had a conversation last week with a 10 year old girl about the s5 finale and i can’t stop thinking about it. she said nathalie is the best because she loves adrien enough to lie to him about his father so that he stays happy. completely convinced that emilie was resurrected at the end and shocked when i suggested otherwise. i’ve been dying to know what the children think happened and it’s so interesting
Eddie forgets his mini figs for hellfire. He’s forgotten them before and everybody makes do with whatever they can find in the club room. He thinks it’ll be the same this time accompanied by the usual complaints but ultimate acceptance so they can get on with the game.
What he doesn’t count on is the fact that Erica Sinclair is now a member of the party. And Erica Sinclair is Always Prepared. That night the hellfire club battle a heinous hell spawn (my little pony Peachblossom) as a rag tag group of adventurers (a sylvanian families selection of a family of bears and a rabbit couple dressed in wedding outfits)
It’s the most bloody session yet and the mini figures are quickly replaced by custom woodland animals in homemade tiny clothes
Firstly, I dislike the tone you’re using when calling him gay as if that’s a bad thing? Every obey me character is queer, so jot that down.
Secondly, mammon looks good in both feminine clothing as well as more masculine clothes, so if you don’t like that he’ll look a lil feminine sometimes then look inwards and ask yourself why that bothers u cause idk what to tell you
“our canon mammon ain’t like that” you’re talking about the canon mammon that dresses up all pretty for TWO dame events? And canonically rocked that shit so hard he won an award for it??
hey, so. people on twt (ugh, I need to delete that account) started to compare Zuko and Azula’s relationship to Sokka and Katara. So, I jump in like “they are not comparable in any way” then people are like “Sokka and Katara do have issues even though it’s not the same as Zuko and Azula” (even though the original tweet did imply that but, whatever). and I’m all like “sure, they both have trauma from their upbringing and they fight like siblings and that trauma probably has effected their relationship but it’s still no way like it’s being compared… they love and care for one another” and then they’re coming back like “it’s not the same but they still have issues” and citing the southern raiders (which I have my own opinions about and I feel like people totally miss read that scene) but all in all to say; I’m annoyed because I feel like people are being disingenuous and I feel like your thoughts would be interesting
okay yeah obviously I don’t know what the full arguments were (and I never will because I loathe twitter. I mean X sorry) but i can definitely talk about this more generally. I mean they are the central sibling pairs configured in a similar way for obvious reasons. they are definitely comparable.
sokka and zuko have superficial similarities as older brothers who feel undervalued, struggle to live up to a harmful patriarchal standard of gender (specifically masculinity/manhood) as shaped by imperialism/colonialism/war and the expectations their fathers placed on them to “be a real man” within a very limited framework, and ultimately find their worth via other avenues beyond the limited scope of patriarchal imperialist logic. azula and katara have superficial similarities as younger sisters who are placed on a pedestal by their culture community, are the best benders of their respective elements and outclass all the older more established (male) masters who dismiss and look down on them for being teenage girls, and who feel a deep sense of grief due to the loss of their mothers that informs everything they do and fundamentally who they are as people. and then obviously the REAL foils who are foiling are katara and zuko, and sokka and azula. these pairs are each very obvious mirrors, both in terms of their personalities (as developed differently by their respective environments) and their arcs. zuko is fire nation katara. azula is fire nation sokka. so obviously their relationships are similar in this way. they are narratively constructed as parallels.
that said, I think the key primary difference between these sets of siblings is that zuko and azula are directly opposed due to being pitted against each other by ozai’s abuse, whereas sokka and katara are extremely codependent, to the point that sokka’s entire identity is shaped by his role as katara’s brother and protector. so if you read zuko as a foil to sokka (which he certainly somewhat is, but is not the primary foil to sokka) you’ll get confused because he doesn’t live for others and he doesn’t look out for azula at all. but azula, like sokka, does define her identity through her loyalty and her ability to best serve others, so she does try to help zuko as best she can, which is obviously hindered by the incredibly limited of scope of what she considers “helpful” (much in the same way that sokka’s protection of katara is often limited by his own narrow worldview and unhealthy sense of duty as it corresponds to his identity). azula wants zuko to be a “perfect prince” in the way that she is a “perfect princess” because she refuses to acknowledge how specifically harmful that paradigm is to both of them until it is too late. so her intentions are actually good (don’t @ me), but she’s just deeply misguided and her level of cognitive dissonance is off the charts generally (again, much like sokka).
meanwhile katara and zuko, despite loving their families a lot and feeling defined by their families in many ways, are still very self-focused. which isn’t to say that’s a bad thing or that they’re selfish (they are both defined by an incredibly passionate and outspoken sense of justice for others, of course), but rather that they understand that what they want is to further their own interests for their own benefit even as they are seeking justice for the entire world. (in katara’s worlds: “me. me, personally!”) but like. if anything, the fact that azula and sokka never think in terms of the ego but only in terms of servitude to the point that they are actually detached from their own humanity is deeply unhealthy and awful, which is why so much of sokka’s arc is about getting him to understand his intrinsic worth as a human being and the value of accepting help, and azula’s tragedy and downfall is precipitated by her acknowledgement that she has been deliberately isolated her entire life and now she is alone and utterly helpless.
I do see katara and zuko as quite heroic, inspiring characters, to azula and sokka’s quite tragic, heartbreaking characters (especially azula of course, but like. I don’t think sokka’s deep-seated, copious issues have somehow been magically resolved just because “the boiling rock” is his apotheosis. you get it). but katara was always the “valued” sibling whereas azula began as the valued sibling and zuko rose above her by disrupting/transcending the paradigm that valued her only to end up in the position that she felt teleologically entitled to (not to say that she thought she would become fire lord, but that he does become the most powerful player in the fire nation, at least in name). and a large part of that is the fact that katara and sokka grew up in extremely different conditions than azula and zuko did, even if both their worldviews are informed by imperialism and patriarchy in some way. so katara was valued as a sort of cultural artefact who represents the last hope of a dying people, whereas azula was valued as the obedient daughter of a powerful abusive patriarch. it’s still a way of ascribing “value,” but the criteria are completely different in both cases. which is why I still think that azula and sokka are functionally more similar, because even if azula is valued, it is with the expectation that she function in the same way that sokka is expected to function, as a depersonalized vessel for the good of their people.
so there are similarities for sure, but also those similarities are constantly being complicated through locating their respective cultural contexts as they informed their upbringing, psychologies, and sibling relationships. I will say that it’s true that both of these relationships are unhealthy (to an extent), and both sets of siblings parallel each other in very significant ways, but the ways in which their relationships are in fact “unhealthy” are nonetheless almost diametrically opposed.
ohHO i will absolutely tell you tysm for asking!! i’ve been wanting to talk abt them for ages but just never got around to it ig ahjdkcka
Time’s actually like 32 and is just really committed to the bit of being ancient
Sky is horrific at making new friends. he grew up with the same small group of people, so he never learned how to make friends with complete strangers because there simply wasn’t the need to. so, when he first starts traveling with the chain, he makes little wooden charms for them because he isn’t entirely sure how else to get close with them. Zelda always enjoyed his woodcarvings, so maybe they will too??
as a result, the entire chain has little trinkets made by Sky. on Legend’s bag there’s charms hanging off the straps, and Twilight wears his as necklaces (both because it looks cool as fuck and it helps the shadow crystal stand out less). yes Wind has specifically commissioned him to make something for Aryll
yeah yeah bunny Legend but consider: the mermaid suit (which I like to think is more of a curse bc get fished pink man <3) giving him some marine animal qualities as well. no matter what tho that bitch is an Ariel kinnie, they’re collecting all the shiny shit they can find
Sky is obsessed with doing puzzles the Right and Proper way, meanwhile Wild cheeses absolutely everything he can
Wind believes in all of those classic pirate superstitions
the witches in Legend’s era adore him. Grandma Syrup dotes on him, Maple is like a teasing older sister, and Irene is like a teasing younger sister. this is where he learned most of his magic skills from, and he takes all potentially enchanted or cursed items to them to check out. he’ll never admit it, but Legend finds lots of comfort in all of them, as they’re one of the few people who’ve stayed in his life this long.
Wild’s a pretty good medic!! during his adventure, he very quickly realized how dangerous infection is, so they learned about a lot of home remedies and medicinal herbs, as well as how to tend to a wound from other travelers at stables and inns. he didn’t really get a choice in learning, considering how he probably got stung or bit by painful insects or accidentally brushed up against painful plants a lot during the early days of their adventure, and thus showed up to stables covered in rashes and hives and such, causing every decent person in the area to flock to them and try to help. their Hyrule is very sweet, okay?
they’re not the only one who’s well acquainted with medicinal herbs, though! while I think all of them would have a basic understanding, Time, Hyrule, Warriors, and Wind would know a lot. dw i’m elaborating
Time quite literally grew up in the forest, was raised by a tree, and had actual forest spirits for siblings—he knows his plants. he and Saria would peel willow bark and collect dandelions together
I like to think that Hyrule being half-fae makes him very sensitive to all magic-based auras, including that of plants, so they’re very good at picking out the healing herbs, even if they’re not quite sure what they’re called
listen ok hear me out about Warriors. young Time was appalled that he knew jackshit about nature and forcefully taught him. also, before modern medicine, medicinal plants were used all the fucking time on the battle field. yarrow, an herb that stops bleeding and prevents infection, is called soldiers’ woundwort because of this. i mention this because he was probably concerned about the health and safety of his troops, so he learned what the medics were doing and using.
Wind grew up on a small, tight-knit island, realistically they would’ve had to have learned how to use the things around them to their fullest advantage. that being said, his knowledge is sort of useless outside of his own era, aside from what he was taught in the war. ok i’m done talking about medicinal herbs now i promise sorry it’s a hobby of mine ahhsjdka
Legend’s terrified of dogs. in Link’s Awakening, the dogs are literally balls on chains with huge mouths full of sharp teeth (basically just Chain Chomps). if you want to get angsty with it: it comes from guard dogs being sent after him on his first adventure. he became a lot less scared to more he spent time with BowBow (the ball and chain dog) but, when he woke up, he got the belief that he could only be safe around a dog in his dreams. he’s pretty damn uncomfortable around Wolfie at first, but after lots of time and learning to trust Twilight, he’s able to slowly overcome his fear. sort of. mostly just with Wolfie. he still hates staying at stables in Wild’s Hyrule.
if Wild doesn’t want to explain/source something he’ll just say it came to him via divine intervention. Sky believes it every single time
I was thinking about Legend’s story a while ago and realized it was kind of similar to Joan of Arc’s so take that as you will. idk if this even counts as a headcanon but i’m putting it here
Warriors and Twilight are really close friends because they both understand the struggles of wrangling dirt worshipping nature freaks. anytime Twilight (lovingly) complains about Wild, Wars will counter with whatever asinine feral child antics young Time got up to and suddenly Twi will feel very blessed and lucky
whenever Four sees someone with their hair in a high ponytail he subconsciously thinks they’re very smart and respectable because Dot always wears her hair in a high ponytail
Hyrule is completely fine with not sleeping on a bedroll. they like the dirt, actually. let them sleep in the dirt.
Legend uses apples in his red potions, both to increase their potency and to make them taste better. he also learned how to enchant apples to be healing on their own so sometimes when someone’s hurt he’ll just shove an apple in their face
uhh so ik this is a lot but this isn’t even close to of all my headcanons so yeah there’s that lmao
i think a crucial aspect of the codebreakers dynamic that is sometimes overlooked is how likewise enamoured phil is with étoiles . like étoiles is the god of praising and hyping people up so people tend to focus on how much étoiles thinks phil is the coolest guy ever but do not forget that phil also thinks étoiles is the coolest fucking guy to ever guy he will never pass up an opportunity to talk about how cool and strong and funny étoiles is . their relationship is built on their mutual ‘WOW this guy is awesome’ feelings for one another and it is amazing
This comic isn’t actually canon to the AU at all. It was just for the joke. Please don’t bug me about it in asks. Please I’m begging you. It never happened.
steve ‘floor time’ harrington and eddie ‘no one touch or perceive me’ munson. they flinch at every noise even though they expected a good night, a stable night, but something changed and they’re in sensory overload. steve tries to take eddie’s hand but he pulls away immediately, shrinking in on himself. steve hums and cocks his head, signalling eddie to follow him.
they leave the loud and lively living room, the kids yelling all over each other, and find a dark and empty room and just lie on the floor for a while before they’re ready to come back. they don’t talk, don’t touch, just lie there next to each other. eddie takes steve’s hand when he’s ready for touch again. they start talking in hushed voices, bringing noise back, rebooting their senses, slowly and gently easing each other in again.
when they come back, hand in hand, mike turns down the music and lucas makes sure to remind people not to talk too loudly. the boys are drained, but the kids try their best. they’re all trying their best.
Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”
finn family moomintroll is a book abt the queer experience . LET ME COOK !!!!!!
moomin Coming Out the hat transformed and not being accepted as who he is after he came out [ of the hat ] . hes begging for ppl to see who he is , who hes always been before and only moominmamma accepting him as is . it’s the unconditional love that turns him back to who he is deep down , just a moomin .
moomin yearning for snufkin . That’s it . Literally that yearning turning to expectancy and knowing ur ‘ friend ‘ will come back , the trust they share in eachother is not Best friends behavior .
its been very well known that thingumy and bob are meant to be a representation of tove jansson and vivica bandler relationship , and how their red ruby are meant to be a metaphor for them hiding their love and only opening the case to those they trust . even the hobgoblin searching for it could be a metaphor for him wanting / searching for something to make him feel accepted or happy , but coming to the realization that it’s the people he meet that fills those wants he’s had for centuries .
if i dare even say , and this is a reach , the hat could be about how once you come out things can change severely , scary and good things can happen , it’s all just how people and urself continue on .
Hi. Do you have any tips of drawing Moist. I’m drawing him for a class project and your art has been super helpful but I still feel like I’m not quite capturing his whimsy
OK SO it’s all about that posture baby which can go two ways: one is straight back hips out giving him a laid back yet confident stance. OR if you wanna get more dynamic with it, think of it like his body’s doing the talking. like he’s trying to convince people he really means it by using his entire body to say it, to over emphasis.
Like the goal is to portray his cunning and mischievous inner self thru his body language bc we have that disconnect from his inner monologue when seeing him in the flesh. what am I saying idk here’s some quick sketches I did for posture and also that stupid smile of his-
which I uh got so caught up on his body I forgot the actual most important part which is that GRIN those PEARLY WHITES. He holds so much of his slimy backstabbing energy in that smile. Big wide inviting waiting for you to get comfortable and close before it CHOMPS or nibbles inconspicuously so you barely notice either way depends on his mood.
ANYWAY I don’t think I have anything that’s actually helpful because I can’t tell you to rotate him around in your brain and interpret that into the correct shapes because THATS NOT HELPFUL AT ALLLL no one ask me for advice ever I’m too incompetent.
wait you said you did an animatic on your main blog! is that for traffic series’s, is it posted here?
Oh right yes I was meaning to mention this here!! Thank you ahaha
Okay so YES! I did do an animatic, it’s for Empires SMP! No it’s not posted here yet because I am kind of unsure about what do with it… Let me explain.
Over the summer I had to do a big project for school, and it was entirely self-directed with no supervision. That meant it had to be about something I’m Really Passionate About to make sure that it would actually get done. So naturally I chose Empires! I got in touch with Pixlriffs and got his permission to use his audio for a school project (he said yes, thank you Pix <3) and then, audio in hand, went nuts and roughly storyboarded out 8min of an animatic in a single night.
When getting the project approved I told the professor, “hi I am going to do an 8 minute full colour animatic in two months while taking a full course load of classes” and he said
So the plan became to begrudgingly take a 2-3 minute excerpt of the audio and just do that for the class. And I did! And it slapped!! Full colour, rendered paintings you know and love from floweroflaurelin, except they’re moving a little bit. And Pixlriffs is there talking.
I figured at the time that once the semester was over I would paint the other 6 minutes of the animatic on my own time!! How hard could that be, right?? Except Things Kept Happening With School, and once it was over I was moving to a new place and getting sick and Tango’s desk mat took priority, and suddenly it’s over a month later with Do Those Other Six Minutes still on my to-do list.
The real kicker was that one of the Things That Happened With School resulted in me not getting feedback on the project—the teacher wasn’t able to really look at it. I got a grade, but a series of ridiculous circumstances meant that all that work was only briefly glanced at and a grade hastily entered, which was frustrating and resulted in me resenting the project a bit, since I worked hard on something I loved and it got no appreciation at all.
I’d love to share it with people who would appreciate it, which is to say, other fans!! But the thing is—as much as I want it to be Done the way I intended when I storyboarded it out initially, I won’t have the time to paint those six minutes any time soon: Huevember is in a couple weeks, and that’s a big commitment! But in my mind it’s not a complete project unless it’s a Complete Project. So I’ll put the question to you:
So yeah let me know! I’m still pretty busy but either way I want to revisit the animatic, either to paint more frames or to get it prepped for posting (something I’m not sure how to do yet).
(Also good news about Things Happening With School: I graduated yesterday!! Bachelors degree with honours, baby! Maybe now that school is behind me I can turn a new page where that project gets shared 😆)