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spicymancer · 4 months

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So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian

Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.

So to start. I am also Asian. Specifically Chinese American.

As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.

Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.

The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)

This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.

To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.

But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.

I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.

Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!

Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.

So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.

#oc questions #discourse cw #I love and appreciate all of you

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azatas · 3 months

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"we need more complex female characters" you couldn't even handle her

#ash: hey idk if it’s a good idea to give full access of the most advanced warship we have to a mercenary who shot a suspect in cold blood #and a cop who quit his job because there were too many rules (and also happens to be a member of the military we were recently at war with)#also i think the council will throw us to the wolves to save themselves #like half the fandom: omg space racist???#sorry for discourse posting™ but i saw a terrible post that rocketed me back into 2013 #anyway we may have preferences but we love and appreciate both virmire survivors in this house #mass effect #ashley williams

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artist-issues · 9 months

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I love the comments and defense of the original Snow White but some people are not taking the defensive position that I would take, all things considered.

I mean, asking the question “since when is it bad to wish for love?” is one thing, but then sometimes people follow it up with, “and that’s not all she wanted! That’s not her main goal!”

Okay I appreciate you but yes it was. Let’s just call it like it is. And then don’t back down. Hear me out.

The first thing you learn about Snow-White is from that pretty opening-fairy-tale-book page, where it points out two characters: the wicked and vain stepmother who is afraid of Snow White and dresses her in rags to cover up her beauty, and uses her as a scullery maid—and Snow White herself, who is…well, used as a scullery maid.

Treated as a servant, and actively hated by the only family she has. And she’s a child. She hasn’t been alive very long to experience anything other than hatred and jealousy toward herself.

She’s even talking to birds, and the fact that they’re clustered around her from beginning to end of that opening scene indicates that they’re very comfortable with her and she talks to them all the time—because they’re the only positive interaction she gets to have.

That’s the situation that Snow White is in. But the first thing you learn about who she is and what she wants comes when she wishes in the well. And what’s she wishing for?

Love. The one she loves. A specific, male figure, who will say nice things to her and find her. She wants him to come quick. Why?

How silly. How vapid and shallow of her. How weak and one-dimensional. Please, goodness, can’t someone update her to have some depth?

NO. She is a young woman who is not given any love and is treated like a horrible nuisance who must be covered up in dirt and rags. She has no friends except birds, who can’t talk back. She is actively hated by the closest person to her.

It’s a miracle she even knows the word “love” and has the strength of character to believe in it after the situation she’s grown up in.

The song very specifically says “I’m wishing…for the one I love…to find me…today. I’m hoping…and I’m dreaming of…the nice things…he’ll say.”

She wants to be loved because she isn’t loved. Geez, she wants someone to say nice things to her. She wants to give her own love because she doesn’t have anything but courtyard doves to befriend. Of course it’s her goal. Of course it’s her wish. What wish or goal could be higher? And what wish or goal could be more natural for a character in her situation?

And even more than that, what could be stronger than believing that it will happen? This character who’s been unloved and mistreated by everyone takes a Prince at his word when he says he’ll give her that love. He promises it, and she believes him.

She has every opportunity and right to be bitter, hardened, anti-social, self-absorbed (pre-Huntsman and Dwarfs, she could very easily believe that nobody else is going to watch out for her except herself) and jaded. But instead she has this pure faith, which it takes a lot to maintain when everything has been ripped away from you. She could’ve been totally swamped by doubt and bitterness.

I mean, she could worry that the Prince won’t be able to convince her Stepmother to let him marry her.

Then when she gets chased into the woods for her life, she could fret that the Prince wouldn’t know how to find her.

Heck, she could just forget about him, give up, and say, “this is my life now, I’m living with these seven dwarfs and we’ll take care of each other, I guess that’s the most I can hope for.”

But no. She has faith in his promise, and hangs on to her dream, and sings, with total assurance, “Someday My Prince Will Come.” I mean, she won’t even let a moment of panic in the woods go by without reprimanding herself for losing that faith, for a second.

Can any of you say the same? Can any of you imagine being that kind of person: the kind of person who unashamedly wants to love and be loved in return, and when everything is stripped away and every chance at that taken from you, you hang on and believe anyway? You stay positive and even joyful anyway? For love?

Come on. Defend that. Yes, her goal was “just” to be loved. And to love in return. The fear of having her life taken from her, the necessity (not the desire for) freedoms from that, was just an obstacle in the way of being loved. And this isn’t a movie about Snow White’s natural reaction to abuse. It’s about her strength of faith in love in SPITE of that abuse. The spotlight is on her strength, not her weakness, but it’s strength of faith in love.

Anyway.

If you believe that it’s good and fine for a girl’s whole goal and fondest dream is to be loved, then don’t stand with one foot in that camp and another in the camp that says “girls want more than just love.” No, what? Love is the best thing a girl can want. I’m not talking about “romance.” I’m not talking about sex. I’m talking about pure, self-sacrificial, kind love. It’s the best thing they can want, and Snow White is one of the only characters who does want it unashamedly, uncomplicated.

Just defend that. Don’t try to argue that the “Someday My Prince Will Come” Princess isn’t wholeheartedly after love. Makes it look like you don’t believe that’s as wonderful as it is.

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archivlibrarianist · 15 days

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youtube

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valrnyx · 4 months

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Ya know what’s one thing that makes me pissed off/very frustrated?

On the original island, q!Bad was constantly up in the main plot and involved in everything. He knew almost everyone’s secrets, especially in the early days of the server. He’s always called upon for almost any group mission and is considered one of the most reliable people on the server. He’s constantly taking care of the eggs and keeping them alive. Hell, he was runner up for president when elections were happening. Bad actually would have won if Forever gave his vote to Bad like he said he would rather than voting for himself (which I’m pretty sure was against the rules anyway😒). That just shows how much trust and respect the CCs have for Bad.

Both q!Bad and CC!Bad get almost zero credit from non-ghosties for any of it. Bad does all of this and instead of getting credit, he constantly is shit on and dragged through the mud by this god forsaken community. Whether it’s for a decision he made as a CC or something his character did, there’s never some section of this fan base that isn’t pissed at him for one reason or another. Just the other day, Gumi made a first time Lethal Company lobby for Bad to play in with friends he’s comfortable with. Cellbit was invited since they’re friends and apparently this pissed off some of Cellbit’s community enough for them to start harassing ghosties on Twitter (not sure if this was going around to everyone, but someone I follow on Twitter went priv cause they were being harassed and sent death threats).

Bad is also made the villain in so many different scenarios because people need someone to blame and Bad just happened to be convenient. This got infinitely worse after Purgatory (this community got significantly worse during purgatory. Somehow worse than it was during the election arc). Bad was deemed a boogie man and then “conveniently forgot everything” after the event ended, when in reality he was just doing everything in his power to save his son (JUST LIKE EVERYONE ELSE WAS DOING. HE QUITE LITERALLY DID NOTHING DIFFERENT THAN ANYONE ELSE) and then ended up with radiation induced amnesias and slowly dying.

I’m so exhausted, pissed off, and frustrated of Bad and his fanbase being harassed and shit on in this community. I feel like no one besides his fanbase and the CCs appreciate any of the work he’s done and it drives me nuts.

#qsmp #qsmp badboyhalo #qsmp bbh #badboyhalo #let’s appreciate Bad a little more #I know I shouldn’t look at view count as a measure but Bad is also constantly at the bottom of the QSMP view count list #it just makes me a little sad to see that almost every day #bbh #qsmp discourse #discourse #qsmptwt neg #qsmp neg

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elflikesfrogs · 24 days

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the daredevil netflix fandom is kept alive by 3 things: foggy stans, charlie cox simps, and that blog that posts about the 1/6 scale model apartment

#i dont know who that blog is but every now and then i see their posts on my feed and its like wow. i appreciate you so much #daredevil #matt murdock #marvel #also the neverending discourse between comics and show fans but if u fight about it on my page i will light u on fire #is this too niche? does everybody get the model apartment posts or just me #i don't even think i follow them i don't know who they are i just like their vibes #model apartment blog if youre out there keep doing what ur doing i love it #daredevil netflix

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utilitycaster · 10 days

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I really do dunk on villain stans a lot but the thing is like. I genuinely do not care on any sort of moral level if you love a villain, or villains generally. They are pretend. The murder and the war crimes aren't real. Do whatever.

The issue is that like, this is a person the narrative is telling you to root against, and that it's okay because they are pretend. That doesn't mean they can't have sympathetic qualities but it does mean that as a rule the story is telling you "hey, here are the heroes who oppose this person, cheer for them" and also "you should boo and hiss when this motherfucker comes on stage" and a lot of people who like villains will look at everyone else and go "why the FUCK are you booing and hissing don't you see they have TRAUMA" instead of acknowledging the big "TIME TO BOO AND HISS" signs being thrown out by the story and saying "bring it on."

And I suppose you can argue that this is an overly simplistic way of looking at it, but if we're dealing with a story with at least some reasonably clearly delineated heroes and villains you're not intelligent for trying to pretend it's more complicated than it is. I'm not talking about the gray areas of antagonist who could be persuaded otherwise, nor antihero but straight up "this is the bad guy, we all but have arrows pointing at them saying it". Like, really, a lot of people who stan villains don't seem to do it for the love of the game, which I would respect, but because of a sour grapes situation with the heroes, or because they're in their edgy "subversion automatically means you're the smarter one" phase.

Anyway my point is I don't care if you woobify a villain for any sort of moral reasons but I do think that if you do so, you're a coward and not terribly good at understanding stories. I also don't care from any sort of moral standpoint if you enthusiastically cheer on the villain, but if you act confused or mad that most people aren't with you on that, I think you're an idiot and not terribly good at understanding stories.

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phalaraluve · 9 months

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normal people log off. i want to be alone with the gale dekarios understanders

#bg3 #baldur's gate 3 #gale of waterdeep #no productivity only wizard thoughts #i lived through dragon age discourse so you’ll never catch me arguing about different character interpretations #because it’s literally Not That Serious #but gale nuance appreciators. i am liking your posts and psychically communing w/you.#m #galeposting

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daenerystargaryen06 · 7 months

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Can antis like, keep away from Daenerys please?

I'm so tired of seeing people writing out crap that Daenerys will be the villain, Jon is better, she is mad, calling her Danielle, yada yada. Just say you don't like her (because she is ultimately better than your fave) and go.

I'm also tired of seeing people giving the Starks (especially Sansa) her traits. I've seen edits of people making Sansa a Targ, people talking about how she'll get Daenerys' dragons, that Jon will kill Dany for her, etc.

Just keep Daenerys' name out of your mouth if you hate her and can't stand that she is strong, independent, and has an amazing character arc. A majority of Daenerys fans don't like other asoiaf characters, but you hardly see any of them going on a tangent about how much they hate that character. Usually it's us Dany fans defending anti hate against Dany and also defending antis hate on Dany to prop up their own fave (mainly Sansa).

I heavily have a high disdain for show!Sansa (she's alright in the books, not my fave but she's much better compared to the garbage that is her show character). But I don't go out of my way to hate on her, diss her character, write pointless metas about her going "mad", "evil", or "dark". Nor do I see any other Dany fan doing so. We don't hate on Sansa to prop up Dany. We don't give Dany character traits of other characters/Sansa. We don't speculate about how she'll die or get killed or manipulated by another man. It's disgusting.

It's also disgusting seeing anti hate towards Arya. Arya is my second favorite female character in asoiaf. She isn't ugly, she isn't crazy or some violent murderer, she isn't going to be permanently warged into Nymeria and become Sansa's; nor is she going to become Sansa's assigned assassin to kill all her enemies while Sansa and Jon live in lala land. It's not going to happen.

It is so disgusting how a vast majority of Arya and Dany fans don't do half the things their antis/Sansa stans do, yet they go out of their way to bash these wonderful characters to prop up their own fave or to get them out of the way for Sansa or Jon (mainly Jon fans who bash Daenerys to prop Jon up and cheer Jon for killing her).

We can talk about our faves without bashing another character, making metas about them that don't even follow the text, and just being outright nasty.

Do better. Just keep away from Daenerys and Arya.

#daenerys targeryan #daenerys defence squad #daenerys stormborn #daenerys appreciation #daenerys targaryen #mother of dragons #pro daenerys targaryen #breaker of chains #khaleesi #team daenerys #arya stark #anti show sansa #anti sansa stans #anti jonsa #mad about Dany and Arya being better #keep their names out of your mouth if you hate them and move on #fandom discourse

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dragondraems · 5 months

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oh my god, Senshi mentoring Chilchuck is so endearing and also so so so funny if you know that Chilchuck is middle aged.

Senshi: What a brave and precocious child, that I must mentor and protect

Chilchuck: None of these fucking people know how half-foots age

#dungeon meshi spoilers #dungeon meshi #admittedly I think teaching somebody to cook can happen at any age and chilchuck clearly appreciates it #however it really made me realize that being a halffoot would suck so badly in universe for so many reasons #half-foots? half-feet? new horizons for confusing plurals #also can instantly tell theres gonna be chilchuck discourse I can feel it in my bones

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nedlittle · 1 year

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wow dude do you think oscar wilde may have been gay? should we tell the discord? should we inform rupaul?

#the picture of dorian gray #book discourse #sorry to keep beating this dead horse but i tried looking for the review i referenced in that damnèd post but only found more horrors #i appreciate storygraph's lack of hierarchy for review sorting but it really is a bitch when you're trying to find a review for something #extremely popular with over 17k reviews #'why is rupaul here' i blanked on mainstream gay celebs and he was the first i thought of which makes it funnier

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incorrect-jojolands-quotes · 2 months

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Hot take but I think what we saw in chapter 13 was necessary.

I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.

Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.

As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.

Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.

So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.

While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.

My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.

I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.

#the jojolands #this is my first time making a long ass serious post about this so i hope my message is well put #i understand that not everyone will agree and that my view is limited due to experiences so i do apologize if my message was incorrect #i wrote this after discussing this with trans/gnc individuals about their thoughts of chapter 13 and noticed how there's discourse on it #obviously please listen to BIPOC voices especially from those who also identify as queer. many told me they appreciate chapter 13's rawness #i'm also going to use this time to read up and learn more about the trans community and BIPOC community #so feel free to send me stuff to read up on as well #but yea my two cents

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tevanbuckley · 24 days

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ppl acting like 911 cutting the karaoke/bachelor party scenes is some malicious corporate ploy to dunk on the gays and not just them cutting fun but non-essential stuff for time.

narratively the point of those scenes is to establish buck and eddie got shitfaced enough to lose the groom, which is communicated just as well with a quick montage. Sorry 🤷‍♀️

bUt ThEn WhY uSe It FoR pRoMo

maybe because it's the premise of the episode? and they aren't gonna pay to cut a new trailer because there's a 0.5 second shot from a deleted scene?

also if you're pressed enough to be bitching in the 911onABC ig post, grow the fuck up, you're not fighting the good fight for queer rep you're just making some 24 year old social media managers day worse.

#eternally grateful some of you don't work in tv production #+ given oliver was by his own admission super out of his comfort zone it's possible the karaoke scene came out weaker than other stuff #911 abc #resisting the urge to tag this b*ddie #evan buckley #eddie diaz #911 discourse #bucktommy #not really but I feel like the girlies (gn) will appreciate it

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spop-romanticizes-abuse · 4 months

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ah, remember the good old days when adora actually held catra responsible for her actions instead of letting her get away with whatever she did?

#adora did try to be a bit more empathetic a little after this scene #but still i appreciated that they showed her actually being distrustful of catra #instead of sweeping everything under the rug #spop critical #spop salt #spop criticism #spop #spop discourse #she ra #anti spop #anti catra #anti catradora #anti c//a #antic//a #anticatra #anticatradora

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ghostlydeanbailiffcloud · 3 months

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I found this tweet pretty helpful about Pierre's insights?(not sure that's the right word..)

[Translation:

So what we can remember from Pierre's intervention tonight on the subject:

He stayed in contact with Pomme (who wants to continue QSMP) & Léa (who doesn't want to come back), especially to reassure them. He's doing a big pressing(?) for Pomme's return.

He's conscious that the changes are gonna take time (weeks or even months) he leaves(?) this time for Quackity to make changes. If nothing changes, he'll leave and do other projects.

He suggested solutions to help finance the project to Quackity, like sponsoring (like a village on the map with the sponsors), to release merch (but it takes a while to be made) or that the QSMP streamers finanacially participate to help pay the admins.

Aypierre is conscious that he isn't a multigaming streamer (his viewership isn't as good on games that aren't minecraft), to go without QSMP, a server he really likes is also a risk for him to lose sponsorship that he can't afford.

He then criticized the big french twitter accounts that only come to add twitter drama on the fact he returned to the server when they don't even care about QSMP usually.

He understands the viewers/ccs that don't want to come back yet.

#qsmp #qsmp aypierre #i dont know if this qualifies for the discourse tag?#aypierre #quackity #he just posted something on his discord #ill translate it soon #i understand people criticizing pierre for comming back so soon but he's also the one that knows the most about the situation and that is #actively helping quackity better the situation #people on twitter need to take a much appreciated step back #they're reacting in a hurry when they don't even know what they're talking about #this isnt about the admins btw #i trust the admins and they did the right thing

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redrocketpanda · 10 months

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From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

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