i dont have any trigun mutuals so i'm just gonna ramble my thoughts into the infinite void of tumblr. and im sure others have touched on this same topic but
it almost seems like vash is getting softer with every new installment of trigun? like incredibly consistently and incredibly specifically.
let me explain.
i'll start with tristamp and work backwards; the tristamp vash we all know and love there is incredibly adverse to violence.
more often than not he ACTIVELY refuses to fight and just WON'T draw his gun. this post loosely counted the amount of bullets that he shot throughout all of season 1, and almost ALL of them (like to an insane degree) were dished out against knives, who vash knew was strong enough to take the hit.
the few times vash does draw his gun against a human in tristamp, it's as a blunt force weapon (against the badlads gang and livio, for example) or to disarm others/save someone with ricochet (like shooting the punisher before wolfwood can kill livio).
he just doesn't shoot people. at ALL.
then if we look at 98 trigun, things change drastically.
here, vash isn't afraid to hurt people a little if it means more will be saved in the end. of course he never kills, but he actually shoots people here. not only that...
he holds a casual, sarcastic conversation while pointing his weapon at people.
he constantly shoots at limbs to immobilize people, fires warning shots extremely close to peoples' vitals, and performs several very insane trick shots throughout the show to wound those with armor.
tristamp vash wouldn't even draw, but 98 struts around firing warning shots into the sky and singing about bloodshed for intimidation! i'm not sure there's a single episode where he doesn't shoot someone at least once.
...so what about trimax, then?
(PLOT SPOILERS AHEAD)
he is so. shockingly. violent.
of course he never kills. of course he's still trying to save people, but there's this anger in him that i was completely taken off-guard by reading for the first time.
tristamp vash is so soft he's painful to watch. 98 vash makes a heartbreaking effort to be as silly and nonthreatening as possible, constantly making himself out to be the fool. but trimax?
he's... literally grief-stricken and out for revenge. explicit revenge. he's angry and he's hurt and he lays his intentions out so clearly. he's making THREATS.
seriously:
hunting legato. HUNTING him.
it's not even a matter of drawing his weapon anymore. he does it constantly, and fires just as much. never to kill, but he doesn't joke around the way 98 vash does. the most he'll offer is a sunny smile to reassure others and nothing more.
i'm not that far into the manga, either. i'm sure there's countless more (and probably better) panels to convey this side of trimax vash, but i suppose it also says something that i've found so many panels depicting this so early on.
but the progression of vash's personality is fascinating regardless.
from a tortured, angry loner desperately trying to cling to his morals for rem's sake
to an equally devastated man who devotes himself so completely to acting the role of the fool
and finally to the sad, chronically depressed shell of a person in tristamp who refuses to so much as draw his weapon.
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I wanted to say, bc I saw someone mention Geralt as an example of a predetermined character in an rpg that works, that yeah, I fully agree it can work! But in Geralt's case, for example, he's a well established character who's fully written before you start the game. He has his own traits, his flaws and shortcomings, history, relationships, etc. He's just as well written as any other character in the story, and the only things you have power over are his choices and a bit of his fighting style(sometimes his hair as well), but everything is made to fit with who this character is as established before the game even starts. Think of the origin characters in Baldur's Gate 3, it's the same thing- they're not customizable, they're established before you even start, and the only control you have is over their journey. None of these are ever meant to be a blank slate, and they're written as such.
With this Phyre character it's like they're trying so so hard to tread the line between "this is a character that stands on their own" and "this is a blank slate you can fully customize". What you end up with is a very "meh" sort of character, who's not one or the other, without enough wiggle room to make your own story however you want and not enough to get attached to them as they are. We get attached to Geralt bc he's a fully written character in the game, you just control his actions. The problem with Phyre is that they're neither a fully written character nor fully yours to write.
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TFW you go on one (1) fake date together to win a bet but then all your friends won't leave you alone about it
Ezra ignores Wedge's question and Tarik's scoff and Aylan's elbow, which is repeatedly jabbing him in the side, and looks across the mess hall, catching Sabine's eye. The girls surrounding her are absolutely freaking out. As he watches, the littlest Togruta clasps her hands to her cheeks and screeches while one of the pilots pretends to faint dead away.
(picture without text under the cut)
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Some people: Kaeya’s bio father is an abusive monster who abandoned his son in order to achieve his own selfish goals. He is an evil man who deserves everything awful that might happen to him.
Other people: Kaeya’s bio father did the right thing and leaving Kaeya in Mondstadt was the only way to give him a halfway-decent life. He is a better father than he is given credit for and should not be as hated as he is.
Me: Kaeya’s bio father is integral to the general ‘war is hell and bad choices can reverberate across time’ thing that Genshin seems to be going for. He made unethical choices, but mostly because the ONLY OPTIONS HE HAD WERE UNETHICAL. If our understanding of the Alberich’s role in Khaenri’ah is accurate, General Alberich (my name for him until stated otherwise) was suddenly in charge of a hopeless and dead kingdom which begged to be saved. Assuming that there was a reason Kaeya specifically was chosen for this mission, General Alberich was forced into a position where he needed to choose between the lives/future of every Khaenri’an vs the life and future of his young son. Abandoning either is an awful thing to do and a horrible decision, but the bad decisions of Celestia and Rhinedottir have led to a scenario where General Alberich can only make bad decisions. In the end, he chose to prioritize his people and made his young son into a spy. We do not know the process for this, but knowing how much Hoyoverse loves to torment people (especially Khaenri’ans) we can assume that this process was horrific for Kaeya and could definitely be considered abuse. General Alberich is effectively making his son into a child soldier for a war that the majority of people never wanted or asked for, and one Kaeya was likely far too young to understand. At least, until he was forced to grow up far too quickly in order to fulfill his duty. General Alberich likely loathed everything about what was happening and even in his last moments with his son he asks for forgiveness. He knows that what he is doing is wrong, but to turn back now is to both abandon his subjects and make everything that happened to Kaeya in order to turn him into a child spy be for nothing. So yeah, General Alberich is a terrible person who made horrible choices. But war and the bad actions of others have created a situation where he has nothing BUT horrible choices and where being a terrible person is the only thing he can be. And that’s without considering how the curse/abyssal corruption could impact the scenario.
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Today's 5AM thought:
Kingsley Tealeaf is nonbinary in the sense that if gender is a side-dish then he's too busy having adventures to sit down at the table and figure out if he likes it or not.
Mollymauk Tealeaf is nonbinary in the sense that if gender is a side-dish then he's the hedonist lounging about at the banquet eating a bit of everything on the table and a few things that weren't even supposed to be an option, too.
(Lucien is nonbinary in the sense that if gender is a side-dish, then he's the poor orphan whose comfort food isn't actually their favourite dish, but they eat it anyway because it's familiar.)
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Sparkle on! It's pride month! Don't forget to be yourself!
(Someone asks Anton why he's holding Larrikin like that and he just sighs and explains that 𝘴𝘰𝘮𝘦𝘰𝘯𝘦 tried to climb on him like a jungle gym and that was the best he could do in the 0.5 seconds he had to react when said someone inevitably fell. Love wins!)
[Image ID: A digital drawing of Anton Shudder, a muscular irish-eastern asian man with scar tissue on his chest and back of his left hand. He has prominent eyebags and his hair is black with gray streaks tied in a bun, and Larrikin, a person with light brown freckled skin and curly ginger-and-brown hair with a single white streak, in front of a yellow background. Anton is standing up, holding Larrikin in his arms, supporting their back and left leg. Larrikin's right leg is dangling and they have one arm around Anton's shoulder, waving a large genderfluid flag with the other. Anton's outfit consists of black dress shoes, white socks, black slacks, a white button-up sleeves and a small demiromantic flag placed as a pocket square. In his left hand he has a small asexual flag. He is laughing with his eyes closed. Larrikin's outfit consists of mismatched Converse-style tennis shoes, one purple with a moon and stars and the other orange with a sun and clouds. Their socks are also mismatched, one is pink with white stripes and the other yellow with white stripes. They are also wearing a pink skirt with a rainbow and daisies on it, a teal button-up shirt that is tied at the front, and a blue denim jacket with pins. The pins are a purple star with the text "love wins" in white, the progress pride flag, a pink heart, a coffin with a white cross on it, a teal star, a yellow heart and a black cat head with yellow eyes. They are smiling an open-mouth smile with their eyes shut. They're also wearing blue eyeshadow and purple nailpolish. They both have matching golden wedding rings. / End ID]
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kinda curious - what are the parts of what you perceive as aro culture that you most and least vibe with? current or past.
I really vibe with the parts of the aro community who examine the complexities of navigating the world as an aro person - especially within the context of being loveless, apl, and/or experiencing sexual attraction. each part of those groups has brought me comfort and healing from social wounds I hadn't been aware ran so deep. i could identify some threads of hurt - but untangling them took both personal work and community to connect with.
on the other side of things, i find it quite difficult to relate to aros who wanted romance and marriage and the classic tale of a romantic life. this isn't to say that i dislike the people - just that i cannot seem to vibe with it on any level. even when i tried to be in romantic relationships, to find peace in the idea of a long-lasting romantic relationship, to want what others (especially my partner) wanted - i was so deeply uncomfortable. i felt sick when i imagined marriage, or being "together forever". i have no idea how to relate to dreaming of having that, and being devastated by not feeling the romantic attraction to lead down that path.
do y'all feel like certain aro groups, topics, or things in general are particularly easy or hard to relate to?
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