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love all the tmi couples POST tmi but in every single case the early relationship was in shambles like why is everyone pretending they cannot see red flags come on now. if they had friends who were actually involved and NOT each other they would be holding interventions and telling y'all to break up at every given opportunity. but no they're surrounded by people who spend their time making objectively worse romantic decisions so they do too. and yes this applies to everyone
Do you have any music recommendations :)? After you mentioned Girls Rituals in one post I became curious about your music taste (affectionate)
HII... thank u so much for asking me this, music is my 2nd passion... !!!
my top artist for 2 years straight has been a band called lemuria, i just really enjoy them! some songs i'd recommend from them: 1- It's not a lie, it's a secret 2- the origamists ii 3- bugbear 4-pleaser
i love all their songs.... so if it were up to me i'd add ten more
i'm also really into slow pulp! really love the song "trade it" by them
also really obsessed with rosie tucker, i've been playing their new single "all my exes live in vortexes" on repeat the past few days, also really love "fault lines" and "ford pinto: for sale" by them too !
also loveee the band pinback! i'd recommend: 1-byzantine 2- crutch 3-tripoli
i could keep going ... but i'll stop! thank you for giving me the opportunity to talk.
it's sad how many reviews and stuff around tmbg seem to centre linnell as the sole dark and creepy writer of the band, never really crediting flansburgh too. do "hide away folk family," "dirt bike," "rabid child," "black ops," "cloisonné" mean nothing to them, smh.
I love how the broken, gilded cage Robin sits in appears to resemble a waterphone (and a phonograph within, by the look of it?). You may have heard its beautiful haunting voice in horror films and music in general. That the splash art attributes it to her, a Path of Harmony character, The Robin of Penacony, renowned singer across the stars, is so cool.
roger had to be the band's bass player because he's what a bass guitar would look like if it got turned into a person against its will with black magic
if you wanna indulge me, id love to hear your opinions on sing (all of mine are detractory which i know isnt the complete view of the song)
omg id love too!! sorry this took me a sec to formulate post-work haha. i know we don't agree about sing but honestly that's the beauty of music opinions- I feel like it becomes easier to define what I like about things when faced with legit measured criticism anyway
for me, i want to start with the structure and instrumental since it's usually not mentioned (most of the criticisms of sing are exclusively lyrical or intention-focused). it's so cool. and evocative. and full of tension!! my favorite use of synth on danger days, plus the keys and the drums (man i love the dd studio musician drums lmao), really emphasizes sing as a suspended moment both in the album (necessary bridge, tonally, between bulletproof and planetary imo) and in the track itself- its alllll building up to that bridge and final chorus. but there's all these little pieces- the backing vocals, there's so many hidden guitar parts that riff just under all the noise, that opening like, tambourine. sorry for not having a quote on hand but Ray's said he really loved writing sing and it's so totally obvious to me. especially live- part of the reason I was soooooo excited for sing swarm tour edition is that even during dd ray was like absolutely shredding for sing after the bridge. and everytime time it's so good. part of the reason the lyrics don't bother me is sing could stand alone instrumentally and I'd still want to listen to it. (sing also reminds me of Ray's solo music- the sentiment is more significant that the lyrics and the music is itself a vehicle for storytelling)
also though, i think there's a lot of intention with sing (it's up to the listener to determine if that paid off obv) but within the context of dd the record as a pirate radio station, sing has always read as a trojan horse song. making it a single too, like once a song takes on a life of its own outside the record there's new meaning and circumstance. so both within and outside the killjoy universe sing is a vehicle for not just the bridge but the overall sentiment of dd (how fucking excited was gerard when glenn beck took the glee bait) like, yes, i do agree they could've benefited from another pass over the lyrics (i will always defend keeping "sing it till your nuts" bc its sounds like sing it to your nuts though) but I don't personally get the criticism that sing isn't "specific enough" about what exactly it's against or is too optimistic about "sing it for the world"-- i think there are songs on the album (notably planetary right after it!) which do that job just fine. dd is gerard in arguably top lyrical form so theres a lot of meat in the rest of the record like. sing it for the world is a purposely simplistic art is the weapon. like those are the same sentiments rendered very differently!
also like. i do think there was a very directed target at the younger part of their fan base here (girl/boy) which is sweet. to me. like i did hear sing first when i was a young teen (one of the few dd songs i was familiar with) and it did feel huge and empowering at that moment. my chem are their best when they are navigating the dualities of their specific fame, which includes simultaneously making very serious, adult rock music which is concerned with violence death grief and sex, as well as being a role model for younger people and taking them seriously and neither of these are in rhetorical conflict with each other. so like whatever sing is a little juvenile. but it's still filled with passion! taken as a legitimate project with a creative instrumental and a narratively-driven music video. I like that aspect, it works for me. I'll never call it my favorite my chem song but its certainly not the worst when you add in the bridge (i wanted to prove my point without the bridge but like. damn!! it's a good bridge!!!). that's my spiel.
high off my absolute gourd just watched this video where frank picks up rays guitar part so smoothly and seamlessly for him after ray misses, and ray looks so proudly at frank!! im staring into my orb thinking about how frank and rays guitar parts aren’t just support and melody, they weave and interchange with each other like two unlikely friends shaking hands to band together to fight a common enemy (bells tingling over an ancient memory that remembers frank saying that playing live felt like he was fighting for his life) And how important it is that Ray felt like he could trust Frank to have his back while playing these songs especially when they were first starting to write together and i’m going insane. theres so much weight in trusting a stranger to fight alongside you and feel confident enough that they would handle their piece with care. ray is not only able to translate gerard’s thoughts into melody but ray and frank also share a common language that’s unique to each other in the creation of their art and you can see that in the way their respective parts communicate to and with each other in the music and onstage FUCK. i’m just vibing over how harmoniously frank and ray fit together as guitar players like this really is a once in a lifetime band. basically: