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sanjosenewshq · 2 years

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Pupil-designed shelters reply to the desert panorama

At The Faculty of Structure, Masters of Structure college students can choose to take part in The Shelter Program as an alternative of a standard thesis. This program is a hands-on studying alternative the place college students design and assemble shelters that can be utilized by the local people or as housing for future TSOA college students. College students are inspired to discover and examine numerous supplies and strategies. In addition they pay homage to TSOA’s dedication to the connection between the constructed atmosphere and its pure context. Proceed studying under Our Featured Movies The shelters are designed to reply to the rocky, undulating panorama and arid desert local weather in Arcosanti, Arizona. College students additionally work alongside neighborhood members to know their wants. Due to the explorative, hands-on strategy, the mission design evolves all through the method and challenges the idea of shelter. Associated: Invisible Studio’s woodland shelter is out of a fairytale The 2022 scholar shelters are very distinct in design. Furthermore, every has a singular connection to the panorama and context of Arcosanti. The initiatives are as follows: The Octahedron by Archie Kinney, Earth Shed by Richard Sanchez and Vergence by William Palmer. Thanks! Maintain an eye fixed out for our weekly e-newsletter. Be part of Our Publication Obtain the most recent in world information and designs constructing a greater future. SIGN UP SIGN UP The Octahedron by Archie Kinney serves as a viewing deck that gives panoramic views of the unbelievable desert panorama. It was designed in collaboration with Arcosanti neighborhood members and incorporates a timber-based octahedral framework that’s built-in with gabion partitions. The tectonic framework helps platforms to accommodate primary dwelling objects like a hammock or mattress. In the meantime, the gabion partitions encase artifacts from the environmental remediation work of the land and Arcosanti’s historical past. Due to the shape’s openness, it’s instructed that the mission will proceed to broaden outwards and have extra artifacts over time. Earth Shed by Richard Sanchez is hybrid in nature, particularly regarding its numerous features and materiality. The inside areas are multi-use and scaled for dwelling and gathering very similar to a tatami room. It additionally incorporates a house to dry greens harvested from the encircling subject. To maximise these self-sustenance options, the mission is inbuilt collaboration with the city’s agriculture division. With regard to supplies and strategies, Earth Shed combines a light-weight timber body with earth building. By its design, the shelter explores locally-sourced supplies and moral labor practices. For instance, clay for the partitions was gathered from the close by Agua Fria River with the assistance of Arcosanti residents and fellow college students. Over time, the outside partitions can be totally plastered within the native clay. This course of will create a brand new shared ritual amongst the city’s residents and assist using native materiality harvesting and utility. Vergence by William Palmer incorporates a tensile-shading construction that hovers over a floating picket deck. The pavilion options roughly 1,500 toes of jute rope that creates stunning, interlacing shadows which can be solid on the deck under. Its spectacular use of untrained volunteer building and integration of assorted donated supplies contribute to its aesthetic attraction. Every of those designs explores the idea of shelter whereas utilizing native supplies and embracing neighborhood. + The Faculty of Structure Photographs courtesy of The Faculty of Structure Originally published at San Jose News HQ

#San Jose News HQ

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designmorphine · 2 years

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We are happy to announce, Winka Dubbeldam (@winkadub), the founder and principal of Archi-Tectonics, and Chair & Miller Professor Weitzman Architecture UPenn, will be presenting at the Computational Design Next:11 conference. - Join now, link in bio or: https://parametric-architecture.com/cd-next/ - Event details: Date: October 8-9, 2022 (Saturday & Sunday) Time: 12:00 - 20:30 UTC Where: ZOOM Online - Winka is a seasoned academic and design leader. She taught advanced architectural design studios at Columbia University and Harvard University, among other prestigious institutions. Dubbeldam was named one of the Design Intelligence 30 Most Admired Educators in 2015. Winka was the External Examiner at the Architectural Association London (2006-2009) and is currently the External Examiner at the Bartlett UCL in London (2019-present). Winka is one of the creative directors for CityX for the Virtual Italian Pavilion at the Venice Architecture Biennale (2021). - The project above: ASIAN GAMES HYBRID, by Archi-Tectonics - @cdnext @parametric.architecture @designmorphine @ekimroyrp @pa.next @hamithz @thepaacademy #autodesk #generativedesign #archdaily #architectureschool #illustrarch #critday #generativeart #instaarchitecture #superarchitects #nextarch #archilovers #autodeskmaya #wisearchitecture #fashionmodel #architecturelovers #3dmodel #parametricarchitecture #fluidity #next_top_architects #digitalart #architecturefactor #architecturestudent #fashiondesigner #fashiondesign #botherzine #blender3d #3dmodeling #parametric #architecture #archicage (at 𝓣𝓱𝒆 𝓤𝒏𝒊𝓿𝒆𝒓𝒔𝒆) https://www.instagram.com/p/CiiJWzBsD7X/?igshid=NGJjMDIxMWI=

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campgender · 2 years

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j x t x a

this is a longer one because this is a more recently started draft and i’m really excited about it 🥰 they have a threesome and then talk about their feelings but not necessarily the ones they have for each other

“It’s fine, Arch,” Tabitha says, and that nickname in her mouth does something to Jughead, like, he can feel the high school self he holds permanently between his ribs become markedly less cynical, entirely against the little shit’s will. Tabitha’s good at shit like that, causing huge shifts in him that are just as scary as they are unintentional, and then just rolling with it. Moving entire tectonic plates without batting an eye.

“Betty’s obviously figuring some things out,” she continues, slowly and precisely the way she gets, careful with it, “but someone who’s first exploring—hopefully accepting—that she isn’t straight at 25 is a lot less complicated than someone who’s getting married. To a guy who very publicly tried the polyamory thing—or, well, a version of it—and decided against it.”

Archie’s face is still all screwed up like he can’t think of anyone they know who this description could possibly apply to. Jughead resists the urge to snort. Hell, even if he wasn’t paying attention to the very loud and drawn-out breakup, who else do they know who’s engaged?

Okay, fine, Jughead thinks, throwing his metaphorical hands up at the universe, I’m in love with him. Still, still. Happy now?

You will be, the universe says back at him, all smug and shit. Jughead rolls his eyes.

Archie still looks like he’s trying to solve a quadratic equation in his head, and Jughead knows from years of experience that that never went well; it’s a recipe for destructive rage or, far less frequently, tears, neither of which Jughead is prepared to deal with this early in the morning or this soon post-coitus. He shoots Tabitha a look, like, Can I tell him? and she gives a little bemused shrug, like, Go ahead, and Jughead sighs in relief.

“Dude, it’s Toni.”

Archie blinks. “Oh,” he says, less like he’s surprised and more like he hadn’t considered that because he assumed everyone was a little in love with Toni by default, which, okay, fair.

send me a WIP title and i’ll post an excerpt!

#thank you so much for all of the asks!! this was so much fun 🥰#sparklyslug #ask meme #mac writes

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licawilliams · 2 years

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8 Living Room Wall Decor Ideas

In life there are two sorts of individuals: the people who love an exposed divider, and the individuals who can't handle seeing white space. Which one are you? The dividers in your house are where open doors lie, particularly in the event that you're left with a little region to work with. Exploit that huge open space and get innovative or take the help of Interior Designers in South Delhi. Regardless of your style, there are various ways of drawing out your character and taste. The following are eight lounge room divider stylistic layout thoughts ensured to enhance your home.

1. Mix your TV with work of art.

TVs aren't the most lovely family room divider stylistic layout thought, or would they say they are? Amy of Homey Oh My has consistently coordinated this Samsung Frame TV into an exhibition divider in her negligible lounge. The basic setting of monochromatic craftsmanship connects to the remainder of the impartial variety plot, while adding an additional a hint of character.

2. Utilize woven bins to make an element.

Break new ground with regards to enlivening your dividers — you don't have to just agree to fine art. Woven crates, one of a kind items, and texture tapestries will make all the difference for carrying something some extra to your house, and they're particularly great in the event that you're on a strict spending plan. Take motivation from this straightforward game plan by the young ladies over at Avenue Lifestyle — it's downplayed at this point adds a lot of interest.

3. Say something with racking.

Picture edges are the fury right now, and we say hold nothing back! The group at Archi-Tectonics utilized a whole divider in this Chelsea condo redesign by orchestrating material photographs to make an emotional background toward the edge of this comfortable parlor.

4. Make a retro stylish with vinyls.

Regardless of whether you have a phonograph, this lounge divider stylistic theme thought and will add another degree of cool to your home. Just select an adequate number of collections to make a lattice and hang them up for an elective display divider.

5. Hang a show-halting mirror.

Stayed with what to put on your dividers however need to say something? Furthermore, the antique metal completion looks perfect with a pop of blue-green from the velvet couch. Faint!

6. Decide on a theoretical divider painting.

Life ought not be exhausting and this lounge room divider style thought demonstrates that young ladies (and young men) simply need to have a good time. No reason to stress: You don't need to be an expert painter to make a comparative painting — basically pick a theoretical shape, a few brilliant varieties, and take the path of least resistance. Buy Paintings Online Or on the other hand, you can recruit an expert in the event that you don't feel like your imaginative capacities are capable.

7. Construct a mass of plants.

Plants fulfill individuals, and this presentation of botanicals in a boho lounge having a place with Kae of Kaekoo Shop is doing only the stunt. The honeycomb-molded divider racks are ideally suited for exhibiting plants however can likewise be utilized for knickknacks, little prints, or even as a divider highlight by its own doing.

8. Hang a divider embroidery.

A textural wall decoration makes a contemporary Modern Wall Painting or banner print and will go about as a tribute to the '70s. On the off chance that you're searching for lounge room style that will cover the sum of a divider, this is most likely how to make it happen.

#livingroom #interior #interiordesigner #designer

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moodboardmix · 3 years

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512GW Townhouse, Soho, New York, United States,

Archi-Tectonics

#art #design #architecture #interiors #interiordesign #townhouse #newyork #archi-tectonics #luxuryhouses #luxuryhomes #luxurylifestyle #shutters #millwork #soho #sustainability

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archinect · 3 years

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Gypsy Trail Residence by Archi-Tectonics https://bit.ly/3hmZ9XO

#archinect #architecture #buildings #featured projects

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sutekinauso · 3 years

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Archi-Tectonics envelops Manhattan townhouse in a "climate skin"

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aic-design · 3 years

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Archi-Tectonics Index: Winka Dubbeldam, COMA, 2005, Art Institute of Chicago: Architecture and Design

Gift of Princeton Architectural Press Size: 23 × 20 × 2 cm (9 × 8 × .75 in.) Medium: Book

https://www.artic.edu/artworks/203126/

#museumarchive #artinstituteofchicago #architectureanddesign

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amazingarchitecturewebsite · 6 months

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#architecture #amazingarchitecture #design #interiordesign #architect #archilovers #luxury #photooftheday #travel #architecturephotography #china

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jennaschererwrites · 5 years

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How TV Is Putting the ‘B’ in LGBTQ — And Why It Matters – Rolling Stone

“Mom. Dad. I know you don’t want to talk about this, but I do. I might get married to a man, like you so clearly want. And I might not. Because this is not a phase, and I need you to understand that. I’m bisexual.” That’s Rosa Diaz (Stephanie Beatriz), Brooklyn Nine-Nine’s resident no-nonsense detective, pouring out her heart to her parents in the show’s landmark 100th episode. To which her dad (Danny Trejo) stoically replies, “There’s no such thing as being bisexual.”

Beatriz, who is bisexual herself, wrote in GQ: “When does it end? When do you get to stop telling people you’re bi? When do people start to grasp that this is your truth? …When do you start seeing yourself reflected positively in all (hey, even any?) of the media you consume?”

There’s a real cognitive dissonance to identity erasure. You can be standing right in front of someone telling them exactly who you are, and they can just look right through you, and intone, like a Westworld robot, “That doesn’t look like anything to me.” Nevertheless, it’s a daily reality for LGBTQ folks, and bi- and pansexual people in particular. (The term pansexuality, which has come into wider use in recent years, intends to explicitly refer to attraction to all genders, not just cisgender people — or, as self-identified pansexual Janelle Monae put it in Rolling Stone last year: “I consider myself to be a free-ass motherfucker.” However, many in the queer community define bisexuality the same way. You can read more about that conversation here.) Until recently, sexual and gender identities that existed outside the binary have been anathema to mainstream culture — and often, even, to more traditionalist branches of gay culture.

For a long time, people who identify as bisexual or pansexual didn’t have a whole lot of visible role models — particularly on television. But as our understanding of the LGBTQ spectrum has become more diverse and nuanced over time, there’s been a blossoming of bi- and pansexual representation. In the past few years, characters such as Rosa on Brooklyn Nine-Nine, David Rose on Schitt’s Creek, Darryl Whitefeather on Crazy Ex-Girlfriend, and Leila on The Bisexual — to name just a few — have been at the forefront of a bi- and pansexual renaissance on the small screen.

But it wasn’t always this way. Even after television began to centralize gay characters and their experiences — on shows like Ellen, Will & Grace, Queer as Folk, and The L Word — the “B” in that alphabet soup fell to the wayside. Bisexuality was seldom mentioned at all, and if it was, it existed chiefly as a punch line — an easy ba-dum-CHING moment for savvy characters to nose out someone who wasn’t as in the know as they were. On Sex and the City, Carrie Bradshaw called bisexuality “a layover on the way to Gaytown”; and on 30 Rock, Liz Lemon dismissed it as “something they invented in the Nineties to sell hair products.”

Even some of the earliest shows to break ground for queer representation didn’t factor bisexuality or pansexuality into their worldviews. The designation basically didn’t exist in the gay-straight binary world of Queer as Folk, and was largely seen as a phase on The L Word. Buffy the Vampire Slayer gave many TV viewers their first-ever depiction of a same-sex relationship in 1999 with the Wicca-fueled romance between Willow Rosenberg (Alyson Hannigan) and Tara Maclay (Amber Benson), but the show too neatly glossed over Willow’s years-long relationship with her boyfriend Oz (Seth Green) as a fleeting step on the way to full-time lesbianism. Or, as Willow succinctly put it in Season 5: “Hello! Gay now!”

Characters who labeled themselves as bisexual were considered to be confused at best and dangerously promiscuous at worst. On The O.C. in 2004, Olivia Wilde’s bi bartender character, Alex Kelly, appeared as a destabilizing force of chaos in the lives of the show’s otherwise straight characters. On a 2011 episode of Glee — a show which, at the time, was breaking ground for gay representation on TV — Kurt Hummel (Chris Colfer) savagely shot down his crush, Blaine (Darren Criss), when Blaine mentioned that he might be bi: “‘Bisexual’ is a term that gay guys in high school use when they want to hold hands with girls and feel like a normal person for a change.” By the end of the episode, Blaine assures Kurt that he is, don’t you worry, “100 percent gay.”

One of TV’s first enduring portrayals of nonbinary sexual attraction came with the entrance of Captain Jack Harkness (John Barrowman) into Russell T. Davies’ 2005 Doctor Who reboot. (Davies also created the original U.K. Queer as Folk.) The time traveler swashbuckled into the series to equal-opportunity flirt with the Doctor (Christopher Eccleston) and his companion Rose (Billie Piper), because, as the Doctor explains, “He’s a 51st-century guy. He’s just a bit more flexible.” Captain Jack went on to feature in his own spinoff series, Torchwood.

Then came Callie Torres on Grey’s Anatomy. Portrayed by Sara Ramirez (who came out as bisexual herself in 2016), Callie had a seasons-long arc that spanned from her burgeoning realization of her bisexuality in 2008 to her complex relationships with both men and women over the years. Callie’s drunken rant from the 11th season would make a great T-shirt to wear to Pride if it weren’t quite so long: “So I’m bisexual! So what? It’s a thing, and it’s real. I mean, it’s called LGBTQ for a reason. There’s a B in there, and it doesn’t mean ‘badass.’ OK, it kind of does. But it also means bi!”

Once the 2010s rolled around, representation began to pick up steam. True Blood’s Tara Thornton (Rutina Wesley), The Legend of Korra’s titular hero (Janet Varney), Game of Thrones’ Oberyn Martell (Pedro Pascal), The Good Wife’s Kalinda Sharma (Archie Panjabi), and Peep Show’s Jeremy Usborne (Robert Webb) all were portrayed in romantic relationships on both sides of the binary. But these characters’ sexual orientations were seldom given a name.

In some cases, this felt quietly revolutionary. On post-apocalyptic CW drama The 100, for example, set a century and change in the future, protagonist Clarke Griffin (Eliza Taylor) is romantically involved with both men and women with no mention of labels. Because on the show’s nuclear fallout-ravaged earth, humankind has presumably gotten over that particular prejudice. On other series, however, not putting a name to the thing seems like a calculated choice. Take Orange Is the New Black, a show that has broken a lot of barriers but steadfastly avoids using the B-word to describe its clearly bisexual central character, Piper Chapman (Taylor Schilling).

A few years ago, though, tectonic plates began to shift. On Pop TV sitcom Schitt’s Creek, David Rose (co-creator Dan Levy) explained his pansexuality to his friend via a now-famous metaphor: “I do drink red wine. But I also drink white wine. And I’ve been known to sample the occasional rosé. And a couple summers back, I tried a merlot that used to be a chardonnay.”

Bisexuality got its literal anthem on the CW’s Crazy Ex-Girlfriend with “Gettin’ Bi,” a jubilant Huey Lewis & the News-style number sung by Darryl Whitefeather (Pete Gardner) about waking up to his latent bisexuality as a middle-aged man. “It’s not a phase, I’m not confused / Not indecisive, I don’t have the gotta-choose blues,” he croons, dancing in front of the bi pride flag. Darryl’s exuberant ode to his identity felt like someone levering a window open in a musty room — a celebration of something that, less than a decade before, TV was loathe to acknowledge.

For Hulu and the U.K.’s Channel 4, Desiree Akhavan (Appropriate Behavior, The Miseducation of Cameron Post) cowrote, directed, and starred in a series picking apart the subject, titled, aptly, The Bisexual. In it, Akhavan portrays Leila, a thirtysomething woman coming to a dawning awareness of her bisexuality after having identified as a lesbian for most of her life. The show navigates the tricky territory that bisexuals inhabit when they’re misunderstood — or sometimes outright rejected — by queer and straight communities alike. Akhavan, a bisexual Iranian-American woman, has said the idea for the show came to her after repeatedly hearing herself described as a “bisexual director.” She told Vanity Fair that “there was something about being called a bisexual publicly — even though it’s 100 percent true! — that felt totally humiliating and in bad taste, and I wanted to understand why.”

As Leila shuttles her way between sexual partners and fields tone-deaf comments from friends on both sides of the binary, The Bisexual offers no easy answers. But it also never flinches. “I’m pretty sure bisexuality is a myth. That it was created by ad executives to sell flavored vodka,” Leila remarks in the first episode, unconsciously echoing 30 Rock’s throwaway joke from a decade ago. Except this time, the stakes — and the bi person in question — are real.

The next generation — younger millennials and Gen Z kids in particular — tends to view sexualityas a spectrum rather than the distance between two poles. Akhavan neatly encompasses this evolution in an exchange between Leila and her male roommate’s twentysomething girlfriend, Francisca (Michèlle Guillot), who questions why Leila is so terrified to tell anyone that she’s started sleeping with men as well as women. When Leila tells her it’s complicated because it’s “a gay thing,” Francisca responds, “So? I’m queer.” “Everyone under 25 thinks they’re queer,” says Leila. “And you think they’re wrong?” Francisca counters. Leila considers this for a moment before answering, “No.”

Representation matters, and here’s why: Seeing who you are reflected in the entertainment you take in gives you not just validation for your identity, but also a potential road map for how you might navigate the world. For many years, bi- and pansexuals existed in a liminal place where we were often dismissed outright by not just the straight community — but the queer community as well. Onscreen representation is not just a matter of showing us something we’ve never seen before, but of making the invisible visible, of drawing a new picture over what was once erased.

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