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#and with 10 more seasons of development should could have been a proper member of team free will
gh-0-stcup · 2 months
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Gonna be honest, I don't think any Sam ship will ever hit as hard as Sam/Ruby.
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michaels-blackhat · 3 years
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thoughts on evil Forrest 😈
We are going to start out by apologizing. This is very very late. I’m sure when you sent this ask, you meant it to be in the same joking tone that I approach all of my other propaganda posts. Sadly, this is actually going to be a deep dive into a few Evil Forrest related things, including the moment I feel they changed directions, the perfect wasted build-up, and the implications of the change/how it then negatively impacted the story. As I’m sure you already know, by being on my blog at all, I don’t think the story was good to begin with, so we are going to focus on the weird hoops they made themselves jump through to make that story still work. Additionally, I am only going to mention once, right now, how much of a waste it was to not have Forrest ‘fall for his mark’ and complete one of my absolute favorite tropes. Honestly, I think “because I want it” is a completely valid reason to like Evil Forrest. But, the question was “Thoughts on Evil Forrest” and these thoughts have been developing for over a year and a half. So, I apologize in advance.
The majority of this is under a cut, with highlights in the abstract. If no one wants to read this, I understand completely. Go ahead, skip it.
Note: it pains me greatly to not actually have full sources for this essay. Just know that in my heart I am using proper APA citations, I just absolutely do not feel like digging through tweets to find sources to properly cite.
Abstract:
Previous research indicates that Roswell New Mexico has a history of repeating excuses to explain mid-season changes to plots. This essay explores how those excuses are not only loads of crap, but how they hinder the show’s ability to tell a coherent story, misuse the multiple-plot structure to enhance the themes being explored, and lead to decisions that mean the show continuously goes over budget. This also means that characters are not used to their full potential and has led to what some fans consider to be “out of character” behaviors. While these behaviors are not universally agreed on, evidence can be shown that these behaviors directly contradict emotionally important character arc/plot points in the show.
The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitment because he did a piss poor job of making Alex not join.
The concept of Evil Forrest has been with the fandom as early as New York Comic Con (NYCC) in 2019, when it was revealed that Alex had a new “blue-haired love interest”. Speculation abounded within the fandom, with some people, including the author, going “yeah, he’s evil” while others rejoiced in the concept of Alex having a loving partner. Speculation increased as fans discussed Tyler Blackburn’s seeming disinterest in his new love interest, prompting some once again to scream “EVIL” at the top of their lungs to anyone who would listen. Very little was revealed, beyond the fact that the new character would show up somewhere around episode 3 of the second season.
Episode 2.04 aired with some commenting on how he barely interacted with Alex- prompting more evil speculation- and others excited to see the characters interact more. The character appears again in 2.06, where he invites Alex to dubious spoken word poetry (which Alex attends); 2.08, where they have a paintball date and go to The Wild Pony; 2.10, where the two are seen writing together briefly at the beginning of the episode; and 2.13, where Alex performs his song at open mic night, tells Forrest his relationship with the person in the song was long over, and they kiss. Forrest was not revealed to be evil during season 2.
Amidst the season airing, Word of God via Twitter post announced that yes, Forrest had originally been planned as a villain, though not the main villain, but it was changed as filming progressed.
The Word of God Twitter post revealed that Forrest had originally been planned as a villain, but they decided that they could not make their “blue-haired gay man” a villain. This mirrors a similar situation and excuse used the previous season, where the character of Jenna Cameron was originally planned to work with Jesse Manes against the aliens, before it was changed because they just “loved Riley [the actress] too much”. Both of these examples occurred while already filming and reflect on a larger problem with the show. Though not the topic of this essay, it is important to note that both characters are white, both in the show and by virtue of being played by white actors. The fact that they couldn’t be villains for one reason or another is not a courtesy extended to the male villains who are all the most visibly brown, and thus ‘other’, members of the cast.
This also highlights the fact that, via Twitter, it has been revealed two other times that occurrences that were reported in season 1 also occurred in season 2. During the airing of episode 1.02, it was revealed that the single best build-up of tension in the show- when Alex walks to the Airstream not saying a word to Michael after a dramatic declaration- happened because one actor was sick at the time and they had to go back and film the kisses later. At the point of airing for episode 2.08, it was revealed that one of the actors were sick and unable to film a kissing scene. Allegedly, this caused the writers to retool the entire scene and deviate from the plan to make that subplot about Coming Out. The execution of this subplot will be explored later in this essay.
The last occurrence revealed via Twitter also revealed larger issues within the show: lack of planning and poor budgeting. During the airing of season 1, Tyler Blackburn was needed for an extra episode beyond his contracted 10. A full explanation was never given, but speculation about poor planning and to fill in because Heather Hemmens had to miss one of her 10 episodes due to scheduling conflicts for another project. During the airing of season 2, yet another tweet came out saying they made a mistake and Tyler would once again be in an additional episode. No explanations beyond “a mistake” were given, though once again speculation occurred. It is the opinion of the author that this was due to changing plot points over halfway through writing, while episodes were already in production. It has been speculated by some that these changes occurred during the writing of 2.08, which was being finished/pre-production was occurring roughly around the time of NYCC 2019.
Previous Literature:
A brief look at different theories of plots and subplots
Many people have written on the subject of plotting, for novels and screen alike. The author is more familiar with film writing than tv, but a lot of the concepts carry over. Largely, the B- and C- (and D- and E-… etc) plots should reinforce the theme of the A-plot. This can be through the use of a negative example, where the antithesis of the theme is explored to reinforce the theme presented by the A plot, or through other examples of the theme, generally on a small scale.
A movie example of this would be Hidden Figures (2016), where the A-plot explores how race and gender impact the main character (Katherine Johnson) in her new job. The B-plots explore the other characters navigating the same concepts in different settings and ways- learning a new skill as to not become obsolete and breaking boundaries there (Dorothy Vaugn) and being the first black woman to complete a specific degree program and the fight it took to get there (Mary Jackson). A TV example that utilizes this concept of plot and theme is the 911 shows. Each of the rescues in a given episode will directly relate to the overall theme of the episode and the overall plot for the focus character. This example is extremely blunt. It does not use any tools to hide the connection, to the point you can often guess the outcome for that A-plot fairly quickly.
This is not the only way to explore themes within visual media. Moonlight (2016) looks at three timestamps in the life of Chiron. Each timestamp has a plot even if they feel more like individual scenes or moments rather than plots as some are more used to in films. Each time stamp deals with rejection, isolation, connection, and acceptance in different ways. So while there is no clear A-, B-, or C-Plot, each time stamp works as their own A-Plot to explore the themes in a variety of ways, particularly by starting out in a place of rejection and moving to acceptance or a place of connection to isolation.
Please note that there are many ways to write multiple plots, there are just two examples.
While there are flaws within season 1 of RNM, overall the themes stayed consistent throughout the season, mainly the theme of alienation. The theme threads through the Alien’s isolation/alienation from humanity which is particularly seen through Michael’s unwillingness to participate and Isobel’s over participation. There is Rosa’s isolation from others, how her friendship with “Isobel” ended up compounding her existing alienation from her support system due to her mental illness and coping mechanisms. We see how Max and Liz couldn’t make connections. This theme presented itself over and over in season 1. While this essay is not an exploration of the breakdown of themes in season 2, it should be noted that there were some threads that followed throughout the season. The theme of mothers/motherhood was woven throughout season 2, with some elements more effective than others. Please contact the author for additional thoughts on Helena Ortecho and revenge plots.
One of the largest problems within season 2 was the sheer number of plots jammed into the season. These plot threads often ended up hindering the effectiveness of the themes and made the coherence of the season suffer. Additionally, a lot of them were convoluted and difficult to follow.
Thesis:
Essentially, season 2 was a mess. To look at it holistically is almost an exercise in futility. Either you grow angry about the dropped plots and premises, you hand wave them off, or you fill them in for yourself. Instead, this essay proposes to look at individual elements to explain why Forrest should have stayed evil.
We first meet Forrest in 2.04 when he is introduced on the Long Family Farm, which we later learn was the location where our past alien protagonists had their final standoff. He’s introduced. He’s largely just there. The audience learns he has more of a history with Michael. In 2.06, we meet him again with his dog Buffy (note: poor Buffy has not been seen again and we miss a chunky queen). There’s mild flirting, Alex is invited to an open mic night, which he attends. For the purpose of this essay, the author’s thoughts on the poetry will not be expressed. Readers can take a guess.
It is after this point that the author speculates the Decision was made. This choice to make Forrest not evil- paired with the aforementioned ‘can’t kiss, someone’s sick’- impacted the plot. We have Alex have a scene with his father- which the author believes could have been pushed to a different episode- and then have Alex go on a date and then not kiss Forrest at the end of the night. Here, the audience sees Forrest hit Alex in the leg, allegedly not knowing he had lost his leg despite ‘looking him up’, which parallels the shot to the leg that happens to Charlie. Besides wasting this ABSOLUTELY TEXTBOOK SET UP WTF, it also takes Alex away from the main plot and then forces a new plot for him. Up to this point, Alex’s plot was discovering more about the crash and his family’s involvement. Turning Alex’s date from a setup for evil Forrest to a Coming Out story adds yet another plot thread to a packed season. It is also the author’s thought that this is where the convoluted kidnapping plot comes in. With Forrest already in 2.10 for a moment, a plot where Alex is evil has Forrest attack him for Deep Sky rather than Jesse abduct him for a piece of alien glass Alex was going to give him anyway and then for Flint to abduct Alex from Jesse. It’s messy. In a bad way. Evil Forrest would have been a cleaner set up: no taking back a piece of alien glass Alex gave to Michael in a touching moment. No double abduction. Instead, there is only Forrest, who Alex trusts, breaking that trust to take him as leverage over Michael.
Implications:
Now, Alex has two plots (Tripp & Coming Out). The Coming Out plot is largely ineffective, as they are only relevant to scenes with Forrest and have the undercurrent of there only being a certain acceptable way to be out. This could have been used for Alex to discover his comfort levels, mirroring Isobel’s self discovery, but there was not enough screen time for that. Additionally, Isobel’s coming out story was about her allowing herself the freedom to explore. Alex’s story was about the freedom to… act like this dude wanted him to. Alex’s internalized homophobia played out often in the series but it was also informed by the violence he experienced at Jesse’s hands and the literal hate crime he and his high school boyfriend experienced. With that in mind, the “kissing to piss off bigots” line comes off poorly. This is a character who experienced what a pissed off bigot could do- reluctance to kiss in public is not the same as not being out. There is more to be said on this topic, but as it is not actually the focus of the essay, it will be put on hold. To surmise: Alex’s coming out is attempted to be framed as being himself, but it is actually the conformity to someone else’s ideals. It does not work as an antithetical to Isobel’s story, as the framing indicates that the conformity/right was to be out contradicts Isobel’s theme.
Further Research:
MAKE FORREST EVIL YOU COWARDS
Author Acknowledgements:
The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitement because he did a piss poor job of making Alex not join.
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elizabethsharmon · 4 years
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reblog if you feel disrespected by skam france and demand official apology
below a full list of all the offenses:
Manon going back to Ch*rbage after he emotionally manipulated her to not testify against his brother (who got her drunk, took nudes of her, and kept blackmailing her) because “after all nothing happened = he didn’t r*pe her”
Making Arthur and Alexia a couple in the first place just so he could cheat on her with Noee and lie to her for weeks and then having her break up with him, only for them to suddenly being good friends in s6 and kissing in the last clip (which ngl almost made me throw up)
Bringing up Lucas’ insecurities and abandonment issues but never letting him talk about them with Eliott; posting some damage control posts on instagram instead and pretending like Lucas is fine with Eliott kissing Lola for the film (which he clearly wasn’t, the writers seem to not know him at all)
Wasting time to edit Tiff’s head onto different animals and posting things on that cyberbullying account that no one cared about instead of posting something from the grew + the worst social media ever
Not giving us a proper goodbye to the grew and not really saying anything about their future
Lying to the fans about god knows what we will see in s6 and baiting them to watch even though legit nothing of it happened
Not continuing Arthur’s story in s6 (fine, I don’t really care about that but we were supposed to see it so ???? )
Treating some fans more privileged than the others, giving them spoilers about the new seasons, inviting them on set
FranceTV Slash and SkamLaSerie instas mocking fans in their stories - saying stuff like Lola will cause the break up between Daphne and Basile, “addiction can be useful for flirting” (yikes), creating a ship war between fans in s5 by posting two photos of Alexia/Arthur and Noee/Arthur with a caption “we love them both, we can’t choose”, the host of the live of s6 calling people on tumblr “obsessed” and not apologizing when people said they’re offended by that, blocking people who were asking questions about why the SA was never mentioned again during the live
Liking all the praise but constantly ignoring fans when they were asking questions about writing choices and then blocking them
the rest of 50 offenses under cut cause turns out they really disrespected me more than I thought
feel free to add whatever you want if i forgot about something
None of the girls really apologizing to Imane at the end of season 4 after all they’ve put her through and after they took the side of the racist (who already had a history of drama with Emma) instead of their friend
Taking away Noee’s integrity and making her say “I love you” out loud (which was totally ooc cause an episode earlier she said LSF is her language and she doesn’t like her voice) after Arthur (who was leading her on for weeks) told her they can’t be together
Male gaze in s5 because even though the sign language is a body language, the way camera was lingering on her flat, bare stomach, a few times showing a close up on her boobs during the “song-dance” scene was male gaze
Lack of beautiful, slow-mo, piano music scenes for Alexia with Arthur staring at her awestruck because apparently she’s not worthy enough
Completely sidelining the deaf/hoh storyline in favour of cheating/love triangle plot
Reducing Camille to a translator and randomly making him Mika’s boyfriend because why the hell not
Completely forgetting about Mika and Lisa after s5 (did they ever find that roommate????)
Noee kissing Arthur right after he shared his traumatic story with her and overshadowing domestic abuse with cheating
Absolutely no follow-up about P*trick and domestic abuse after s5 
Having P*trick cheat on Arthur’s mom with Emma’s mom because they’re all one big family
Random crackfic farm episode that didn’t make absolutely ANY sense
Killing Fifi rip [*]
Arthur getting hit by The Car and being perfectly fine the next day
The Boy Squad becoming cheating apologists, Lucas giving Arthur the same advice he gave to Emma in s1 and Yann (who got hurt because of it back then) supporting it
Character regression, especially for Lucas, and the whole boy squad acting out of character
Continuously trying to make Lucas look like a bad guy because they knew we would forgive him everything
Arthur suddenly liking art even though it hasn’t been ever mentioned before and his whole instagram was filled with space related posts
Parallels between Eliott/Lucas and Arthur/Noee
Catherine - or lack of her - aka the queerbait from s3
Completely ignoring character’s birthdays - Basile and Manon (second year in a row)
Not introducing Lola before and making s6 about a complete stranger but still expecting the fans to like her from the get-go and watch the show by baiting the fans with the promise of “unofficial mains” (Daphne and Eliott)
Forcing the Lola/Eliott friendship and selling it in the promo as sister/brother relationship instead of writing it in a way that would make it flow naturally
Making Eliott Otteli Urbex King only to forget the plot after more or less three clips; also having Eliott hide the truth from Lucas for months and then pretending to resolve it in a text to Lola ??? which didn’t make sense in the first place but then it turned out that it was just damage control
Making Lola hook up with much older guys than her over and over again and having one of them s*xually assault just so Eliott could play the hero and save her; never bringing that up again
Making Eliott punch people left and right - anything to protect the ladies, Sofiane punching Ch*rbage in s4 can agree I guess
Making Eliott Otteli Urbex King only to forget the plot after more or less three clips; also having Eliott hide the truth from Lucas for months and then pretending to resolve it in a text to Lola ??? which didn’t make sense in the first place but then it turned out that it was just damage control
Letting Eliott talk about his past and insecurities only so Lola could prey on them later and emotionally manipulate him into drinking
Also Eliott not letting Lola apologize and brushing off her apologies because apparently that was nothing at all and it’s okay to let people walk you over and manipulate you 
Not letting Lucas speak for himself
The whole Lux & Obscurus plot, having Eliott write the film about his and Lucas’ relationship and what his love means to Eliott only to have Lola play in it, not adjusting the script so that it would fit the change and still keeping the Eliott/Lola kiss as a big fuck you to the fandom instead of having it end with a forehead touch and fade to black especially that they haven’t even showed it to us again during the screening of Eliott’s film (but it made all the other couples turned on enough to kiss in that exact moment so maybe it had a purpose) (it didn’t what the fuck was that)
Also acting like Lucas can’t spare a few hours to film it with Eliott cause he has to sTuDy FoR tHe BaC when they were filming it in the middle of a night on Friday, how is that realistic
Not giving Eliott any friends of his own and pretending like he’s a lone wolf even though he’s the biggest sunshine ever and he’s naturally drawn to people; acting like there are no other studens at his film school who could help him film his project so instead he let Lola find random people who knew nothing about filming to help him; having a bunch of random people at the screening of his film and if they were supposed to be his “friends” from the film school then I’m gonna throw hands
Acting like we will see what “minute by minute” really means and “see Eliott like we’ve never seen him before” which never happened
Switching POV for two clips only and they all revolved around Lola because they decided to go with su*cide attempt in episode 9
Also ending that episode with a su*cide note even though the next clip was before midnight on Friday
Giving Lola the worst therapist ever and a really poor attempt at cheering her up from the nurse
Enforcing that “having a loved one” is “the real reason to change” instead of sending the message that you should change for yourself first and foremost and showing that reaching out for professional help is a good thing and can really help you
Acting like ED can be cured by italian cuisine and not mentioning it again for weeks; having Daphne ask Lola not to go to rehab because they have each other and a few clips after that she’s suddenly after her first therapy (love that for her but there’s something huge missing here)
Making Lola’s life a living hell and a misery porn for 10 weeks straight
Making P*trick, Thierry and Lola’s biological dads The Worst (men are trash but it would be nice to see some good parenting on the show)
Giving all the members of La Mif two or three personality traits and not fleshing out their characters
Giving Maya a girlfriend because a season without a love triangle is a waste
Not really developing Mayla well and having their first kiss right after Eliott/Lola cursed kiss as a preemptive damage control to shut us up
Never mentioning why Lola was doing
Wasting a good chunk of the season on Tiff and that insta account and ending it with “she’s addicted to social media”
Giving Yann like one line each season after s3
Reducing Sofiane to the background dancer in s5 and s6
Hating female characters
F/M friendships are only possible if the guy is gay, otherwise cheating always had to be involved
and you know. in general. pretty much everything they did after s3.
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writingwithcolor · 4 years
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Including diversity where there may be little
Including diversity where there may be little: Black Radium Girls as example
post-scriptvm asked: [ask clipped for length]
I have an interest in the ‘Radium Girls’, groups of women who worked at studios in America from the late 1910s onwards painting radium onto clock faces, and later took their companies to court for the horrible impacts the radium had on their body. 
I want to make a musical, just for fun. I’ve decided to use a fictionalized version of events, with composite characters based on multiple different women, rather than one of the real-life groups and the actual women from them. It will be mostly set in New Jersey, in the roaring 20s. 
Neither of the two real-life groups I know of had any Black women in them, and I can’t see any Black women in any of the big group photos of the dial factories’ employees. But I know there’s a lot of Black history and culture in that time and place bc of the great migration and stuff, so I feel like if I’m not going to use the real life ladies, I should probably take the opportunity to also make some of them Black, bc making a whole cast of white ladies in the name of potentially wrong ‘historical accuracy’ seems like a bad thing.
My question is, should I? [ask clipped for length]
I wouldn’t be surprised if there were African American radium girls. Speculating People of Color/Women of Color’s involvement is far more realistic than portraying everyone as white. Go for it! 
Perhaps look into what other races were predominantly in the New Jersey area for inspiration, too.
Hidden History
This section features just a few examples of PoC in lesser known historical settings.
The histories of People of Color are highly and actively erased. Women of Color especially get their stories left to footnotes in the textbooks. You hear about certain amazing women again and again, but there’s so many others that don’t get their time of day.
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Hidden Figures (book and movie) is a prime example of that erasure and lesser known history. To summarize: It’s “the powerful story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program.”
Here’s another example:
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Photo of female firefights on Pearl Harbor, 1941. Identities unknown
It would be nice to know more about these women, and i’ve seen inquiries from people requesting info from anyone who may know. This struggle to find details is a prime example of that erasure in itself.
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Enemies in Love: A German POW, a Black Nurse, and an Unlikely Romance by Alexis Clark
The book pictured above is the true story of a Black nurse and German Prisoner of War who fall in love during World War II. They face many hardships (disowning from his family, racism, and shunning from towns) but stay together for their whole lives, marry, and have children (One of their sons highly informed the writing of the book!)
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This book discusses the discrimination the Black soldiers and nurses faced. They struggled to even be allowed to serve their country, and were treated worse than POWs.
Video: The Unlikely Romance of a Black Nurse & German P.O.W. in WW II 
Research
Research “[RACE] + Firsts” and find many more examples of little unknown bits of history where they’ve been involved. 
First doesn’t mean it came without limitations, discrimination or hardships. But they happened, and many sooner than you’d think.
Explore beyond what you know about whitewashed history and learn the true stories of People of Color.
Making it “realistic”
People will question how “realistic” it is to feature a Black women in this position for the time period, unfortunately. It doesn’t hurt to provide an explanation until we get to a place where diversity isn’t interrogated when it shows up.
Giving her backstory. 
You can briefly explain the journey to the job, such as shortages due to a war. Take a look at those real world firsts for inspiration. 
Especially take a look at the specific region of the story. What firsts were there? Any government power influences? How did PoC break barriers to make the strides they did?
Use the web, but also go beyond. Seek books, historians, artwork. Search those “footnotes” for that one sentence mention. (That’s actually how the writer of Enemies in Love found their story. Just a quick sentence and a search for the story began. It helped that she was a journalist!)
Relationships with Peers: 
“I will cut off this right arm of mine before I will ever work or demand the ballot for the Negro and not the woman.” - Susan B. Anthony
White women weren’t, historically, welcoming to Black women. For example, white sufferists insisted Black women march in the back of the protests for, allegedly, both their rights.  You’ll need to decide how your Black woman is treated in this situation. 
You might face the following from peers, superiors, or others:
Hesitation to work or interact with her
Curiosity and intrigue (The “Other”
Unsure of how to approach or be friends with her  
Microaggressions
Blatant racism 
Your musical doesn’t seem like it is meant to focus too heavily on the hardships. It begs a mention, but just how much is up to you.
Call the Midwife, period racism example
Call the Midwife (BBC) is set in East End London, Late 1950s, early 1960s. The show features a Black midwife named Lucille Anderson. There’s a shortage on nurses so Caribbean nurses were being called in to support the growing population. 
Call the Midwife is from a midwife, Jennifer Worth’s, memoir, so it’s based on history.
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Check out this short clip: Nurse Lucille Anderson - Call the Midwife 
Lucille on Call the Midwife (Take notes!)
The show handles racism and microaggressions very well. It’s not overdone.
Lucille is accepted by her peers and is especially close to one of the girls.
There’s an episode where she actively faces blame and discrimination during a case. It’s a major story line of the episode. 
She does face occasional micro-aggressions where she is othered, but it is not every single time she is on screen and not every episode. 
Her peers talk to her about her experiences and in the case where she had an aggressive family member to deal with, they tried to protect her by reassigning her from the family. Lucille asks to handle it her way and they respect her decision.
Lucille can mostly perform her job and have peace, and is treated kindly by patients.
She has a personality, a romantic life, family & friendships.
It’s about 90% allowing her to exist, 10% navigating racism/microaggressions. That’s a comfortable, realist balance for such a story and setting. 
If you want to check out how they handled these issues for yourself, the show is on Netflix as of this post (2020). She’s introduced in Season 7. (I highly recommend watching this show from the beginning. I cry like every episode, and the diversity of several ethnic backgrounds picks up a lot mid season!)
I’ll kick you three scenarios for your Black radium girl:
Peer Acceptance, Initial Hesitation 
awkward friendliness & initial hesitation, perhaps more fear of the unknown vs. hostility
Upon having interactions and talking to her, they become comfortable and accept her. It could take just one simple conversation. Perhaps they’re more used to listening to Black music or have Black staff who work for them, but haven’t had an equal one-on-one experience with WoC without a power dynamic or service involved. Now, with a Black fellow radium girl thrown in a similar situation as them, they could develop kinship.
This might not describe every one of the woman at all. Others might be just fine with her with no awkwardness.
Types of racism experienced: 
some micro-aggressions (likely ignorance from peers)
no major racism experienced
Most Peer Acceptance, Racism From Some Peers
Most peers have no problem with her, even if they have their initial awkwardness. 1-2 more aggressive racists who don’t want her there. 
Sometimes everyone else gets along, but there’s that 1 bully and their minion, and they feed off each other. If the BS isn’t tolerated by the other girls, it could shut them up to make peace or at least behave themselves. It’s likely someone like this would remain hatefully stubborn, but would grimace from the corner if outnumbered.
In the case you create a situation where someone is hostile to the Black girl but learns better: real apologies and efforts should be made if this occurs. It also doesn’t excuse their past behavior. Read our posts on redemption arcs for more info. We’re not fans, personally.
In an intense racial situation, it would be nice if the girls (with sense) protected and defended her instead of standing idly by. They’re strong enough to rise up against the agencies who poisoned them, so they can fight for their fellow radium sisters if one’s being targeted. 
Types of racism experienced: 
several micro-aggressions
maybe 1 major incident 
Peer Acceptance, Racism from Other People
Radium girl acceptance within, but experiences racism from others she interacts with on/off the job. 
The Call the Midwife example fits this one. Lucille’s peers are comfortable with her. It’s some of the ladies she care for and/or their families that may have negative things to say or show hesitance. 
I’ll repeat what I said above: it’d be nice if the girls protected and defended her and didn’t stand by idly. Solidarity is important for establishing kinship and trust when it comes to white - woc friendships. 
Types of racism experienced: 
could vary from some to several micro-aggressions 
maybe 1 major incident
Balancing race issues in the musical 
Give the intersections of your Black girl’s situation proper attention. You can achieve this without overdoing it or making her whole arc about facing racism.
Perhaps the Black radium girl(s) has a song to express major woes, like segregation and poor treatment, or experiencing dismay over even less of a fighting chance in this fight for their rights.
If anyone does know anything but radium girls of color, please share! 
–Mod Colette
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I?? I searched Chicken Choice Judy on google out of curiosity because it sounds oddly familiar like there’s a similar-sounding name and I found 4 websites selling the shirt design. But the descriptions on these pages are BUCK WILD??
Written version of the descriptions under the cut (very long).
[Begin ID
First image states:  Long ago, when I had hair, I was an undergrad living in a house with nine other men. Near as I can tell, three of them (not sure which three) never bought food, just lived off what they stole from the Chicken Choice Judy shirt But I will love this other seven. We had several house meetings about it, but nothing changed. One day, I came in from grocery shopping. By coincidence, all 10 of us were in the kitchen. I started putting my stuff away. 1st thing I pulled out of the bag was my half-gallon of milk. I opened the carton, took a couple of drinks from the carton, then gargled some of it, and spit it back in. I opened my tub of margarine and licked the whole surface. By now, the room chatter had stopped because the other nine jaws had dropped open.) To your original question, those specific topics would take several years to build, as they depend on several layers of pre-requisites, which would require either that more advanced topics such as algebraic topology to be taught in elementary school, or that the buildup process happened blazingly fast during high school – both of which probably stretch the biological limits of what pre-teens and teenagers can reasonably be expected to accomplish. I spit on all my veggies, took the bread out of the package, and licked and spit on it, then carefully put it all back in the plastic bag. Remind teenage daughters to look through them before going on date with the boyfriend, in case they want to use one. I labeled it all and put it away. None of it was stolen. I never said a word, but I made it a point to repeat the performance anytime anyone was around to see it. Others began to emulate my approach and food theft stopped. Even I found it revolting, but it solved the problem. Works even better if you are sick or can at least make your thieving roommates think you are. While some cities are starting to reopen in the wake of the COVID-19 pandemic, people around the country are continuing to wear masks in public and practice social distancing. Vogue is committed to staying safe, and offering hopeful, optimistic content that highlights moments of camaraderie and exceptional acts of heroism from around the world. We are all looking for a little comfort too—be it a soothing Instagram account or a stylish creator on TikTok. It reminds us of the power of little things.
Second image states:  A couple of guests informed me my office was too minimalist and that they expected more things to be hanging on my wall the Chicken Choice Judy shirt besides I will buy this next time they visited my wife’s and my home. I kinda hope they held their breath while they were waiting for our next invitation. They both went on to backstab me and my wife pretty bad a few years later. Another set of guests tried to squat. I had driven them all the way from Florida to Massachusetts under the impression that they had jobs and a place to live lined up. They offered no money for gas, hotels on the three-day trip, or compensation for the inconvenience and effort. He even tried to weasel out of the dinner he offered as a thank you by forgetting his wallet. The dude got me off the streets years ago and I wanted to pay him back in some way, but my wife and I were in no position to have extra residents in our home. We just don’t have the room or money. I made all of this VERY clear and told my old buddy that we could only house them for a couple of days max. There are MANY other details, but the disrespectful thing my former friend said was wordless. As I was kicking them out and they were angrily loading stuff into my car to bring them anywhere but here, my buddy left his gigantic knife right in the center of my wife’s desk. Like that was supposed to make us change our minds and let them stay? In the days of dial-up, I had a family call and not be able to get through because we were online. They decided to show up unannounced. They literally caught me in my underwear as they were let into the apartment before I could even react to being rudely surprised. Some of my family members have a history of abuse, violence, and stalking, something at least one of the visitors, my mother, was quite aware of since she lived through it with me. Her tagalong friend decided to put in her two cents and tell me I should get a call waiting or a second line because they were trying to call me. That did it! I suddenly forgot I was just wearing underwear and angrily asked my mother’s friend if she was paying my phone bill. My mother-in-law, stepfather and mom’s friend beat a hasty retreat and NEVER did the pop-in ever again.
Third image states:  That was why when we did get to reality shows, Etro and then Dolce & Gabbana plus Jacquemus later in France, it was wonderful. Clothes are all about contact: As a wearer, you feel them on your skin, and as a watcher, you process them with your eye. The watching part can be done secondhand, but the Chicken Choice Judy shirt in contrast I will get this impact will always be second to the real thing. I read some commentators in the U.S. saying, “Too soon” or “Wear a damn mask!” which I always did, but these opinions while valid enough lack perspective. Milan and its surrounding region Lombardy went through what New York did but earlier. Through sagacious governmental management much more effective than that of the U.S., Italy has managed dramatically to flatten the curve across the rest of its territory. These shows just like the reopening of flights, stores, factories, and restaurants were symptomatic of recovery that, far from being taken for granted, is being tended to with vigilance and cherished with gratitude. The digital Fashion Weeks were better than no Fashion Weeks at all, but as an upgrade on the real thing? Nah. Like everyone, I missed the shows in the experiential sense this season. But for the first time since I began covering the collections several years ago, I didn’t miss a single brand or designer’s contribution to Paris Fashion Week. Which is to say, thanks to the Fédération’s online platform, I was able to watch every name on the haute couture and men’s calendars. This brand on-demand convenience not to mention being spared the logistical headaches of zigzagging across the city was pretty great. Also, everything was on time, from the films to the manner in which we filed our reviews. While efficiency can be satisfying, it’s not necessarily exciting. Ultimately, we had to accept that the focus this season wasn’t going to be the clothes but rather the brands conveying some combination of identity, process, and values. And in the absence of standardized criteria as in, showing a minimum number of looks, specifying a time range, it was interesting to observe how heterogeneous these experiments proved to be quasi–ad campaigns versus short films, conceptual or fantastical visions versus raw and documentary style. A proper kimono takes nearly an hour to put on – I’m sure most Japanese girls would much rather spend a few seconds and slip on a dress. Get survey responses from targeted consumers today.
Fourth image states:  Around a decade ago, not long after he started his own label, Massimo Alba made a great mistake. A batch of shirts and T-shirts he was working on that had already been garment-dyed one color were mistakenly exposed to another. Speaking at his showroom presentation this weekend, Alba said: “It’s very interesting to me that so many good things start out as mistakes like this.” That accident was to Alba what the Chicken Choice Judy shirt moreover I will buy this mold-infected petri dish was to Alexander Fleming: a stumbled-upon eureka that led to a career-defining course of the investigation. This collection featured a series of softly tailored jackets, corduroy pants, and shorts, plus light cashmere sweaters that were hand-overdyed two, and sometimes three colors. It’s a process that led to variations in tone that included acid-trip floods of purple on purple to subtle bleeding of magenta across mustard yellow. Like most of Alba’s garments, these dyed pieces appeared at first glance conventionally prosaic. The more attention you gave them, however, the more their exceptional qualities became evident. Take a pale blue jacket, for instance, which at that first glance seemed passingly related to a surgeon’s scrubs. To the hand it was light and almost textureless in its softness: The fabric was a cotton mousseline developed for Alba by Albini. Long-sleeved, in a delicately mottled finish of washed-out sky blue, it made for an ideal mid-summer shake in pink, sleeveless, it was an impactful shirting second skin. Other interesting developments this season included a cotton pant named the Myles with acutely kinking stitched gather at knee-level on both legs and another handsome pant, baggy in white poplin, with patch pockets. A blue tropical weight jacket named the Lenny, after Bernstein, was Alba’s interpretation of a bohemian creative’s ideal piece of workwear. Collarless shirts in ripstop linen and button-up short-sleeves in terry were further finely effective coups de théâtre. Alba is a self-deprecating yet dangerous designer: Try just one carefully chosen piece and that’s it, you’re spoiled for good because nobody else quite compares. The museum in Prague where this portrait is held describes the ring on her first finger as the ring given to her at her wedding. It’s not comfortable. Maybe a lot of girls think that a see-through blouse can attract the attention of boys or they think that it will make her look much smarter. Meghan has no dress sense: no knowledge of fabrics, fit, styles that flatter, proper tailoring, Her father raised her in L.A. Enough said. Her idea of dressing for an event is “dress up” like a little girl dressing up as a princess. Shiny! Tight! Celebrity “fashion” not elegant, just flashy.
/end ID]
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insertsexualitypun · 4 years
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Some things I want from Legacies S3
This is going to be all over the place and pretty long. This’ll start with the general storyline things, then get down into smaller character arcs and whatnot. I’ll try to keep it somewhat organized and grouped by character but I make no promises. Also if you wanna talk about any of these feel free to dm! I’m incredibly bored in quarantine and would love to chat
- An introduction of a greater storyline past Malivore and moving away from the monster of the week thing. I know Legacies is supposed to be something different from TVD and TO, and the monster of the week concept is an interesting way to explore the universe past what we already knew, but with the premise as it exists and has been carried out now, it’s hard to develop the characters and relationships. If the characters are fighting new things every week, that makes it hard to give characters like MG and Kaleb their own stories. With a villain to anchor the season as the Big Bad, we can get characters that haven’t been given much of their own storyline a way to get more screentime as they go try and find someone or something with answers.
- GIVE HOPE HER OWN STORYLINE PAST BEING THE HERO/MARTYR AND BEING IN LOVE WITH LANDON. Hope is supposed to be the main character but this doesn’t feel like her story. As awesome as it is seeing Hope be a badass and fight monsters, I want more development from her as a person.
- Kind of ties back into the last one, but let Hope have more Dark moments like the Death Spell incident. Moments that show that while she isn’t just another Klaus, she still shares some of his tendencies towards violence and lashing out. This could work really well if they decide to keep Landon out of the picture for a few episodes.
- Let Hope and Landon break up amicably (assuming Landon isn’t really dead which let’s be real he probably isn’t) so that, again, they can grow as people. Then, if you want, they can get back together. Or just stay broken up and be friends
-  A resolution to the Necromancer - he’s a fun character and while I think he’d be fun to have around for a bit, I don’t think he’s an anchoring villain for a season. Plus to me I kinda figured that they were gonna wrap up his storyline in the last 3 episodes that they didn’t get to film before the production shutdown so chances are we’re getting this anyway.
- Either bring back Ethan, Maya and Mac more prominently, or don’t bring them back at all. Don’t get me wrong, I like the town normies storyline when it comes up, but it doesn’t come up much. Apparently, they were supposed to be in the last 3 episodes more but who knows. With the show already feeling kinda crowded (because again, the format of the show now doesn’t really allow for a ton of characters since they aren’t significantly developing, especially when these characters are in a setting completely removed from the main action of the show’s narrative), either have the normies for more than just getting caught in a magical crossfire, or put them to the side and focus on who you have at the school.
- The TVDU has progressed past the need for Alaric. That’s all I’ll say.
- The show being a little more self aware at the ridiculousness of it all. Like yeah, it’s not completely without that, but the last thing we need is the show devolving into a Riverdale, where the first season was aware of the ridiculous nature of itself, and then it started to take itself way too seriously.
- MORE LGBTQ+ REP. The show has done fairly well thus far compared to other CW shows but there’s still so much than can be done. The show doesn’t need to have show-stopping coming out storylines or anything - it’s actually the opposite. We get the casual drop of Josie having dated Penelope in the first episode of the show which was great. So let’s have more simple stuff like that. More mentions at crushes and other past romances - for all characters - that just allow for other sexualities to be normalized and not some earth shattering thing. 
- This ties into the last one but I felt like it deserved its own bullet, but also what is V NEEDED is rep of trans, genderfluid and non-binary characters. Again, it doesn’t have to be a huge storyline, but it’d be nice to have some recurring characters who are not cis. The show is meant to be set in a near future, so I think it’d be nice to show a normalized view on differing gender expression and sexuality as sort of a hope that such a future will exist.
- Hope loving beignets, eating/wanting to eat them all the time, and getting powdered sugar all over her dark clothes from them. Chances are, if you’re from/have been to NOLA, you’ve tried beignets and loved them because they’re amazing. SO LET HOPE HAVE HER BEIGNETS DAMN IT.
- More Wolf Hope moments. Let her turn more and just run because it let’s her feel more connected to Hayley :’( also the Crescent birth mark if that was ever a thing for Hope... I can’t remember, I’ve seen different things about it, lmk (politely) if that was ever a thing that Hope had
- Hope painting and sketching. It’s one of the few connections she still has with Klaus, SO LET HER EXPRESS HERSELF DAMN IT. (Yes, any time I say SO in all caps I need to end the sentence with DAMN IT, it’s a Thing now)
- MIKAELSON FAMILY MENTIONS AND APPEARANCES. Granted this one is different because there are real life schedules and whatnot that need to align, but even just more mentions of Mikaelson family members and others like Vincent would be nice. Yeah we’ve had some in the past, but it would still be nice to get some more. Also at least a mention of Rebekah and Kol checking in on Hope (assuming the writers aren’t going to pull something dumb like ‘oh the memory spell doesn’t work long distance like that so they still don’t remember her’)
- Hope also talking more about Hayley, Elijah, and Klaus. Again, feeling connected to her mom every time she’s a wolf. Always and forever, like Elijah always said. Telling stories about her father that put him in a better light than just being “The Great Evil” of storybooks.
- Hope being open with her friends about her past and how TERRIBLE it was a lot of the time like, y’know, people trying to kill her before she was even BORN.
- I’ve said this before in a separate post (which I’ll link at some point so expect an edit to this post) but I’d love for something to happen and for Hope to leave the school and go to NOLA and stay with Freya, Keelin and Nik because she’s tired of having to be the savior and still not saving everyone. (Also in that post it says Alaric comes and gets her and brings her back to the Salvatore School but we’ve progressed past the need for him in the TVDU so instead it’ll be the twins)
- Hizzie moments because whether you like them as romantically or just as friends, they are a DUO and we deserve more iconic sarcasm as well as genuine moments of friendship and caring
- Lizzie being the absolute Queen of Comedy
- But more importantly, Lizzie being more open about her issues and taking steps to have better mental health.
- Lizzie and MG having more open conversations and letting a relationship develop naturally - yes there has been a lot of development since season 1 but I feel like they both have a bit of growth to go before they should enter a relationship, if that’s something that happens
- Lizzie being happily single for a bit and not going for a guy that’s going to try and turn her into a vamp and keep her in a prison world 
- MG and Kaleb getting proper storylines or at least more play than just being the Local Vampires who help depending on the situation. They deserve WAY more than that
- ALSO MG and Kaleb backstories. How did they die and how did they get vampire blood in their system to keep them from dying permanently?
- Josie dealing with what happened pre and post Dark Josie and facing that she has always had some darkness in her. Yeah the dark magic definitely didn’t help, but she was willing to perform a spell that she didn’t know on a human over a football game and ended up breaking his arm. Not to mention, she was setting Penelope on fire as early as the first episode. It seems like we’re getting this since Josie locked away her magic in the last episode, but still, I don’t want this to just be a one episode reflection and then move on like she didn’t cause a lot of harm.
- More Hosie crumbs
- More Jade. OK admittedly this is probably really due to the fact that Giorgia Whigham is a Big Crush for me, but also the show really did start integrating her in a bit more with the black and white episode, which makes me think they’re keeping her around at least for a little bit. And I think she and Josie dating at least for a little while would be good for both of them. Jade was a ripper for 10 years in the prison world, and Josie was just consumed by dark magic and is now coming back from that. I think they’re a good (probably short-term) pairing that will help each other grow, but eventually break up because they just aren’t it for each other. And I saw this elsewhere on here, but someone pointed out that Jade could do what Penelope tried to do, but in a healthier way. Yes, Penelope was trying to put Josie first and show her her power and importance, but there’s a way to do that without gaslighting her sister and being manipulative. Sorry, I did not mean for this one to be so long.
- More Specialty episodes. The black and white episode was really fun in my opinion, and the show doesn’t have to be like that all the time, but stuff like that keeps the show interesting, as long as it makes sense within the context of the episode and storyline.
- Josie wearing the necklace Hope gave her
- I haven’t mentioned Rafael much and that’s because, despite being a main character, he hasn’t really done much besides run away with Landon, and feel guilty about having a crush on Hope. He’s personally not a favorite character of mine, but I think if he got more of a storyline - likely revolving around the fact that he was dead and being used as a pawn, as well as the fact that he possibly (but probably didn’t) kill Landon - it’d help give more to like about him.
- Caroline having a better reason for being away from the school than just researching the Merge. Like, her daughters have been fighting monsters, Josie almost died at the end of season 1, they were trapped in a prison world, Josie succumbed to Dark Magic, THEY LITERALLY HAD A MERGE EVENT and she’s still gone??? That’s not the Caroline we know. If she’s going to be gone (because like I said before, it all depends on Candice’s availability and willingness to come back), at least come up with something different than researching something her daughters have already done by this point.
- Since Landon’s not dead, let him unlock his full Phoenix powers. It’d be cool.
- Let’s have one season where Landon doesn’t run away like we don’t all know that he’s gonna be back within like 2 episodes if that
- More Dorian. I actually really like his character, he’s kind of a breath of fresh air sometimes so I’d like more scenes with him when possible
- A conclusion to Malivore and intro of a new villain. I kinda covered this earlier, but at this point, unless Malivore is going to become a tangible entity to fight instead of some black goo, it’s not a very interesting story thread to keep around for the next however many seasons Legacies goes on for.
Whew.
Ok, that’s all I can think of, but feel free to reblog and add more if there’s other stuff you’d like to see!
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nshnaerh · 3 years
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The official money in cricket is big
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theprojectpets · 3 years
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How To Make Sure That Your Pet Is Healthy And Happy
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Pets come in all kinds of packages; some are big, some small, but no matter how cute or cuddly they seem, every single one of us wants our furry friends to be healthy and happy. However, not everyone knows exactly how to keep their beloved pooch as fit and trim as possible. Fortunately, we've got you covered! Check out this list of tips to ensure that your loving companion stays in tip top shape:
1) Feed Him Right - Dogs need plenty of protein, fiber, vitamins, minerals and water to stay strong and active. According to the ASPCA website, “The average American diet consists mainly of processed foods high in fat, sugar and salt. Most commercial pet foods contain too much corn syrup, refined grains and artificial ingredients such as preservatives, flavor enhancers and coloring agents." Try feeding your dog real meat instead of kibble, like chicken, beef, turkey, lamb, fish and eggs. Also make sure he gets his daily dose of fruits and veggies.
2) Exercise Them Regularly - If you're lucky enough to live somewhere warm during winter months, take him outside regularly for walks and playtime. He'll get more exercise from running around outdoors than sitting inside watching TV. Plus, regular physical activity helps prevent obesity-related health problems down the road. Remember, though, that even indoor activities count toward his total exercise time. For example, playing fetch counts as an outdoor workout because he's getting lots of fresh air while he chases balls through the yard. On the flip side, simply lying on the couch doesn't qualify as exercise unless he's actually moving around and climbing stairs.
3) Keep Up With His Vaccinations - Not surprisingly, vaccines work best when given before exposure to disease. But remember, it takes two weeks for antibodies produced by vaccination to reach peak levels in the bloodstream. So don’t wait until your puppy starts showing signs of illness to give him shots. Instead, start vaccinating well ahead of schedule so that he builds immunity early on. Be especially careful about giving boosters annually since many diseases, like canine parvovirus, require multiple doses over a long period of time.
4) Brush Them Daily - Just like human hair grows longer with frequent washing, fur needs brushingat least once per day to remove dead skin cells and dirt buildup. Brushing also stimulates blood flow which promotes overall good health. In fact, according to the National Canine Research Council, dogs who receive regular grooming sessions tend to have fewer medical issues throughout life than those whose coats aren't brushed often.
5) Provide Appropriate Grooming Care - A clean coat will help protect against fleas, mites and other parasites that can wreak havoc on your pup's body. When choosing a new home for your four legged friend, look for someone who understands proper care and maintenance. This includes making sure there are adequate supplies of food and water available, keeping floors swept free of debris, providing appropriate shelter and ensuring that the house has been properly cleaned prior to bringing your new family member into residence.
6) Get Rid Of Unwanted Hair - Even if you think your dog looks adorable with her fluffy tail or bushy eyebrows, she probably won't feel quite right without shedding hair. While most breeds shed year round, certain breeds may do so seasonally. For instance, huskies shed heavily during the colder months of the year, whereas poodles typically lose their hair during spring and summer. It's important to note, however, that excessive shedding isn't necessarily a sign of poor hygiene. Some pets just naturally shed more than others. If this is the case with your pet, be patient and try not to get frustrated. You'll eventually find a solution that works for both of you!
7) Take Advantage Of Your Dog's Natural Enthusiasm - Playing games together provides a great opportunity to bond with each other. Find fun ways to play such as tugging contests, hide-and-seek, chasing balls, wrestling and retrieving items. As you spend more quality time together, you'll see how much joy your furry pal brings to your everyday routine.
8 ) Make Sure He Has Access To Safe Places And Things - Dogs need plenty of room to run, jump and explore. They should always have access to safe places where they can rest, chew things up and make themselves comfortable. These areas include beds, crates, furniture and toys. Don't forget to provide safety gates to keep them out of trouble too.
9) Give Him Time Outdoors - Since puppies love being outside, take advantage of these opportunities whenever possible. Go hiking, swimming, running and exploring the neighborhood. The key here is to let him experience nature first hand rather than taking him to some boring park full of people and cars. By exposing him to natural surroundings from birth, you're helping shape his personality and teach him to become accustomed to different environments.
10) Encourage Socialization - Every breed develops differently but all dogs benefit greatly from socializing. In fact, it's recommended by many experts that all puppies be exposed to at least one person in addition to their mother and littermates within the first few weeks after birth. This helps prevent aggression issues later down the road when he becomes an adult. However, don't overdo it. Too much exposure early in life could lead to separation anxiety problems later on.
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cat-brodsky · 4 years
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richard pipen is the worst pre-med student ever: death caps in the secret history
"Judy, what would you do if you had a hundred and three degrees of fever?” “I would go to the fucking doctor,” she said without looking away from the TV.
must i say anything else
This post may contain errors, and anyone is welcome to point them out.
@sadbabywltch gets a thanks for the inspiration
some context
"You studied medicine for a while, didn't you?” [Henry] said.
I knew this to be a prelude to some health-related inquiry. My one year of pre-med had provided scanty knowledge at best...
I’m going to cite some parts of The Secret History, but I cannot copy the entire text of the scene in question. If you haven’t read it, this scene won’t make as much sense.
This post contains extensive discussion of mushroom poisoning as a murder method, so consider yourself warned. This post also contains math and biology, so people allergic to either should turn back.
Richard Pipen knows absolutely nothing about medicine. And I intend to prove that.
on amanita phalloides
Aka, death cap. The most poisonous out of all known mushrooms - half a mushroom (30 grams) is enough to kill a grown human. If Henry had really done extensive research, he should know that - and he said that he has.
“You have no idea how much thought I've put into this. Even to the strain of poison. It's said to make the throat swell, do you know that? Victims are said to be struck dumb, unable to name their poisoner.”
He should also know that the throat swelling is a myth. A.phalloides cause gradual organ failure. Symptoms of poisoning occur twelve hours later, too late to seek treatment, and death generally occurs six to sixteen days after the poisoning.
He should also know that there are less toxic species of Amanita. For instance, Amanita muscaria (fly agaric) is a hallucinogen, and symptoms take only thirty to ninety minutes to appear. Considering that the entire friend group has already been taking drugs regularly, Henry could offer Bunny a lethal dose, ingest a small one, and seek treatment.
There is also Coprinopsis atramentaria - the common ink cap, or tippler’s bane. This mushroom is poisonous, even lethally so, if combined with alcohol. I don’t need to spell the murder method out.
But, of course, Henry is high Intelligence low Wisdom and obsessed with ancient history; if Claudius allegedly died via death caps getting mixed with Caesar’s mushrooms, then it must clearly be the best way to poison someone.
on advanced calculus
“Let's say we know, for instance, that x amount of the drug in question is enough to affect a seventy pound animal and another, slightly larger amount is sufficient to kill it. I've figured out a rough formula, but still we are talking about a very fine distinction. So, knowing this much, how do I go about calculating the rest?”
Quick reminder that Henry killed one dog and poisoned another.
I’m not going to do calculations on A.muscaria or any other method of murder - A.phalloides is what the characters were poring over. I’m going to explain the calculations as simply as I can, and then provide some references for those of you who are interested in biology.
The characters don’t have the internet available, but they have the whole college library, a virtually unlimited amount of money, and a town where everyone takes illegal substances at their disposal. What they need is a pharmacology textbook (to look up the necessary equations), a reference on poisonous mushrooms (to look up death caps), and perhaps a handbook on toxins. 
LD50 is what Henry is after - that is, “the dose required to kill half the members of a tested population after a specified test duration.” (I hope that the readers can already see that two dogs are not a large enough sample size.) LD50 is conveniently measured in mg/kg. We have the characters’ exact weights: Bunny is 86 kg, Henry is 97.5 kg.
Amatoxins are a group of toxins contained in A.phalloides, and the one that causes symptoms of death cap poisoning. LD50 of amatoxins in humans is estimated to be 0.1 mg/kg. Thus, Bunny would need to ingest 0.1*86 = 8.6 mg amatoxins, perhaps less, preferrably more, to be stone dead. Here I make an assumption that 0.05 mg/kg is not lethal; with Henry’s poor health, it might be. Henry would need to ingest under 0.05*97.5 = 4.87 mg to not be dead.
Oral LD50 for amatoxins in dogs is 0.5 mg/kg. Finding out the amatoxin content should be an easy calculation: X grams divided by 31 kg contains 0.5 mg. We know that X grams minus one gram failed to kill the other dog, so we can assume this is not low-balling the dose.
For the sake of ease, let’s say X = 31 -> 0.5 mg amatoxins in one gram of locally harvested, organic death cap. This looks close to reality. Per Yilmaz et al (2015) a death cap ingested by a patient contained 0.426 mg amatoxins per gram, and you can calculate that yourself.
And now a simple proportion:
0.5 mg (per gram) / N mg (lethal dose) = 1 gram / X grams (of mushroom)
Bunny: 8.6/0.5 = 17.2 grams (ingest more than that)
Henry: 4.87/0.5 = 9.74 grams (ingest less than that)
partway disclaimer
Of course, I wouldn’t stake my life, or anyone’s, on those calculations.
The toxin content of the A.phalloides can vary drastically depending on geographical location, season, maturity, etc. This could be remedied, I guess, by gathering a large amount of them, mixing them and chopping them into paste, then testing some of the mixture to determine LD50 and the amatoxin content.
From the data at hand, the exact content of amatoxins cannot be precisely determined. But, hey, Henry only needs to poison more dogs to find out!
and now for some more science
A.phalloides contains two main groups of toxins: amatoxins and phallotoxins, and also phallolysin. Phallolysin is not toxic if taken orally, so that’s out. Phallotoxins were found to have little contribution to death cap toxicity, perhaps because they are not absorbed through the gut. (Though it’s not certain whether the characters would have this information in 1982.) This leaves us with amatoxins.
Yilmaz et al (2015) describe a patient who recovered after ingesting approximately 0.32 mg/kg amatoxins (but after developing liver failure). This is why I’m assuming 0.05 mg/kg is non-lethal.
LD50 for amatoxins in dogs has been calculated for α-amanitin and methyl-γ-amanitin.
Garcia et al (2015) gives the amount of a-amanitin in different tissues of A.phalloides as follows (mg/gram dry weight): 0.67 to 0.78 in caps, 0.30 to 0.32 in stipes and 0.07 to 0.10 in volvas.
why richard is an idiot sandwich
Look, perhaps I’m misunderstanding what Donna Tartt has written, but Richard comes across as right for the wrong reasons. He’s right in that trying to non-lethally poison yourself with something so deadly as A.phalloides is a monumentally stupid affair. He’s wrong about everything else.
Faced with a simple calculation like the above, how does Richard go about it?
Equations about chemical concentration were never my strong point in chemistry, and they are difficult enough when you are trying to figure a fixed concentration in a suspension of distilled water; but this, dealing as it did with varying concentrations in irregularly shaped objects, was virtually impossible. He had probably used all the elementary algebra he knew in figuring this, and as far as I could follow him he hadn't done a bad job; but this wasn't a problem that could be worked with algebra, if it could be worked at all. Someone with three or four years of college calculus might have been able to come up with something that at least looked more convincing; by tinkering, I was able to narrow his ratio slightly but I had forgotten most of the little calculus I knew and the answer I wound up with, though probably closer than his own, was far from correct.
I didn’t know proportions required three or four years of college calculus. If the mushrooms are irregularly shaped, why not weigh them?
“It's a good try, but just by looking at it I can tell that it's insolvable without chemical tables and a good working knowledge of calculus and chemistry proper. There's no way to figure it otherwise. I mean, chemical concentrations aren't even measured in terms of grams and milligrams but in something called moles.”
There are different kinds of chemical concentration, and molar concentration is just one of them. “Something called moles”? A mole is, simply, an amount of substance that contains 6.02214076×1023 molecules (Avogadro number). This is sixth-grade chemistry. It’s also completely irrelevant here.
It’s a miracle Richard ever got into pre-med.
Henry, paraphrased: Oh, well, if I overdose - which I can totally figure out despite the fact that the symptoms take twelve hours to show when the damage is already done - I can just have some atropine. Atropine will totally counteract amatoxins.
...Never mind, Henry is also an idiot - though, at least, that is highlighted in-story. What does he plan on doing, drinking a whole bunch of atropine without knowing the precise dose he ingested?
“They are exactly opposite in effect. Atropine speeds the nervous system, rapid heartbeat and so forth. Amatoxins slow it down.”
No, they are not. To put it in plain English, amatoxins cause cell death - nothing about nervous system. Atropine basically counters the parasympathetic system, kicks your organism into fight or flight mode.
Do you know what atropine is an antidote to? Muscarine. It’s a compound found in certain mushrooms - such as A.muscaria, though only in trace amounts. Atropine and muscarine both bind to muscarinic acetylcholine receptors. Muscarine is not found in A.phalloides. Confusing amatoxins with muscarine is... I imagine it’s excusable if ancient Persian texts are your most recent source.
Oh, and one more thing while I’m at it.
“The Persians? I didn't know you read Arabic.”
In Persia (modern Iran), they speak Farsi, not Arabic. Oh, Richard. I imagine Henry took pity on him and didn’t correct the poor fool.
conclusion
There are two ways to engage with canon - from an in-story perspective (Watsonian) or an outside perspective (Doylist). I’ll leave you to discover what the third (Forsythian) perspective is.
From an in-story perspective, I am drawing the conclusion that both Richard and Henry are utterly inept at math, biology, medicine, and common sense; heaven only knows what “algebraic equations” they spent a good half hour going over.
From an outside perspective... well, if Tartt wrote all those errors purposefully, then it’s a nice bonus for any reader who knows basic medicine. If she didn’t, then I can fault her for not doing enough research. A middle ground is more likely: I’m certain that the 103F episode was intentional, but the Arabic in Persia wasn’t, since Henry of all people would lambast Richard for this error mercilessly.
half-assed references
Garcia, J et al. Determination of amatoxins and phallotoxins in Amanita phalloides mushrooms from northeastern Portugal by HPLC-DAD-MS. Mycologia, 107(4): 679-687. 2015.
Hooser, S.; Khan, S. Common Toxicologic Issues in Small Animals: An Update, An Issue of Veterinary Clinics of North America: Small Animal Practice: Ebook. Elsevier Health Sciences. 2018.
Tu, A.; ed. Handbook of Natural Toxins: Food Poisoning (1st edition). CRC Press.1992.
Wieland, T. Peptides of poisonous Amanita mushrooms. Springer-Verlag.1986.
Yilmaz, I et al. A Case Study: What Doses of Amanita phalloides and Amatoxins Are Lethal to Humans? Wilderness Environ Med. 26(4): 491–496. 2015.
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naruhearts · 5 years
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14x18 First Watch Thoughts: Mary Winchester the Mirror, TFW and Destiel
**FLAILS**
My thoughts are practically incoherent because I’m having BIG FEELS right now...VERY big feels re: TFW/Destiel narratives.
I am SUPER glad Berens was the one who penned Mary’s death!! The episode was just well-done all around from start to finish and intensely executed, with the proper solid balance of angst, emotional insight from the characters placed inside Mary’s cathartic contextual role, and the consistent reiteration of Mary as TFW’s overall Parental Catharsis in 14x18′s storytelling (and S12-14′s whole parental premise in conjunction with John Winchester’s ghost). 
Mary was portrayed as the singular contrasting foil to TFW’s individual and combined arcs. Absence was, obviously, a core theme, with Mary’s absence -- her death -- playing out as A. familial purpose (accountability and her death as the impetus to work together --> forgive each other, forgive yourself), B. self-purpose (self-realization via Jack: what did I do? Why did I do it? Why do we do things?), and C. romantic purpose on the Dean/Cas front. 
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Let me explain C. -- well, WE BEEN KNEW. The metasphere wrote about this (my post x).
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x
Dean was HEAVILY subtextually framed as the angry spouse undergoing a rough patch with Cas over Mary’s death  (the tension, juxtaposed by sad orchestral strings and soft lighting, Dean lashing out at Cas, romantic framing via Dean’s back turned to Cas, their interactions holding frustration yet still underpinned by certain tenderness etc *sighhhhh*) and Dean continuing down the route of giving Cas, not Sam, frosty shoulders -- emphasized by the romantic visual framing of space between them e.g. Sam preventing Cas from comforting Dean during Mary’s funeral, backs again facing each other, Dean and Cas interacting sparsely, Dean bitter and disengaged, Cas longing for forgiveness from Dean, Sam as the overt brother caught in the middle as he embodies the role of mediator and stable thinker for both of them etc -- just strengthens my belief that Destiel is going to experience another (hopefully) intense romance-coded confrontation as intense as the one they had in the cabin -- one that leads up to a lover’s make-up or some kind of emotional breakthrough/realization which has Cas happy enough to be taken by the Empty (remember, DEAN STILL DOESN’T KNOW ABOUT CAS’ DEAL. Cas’ life to save his son’s life, harking back to Dean’s own fatherly self-sacrificial deal by saying Yes to Michael. He is utterly unaware that he’ll lose Cas) and it’s a double punch here, because Dean will realize how stupid he is for not appreciating Cas -- more accurately, trying to be mutually transparent and honest with him (he has, though, and he’s made leaps and bounds) before it’s too late but failing (final regression before progression). He does appreciate Cas, and Cas means more to him than anyone could ever describe *points at his Mind!Bar 14x10* yet their love languages still don’t align. IT’S NEVER TOO LATE TO START ALL OVER AGAIN, DEAN! 14x19 is written by BL so I additionally hope the D/C subtext from this point onwards works in our favour!!
As I said in above and in my liveblog posts, a summary: 
The differences in Dean’s grieving are a COMPLETE visual comparison to 12x23, complete with overhead 📸 shots and differing funeral pyre scenes: when he grieved over Cas, he was alone, kneeling on the ground, and was blatantly numb/emotionally incapacitated – Dean mourned the loss of his lover. When he’s grieving Mary, Sam is by his side. Brothers mourning the loss of their mother. Romantic vs familial.
Overt romance-coded parallels with Sam/Rowena keeping constant contact just like Dean/Cas do both offscreen and onscreen
Sam telling Dean IT WASN’T JUST CAS and his own emotional pull in this ep as expressing accountability for TFW’s actions in general – besides internalizing/talking about the self-guilt, shame, and the inevitable pain of losing people despite saving people (also re: the 🔑 theme of doing the wrong, stupid thing for the right reasons) -- was character development on a marvelous scale. Dean was enlightened and began to admit it himself. Honest, open words. Dean and Cas should learn from him!!
 Cas was absolutely humanized, subsuming the Winchester Way of Bringing Family Back, and he additionally evoked honesty/an emotional justification while admitting his mistakes and again representing FAITH: faith in Jack narratively linked to FAITH IN HIMSELF and the season-long theme of believing there’s another way -- in believing that good things shall come. As he appropriately told Anael last episode -- loneliness is a construct misconstrued by her; not being in one’s physical presence doesn’t mean they aren’t there -- they are there. They are there for you. Narrative symmetry with 14x17′s presence of emotional acknowledgement despite physical absence re: God (and TFW; just because Cas wasn’t with the Winchesters did not mean he loved them any less) vs 14x18′s absence of full-frontal communication despite physical presence re: Dean and Cas/TFW (being physically present also entails being emotionally present through HONESTY). Berens interlinked the subtext. Negative spaces are being filled. And there’s also an Evil/dark dimension added to this Presence vs Absence commentary: Lucifer’s a visage in Jack’s mind, just like Sam. Jack’s soullessness has come to a psychological crux. He’s teeter-tottering – tried desperately to bring Mary back, and now he might have fucked up the natural order (if BTS pics of zombies in 14x20 is linked to this).  Furthermore:
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(*clutches chest* There’s the heartbreaking spousal-coded visual narrative.)
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Oh, Cas...Jack is BOTH good and evil. This is the intrinsic dualism of human nature. It’s what makes Jack human. And goodness involves badness. 
CAS: [Jack] was good for us. Indeed, we know he was. The unhealthily-codependent-abusive notion of family TFW used to possess (where their overarching parental issues -- Chuck’s absence, John’s abuse and Mary’s absence -- crippled their early formative growth, extending into decades) was deconstructed and rebuilt in healthier ways. Being a parent to Jack offset their true capabilities/qualities: FAITH (Cas), HOPE (Sam), and LOVE (Dean), alongside all the stickiness that came with his birth. By direct association, Cas learned (is learning) how to believe in himself. Sam learned (is learning) how to hope in himself. Dean learned (is learning) how to love himself. Mental/emotional release from their internal chains took place (will come to its final culmination in S15). In other words, Jack the Unifying TFW Mirror -- like Mary -- was the great interpersonal conduit for (a Jesus-figure-representation) honesty, appreciation (spending time with your loved ones), positive vs negative self-process, and self-awareness. Keep in mind that Jack has characteristically taken the place of Dean, Cas and Sam’s own dark arcs (Soulless!Sam, in particular) with what looks like a Godstiel mirror in 14x19 -- he’s literally becoming textualized as TFW’s mirror -- and, like his parents, he is going to make his independent (wayward) choices and question the primacy of human nature: good, evil, and the grey in-between. Will he listen to his head or his heart?  Most of all, Jack taught them that HuntingTM is filled with pain, horror, and death, but genuine purpose lies beyond it. The lives they live are also innumerably interlinked with joy and happiness. These positive things aren’t as sparse as they think: they have each other.
Mary Winchester is ⚰️ and resides in Heaven (her death successfully made me emotional and packed a deep personal punch; the black and white flashbacks interspersed throughout 14x18 relative to Mary’s influence on TFW was A++). She disappeared right when TFW’s arcs came together to display character progression. Her purpose – pushing TFW to engage in self-introspection, personal growth, and honesty with the Self and others – is done.
Mary, the Cas mirror, carved M.W. into the table with S.W and D.W. You know who should be next, right? CASTIEL W. (and Jack W.) (recall that in 14x17, Mary relayed to Dean that she treasured and enjoyed her time with him and Sam -- channeling Cas’ 14x12 farewell speech. Mary has always embodied LOVE, both romantic and familial, with the great virtue of honesty, and Dean, by proxy, has been telling his family he loves them. Again, who is the next family member he’ll say I LOVE YOU to? What do Dean and Cas WANT? Time to answer this question!!)
WE HAVE COME FULL CIRCLE. Narrative cyclism, y’all. Mary and John Winchester are finally at ✌️, and by so doing, TFW will experience emotional/personal/psychological ✌️ as they leave their past behind to create their own optimistic self-actualized future. THERE’LL BE GENUINE PEACE WHEN YOU ARE DONE.
TFW MUST TALK
I mean, I’ll probably reblog this with new thoughts during the next few days, but yes, ENDGAME’S UPON US, and all the extensive meta regarding Dabb Era Love and...Love, Unity, Family, Honesty, the centrality of interpersonal relationships and Reconciliation of the Past & Future since Season New Beginnings 12/13 over Season Who Am I 14 should be realized in the final two ANGST-filled eps. TL;DR a gigantic multilayered soup of character-positive/relationship growth-positive meta coming to fruition for the main plot.
Berens has killed us all. 14x18 is one of my favourite Emotion-centric episodes yet!
RATING: 10/10
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Thank you for reading my sloppier-than-usual word-vomit!
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