on here on AO3. so the juxtaposition between how fluffy and how much of a fun time astro/the ioi unit/etc are having vs ateez shows how much public opinion of people with powers changed over such a short period of time. especially as super powered people began emerging in droves.

astro’s stories take place when people with superpowers just started emerging. and villains and heroes hated each other but it wasn’t ever as serious as it now is. superheroes were a commodity. no one was extremely afraid of ppl with powers to the point of murder and villains only stole for the paycheck. that’s why they were all best friends. but as the government began to start regulating people with superpowers and ppl began to protest their existence, more government-run academies opened up and all of astro joined the hero-villain alliance as a team. that’s when they joined the biochemical weapons sector. at first it was fine - they didn’t work out on the field often but they hoped with their research they could help their kind and learn more abt themselves. until the experimentation got worse, more invasive, forced. eunwoo was the sole survivor. he lost his shit, but they managed to contain him at a high security facility. when jongho broke him out, eunwoo swore he would avenge them.

#ateez #ateez scenarios #astro #astro scenarios #hero/villain au

[ato-matsuri]

On Agartha

Been a while since I’ve written a long text post, most of all one about Fate. It honestly inspires a lot of rambling in me, after all. But I don’t think, this time, it’s due to its good writing, the emotions it makes me feel, or anything good. This, my friend, is about Agartha. I should probably prelude that this contains a metric shit ton of Agartha spoilers. If you haven’t seen Agartha, and you’re actually wanting to see the story -- scroll past. But, having played through Agartha completely and rested on the story for a bit, I think I want to repeat what everyone else has for ages lol.

Agartha, on paper, is incredible. A subterranean world built off fantastical story off fantastical story, made by a woman known for her ability to weave story after story, within stories, on the fly, and from a database of every possible Arabian Nights tale. Where the fear Scheherazade has due to Shahryar's endless abuse and fearmongering has stretched even to men as a whole due to literal years of having to survive Shahryar. Where the only leaders were queens, where the only rebellion force was a man so horrifically corrupt that he'd easily fall for the tricks she played. Her intent -- to reveal magecraft forever, removing any power magecraft has, saving her from ever having to fight and face kings -- and die -- ever again. That... sounds pretty good when I describe it that way, huh? Now if only it were executed with any modicum of sense.

From the beginning, Agartha's writing struck me as remarkably odd. It was like I was watching someone desperately try to emulate Nasu's writing style -- but had absolutely no idea what made Nasu's writing so good. Its exposition dumps, rather than being interesting, ended up being thoroughly boring -- as they focused on the mundane, like the fact that moss glows to light up the landscape -- instead of the magical implications of a world like Agartha even existing to begin with. Albeit, with the mystery of Agartha at that time, we can safely assume that there wasn't much to focus on, but then why spend so damned long talking about this stuff?

The worldbuilding, while passable, feels fairly flawed in execution. The idea of a world made the way Agartha was could've made for some interesting commentary about the way men treated (and still do treat) women in modern society, but Agartha not only misses the point, but tumbles head-over-ass into the uncanny valley and makes the whole thing sound like a continent-wide BDSM session. There's barely any actual subtle or well-done symbolism to showcase misogyny in this way -- and while hyperbole can serve a good point at times, the hyperbole combined with the strangely sexual writing of these segments makes it feel less like commentary and more like a badly-done doujin.

For example -- El Dorado was as simple as it gets. Men are slaves/breeding machines/whatever. The whole 'breeding machine' thing is played off extensively, even with Penth -- a minor at this stage, mind you -- comments on using the protagonists as such breeding machines. I'll come back to this later, because this serves as another point.

Ys was a fucking cool concept -- a world ruled entirely by rampant consumerism and chaos. Men, in this world, are still second-class citizens, pretty much the playthings of the women around them. I say that Ys is the best kingdom comparatively, as it was at least more bearable than its other kingdoms, but it still felt weirdly sexual in its writing tone. Of course, following tone, Dahut (who I'll get back to later) smashes men constantly, and is very keen on fucking Guda as well, following a trend. It's played for comedy, mostly, but it's still uncomfortable as all hell. Even so, I note it's more bearable because it's a very slightly more subtle take on the whole 'misogyny' allegory -- these people are using men for basically whatever they want, and tossing them away after. I'd compare it to a few true crime cases of people who murdered, or assaulted women for no good reason at all, purely out of a want that was either denied (for good reason), or that the want itself was to inflict harm. While the allegory still does feel unintentional here, it's at least slightly less unintentional. It was probably mostly just by accident due to Agartha's generally uncomfortable writing style, but the allegory here feels a little more potent when it's not so blatantly a BDSM fic.

I hate the Nightless City, despite it again being a cool concept. A 'utopia' where speaking out at all means death -- where men are in concept free citizens, but in practice fall victim to the law if they look at someone funny. Again, in concept, great allegory. The law does not treat men and women the same -- and while it differs depending on the case which is preferred, the vast majority of the time, women are pretty much shafted by the legal system (see Brock Turner), especially in very conservative areas. Cases can be made for both genders being shafted, of course -- but for the purpose of this allegory, picking out the prejudices of the legal system against gender is a fair critique. But, like everything else Agartha does, these neat ideas fall flat in practice.

They barely touch at all on the allegory, and nobody seems to even realize it in the cast, making me further believe the allegories aren't intentional at all. In due fact, it's as if the writer didn't even realize that this could be read as an allegory. The men's plights make some sense, as they were yoinked out of nowhere into a world that hates them. But the Servants and Guda don't think about it at all past the 'wow men are slaves that sucks' -- barely even considering that this could be an allegory the world's creator made due to their own horrific circumstances. They do point this out, but to my knowledge, it's very late -- when Scheherazade's called on her bluff, only then is it ever mentioned, and only in passing at that. If anything, the fact they point this out so close to the ending makes the ending itself that much more insulting. But before I get to the ending, I think there's something else about Agartha that sets the scene for just how awful it is -- and that's the way the characters are written, and the dialogue that comes of it. For this, I'll split it up into the characters who portray this the most. I'll even describe their personalities in Agartha's context.

Guda: Crouching pervert, hidden Mash stan. A few non-sequiturs of Guda complimenting Mash despite the mood being completely broken by it. Guda's incapable of taking a situation seriously in Agartha, even when the world's basically due to be changed forever. They keep cracking jokes, creeping on Astolfo/d'Eon, and other such things even when people are literally dying all around him. For that matter, I clearly recall the scene where -- for no real reason -- Guda just changes gears with Mash in tow, and starts trying to decipher d'Eon's gender. There's absolutely no real context to this, nor any reason for Guda to do this. Further noted is the fact Guda has worked with d'Eon before, and should've probably realized d'Eon's situation by this point. The Nasuverse has always been a bit, er, behind on gender norms and such, but it's so prevalent in any scene with d'Eon it hurts -- especially in that particular scene.

Astolfo: Oddly enough, the most tolerable person here (sans one other person). Agartha's refusal to take itself seriously works remarkably well for Astolfo. And while Astolfo isn't exactly written well here either, the fact that Astolfo's always been a bit loopy makes them seem, well, more in character. They're responsible for some of the funnier moments in Agartha, with their input composing approximately 3/4 of the, like, seven or eight funny moments in Agartha proper. Even so, Astolfo's appearance sometimes hurts Agartha as much as they help it, probably since Astolfo is a bit of the reason Agartha won't take itself seriously.

d'Eon: Deserved fucking better. The previously mentioned scene was the worst offender by far in my eyes, with it coming out of fucking nowhere. d'Eon's paired with Astolfo as a buddy and fighting partner, which itself could've made for good material -- instead, d'Eon is constantly dragged into Astolfo's fanservice-y gimmicks, and d'Eon themselves are pretty often creeped on by Guda. I'd go out on a limb to say that d'Eon's implied dislike of gendered clothing (see the maid outfit) made their scenes wearing such outfits far more uncomfortable, especially with how distinctly sexual the Agartha humour is. I just hated it.

Columbus: I can't fucking believe I'm saying this, but Columbus was the funniest character in Agartha. And I don't even think that was intentional. Something about how unabashedly horrible he was caught me completely off guard -- I thought he'd end up sort of like Napoleon at a glance, someone whose Spirit Origin was completely changed due to Europe's collective worship of the dude -- but holy FUCK was I wrong. Something about the hilariously cursed faces Columbus pulls, combined with his loud-and-proud irredeemable evilness, made him a blast to watch -- and an even bigger blast to beat the shit out of. His, uh, toothy grin still cracks me up even a few weeks after playing it.

Penthesilea: One of a very large amount of people who really deserved better. She barely ever shows up -- and when she does, she voices her desire to turn Guda and co. into a breeding machine/slave (recall she's like. 16?), and pretty much throws the whole 'reasonable-ish zerk' thing out the window instantly, because Agartha decided to forego decent writing in favour of 'funny berserker hates achilles haha brrrrrr,' therefore losing pretty much all the characterization they could've given her. The lack of 'alternate views' that show her in greater detail make this far worse, which I'll go into later.

Dahut: God, wasted potential out the asshole! A woman who made an entire world that fucked around and needlessly consumed stuff, she's the epitome of such a belief. But that's all she is. I'd be able to forgive this awful writing if Scheherazade, who 'implanted' Drake onto Dahut, was a bad writer -- but she's fucking Scheherazade! Dahut's a completely flat character, who constantly tries to bed (and kill) Guda, and generally likes the idea of needless consumption. That's literally it. Again, could be explained if Dahut had difficulty keeping control of Drake's body and conscience -- but this isn't explored either! She's just a walking, talking missed opportunity.

Wu: God, look at her design. Do I even need to say more?! She falls under the same problem that the other rulers do -- shallow characterization, no opportunities to flesh them out, etc.

Scheherazade: She could've been so fucking amazing. Scheherazade's story is one ripe with interpretations the Fate series so loves to utilize -- and on paper, her character is amazing. It'd only be natural for someone like Schez to be this deeply traumatized after so many days on death's door -- not many could really get through that okay. The incredible storyteller who fears death, kings, and unconsciously, men as a whole -- creating Agartha as a subtle way of ensuring none of them harm her while she prepares her ultimate plan of revealing magecraft to the entire world. However, as with the other Agartha characters, she becomes cripplingly one-note. Bringing her fear of death above all else, she comes off as an unreasonable asshole, constantly freaking out about death and preserving exclusively herself to a fault. While one could argue it's partially due to a Pillar's influence, Phenex doesn't seem to have a hold on her at all -- it's a basic alliance, and nothing more, as the ending shows us. It just leaves her as a one-note death avoider, with no other character traits at all. I'd go into further detail, but I'm saving that for later.

Fergus: God fucking damnit, man. A literal child version of Fergus, who the entire cast constantly expects to sexually harass every woman in sight. He's a one-note flanderization of Fergus, just without the one character trait Agartha gave Fergus. It just makes him... boring, a character whose only character trait is his refusal to hit a woman. Like... Come on. The fact the entire team is so sure this literal child will start trying to hit on women is just uncomfortable to witness, and the fact he slowly starts gaining these traits feels less like him 'meeting his fate' as Fergus, and more like Agartha wants an excuse to sexually harass more of the cast.

The Fucking Ending I'm giving this its own category, because of just how much of a punch to the face it was. In short -- the plan to reveal magecraft is revealed, more jokes are made, bla bla bla. Agartha can't keep a serious mood at all. ...But the final few scenes take it to a whole other extreme.

Wu Zetian comes out of nowhere despite being squashed by Megalos earlier, stuffing Phenex into a pit of her weird water shit, placing Phenex in a state of 'life and death.' Child Fergus then sac's his own Spirit Origin to summon Fergus inside himself(???), thus gaining the power of Caladbolg to weaken Phenex enough for the player to destroy. ...However, Child Fergus just summoned Fergus inside his own body. So, what happens when you put Agartha!Fergus, a one-note sexual harasser, into the body of a child? You get the final scene of Agartha. For some reason, I guess you need more help from others to take out Phenex. To this end, Fergus decides to convince Schez to join their side. I'd like you to recall that FGO!Scheherazade is implied to have the trauma of Shahryar's abuse, sexual and physical, burned into her memory -- not just the whole death thing. In every form of the story, Shahryar abuses her in such a fashion almost nightly. It's to the point where Schez' first line of defence, and much of her skills, are as much oriented around storytelling as they are charm and seduction (moreso the former than the latter, albeit), because her defence mechanism was that as much as it was storytelling, to keep her abuser happy. This is a part of why Agartha is the way it is -- to keep such men away from her. Hell, there's not a single King in sight, save technically Fergus, and Chaldea's d'Eon and Astolfo. Fergus knows this. Hell, he heard this being called out. He's well aware how terrified she is. So, what does he do?

SEXUALLY HARASS HER. He claims she has to live to have kids. That men and women have to live to have kids. He claims that she should live, because he'd smash her. ...Now, that's insulting enough -- moreso, that it's played dead serious. Nobody even as much as calls him on such a shitty persuasion tactic, and nobody even mentions how awful it is to sexually harass a woman who'd been sexually assaulted at best for the better part of almost three straight years. AND IT. FUCKING. WORKS.

SCHEHERAZADE. IS IMPLIED. TO BE INTO IT.

And because of this, she's swayed to join the heroes and seal Phenex away for good -- giggling about how Fergus' worldview was partially correct even as she fades away. The epilogue features Fergus, sexually harassing Scheherazade ON SIGHT -- calling out 'tits on my 12:00' or whatever, as Scheherazade darts off. However, Schez isn't avoiding him due to trauma. She's avoiding it because, while she's into it, she doesn't want to 'die' so fast. This fucking ending highlights among the biggest issues with this damned Singularity. Even Blavatsky coming out of fucking nowhere to Deus Ex Machina a grail and help into Guda's hands -- despite seemingly being slaughtered by Columbus in a (admittedly a bit funny) way to get the base of the Resistance -- means nothing to me compared to the blatant slaughter of two characters at once. Fergus is a total horndog even outside of Agartha's reach, but he even notes he respects his partners' consent, and doesn't overstep his bounds if he makes them uncomfortable. Scheherazade isn't exactly trusting in the slightest, least of all in Agartha - she barely even begins trusting Guda due to Guda treating her with actual respect. Even then, she isn't actively prostrating herself for Guda in that sense, very likely due to the fact that's more of a defence mechanism to her rather than something she'd enjoy, due to extreme trauma. Albeit, Fate writing does leave the possibility in the air for Guda specifically, but that's very likely just due to Guda being Guda and being careful to treat her properly and help her than anything else (and also the whole 'self insert harem' thing, I guess, but that's a hell of a lot easier to ignore esp in contrast to Agartha) And yet, we see that epilogue, that butchers both of them in one fell swoop so badly that I almost ended up hating both of them. Agartha's biggest problem is that it tried to be deep and intriguing, while having the writing quality of the goddamned Valentine's events. It picked all the right characters to have an incredibly intriguing storyline, and fell flat because the author decided that playing sexual harassment, d'Eon's everything, and even the most serious scenes for comedy was more important than telling a story even half as meaningful as the chapters before it. Lo and behold -- to my knowledge, Minase wrote it. Of course he did. He chose the best, the most interesting characters he could find, and made them so fucking one-note that the story lost all its charm in moments. He chose to emulate Nasu without understanding what made Nasu's writing so good. He chose to make Agartha a laugh fest despite simultaneously trying to make it 'deep.' He chose to fall head-over-ass over a possibly interesting allegory into misogyny and fall right into sexualizing it to the point of feeling like a femdom BDSM fic. And go figure the only character he did decently was Christopher fucking Columbus. I have a hatred for Agartha I can't reasonably place anywhere else. Prillya was just as shitty, but I ignored it, because Prillya itself wasn't great, so of course the crossover sucks too. Valentine's events written by him weren't great, but whatever, it's a Valentine's event. Septem, written by someone else, was similarly not great. But it wasn't insulting. It simply wasn't great, and had a lot of wasted potential. But its ending wasn't out of character to the point of being insulting. Its story didn't make incredible mythological and historical figures too infuriating to like anymore. It didn't almost ruin entire Fate characters for me. Not the way Agartha did. I should probably contextualize that Scheherazade is among my favourite mythological figures. I introduced myself to her through Magi (lmao) due to further research into the base stories -- as well as a favourite Magic: The Gathering card, Shahrazad, which forced you to play a game within your game, like how Arabian Nights featured stories within stories.

Even in Fate outside of Agartha, I liked her. Her design didn't make much sense to me considering her character, but whatever, I didn't need to think too hard of it. It's just a design, and despite my hatred of Penth's design, I still love Penth as a character, so I can handle Schez. But Agartha painted her in such a way that all the subtlety and interesting parts of Schez went completely out the window. No longer was there any hidden references to the aftereffects of her life beyond 'i dun wan die,' and there was hardly an ounce of sympathy or kindness in her bones at all. While her being an anti-hero made some sense, especially as she was only a normal person with far above-average storytelling prowess, there was a point when she stopped being a 'good, but terrified person' and started being a complete asshole. And Agartha was that time. If it weren't for her Interlude, which redeemed her considerably, and Ooku, which did wonders for her character despite being written by Minase (as I believe Nasu was overseeing him at that point), I very likely would've never gone for her at all, despite my love of the myth. In Conclusion This rant is just to say that Agartha is bad. Horrific. Insulting, even. At every step where it could've been good, it tumbled head-over-ass into the most insulting, uncomfortable shit you could imagine. It failed to take itself seriously, and paced itself like a comedy event, but simultaneously acted as if it expected its audience to take it seriously. Like a clown brigade deciding to take on Les Mis, it loses all of its punch when every few lines is interrupted by a jab at Fergus, sexual harassment, or something that comes close to being cool before suddenly turning into a badly-timed joke, or suddenly becoming laden with dialogue so sexual it feels straight out of a porno. It's aggravating, awful, and with only brief reprieves of bareable comedy in between long, long lengths of hellish text and awful characterization. The only good part was the gameplay -- which, laden with interesting mechanics not seen elsewhere, was legitimately fun. My take? Avoid all Agartha cutscenes and plot, and just play the gameplay. The gameplay's fun, and if enjoyed on its own, would probably make for a far better experience than observing the story surrounding it. But good gameplay doesn't make up for a horrible story, especially in a game where plot is as important as it is in F/GO. Agartha's a pile of shit in my eyes, but that's ultimately only my opinion, and nothing more. If others have an opinion counter to mine, that's completely fine -- and don't let this analysis ruin your fun with Agartha if you enjoyed its plot. To be frank, I'd be happy if you enjoyed it where I could not. And if you think my takes are misinformed, or if I missed a spot (or overreacted to a spot), that's what the reblogs and comments are for! I'm definitely not the kind of dude who has the final say in matters like this -- this is only what I picked up. Thank you for reading!

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