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#anyway . art
still-got-no-idea · 8 months
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did i ever mention that i'm a multishipper? and that killer is probably my second favorite?
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fattylime · 11 months
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a study i did because i realized idk how to draw environments at all LMAO
a few people have asked, so this is a now a print <3
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ato-dato · 9 months
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Piss off!!! Thanks!!!!!!!!!! :)))))
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pien-art · 8 months
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more good omens!! literally whats up with these guys
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everchased · 6 months
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hahahahaaaa get safe and cared for, idiot
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possessedpasm · 6 months
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
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If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
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Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
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You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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druid-for-hire · 1 year
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[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
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soranker · 7 months
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laios985
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doesephs · 4 months
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slamming my head against a wall again and again and again and again
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seagiri · 7 days
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when did this happen???
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officialspec · 2 months
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heres most of the notes i have for brisbane meshi. i could draw this forever probably
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izzenithal · 4 months
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Percy “Has Been Waiting to Use This Meme as an Excuse” Jackson, and Annabeth “Never Seen a Meme” Chase
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plumbum-art · 8 months
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"...we both get plenty of use out of it..."
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germboyfriend · 6 months
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DO I SEEM ANXIOUS TO YOU?
DO I SEEM BACKED INTO A CORNER?
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proxycrit · 2 months
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I made another one. Sorry guys.
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hansoeii · 8 months
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I probably won't finish this piece any time soon, but I wanted to share the unfinished version with you anyways!
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