If what I’m going to say sounds familiar, it's probably because it's heavily inspired by this post and comments under, but
Guys. We really have to start to put more weight to names of things. Specifically USDTP.
United States Department of Temporal Phenomena. Temporal means ”relating to time” (it is also said to be “relating to worldly as opposed to spiritual affairs; secular.”, but not the topic rn). It implies that there's enough time fuckery happening to have it's own Department in the US government.
And you may say "It doesn't make sense, there's not any-" And I say
Wrong!!!
We actually get to see it a lot, with the most prominent example being Adam's age. (Ofc it's him, lately everything is abt him. Mandela #1 Special Boy himself)
Like, he’s said to be kidnapped as an infant. And it supposedly happened in 1992 (which is also coincidentally the year of divorce his parents took. Also, Mark killed himself this year. Exactly 17 days after their divorce to be precise).
But he's said to be born in 1988, which makes him 4 at the date of kidnapping (infancy is the first month after birth, but child can be called an infant up to second year). But in 2007 he's said to be still learning at high school (being 19), when Sarah, that's stated to be born a year after him, already graduated at the time.
Also Sarah.
Sarah whose birth date is said to be 1987. When in Exhibition we see a photo of her taken in 1982 (and she already looked at least a few years old). And BPS interviews from the MPD page happen somewhere in 2004. Which means it had to exist before that.
But how could it be created then if Sarah and Adam never met before 2007?
(In the interview with Wendigoon, Alex said that page “won’t have any more significance than what it already shown”, which I’m going to interpret as “anything that was on this page is canon, but there won’t be any new stuff related to it”. Plus he mentioned that ppl didn’t catch on all the stuff that was here, so).
And interviews (Interrogation?) with BPS members being here imply that they’ve been already caught (at least once if they somehow managed to escape/were released for some reason). In her interview on this page she said that Mark would be 30 this day (his exact date of birth is supposed to be July 24, 1974). Evelin’s interview from that page appears in Adams “In memorial” video for Jonah, which would suggest that an alternate that tampers with this video got it from this page.
A page that stopped being supported in January 2004.
(There is an annotation saying that “page not being supported since 2004” is false, but not about page being here since before 2004)
And the most obvious one and the one that most people seem to just ignore for some reason, even when they see it.
Supposedly, Vol.2 takes place during Winter Break of 2009. This year it falls between December 24th, 2009 and January 4th, 2010 (”How do you know it?”, you may ask. And I’ll answer you “From here*”). But in Vol.4, in a video made by Adam, Jonah’s date of death is stated to be January 13th, 2009 (and considering that Sarah didn’t say anything about that, we can assume that they both were convinced that it happened on this day of this month).
But literally moments later, in the same video, we see that user “XXxNOAHxXx” on December 13th of unknown year invited Adam to play Left 4 Dead 2 with them.
A game that came out in November 2009.
I refuse to believe it’s all just a coincidence.
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.
Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.
But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.
And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "
He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."
He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."
He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."
He's saying "Be 'Robin' again--for both of our sakes."
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
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"just focus on book 1 without mapping out the entire trilogy" I need you to understand how much I cannot do that
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To be fair 3/8 of episode is almost half way through so if the first half is okayish….welp
yeah that's my thought too - we've seen more than enough to understand how the writers/director are handling the book... which is just sanitizing the ever living hell out of it. So unless they pull something unexpected out of the bag in the second half (which I would love for them to), as of now we're set to receive a perfectly fine, fairly faithful adaptation that is just largely duller than its source story in most aspects. Again, the biggest shame to me is that the actors are just so good.
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Arlecchino's whole deal is unbelievable
Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".
*Kills Clervie and "Mother"*
Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.
*Is in jail for a while and becomes a Harbinger*
Arlecchino: Huh I wonder why I am-
Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-
Arlecchino: Ok.
Pierro: ...You're just cool with that?
Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.
*Runs the orphanage/spy recruitment initiative*
Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????
Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.
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Some new art of a very very old oc of mine! From like, when I was an 8th grader in middle school to freshman in high school I think, I haven’t thought about this character or the world she’s from in like… years, but my brain suddenly remembered she existed! And so I drew some art of her!
Visually, she’s absolutely mostly the result of my child self sticking Toko Fukawa from Danganronpa and Peacock from Skullgirls in a blender and lettin it fuckin rip. Personality wise she’s a bit different tho… she’s into politics! As in,,, she’s in politics ghgh, she’s like the chief of the surveillance department for the country of (mostly) witches that the story takes place in. And one of the advisors to the head ruler witch,,, she sucks! Hardcore! she’s def a villain lol
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Apparently Zionists are harrassing Sudanese people who're risking death to post updates from their own genocide because they can't tell the Sudanese flag 🇸🇩 apart from the Palestinian one. 🇵🇸
Mfers 1) can't even identify what they hate so much, 2) can't leave any Black people alone if their lives depended on it.
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Hi I still haven't gotten out of bed but I'm already fully armed and ready to shoot down anyone that tries to say Aziraphale doesn't care about Crowley anymore or WORSE, never loved him THAT much in the first place.
Crowley is quite literally his top priority, he made that very clear with how distraught he is when Crowley leaves. Why would he shout "Don't go!" "Crowley, come back!" and "I NEED YOU!" if Crowley wasn't always at the forefront of his mind? Why is he so visibly striken and upset when he gives him that last, longing look, begging for Crowley to come with him and be with him forever, before deciding to step into that elevator? When he gets in there, his entire purpose shifts. He IS going to make everything better, and he IS going to make Crowley see the error of his ways.
I can promise you all Aziraphale is going to stop at NOTHING to get Crowley to come be with him forever, as an angel. He is going to do WHATEVER it takes, now that he is the acting Supreme Archangel. It's Crowley he wants first, Heaven he wants second, and, sadly, due to the Mettatron making this offer, a life on Earth he wants last. And that sets up such a FANTASTIC conflict for S3!!!!!
Aziraphale, our beloved, fussy, STUBBORN Aziraphale, is now compromised. He is compromised with POWER. Power as the LITERAL, SUPREME ARCHANGEL. Is this NOT SUCH AN EXCITING AND HEARTBREAKING PROMISE FOR A WILD S3 EXPERIENCE??
Guys, we ALL know Aziraphale let Crowley down, but you have to see that Crowley let Aziraphale down in his eyes. Just as much. That's what makes this scene so tragic. We know Aziraphale isn't thinking the way we and Crowley thought he would, or HOPED he would despite how the world Didn't End. How despite everything in how S1 ended, he was still left with an uncontested sense of superiority that we were all too elated to see was something Left Behind within him.
This season brought all that stuff out:
"We will win of course. Obviously. Heaven will triumph over Hell. It's all going to be rather lovely."
"You were an angel once..."
"Why, yes, I am a great deal holier than thou, that's the whole point."
(after gabriel/beelzebub leave in s1) "See, Crowley, it's as I said--" (back to what he said in the Bentley in S1E2, how Evil always plants the seeds of its own destruction and Good will always win out in the end)
These types of thoughts, and him spending all of the 6,000 years he knew Crowley separating them as one inherently good and one inherently wicked.... guys, that won't just go away after only 4 years of being on their Own Side. We hoped it would. We wanted it to. But it doesn't make sense. Yes, even if the earthshattering realization Aziraphale had that Heaven never truly cared about what was Good did change his character and essentially complete his arc in S1... it didn't change everything.
His arc in S1 was completed when he learned that Heaven wasn't for him. That they never cared. That only he and Crowley could save this world. But this is where the show deviates from the book - Aziraphale in the book is angry. Bitter. Scorned. Aziraphale in the show is just heartbroken. He mourns for the only ever family he knew. He mourns what he always saw himself to be. That mourning isn't just going to go away after 4 years. What is 4 years to a creature that has lived for a possible billion before the Creation? 4 years on earth to 6,000? That terrible wound he suffered that day is still VERY much fresh. It's an open wound he didn't properly take care of. And the Mettatron noticed, didn't he? Yes, you can understand that someone or Something isn't FOR you, and know all the reasons why, yet still wish you could go back... it's how abusive relationships work. You confuse nostalgia with remorse. You confuse nostalgia for real love.
Of COURSE he would seize the opportunity to get what he felt he lost back. And HE could do it. HE has the power. He can make it ALL RIGHT again, everything he's ever wanted...
...and this is why he completely breaks down when Crowley doesn't want to be beside him to do it. Rewatch it. Look at him. Look in his eyes. The way he winces when Crowley kisses him. His internal conflict (Heaven/Crowley vs. Our Side/Crowley) is externalized through Sheen's brilliant acting. His arms coming up to embrace him, but they never fully commit, they just graze him and hover around his body. The way he launches himself backward, away from the kiss, but his body is still slightly leaning forward. When he brings up his shaky hand to touch his lips, and not crying. Never crying. Because he is an Angel, and Angels don't cry. Not like a Demon would. Crowley is all he wants, but now, Crowley doesn't want him. Not like this. Not anymore.
Because, well, Aziraphale said it, didn't he?
Nothing lasts forever.
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Nishikiyama Akira in YAKUZA 0
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the disparity in kudos between a skk fic and a fic for literally any other bsd characters/ship :/
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The Tudors ran so Wulf Hall could shuffle awkwardly around reiterating the same tired old Tudor stereotypes while claiming to be something new.
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I recognised Austin Tindle in Stampede's English dub because I'm also a fan of Tokyo Ghoul, just so's you know, which had an anime adaptation a few years ago. It's… existent. Manga's much better. Good performances and soundtrack, though.
Tindle had the main role. Ken Kaneki: a gentle man with superhuman powers he's reluctant to use, quick to cry and panic, caught between two species, forced to engage in violence as he struggles to uphold his late mother's ideals.
Then he's cast in Trigun Stampede and it's as Millions Knives.
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actually if goncharov were real it would never live up to the standards the insane tumblrinas have built it up to be. there is a triangle of homoeroticism, political commentary, and inevitably tragic in which any live, real adaptation would only conceivably be able to achieve two of to their fullest extent. added on to the fact that this is a film that supposedly is filmed and takes place in the seventies makes the possibility of it truly containing all aspects of what we have made it out to be even more far fetched. however, tumblr has been able to spin gold on far more real and disappointing media than goncharov through its analyses of media such as supernatural, sherlock, and a secret third piece of media that the subsequent creation and analyses of the ‘greatest mafia movie of all time’ goncharov is simply a natural step that tumblr as an ecosystem is willing to take. in this essay i will,
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