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#and pretty fair ones as well
cluescorner · 1 year
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Some people: Kaeya’s bio father is an abusive monster who abandoned his son in order to achieve his own selfish goals. He is an evil man who deserves everything awful that might happen to him. 
Other people: Kaeya’s bio father did the right thing and leaving Kaeya in Mondstadt was the only way to give him a halfway-decent life. He is a better father than he is given credit for and should not be as hated as he is. 
Me: Kaeya’s bio father is integral to the general ‘war is hell and bad choices can reverberate across time’ thing that Genshin seems to be going for. He made unethical choices, but mostly because the ONLY OPTIONS HE HAD WERE UNETHICAL. If our understanding of the Alberich’s role in Khaenri’ah is accurate, General Alberich (my name for him until stated otherwise) was suddenly in charge of a hopeless and dead kingdom which begged to be saved. Assuming that there was a reason Kaeya specifically was chosen for this mission, General Alberich was forced into a position where he needed to choose between the lives/future of every Khaenri’an vs the life and future of his young son. Abandoning either is an awful thing to do and a horrible decision, but the bad decisions of Celestia and Rhinedottir have led to a scenario where General Alberich can only make bad decisions. In the end, he chose to prioritize his people and made his young son into a spy. We do not know the process for this, but knowing how much Hoyoverse loves to torment people (especially Khaenri’ans) we can assume that this process was horrific for Kaeya and could definitely be considered abuse. General Alberich is effectively making his son into a child soldier for a war that the majority of people never wanted or asked for, and one Kaeya was likely far too young to understand. At least, until he was forced to grow up far too quickly in order to fulfill his duty. General Alberich likely loathed everything about what was happening and even in his last moments with his son he asks for forgiveness. He knows that what he is doing is wrong, but to turn back now is to both abandon his subjects and make everything that happened to Kaeya in order to turn him into a child spy be for nothing. So yeah, General Alberich is a terrible person who made horrible choices. But war and the bad actions of others have created a situation where he has nothing BUT horrible choices and where being a terrible person is the only thing he can be. And that’s without considering how the curse/abyssal corruption could impact the scenario. 
#idk#I just think that Kaeya's father is kinda an Asgore situation#where the only decisions he could possibly make were awful and unethical ones but choosing neither would create an even worse outcome#also I want to clarify that both of the other interpretations that I parroted before giving my own thoughts are valid#because we are working with such limited information and yeah no shit people are gonna have differing thoughts#people have differing beliefs and perspectives on things which are CANONICALLY CONFIRMED to be clear situations with lots of info about it#so of course people are going to go in like 80 different directions with his character#BECAUSE WE HAVE NEXT TO NOTHING TO GO OFF OF#and basically every interpretation of him I've seen is pretty reasonable#Like yeah man's son is a child spy who was abandoned in a far away country for the purpose of being a spy for Khaenri'ah's interests#thinking that he was an abusive asshole isn't exactly unreasonable#nor is it unreasonable to believe that he was actually a decent man who left his son in Mondstadt as the 'only hope' of Khaenri'ah#because he just wanted Kaeya to live on and have a life outside of the Abyss#and Kaeya was mistaken when he thought he was simply being left behind as a pawn#Genshin is no stranger to unreliable narrators and this wouldn't be the first time a character story wildly mischaracterizes something#so like...both of those interpretations are valid#and pretty fair ones as well#But I think that it really is like an Asgore situation where yeah this guy sucks and he is an awful person who made so many bad choices#But also was left with nothing BUT bad choices through war and grief and other factors that were genuinely outside of his control#Sacrifice your son's childhood and happiness by forcing him to be a child spy and abandoning him in the middle of a deadly storm#or let your people (including yourself) rot away into nothingness while facing a fate worse than death while they all but scream to be saved#there are no good options#kaeya's father#don't take this too seriously I just really liked Undertale when I was younger and I'm getting Asgore vibes from General Alberich
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puppetmaster13u · 18 days
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Prompt 273
You know what? We need more Good parents Fentons. 
And you know what else? Technically, Jack helped Danny defeat Pariah via the use of the Ecto-Skeleton. And like, that’s his son, his baby boy. Sure Danny is and has always been a mommy’s boy, but it doesn’t change that fact. They’re both already feeling horrible about the fact they could have hurt him, they could have hurt their son- they have hurt their son, killed him with their inaction and never again. 
So when these oversized jello-eyeballs try to insist that their baby, their precious baby boy, take a crown? Become a king when he’s not even out of highschool, when he doesn’t want it? No. Hell no! That is his Danny-o, his baby boy who was terrified of his own parents! 
Which is how Jack, despite technically still being alive even if so-very ecto-contaminated, became the Ghost King. 
And for some reason there’s several ghosts rather happy about this- oh, these are his Danny-O’s ghost-parents? Not-ghost parents seeing as some of them have never been anything but a realm denizen? That’s really fascinating- y’know what, want some fudge and we can exchange childcare- Maddie dear come over and meet our co-parents apparently!  
Now it’s not all easy, but they’re trying their best, and that’s all that can be asked. 
Which is perhaps why it’s so exasperating- or as Maddie would put it, downright infuriating- that it is now, almost an entire year and a half later that the Heroes finally arrive to investigate. Well, at least he has plenty of fudge since it’s almost time for the council meeting. 
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day 99
i have NEARLY finished the skirt for my ren faire fit i just gotta get a few finishing details added and also get the undershirt bleached (bc i got a bunch of makeup on it at last years fair and shit Stained) but THEN i can show yall the final fit!!
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tracle0 · 9 months
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Feast your eyes! My pride stars :)!
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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?
Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.
Jack and Tim’s relationship is Complicated (TM)...
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Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis
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“I could tell the truth.  But I don’t.” - Robin 66
...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.
And I think that’s great.
Below the cut:
Shorter version - key points about Jack
Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)
Final thoughts
Shorter version - key points about Jack:
He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.
But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.
He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.
And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 
...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.
The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)
Very long version:
(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)
Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.
My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.
I have a gentler take and a harsher one which I switch between as the spirit moves me. xD
My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)
Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.
This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:
Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 
Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 
Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 
Tim the computer geek with the sports-obsessed dad (this one’s just canon);
etc. etc.  
The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.
And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.
I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...
...but also he ends up lying more and more.
(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)
Other Reasons Why I Like The "Secret Extracurricular" Interpretation
(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)
Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.
And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  
Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?
Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.
My Harsher Take
Jack never hits his son.  But his temper is a big deal.
In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  
This is bad behavior!  It is Not Good!  
And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.
Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.
More Disorganized Thoughts on Jack Drake
Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.
This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.
The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.
Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.
Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.
For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.
I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.
If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).
#tim drake#jack drake#ask tag#i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333#anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO#for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick#and i never stop turning it over in my head#he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was#and early!tim makes a BIG POINT of how bruce is not his dad#and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all#(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers#because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life#if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission#which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close#but in their civilian lives no one would assume they're anything in particular to each other#anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone#and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible
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wheucto · 3 months
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anyways. the "hell" in BFDI is not actually hell but rather an afterlife which resembles hell in looks. the only people who went there were people who died in trash compactors in the charades challenge, and nickel suggets that because they died in a similar manner they were sent to this afterlife. that implies that afterlives seem to be based on how you die, and this is the "crushed in a trash compactor in the charades challenge" afterlife.
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yourpaceangel · 4 months
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This has nothing to do with anything but: you don’t have to be good at anything. Just like fyi. People love to say that “anyone can draw” or “anyone can write” or “anyone can [insert hobby of choice]” and that’s true! You can do anything you want! But you may never be GOOD at it, and that’s still okay!! Practice doesn’t always make perfect, but do it anyway! The point of life isn’t to be GOOD, it’s to feel JOY!
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just-honey-dewd · 6 months
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Did a Loonatics screencap redraw a while ago! The result is okay-ish, better than this other attempt that won’t see the light of day… Nah, maybe I’ll finish it and show the mixed results.
But yeah, I think by default, Lexi and Duck are my favourite characters to draw in this show. Specifically cuz they’re the first I attempted that weren’t difficult to make look good to me unlike some other characters *cough cough* Ace *cough*
Hope y’like the rare loonatics art!
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caterpillarinacave · 3 months
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The fact that Orm added chest armor after getting blasted by Manta, but didn’t insist on it beforehand makes me wonder how much that’s because appropriate battle wear is important for the sake of oneself and one’s teammates, and he shouldn’t expect to to reach victory if he’s distracted protecting himself, how much that’s because Arthur doesn’t wear much armor and therefore didn’t even think bring any for Orm, and how much because Atlanna made him wear it.
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creatively-cosmic · 15 days
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its been hard 2 draw lately for many reasons but heres more lysandre redesign. we've (our friends and i) been having fun on discord w the rewrite
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moeblob · 28 days
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Deacon loves two things: Ymber and digging himself a grave.
Fulj hates one thing: Deacon.
#my characters#waiting on some info on the next commission so i indulged in ocs today bc i doubt i will have as much time for lil comics for a bit#deacon is so devoted hes like yeah i would kill for a deity that could easily kill anything himself but yknow teehee#and fulj just did you tell him you needed therapy also does he even know youd murder in his name#deacon caught red handed haha no of course i havent told him it should be obvious enough haha.... and its in his defense not his name :c#man really does have some issues but i love him so much and hes so devoted but like. unhealthily after a while#he does in fact need a chill pill and therapy but to be fair#ymber has needed therapy for centuries and yet he just bottles it all up and suffers so#its pretty unhealthy until they yell at each other one (1) time bc they are so insecure about things and get mad over very valid reasons#but then theyre like you know what that was necessary and i still want to stay by your side if you let me#and then fulj is like dude hey sorry you seem really happy did you fu- and ymber is like no please stop there we have not#fulj just squinting cause have not is very different than will not but whatever she doesnt wanna think about that with deacon involved ew#and eventually fulj is like hey ymber im sorry to say but i really do hate deacon and i dont even know why but he makes me uncomfortable#while deacon is just. in the room. hearing this and thinking how he knows she thinks hes weird but wow that wording hurts#and ymber doesnt wanna fill in memories better forgotten by fulj which she had forcefully removed#so he just says oh well his hair and clothing are black and you had someone in the past that you might see in him and its not a pleasant en#so you know maybe its that idk#and fulj is then WHATST i was rude to him for someone i cant even remember? lame im gonna try SO HARD to be nice to him now#and deacon just still sitting there with some food like this is v awkward and i wish i could not be here for it#and later he asks ymber about who he resembled and as ymber is descibing her it clicks in deacons head and he gets really sad#that he might somehow remind fulj of the woman she loved before she was punished for loving a mortal#and he feels kinda bad pestering her so much with his curiosities about deities and he kinda gets it#the fact hes close to ymber might remind her at the core that she was once that close with a mortal if not closer#anyway story time in the tags again#im so obsessed with these peeps and i have made them suffer so much but they do all end on a happy note#its still funny and nice to me that while fulj is creeped out by deacon and doesnt like talking to him#he still expresses the most emotions to her - he tries hard to remain serious around ymber and collected and obedient at all times#and when out and about with ymber he has to be intimidating and refuses smiling but fulj?? all sunshine and smiles and emotions easy to rea#and she is just that is so weird go away i hate you
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surreal-duck · 3 months
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yuzumido is rotting in my brain omg (your artstyle is SO CUTE)
(but as a true ibaraP he always come back to haunt me) so im just imagining midori asking ibara later on why he and yuzuru hate e/o so much and after much prodding ibara finally sighs and spills the beans
IMAGINE IBARA GIVE YUZURU THE SHOVEL TALK LOLLLLL
thank you very much!!! b( ̄▽ ̄)d i have got to draw them again one of these days im experiencing withdrawal
god. the roommates situation just gives so much hilarity potential its one of my favorite things to think about. even more so after in private room when ibara went and fixed midori's panda footstool and later in a 3* story of his yuzuru hears of it and immediately suspects ibara tampered with it and was overly cautious and told him to avoid using it as much as possible. wyd the hellish instructor/mentee from your shared probably trauma inducing childhood gets chummy with this random kid i need to put these three in a room and observe them
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^ had this lying around and finally have an excuse to put it here
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jadedloverart · 7 months
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Queen of the Damned
Chapter: 10/10 14
Summary: In which every door leads somewhere.
Next: The sleeping dragon awakes.
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fortyfive-forty · 2 months
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WTA 9 - 12 AS LYRICS FROM SONGS I HAVE SAVED [1 - 4] [5 - 8] [INSP]
MARIA SAKKARI [GRE] -> GAVE YOU EVERYTHING [THE INTERRUPTERS] JEĻENA OSTAPENKO [LAT] -> SO WHAT [P!NK] KAROLÍNA MUCHOVÁ [CZE] -> A BEGINNING SONG [THE DECEMBERISTS] DARIA KASATKINA [RUS] -> LIGHT MY LOVE [GRETA VAN FLEET]
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cannibalismyuri · 9 months
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coming out as a passive jopper hater bc the insane level of capitalist pandering they did with s3 (with ERICA who is like. one of the worst, stereotyped portrayals of a black girl ive ever seen, bless her heart) was truly crazy. combine that with the copaganda and the general attitude of hopper in s3 which was played off as 'awkward loser guy doesnt know what to do with Feelings more at 8' was a bit .... Eh :/ to me. because it is so obviously a fictional character and show but like. disliking hopper/jopper bc of the ideals st is perpetuating and the fact that they arent compatible at All in s3 (to me, atleast) is valid. some ppl might just think that jopper is unhealthy and/or 'overrated'. because they do sort of pay a disproportionate amount of attention to jopper, compared to the other canon romantic ships (afaik, bc of the screen time counter) and that can be Weird, esp with the... how should i say this? balancer/savior role hopper takes in the relationship (we constantly see him placating joyce, sometimes even being slightly patronizing, and also they place a lot of importance on him saving joyce from a lot of stuff, which is cool and sick if it wasnt for the fact that it directly correlates with him being a cop, yk). and the general power imbalance bc he's a Cop and abuses his position of power constantly, and that is exactly Why anything that joyce does is seen as a #insane girlboss category 5 woman moment because she simply has the short stick in the power race and when she does manage to make an impact DESPITE her economic/social/'general uselessness in say in Major decision-making when it comes to authorities' shortcomings it is seen as an amazing win. hopper on his own is extremely fleshed out as well, because we get to see his arc play out with his relationships with his daughter and ex-wife and el and re-learning how to be a parent and how to not let love allude him, and that is lovely! it's so great to see the adults in the show being focused on! but joyce is absolutely disregarded and underdeveloped as a character of her own right outside of her relationships with hopper or her kids. we see that she is determined and a force to be reckoned with and that she cares very deeply for the people she loves and would go to insane lengths for them but all that doesn't Mean anything, because we never see a backstory for her. we never figure out who she is without her family or hopper, or what her motives and aspirations and emotional shortcomings and stumbles and mistakes are. for a character to be fully fleshed out, they need to be an interesting, refreshing and palatable character On Their Own without their relationships with other characters, and we just don't see that with joyce. like u have Thee winona ryder on ur show, and u forsake developing her character in favor of developing hopper's character with /not the best taste/ and causing her to be a blank slate of a mother, lover, woman and friend, but not a PERSON. all she's been reduced to is a Mother and Hopper's Girlfriend, and honestly, that's the worst decision they could've made in relation to her and her relationship with hopper.
anyway, all this to say; these are my thoughts on the matter, but i'm definitely not hating on people who enjoy jopper passively and DEFINITELY not any by/ler (the most predominant fandom im part of in the parent fandom of st) who enjoys them as a ship with their own dynamic separate from canon. because the by/ler fandom is NOT a monolith and nobody is obligated to agree with me or change their opinion if it doesn't align with mine or be forced to look at my opinion and feel bad for shipping anything. im not going to act Holier Than Thou for expressing my opinion and u should definitely continue shipping jopper if it makes u happy! as long everybody recognizes the copaganda and capitalist mindset grind propaganda shit in st (which is Pretty Obvious) and respects that while shipping what they want, i have no problem with it. all that is to say; peace and fucking love. can we (the by/ler fandom) stop fighting abt jopper we all have our own opinions this is bc we are Not a hivemind or a monolith and not obligated to have the same opinions relating to all aspects of st just because we happen to ship one thing. i am a hater and a lover
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obstinaterixatrix · 1 year
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In a unique interpretation of a famous Korean folk tale, two women of vastly different backgrounds find comfort and strength in one another while fighting against a world and culture dominated by men.
happy femslash february, here's a 90 episode webtoon about a couple of teen gals being pals in terrible situations. there's a bit of cultural context here where the original folktale is about filial piety and sacrifice while the gay webtoon is about different ways these gals navigate different types of oppressive and coercive environments. to be clear, it does get to be A Bit Of A Heavy Story (there's the stress and stigma of poverty, there's being a teenage bride in a political marriage, there's dealing with sexualization and harassment, there's a brief reference to suicidal ideation, etc) but from my perspective it didn't get gratuitous with depiction. I find it a satisfying balance of messiness where the girls do approach the situation trying to manipulate it in their favor, but of course form a genuine bond and find happiness; it does have a happy ending.
I *really* love the extras because it's about two of the adult women and they're both. kind of losers lmao. the print version in korea has a couple of additional gag comics, but as far as I know none of them has been officially translated (😔).
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also. look at her.
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wife city
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